French artist Eugène Atget (1857-1927) focused his lens on the city and people of Paris for nearly four decades, producing more than 8,500 pictures throughout his career. In his photograph Eclipse, a crowd is gathered in Paris’ Place de la Bastille to observe the 1912 solar eclipse. Rather than recording the astronomical event itself, Atget turned his attention to its spectators.
Fun fact: Surrealist artist Man Ray bought Atget’s photograph to illustrate the June 1926 cover of La Révolution Surréaliste—a subversive publication that adopted a pseudo-scientific format to explore the irrational nature of existence
I was just in Mexico and saw an exhibit of art by Leonora Carrington, one of my favorite Surrealists. Andrew asked how an English artist ended up in Mexico, and I think you all need to know: the normal way. Her boyfriend Max Ernst had to flee Europe to escape the Gestapo and she had a nervous breakdown over it and was committed to an asylum where she was subjected to electroshock therapy and then her family sent her to another asylum in South Africa but she escaped in Portugal and took sanctuary at the Mexican embassy and fortunately she knew one of the Mexican diplomats because he was also a poet who was pals with Picasso and they entered a marriage of convenience so she'd have diplomatic immunity and went down to Mexico with other intellectuals who were fleeing fascism. Just the normal everyday way most people get to Mexico.
In Surrealist sabotage and the war on work, art historian Abigail Susik uncovers the expansive parameters of the international surrealist movement’s ongoing engagement with an aesthetics of sabotage between the 1920s and the 1970s, demonstrating how surrealists unceasingly sought to transform the work of art into a form of unmanageable anti-work. In four case studies devoted to surrealism’s transatlantic war on work, Susik analyses how artworks and texts by Man Ray, André Breton, Simone Breton, André Thirion, Óscar Domínguez, Konrad Klapheck, and the Chicago surrealists, among others, were pivotally impacted by the intransigent surrealist concepts of principled work refusal, permanent strike, and autonomous pleasure. Underscoring surrealism’s profound relevance for readers engaged in ongoing debates about gendered labour and the wage gap, endemic over-work and exploitation, and the vicissitudes of knowledge work and the gig economy, Surrealist sabotage and the war on work reveals that surrealism’s creative work refusal retains immense relevance in our wired world.
The surrealists are the only ones who believed we could live by superimpositions, express it, layer upon layer, past and present, dream and actuality, because they believe we are not one dimensional, we do not exist or experience on one level alone, and that the only way to transcend the contradictions of life is to allow them to exist in such a multilateral state.
Anaïs Nin, from The Diary of Anaïs Nin, Vol. 2. 1934-1939
Exquisite Corpse, or Cadavre Exquis, to give it its original title, started out as a surrealist writing game in 1920s Paris. The name comes from a line in one of the original games: “The exquisite corpse will drink the new wine.” Penned by Andre Breton.
It’s quite simple really, you just write a sentence and then fold it over (leaving part of the sentence uncovered) and pass it on. The next…
Giorgio de Chirico (10 July 1888 – 20 November 1978)
An Italian artist and writer born in Greece. In the years before World War I, he founded the scuola metafisica art movement, which profoundly influenced the Surrealists. After 1919, he became a critic of modern art, studied traditional painting techniques, and worked in a neoclassical or neo-Baroque style, while frequently revisiting the metaphysical themes of his earlier work.
Scuola Metafisica is otherwise known as Metaphysical painting, which is characterised by their
Dream-like landscapes
Mysterious and sometimes threatening atmosphere
Utilisation of representational, yet incongruous imagery that often juxtapose against each other
“The artists thus created a visionary world of the mind, beyond physical reality” ~ Tate
Further resources to discover more about the artist:
A Piazza in the Sun: The Paintings of Giorgio de Chirico (video, 12min)
#PalianSHOW presents:
ARTist of the DAY
Marion Adnams #MarionAdnams
#surrealism #WomenSurrealists #womensart #artbywomen #surrealists #paintings #herstory #artherstory #5womenartists
Marion Elizabeth Adnams
(3 December 1898 – 24 October 1995) was an English painter, printmaker and draughtswoman. She is notable for her surrealist paintings, in which apparently unconnected objects appear together in unfamiliar, often outdoor, environments.
Some of her paintings depict landscapes and landmarks close to, or within, her native town of Derby. via Wikipedia
Adnam’s work can be…