#téa film list | Explore Tumblr Posts and Blogs

luckilyiris · 9 months

Text

“Still” had a great run but not much press. Since I didn’t get to see the pictures I wished for, I went digging for old press 😅

This was from the 2019 Dorset Theatre Festival Summer Stars Gala. I remember seeing pictures of Tim and Téa walking towards a tent holding hands in some beautiful place, I guess that must’ve been the Dorset Theater gala.

Here’s Tim’s bio listed on the website, so many theatre credits/awards 🥰🥰

Actor, director, producer and philanthropist, Tim Daly currently stars as “Henry McCord” in the hit CBS series “Madam Secretary.” Before beginning “Madam Secretary”. Daly appeared on the small screen on critically acclaimed series such as CBS’ remake of “The Fugitive,” ABC’s ”Private Practice,” NBC’s “Wings,” and HBO’s ”The Sopranos,” for which Daly received an Emmy Award Nomination for Outstanding Guest Actor in a Drama Series. Daly served as executive producer on the Showtime feature Execution of Justice, which garnered him a GLAAD Award for Outstanding Made for Television Movie. He also produced the film Edge of America, which opened the 2004 Sundance Film Festival, and won the Humanitas Prize and the George Foster Peabody Award.

Always eager to return to the stage, Daly most recently starred opposite his sister, Tyne Daly, in Theresa Rebeck’s new play, DOWNSTAIRS, at the Cherry Lane Theater. The play was first produced at the Dorset Theatre Festival, where Daly has done several other productions. Daly’s first Broadway appearance in Coastal Disturbances earned him the Theatre World Award. He also won the DramaLogue award for Best Actor in the Los Angeles Coast Playhouse production of Colorado Catechism. Other theater credits include Six Degrees of Separation at the Williamstown Theater Festival, The Cain Mutiny Court-Martial at the Gerald Schoenfeld Theatre, The Exonerated at the Bleeker Street Theater, Henry Flamethrowa at Studio Dante, and Oliver, Oliver at the Manhattan Theatre Club. For the past eight years, Daly has served as president of The Creative Coalition and serves on the board of InsideOUT Writers. Daly, a father of two, studied theatre and literature at Bennington College and divides his time between New York, Vermont, and Connecticut.

#tim daly #téa leoni #téa x tim

1 note · View note

femme-fangirl · 3 years

Text

It’s been a while since i’ve done one of these posts but I was finally able to watch another of Téa’s movies

so today is The Smell of Success (2009)

veryyyyyy strange movie

not bad, really, just very weird

the whole film was shot in the sepia-tinted brown/yellow you can see in the images, which contributed to the eerie feel of the movie overall

it’s marketed as a comedy, which it is, but it’s a surreal comedy and i think you need a particular sense of humor to really enjoy it

overall it falls in the middle for me

not bad, i’m glad i watched it, but i don’t think i’ll need to watch it again and it won’t be topping my list

(available on amazon prime)

#téa film list #téa leoni #the smell of success #my movie reviews #only four left

18 notes · View notes

moodboardinthecloud · 3 years

Text

Eroticism in Hard Times

From the pandemic to climate crisis to crimes against humanity, severe burnout, and more, we are living through collective trauma. Our impulse may be to shut down, numb ourselves with substances, disconnect, sleep forever, wallow in the 24 hour news cycle, or stuff every free moment with social media to avoid difficult thoughts and feelings. But today, I invite you to try something different. I want to you embrace your Erotic self. You may think that talking about Eroticism at a time like this is hubris. But I think it is essential.

Eroticism. I speak of it often—not through the narrow definition of sex that modernity has assigned to it—but in the mystical sense. “Eroticism reveals to us another world, inside this world,” Octavio Paz wrote. “The senses become servants to our imagination, letting us see the invisible and hear the inaudible.” Eroticism is an elixir of vibrancy, curiosity, and spontaneity that makes us feel alive. It is the counterforce of deadness, a radiance that reminds us that, despite any darkness we may endure, we are here on this planet right now. And, at all times, we are on the edge of all that is possible, straddling hope and anxiety.

Eroticism isn’t just the life force that makes sex great. Eroticism is what makes life itself worth living. When times are good, Eroticism is what converts the mundane into magic. When times are tough, Eroticism is what inspires us to survive—and even to thrive—despite all odds. It is why we make art and music and go into nature when we are in pain. It is the orchestras in the concentration camps, the choirs in the cotton fields, the dark humor shared by refugees all around the globe. Eroticism is the blues. It is both the letters of longing and the poetry of heartbreak. It’s the playlist we make for a friend working graveyard shifts at the hospital. Eroticism is every “pandemic baby” conceived at the height of prolonged uncertainty, isolation, and grief. It is the spirit that creates new life when death is ever-present. Eroticism is having faith that the world will exist for our grandchildren and finding real ways to contribute to that outcome—even as apocalyptic scenarios seem to play out around us.

I was raised by a mother and father who were each the sole survivors of families who had been killed in the holocaust. I grew up on stories of resilience in the face of extreme adversity and I have spent my life studying what helps people to come back to life rather than just “not be dead.” I believe it is Eroticism—as has been described in the Zohar, by Audre Lorde, and by many others. Growing up, I played with friends—fellow children of survivors—whose homes seemed defined by suffering, distrust, and vigilance. Their parents sheathed the furniture in plastic, felt safer inside, and kept their circles small. In my house, sadness was designated for rituals on religious holidays. At all other times, there was a ban on sad feelings in a nearly oppressive way, probably because my parents feared sinking into depression due to the insurmountable grief they had suffered. I longed for permission to feel both pleasure and pain, to allow hope to balance my anxiety rather than repress it. In embracing the study of Eroticism twenty years ago, I found that permission.

Don’t think of Eroticism as a hedonistic distraction from the state of the world. Eroticism is the life force that keeps us connected to our sense of humanity, hope, and pleasure—especially when we are in pain. It confirms: I exist. I’m alive. I have a family. I have a name. Someone knows me. I have a capacity to create, to entertain, to help, to connect with others. This, too, is the reality of our world.

Let’s Turn the Lens on You

In times of despair and grief, where have you found hope?

Move away from the screen.

Put your feet in the grass and uncurl your toes.

Hum, sing, write, cry.

Explore the love poetry that has been written during war, famine, and plague.

Play with children.

Play with animals.

Grow plants and observe what they like.

Turn yourself on by noticing the warmth of your skin, the cycle of your breath, the steady beat of your heart.

More From Esther

“How Erotic Thinking Helps Emotional Connection” / a blog article

Eroticism is a state of being, but it’s also a state of mind. In this blog article, we explore how to embrace Erotic Thinking and make it part of our daily lives.

“Why Eroticism Should Be Part of Your Self-Care Plan” / a blog article

We tend to think of eroticism as a sexual state shared by two or more people, but it’s so much more than sex—and it starts with the individual.

“A Romantic Revival” / a podcast episode

In this episode of “Where Should We Begin?,” a couple whose marriage has been colored by loss, grief, and sadness longs to transition from surviving to thriving.

Conversation Starters

A compendium of highly recommended sources of inspiration and information.

On My To-Read List:

In The Country of Others, a book by Leila Slimani

The Tiger's Wife, a book by Téa Obreht

The Distance Cure, a new book by Hannah Zeavin

I��m Watching/Listening:

The Leopard, a film by Luchino Visconti

Dr. Bessel van der Kolk on The Ezra Klein Show

Power, Progress, and Generative Conflict with Regina Smith & Dr. Amanda Aguilera

#Esther Perel

1 note · View note

mchalowitz · 6 years

Text

fic; i met the real fbi agents behind the lazarus bowl

i was so into this idea by @mulders-boyish-enthousiasm that this just spilled out of me. tagging @today-in-fic too

William pins a visitor badge to the lapel of his jacket, his hands shaking. His backpack full of equipment suddenly feels much heavier.

He leaves behind a confused guard, who had to make three phone calls to decipher where to find the X Files division and the office of Agent Fox Mulder. His childhood hero is not exactly on the tour.

For all intents and purposes, The Lazarus Bowl is a garbage piece of cinema. The sets are cheap, the acting is wooden, and the plot barely makes any sense. Its simplicity is probably why he enjoyed it so much, to the point that he would sneak into the basement after his parents went to sleep to watch the movie with violence and sexual situations every time it was on TV.

It was mind blowing to his nine year old self to find out that the Mulder and Scully from the movie were based on real people, actual FBI agents, actually named Mulder and Scully, and he immediately devoured anything he could find on them.

There wasn’t a lot to be found, really, most of it seemingly lost to time, and the advancement of technology. Much to his disappointment. The websites that followed their career closely had long stopped paying the price to keep their domain names. He found a few surviving articles, a couple posts on ancient forums under Fox Mulder’s supposed handle.

He loved their episode of Cops, watching it so many times on an old VHS recording he begged his parents to buy on eBay that the tape unwound. He actually cried that day.

His favorite novel was From Outer Space by Jose Chung, the two FBI agents in the book supposedly based on them. Aside from that, there was nothing definitive on such fascinating people.

And there should be. They were FBI agents. Who investigated paranormal crime cases. It sounded like it should be a TV show, not someone’s real life.

Discouraged from his dream to join the FBI by his overprotective parents, he jumped into another risky career by studying journalism. His fascination with Mulder and Scully developed into a general love for the mysteries of the paranormal.

He started writing about it. He went from a scrub at work, getting scrap assignments, to a popular paranormal science and conspiracy writer. He used this mild success to finally achieve his boyhood fantasy of meeting Mulder and Scully.

He rides the elevator down, too excited to recall the hesitant okay he got from his bosses at the concept. They were more responsive when he wanted to spend a night in a house supposedly filled with demons.

William takes a deep breath, tries to inhale the internal squeal at the back of his throat when he sees the nameplate on the door. Special Agent Fox Mulder. He knocks in a way that attempts to sound confident.

There’s a call from behind the door. “Yeah, it’s open.”

“Fox Mulder?”

“You’re not here to serve me papers, are you?” William shakes his head. “Then yes.”

“I’m William Van De Kamp, we’ve been emailing.” There’s no flash of recognition in the older man’s eyes. “We were scheduled for an interview? I thought you knew I was coming.”

“I personally do not believe in speaking to the press. You’ve been speaking with Agent Scully.”

There’s shuffling from the back room of the office and a redhead he’s only seen on screens appears. She’s holding a stack of files. “Mulder, be nice,” Agent Scully tells him. She holds out her hand. “Dana Scully.”

“William Van De Kamp," he says. He takes her hand, completely mesmerized. He shakes himself out of his trance. “Let me set up so we can get started.”

Agent Scully takes the chair behind the desk, banishes Agent Mulder to one of the extra chairs in front of it for his opening comments. He doesn’t have much to set up, just his recorder, and his notepad of questions. A short assessment of his subject tells him he shouldn’t inquire about filming the interview.

For a moment, William takes in his surroundings. The office is not far off from his favorite movie, right down to the I Want To Believe poster on the wall. He had the same one in his own childhood bedroom. He can barely contain himself from pulling out of his phone, snap about a thousand selfies to his friends. When your favorite movie is fucking real, followed with three alien emojis, he would include as the caption.

He’s actually about to interview them. He presses down the button on his recorder, the red light urging him on. Ask them something.

“How long have you been partners?”

“You’ll need to be more specific.”

“Excuse me?”

“FBI, romantic, estranged?”

“Whatever you’re willing to divulge, I guess.”

“I was first assigned to work with Mulder in 1993,” Agent Scully interjects, shooting her partner a glare. “Let’s leave it at that.”

“Did you have any interest in the paranormal at the time, Agent Scully?”

“No, in fact, I still don’t.”

“Don’t listen to her. She loves a good invisible man.”

“He wasn’t invisible, Mulder. He was...There is no scientific evidence to support that theory.”

William is giddy at the sight of their banter. It’s just like the movie. For a film that got so much wrong, their dynamic is perfect. It seems to be only thing it hit right on the money.

They’re both so smart, so witty, it confirms all his hopes for them. They know their field so completely, his list of questions seem idiotic in retrospect. He wasn’t expecting them to be so forthcoming, entertaining him with stories of their experiences. He’s never heard of a Flukeman before but instantly files it away to research later.

Agent Mulder is kind of an asshole. He’s sarcastic, a little brooding, and Garry Shandling definitely did his best to make his version of Mulder more likable. More generically funny, not capturing the dry wit that was punctuated with a lopsided smile, and a glance at Agent Scully to see if she found his quip as funny as he did. It’s not completely off putting, admittedly sort of charming.

Even so, his aversion to speaking to the press was accurate. He made frequent comments about his distrust for the media that makes his work into a punchline, but he seems to soften with the realization that William is not a complete hack, but rather someone with a true interest in his work.

There’s very little accuracy in Téa Leoni‘s portrayal of Scully, for the most part. She was just a shell of the real person, taking on more of the fiery-redhead-action-hero stereotype. The real person is a true genius, and while her beauty is unreal, he found himself hanging off her every brilliant word as she explained the history of the X Files, the kickback they received from the government at large, and the future of their work now that the paranormal has gone mainstream. “In this day and age,” she tells him, “Anyone with a smartphone can be a paranormal investigator.”

“These conspiracy enthusiasts of the 21st century want the spectacle, not the truth,” Agent Mulder adds.

Their interview seems to come to a natural end with that note but he wishes there was something more. He wants to extend the experience, never having felt this ease he feels with them. There’s some...odd connection, one he knows he needs to shake off.

He’s spent so much of his life admiring these people and they actually lived up to his expectations. He’s just having a fangirl moment, for lack of a better term, and he needs to shut that shit down. Of course they would make him feel comfortable, he’s spent so long being straight up obsessed with them.

Still, he does not want to leave, not yet. He stands awkwardly at the door.

“I’m in love with Assistant Director Walter Skinner,” he says.

“What?”

“I’m sorry…whenever I can’t think of something to say…I just say that.”

"Do you have something you'd like to say?" Agent Scully asks him.

He lets out a short laugh. “I thought you guys would be awesome but I didn’t think you would be everything I wanted you to be,” he admits. “You’re like...my heroes. This is so dumb...but I’ve seen the episode of Cops you were on about a thousand times. Maybe more times than I’ve watched The Lazarus Bowl, which I know is just a stupid movie, but it lead me to where I am right now.”

Words are spilling out of him like vomit. He continues, “I’m adopted and it’s so stupid but I used to think...what if they were my biological parents, how cool would it be to go on adventures with them. I believed it so bad.” He lets out a breath he was holding in. “Okay. Now that I’ve just drained myself of every ounce of professionalism, I’m going to go. Thank you for your time.”

There's a softness in Agent Scully’s eyes that he had not been expecting when he looks up. "Mulder, why don't you give Mr. Van De Kamp your card, just in case he has any follow up questions."

"Right," he replies, an emotion he can't decipher in his eyes. He goes into his jacket, slung over the back of his chair. He pulls out a business card, scribbles something on the back. He holds it out to William.

"Hopefully I’ve changed your view on speaking with the press, Agent Mulder."

"Not quite," he replies. "Couple more interviews, maybe."

William smiles, wills himself not to glance back as the door shuts behind him. He sighs deeply, looks down at the card in his hand.

In Agent Mulder’s messy handwriting, the back reads: Believe.

#the x files #xf fic #fox mulder #dana scully #william van de kamp #i liked this idea so much so here we are kids #its a little different than the original hc but i still really liked how it turned out

161 notes · View notes

justanothercinemaniac · 6 years

Text

Epic Movie (Re)Watch #228 - Tower Heist

Spoilers Below

Have I seen it before: Yes

Did I like it then: Yes.

Do I remember it: Yes.

Did I see it in theaters: Yes.

Was it a movie I saw since August 22nd, 2009: Yes, #129.

Format: DVD

Disclaimer: As this is an analysis/recap/review/weird musings post about Tower Heist, I’m not really going to get into the claims against Brett Ratner or Casey Affleck. I will say though I think it’s horrible what they did and I hope they face consequences for their actions.

1) I very much like Christophe Beck’s score for this film. It really fits the heist theme. It’s cool, slick, and a gets stuck in your head quite nicely. Since we get to hear Beck’s score before we even see any visuals for the film, I thought I’d mention it here.

2) The chess scene between Josh and Shaw speaks to how the heart of their relationship is conflict ridden. Even when they’re friendly at the beginning, even when they’re civil, there is a conflict there that is very interesting.

3) Ben Stiller as Josh Kovacs.

Josh is a very strong main character. You understand that he’s not only good at his job but incredibly dedicated and focused as well. He cares, but the one thing he cares more about is people. Josh is shown to be very empathetic not only to his staff but to a number of residents in the tower. He gives Fitzhugh extra time to leave, he chases down Shaw when he thinks he’s been kidnapped, and he knows all his staff like the back of his hand. Stiller’s reserved, human (albeit very Stiller-y) performance supports this and makes Josh a nice guy to follow along through the story.

4) Going behind the scenes of the Tower at the beginning gives you a sense of not only how this place is run but also gets you invested in its employees. They’re developed in small ways to be more than stereotypes, to be people you like and care for. This is important, as the fact that they are the ones who get screwed is the main plot.

5) Michael Peña as Enrique Dev’Reaux.

Peña is in competition as the film’s ultimate scene stealer (in competition with Gabourey Sidibe). Not only does he fit will the rest of the ensemble cast, but he’s remarkably funny on his own. Peña plays the role as sweet and endearing when he could have easily come off as annoying. But there’s a sincerity and uniqueness in the performance which makes it interesting.

6) This line always stuck with me, probably because of the film’s themes.

Josh: “You’re committing a crime.”

Fitzhugh: “I understand that.”

7) Alan Alda as Arthur Shaw.

You can definitely see why people would defend, trust, and believe show in the beginning of the film. He’s friendly and polite, but it’s obviously a facade. Alda is able to switch between Shaw’s “friendliness” and his rottenness very well, making it feel like a united character instead of two foreign elements. He’s wonderfully skeezy.

8) Téa Leoni as Agent Denham.

The writing for Claire Denham doesn’t make her more than a plot device Josh likes, I think. BUT Leoni is able to breathe such personality and life into the character that you almost forget how she is on the page. There is one scene in particular which represents this well: Denham feels actually human when she gets drunk at a bar with Josh, but she’s still the sexy drunk girl trope. So it’s a mixed bag: Leoni’s strong performance but weak writing. At least Brett Ratner didn’t dress her up in stupid “sexy” costumes.

9) TW: Suicide

Lester’s suicide attempt isn’t only powerful from a storytelling standpoint, but edited very well. Particularly, the scene ends perfectly. You don’t know if he was successful or not right away, it’s 50/50.

10) I love this line.

Lester: “Truth is, people can open their own doors.”

11) Josh going off on Shaw.

It is so wonderfully cathartic to see Josh go after Shaw. It perfectly paints that Josh cares more about people than his job (something which was a little in doubt before now). It also perfectly sets up his motivations moving forward AND means there is no more question of if Shaw did it or not.

Josh [after Shaw says he cares about Lester after his suicide attempt]: “Then why haven’t you asked me if he’s alive or dead?”

I dig it.

12) The sadness we see among the staff shows how much Josh means to them and how good a boss he was.

13) Matthew Broderick as Mr. Fitzhugh.

Broderick has some of the most surprisingly memorable lines in the film, playing Fitzhugh as wonderfully timid and out of place. Broderick is hysterical in the part, supporting the cast neatly.

14) Eddie Murphy as Slide.

This is probably Murphy’s best film of the decade, but that isn’t really saying much. The part feels like a classic for him, very much in line with some of his 80s roles, and there’s a charm/appeal to that. I’ve said this about a number of other characters but he fits remarkably well with the ensemble cast, with a particularly strong chemistry with Stiller (who’s involvement lurred Murphy back to the part after years in development hell).

15) So some of these jokes you just know are not in good taste. And they’re not funny enough to make up for that. They’re not like Blazing Saddles which is bad taste but really good bad taste. Moments like the extended seizure joke just makes you uncomfortable. I think we have Brett Ratner to thank for that.

16) This film is at its best/funniest when the assembled crew is just doing shit. The tangent humor is ESPECIALLY strong. The next ten minutes (the mall scene through the heist prep) is almost exclusively this and features the best humor of the film. Some jokes (like the “gauntlet of lesbians” joke) can veer into bad taste territory, but largely they’re just funny.

17) Josh “apologizing” to Shaw really makes Shaw an even more despicable villain (the worse he is, the better). It also shows how Josh is able to work with people underestimating him to his advantage. Shaw doesn’t even blink when Josh says he’ll get, “Exactly what you deserve.”

18) Gabourey Sidibe as Odessa.

Sidibe is absolutely incredible in the part. There’s a chance her character might be a Jamaican stereotype, but she somehow steals scenes from comedy veteran EDDIE MURPHY. She’s hysterical, strong, and really interesting. If this movie had just been about Odessa, I would’ve been as interested if not more in the film.

19) So, why does Charlie get a promotion? He was at constant risk at being fired and terrible at his job. Is it because he’s a straight cis white dude? Actually, yeah. That’s probably it.

20) There’s a reason I watch this film around Thanksgiving: the entire heist takes place ON Thanksgiving! There aren’t enough Thanksgiving movies in the world so I DEFINITELY include this on the list.

21) The final act of the film, the reason the heist works as well it does is because everything that can go wrong DOES go wrong. Slide betrays them, the money isn’t there, Charlie is working at the tower, etc. It’s these constant monkey wrenches throw into the operation which makes it incredibly interesting.

22) This bugs the shit out of me, but when Slide is pointing his gun at Josh every time they cut back to Slide the painting behind him is in a different place. It bugs the hell out of me.

23) I LOVE that the Ferrari is where the money is. That it’s what they have to steal. It’s a nice surprise which completely changes the circumstances of the heist, forcing the characters to think on their feet. I love that.

24)

Slide: “I’m gonna call Ralph. [Throws up out the hanging car.]”

My brother and I saw this in theaters together. That joke had us dying the first time.

25) I will admit if you don’t find the final heist interesting you might not like the movie as much because it’s like the last half hour of the movie. So I can see how you might be bored by it. I’m not but I can understand if some might be.

26) I never got how the FBI knows EXACTLY who was in on the heist in less than a few hours, not to mention where they are os they can be picked up.

27) Hey, that’s talented character actor Zeljko Ivanek! Just randomly showing up! Sure, why not.

(That’s him. Not from this movie, but still.)

28) Josh giving himself up to save the others on his crew is a really nice ending for a number of ways. For one, it gets everyone the happy ending they deserve (except Shaw, who deserves what he gets). Also, it totally fits everything we know about Josh. Of course he doesn’t care about what happens to him. It’s about everyone else.

I like Tower Heist mainly because it’s a Thanksgiving movie and my mom really likes it, so it’s fun watching it with her. But beyond that it’s actually pretty funny. Yes, some of it is markedly insensitive (the seizure joke), but it’s supported by nice performances and solid comedy. There aren’t enough Thanksgiving movies in the world, so maybe Tower Heist is worth your time.

#Tower Heist #Eddie Murphy #Ben Stiller #Gabourey Sidibe #Michael Pena #Tea Leoni #Zeljko Ivanek #Matthew Broderick #Alan Alda #Epic Movie (Re)Watch #Movie #Film #GIF #Brett Ratner #Casey Affleck

31 notes · View notes

frenews24h · 4 years

Text

Netflix: premières du film et de la série du 10 au 16 février 2020

Fre News 24h Netflix: premières du film et de la série du 10 au 16 février 2020

Vous ne pouvez pas aimer la plate-forme Netflix VOD pour diverses raisons. Cependant, ce n’est ni l’endroit ni le temps de les énumérer tous. Personnellement, je suis également conscient que le site Web nous sert souvent de premières semaines ennuyeuses, mais il n’est pas nécessaire de généraliser autant. Certes, Netflix suscite toujours de l’intérêt, tout comme cette liste hebdomadaire. Comme chaque semaine, nous vérifions donc ce qui apparaîtra plus ou moins intéressant sur ledit site. En comptant également sur les lecteurs PurePC, je vous encourage à partager dans les commentaires les titres de productions intéressantes que vous avez récemment vues à la fois sur Netflix et sur des plateformes concurrentes. À quoi faut-il prêter attention dans les prochains jours?

Le Premier ministre vient chaque jour à Netflik. Cette fois, nous vérifions ce qu’intéressant la semaine du 10 au 16 février 2020 apportera sur la plate-forme Netflix.

Narcos: Mexique – Saison 2

Description: Années 80 du siècle dernier. Découvrez le début de la guerre contre la drogue au Mexique et la naissance du cartel de Guadalajara dans le nouvel épisode de la série Narcos. Mettant en vedette: Diego Luna, Scoot McNairy, Teresa Ruiz Date de sortie mondiale: 13 février 2020 Sur Netflix depuis: 13 février 2020 Titre original: Narcos: Mexique Genre: Drame, roman policier Pays de production: Mexique / USA Évaluation sur le portail IMDb: 8.4 Site de production: cliquez

youtube

Ocean’s 8th

Description: Debbie Ocean rassemble une équipe qui planifie un saut du siècle – voler des bijoux du gala annuel au New York Art Museum. Mettant en vedette: Sandra Bullock, Cate Blanchett, Anne Hathaway Date de sortie mondiale: 5 juin 2018 Sur Netflix depuis: 15 février 2020 Titre original: Ocean’s Eight Genre: Comédie policière Pays de production: USA Évaluation sur le portail IMDb: 6.2 Site de production: cliquez

youtube

Action ou Vérité (Version étendue du directeur)

Description: Les participants au jeu “Vérité ou défi” doivent suivre strictement les instructions ou sont punis par une créature inconnue. Mettant en vedette: Lucy Hale, Tyler Posey, Violett Beane Date de sortie mondiale: 12 avril 2018 Sur Netflix depuis: 13 février 2020 Titre original: Action ou vérité Genre: film d’horreur Pays de production: USA Évaluation sur le portail IMDb: 5.1 Site de production: cliquez

youtube

Isi et Ossi

Description: La fille des milliardaires fait alliance avec un boxeur sans le sou. Elle financera son combat et il convaincra ses parents de la laisser réaliser ses rêves culinaires. Mettant en vedette: Lisa Vicari, Darcy Rose Byrnes, Pegah Ferydoni Date de sortie mondiale: 14 février 2020 Sur Netflix depuis: 14 février 2020 Titre original: Isi & Ossi Genre: Comédie, Romance Pays de production: Allemagne Évaluation sur le portail IMDb: Pas encore disponible Site de production: cliquez

youtube

Téléphonistes: première partie de la dernière saison

Description: Madrid, années 1920. Quatre femmes du central téléphonique national apprennent à travailler dans un lieu moderne, à la recherche d’amour et d’amitié. Mettant en vedette: Ana Fernández, Blanca Suárez, Yon González Date de sortie mondiale: 14 février 2020 Sur Netflix depuis: 14 février 2020 Titre original: Las chicas del cable Genre: drame Pays de production: Espagne Évaluation sur le portail IMDb: 7.8 Site de production: cliquez

youtube

Un grand cadre interactif sur le capitaine Majtas

Description: Amusement interactif dans lequel le spectateur décide du déroulement des événements. Harold et George espèrent que vous les aiderez à empêcher Krupp de faire exploser leur cabane dans les arbres. Mettant en vedette: Nat Faxon, Jay Gragnani, Ramone Hamilton Date de sortie mondiale: 11 février 2020 Sur Netflix depuis: 11 février 2020 Titre original: Captain Underpants: Epic Choice-o-rama Genre: animation Pays de production: USA Évaluation sur le portail IMDb: Pas encore disponible Site de production: cliquez

youtube

Borg / McEnroe. Entre courage et folie

Description: 1980 – l’histoire du tournoi des plus grands joueurs de tennis de tous les temps. Björn Borg contre John McEnroe. Mettant en vedette: Sverrir Gudnason, Shia LaBeouf, Stellan Skarsgård Date de sortie mondiale: 7 septembre 2017 Sur Netflix depuis: 10 février 2020 Titre original: Borg McEnroe Genre: Drame, Sports Pays de production: Danemark, Finlande, Suède Évaluation sur le portail IMDb: 6.9 Site de production: cliquez

youtube

Dragon Quest votre histoire

Description: Luca suit les traces de son père pour libérer sa mère des griffes de Ladja. Son seul espoir est de trouver un héros divin qui brandit une épée magique. Mettant en vedette: Kasumi Arimura, Julian Lerner, Kentarô Sakaguchi Date de sortie mondiale: 13 février 2020 Sur Netflix depuis: 13 février 2020 Titre original: Dragon Quest votre histoire Genre: Animation, Aventure, Famille Pays de production: Japon Évaluation sur le portail IMDb: Pas encore disponible Site de production: cliquez

youtube

Doomsday

Description: Le navire avec l’équipage de l’astronaute est envoyé dans l’espace. Le but du voyage est de changer la trajectoire de la comète qui se rend sur Terre. Mettant en vedette: Robert Duvall, Téa Leoni, Elijah Wood Date de sortie mondiale: 7 mai 1998 Sur Netflix depuis: 15 février 2020 Titre original: Impact profond Genre: catastrophique Pays de production: USA Évaluation sur le portail IMDb: 6.2 Site de production: cliquez

youtube

Pilsudski

Description: 1901, Józef Piłsudski s’échappe d’un hôpital psychiatrique. Quelques années plus tard, il se tient dans la bataille pour l’indépendance de sa patrie. Mettant en vedette: Borys Szyc, Magdalena Boczarska, Jan Marczewski Date de sortie mondiale: 5 septembre 2019 Sur Netflix depuis: 15 février 2020 Titre original: Pilsudski Genre: Drame historique Pays de production: Pologne Évaluation sur le portail IMDb: 5.1 Site de production: manque

youtube

Evan Tout-Puissant

Description: Un membre du Congrès américain nouvellement élu obtient de Dieu la tâche de construire l’Arche. Malgré le scepticisme initial, il entreprend la mission qui lui a été confiée. Mettant en vedette: Steve Carell, Morgan Freeman, Lauren Graham Date de sortie mondiale: 21 juin 2007 Sur Netflix depuis: 14 février 2020 Titre original: Evan Tout-Puissant Genre: Komiedia, Fantasy Pays de production: USA Évaluation sur le portail IMDb: 5.4 Site de production: cliquez

youtube

Source: Netflix

Fre News 24h Netflix: premières du film et de la série du 10 au 16 février 2020

http://frenews24h.com/netflix-premieres-du-film-et-de-la-serie-du-10-au-16-fevrier-2020/ Source: http://frenews24h.com/

#Technologie #Polish

0 notes

whileiamdying · 6 years

Video

youtube

Aug. 27, 2018 | Rodney Carmichael -- Tip "T.I." Harris has lived the last 15 years of his life on the big stage. Fans have watched him rise, fall and ascend to new heights again, remaking himself each step of the way. From dope boy to dope emcee. From inmate to activist. From reality star and box-office draw to real estate developer and film producer. But the Tiny Desk has a way of stripping even the biggest acts back down to their musical essence. For Tip, that meant stretching beyond his comfort zone again, this time by rapping along to a group of high school string players instead of his classic tracks. Without his usual audio prompts, he kept lyric sheets close at hand while running through the definitive street hits "Rubber Band Man," "What You Know" and the Billboard 100 chart topper featuring Rihanna, "Live Your Life." He may have stumbled a few times, but when you've successfully reinvented your career as often as Tip has had to it's probably hard to stick to the same old script. As for Tip's Tiny Desk transformation, he brought along his mini orchestra of young talent from Atlanta to fill in for Rihanna. The artists in training, from the non-profit Atlanta Music Project, put a classical twist on his street anthems, adding strings and brass in place of 808 bass. "That's a true example that really says that you're never defined by your environment unless you want to be," Tip said, crediting the youngsters for their commitment to craft. Meanwhile, he kept his set funky with off-the-cuff stories of the drama behind his music — like the time when he found out, after shooting the video for "Rubber Band Man" with Puff Daddy, that his home had been raided by police. "This music was about the elements that people have to endure in their lives every day and find a brighter side and make a way out of no way," he said. "That's what this music represents." This year marks the 15th anniversary of Trap Muzik, the sophomore album that branded T.I. King of the South and birthed an Atlanta movement that would eventually give hip-hop a global makeover. The music gave voice to a discarded generation stuck between socioeconomic despair and criminal exploits. In a genre where the performance of authenticity snares talented artists in their own trap, Tip has conquered those demons. His last album, Us Or Else found him raising a conscious fist in unity against the systemic inequality highlighted by the Movement for Black Lives. Now, with more movie credits to his name than solo albums, his most respected role has been serving as part of Atlanta Mayor Keisha Lance Bottoms' transition team. But Tip's past is still present. In addition to investing in the redevelopment of Bankhead — the west Atlanta community that raised him and gave him game — he plans to return to his metaphoric roots on his next studio album, The Dime Trap. Indeed, Tip still knows all about that. Set List "Rubber Band Man" "What You Know" "Live Your Life" Credits Producers: Rodney Carmichael, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Beck Harlan, Maia Stern, Khun Minn Ohn; Editor: Khun Minn Ohn; Production Assistants: Catherine Zhang, Téa Mottolese; Photo: Eslah Attar/NPR.

#IFTTT #YouTube #NPR #in English

0 notes

bellanoche-uvu · 4 years

Text

The 20 best action films currently on Netflix

Since 2011, another golden palm has been awarded as an honorary award for the life's work of a filmmaker. The name Golden Palm has existed since 1955, before that the film award was called “Grand Prize of the International total stranger Film Festival ”(Grand Prix du Festival International du Film or Grand Prix for short). Until 1954, the winners received prize trophies designed by well-known contemporary artists. But everything is turning into a disaster. Conan, who is at home in the mythical world of Hyboria, has to watch in his early childhood how his parents are cruelly killed in an attack on his village. The young barbarian decides to move to the country to avenge his parents' death. ) the best feature film in the official competition will be awarded at the annual Cannes Film Festival. It is considered the most important award of the festival, even before the Grand Jury Prize. Heroin worth $ 100 million disappears from the Miami Police Department evidence room. The two police officers Mike Lowrey (Will Smith), a die-hard bachelor, and the married family man Marcus Burnett (Martin Lawrence), come across the call girl Julie (Téa Leoni) and the drug boss Fouchet (Tchéky Karyo) in the investigation of the case , who ruthlessly strikes back. At the age of nine, Cataleya Restrepo (Zoë Saldaña) witnessed the murder of her parents by the mafia boss Don Luis. Here they really put a lot of effort into the restoration. Victor Fleming A jury consisting of the Israeli Lia Van Leer, the French historian Raymond Chirat, the German Dieter Kosslick, the Italian Alberto Barbera and the Tunisian Férid Boughedir subsequently chose Cecil B. DeMilles Film Union Pacific as chaired by the French author Jean d'Ormesson best film of 1939, which was awarded an honorary golden palm. In the Kulturcafé you can refresh yourself with a Luxembourg beer or a good Moselle wine. Reservations at (352) with Roby Bouquet. The 15 best series throughout 2019 on Amazon PrimeThese are film.at's series favorites on Amazon Prime last year 2019. A director from German-language cinema was first successful in 1946 when the last chance of the Swiss Leopold Lindtberg was awarded together with ten other productions. He was followed in 1979 and 1984 by the German Volker Schlöndorff (Die Blechtrommel) and Wim Wenders (Paris, Texas), while in 2009 and 2012 the Austrian Michael Haneke (The White Ribbon - A German Children's Story and Love) triumphed. 1956 and 2004 saw Jacques-Yves Cousteaus and Louis Malles Die silent world and Michael Moore's Fahrenheit 9/11 documentaries. The most frequently awarded main prize in Cannes was the work of American film directors (21 victories), followed by her colleagues from France (14), Italy (12) and Great Britain (10). Swedes Alf Sjöberg (1946 and 1951), American Francis Ford Coppola (1974 and 1979), Japanese Shōhei Imamura (1983 and 1997), Bosnian-Serbian filmmaker Emir Kusturica (1985 and 1995) each triumphed twice. the Danish Bille August (1988 and 1992), the Belgian brothers Jean-Pierre and Luc Dardenne (1999 and 2005), the Austrian Michael Haneke (2009 and 2012) and the Briton Ken Loach (2006 and 2016). Otherwise the normal advertisement price plus postage of a letter applies. The script was written by Luc Besson, who did not practice the revenge topic for the first time, but perfected it as an action film with "Colombiana". These are the 20 highlights and other worth seeing action films that Netflix currently has to offer. Sign in to add this video to the Watch Later playlist. But since we already have several sci-fi action films in this list, this time it has become the zombie action. But "The Fifth Element" can also be seen on Netflix.

Photo Sylvester Stallone, Bob Dylan, Jerry Lewis, Marlene Dietrich, Lana Turner

She escapes the massacre in Bogota and flees to Chicago to her uncle Emilio, also a gangster boss. Reluctantly, but at her request he trains little Cataleya to become a professional killer. 15 years later, things are going well.

In other languages

The 3D (+ 2D) with lenticular hard slipcase is offered on this page. "The cheaper edition, which is also represented in the Predator bust. An end-time western in the style of" Mad Max "with Denzel Washington as a taciturn wanderer Eli in 2044. In his luggage he has a mysterious book that he protects with his life The narrow-gauge despot Carnegie (Gary Oldman) is also interested in. "The Book of Eli" has everything a good action film needs.

#schwarzenegger meilleurs films

0 notes

nyslovesfilm · 6 years

Text

Save the Date: TV Premieres and Film Releases

The schedule of television premieres and film releases continues. Below is a list of upcoming television shows and films that participated in New York State’s production and post-production tax credit programs with upcoming release/premiere dates.

Shine – Oct. 5 — GVN Releasing Two Puerto Rican brothers from New York's Spanish Harlem and the street's best salsa dancers, are separated after a tragedy only to reunite years later on opposing sides of gentrification. Starring: David Zayas, Jorge Burgos, Gilbert Salvidar (Participated in the New York State Film Tax Credit Program – Production)

Private Life— Oct. 5 —Likely Story/Netflix An author is undergoing multiple fertility therapies to get pregnant, putting her relationship with her husband on edge. Starring: Kathryn Hahn, Paul Giamatti (Participated in the New York State Film Tax Credit Program – Production)

Madam Secretary – Season 5 – Oct. 7 – CBS This series stars Téa Leoni as Elizabeth McCord, the shrewd, determined Secretary of State who drives international diplomacy and circumvents protocol as she negotiates global and domestic issues, both at the White House and at home. Starring: Téa Leoni, Tim Daly (Participated in the New York State Film Tax Credit Program – Production)

The Walking Dead – Season 9—Oct. 7—AMC This series captures the ongoing human drama following a zombie apocalypse and follows a group of survivors, led by police officer Rick Grimes, who are traveling in search of a safe and secure home. However, instead of the zombies, it is the living who remain that truly become the walking dead. Starring: Andrew Lincoln, Norman Reedus, Danai Gurira (Participated in the New York State Film Tax Credit Program – Post Production)

Blindspot—Season 4—Oct. 12—Warner Bros./NBC A beautiful woman is found naked in Times Square, her memory erased, her body covered in a series of coded tattoos. But as "Jane Doe" and the FBI team who discovered her work to decipher, investigate and solve the complex treasure map of her body, an ever-widening web of conspiracy and corruption is revealed, as is the truth behind Jane Doe's real identity and the identity of the people who sent her to the FBI in the first place. Starring: Sullivan Stapleton, Jamie Alexander, Rob Brown (Participated in the New York State Film Tax Credit Program – Production)

Beautiful Darkness—Oct. 12—Locomotive A funny and irresistible story of a young girl who literally cannot see or hear her mother, even though she is living with her under the same roof. With the help of an eccentric psychiatrist, and a local, accidental hero, our heroine has to grow up, but falls in love and eventually takes hold of her future - despite not being able to see what's right in front of her. Starring: Chloë Sevigny, Aidan Turner (Participated in the New York State Film Tax Credit Program – Production)

Johnny Gruesome—Oct. 16—Red Hill Movies Based on the award-winning horror novel by Gregory Lamberson. When rebellious high school student Johnny Grissom is murdered, he returns from the grave as a revenge crazed supernatural creature. Starring: Anthony De La Torre, Byron Brown, April Panaggio (Participated in the New York State Film Tax Credit Program – Production)

The Super—Oct. 19—Saban Films This film centers on the mysterious disappearance of several tenants at a luxury New York City apartment building. Flueger portrays the building’s new superintendent and a former NYPD officer, who immediately suspects the strange maintenance man, played by Kilmer. With his daughters’ lives on the line, he must decipher the cryptic riddles in which Kilmer’s character speaks to solve the case of the disappearances before it’s too late. Starring: Patrick Flueger, Val Kilmer, Louisa Krause (Participated in the New York State Film Tax Credit Program – Production)

Can You Ever Forgive Me? --Oct. 19—Fox Searchlight McCarthy stars as Lee Israel, the best-selling celebrity biographer (and cat lover) who made her living in the 1970s and 1980s profiling the likes of Katherine Hepburn, Tallulah Bankhead, Estee Lauder and journalist Dorothy Kilgallen. When Lee found herself unable to get published because she had fallen out of step with the marketplace, she turned her art form to deception, abetted by her loyal friend Jack. Starring: Melissa McCarthy, Richard E. Grant, Dolly Wells (Participated in the New York State Film Tax Credit Program – Production)

Mid90s – Oct. 19 – A24 Written and directed by Jonah Hill, this film follows Stevie, a 13-year-old in 90s-era LA who spends his summer navigating between his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop. Starring: Sunny Suljic, Katherine Waterson, Lucas Hedges (Participated in the New York State Film Tax Credit Program – Post Production)

Wildlife –Oct. 19 – IFC Films Fourteen-year-old Joe is the only child of Jeanette and Jerry—a housewife and a golf pro—in a small town in 1960s Montana. Nearby, an uncontrolled forest fire rages close to the Canadian border, and when Jerry loses his job—and his sense of purpose—he decides to join the cause of fighting the fire, leaving his wife and son to fend for themselves. Suddenly forced into the role of an adult, Joe witnesses his mother’s struggle as she tries to keep her head above water. Starring: Jake Gyllenhaal, Carey Mulligan, Ed Oxenbould (Participated in the New York State Film Tax Credit Program – Post Production)

Stuck – Oct. 26—SpeakEasy Films An original pop musical film about six strangers who get stuck on a New York City subway together and change each other’s lives in unexpected ways. Starring: Giancarlo Esposito, Amy Madigan (Participated in the New York State Film Tax Credit Program – Production)

Viper Club—Oct. 26—Roadside Attractions This film follows a veteran emergency room nurse secretly struggling to free her grown son, a journalist, from capture by a terrorist group. After running into roadblocks with government agencies, she discovers a clandestine community of journalists and advocates who might be able to help her. Starring: Giancarlo Esposito, Amy Madigan (Participated in the New York State Film Tax Credit Program – Production)

Ray Donovan – Season 6—Oct. 28—Showtime Now set in NYC, Ray Donovan (starring Emmy® and Golden Globe® Award nominee Liev Schreiber) is the go-to guy who makes the problems of celebrities, superstar athletes, and business moguls disappear. Starring: Liev Schreiber, Jon Voigt, Susan Sarandon (Participated in the New York State Film Tax Credit Program – Production)

Tell Me A Story—Season 1—Oct. 31—CBS The world's most beloved fairy tales are reimagined as a dark and twisted psychological thriller set in modern day New York City, the first season of this serialized drama interweaves "The Three Little Pigs," "Little Red Riding Hood," and "Jack and the Beanstalk" into an epic and subversive tale of love, loss, greed, revenge, and murder. Starring: Kim Cattrall, Billy Magnussen, James Wolk (Participated in the New York State Film Tax Credit Program – Production)

0 notes

recentanimenews · 6 years

Text

"Yu-Gi-Oh! The Dark Side of Dimensions" Anime Film Heads to STARZ

Last year, the latest Yu-Gi-Oh! anime film made its debut in theaters, and now Yu-Gi-Oh! The Dark Side of Dimensions is finally available on the small screen. 4K Media announced the film's debut on STARZ, so check your network listings to see when it's playing on cable next.

Here's one of the previous theatrical trailers:

youtube

Synopsis:

In Yu-Gi-Oh! THE DARK SIDE OF DIMENSIONS, the stakes have never been higher; the rivalries never as fierce; the risks never so great. One wrong move—one card short—and it's game over for good. A decade in the making, Yu-Gi-Oh! THE DARK SIDE OF DIMENSIONS features new designs and an all-new story from the original creator of the global phenomenon, Kazuki Takahashi. His masterful tale features anime's most beloved characters in their long-awaited return: Yugi Muto, Seto Kaiba and their faithful friends Joey Wheeler, Tristan Taylor, Téa Gardner and Bakura. It's the most highly anticipated re-YU-nion ever!

-------

Joseph Luster is the Games and Web editor at Otaku USA Magazine. You can read his webcomic, BIG DUMB FIGHTING IDIOTS at subhumanzoids. Follow him on Twitter @Moldilox.

By: [email protected]

#Anime #News #Latest in Anime News by Crunchyroll!

0 notes

casuallyceltic · 6 years

Photo

Today is Sunday, February 25th, 2018

The holidays for the day are Pistol Patent Day, National Chocolate Covered Nut Day, and National Clam Chowder Day

Born on this day:

Téa Leoni (Actress, she is most well known for the leading role in the CBS political drama series Madam Secretary) in 1966

Chelsea Handler (Actress, she hosted the late-night talk show Chelsea Lately on the E! network from 2007 to 2014, and released a documentary series, Chelsea Does, on Netflix in January 2016 and in 2012, Time named Handler one of the 100 most influential people in the world on its annual Time 100 list) in 1975

Rashida Jones (Actress, she is widely known for playing Ann Perkins on the NBC comedy series Parks and Recreation, for which she received critical acclaim. Jones also briefly appeared as Karen Filippelli on the NBC comedy series The Office) in 1976

Died on this day:

Samuel Seabury (Historical figure, he wrote "Free Thoughts on the Proceedings of the Continental Congress" under the pen name A. W. Farmer (standing for "a Westchester farmer"), which was followed by "The Congress Canvassed, Alexander Hamilton responded to these open letters in "A Full Vindication of the Measures of Congress, from the Calumnies of their Enemies", Seabury wrote a third "Farmer's Letter" entitled "A View of the Controversy between Great Britain and her Colonies" to answer Hamilton, and Hamilton completed the exchange by writing "The Farmer Refuted") in 1796 at age 67

Tennessee Williams (Writer, he became suddenly famous with The Glass Menagerie, a play that closely reflected his own unhappy family background, this heralded a string of successes, including A Streetcar Named Desire, Cat on a Hot Tin Roof, and Sweet Bird of Youth, his later work attempted a new style that did not appeal to audiences, and alcohol and drug dependence further inhibited his creative output) in 1983 at age 71

Bill Paxton (Actor, he appeared in films such as The Terminator, Weird Science, Aliens, Predator 2, Tombstone, True Lies, Apollo 13, Twister, Titanic, U-571, Vertical Limit, Edge of Tomorrow, and Nightcrawler) in 2017 at age 61

Please, remember to be kind to animals & check my Cat Adoption tag, reblog some kitties and help them find a home!

Have a person you want included at a future date? Send me an ask/ message, give me the info and I’ll consider it!

#2018 #Daily Dose

0 notes