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#subharmonicon
else-self · 2 years
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Sometimes I look silly or sleepy. But then I mess around with a synthesizer and that's nice.
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datenarche · 1 year
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strangeshuttle · 1 year
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Let's make my first Tumblr post a synth patch I'm starting to fiddle with... I may sequence this and put it in my current game.
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ghostdownphoto · 1 year
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I have an EP
Two actuallly
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Here’s me in some funny sunglasses
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Recording some loops to create a sample pack of 303 Bass tracks to be made available free to everyone! People who are joining my Acid 303 Compilation will get the link when it's released in the Facebook event! Will post the link in other places too. Using my TD-3 through some other synths to add more complexity to the loops! This will be a very small sample pack and I will provide a few drum samples too, I think I will be doing more of this in the future! #behringer2600bluemarvin #behringer #behringertd3 #moog #subharmonicon #moogmusic #behringercat #modularsynth #eurorackmodular #synthesizers #synthesizer #synth #synthesis #sampling #samplepack #synthesizermusic #roland303 #303bass #acid #musicproducer https://www.instagram.com/p/CjybMhWvT5j/?igshid=NGJjMDIxMWI=
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jackybean · 2 years
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… 8/11のambient equationのLiveの動画をYouTubeで UPしました。 よかったら見てください。 モジュラー ライブとしては2回目ですが1度目の時より流れがスムーズになりました😅 途中退屈しないように大急ぎで作って入れた悪夢な感じ部分のchorus のウケがよくて、入れといてよかったーって思いました。 暑いなか、観に来てくださった皆様ありがとうございました😊 youtu.be/PTY_Sauph5w Mountain Hawkで探していただけると見つかると思います。 #ambient #modular #moog #subharmonicon #starlab #strymon #metropolix #intelligel #rings #syntakt #elektron #mutableinstruments #analogsynthesizer #dub #モジュラーシンセ #modularsynth #modularsynthesizer #シンセサイザー #synthesizer #analogsynthesizer #eurorackmodular #eurorack (Environment 0g) https://www.instagram.com/p/ChT2R9QBnLK/?igshid=NGJjMDIxMWI=
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idlebug · 2 years
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soooo obsessed with this moog music live chat
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kuliak · 6 months
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Clocked atmosphere, macro breaks.
Finally picked up a second standalone filter in QPAS - this means I can have two "complete" voices of oscillator/filter with dedicated EGs. There's lots of creative stuff to do with this! But for now, I'm just taking the subharmonicon's rhythm section and using it to clock two separate sequencers and voices.
Drums are receiving some clocked modulation from Pam's to keep interesting; then I have the drum mix going through milky way for very crunchy compression which honestly takes away a lot of the interest. The top two outputs of Cold Mac go into the compression amount and attack controls; meaning that the left and right sides of the knob effectively mute the bus (but in different ways) while cranking Ikarie's resonance.
This as well as bandpass frequency and some melotus parameters are played through the performance.
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taperwolf · 7 months
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So this is what Hatsune Miku would sound like singing through a Moog Subharmonicon.
The little white synthesizer is the Gakken NSX-39 "Pocket Miku", a stylus-based synth using the NSX-1 Vocaloid chip. It's in a mode where it uses Miku's voice to sing solfege — "do", "re", "mi", and so on — based on the tapped notes. If the volume of one of those sung notes is loud enough, it triggers the two Sigma slew limiters, which are tuned to output different subharmonics of that starting note. Which subharmonic is playing changes in time with the s&h module. (A deeper explanation for that is under the cut.) The three tones — Miku's voice and the two divided down signals — combine to create randomly changing chords.
We're exploiting the Sigma's Trigger input. When that input receives a trigger — the front edge of a high enough signal — the module produces a signal that's then slowed down by the Rise and Fall settings: the output goes from its lowest point to its highest point over the duration set by the Rise knob, and then back down over the duration set by the Fall knob. This process is how a function/slew limiter works as an AD envelope generator or an LFO.
To work as a frequency divider, you pass a repeating signal into that Trigger input, and it again does its rise and fall thing. Because the envelope isn't retriggerable, if the rise time plus the fall time is greater than the duration between the input triggers, it starts skipping them. The basic case is that you're skipping every other trigger, and your output now has a frequency of half that of the input — or, if you're working at audio rates, the output is one octave lower, because those are really the same thing.
The CV inputs are set to lengthen or contract the whole cycle proportionately to their input voltage, so when the random voltages of a s&h are given to it, the cycle changes the factor by which the frequencies are divided. Since the CV is attenuated to different degrees on the different Sigma modules, you get differing amounts of frequency changing.
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mysticalblizzardcolor · 6 months
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Mira | Generative Ambient Moog Subharmonicon
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Satoshi Sakamoto - Unawang (Art) Mira | 
Generative Ambient Moog Subharmonicon https://youtu.be/FdCydlP72qg?si=XdueygDOxR9-mCr0 via @YouTube 
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burlveneer-music · 1 year
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Secret Circuit - Green Mirror - new double-length album from one of the best in electronica
Invisible Inc is over the moon to finally be announcing this long-awaited double album of new music by Secret Circuit. Presented here are 21 new pieces (or 22 if you count the bandcamp-exclusive digital bonus) recorded between 2020 and 2022 which capture that spacey, otherworldly quality Secret Circuit is known for but they also very much veer into the warmer, earthier and generally more ambient textural territories of his E Ruscha V and Only Thingz work...an altogether softer sensibility. The fact that the second disc of the double album is primarily ambient further confuses the issue! But Secret Circuit this most definitely is! From a plethora of demos (40+) Invisible Inc label boss GK Machine wanted to distill these down and explore a side of Ruscha's that he felt hadn't been heard before, focussing on Ruscha's more emotive yet at the same time experimental side. Is that a paradox? Well, let's say only very rarely do we hear modular synths doing something so human-sounding, and when these are juxtaposed alongside slide guitars, live bass and vocodered vocals, we have something very special indeed. Then there's the artwork...all lovingly drawn by E Ruscha V himself and landing on our desk long after the record had gone into production and test pressings delivered and approved. The package is made complete with a double-sided colour insert with liner notes and another of Ruscha's mind-warping doodles. Oh and the liner notes are written in reverse so you'll need a mirror to read them. Of course they are! To cut a long story short, everything about this release is archetypal classic Secret Circuit and couldn't be anyone else. A highpoint for the label in 2023, no doubt. And we hope you love it as much as we do. INVINC HQ
instruments: Modular Synths, Lap Steel, Roland Jupiter 6, Roland JD-800, Roland SH101, Roland TR808, Elektron Machine Drum, Elektron Digitakt, Field Recordings, Soma Lyra 8, Various Guitars, Fender Bass, Yamaha M5, Yamaha CS 60, Moog DFAM, Moog Subharmonicon, Various Percussion, Yamaha PSR 19, Clarinet, Syntox Vocoder, Modor NF1 + Vox by E Ruscha V Vox & percussion on "Illuminated Knights" by Milo Ruscha All songs written by Edward Ruscha V
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thisisprettybroken · 2 years
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The Future of This Is Pretty Broken
Wait is this textwall asking for money?
Noooo, and as you will soon see I'm doing great tbqh. I just wanted to rip the bandaid off, lose some followers, and explain why this blog is changing formats from a personal gallery to something actually personal. TL;DR: My hyperfixation changed.
Whered u go?
After GAID 2016's gallery show I was halfway through a year of drawing every single day. This practice prestiged my glitch art into furry art wherein I had trouble keeping commissions open as they'd sell out within seconds. A single, somewhat popular pokémon comic did not help with this, so I raised my prices several times in an attempt to get less people to commission me so I could keep comm slots open for longer than literally 10 minutes. At $200 a drawing it just kept selling out. This was good as my partner in art and life ended things, found new roomates, and told me to get out in a week all within 12 hours of my coming out as bi and trans because this made them uncomfortable.
A lot of my furry art... I hope it offended someone. Not in an edgy way, as I aimed to make something explicit but not titillating nor societally reprehensible. My personal furry art was supposed to make a statement about the absurdity, insidious effects, and hyperfocusing tropes of adult-oriented amateur art on the internet. As with glitch art, and all art, furry art is art and I aimed to take it seriously. Oddly, despite the stuff I was outputting on my own, I got ENTIRELY SFW comms and learned that the outward-facing, perverse furry scene we know is hiding a lot of earnest and thoughtful souls behind it.
It was ultimately a phase, and it didn't make "affluent in a big house" money but it did just scrape five figures across the whole of my efforts. That's not lifechanging money spread put over several years but it allowed me to pursue a lifelong love of music for serious. 3 years ago this was, I started transitioning and sought a better way to express myself.
I made 3 albums of what was in my heart with a 4th coming soonish. I wrote a ton of LGBT articles on defining one's identity and self expression.
So anyway I bought Pukicho's Subharmonicon which puts me right about here.
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Love wins or... something. Furries were good to me and I love all your little hats.
So What's Changing? Basically this is a personal blog now. I want to interact with the tumblr community instead of speaking in codes from behind distorted preexisting images because it's the best social media community running. 2015, heck, 2012 is so long ago. I watched this whole community grow up with me from a naive twentysomething wasting time at work to someone making the noise they've always yearned to make albeit still working in between because even furries can't save you from the bourgeoisie.
Yet.
Send asks, send hate, I'm just gonna post whatever from now on and it'll probably have lots of synthesizers in it. I'll still make glitch art now and again I promise as I've backed up all of my old Processing 2+ scripts in a portable install environment and the fact that my posts are STILL circulating tells me that they've brought a lot of joy and I want to bring some of that back with me.
Thanks for reading, and I look forward to actually using this account for interacting instead of lurking. And thank you for 6 years of saying my work is real cool. It makes me feel cool too. ♡
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ecoamerica · 19 days
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Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!
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nemosynth · 3 months
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timbre-centric
Was playing a Clavia Nord Wave synth, a second hand unit on a musical instrument shop's sales floor, when a little girl, maybe kindergarten age, long hair, wearing a navy blue sweatshirt with pinkish logo, running around with sweatpants, playing one after another the digital stage pianos displayed in a row. She was playing random notes but only a single note at a time. Perhaps she knew that most pianos are not for banging your fist to make vanguard cluster chords but to play melodies.
I was playing a dreamy pad sound with a pair of choir samples with pitch interval of minus four semitones, running through a comb filter or a three peak filter with cutoff frequency modulated by S/H LFO, with the resonance cranked up high to the lower reaches of self-oscillation, and delay line added. The Nord Wave does a good job on processing a sample in a peculiar distinctive way, to prove how freely a hi-tech musical instrument can go light years away from an acoustic instrument.
The girl kept playing one stage piano to another, but after a while, I realized that she was waiting for me to leave the Nord Wave so that she can try it out herself. She was pretending indifference, but she was curious about playing a synth that fills the air with such spacious soundscape, as if it was from a sci-fi scene. I moved over to a Moog Subharmonicon synth module, and began tweaking its poly-rhythmic sequencing phrase.
The girl came close to the Nord Wave, silent, and eagerly gazed at it with her large eyes showing great interest. The synth was placed on a high keyboard stand, high enough that tiny she could not see the front panel. She turned to her father and asked 「パパ、あれなに?(Daddy, what's that?) 」 The dad rushed to her, lifted her up, murmuring not to touch that because she may ruin someone's setting. He seemed a bit younger than I.
Was the synth a rocket space science for the dad? Was he afraid of me looking very much a synth nerd might get furious to see her destroying what could have been my sonic patch settings? Anyhow, I didn't see them afterwards.
Perhaps, I accidentally opened her gate to the infinity outside of her daily world. Perhaps it leads to know that there are a lot more sounds that attracts your ears than a piano, a lot more keyboard instruments other than a piano.
To the Infinity outside.
The Nord Wave used to be mine, which I sold it to the dealer. I was a bit happy to see it sitting there yet, so I was playing my own sounds still remaining on that one. One might find a synth of life, like Moog IIIp is to Isao Tomita, Buchla modular for Suzanne Ciani, Yamaha CS-80 for Vangelis, and Ensoniq VFX-SD II for me. When it finally went kaput, I looked for the successor, and tried out various PCM/VA synth like VFX. Nord Wave was a distant option. Kurzweil PC361 was closer.
Nord was bright sounding whereas Kurz had guts at the fat bottom end, much like Ensoniq but more matured. But then again, the successor of the VFX was never a PCM sample playbacker kind. It was a DSI-Sequential prophet 12 a DSP/analog hybrid that has no samples in it. It created a barren terrain soundscape that was peculiar but very much new and fascinating to me. Hence, my interest of sound was shifting from conventional PCM sample-based to non-samples, and digitally generated.
I decided to sell my Nord Wave and PC361. They are very good ones, and were hard to let them go, but perhaps there are people who can make better use of them than I. Quite by the accident, that sales floor was with two people leaving the previous sonic world and phasing into the next. This was one of the places where timber-centric voyages begin.
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jackybean · 2 years
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… 昨日の焚火ambientイベントは、リハをしようと機材出した瞬間豪雨がやってきて、どうなるかと思いましたが、本番はものすごい平和であの嵐はいったい、、 豪雨の時にフードの茨木ラマン(@ibarakilamant)さんが室内に楽器を避難させてくれてタオルとかいっぱい貸してくれたおかげで大事にいたらなかったように思います。まだ電源入れてないけど😅本当に感謝でございます。 #ambient #焚火 #お盆 #ibalab #ibalab広場 #ibarakilamant #ambient #modular #moog #subharmonicon #starlab #strymon #metropolix #intelligel #rings #syntakt #elektron #mutableinstruments #analogsynthesizer #dub #モジュラーシンセ #modularsynth #modularsynthesizer #シンセサイザー #synthesizer #analogsynthesizer #eurorackmodular #eurorack (茨木ラマン) https://www.instagram.com/p/ChOh7T0BbGS/?igshid=NGJjMDIxMWI=
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tomsynths · 11 months
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Problems straight away
Following on from lectures, I was eager to get started on VCV rack and create some patches. 
I decided the best place to start was to recreate some patches of other youtubers to get me used to the software. I found this series by Red Means Recording really helpful.
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I also wanted to recreate the Subharmonicon by Moog, and followed this patch along. 
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I felt really pleased to have been able to follow along and then made tweaks of my own to the patches and found myself creating some interesting soundscapes. 
But.... 
A few days later, I tried reopening my patches, and my computer had suffered a bug that wasn’t allowing me to reopen old patches. 
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This was a real problem, I tried a lot of different work arounds, re-installing, looking online, and using older versions. But nothing was working. For the etude submissions, I would have to film myself creating the patches and use that as a submission. It is a real shame as I was really flowing with the software and it killed all momentum I had built up. 
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SOUNDSSERIOUS #moog Mother 32 and Subharmonicon with Midi Guitar
Rehearsing is improvising, improvising is composing. 
soundsserious is an audio project, alias and live session by composer & sound artist Marcus Webb. Leave a like and subscribe, much appreciated ! Other gear used: #starrlabs #alesisiodock #audiotechnica SUPPORT THE CHANNEL CHANNEL MEMBERSHIP: https://www.youtube.com/@soundsserious ► MY MUSIC: https://open.spotify.com/artist/5YPWH... ► BANDCAMP: https://marcuswebb.bandcamp.com/music ► CONNECT: https://instagram.com/marcuswebbsounddesign?igshid=ZDdkNTZiNTM= ► MORE INFO: www.marcuswebbsounddesign.com . . . #ambientmusic #midiguitar #mother32 #dronemusic #dreamymusic #subharmonicon  #experimentalmusic #queermusic #synthmusic #sounddesign #soundscape #soundartist #electronicmusic #modularsynth #ambientcuration
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