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#such a great work
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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tearlessrain · 9 days
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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yamada-ryo · 27 days
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I was talking to the guy with the rifle on the island in disco elysium and he was talking about the past and getting deep into it and suddenly there's a whole screen effect and I was thinking about how it was really cool but no it just happened that my entire screen just decided to die right there and then
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civetcider · 5 months
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i wanna be fishing right now part 3
Oakley the black bear and Traver the kit fox, she/her for both!
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movedtodykedvonte · 9 months
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*Spidey and the Sinister Six having their usual fight*
Doc Ock, landing a hit: You’re getting slow Spider-Man! Age finally catching up to you?
Spider-Man: You wish! I haven’t even hit my 30s! From those costumes I can already tell I failed to save you guys from those midlife crises! Sorry by the way.
Vulture: Watch it wallcr- wait… Did you just say your not in your thirties yet?
Spider-Man: Surprised that this spiders so young and spry? Well-
Electro: Dude I’ve been fighting you for at least 5 fucking years! How old even are you?
Shocker, joking cause he’s the only one who picked up no grown adult acts likes Spidey: Don’t swear in-front of the boy you don’t want him to pick it up.
Rhino: Christ! You’re tellin me I almost crushed some 12-year-olds skull all those years ago?
Spider-Man, regretting his quipping: I was not that young! Like just starting freshman year but-
Sandman, horrified as he’s the only one with a kid and dad instincts(as of my iteration): I could’ve killed a kid…
Shocker, genuinely curious: Are you even old enough to drink? Cruel to kill a man who ain’t had his first drink yet.
Electro: Please tell us you’re at least over 25 as of this fight. Hell, I’ll take over 21!
Spider-Man:….
Sandman, realizing just how young he really is: Oh my god.
Spider-Man: My birthday’s coming up soon so I guess it counts?
Doc Ock, exacerbated: It. Does. Not!
Vulture: What would your mother think if she knew her son was out here risking his life telling poorly constructed jokes?
Spider-Man, offended cause it quips slap: 1. My jokes are great 2. She and my dad are dead so-
Sandman, hysterical cause holy shit he almost killed a kid orphan: OH MY GOD!
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thecindercrow · 1 year
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Lackadaisy (Pilot)
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speakswords · 1 year
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Alright this is rly sad but here goes. I started doing my once-in-awhile bot purge from my followers list. And. I used to be able to just quickly scan and see the bots. They were the ones with default icons and generator-sounding names like "noun-girl-827". And if you weren't sure, you could click on the blog and it would be immediately obvious it was a bot because there's either just bad porn click bait, or nothing there.
Well. This time I had to give up immediately because I got like ten followers down the list and was having immense trouble figuring out who's a bot and who's real. Never ever used to see this but like 5/10 of the first few followers I checked on had just totally empty blogs. It wasn't until I'd already blocked 2 - assuming bots bc empty blogs - that I thought to check if they had any likes. And bam! There it was. All of their user activity.
We have people on this website now who have never reblogged a single post.
Y'all, I'm sure you're sick of seeing "you have to reblog thing" but you literally have to reblog things. That is how this website works. You understand that, right? How do you think the post you hit "like" on got in front of you? It wasn't because you liked enough things and Tumblrs algorithm figured out what you like enough to hand it to you. It's because you followed someone, a human person, who reblogged that post. And it came from another person who also reblogged it.
You are killing this website by refusing to interact with it in the way that makes it better than the other websites you ran from to come here.
Anyway, I'm sure you're all nice people, but I'm not going to play the "bot or not" game if you have an empty blog I'm going to block you.
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goosebelle · 3 months
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boxboxlewis · 1 year
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spicybeefu · 1 month
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What if Pokemon & Animal crossing had a crossover game?! #6 Made in Blender with ACNL Assets. outfit design #1 is by @anipeitz and the kimono is from ACNH + this artist on pixiv: https://www.pixiv.net/en/artworks/43898960
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crescentfool · 3 months
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december 31st but i make it silly (based on a tumblr post, below the cut!)
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everyone say thank you xenia, i made adjustments for the december 31st context but nyx avatar is still fitting.
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original draft of the last panel. i considered putting the bi flag but i didn't know how to squeeze it in. we love ryoji mochizuki in this house.
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hinata-boke · 3 months
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my pieces for the reverse @kagehinabigbang!!
thanks to radishpal for writing a lovely fic for my barebones concept and bringing it to life, and lanirawhoney for betaing!!
read the fic, "Tobio Kageyama's Quick and Easy Yakisoba (Not Quick nor Easy) here!
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warpzoned · 9 months
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Last time Luigi took him to pride, he saw that almost everyone else had their own flags, so this year he brought his own.
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keydekyie · 3 months
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Leap
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galedekarios · 6 months
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💜
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nipuni · 4 months
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The heart of the universe 💫
A speedpaint video of this will be available at my Patreon on december 1st!
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