Niffty Redesign🐛
Made my own take on Niffty for Fun!!!!!!!!💖 I def thought a lot on what to try with her!!!!
Pushed for a more 50’s Housewife aesthetic/hotel maid vibe. She’s wearing a pinafore apron which was very popular during that era and I took the poodle skirt idea and reworked it into the apron, but rather than a poodle it’s a bug 🐛. Also brought back warmer colors like the pilot look had. Pastel yellow was def a pop color!
Also added a name tag as to show she works for the hotel 🏨
Added more splotches and made them bigger on her apron. Polkadots were popular in that time and I think are cute(lot of her concepts had polka dots on her) plus I can see her wanting people to assume she’s a ladybug or Asian Lady Beetle 🐞 (@peeperscreeperz made a take of Niffty being that which is AMAZING and I considered making her that too but I ended up going a different route). I can see her also wanting them to give off flowers…only for most people to see them as blood stains.🌸🩸
Also gave her those iconic cleaning gloves 🧤. Shes the Hotels maid AND cook afterall 🧽 👩🍳
Gave her a bandana bow for the housewife and maid look and because I think it’s cute and lowkey gives off antennae.
I LOVE the idea of her being a bug demon so I went with that. I was going for a subtle ambiguity of what she’s suppose to be(she’s hiding what she is).
Gave her warmer eye color back! Also made the pupil more leaf shaped 🍃.
Added gradient for her limbs.
Added extra limbs. Great for extra cleaning 🧹 🧼
Her hairs actually antennae…and extra legs 🦵
Gave her three fingers.
Made her eye bigger(bugs often got big eyes! Or for her case eye 👁️)
Added a lil bug instead of a poodle for her apron!🪳
For her color motif, went back to warmer colors and because for mine I’m going with a rainbow motif she’s Yellow💛🌈 the color known for its positives such as joy and friendship…but can also mean negative things such as Deceit, illness and often used as a warning color⚠️ it was also a popular color for Sci-Fi posters(she was based on B-Alien Movies)
Made her skin a kinda warm pastel orange🧡 I missed her having a warm palette but I also get why they changed it due to her roots 🇯🇵. So I went with orange!!!! Her hairs also a more brownish red-orange.
For her bug theme,
I went with something that I figure would connect her both to her ability to take down pests so well and Japanese origins. The Japanese Centipede! Centipedes are great for pest control but apparently to Japan they’re considered symbols of evil and rottenness, plus with how they look they often scare people even those they don’t pose serious threats to humans, which I think fits Niffty’s whole desire to be loved only to accidentally scare people away…shunned & unloved by a world she can’t seem to fit in💔
HUGE Spoiler alert!!!! Hazbin Hotel
With the reveal of Husk being once an Overlord I like to believe the same with Niffty but rather than souls(talked about this with @a-sterling-rose, she was an immensely powerful sinner like Alastor, but alas her form was far too big and scary for people to want to get close to and she was alone…until Alastor offered her a deal he’d provide a more approachable form in return for her eternal service)
A lot of her looks meant to be hiding what she is. Disguising her extra limbs as hair, her body’s color scheme based on a centipedes, poofy dress that could cover extra, even the bug design could be Interpreted as a long centipede. I was also going for a subtle sharp, mini legs for her apron ruffles, giving off her trying to look sweet and soft but could also be interpreted in another way…
I read and learned from a @lovesart23 redesign vid for her that, she was meant to be based on B-Alien Movies. LOVE that and I tried it myself(hardest part was figuring out what bug to make her and what themes to go with) but I ended up going for another Sci-Fi route. Kaiju/Giant Bug monsters. Creatures like Godzilla or those giant bugs creatures like “the Tingler” 1959(which was a centipede monster I read). I figure it’d connect well to both her struggles of fitting in but also her Japanese Roots.
Monsters are tragic beings. They are born too tall, too strong, too heavy. They are not evil by choice. That is their tragedy. They do not attack people because they want to, but because of their size and strength, mankind has no other choice but to defend himself. After several stories such as this, people end up having a kind of affection for the monsters. They end up caring about them."
— Ishirō Honda The Director of Godzilla
Plus some certain Kaijus could qualify as Aliens!.
There’s even a Yokai/demon based on the centipede know as the Ōkumade!
CW freaky Pictures of centipedes and Mice
What do u think? I’d love to know💖
I’ve also done Charlie, Vaggie and Angel🍎🦋🕷️
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Submitted by @sgetous: "sombra smut and fluff with fem latina reader 🌚 the plot can be up to you! im just sooo THIRSTY for sombra"
Drunk on You
pairings: sombra x fem! latina reader
summary: after one too many drinks at festival de la luz in sombra's hometown, she gets a little too handsy in the club
warnings: bottom!sombra, top!reader, public sex (Olivia gets horny on the dance floor), semi public sex, alcohol consumption, weed, intoxication, bad google translated spanish, not proof read bc im tired
a/n: as an asian, i don't know how to write for latinas BUT I TRIED MY BEST (also, i attempted a new format bc im trying to be like those cutesie aesthetic fanfic girlies)
As the New Year approached and festivities were in full force, Talon's schemes were put on hold. And considering it was officially your first year with Olivia, you thought it was rightfully fitting to spend the holidays together in one of your home towns. Olivia didn't seem to share the sentiment.
When you proposed the idea to her, her fingers stopped working at the holographic keyboard instantaneously. "Why would you want to go there?"
Even with her back turned to you, you could just hear the curl in her upper lip to really emphasize the "there". Though you paid no mind to her obvious distaste, instead, gripping the leather of her office chair to swivel her around to face you. Olivia's arms were crossed and her bottom lip poked out ever so slightly in the smallest of pouts.
Bending down to rest your hands on the arm rests of her chair gives Olivia the perfect view of your cleavage accentuated by your tank top. Distractedly, the hacker licks her lips, eyeing the remnants of faded hickeys that lingered on the flesh. Taking advantage of the situation, you lean further down, trailing your nose along the length of her neck until you reach her ear.
"Por favor, amor"
The groan she lets out and the subtle tilt of her head backwards lets you know that you're definitely getting your way (in more than one way), after all Olivia was always weak for you.
That's how you ended up 7 shots deep into the winter night of Dorado's chilly air. But the sweaty bodies bumping against one another in the cramped club and the alcohol flowing through your veins brought an intoxicating warmth to the air. And as much of a fuss Olivia made about the trip (she agreed after a long night in bed and on the account that you stayed relatively hidden in an underground club), she seemed to be enjoying herself just as much as you were - if not more.
This was one of the rare occasions that Olivia didn't have to care about Talon or work and she was ready to take full advantage of it. And that she did.
At this point, you didn't know how many drinks she had drunk or how many joints she smoked. All you knew was that her hips were grinding against your ass and her lips were bruising your neck with promises of her love for you. Olivia's breaths were heavy against your skin as her hips swayed and rocked, her hands dragging along your waist to match her movements. It was simply intoxicating - she was intoxicating.
"Feel's so good, Corazón- so good,"
The change of pace makes you turn your head to the side, Olivia's hips more so rutting into your ass instead of actually dancing and the blissed out expression on her face made her intentions a little too obvious. As turned on and drunk as you were, you were not about to have sex in a sea of partygoers.
With more force than you thought you needed to use, you pull your body away from Olivia's iron grip. The whine she lets out makes a small smile spread on your lips.
"Come, Liv, let's take a break" You have to shout the words a little louder than necessary solely because of how loud the music was.
But the hacker seemed almost in a haze - nodding obediently while taking your guiding hand.
The small bathroom drowns out a little of the blasting music, enough for you to be able to hear your own thoughts without a base drop accompanying it. Sparing a glance at Olivia slumped against the tile of the wall, in between her lips sits a sloppily rolled joint she must've snagged from a random table. The smoke filters throughout the bathroom, forcing you to lean over the rim of the sink to get a better view of your smudged make up. Pulling together what little amount of soberness left in your body, you carefully drag the lip liner across the edges of your lips.
The feeling of familiar hands dragging up your arms to your shoulders pulls your gaze away from your lips to meet Olivia's eyes in the mirror. The typical violet irises are almost completely drowned out by her dilated pupils. Her eyes follow the ministrations, now of your lip-gloss smearing across your lips.
Once you secure the items back in your bag, Olivia slips the joint from her lips to yours - her eyes never leaving from your lips wrapping around the joint. Slowly, you inhale, the smoke puffing up your lungs with burning addiction. Two of your fingers pluck the joint from your lips, smearing your lip-gloss ever so slightly. The sight of your smudged make up and the smoke escaping your pretty lips has Olivia biting at her lip hard enough to draw blood.
"Chica bonita, mi chica bonita," Olivia mumbles the words like a prayer, her thumb reaching up to wipe at the smeared gloss.
As her thumb drags along your bottom lip, you slip it into your mouth. Your tongue swirls around the digit, drawing back to press against the pad of it - opting to hollow your cheeks and suck along the weight of it. The innocent look on your face as you look up at her through your lashes with her thumb snug between your lips does unimaginable things to her.
Olivia reluctantly pulls her thumb out and brings the joint, still held between your fingertips, to her mouth. She holds the smoke in her mouth and pulls you in for a bruising kiss - breathing the smoke into your awaiting lungs. Olivia's lips are unrelenting, the kiss is sloppy and it's just what you wanted - all teeth and tongue, almost like she was trying to devour all of you.
Her hands roam across your body, mapping out every curve and contour of your body. And yet it's not enough for her.
"Touch me. Need you Corazón" Olivia's hands are greedy - one groping at your body and the other pushing your own down her jeans. The amount of slick pooling and seeping through her panties (if not for the dim lighting, you'd surely see a dark patch along the seam of her jeans) makes you moan against her lips.
The position is awkward for your hand but as worked up as Olivia is, even the slightest bit of friction could make her cum. Your unmoving hand has her whining and begging into the messy kisses.
"Please, please- fuck! Need you so badly baby," Typically Olivia was a stuck up brat who refused to beg unless she had been edged or teased for quite some time so seeing her submit so easily was a pleasant surprise.
Olivia's hips took the initiative, grinding helplessly against your palm - even that had her eyes rolling into the back of her head. Taking pity on her you pushed two fingers into her, the digits slipping in with no resistance. The moan she lets out is raw and rips from the back of her throat - her head throwing back in euphoria.
"Did you just cum...?" In any other scenario, Olivia would've been embarrassed - knowing that you wouldn't let her live down the fact that she had came so fast. But at this point she couldn't care. All that mattered was that you had two fingers knuckle deep inside of her and she needed a third.
"Don't..hah..stop!" Her voice breaks into a moan at the exclamation.
Taking mercy on her, you work a third digit into her greedy pussy. Pumping the digits in and out of her - smearing slick across her inner thighs and fabric of her ruined panties. The movement that she oh so craved has her screaming and clamping down on the exposed skin of your chest. Shifting ever so slightly for a better angle, you're able to brush against the spongy texture of her g-spot.
"Oh my god- fuck! I'm gonna cum, Y/N-"
Her words die on her tongue as you swiftly pull out your fingers from her, a loud banging on the locked wooden door catching your attention.
"Yo! Anyone in here??" The sounds of a feminine laugh and a masculine voice shouting brings you back to reality - remembering you were occupying the bathroom that other horny couples wanted to exploit.
Olivia's eyes are frantic, her eyebrows cinched together. "I swear to god Y/N if you don't make me cum in the next five seconds I'll delete everything from your phone"
"Better keep quiet then, Princesa"
Swiftly you bring your free hand up to clamp itself against her mouth as you pick up the pace. Curling your fingers repeatedly against her g-spot which in turn grinds your palm against her swollen clit.
Even with the make shift muffle, her scream lets the couple know that the bathroom is currently in use.
At least your phone was safe from Olivia's fury.
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Topsy Turvy (1999) by Mike Leigh:
Jess' Panel Presentation
Topsy Turvy (1999) by Mike Leigh portrays the collaboration between lyricist William Gilbert and composer Arthur Sullivan in their development of one of their most notable productions, “The Mikado.” This backstage musical dives into the discipline and obstacles within these two creatives and the theater community during the 1880s of the Victorian Era. Although the film can be subtle and dry at times, it is merely to focus on the process of creating this opera, addressing the age of art, culture, and social attitudes.
Setting and Social Context
The Victorian Era is well known for its major developments in British Society, as it marks the reign of Queen Victoria and the city’s advancements in industrialization, science, and art. The beginning of the film not only establishes discipline and the competitive world of theater, but also the richness of art during the peak of the British Empire and is expressed through mise-en-scene in regards to the off-stage narrative, as Pattullo states, “Such a strong contrast between bleakness of narrative and lavishness of spectacle appears to heighten the viewer’s perception of the extremes of each.” The colorful and diverse architecture throughout the film shows the landscape and art of this era. We can see this through the surrounding visuals of both Gilbert and Sullivan, as their living spaces and environments make up a large portion of the film’s aesthetic and time.
In both shots, we see an Oriental aesthetic within their surroundings, as Sullivan’s wallpaper and Gilbert’s wall filled with bric-a-brac reflect the British Empire’s colonial history and trading within Asian countries. Moreover, this aesthetic acts as a manifestation towards the creation of “The Mikado,” as this idea is established through a particular scene where Gilbert hangs a Japanese sword on his wall after perusing around the Japanese cultural exhibit. This scene shows Leigh’s direction of using architecture and decoration to emphasize Gilbert’s shock of inspiration through Japanese art and culture that displays an era of diversification.
The Separation of Performance and Narrative Space
Although the musical’s operatic sound is a standing point to the film, the off-stage perspective and narrative is what stood out the most. The structure of backstage musical gives the audience a double perspective of both the theatrical performance and creative development, as Lauren Pattullo states in her essay, “The spectator of the backstage musical can be said to experience a sense of community spirit in the exposed world of the behind-the-scenes workings of the theatre, whilst also witnessing the spectacle of a fully polished performance, as if viewing from the best seat in the house.” We see this in the editing choices that are made to transition from narrative space to performance space, as it usually starts with being in rehearsals and cutting to the stage performance. This brings emphasis towards the dominance of the off-stage narrative within this backstage musical, as Leigh focuses on the process of the two creatives and the theater’s ability to express their vision.
Another aspect of the narrative space is the audience’s ability to witness the private lives of Sullivan, Gilbert, and different characters in the opera that gives the film complexity and dimension. In particular, Sullivan’s deep rooted goal to reach his potential as a composer is well versed in the film, bringing the audience closer to his character and his passion for theater. This idea goes along the same lines of other characters in the film, as it’s a different way to get close and personal with characters within the general genre of musical. A specific scene that embodies the narrative space is the theater community in defense of keeping Mr. Temple’s song in the musical. It not only shows the relationships between one another, but also their passion in the artistry and their key role in doing what is best for the company.
The Spectacle: Orientalism and Cultural Appropriation
“The Mikado” was one of Gilbert and Sullivan’s most famous works, as this set off their careers. But, as a more modern audience, we must point out the clear racism and form of cultural appropriation of Japanese culture that is displayed both off-stage and on-stage. Especially with the on-stage set design and costume, we see a Japanese aesthetic, but within song, the traditional English sounds reflects on Gilbert's "Topsy-Turvy-dom." This brings the audience to a surrealist experience through the use of Oriental aesthetics to express a "refreshing" concept that others Asian identities.
A specific scene that stood out to me within this concept was the rehearsal of the three women trying to imitate the Japanese women brought for example. This scene shows the attitude within race during this time and the created stereotypes around Asian people being embedded in the film, as Pattullo elaborates on the spectacle, stating, "Perhaps Berkeley’s choreography uses the dancers’ femininity to create spectacle to an extent, whilst simultaneously achieving a degree of dehumanization, as the dancers blend into special effects and become mere components of patterns and designs." This idea is blatantly shown through the makeup put on the performers and the etiquette they act upon on stage. This is also seen through the reactions of the theater performers in being a part of a culturally different musical, as the backstage musical structure creates a double-layered spectacle of the on-stage presence of Japanese aesthetic and the off-stage narrative of Gilbert's fascination with the culture and performers reacting in an unfamiliar way.
Discussion Questions:
Can there be imbalance within the off-stage and on-stage narrative? Can this be an effective tool and what can it emphasize?
Are there common stylistic similarities in backstage musicals to transition from the off-stage to the on-stage?
How does culture and era play a part in the off-stage narrative, and how is it addressed?
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there is a big difference in acting styles between eastern and western people, especially in tv. Is there the same difference in theater?
So I may be the wrong person to ask this, because as a Chinese-American who straddles both the "east" and the "west" and who watches movies and the occasional TV show from both sides, I don't see much difference at all! At least in terms of emotional affect, I get the same whether I'm watching "eastern" or "western" media, and maybe that's just my brain being split between them, but yeah, that's all I can tell you lol. (Unless you're thinking of, like, Chinese soap operas or k-dramas or something? Because yeah those I don't watch and for all I know the acting is different there, but I imagine the genre plays as much a factor there as anything else.)
As for theater, I think my knowledge is pretty spotty and is centered almost entirely on East Asian theater (Japan, Korea, China), and even then there are large gaps. Like, I'm pretty familiar with Korean musicals, I've watched quite a few different shows from there (and they're excellent! Korean musical theatre is really underrated outside of, you know, Korean musical theatre fans). With Japan I'm mainly confined to a few select shows and companies, which I think skews my perceptions (let me tell you, Takarazuka can be really different from the rest of Japanese musical theatre). And with China the only thing I've seen is their production of Phantom (I'm not counting the World Tours that have gone there, to me that's "western" musicals taking a visit to the east). So take whatever I say next with a pretty big grain of salt.
For Korean musical theatre, I honestly don't find much if any difference in their acting styles. Watching their versions of Phantom, Elisabeth, Wicked, and so on, it affects me just as much emotionally as any other production I've watched; if there are any differences, I find it's usually because of an individual actor, not because of some culture-wide trend.
For Japanese musical theatre, I think they do tend to go for a more restrained, subtle form of acting, and a lot of them do come off more reserved, but I can also think of a number of exceptions. Also, since my main expertise is Phantom, it's difficult for me to make generalizations because, if you don't know, the Japanese production uses pre-recorded orchestrations anytime the production plays outside Tokyo (and Yokohama in 2017), and that forces an actor to work within a very rigid structure in order to stay in time with the music. And then on Takarazuka's end, they have a certain aesthetic and style of their own that the actresses have to adhere too. So it's hard for me to make sweeping statements because there's always that thought in the back of my head: "Okay, is it a culture thing or is it because the music is pre-recorded? Is it a culture thing or is it just Takarazuka being Takarazuka?"
For Chinese musical theatre, I've only watched their version of Phantom. And the videos all look like this. I'm not ungrateful, mind you, I'm just pointing out that it's hard for me to say anything about anyone's acting because they all look like white dots on my screen.
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Hey! (It's me, almathecolormaniac just in asks tumblr only lets the main blog to ask)
Do you mind if i ask here, about your comic?
Like how did this story come to your mind, or what is your motivation to make tangible. (i mean my ideas for stories never get further than my mind 😆) And what does the drawing process look like for you?
When did you found alta and what is that you like about it, do you like to read fan fictions too?
Or just ramble as much and about anything or nothing really, no pressure i dont mind at all.
If anything, thanks for your art and have a good day!
Hello there! Thanks a lot for your message!
I’m posting this as public because maybe it could help somebody else too. When I first started making this comic, I was really overwhelmed and wished there was someone to share their own experience to help.
This is going to be long!
When I first started with Sena's story, I was not intending to write a tangible story or make it into an actual comic. I was simply drawing a character as I was fantasizing about an Avatar story.
Just with this little drawing, there was immediately a concrete picture of what kind of character this was in my head, along with her age, her name, her possible path... Other characters followed in much of the same way, without even trying to create them. It was like they were just there. Sometimes the stars will align and such things will happen.
It's interesting how it all started with Nina (whom you do not know yet) and not with my main character Sena. But it's not strange as I always loved drawing waterbenders the most (and their hair loopies)! Nina gave me the headstart to imagine all the rest.
Wishing to give these characters the story they belong to, I began writing , in book format, without any plans on what to do with it later.
I talked about this in another post before, but one of my biggest motivations was that I wasn't content with what followed after the original show and really wanted to see what I'd do with the Avatar Universe. I wanted to prove that a story didn't need to have war, epic battles, villains or "edgy" superpowers to be interesting. And I wanted it to be about "kids", having the same naive and simple (yet deep) quality that I love about AtLA.
Much of the initial writing came naturally to me, and I was influenced by the themes that played out in my own life. Many of Sena's struggles are also my struggles and it means a lot to me to find out where they lead in Sena's case. I write the story as I go and although there are certain events I already know I want to lead into, much of it is still uncertain.
( One of the influences to this story was The Neverending Story, which I had read shortly before I started writing this story. Some of Sena's characteristics were inspired by Bastian, and Kai's were inspired by Atreyu. )
At some point I decided to make this into a comic, which I was hesitant since I knew it would be laborious, but it was the medium that this story would really flourish and catch other's attention as well. And I did want to share it.
There were a lot of tasks ahead of me before I could actually start drawing the first pages. I have different locations in this story, different cultures. I needed a visual language for them.
Shun Fei is a culture that borrows from both the Fire Nation and the Earth Kingdom, but it's not supposed to look like either of them. On top of that, it has some of what may be called Western influences to it, as it carries the kind of values that in our world, first came to be in the West. In order to incorporate that while preserving the Asian aesthetic of the Avatar Universe, I borrowed some subtle elements from both Roman and 19th century European aesthetics, or even a little bit of medieval Europe. The pillar architecture of the Shun Fei government building, or the white shirts with puffed sleeves and raised collars of Shun Fei citizens are examples to that. For the color scheme, I went with white, black and brown. It's weird how that hadn't immediately occur to me, but was the most sensible choice, given everything about Shun Fei.
At times, I kept some colors and elements from Earth Kingdom and Fire Nation fashion, but I think it was too much. I actually generally dislike this frame anyway :D
When you're making a comic, there are so many details that are invisible to the viewer, but you nevertheless have to work on. To be honest, it was driving me crazy, because I was unable to produce anything visible for a while. It's best to know this beforehand and be patient with the early stages of your work. It is going to save you so much time later on.
Once I started drawing the pages, there was once again, a lot more that was driving me mad.
I was trying to be authentic with my visual language of the comic, such as the design of the frames and the flow of the story, because I wanted this to have a "book-ish" feeling and a little bit of ancientness to it. I didn't want it to feel like a modern comic. This was taking a lot of effort, because there isn't anything exactly like it that I can imitate.
Secondly, drawing comics is A LOT OF work. It takes so much time that I was unable to move forward with the story! I went from fully colored to monochrome, and later from hand-drawn to all digital. I tried a lot of different approaches and if you look carefully, you can see how the style changes throughout the pages, which I think is not a good thing professionally, but fortunately this is a personal project from which I'm learning.
What I currently do is, I make a storyboard on paper with adequate details to use as a sketch under my digital lineart process later on. I have at least 3-4 other pages' storyboards ready before I start drawing a page digitally. I used to make the storyboards from the text I wrote when I began writing the story in book format, which was difficult to adapt. Nowadays I'm working on a segment which I hadn't written in text and I directly write on the storyboard.
I still don't know how some people can draw so many pages in so little time, it's a mystery to me. But I did get faster and more efficient in time, mostly because I understood how to do things and don't have to think every single thing through anymore.
Another thing with my process is how much I've found it difficult (and mostly still find) going consistently at it. There were many long breaks along the way and it took me longer than 2 years before I made 20 pages and started uploading this comic here.
All of these things can be very discouraging. I questioned my ability to be professional a lot, which I do want to be, since I don't want Sena's Adventures (and other stories I want to make) to just be my story and stuck with me. I want to share it with the world and do it in the best way possible. (It was my dream ever since childhood) To do that, you need many practical skills. But these do come in time and I feel a lot more confident now. I love this story, I've had a bond with it and I love doing something related to AtLA, my old time love. And I really wanted to see where this experience would take me, so I stuck with it.
A lot of people, like me, miss the Avatar of their childhood. I wanted to make a story that had the same kind of feeling. I tried to stick to the original spirit of the show, while incorporating elements that matter to me on a personal level and which I believe are on the same line with AtLA.
-----------
For your second question,
I used to see AtLA on TV as a kid and at some point I started to get interested in it, and later became a die-hard fan. It was 2008 and I was 12. This also marked my entry to digital art and the DeviantArt community, which became a huge thing for my life. I kept making Avatar fanarts until I was like 14-15, some of which were fairly popular back in the day! Good times.
As a kid and teen, I was someone who always lived with fantasies of my current favorite show in my head, the most long lasting one being AtLA. I wonder how many nights I must have fallen asleep thinking about the next romance story between Aang and Katara.
I occasionally had attempts to illustrate stories in my head throughout the years, but these were mainly childish attempts (although there's nothing wrong with that) and always left too early, so I never knew what a professional effort would look like until I began this project. It has been a great learning opportunity.
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Gwen noticed the human with ‘subtle’ Rayquaza aesthetics. She figured she would try to make a convincing human disguise. It was not working. Gwen’s human form looked like an Asian goth that was stretched to look wide with a head that was crooked and the entire right side of her face and ear fused to her neck. She looked hideous. “How do any of you legendaries make these human disguises? I’m trying to make mine and it looks like shit.”
Though, it does help to have something to base from. I took after Nat, and since I lean on the masculine side-any positive individuals in Nat's life that were also masculine too.
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hihi! may i ask for a haikyuu matchup (both romantic and platonic)? i noticed that your matchups are still open for request and it just piqued my interest.
im a girl and an east asian, i have red-brown hair, black round eyes, a button nose, and round thin lips. im 5’1 and i have no idea what my body shape is (sometimes im an hourglass but sometimes im literally round).
for my personality, my mbti type is intp, i have a love hate relationship with doing homework, i have social anxiety to the point where i unconsciously answer people with a nod, shake or shrug, i love my friends but i find it hard to show affection, i get tired easily after hanging out for a few hours (my social battery just flies out the window), im most comfortable when im at home with family which results in me being ridiculously loud, i love procrastinating but i always get my work done before deadlines, i somehow have good grades too.
my pronouns are she/her and he/him. im not very much in favour of they/them but i don’t mind if people use that set of pronouns on me. im unlabeled but i don’t mind dating any gender at all (female, male, non binary, agender etc). im very confused as in real life i tend to prefer women more than men but in the fictional world i prefer men. but overall i really don’t mind what gender they are.
my hobbies are doodling, reading wattpad, ao3 and tumblr LOL, occasionally playing video games. my interests are maths (certain topics), obey me! (the game), saiki k, food wars, mob psycho 100. im a taurus sun, rising aries, sag moon.
im a very difficult person to love as the qualities i look for in a partner is someone who can make me feel wanted (unfortunately i have trust and abandonment issues). i get jealous quite often so i might need them to constantly reassure me. if they don’t do so i might resent them in a way after some time. i don’t have anything specific but i just want someone loyal and caring (not boring too). my love language (giving) is acts of service, physical touch, communication and quality time whereas my preferred receiving love language is quality time, words of affirmation, physical touch, communication, expression of affection and love.
i don’t have any particular aesthetic i like as they all are very pleasing to me but i do like things that are more colourful and vibrant.
HIII
(I'm finally doing the excess amount of matchups I have smh)
I have a lot of matchups in my drafts so I'm really sorry but I didn't do a hc for the friendship, I hope that's ok :) (i made the rest kinda long tho,,, oops)
(romantic)
I match you with….
KENMA
honestly idek how you guys met
like the stars just summoned you to know each other
but in reality, it was probably you seeing a photo of him on one of your friend's phones
kenma saw you on kuroos phone (ur friends with one of kuroos friends whos friends with kenma)
then dun dun dunnnn
nothing happened
because you both have social anxiety and won't talk to the other one or bring it up to anyone (out of fear of having ur friend out you)
so like.... slow slow slow slow slow slow slow slow slow burn
finally, ur friend sees u like looking at him in EVERY photo he is in
GETS THE MFING MEMO
reaches out to kuroo and gets kenmas number
subtly slides it into you and says it's their coworker and they left something at work and asks u to text him
and kenma is like ?? tf I don't work with them
so obvi ur embarrassed but kuroo screams at kenma and makes him slightly carry the conversation
u guys eventually meet up in private (private by FORCE)
kuroo playing matchmaker fr fr
ur friend, kuroo, kenma, and u go to see a movie and ur friend and kuroo shove u and kenma next to each other
they tried to be subtle, its not subtle
kuroo and ur friend go to get gas in one car? leaving kenmas car at the theatre (WAS NOT PLANNED!!!! - kuroo)
id imagine it being late-ish and u and kenma sitting on a wooden slotted bench kinda awkwardly sitting there kicking ur legs
with the occasional conversation about the movie or how it was a bit chilly outside
eventually, you realize kuroo isn't coming back and your friend didn't just go get gas
n eventually you scoot closer and the night ends with ur head on his shoulder
the once awkward silence has melted into a comfortable one
this probably wasn't the first time you two have ended up ditched by the others
u both spilled u liked each other?? but before anyone asked you both had to be extremely sure u liked each other
once u ended-up dating I'd imagine it to be a really sweet relationship
like it's evident u both care about each other a lot
he would send a lot of really sweet messages and compliment the little things about you
like oddly specific things (ex; "I love the way your smile is a little crooked and how your eyebrows crinkle when your focusing) like VERY SPECIFIC
ur always getting "I had fun w u td :)" texts
u both get each other on like a social battery level and have a mutual understanding of a social battery running low pretty quick
both of u being intps adds another layer of understanding, especially in fights since you both process the same way
he honestly likes that ur jealous..?
like lets be honest he's bitchless so you don't have that much to be jealous of and he finds it attractive when you are (but won't do it on purpose and always comforts you when u need it)
he likes that you play video games and will try all the one you play and he also wants to show you what he plays
a lot of comfortable silence in your relationship
an understanding that when you're with each other sometimes that is enough
u definitely bring out his softer side but its not all soft with him
he can also be a cunt (in a loving way but not rlly but also yes)
you'll never have a boring conversation with him
(literally cut to the one manga panel of him telling hinata if he gets boring he'll drop him)
overall a really sweet, understanding, sustainable relationship
as always if you see any spelling errors no you didn't I hope you liked this, I'm sorry it took me forever to respond to the asks, I lacked motivation- I feel like this ran long but I had a lot to say >:)
don't forget to get some water and eat and treat urself with kindness <33
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“anh có tin về chuyến du hành vượt thời gian không? | song lang by leon lê
tw // assault, suicide, blood.
*this post contains spoilers*
introduction
set in 1980’s sai gon song lang is a sobering and nostalgic film depicting the richness and tragedy of cải lương and the unlikely bond between dũng, a merciless debt collector, and linh phụng, a young cải lương singer.
i've watched my fair share of asian queer films and this is definitely one that is rich in both aesthetics and thematics. it is timeless yet attentive to time. by this i mean, this film is meticulous on its references to time and history in viet nam. it makes gestures to viet nam's french colonial period, the american war in viet nam, and also a look into a post-socialist viet nam.
i love the film's subtlety. it relies not on hypersexual scenes and shirtless men but rather the subtle nuances of intimacy and the depths of what it means to connect with someone. moments like bonding through music and games, eating noodles in the middle of the night during a power outage to sharing each other's past on the roof of dũng's apartment. or most evocative, when linh phụng sings the song written by dũng's father all while being accompanied by dũng's melodic guitar. this palpable intimacy is further illustrated in their costuming. dũng, for the first half of the movie, is dressed in muted and dull clothing while linh phụng is dressed in striking colors. as the two grow closer dũng is dressed in colors outside of his original color palette. this trade-off and negotiation between the two is what makes their bond so deep.
however, as much as i admire the bond between the two men, the substance of this film is found in its undertones. this is a film that triangualtes the legacy of capitalism in a post-socialist viet nam with queer identities and queer expression in viet nam.
dũng's death and the inevitable collapse of capitalism.
dũng's tragic death is a quintessential part in the cải lương tradition but also a poignant gesture to karl marx's idea on the inevitable collapse of capitalism. put simply, marx believed that capitalism will eventually end up destroying itself. dũng, a ruthless, unforgiving debt collector who single handedly destroyed families, embodies the nature and ideology of (western) capitalism. take for the example the scene when dũng breaks into a family's home and is greeted by two young girls. stoic and impassive as he is, he sits down and entertains the two children. their parents, who arrive home soon after, immediately recognize dũng and in a fearful panic send them to a different room. in the following scene, dũng brutally assaults the father in front of his wife and children, his fists wet in blood and sweat. he makes brief eye contact with the two children yet continues to brutalize their father in front of them. the deafening sound of the girls pleading for their father reverberates in the audience's ears. it is a heartbreaking scene. we later find out that the man's wife committed suicide and took her two children with her. dũng, evidently, unfazed by this because as advised by the loan shark "it is a part of borrowing money." in the spirit of poetic justice, dũng, with his guitar strapped to his back, anxious legs teasing the entrance of the theatre company, is stabbed by the man who he assaulted. dũng, just like the future of capitalism, was forced to face the consequences of his actions. because capitalism is violent by nature, its death must also be violent.
afterword
i hope this post encourages you experience this rich film. if not, i hope this post offers you new insight into the vietnamese cinematic landscape.
as always, thank you for reading. i greatly appreciate your time and attention.
with warmth,
phim
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Choosing the Right Lip Filler Pickering for Different Races
Lip fillers have become an increasingly popular cosmetic treatment, offering individuals the chance to enhance their natural lip shape or add volume for a more youthful appearance. With the wide variety of lip fillers available on the market, it's essential to understand the unique needs and preferences of various races to achieve the desired results. In this article, we will discuss five suitable types of lip fillers Pickering for different races, ensuring a customized approach for the perfect pout.
Hyaluronic Acid-Based Fillers for Caucasian Lips
Hyaluronic acid-based fillers are a popular choice for Caucasian individuals seeking to enhance their lips. These fillers, such as Juvederm, Restylane, and Teosyal, provide a natural look and feel, as hyaluronic acid is a naturally occurring substance in the skin. The smooth consistency of these fillers makes them easy to inject and mold, allowing for precise results tailored to the client's desired look. Hyaluronic acid-based fillers also have the added benefit of being reversible, making it easy to dissolve the product if the results are not satisfactory.
Calcium Hydroxylapatite Fillers for African Lips
African lips are known for their distinct shape and fullness. Calcium hydroxylapatite fillers, such as Radiesse, can be an excellent choice for individuals of African descent. These fillers are made of calcium-based microspheres suspended in a water-based gel, providing a more robust structure for those with thicker skin and more prominent facial features. The results of calcium hydroxylapatite fillers can last up to 18 months, making it a more long-lasting option compared to hyaluronic acid-based lip fillers Pickering.
Poly-L-Lactic Acid Fillers for Asian Lips
Poly-L-lactic acid fillers, like Sculptra, can be a suitable choice for those of Asian descent. These fillers stimulate collagen production, resulting in a gradual increase in lip volume over time. As many Asian individuals naturally have thinner lips and less facial fat, this type of filler can provide a subtle enhancement without drastically altering the natural lip shape. Additionally, the collagen-stimulating properties of poly-L-lactic acid fillers can lead to long-lasting results, with effects visible for up to two years.
Autologous Fat Transfer for Hispanic Lips
An autologous fat transfer, also known as fat grafting, can be a suitable option for those of Hispanic descent. This procedure involves harvesting fat from one area of the patient's body and injecting it into the lips, providing a natural and more permanent solution. Hispanic individuals often have a naturally fuller lip shape, making fat transfer a fitting choice to maintain their unique features while adding volume. This procedure has the added benefit of being a more natural alternative to synthetic fillers, as the patient's fat is used instead of an external substance.
Choosing the Right Filler for Mixed Race Individuals
For those with a mixed racial background, it's essential to consider their unique facial features and aesthetic goals when choosing the appropriate lip filler. It may be necessary to combine different fillers or techniques to achieve the desired results. Consulting with a skilled and experienced practitioner is crucial to ensure the best possible outcome for mixed-race individuals seeking lip enhancement.
When selecting a lip filler Pickering, it's vital to consider the unique needs and preferences of various races. By understanding the differences between hyaluronic acid-based fillers, calcium hydroxylapatite fillers, poly-L-lactic acid fillers, and autologous fat transfer, individuals can make an informed decision about the best treatment for their unique features. Always consult with a qualified and experienced practitioner
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I was scrolling photos of asian men with elegant make up in ancient times and I was thinking at Wangxian wearing traditional chinese make up. I'm not asian, so maybe I'm saying some blasphemy. Men of high class were used to wear make up, right?
I'm curious to know about this tradition and if there were gender roles for using make up back then.
I don't remember men from mdzs using make up (expect mxy) (and of course the red eyeliner used on wwx in the drama 🤣). Wwx bought make up but not for himself, he gave it away to some random ladies. But I would like to imagine both Wangxian with make up, with different colors or technique perhaps. What do you think?
I'm not the best person to ask this to (hanfu-centric blogs such as @ziseviolet could probably say something worthwhile) because I've never really researched this like, at all. My understanding of it - acquired via osmosis - is that outside of very specific things such as theater, historically in most periods when it was fashionable for men to wear make up (and not all periods were pro-makeup), it was usually meant to be a fairly subtle thing - think rice powder and lipbalm more than colorful designs.
The novel at least seems to assume that the ahistorical setting in which MDZS takes place it's unusual for men to wear makeup. MXY at any rate seems to wear outright theatrical makeup and would probably be seen as Weird anyway, but I get the impression even subtler makeup seems to have fallen out of flavor? (Though not the wearing of flowers by men, which should technically help us date attitudes to male beauty but doesn't actually, because again - MDZS isn't trying to be historical.)
Having said all of this, I'm all for makeup as a form of art, so I think there's a whole lot of fun to be had with it!!! I think it'd be particularly cool to have different sects have different make up fashions that go with their aesthetics! I don't actually know a lot about makeup so I couldn't come up with concepts even if I tried, but I'd be so interested to see people's headcanons for something like that!
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ONE PIECE ORNAMENT
One of the most fashionable ways to upgrade your aesthetics is through nose piercing. Whether you choose to go with a statement septum ring or a more subtle nostril stud, nose piercing can upgrade your overall look! It is always the only jewel worn on our face as nose is the most prominent feature of our face, and just adding a little sparkly stud or ring and gives a entire attitude and look. It is an ancient style of piercing, dating back to approximately four thousand years ago, and it has continued to grow in popularity over the last few years in mainstream society.
I often admired the lovely sparkle I saw in the side of the nose of every women it always adds on beauty and elegance. North Indian women usually have their piercings on the left , and South Indian women in their right. Which is associated with lessening of pain from childbirth and menstruation on left side , whereas in right is helps to better mental health and mind peace.
The main types of jewelry worn on the nose are stud and hoops .My most popular form of stud is the screw shaped end - it is definitely the biggest seller. The tradition behind every community of people wearing nose ring during there puberty , in some during the age of 8 , in some during the period of marriage . It is said that every girl should pierce there nose before they are getting married and it is been followed as tradition in some communities.
This nose piercing have been a part of south Asian culture for thousands of years. Culturally, the piercings signified the social status of the individual and their right to access other ceremonies. Having a pierced nose has been a sacred ceremony in the Hindu religion. The tradition of wearing nose rings has been based on certain principles present in the Indian culture.
Why not men!? Nose rings have become a fashion statement . From a traditional custom to a fashion statement it is a huge path of the nose ring . Nowadays men also wear nose rings , studs or a septum ring which gives them the best fashion icon and also attracts others .
This photograph was inspired from the ancient history community called as chola dynasty. There was a epic story written by kalki krishnamurthy. The story name is 'Ponniyin Selvan '. The women in the story have a strong character and attitude. These jewellery add on to there behaviour and character. Starting from nandini , kundavai and many more ladies have their own fashion statement in the story . This photograph was inspired from puguzhali a boat sailing girl who's character was strong and vivid compared to other girls. She was physically strong and her nose ring adds a little bit of attitude and courageous attitude.
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Artistry in Stone: Exploring the World of Bust Sculpture
Introduction
Bust sculpture, an undying artwork shape, captures the essence of a person's head and shoulders with first-rate elements and craftsmanship. Originating in historical civilizations, busts have evolved over centuries, gaining prominence in artwork history. At Statues.Com, our series showcases the splendor and talent of bust sculpture, offering customers a possibility to explore this rich inventive way of life.
Evolution of Bust Sculpture
Bust sculpture strains its roots to historic civilizations like Egypt and Greece, in which it served as a form of commemoration and reverence for the deceased. The Renaissance witnessed a resurgence of interest in bust sculpture, with masters like Michelangelo and Donatello creating iconic portions that emphasized the human shape's beauty and complexity. Today, cutting-edge interpretations of bust sculpture preserve to push obstacles, reflecting diverse artistic sensibilities and cultural influences.
Materials Used in Bust Sculpture
Marble, bronze, and clay are conventional materials employed in bust sculpture, each offering specific qualities and aesthetic appeal. Marble boasts sturdiness and timeless elegance, even as bronze allows for tricky detailing and dynamic compositions. Clay affords versatility and expressiveness, allowing artists to sculpt with fluidity and precision. Additionally, cutting-edge artists discover revolutionary materials like resin and fiberglass, expanding the opportunities of bust sculpture.
Techniques in Bust Sculpture
Carving, casting, and molding are primary techniques applied in bust sculpture, each contributing to the advent system's distinct man or woman and texture. Carving involves sculpting the desired shape via eliminating material from a stable block, showcasing the sculptor's ability and vision. Casting allows for the duplicate of sculptures through molds, presenting consistency and accessibility to collectors. Molding includes layering materials to build the sculpture, supplying flexibility and expressive ability.
Famous Bust Sculptures
Iconic bust sculptures like Michelangelo's David and Rodin's The Thinker exemplify the artwork 's enduring legacy and cultural significance. These masterpieces seize the human spirit with unparalleled artistry and emotional intensity, inspiring generations of artists and fans alike. Contemporary artists maintain to produce charming bust sculptures that resonate with present day themes and views, similarly enriching the artwork shaper's legacy.
Bust Sculpture in Different Cultures
Bust sculpture transcends cultural barriers, manifesting in diverse paperwork throughout various civilizations and traditions. From the Greco-Roman emphasis on idealized splendor to the spiritual symbolism in Asian and African cultures, bust sculpture reflects humanity's widespread themes and aspirations. Exploring the cultural nuances of bust sculpture complements appreciation for its international impact and artistic diversity.
Bust Sculpture in Modern Art
In modern artwork, bust sculpture serves as a dynamic platform for experimentation and expression, difficult traditional notions of form and illustration. Artists explore abstraction, symbolism, and social observation, infusing bust sculpture with current relevance and relevance. Engaging with current interpretations of bust sculpture fosters communication and reflection on evolving inventive sensibilities and societal values.
Role of Bust Sculpture in Interior Design
Bust sculptures elevate interior spaces, infusing them with sophistication, character, and historical resonance. Whether as focal factors or subtle accents, bust sculptures add visible interest and cultural intensity to residential and industrial environments. Integrating bust sculpture into interior design lets in customers to personalize their areas and create memorable reviews for occupants and traffic alike.
Collecting Bust Sculptures
Collecting bust sculptures is a rewarding pursuit that offers each aesthetic delight and investment capability. Clients can curate collections based on private taste, creative importance, and ancient context, constructing a diverse portfolio of captivating works of art. With professional guidance and attention to provenance, gathering bust sculptures turns into a fulfilling journey of discovery and appreciation for art's enduring legacy.
Bust sculpture embodies the intersection of artistry, records, and human expression, supplying customers a gateway to explore the richness of artistic way of life and cultural heritage. At Statues.Com, our dedication to excellence ensures customers get hold of unprecedented access to extraordinary bust sculptures that inspire, captivate, and improve their lives. Explore our series nowadays and embark on a journey of discovery and beauty with us.
Explore the World of Bust Sculpture at Statues.Com
To discover our numerous series of bust sculptures or schedule an unfastened consultation, contact Statues.Com at 801-366-5900. Let us assist you convey the undying splendor of bust sculpture into your property or enterprise environment.
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Contemporary Classics: Reinventing Kurta Pajama Style for Today's Man
Kurta Pajama, a traditional South Asian attire, has long been cherished for its elegance and comfort. Originating from the Indian subcontinent, this ensemble has transcended cultural boundaries to become a global fashion statement. In recent years, it has undergone a remarkable evolution, blending traditional craftsmanship with contemporary aesthetics to cater to the modern man's tastes.
The Evolution of Kurta Pajama
Traditional Roots
Historically, Kurta Pajama was worn as everyday attire in South Asian countries such as India, Pakistan, and Bangladesh. Its loose-fitting silhouette and breathable fabric made it ideal for hot and humid climates. The intricate embroidery and vibrant colors reflected the rich cultural heritage of the region.
Modern Adaptations
Today, Kurta Pajama has evolved beyond its traditional roots. Fashion designers have infused new life into this classic ensemble by experimenting with cuts, patterns, and embellishments. From sleek, minimalist designs to bold, contemporary interpretations, there's a Kurta Pajama style to suit every taste and occasion.
Why Kurta Pajama Style Matters Today
Versatility
One of the key reasons for Kurta Pajama's enduring popularity is its versatility. Whether you're attending a wedding, a religious ceremony, or a casual gathering, there's a Kurta Pajama ensemble that fits the bill. Its timeless appeal makes it a wardrobe staple for men of all ages.
Comfort
In today's fast-paced world, comfort is paramount. Kurta Pajama's relaxed fit and lightweight fabric ensure maximum comfort without compromising on style. Whether you're lounging at home or stepping out for a social event, you can always count on the comfort of your Kurta Pajama.
Cultural Significance
Beyond its aesthetic appeal, Kurta Pajama holds deep cultural significance for many communities. It symbolizes tradition, heritage, and identity, serving as a proud expression of one's cultural roots. By embracing Kurta Pajama style, men can connect with their cultural heritage while making a fashion statement.
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Styling Tips for Kurta Pajama
Casual Looks
For a laid-back vibe, pair your Kurta Pajama with denim jeans or chinos. Opt for earthy tones and subtle prints for a relaxed yet stylish look. Complete the ensemble with a pair of sandals or loafers for the perfect blend of comfort and style.
Formal Attire
When dressing up for special occasions, choose a Kurta Pajama ensemble in luxe fabrics like silk or brocade. Add a Nehru jacket or a tailored blazer for a touch of sophistication. Finish off your look with classic leather shoes and minimal accessories for a polished appearance.
Kurta Pajama in Contemporary Fashion
Celebrities Sporting the Style
From Bollywood actors to Hollywood celebrities, Kurta Pajama has found favor with style icons around the world. Celebrities like Shah Rukh Khan, Ranveer Singh, and Jay Z have been spotted rocking Kurta Pajama ensembles on various occasions, further cementing its status as a fashion must-have.
Runway Trends
On the fashion runways, designers have been experimenting with new ways to reinvent Kurta Pajama style. From asymmetrical hemlines to avant-garde embellishments, there's no shortage of creativity in the world of Kurta Pajama fashion. With each season, designers push the boundaries of traditional craftsmanship to create bold, statement-making pieces.
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Choosing the Right Kurta Pajama for You
Fabric Options
When shopping for Kurta Pajama, consider the occasion and the climate. Cotton is ideal for casual wear and warm weather, while silk and brocade are perfect for formal events and cooler temperatures. Pay attention to the fabric quality and craftsmanship to ensure longevity and comfort.
Fit Considerations
Finding the right fit is essential for a flattering Kurta Pajama ensemble. Opt for a silhouette that complements your body type, whether it's a slim-fit kurta or a relaxed-fit pajama. Pay attention to measurements and alterations if needed to achieve the perfect fit.
Conclusion
At Rajwadi, The enduring popularity of Kurta Pajama is undeniable, as it continues to enchant fashion-forward individuals worldwide. This iconic garment seamlessly blends timeless elegance with cultural roots. From traditional celebrations to modern sensibilities, there is a Kurta Pajama combination to suit any event. Its versatility, comfort, and historical significance make it a cherished wardrobe staple for men of all generations.
FAQs
Can I wear Kurta Pajama for everyday occasions?
Absolutely! Kurta Pajama is perfect for everyday wear, offering comfort and style in equal measure.
How do I style Kurta Pajama for a formal event?
For formal occasions, opt for a Kurta Pajama ensemble in luxe fabrics like silk or brocade, and accessorize with classic leather shoes and minimal jewelry.
Is Kurta Pajama suitable for all body types?
Yes, Kurta Pajama comes in a variety of fits and silhouettes to suit every body type, so you're sure to find one that flatters your figure.
Can I customize my Kurta Pajama ensemble at Rajwadi?
Absolutely! At Rajwadi, we offer customization services to ensure your Kurta Pajama ensemble fits you perfectly and reflects your personal style.
How can I care for my Kurta Pajama to maintain its quality?
To keep your Kurta Pajama looking its best, follow the care instructions on the label and avoid harsh chemicals or machine washing. Instead, opt for gentle hand washing and air drying to preserve the fabric and embroidery.
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Types of jewellery
Finding the perfect jewelry design to complement your outfit can be a challenge. With the myriad of options available, shopping for jewelry can feel overwhelming. To simplify your choices, we've compiled a list of types of jewellery complete with images for every occasion!
Discover 16 Types of Jewelry Suitable for Any Event
Vintage Jewelry
For an elegant, sophisticated look, consider antique or vintage pieces. Pair a bold necklace or striking earrings with a subtle saree in beige, cream, or pastel blue for a chic ensemble. Vintage rings and nose pins offer versatility, complementing both ethnic and fusion attire.
Temple Jewelry
Drawing inspiration from Indian temples, temple jewelry features intricate designs depicting deities and motifs. Traditionally crafted in gold with precious gemstones, contemporary pieces showcase temple imagery in diverse forms. Ideal for Kanjeevaram sarees or bridal wear, temple jewelry adds cultural flair to any outfit.
Gemstone Jewelry
Crafted with precious and semi-precious stones like emeralds and rubies, gemstone jewelry exudes elegance. From rings to necklaces, these pieces are meticulously cut and polished for exquisite detail. Each gemstone holds astrological significance, allowing for versatile styling with both traditional and modern attire.
Platinum Jewelry
Renowned for its durability and timeless appeal, platinum jewelry offers a sleek, lightweight option for daily wear. Whether it's a simple ring for everyday elegance or bold statement pieces for special occasions, platinum's enduring quality ensures lasting beauty.
Minakari Jewelry
Originating in Persia and popularized by the Mughals, Minakari jewelry boasts vibrant colors and intricate patterns. Gemstones are embedded into molten glass, creating captivating designs reminiscent of Mughal artistry. From elaborate bridal sets to delicate necklaces, Minakari jewelry complements various ethnic ensembles.
Navratna Jewelry
Symbolizing prosperity and wealth, Navratna jewelry features nine gems representing different celestial bodies. Diamond, ruby, emerald, and other colorful stones adorn these pieces, offering a rich aesthetic. Embraced in South Asian cultures, Navratna jewelry adds a touch of opulence to any outfit.
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