#supporting (or obsessing in michael's case) a queer ship youre in | Explore Tumblr Posts and Blogs

sweetporcelain13 · 2 years

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BTS's introduction to me!

Purple haired JK, hip thrusting on "smooth like butter" was when BTS struck me. He reminded me of Michael Jackson expressions which were kind of queer to me. I instantly thought this guy is gay but that's just my habit of judging (perceiving) people too soon.

I entered the fandom and was immediately slapped with skin ship videos. Mind me I had no effin idea about Korean culture and their tensions with LGBT community. I had literally assumed countries like Japan, Korea, Thailand are doppelganger of the USA. (Side note - I'm not an American but an Asian, which country are you from? 😁) So, it wasn't a big deal even if anyone was gay among them but I like to know and learn from allies and the members.

For me, developed country = LGBT friendly was the case🤦

That was my first sp13 bomb!

Anyway, I wanted to know more about these guys because the Instagram reels were just throwing gay BTS videos on my face. Jhope was the one who stuck me as bisexual. (Now that I'm reading it I kind of feel like I am objectifying them but trust me that's not the case.)

I didn't like reading subtitles and watching videos so I just kept rewatching "smooth like butter" 😂😂

I saw purple haired JK and I was in love with the hair. Next was the rainbow haired guy. RM, I knew because man rap monster rolls on your tongue. I still couldn't learn anybody's name because Jin, Tae, Suga looked same to me initially. 😭 (Racist bitch)

Next to knowing their names, it's always the sexuality that pulls you into the fandom. JK, I didn't want to explore anymore because he's a kid (I'm a year elder to him, hehe). J-hope will always be my sophisticated bisexual man, even if he ends up with a girl in the end.

Next is Park Jimin , and believe me he did not seem like a gay guy to me until I rewatched Halsey's BWL music video. I had seen that MV many times in the past and BTS were like side characters to me. But well, now I'm writing this under BTS tag, so you know who is the side kick (take it as a light joke please, I love her).

Now I know why many jikookers think red/orange haired JM was so sexy for the cute maknae. (Uh oh fanfiction alert).

Jimin for sure doesn't seem like a straight man to me especially when it comes to JK. Jimin's personality is in a way that even though you want to ignore, you will still question his sexuality. I did and in short bacame a jikooker.

Once a jikooker, you would be forced to watch original content by the supporters and that made me fall in love with BTS. I started in May 21 and I'm already spoilt. Thank God that I'm a working professional and not a student. I would have failed every subject because I am obsessed with bangtan contents. Does anyone relate?

That's a small intro about me and the BTS, I just wanted to share. I can write my thoughts more if asked upon otherwise I'm a lazy silent reader. 😂

(side note - don't assume I didn't watch bst, idol, DNA, mic drop MV previously. I had and my ass was only obsessed with Taylor Swift whining. So I always knew BTS music but was not a fan. I became a fan, not army last year. And that's it!)

I know pics and gifs are used as temptation, here on Tumblr. So, here you go. 😉

#jikook #a little delulu jikooker #bts #gay #lgbtq #jk bts #park jimin #jhope #rap monster #bts jin #suga #v

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allthebrazilianpolitics · 4 years

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13 Brazilian Films Feature in Berlin’s Main Sections

Competition “All the Dead Ones” Caetano Godardo, Marco Dutra Following up on their Locarno-prized “Good Manners,” genre auteur Dutra and Gotardo deliver a lushly turned-out family drama that converts ghostliness into political metaphor, conflating 1899 Sao Paulo with its high-rise present, asking if the uneasy relationship between Brazil’s white elite and black majority has essentially changed. Sales: Indie Sales

Encounters “Los Conductos” Camilo Restrepo Pinky, on the run from a sect, takes to squatting, making T-shirts for a living, taking drugs and spinning images of the Apocalypse, damnation, revenge. A spectral, crazed allegory of Colombian post-civil conflict reinsertion that won Mar del Plata’s 2019 Works in Progress. Sales: Best Friend Forever

Panorama “A Common Crime” Francisco Márquez Set in class-riven Argentina and packing, reportedly, a great finale and commanding performance from lead Elisa Carricajo as an Argentine university teacher who fails to help her maid’s son, with literally haunting consequences. Sales: Cercamon

“Dry Wind” Daniel Nolasco A seemingly straight-arrow, stylish and candid LGBTQ erotic drama set in Brazil’s sticks discovers hidden depths and finally a good-humored humanism as a stolid, bottled-up loner develops a sexual obsession for a statuesque factory co-worker. “Brazilian queer cinema has a sense of urgency, which ‘Dry Wind’ captures,” says Panorama head Michael Stütz. Sales: The Open Reel

“Shine Your Eyes” Matías Mariani “A big surprise,” says Carlos Chatrian, artistic director of the Berlin Film Festival, a dreamlike psychological thriller, tracking Amidi searching for older brother Ikenna in Sao Paulo’s African community in a world of fluid identity, nostalgia for ancestral culture, labyrinthine architecture and moments of happiness. Sales: MPM Premium

Panorama Dokumente “Amazon Mirror” Federico Segtowick A documentary that peels away layers of corruption, media manipulation, ecological and human disaster behind the construction of the Amazon’s Tupurí hydroelectric plant under military dictatorship. “Urgent, very contemporary and beautifully shot in black-and-white with very high contrast,” says Stütz. Sales: ELO Co.

“Nardjes A.” Karim Aïnouz The latest from Aïnouz, following 2019 Cannes Critics’ Week winner “Invisible Life of Euridice Gusmão,” this is a documentary shot on the fly capturing the empowerment, exhilaration and illusions of Algeria’s Revolution of Smiles. Sales: MPM Premium

Forum “Divinely Evil” Gustavo Vinagre From a lavish, salmon-colored sitting room adorned with Victorian furniture and leather-clad mannequins, Wilma Azevedo, 74, Brazil’s “queen of sadomasochistic literature” tells her vibrant, sprawling life story.

“Light in the Tropics” Paula Gaitán “Brazilian films exceed traditional notions of self-reflective auteurs, talking from personal viewpoints about big questions for society,” says Chatrian. One case in point, and “totally unexpected,” he adds, is “Light in the Tropics,” merging ethnographic documentary and fiction to rediscover Brazil’s indigenous communities in a 255-minute triptych feature.

“Window Boy Wants to Have a Submarine” Alex Piperno A singular title for a singular film from Uruguay’s Piperno, a low-fi sci-fi relationship drama with social and ecological overtones as a deckhand on a Patagonia cruise ship discovers a portal to a lonely young woman’s apartment in Montevideo. Sales: Square Eyes

Generation 14plus “Alice Junior” Gil Baroni Chatrian calls it a breath of fresh air. The world of a transgender teenage YouTuber is flipped upside down when she moves to a conservative rural town with her always-supportive single father. Sales: Moro Filmes

“My Name Is Baghdad” Caru Alves de Souza Seventeen-year-old female skater Baghdad lives in a São Paulo working-class neighborhood, skates with male friends until she happens upon a group of female skaters who change everything. Sales: Reel Suspects

“Sisters in the End of the World” Vinícius Lopes, Luciana Mazeto Their mother is dying, father’s never cared, but Ana and Ju find solidarity in one other, even as the world around them collapses.

Source.

#brazil #cinema #movies #berlinale #arts #culture #@cinephiles don't let me down #mod nise da silveira

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