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#such sad eyes
blueboyluca · 10 months
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“When I first heard it, from a dog trainer who knew her behavioral science, it was a stunning moment. I remember where I was standing, what block of Brooklyn’s streets. It was like holding a piece of polished obsidian in the hand, feeling its weight and irreducibility. And its fathomless blackness. Punishment is reinforcing to the punisher. Of course. It fit the science, and it also fit the hidden memories stored in a deeply buried, rusty lockbox inside me. The people who walked down the street arbitrarily compressing their dogs’ tracheas, to which the poor beasts could only submit in uncomprehending misery; the parents who slapped their crying toddlers for the crime of being tired or hungry: These were not aberrantly malevolent villains. They were not doing what they did because they thought it was right, or even because it worked very well. They were simply caught in the same feedback loop in which all behavior is made. Their spasms of delivering small torments relieved their frustration and gave the impression of momentum toward a solution. Most potently, it immediately stopped the behavior. No matter that the effect probably won’t last: the reinforcer—the silence or the cessation of the annoyance—was exquisitely timed. Now. Boy does that feel good.”
— Melissa Holbrook Pierson, The Secret History of Kindness (2015)
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the-holy-ghosted · 7 months
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Girls will say "this is my beautiful wife" and their beautiful wife is just a weird looking man
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stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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schcherazades · 9 months
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no asoiaf posting i do will ever beat lebanese people hanging banners over highways asking god to protect jon snow when s8 premiered
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“ the people of beirut support jon snow against his battle with the white walkers” “jon snow….may allah protect you” like this is so funny i love my ppl
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seagiri · 1 month
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can i be sad here for a moment
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konbinii · 10 months
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“you lied to me about everything!”
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holdoncallfailed · 29 days
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here is the life i've always longed for.....!!
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the-phantom-peach · 8 months
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Meeting the Light Dragon ✨🐉
[tagged as spoilers!]
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snotrockett · 1 year
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my dog when i do not scratch his butt, he is the saddest most pathetic little girl on planet earth
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mstrchu · 1 month
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"Wyll's the sort of prince-type I would have once dreamed of marrying. When I was about thirteen."
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eff-plays · 8 months
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The way Astarion reacts depending on how you compliment him in the mirror scene (I have no interest in insulting him so I won't be covering that here, have fun though!) drives me fucking insane.
"I want to know what the world sees when it looks at me. What you see."
And you get two types of responses. First, your choices for compliments are
Strong, piercing eyes.
The creases when you laugh.
Pick the first, and he's pleased. "Go on," he says, sounding very seductive. You're giving him exactly what he wants, and he's encouraging it.
Pick the second, and he gets upset. He's an eternally young vampire, not your doting grandmother! You can do better than that. Even if you meant it as a compliment (I know my Tav definitely did), he doesn't seem to take it that way.
Your second options are
That dangerous smile.
The way your hair curls around your ears.
Once again, the first one pleases him, and he even praises your efforts. Very good. Now finish the scene and tell him he's beautiful.
But if you say the second, he gets exasperated. This is meant to be flattery, not poetry. Just tell him he's beautiful and we can call it a day, he says with a dismissive wave of his hand. He doesn't need to hear this crap, just tell him what he wants and fuck off.
Of course, it doesn't matter how you get to this point, and every dialogue option at the end of the scene nets you the same amount of approval. If you call him beautiful, it's +1. Call someone else beautiful, it's +1. If you ask whether he just wants shallow praise (aka don't call him beautiful), you get +1. So this is me pulling this out of my ass I guess.
I always choose to call him beautiful becuase 1) he is and 2) my Tav thinks so too and would oblige him if he asked for it that directly.
But I am obsessed with the different routes you can take to get to this point and what they imply.
Strong, piercing eyes and dangerous smile pleases him more outwardly, but doesn't actually affect the outcome. He's satisfied and confident with these compliments. They confirm what he's trying to project into the world, what he aspires to have and to be.
The creases when he laughs? The hair curling around his ears? Those are things he can't control, can't use against someone else. But he asked to be seen, and if this is what Tav sees, then what does that mean for him?
Why are they complimenting his laugh lines? Why are they speaking poetry at him? Why are they seeing things he has no control over, and why are they revealing them to him?
He doesn't want shallow praise. Questioning this nets approval, and giving it to him doesn't increase approval. What he wants is assurance that what he's trying to be is what the world sees, that he's in control.
And if you actually act as a mirror, point out the things unique to him that you see, he gets uncomfortable, because you're showing a reflection of someone he thinks he's not, of someone he has no control over. And that's scary, even if it's supposedly complimentary.
Because what's scarier than losing control?
But then, compared to how genuinely upset he seems when you insult him (I looked these up on YT for context), the laugh lines and hair curls are still accepted as compliments. So what does he think when Tav says these things?
They see past his piercing eyes and dangerous smile. They see something else that they like even more, things he's not aware of or doesn't appreciate as much. What does that feel like, to cultivate such a perfect image of oneself for the purposes of seducing and tricking others, and then be stumped when someone walks past all that and points out something entirely different that they noticed and found endearing?
Do you do him a favor, and tell him you see only what he wants to be? Or do you speak the truth, and show him what he actually is? Which one is better? Which one is worse?
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cheekylittlepupp · 2 months
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He's just so...so precious
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taikova · 7 months
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:D
D8
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jedi-starbird · 3 months
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Time Travel is my favourite trope and I think we need more fics where both Obi-Wan AND Qui-Gon time travel together because no matter when they get sent it's chaos. They're saving the galaxy and being physic flash-bangs to everyone around them.
like before Bandomeer?
The entire council is baffled to watch as Qui-Gon 'never taking a padawan again' Jinn has suddenly cut off his post-Xanatos depression tour to return to the temple and beeline to the creche with a frantic energy. His wild eyes immediately single out a fluffy, red-haired initiate.
"You." he exhales with a pointed finger, slightly ominous as he towers over the child. Said child starts vibrating with delight. "Me." he agrees, launching himself at the man. Qui-Gon drops to his knees with a thud that cannot be healthy. Obi-Wan's attempts to clamber into Qui-Gon's robes and maybe onto his shoulders is thwarted by the fact that Qui-Gon's massive hands are cupping Obi-Wan's tiny squishy cheeks. He stares at the initiate for a few minutes with an intensity that is starting to worry people.
Finally, "You're so small." Qui-Gon sounds like he might cry.
'What the fuck?' Plo Koon projects at Mace.
"I'm 9! That tends to be the case!" the child chirps back.
"You're nine." Oh. Ah. Qui-Gon's eyes are distinctively misty. He squishes the boy in a hug so hard he squeaks. Mace makes a series of gestures that imply the need for a head-scan. Depa obligingly drifts off towards the halls. Qui-Gon scoops the child up onto his hip and claims him as his padawan on the spot. The assorted council members and creche-masters burst into noise. Mace tells Depa to bring some space ibuprofen as well.
after Naboo?
Anakin is a little apprehensive of his place in both the order and Obi-Wan's life, but then one day Obi-Wan wakes up and is suddenly a lot less sad in the force?? In fact, if Anakin didn't know better he'd say he was almost giddy, but he's watched Obi-Wan try to pretend his world hasn't fallen apart for the past few months so it can't be that, right? And um, Miss Bant? He knows grief is a funny thing that affects people differently but he's pretty sure 'massive mood swing' and 'having full conversations with invisible people' is not...great? and you said to tell you if Obi-Wan got really weird in any way.
Anyway after a lot of medical exams, intense consultation with the archives, and a couple exorcisms, Anakin ends up being raised by his 'real' master and his ghost master. He is far more well adjusted emotionally and far less well adjusted for what counts as normal people behavior(not talking to thin air). When questioned on this, all he ever says is that he's talking to Qui-Gon. Isn't he...dead? Well, yes. Wait, he's a ghost? Ghosts are real? ...Well this ghost is real.
This starts a great number of existential crises among non-force sensitives and incredibly heated theological arguments amongst the Jedi. Whenever Obi-Wan is questioned on this, all he ever says is some variation of "the force got to know him for 5 seconds and kicked him back out." Mace backs him up on this even though that reasoning is technically blasphemous. Qui-Gon is having the time of his un-life. He's ascended to his final form, his sheer existence is a heresy, this is truly all he has ever aspired towards.
the Clone Wars?
The minute they get dropped back Qui-Gon immediately goes and haunts the shit out of Dooku. They have a signed terms of surrender and promise of info on the Sith Lord within the year. Only half of it is because Qui-Gon's giving Dooku complexes that are only perceptible to shrimp, the other half is because they now have a ghost spy that is not bound by the laws of physics nor spacetime.
Obi-Wan only nominally pays attention to this as he immediately goes and implements his 19 step seduction plan with Cody (he had to focus on something on Tatooine to pass the time). It fails. Spectacularly. Publicly. Ah right. Tatooine was not exactly the height of his sanity. Everyone in the GAR and temple is now riveted by High General and Councilor Obi-Wan Kenobi's attempts to go on a date with his Commander, who bats him away him like a particularly annoying stray and seems one bouquet of cactus away from committing mutiny. Anakin is worrying if it means his master knows about his secret marriage and this is some sort of really weird power play. (It is, but not in the way he thinks)
The next time Dooku goes after Obi-Wan, Qui-Gon spends a good few months appearing tear-stained at the edge of Dooku's perception and only communicating in terrible wails and discordant mutterings of 'padawan. my padawan. my little one.' 24/7.
"Wait, you're annoying Dooku into surrendering?"
"Oh no Anakin, we're crushing his psyche like a bug. :)"
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himbo-in-limbo · 2 months
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Sad sad bunny….
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bixels · 2 months
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Posting a sneak-peak of this now because I'm about to be In The Shit school workload-wise, so this'll take me a while to finish.
Doing some character design exploration/expression sheets for Celestia and Luna. Figuring out Celestia's weird ass anatomy while I'm at it.
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