#suprematism | Explore Tumblr Posts and Blogs

jareckiworld · 9 hours

Text

Yakov Chernikhov (1889-1951) — Suprematist Composition [gouache and ink, on paperboard, 1922]

#Yakov Chernikhov #russian avant garde #constructivism #suprematism #soviet art

119 notes · View notes

matyas-ss · 2 years

Text

Monument to Rosa Luxemburg, El Lissitzky, (1919-1921). The State Museum of Contemporary Art in Thessaloniki, Greece.

#oil painting #art #painting #oilpainting #oil on canvas #soviet art #soviet #constructivism #ussr #el lissitzky #rosa luxemburg #suprematism #modern art #modern #soviet painting #russian art

820 notes · View notes

disease · 6 months

Text

KAZIMIR MALEVICH “BLACK CIRCLE” | 1923 [oil on canvas | 105.5 × 106 cm.]

#kazimir malevich #suprematism #abstract #geometric #minimal #painting #monochrome #modern art #20s #polish-ukrainian #art #u

137 notes · View notes

the-cricket-chirps · 1 month

Text

Kazimir Malevich

Black Square

1915

41 notes · View notes

unhonestlymirror · 25 days

Text

Me hanging around and eating a Lithuanian pistacchio croissant (yes, it's a cubic)

#Lithuania #Lithuanian food #croissant #світлини тайм #suprematism #from supreme #cubism

23 notes · View notes

hellohaters · 1 year

Photo

Nikolay Suetin / suprematist porcelain set

#Nikolay Suetin #porcelain #suprematism #suprematist #geometric #soviet #avantgarde #avant-garde #avantgard #russian avant-garde

196 notes · View notes

germanpostwarmodern · 7 months

Text

When Lazar Khidekel (1904-86) first met his mentor Kazimir Malevich he was a 15 year old student at the Vitebsk art school where Malevich had recently taken a teaching position. Khidekel soon became something like the master’s right hand and in 1920 also became an important member of the Malevich’s UNOVIS group as well as the successor of El Lissitzky as person in charge of the school’s architecture department. In 1923 he followed Malevich to the GINKhUK in Leningrad and in parallel studied architecture at the local Civil Engineering Institute. Khidekel wholeheartedly embraced Suprematism and translated its principles to buildings that could really be built: in 1926 Khidekel designed a Workers’ Club and 1927, while still a student, realized a Sports Club that saw him fuse the spatial ideas of Suprematism with pragmatic concerns for materials and construction methods. Unfortunately his Suprematist experiments were cut short by the rise of Stalin and his strict doctrines which forced Khidekel to resort to Classicism.

The eventful story of the architect’s life is laid out in "Lazar Khidekel and Suprematism", edited by Regina Khidekel and published by Prestel in 2014, the first ever comprehensive publication on Khidekel. The book contains a wealth of drawings that illustrate Khidekel’s transition from early Cubo-Futurism to pure Suprematism and to his Suprematist architectural projects and later works. These are supplemented with a number of essays that e.g. explore Khidekel’s work within the UNOVIS group, the cosmic dimension of Suprematist architecture and his architectural works from the 1920s and 1930s. Through the juxtaposition of insightful texts and the larger number of illustrations one gains a deeper understanding of Suprematist architecture, the towering example of Kazimir Malevich and Russian Avant-garde in general. Highly recommended!

#lazar khidekel #suprematism #constructivism #modern art #art book #monograph #art history

47 notes · View notes

tom-isaacs · 11 months

Photo