Feyd Rautha- “Warrior Sexuality”
Exploring the intimate effects of culture through a focused analysis of Dune Part Two
CW: discussion of Feyd Rautha’s abuse at the hands of his uncle
In “Ur-Fascism” (Eternal Fascism) by Umberto Eco there is a paragraph on fascist sexuality that I think applies to Feyd Rautha
First, a minor note that I’m not exactly saying the Harkonens are fascistic only that this comparison came about because of the black sun that the Harkonen homeworld (Geidi Prime) orbits, which produces a black-and-white world of harsh politics where only those cruel enough to grasp power are rewarded.
This is a world where you are either powerful or weak- and to gain that power you must be harshly cruel. Additionally, this is a slave culture with a clear and degraded underclass whose lives are on the line every second of their existence in the Harkonen sphere. This is a warrior culture with cruelty at its heart. So how is Feyd Rautha’s sexuality informed by this setting?
Eco says, “since both permanent war and heroism are difficult games to play, the Ur-Fascist transfers his will to power to sexual matters,” So, Eco is focusing on the transfer of cruelty from the political to the most intimate realm. From the most public sphere to the private.
He goes on to say “This is the origin of machismo (which implies both disdain for women and intolerance and condemnation of nonstandard sexual habits, from chastity to homosexuality).” Notice this disdain is why Reverend Mother Gaius Helen Mohiam even sends Margot Fenring in the first place. Mohaim is a motherly figure. That Feyd murdered his mother (with seemingly no consequences) implies a very degraded place for women in this society
Consider there are no non-slave Harkonen women we can see. No wives, mothers, sisters. Only the Benegesserit- with their independent power are unharmed. Feyd still holds a knife to Lady Fenring’s neck, she still has to prove herself powerful enough to overtake him.
This is the only way normative sex happens on Geidi Prime- one partner must overpower the other. Love cannot exist here- as it necessitates an interpersonal equality of partners. Even a parent-child love is not possible. Feyd must kill his mother, the same way he almost kills his brother and threatens to kill his uncle.
This is also the reason for his “sexual vulnerability” from the books due to his uncle abusing him. The kiss he forces on his uncle should not be seen as loving. All Harkonen sexuality is domination. Attempting to gain power over his uncle in the same way he abused Feyd.
Eco finishes with “Since even sex is a difficult game to play, the Ur-Fascist hero tends to play with weapons — doing so becomes an ersatz phallic exercise.”
Here I bring your focus on Feyd's knives and his seeming ecstasy in fighting. He caresses his knives and licks them. There is something almost overtly sexual about his relationship with them. They’re introduced in the same scene as his cannibal harpies.
Off topic but are the cannibal harpies also sexually involved with Feyd? He calls them his “darlings” offers them gruesome gifts, and they seem to lounge in a sort of happiness?
They still take on the position of pets, they’re dressed the same, look the same, and never speak like the other slaves. But they seem prized in a sense. They eat human flesh- and so perhaps possess their own deadliness - and from that earn Feyd’s… adoration? Food for thought.
But the “ersatz phallic exercise” is first practiced in the scene when he offers his "darlings" flesh. There are many coital details before the battle. Consider the black paint across his naked body. Showing off his form as a vehicle for war. Nothing carnal is far from brutality.
Even his seduction by Margot Fenring- that he threatens her with that phallic object- that she says he “craves pain” right after he faces the Gom Jabar. There is some sort of sadomasochistic itch. Lastly, consider the intimacy of battle. When he fights the “last Atreides.” Seeing that his opponent is not drugged, he removes his shield. He makes himself vulnerable (also notice the slightly vulvic entrance to the arena like he’s participating in something vital/ sexual).
Perhaps because he craves pain, and the threat of an equal opponent is made more exciting if that equal opponent can equally harm him (note at the end how close the two are as Feyd holds him to his chest- the smile and wink in at his opponent the refusal of outside interference).
In conclusion, Feyd participates in Umberto Eco’s “ersatz phallic exercise,” as a natural extension of Harkonen cruelty infecting every sphere. That’s also why I found this post especially true to the character there is something very inherently sexual about Feyd’s relation to fighting.
Thanks to my Twitter mutuals who asked me to put this in a more readable format, so I got to clear up some spelling and punctuation errors in the original thread.
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