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#tagging episodes i used for personal reference
winxwannabe · 2 days
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Winx Season 9/Reboot Leaks
Okay here's the tea: earlier today a twitter user by the name of Cataclysm_Power started posting a video they claimed was from the new Winx season/reboot. When pressed for further information, they linked to a telegram chat with what appeared to be assets from Rainbow (17 screenshots/2 videos). After some C-grade internet sleuthing, I am here to give my (worthless and possibly wrong) opinion on which ones I think are real and fake.
A note before we jump in: I'm not posting full images on my blog, because again I do think some of these are real and if the leaker is to be believed, they hacked Rainbow to get them. You can look yourself through the telegram link, or others who've posted them on the Winx Club tag. I also think the leaker themselves is scammy because they've tried charging for Miraculous leaks before. Do NOT give them any money if they ask.
Real: Bloom, Stella, and Icy's asset sheets, Bloom Full Body Pose
A lot of these leaks are 3d modelling assets, and these 3 are the ones I'm totally convinced are real.
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The biggest clue of their validity is the bottom banner. All 3 sheets have them, along with the same episode code and notes in Italian. They're all also linked to the same person: Pasqualino Masciulli is Rainbow's 3D modelling supervisor, and has been with the company for at least 9 years. He's done videos on Rainbow's youtube channel as well, using his shortened first name Lino. My main point is that's way too niche for someone to fake just to make some convincing leaks, and it would make sense for the assets to be tied to him.
Likewise, there's a full-body frame post of Bloom with fucking ugliest denim leg warmers credited to a g.riccobono. This is likely Giulio Riccobono, who is listed on Linkedin Italy as a Rainbow employee.
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Probably Real: Tecna's asset sheet, Bloom's detailed asset sheet
Both of these are likely real but have weird things about them that make me pause. Bloom's more detailed asset sheet is missing the name, date and episode reference on it, and the notes are in English. Tecna's is missing the bottom banner entirely, and there's some weird cutting around her head that makes it look like someone hastily made a png and stuck it on there.
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Unsure: Computer File Tab, MD Concept Photos, Videos
There's a screenshot of a folder with both 2D and 3D assets of all the girls. in the files. I'm not sure if this is from a computer at Rainbow or the hacker's personal folder, so it goes in unsure. I do think most of the assets in it are real - it's low res but the eyes on the 2D sketches are so similar to the ones on Rainbow's newer images of the girls I think they have to be connected.
There are also some full body concept photos for Bloom, Aisha, and Stella. They all look pretty legit (as they're updated version of images we've already seen) but Stella's has other images for 'possible pallets' included. She's the only one with it and the images look like they came from a flash dress-up game, and it gives me pause.
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Lastly, the teaser videos of Bloom are probably real based on the outfit, animation and that stupid fucking Bloom shelf being in the background, but I'm placing it in 'unsure' because of the bandicam.com logo burned into the top. If it really came from Rainbow and everything else was downloaded, there was no reason for the hacker to not get the raw file. I think it's real, but I don't know if it came from Rainbow.
Something Ain't Right: Group Shot
What gives me pause in the fully-rendered group shot (even though its shown in the computer file tab) is it shows transformation we haven't seen teased and has a 'Lorem Ipsum' placeholder text. Aisha's hair also looks like it was done with AI - the back of her wings clip through the hair, and parts of it look copy-pasted. I'm stupid, it's the end of her braids. The 'Lorem Ipsum' thing still stands, but I'm re-filing this under 'unsure.'
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Probably Fake: Darcy and Damien's asset sheets
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I'm showing things from here on out because I'm so convinced it's fake please let me be right. Unlike the other character sheets, the ones for Darcy and 'new character' Damien have no bottom banner, are marked as 'Winx Club Season 9' with an outdated Winx logo, and have notes written completely in English. Darcy's has a bit of 3D modelling, but it's too different from Icy's. Maybe they're super early concepts for Darcy, but Damien...go home, buddy.
You're in the Wrong Place: Rainbow Pants Girl
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I'm convinced this girl is from a different show and was saved to the 'Winx Club' folder by accident. Different clothing, hair, and shading. May you end up somewhere better than this reboot, Mystery Girl.
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cantstoptheimagines · 10 months
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Hunger (Carmy Berzatto | The Bear)
Summary — Things boil over between you and Carmy.
Warnings & Other Tags ➳ Smut (including a lowkey ‘Chef’ kink, Reader being referred to as ‘good girl’, also like one mention of birth control); Carmy mentions never having a girlfriend, so I’m rolling with that (aka Never-Been-Kissed!Virgin!Carmy is upon us!!); a little bit of angst on the side; mentions of childhood trauma and resulting body insecurities (Carmy); cursing (especially the canon-typical ‘Fuck!’); coworkers to lovers with a touch of idiots in love; some typical Original Beef arguments in the kitchen (including Carmy getting put in his place after being extremely mean); Reader accidentally gets burned by hot food; Reader is a waitress with an attitude; my attempts at casual, non-flowery, awkward, quiet conversation between Carmy and the Reader, so please don’t come after me if it sucks, lmao.
Notes ➳ Word Count is 7,942. This is a slow, slow, slow burn! Enjoy it, baby! ➳ Reader uses feminine pronouns (she/her). ➳ This is slightly inspired by the chaos of Season 1, Episode 7. I also want to add that this draft was started before the release of Season 2, so absolutely no spoilers in this one!
FAQ | Masterlist | Fandoms | Requests | Coming Soon | Schedule  
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Everything was a complete mess. An expected lunch rush had sent everything and everyone at The Beef into chaos.
You had a line of customers waiting on takeout orders while others were hoping for a table to open up. Some had immediately turned around at the door after seeing the crowd.
Richie stood behind the counter, trying his best to keep up. He gave you a nod as you cleared another table. The fake, ‘customer service’ smile on your face fell as soon as you left the dining room and entered the kitchen. Angel and Manny were both instantly by your side, taking the dishes from your arms. 
Your sigh of relief, however, didn’t last long. As soon as you turned, you were met by Sydney, who shoved a dish at you, shouting, “Hands! Once that’s out, I need you to come back for a sandwich and a salad!”
You barely caught the plate, replying, “Heard!” 
The plate was warm against your hands. The food, however, was burning hot when it flew off the dish and onto your exposed skin as someone interrupted your cry of, “Corner—!”
The plate shattered once it hit the floor, covering the tile in a mess of food. Sauce dripped down your clothes and practically seared your flesh. Amidst the hectic kitchen, only Sydney seemed to notice. She stared at you with a shocked expression as tears welled up in your eyes from the pain.
“—fucking going?!”
You blinked, clutching your blistering hand. You could already feel your skin becoming overly tender. Tears began to slide down your cheeks. Nearby, Tina had paused to see what the commotion was about with concerned eyes.
In front of you stood Carmy. Out of everyone who worked at The Beef, he was the person you were closest to. However, that didn’t mean he wasn’t an asshole sometimes, especially when the restaurant was busy like today.
Your eyebrows furrowed, and then you quietly asked, “What?”
The flaring pain you were feeling made it almost impossible to focus on what anyone was saying or doing. Carmy’s words, on the other hand, were loud and clear as he took a step closer and shouted, “I asked if you can watch where you’re fucking going?!” 
Your cheeks were wet with tears, which you couldn’t stop from falling, no matter how hard you blinked. Carmy was toe-to-toe with you. He was so close that you could see the sweat on his skin and the red flush of his cheeks. His teeth were gritted as he stared at you with fiery eyes. 
“Carmy,” you took a deep breath, closing your eyes for a moment, “don’t yell at me.”
He came even closer, shoes nearly slipping on the sauce that covered the tile. You avoided meeting his gaze as you continued holding your injured hand. Thankfully, the other one wasn’t as bad, though it still ached. 
“Why the fuck not, huh?!” he continued. “Open your damn eyes next time—!”
“Carmy, stop!” you demanded. “I’m hurting right now and you’re not helping—!”
“Maybe you wouldn’t be if you used your fucking brain!” he snapped, taking two fingers and harshly tapping them against your temple.
You tried to take a step back, only for him to follow. You pressed your lips together in an effort to contain yourself. Sure, you were used to Carmy’s regular outbursts, but this was on a whole other level.
His nose brushed against yours with how close he was standing. Sydney reached out, placing an arm between the two of you, though it wasn’t much help. Tina was slowly coming closer. Everyone else in the kitchen had stopped working to cautiously watch the scene. Even Richie had paused service in the front to stand in the kitchen doorway, ready to step in if he needed to.
“Don’t fucking talk to me like that, Carmy—!”
“I’ll do whatever I fucking want—!”
Richie finally spoke up, “Hey, cousin, leave ‘er alone, alright—?”
“I’m gonna fuck you up if don’t get outta my face—!”
Sydney was beginning to sweat, “Chef! Please calm down—!”
“If you can’t handle the heat, stay out of my fucking kitchen—!”
SLAP!
“¡Ay, mierda!” exclaimed Tina, mouth agape as your uninjured hand suddenly struck Carmy’s cheek.
The silence that took over was almost deadly. Carmy licked his lips and clenched his jaw. His cheek was already turning bright red with your handprint. A million thoughts ran through his mind as he stared at you.
“If you don’t have anything nice to say to me,” you glared, “then don’t fucking talk, Carmen! You can fuck off instead!”
Carmy kissed his teeth, refusing to open his mouth. Instead, he watched as you whipped around and stormed away from him. You were once again holding your injured hand, in which the pain was only growing worse by the second, as you disappeared around a corner without looking back.
Carmy closed his eyes and ran his hands over his face. He didn’t even need to look at the expressions of his coworkers’ faces to know that he had fucked up big time.
His eyes met Sydney’s as he tugged at his thick hair. She, however, only turned away and returned to calling out orders after shaking her head. Richie, meanwhile, gave him the finger before going back to the front to continue lunch service. Everyone else in the kitchen either gave him harsh glares or stares of disappointment.
“Chef!” he called out, gaining Sydney’s attention. “I’ll be back in a few!”
Sydney slowly nodded, “Heard!” 
Carmy glanced down, looking at the mess that covered the kitchen tile, along with his work shoes. Pieces of the shattered plate were spread about as well.
“I’ll clean this up when I get back,” he said, gesturing to the floor.
“Heard!” repeated Sydney, though Carmy could tell she wished he would just leave already.
“Thank you, Chef,” he muttered.
As he passed by Marcus, the usually kind pastry chef glared at him, “You’re a real mess, Berzatto.”
Carmy sighed, slowly making his way around the same corner you disappeared behind only moments ago, “Tell me about it.”
Ebra shouted after him with a bark of laughter, “We don’t have to! You’re gonna find out when you go back there!”
Carmy rolled his eyes, turning the knob on the door that led to the back lot. That was where everyone, including you, disappeared whenever they needed to be alone.
He immediately spotted you sitting on the ground with the restaurant’s first aid kit in front of you. The injury on your hand was now covered with some burn relief gel.
You barely even glanced in his direction when the door closed behind him. The air outside was rather cold and Carmy could see the chills that covered your skin.
He nervously wrapped his hands in the hem of his apron, and then cleared his throat, “I’m sorry.” 
“Whatever,” you shook your head.
He paused, unsure of what he should say next as he blinked a few times. Finally, he licked his lips and stared down at his shoes, “Are you—uh—are you okay? I mean, you’re good?”
You scoffed quietly, shaking your head with a sardonic smile as you finished wrapping your injury with some gauze, “No, Carmy, I’m not good. Fucking asshole.”
Carmy took a deep breath, nodding slowly, “Yeah, yeah, alright. I deserve that. You—uh—gonna go early? Home, I mean? Go home early?”
You slammed the first aid kit closed, the latch snapping into place with a click! Standing up, you shoved it into Carmy’s arms, causing him to grunt at the impact against his chest. 
“Yes,” you said, “I’m going fucking home early.” 
He groaned as you pushed past him to go back inside. He slowly trailed behind you, watching you collect your coat and keys. He grimaced at the loud SLAM! of your employee locker. He knew everyone in the kitchen secretly had their ears open, each of them trying to figure out how badly Carmy had messed things up with you.
As you tried to slip past him once more, he reached out to place an arm across your front. He remained facing the empty room of employee lockers while you were facing the kitchen, forced to endure the cautious eyes of your coworkers.
With a sigh, you finally turned your gaze to him, unsure of what to make of his actions, “What?”
“Go to the doctor, alright?” he muttered, eyes gliding over your features.
Everything was much calmer now. Everyone in the kitchen seemed to have finally cleared out some of the crowd, leaving only a few stragglers. Each of them took an occasional glance at the two of you.
You bit your bottom lip. You couldn’t help but be fully aware of the way Carmy’s startling blue eyes suddenly dropped to focus on your mouth. And you definitely couldn’t stop your own gaze from doing the same, admiring the soft pink shade of his lips.
Maybe it was wrong to be so attracted to your boss. But when your boss was Carmy, you didn’t really care. And there were times, like now, when it felt as though he didn’t care either.
Sure, he could be a real asshole sometimes, but that didn’t mean he wasn’t easy on the eyes. Your eyes, more specifically.
“Yo, cousin, we’ve got—! Oh!”
Carmy finally tore his stare away from you, and said, “Just a sec, Richie.”
“Yeah,” nodded Richie, tossing his hands into the air. “Yeah, sure. Didn’t mean to interrupt... whatever this is.”
Carmy rolled his eyes before finally returning his attention to you. His stare softened and his fingers dug into the clothing that covered your hip with a gentle squeeze.
“Doctor,” he whispered, “‘kay?”
You finally muttered, “Okay, Bear.”
Carmy gave you a nod, heart pounding when he heard his nickname fall from your lips. Your hip received a few pats and a gentle rub before his arm disappeared from your path. As you walked away, he finally turned to face everyone in the kitchen, all of whom had their eyes on him.
“Well,” he said, running a hand through his hair, “get back to fucking work!”
At the same time, he could hear you ordering Richie, who had followed you to the front, to ‘shut his fucking mouth’.
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You unlocked the back entrance of The Beef. It was way past closing time and each of your coworkers had already gone home. In fact, you had only come back to get the tips you had left behind after your argument and semi-reconciliation with Carmy.
You flicked on one set of smaller lights before making your way through the kitchen and into the front room. Richie always cashed out your tips for you before his shift over and tonight was no different. On the counter, right next to the register, you found a wad of cash and a sticky note with your name on it.
Unfortunately, you were too focused on counting out the money to notice someone appear in the doorway. That is, until they spoke, “Hey.”
You gasped in surprise, clutching at your chest in a failed attempt to stop your pounding heart, “Fuck! Are you trying to kill me?!”
Carmy smiled down at his feet as he leaned against the kitchen’s door frame. He watched you shove your tips into the pocket of your heavy coat. He nodded towards your hand, and asked, “Rent due?”
You nodded back, “Yeah. Tomorrow morning.”
He hummed quietly, “See a doctor?”
“Yeah,” you replied. “Gave me some stuff to put on it. They said it should be good in a week or two. It wasn’t as bad as I thought it was gonna be.” 
“Right,” he said, twisting the hem of his apron around his hands.
He watched your eyes drift to where his fingers wrapped themselves in the blue fabric. The realization that the two of you were alone, without the stress of your loud coworkers or a line of customers, overwhelmed him.
“You do that a lot, ya know,” you said, gesturing to his hands, “when you’re nervous and stuff.”
He shuffled awkwardly, shook his head, and then shrugged, “Hard not to be. We cool?”
Your eyebrows furrowed. One of Carmy’s hands rose to his lips, allowing him to anxiously bite his nails, while the other disappeared into his pocket. The soft glow coming from the back of the kitchen made him look like an angel.
A tired, fidgety, nervous wreck of an angel.
It was hard for him to breathe when you suddenly moved closer and closer until you stood mere inches away from him. He stared at your hand that untucked itself from your coat pocket. Yet, it wasn’t until you gently wrapped your fingers around his forearm, tugging his hand away from his nail-biting habit, that he knew it was over for him. 
“Carmy?”
Fuck.
“Yeah?”
His mind flashed back to all the times Richie had caught him staring at you and made fun of him for doing so.
And how after Sydney had first met you, she turned to him after you had walked away and quietly asked if you were his girlfriend.
And the way Tina almost beat his ass earlier for shouting at you so viciously after everyone else had left for the night, leaving him to wallow alone in his office.
Or the way he couldn’t stop his eyes from drifting to your lips while your hand gently rubbed his arm, listening closely as you whispered, “We’re cool.” 
“Good,” he muttered.
Your lips parted with a soft, shuddering gasp. Slowly, Carmy had tilted his head and began leaning in. Your grip on him tightened just as his free hand untucked itself from his pocket. His palm slid under your coat and landed on the same hip he had held earlier that day.
His nose brushed against yours. His fingers dug into you, splayed out against your clothed waist. His eyes slowly fell shut as did yours. After that, it didn’t take long before your lips met his.
You could feel the warmth of his cheeks when you placed your palms against them. You pulled him closer until you could wrap your arms around his broad shoulders, intertwining your fingers in his hair.
Carmy’s lips moved against yours tentatively. His other hand slowly slipped beneath your coat to caress your back. He groaned at the feeling of you gently scratching his scalp as your fingers ran through his hair.
Slowly, he pulled away, but only slightly. Your hands dropped to his shoulders and then traveled along his strong arms before finally wrapping around his waist. His apron loosened when you tugged at the strings.
Carmy felt his cheeks warm as he allowed you to remove the blue fabric from his body. He watched it fall to the floor and then made an effort to copy your movements, gently pushing your coat off your shoulders before letting it join his apron.
He sighed softly when you pressed your lips against his in a series of short, gentle kisses, “I’ve—uh—I’ve never…”
He trailed off quietly, feeling slightly embarrassed. Richie had always given him shit for being a virgin. But Carmy had gone through life without friends, let alone girlfriends.
“Carmy?”
His lip quivered when his eyes met yours again. He was surprised to find your gaze void of judgment. Instead, you gave him a small smile and gently pressed your hands into his lower back. He hummed quietly when you repeated his name.
Glancing at his lips, you murmured, “Do you want to?”
Despite the millions of thoughts running through his mind, he was still very clear, albeit quiet, with his answer, “With you? Yeah.”
You nodded silently. One of your hands gently pushed some of his thick, messy hair behind his ear. His eyes fell closed at the feeling.
“Was that your first kiss?”
“You gonna laugh at me if it was?” he asked.
You smiled at the way his cheeks flushed with red, and replied, “‘Course not. It’s like that for lots of people.”
He licked his lips, opening his eyes. His fingertips went deeper into your hips. Fuck, you were being so nice to him.
“It was,” he confessed. “That was my first kiss. I’ve never done any of it. Dates, girlfriends, none of it.”
“Okay,” you said, still allowing your fingers to trace through his hair. “You still want to?”
He paused, eyes exploring your features, “Yeah.”
“We can stop any time you want,” you said. “Don’t be afraid to tell me if you’re uncomfortable.” 
Carmy licked his lips again, hooded eyes drifting to your mouth. Slowly, he nodded and pressed his forehead against yours. His eyes closed and your noses brushed. He could his heart pounding in his chest, briefly wondering if you could as well as he collided his lips with yours once again. 
His fingers delved deeper into your hips. Your hands, meanwhile, tugged at his thick hair, forcing a grunt out of him. He was surprised by how much he liked the feeling. 
Pulling away, though not far enough to avoid the kisses that were now being pressed onto his jaw, Carmy quietly gasped for air, head tilting back as he asked, “Can we go to my office?”
He felt you nod against him in response. He then tugged you along in the direction of his office, biting his lip at the feeling of your mouth on his warm skin. He turned the two of you so that he could see where he was going. Not that doing so was much help since his eyes began fluttering at the feeling of a gentle bite sinking into the flesh of his neck.
One of his hands left your hip momentarily. His palm gripped at one of the metal counters in the kitchen, barely steadying himself. He was nearly tripping over his own feet, distracted by the pleasure you were already sending throughout his body. 
His hand quickly left the countertop. It found a new place on the back of your neck, but only after the two of you finally made it into his office, where he immediately pulled you into another kiss.
Slowly, your hands disappeared from his hair, opting to slip beneath the fabric of his shirt and gently scratch his back instead. You smiled against his lips, nearly breaking the kiss, upon noticing him shiver at the feeling. He practically arched into you, both of his hands moving to your cheeks in order to deepen the kiss.
His white shirt complimented the golden chain around his neck. It was something you had seen him wear plenty of times. And for Carmy, he wasn’t sure if he wanted that to change just yet.
He paused when you began to slide his shirt up, obviously preparing to remove it from his body. He gently wrapped his hands around your forearms to stop you. His lips then moved away from yours. His head ducked as he cleared his throat, avoiding your concerned gaze. 
“I’m sorry,” he muttered, eyes beginning to burn. “I’m—uh—It’s just—I don’t—I don’t think—! Shit, I’m sorry! Sorry! Sorry—!” 
“Hey, hey, hey,” you interrupted, gently wiping away any tears that had started to make an appearance on his cheeks. “It’s okay. You’re okay, Carmy.” 
He sniffled, cheeks warming with embarrassment, upon having felt your hands withdraw from underneath his shirt. His breathing had quickened, along with his heartbeat.
Carmy hid his face against your neck when one of your arms wrapped around him. You softly rubbed the space between his shoulders. Your other hand gently stroked the back of his head, fingers running through his hair once more. Meanwhile, his hands had dropped to your ribs in an effort to steady himself again. 
“We can stop—”
He interrupted you within seconds, shaking his head as he finally met your eyes, “No. I don’t want to. I—uh—I’m just—my childhood wasn’t the best, ya know? Parents were always fightin’ over stupid shit. And sometimes, my dad—well, he—uh—he’d take some of it out on us—”
“Oh, Carmy,” you whispered, leaning your forehead against his.
He continued, caressing your ribs with his thumbs, “He didn’t do it a lot, but, ya know, my back’s kinda, like, got scars and stuff.”
Pulling him closer, you nodded, still allowing him to lead the conversation, “Okay. Okay.” 
“I promise I wanna do this,” he sniffled again before taking a deep sigh, “but I wanna keep my shirt on. For now anyway. For this time.” 
You nodded again, giving him a small smile and lightly tracing the variety of small freckles on his cheeks, “Of course. Anything you want.”
Carmy hesitantly met your eyes. The startling ocean blue sent chills down your spine, especially when he muttered, “God, you’re so fucking sweet.” 
He didn’t give you a chance to reply. Instead, his hands traveled to your back and pushed you against him in a quick, unwavering motion. He groaned at the feeling of your fingertips imprinting themselves into the fabric of his shirt. His lips moved against yours in yet another heated kiss, though this one was much more desperate than the others had been. 
In that moment, as your hands wandered along his clothed back, venturing to the waistband of his pants, Carmy could picture himself falling in love with you.
In the space between your kisses, gasps of air escaped your throat, “Let me make you feel good, Bear.”
Carmy nodded. His lower back gently collided with the edge of his desk. He watched as you slowly undid his pants. He groaned and his cheeks flushed red at the sight of you lowering to your knees. One of his hands shifted to grip his desk while the other raked through his hair.
Before he knew it, his pants were pooling around his ankles and his hard-on was showing prominently through his briefs. His head tilted back and his gaze met the ceiling as your fingers delved into the waistband of the fabric covering his throbbing cock.
“Fucking hell,” he muttered, closing his eyes.
“Carmy?” your quiet voice cut through the tension. “You still okay?”
“I’m fucking perfect,” he whispered. “Please keep going.”
Your amusement was obvious. Carmy hissed when your smiling lips met the flesh of his stomach. He slightly tugged up the hem of his shirt in order to give you more access to his briefs, trying to prepare himself for his first blowjob ever.
The hand that had been in his hair quickly entangled itself in your own. His briefs were slowly being removed with every kiss you gave his skin, your movements trailing lower and lower with every passing second. You stopped at the last possible moment, pulling away and giving a final tug at his briefs.
At last, they fell, finding their place around Carmy’s ankles, alongside his pants. He couldn’t help but watch as his cock sprang free, nearly slapping against his stomach. You eyed it for a moment, licking your lips at the sight of the dark vein on the side and the way it curved slightly to the left. 
Carmy took your pause for negativity. His thumb softly caressed your temple as he murmured, “You alright—? Oh, shit!”
He was suddenly on cloud nine. Fire burned in his chest. Both of his hands moved to tightly grip the back of your neck. One of your hands grasped onto his tense forearm while the other held his cock. Your tongue traced over the vein that you had been admiring. 
His eyes closed and his head tilted back. He could feel you smiling as you pressed a kiss against his cock’s mushroom-shaped head. Your lips trailed along his length until you reached his balls. 
“Fuck!” he groaned, mouth falling open.
The way your tongue lapped at his balls while your hand stroked his swollen length set his stomach on fire. He could feel a layer of sweat beginning to appear on his forehead.
You were a fucking god. And Carmy felt ready to worship you.
Suddenly, you were at the head of his cock again, slowly taking him into your warm mouth. Carmy looked down to watch it happen and nearly came at the sight of you.
Your lips stretched around him. His hands moved to be on either side of your face, gently caressing your temples with the pads of his thumbs. Both of your palms wrapped around his bare thighs.
Carmy hissed at the feeling of his cock disappearing into your mouth as you began bobbing your head along his length. Though when he felt you fondle his balls with a sudden squeeze, he couldn’t stop an abrupt buck of his hips. 
You gagged when the head of his cock hit the back of your throat. He furrowed his eyebrows, concerned, as you pulled away, gasping for air. He wiped away the saliva that had built up at the corners of your lips, “Shit! You okay? I didn’t—I didn’t mean to do that!” 
You sniffed, laughing as you brushed off the small tears that came from your eyes, “Yeah, I’m good.” 
Unsure of what to say, Carmy nodded silently. He continued tracing your temples in an effort to comfort you, trying to ignore his cock, which continued to throb between his legs. Meanwhile, you rubbed at his thighs, still trying to catch your breath. 
“Hey, hey,” he muttered, tilting your head upwards to meet his gaze, “you sure you’re alright?” 
Your eyebrows rose, your fingertips dug into his flesh, and then you smiled, “I’m fine. But Carm?”
“Yeah?”
“You’re fucking huge.” 
And in yet another wave of shyness, Carmy couldn’t stop the blush that appeared on his face. You chuckled, leaning forward to kiss the space above his pelvis, slowly wrapping a hand around his cock once more. Your eyes remained on him as his lips fell open and moans escaped his chest.
“Hey?” you muttered. 
He watched as you leaned against his stomach, resting your chin atop the fabric of his shirt to stare up at him. He shivered at the way your pupils grew. They nearly overtook your irises, leaving only a sliver of their nature shade. 
“Yeah?”
Your teeth dug into your lower lip. Carmy admired the glow that had overwhelmed your skin. He shuddered when your hand tugged particularly hard at his cock.
“Can you fuck my face, Chef?” you whispered. “I want your cock down my throat ‘til I can’t breathe.” 
“Fuck,” he muttered, thumbs softly caressing your cheeks. “You sure? I don’t wanna hurt you.”
“Yeah, I’m sure,” you breathed. “I want you to feel good, Carmy.” 
He hissed at the sudden feeling of your tongue once again tracing over his length. The head of his cock was then repeatedly kissed in a soothing pattern. One of his hands moved to tightly grip the edge of his desk. The other continued smoothing over the skin of your cheek as you took him back into your mouth.
With a hand on his thigh and the other shifting to wrap around his forearm, you slowly dragged his hand to the back of your neck. Carmy panted heavily at the feeling of his hard cock sinking deeper into your throat. He successfully held back his quivering hips, not wanting to accidentally choke you a second time. 
His fingers dug into your skin, his mouth fell open, and heat rose beneath his skin. He looked down to find you with nearly his entire cock in your mouth. The sensation of your tongue swirling around him made him want to cum on the spot. And he nearly did so when your lips finally met the base of his cock. 
Your nose dug into his pelvis. He then felt the mushroom-shaped head of his cock reach the back of your throat, only you didn’t pull away for a fresh burst of air this time. He caressed the back of your neck in an effort to ease the tension. 
Tears welled in the corners of your eyes, soaking your eyelashes. You were doing your best to breathe through your nose. His grip on you tightened when your eyes suddenly looked up at him.
The sight of you staring at him with tear-filled eyes and your lips stretched around his cock made him curse. Both hands quickly returned to your face so he could brush away the glistening tears. After admiring your flushed appearance, he muttered, “You ready?” 
He took the moan you let out around his length as confirmation. The vibrations of it, along with the way your fingers were now tightly grasping at the backs of his thighs in preparation, made him hiss with pleasure. 
He groaned at the wet sounds of your mouth as he began gently thrusting in and out of your throat. He cursed repeatedly, especially when you continued to moan around him. Upon seeing you shut your eyes, however, he patted your cheek to bring your focus back to him.
He smiled down at you when you met his gaze, “Eyes on me, alright? You’re makin’ me feel so—ah!—good right now. Oh, fuck! You’re fucking amazing, ya know that? Oh!” 
Heat was growing in the pit of your stomach when you realized how much pleasure you were giving him. You could feel yourself becoming wetter and wetter by the second. 
You couldn’t help but gag around him when he suddenly gave a rough thrust. You were sure his thighs would have finger-shaped bruises by the end of the night with how strong your grip on him was. 
Carmy’s thrusts were picking up pace. He tossed his head back, eyes shut tight and his mouth agape with silent moans. You wanted him to fuck your face? Then he would do exactly that. 
He repeatedly shoved you down to the base of his cock. With every thrust of his hips, he felt his balls slap against you. The sounds of you practically gasping for air as you choked on his length made him shiver with a blissful expression.
“Fuck!” he groaned. “So fucking good! You’re perfect, ya know?”
His moans continued. The echoes of his cock pumping in and out of your mouth caused warmth to slowly build up within the pit of his stomach. With a few final thrusts, he pressed himself as deep as he could into your throat.
You choked around the sudden release of cum that flooded your mouth. Your eyes squeezed shut as Carmy pressed you further onto his length. Your nose dug into the skin of his pelvis and you were slowly losing the ability to breathe.
Carmy grunted, now gazing down at you with heavily lidded eyes, as his cock released thick, white ropes of his cum. He huffed in an effort to regain his breath. You, however, made that difficult with each and every time you swallowed around him, taking in all of his cum without a second thought. 
His cock was still hard when you finally pulled away. Your tongue ran over the tip while one of your hands moved to stroke his length. Before you could send him tumbling into overstimulation, Carmy tugged you upwards. 
His lips met yours in a searing kiss, barely able to keep hold of you between heavy pants. You could practically feel his confidence finally starting to bloom within him. 
Twirling in order to switch your positions, you tugged him closer, urging him to help you onto his messy desk. He quickly did so after reaching out to shove aside what seemed like a million unorganized papers. They fell to the floor, some even crumpling beneath his shoes as he stepped on them. 
His large, tattooed hands slipped beneath your shirt as he moaned at the feeling of your lips against his neck. He grasped onto the back of your bra and tugged... to no avail. Thankfully, you didn’t seem to notice. 
His face flushed red, especially when your clothed thighs squeezed closer to his hips. His cock began to throb as it met the covered space between your legs, desperate and eager for what was to come. 
Carmy furrowed his eyebrows and tried a second time to unclasp your bra. When it refused to budge, he couldn’t help but curse. And he nearly let out another when your affections came to a pause. 
Your kisses slowed. Pressing one against his ear, you whispered, “You okay?”
“Yeah, yeah,” he replied. 
You tried not to laugh when you felt another tug, “Carm? D’you need help?” 
He cursed a little louder. You bit down on your bottom lip, trying to conceal a grin as you tucked your face into the crevice of his shoulder. When he confirmed your suspicions, you leaned away and did your best to give him a warm, comforting smile. You unhooked your bra and removed it from beneath your shirt with ease, tossing it aside. 
Carmy’s expression shifted into one of frustration, though his eyes shined with a bit of awe, “How the fuck did you do that?” 
Your hands ran over his shoulders as you asked, “Really wanna have that conversation right now?” 
He paused for a moment, seemingly taking some time to think over your words, “Fuck no.” 
You allowed yourself to laugh that time, “Then come here.” 
Carmy found it difficult to breathe when you tugged him closer. The scent of your shampoo fogged his mind as he hid your face against your neck. Your hands guided his, leading them beneath your shirt. He let out a deep sigh when his palms met the warmth of your skin. 
As his hands began tentatively exploring your breasts, he tried to ease his nerves by layering a series of open-mouthed kisses against the column of your throat. Meanwhile, you busied yourself with undoing your pants. 
“You have big hands, Carm,” you muttered, leaning your cheek against his messy head of hair as he indulged him in his affections. 
Big, warm, tattooed hands. His thumbs ran over your nipples occasionally as he gently squeezed you. His fingers dug into the plush of your skin. 
Despite having little room with the way Carmy was leaning against you, you managed to push your pants off your waist, shifting your hips in order to do so. As he continued palming at your breasts, he flushed a deeper shade of red, thankful his face was still hidden from your view. 
“Is that a good thing?” he questioned. “Big hands?” 
He felt you nod in response, “It’s hot.” 
In more ways than one, he believed, due to the heat building up in his stomach. His forehead had developed a thin layer of sweat as well. He followed your lead when you directed his hands to your hips instead. When his fingertips met the hem of your underwear, he inhaled sharply. 
“Think you can get these off without any help?” 
He stopped pressing warm kisses against your neck to meet your gaze. With narrowed eyes, he tilted his head at your teasing tone, licking his lips with an amused grin, “Shut up. What happened to the nice, sweet, good girl from before?” 
Holy shit. 
His comment made you pause. Your semi-arrogant smile fell, becoming one of shyness instead. Carmy’s, on the other hand, brightened. He had somehow managed to turn the tables. Seems like it was your turn to be embarrassed. 
He ran his hands over your thighs, gently pulling you closer. He continued to smile as you avoided his gaze. 
“Hey,” he muttered, placing a hand on your cheek and encouraging your eyes to meet his, “d’you like it when I call you that?” 
His smile was softer now. His body language, however, was giving off a newfound confidence, something you didn’t get to see very often. But with the way he caressed your skin, palms rubbing you soothingly in a steady pattern, you could tell he genuinely wanted to know. 
He furrowed his eyebrows when you offered a mumbled reply, “Hmm?” 
With shivers running along your spine and an affirming nod, you repeated yourself, “I do. Yes.”
“Yes, who?” he asked, cursing himself only seconds later for the question.
You couldn’t stop yourself from taking a deep breath in surprise. Your eyes fell to his lips, thinking about feeling them on yours again. Carmy watched you carefully when they did so. His cock throbbed heavily between his legs as the head gently bumped against your clothed entrance with every move he made. 
You met his eyes again when his fingers delved into the flesh of your thigh. Admiring his blown pupils, you answered, “Yes, Chef.” 
Both of his hands came to your hips. His fingers sunk into the hem of your underwear as he whispered, “Can I?” 
He slowly slid the fabric down your legs when you gave him a whispered confirmation. Wrapping an arm around his shoulders, you pulled him closer. His lips hovered over yours with a groan as your free hand wrapped around his cock.
“Are you sure?” 
Carmy’s eyes, which had been squeezed shut, slowly fluttered open. They flew over your features before he finally nodded, “Yeah.” 
Your lips met his in a soft kiss before your forehead came to rest against his. With your hand gently stroking his length, Carmy couldn’t stop himself from letting out a gasp. He looked down to watch your movements with desperate, hooded eyes. 
You ran the mushroom head through your wet folds. Carmy would’ve been embarrassed by his fascination at the way his cock glistened with your wetness if he wasn’t too busy groaning in pleasure. 
“Gotta go slow, okay? I’ll have to adjust,” you said, and then a quiet laugh filled the air between the two of you. “Like I told you, you’re big.”  
Carmy was sure his skin was cherry red by now, due to a combination of the growing heat in his stomach and your compliments. His mouth fell open and his eyebrows furrowed when your hand eased the head of his cock into your entrance. He couldn’t stop his fingers dug into your skin, creating indents on your thighs. 
Arms encasing your lower back, he pressed himself closer, furthering the reach of his cock. His chest met yours, both of your shirts rubbing against the other. He could both see and feel your hardened nipples through the fabric. 
Your hand that had been guiding him moved upwards, threading through his thick, unruly hair. He didn’t even need to move for you to start letting out a series of gasping moans. The sheer size of him was enough. 
Wrapping your legs around his waist, you nudged him as close as you could. His warmth melted into yours. His skin was aglow with heat, effort, and sweat. His length sinks deeper, stretching you wide and open for him. You hiss at the feeling. 
Oh, yeah. He’s definitely the biggest you’ve ever had. 
You kiss the bridge of his nose as you adjust to his size. Carmy quickly raises his head so his lips can meet yours. It’s a struggle, given how difficult it is for either of you to properly breathe at the moment. 
Carmy’s cheeks are flushed red entirely. He’s burning on the inside with a newfound desperation for you. His cock throbs inside your walls and he feels as though he’s being drowned in your body by the pressure. Meanwhile, you can hardly focus on anything besides the noises he continuously lets out. 
He hisses and groans with every shift, not expecting the feeling to be so tight. You’re dripping with so much arousal that it’s nearly soaking his pelvis and thighs. As his hands traveled under the fabric of your shirt to practically claw at your back, he can’t help but think about how the feeling of you around him is infinitely better than that of his own fist. 
In that moment, Carmy knew you had ruined him for anyone else. He was completely, without any doubt in his mind, yours. And fucking proud of it too. 
“You can move,” you whispered, strengthening your grip around his shoulders and tugging at his hair. 
One of his arms curled further around you. His palm landed between your shoulder blades, slowly gliding over your skin that was hidden beneath your shirt. The other wrapped around your lower back. 
His cheek leaned against yours as he gasped heavily into your ear after the first roll of his hips. Your hand continued to pull at his dark strands of hair, the other tangling itself in his shirt. 
Slowly, he rocked into you, the pace starting off easy and unhurried. Given his size, you could already feel the head of Carmy’s cock gently bumping against your cervix. You gasped heavily with each of his movements. Your body writhed against him. 
“Faster,” you muttered. “Carmy, go faster. Oh, fuck, please.” 
Carmy melted at the way your moans echoed throughout his office. He huffed repeatedly with effort as his thrusts steadily increased. The slapping of skin, along with the slick sounds of your wet entrance, filled the room. Carmy couldn’t help but curse when your teeth suddenly sunk into the crevice of his neck. 
“Shit!” he exclaimed. “Fuck, you feel so fucking good! Could stay inside you forever! Damn it! Wanna stay, wanna stay!”  
Your mind felt empty of anything besides Carmy. His warm breath hitting your skin as he rambled on and on. The way he clawed at you desperately, trying to bring you impossibly closer. How his balls were repeatedly slapping against your dripping arousal. 
“Carmy!” you whined, trying your best to redirect his grip on you, which was rather difficult due to his lightning pace. “Here! Touch me here! Make me cum! Make me let go on your cock! Oh, shit, you’re—ah!” 
You guided his fingers against your clit. Despite his state of pleasured delirium, Carmy seemed to understand what you wanted from him. He massaged the bundle of nerves, sending shockwaves down your spine. 
The tightly wound cord within you finally snaps. You cry out, gripping onto Carmy in order to gain at least some sense of stability. He continues to rut in and out of you like no tomorrow.
The only inclination that he knows you’ve finally cum is the pitchy moan he lets out when your walls constrict his cock with every wave of release. His hand is covered in your cum and he can’t stop himself from pulling his face out of hiding.
With one arm still around you and his hips still slapping loudly, he’s quite the vision when he suddenly brings his fingers to his mouth. It’s then, as he gets a taste of you, that he decides you’re his new favorite meal. In just one night, you’ve made him insatiable.
His hand goes for another round, trying to collect more of your wetness on his fingertips. Meanwhile, you’re beginning to collapse into overstimulation. You take to pressing your forehead against Carmy’s shoulder, panting and huffing as his throbbing length continues to delve deep into your dripping hole. 
Carmy’s trying his best to take in every bit of you that he can, repeatedly collecting your release to press against his tongue as he pounds into you. He rubs at your clit with reckless abandon, craving more of the taste. 
“Please, please,” he begged, distressed at the very idea that you might not cum again. “Wanna keep tasting you! You’re so fucking good!” 
He’s unaware that your moans are no longer coherent. The only thing that continues to tumble from your lips is the sound of your uncontrollable gasps for air and an occasional curse.
Given it was his first time, you hadn’t expected him to have so much stamina. His thrusts seemed impossibly fast, pistoning in and out of you at lightning speed without a second thought. 
Sinking against him, another orgasm washed over you as your mouth fell open in a silent scream. Carmy groaned at the feeling of your walls tightening around his cock, “Fuck, I can’t—! I’m gonna cum! I’m gonna cum, fuck, oh—!” 
His entire lower half rolls into you. He can feel crescents forming in his skin with how deep your nails are digging into him. He thrusts again, once, twice, and then a third time before he’s spilling into you. His cum seeps out around his cock, forming a white ring at the base. 
Despite hardly being able to breathe, he pulls you into a kiss. His lips move against yours in gentle movements. It’s a stark contrast to the way he had been pounding into you only seconds ago. His length is beginning to soften inside you, which you’re slightly grateful for. You weren’t entirely sure you’d make it through another round of that. 
“Are you okay?” he muttered, lips haphazardly meeting yours as his cock leaves you. “Shit, I didn’t mean to cum inside. I’m sorry.” 
You shook your head, “I’m on birth control. And I can get a morning-after pill.” 
He nods in response and then his eyebrows scrunch up. You almost laugh, wanting nothing more than to smooth out the ridges between them. Your hands glide over the fabric of his shirt, tracing over his chest absentmindedly. 
Pressing another kiss against his jaw, you ask him just to make sure, “Are you okay?” 
“Yeah, yeah,” he nodded, hands slipping beneath your shirt in order to rub your back. “It’s just—uh—I don’t know, it’s stupid—”
“I’m sure it’s not,” you interrupted, not wanting him to lose the confidence you had seen in him only minutes prior. “What is it? You can tell me anything.” 
His eyes quickly darted to the side. Although they only did so for a split second, you still noticed. Following the direction of his glance, your gaze lands on your discarded bra.
Carmy lets out a quiet curse as he zips up his pants, realizing that he had been caught. He ignores your smirk while he pulls you off his desk and helps you do the same. Even though helping you put your clothes back on is something no one else had ever done for you after sex before, you knew it was at least partially meant to distract you from your new revelation.
You quickly decide, however, that you can’t help yourself. With a smile, you quietly say his name in an effort to bring his attention back to you. 
“Hmm?” he muttered, trying to ignore the way your hands trace gently over his shoulders while he rebuttons your pants. 
You slowly tilt his head, leaving him with no choice but to meet your eyes. You repeat his name in a sing-song voice, “Carmy!” 
He grasped your hands in his and pulled them away from his face. He quickly distracts himself by playing with your fingers. After a moment, he sighed before looking at you with softened eyes. 
“Can you teach me the bra thing now?” 
Your face brightens with an amused laugh. Carmy instantly groans in embarrassment, throwing his head back and swatting gently at your backside with a muttered, “Stop that! I told you it was fucking dumb!” 
“No, no,” you shook your head, still chuckling as he rolled his eyes. “Pass it here, Berzatto. Then you can keep it as a homework assignment.” 
He muttered a curse under his breath, which only made you fall into another fit of laughter. He then picked your bra up from the floor and handed it over. With an arm on either side of your hips, he rests his palms on his desk that sat behind you. All his weight leans onto them and you can’t help but smile at how close he is while he stares intently at your hands, waiting for you to begin your lesson.
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pixelchills · 5 days
Text
Chill's ramblings about the DCA fandom and personal feelings and issues towards TSAMS (both positive an negative):
(I'm writing this like an essay but treating it like a diary, so if I jump from subject to another, it is because I am just typing as the thoughts hit my head. Sorry for being so wordy.)
I simply feel like I need to write my thoughts down, so why not share them with you. Maybe you can validate my feelings or something, I don't know.
Intro:
So, oof, I got a fic rec from @thedenofravenpuff and I'm loving it so much I really wanna draw fan art for it...
But the problem is that it's a TSAMS fanfic and I've sworn to my name I'll never draw anything related to the show because that will make me engage with a part of the fandom I'm not comfortable with.
My biggest issue with TSAMS:
I have such complicated feelings towards the show and its fanbase and I do not wish to make my life and work more difficult because of it as it already is.
My own work and characters are already constantly being compared to TSAMS. When I first introduced Solar to my fic, he was constantly being referred to Eclipse from TSAMS. Now that the show had a character with THE SAME NAME, it has been even worse.
Dolldrop Moon has been compared to Lunar. Even though the dolldrops existed before the youtube channel was even created (and Lunar made his debut much later).
The biggest issue I've had has always been the fanbase, that takes the show as the canon for Sun and Moon from FNAF and uses it as an excuse to harass shippers like me because they think Sun and Moon are brothers.
I've first handedly seen the damage the fanbase has done to some of my friends who draw, or have previously drawn art for the show besides their own AUs and personal headcanons of Sun and Moon as lovers. I'm sorry to tag you, but @kriimhild and @fablekitty : I've seen how the immature side of the show's fans have treated you, I am so terribly sorry you've had to defend yourselves over and over again for things that were not meant to be mixed up.
I have posted some ideas of a possible Animutant Moon and Sun forming a polyamorous relationship with Solar in the future of "My Dear Daffodil" on my personal/adult Twitter account. Someone kept commenting on my posts that I was glorifying incest, because Sun and Moon were brothers and Solar was their cousin.
The post had "Animutant" in it. Not "TSAMS". These comments came from a person saying they were 19 in their profile. So it's not just kids who can't tell not every fanwork is about TSAMS. It's starting to be some adults too.
Vice versa I've had another person comment on my very clearly SFW Twitter how they're following me because I am an adult artist who draws TSAMS incest. I have never drawn TSAMS art. I ship Sun and Moon, but they're never related with family bond, because I love presenting them as lovers.
Why I ship Sun and Moon:
Because I am a hopeless romantic. I love romantic love. Every single story I write is always about love.
The only exception to this is the Poppy Playtime comic I am doing. But even then, I was originally planning for a romantic love between Dogday and the Player. Yet, I decided to leave it, and keep the relationship open for any type of representation the reader themselves will prefer.
I used to watch The Sun and Moon Show when it first started airing. I loved their playthroughs. I had a big distaste for them calling each other brothers, as well as some of the first "lore" videos they had. My biggest issue at the time was how Moon treated Sun, though. As someone who grew up with an abusive sibling, it sometimes just hit a bit too hard at home.
But it got better after Eclipse and Lunar appeared. Moon was more caring, and I started to really like his character development. There was one episode where Sun explained to Lunar that he and Moon had simply just "decided" to be brothers, despite not having a canonical relationship.
This actually made me really happy. Because the Old Moon was aroace, the love he felt was simply never meant to be romantic, but platonic. And by making Sun his brother by choice clearly indicated that Sun was always the one he loved the most - in a way that was suitable for aromantic person like him.
And it really made me enjoy the show for a while. Sun is my favourite character, and despite not always liking the way the show presents him, I always feel so much love for him, no matter the AU he is in. So I loved that Moon loved him more than anything, even if it was just platonic. Because I've always been under the impression that the canon Moon loves Sun, and is only under a virus to protect him. For me, the best part of any Sun and Moon AU is to know that Sun is the most important thing to Moon.
Why I stopped watching TSAMS:
And then that Moon I had really started to like, who loved Sun more than anyone else but just platonically, died.
It hurt so much I simply stopped watching the show. I've watched a few episodes here and there after that, but I am having a hard time liking the show the same as I did before.
Partially it's because of the fanbase. Partially it's because I don't find the lore very interesting and some of the stuff a bit repetitive. Partially it's because I am scared to see Sun eventually crumble up into madness, because he has been through so much.
I like the New Moon. He is funny and nice, what I've seen. His relationship with Solar has been interesting, and I genuinely hoped they would've been able to take the romantic route after Moon said he wasn't sure if he was aroace anymore. But as I said, I've only watched a few episodes after the old Moon died, so I don't know either of their characters that much to form any strong opinions about them. I just listen to the Monty and Puppet podcast once in a while and get a little inside to some of the lore that has been happening.
But hey, at least there's fanfics. Which is why I am rambling here today.
Fanfics:
It is a rare treat to find Sun x Moon fanfics that aren't simply just porn, or do not include reader inserts. So since my romance-filled brain needed something to fill the void, I've started reading some TSAMS fics with romance (that wasn't between Sun & Moon) and plot in them.
I know Solar was settled to be a "cousin" to the weird family tree of TSAMS. But I simply crave for Solar and New Moon to be at least queerplatonic. Solar is not from their dimension, no matter how much they decide they're 'cousins' it doesn't make him their real cousin or relative because they're not from the same world.
Sun and Moon are brothers but they technically gave birth to Eclipse, who then created Lunar so Eclipse is technically Lunar's parent and then brother and Lunar is Sun and Moon's brother and... do you see what I'm trying to say?
The family tree is so complicated that I don't think I'm a horrible person for shipping Moon and Solar and reading fics about them. Tell me if I am wrong though.
The FIC that is making me question everything:
So Puffy recommended this fic by @theinfamousdoctorf , "Eclipse Meets His Match".
I'm currently on chapter 40, and I am genuinely surprised how much I am liking this fic so far. It got everything; redemption and character growth, the representation of Sun as the good, glowing angel he is in my mind (for canon, and every AU. He is always perfect in my eyes I love him can you tell lol), slow-burn romance, drama, excitment, plot, jokes and funny moments... even if there are a lot of mentions of sex and sexual pleasure, it doesn't feel out of the place as there is so much more to it too.
Eclipse's redemption to become better and realising he is in love with Sun has been so interesting to follow. Sun deserves the love. I love when Sun is getting loved. I literally ship him with every other animatronic in the games and love it when people ship him with their self-inserts and OCs. Because I love him so much I want him to be loved in every possible universe he is in.
Even bigger bonus to this fic is the second pairing, Solar and Moon, which I already opened up about above. I don't know how much the fic is truthful to the canon lore of the show, but I wish to pretend this fic is the canon now /hj.
I love the characters and how they're written. I love the descriptions of their flaws and hopes and dreams. How vulnerable they can get. How closely they stick together. And as an appreciation for making me tearful and excited about fanfiction in such a long time, I would hope to be able to gift the author some fan art for their fic.
But I've sworn to not draw anything for the show. For my own good. I've got too many awful comments already from the fans of the show despite never doing any art for it. I am just scared it will turn things worse.
End words:
I don't know if creating a new alias would be the right choice. So my main name/account would be spared from the confusion that the show's fans seem to stirr into, where one tsams artwork turns all of the artist' work into tsams.
I don't care if the art style would be recognisible. The artist would be me, but not PixelChills. Just so I could gift something to the author of this fic that is currently saving me from the boredom of being unable to write my own.
Thank you.
(This text has been typed on my phone, so pardon for any typos).
-Chill
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peterparkersnose · 1 year
Text
Give In
pairing: Joel Miller x reader
word count: 2.3k
warnings: suicidal thoughts, pining possibly one sided, ANGST (just a large angst piece, i wanted some joel angst so I made it), description of depression, emotional dependency on a person, arguing, fluff sprinkled in, implied age gap not specified, reference to pregnancy, mentions of substance and alcohol abuse, joel is lowkey toxic and uses reader
a/n hi loves I wrote this after the first episode aired, so if anything contradicts anything in the future in this story that is why. also, i didnt know how to end it so im sorry if the ending is a bit choppy. happy last of us sunday!
summary Y/N has feelings for Joel that she can’t control anymore
Part 2 here
masterlist
join the tag list
read time: 8 min 33 seconds
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The harsh chill of the autumn afternoon swept your hair off your shoulders. The ration line was as long as ever, but seemed to be moving quickly. A stray dog barked as others murmured on the street. Staring down at your boots, you bit at your chapped lips.
“You’ve been avoiding me,”
His voice sent chills up your spine. He was behind you, must have slipped in line without the other person noticing. Of course now was the time he decided to confront you. And he wasn’t wrong.
Straightening your back, you turn towards him.
“Have I?” you asked, raising your eyebrows slightly. The line moved forward and so did you.
“Tess said you weren’t feeling well.”
She was partially right. It was the blatant lie you were telling the very few who were close to you. You were physically fine.
“I’m fine, Joel.” you said promptly, turning a cold shoulder to the older man.
“If you need any meds or anything…” he began. You knew Joel had anything you needed. Quite literally.
“Next!” The FEDRA soldier called, motioning for you to get in the final line. You gave Joel a tight lipped smile before disappearing in the crowd.
Back at your sad excuse for an apartment, you poked your fork at your stale meal. You tried to think about todays’s job but the thought of Joel Miller consumed you.
How his hands felt on your skin, how soft his hair could be, how much he respected you in private. Flashbacks of previous nights where he had snuck over and stayed with you burned in your brain.
You never thought the hookup would turn in to feelings. Especially in this world. Feelings you were sure he wouldn’t reciprocate. Joel wasn’t a very emotionally available man. And he had Tess- rumors of them being together had been going on for years. Sure, they deny it. But you see the way he looks at her sometimes. His eyes burn with the lust you want from him, but there staring at her.
Tess was friendly and all, you got along quite well with her in fact. Jobs worked with Tess usually went better than others. But the knowledge that she goes home to him every night almost ate you alive. You felt used every time you would watch her turn the alleyway to their apartment.
Roommates my ass.
It had been over a month since the last time you saw Joel.
He was right, you were avoiding him. Taking the jobs you knew he wouldn’t dare go by such as childcare. Taking a different route home to avoid any run ins. Leaving your lights off and sitting in the dark to possibly deter him away from your place. All your little queues worked.
And the pain grew day by day.
You layed in your mattress with your face buried in your pillow. It stopped smelling like him weeks ago, but you liked to pretend it still did.
You couldn’t live like this anymore.
Pills weren’t numbing enough. Alcohol wasn’t as fun as it used to be. The constant state of depression in this damned district was enough to make you want to end it.
But seeing him across the alleyway talking to a group of people or in the line for rations was enough to keep that tiny spark lit inside of you.
There wasn’t much else to look forward to in this world besides others. Living the same day your whole life is miserable without your spark of joy in it.
Sleep was close, you could feel it. Your thin blankets were just cutting it for the night. As the dreams began to dance in your head, you were awoken by a quiet knock on your door.
“For fucks sake,” you groaned, flipping over in bed. You ignored the knocks. They became more persistent.
The old doorknob then dropped to the floor, startling you awake. You didn’t even have to guess who it was. The door slowly creaked open as you heard him curse to himself.
“I’ll fix it later,” he sighed, picking it off your floor and placing it on your countertop. He pushed one of your folding chairs next to your table up against the door to keep it sturdy.
“So your just breaking into apartments now?” you snapped, sitting up right in bed. “I needed to see you.” he protested.
“I never knew Joel Miller to need anything.”
He sighed and rested against your countertop. “I need to know,”
“Know what?” you asked, wrapping a blanket around your exposed shoulders. A tank top wasn’t ideal to sleep in, in these conditions.
“What’s wrong.” he said bluntly. “I said there’s nothing wrong. What the hell are you doing walking around freely at night?” you yelled, realizing the time was way past midnight. The sounds of soldiers a few floors down outside your apartment began to yell. How did he move past them?
“You sick?” he asked in a more hushed tone, walking towards you. “Respiratory? Head pain? Joints? You pregnant?” he somewhat joked, looking over you in bed.
“Shut up.” you said coldly. “Can you please just go?”
You knew Joel wasn’t a good listener. “What is it?” he said sternly, sitting down next to your body in bed. He grabbed your wrist ever so slightly. Your pulse was shaking in his grasp.
“I don’t have to explain myself to you.”
You looked at the other side of your apartment, out the window. Rain had began to slowly plague the window. Ignoring Joel’s touch, you watched as the few drops raced to the bottom of the window.
“After everything I’ve done for you?” Joel sighed, not letting go of you.
“Stop, please. J-just stop talking to me.” you said, lying through your teeth. He could sense the pain hiding behind those eyes. “I’m not leaving.” he protested.
“Look at me.”
You turned to face him. His eyes were locked on yours. A genuine worried look was on his face. He looked softer, nothing like you had ever seen before.
It was almost as if someone asked you if you were okay when you were very obviously not. Silent tears rolled down your face as you tried to catch your breathe.
The man who you couldn’t love was staring in to your soul. There was no way you ever could love him. He was too mean, too stern, too old, too angry for you. The two of you were polar opposites. But as the saying goes, ‘opposites attract’.
Joel was unsure on what to do. Tess never cried. Hell, you never cried. He racked his brain for something, just something to soothe you.
He offered out a hand. Against your better judgement you took it. Connecting his other hand to your cheek, he tried to wipe away the streak of tears silently leaving your eyes. He held you tightly in your bed, stroking your hair as your head quickly made contact with the crook of his neck.
“I wish I didn’t have these feelings,” you cried into his embrace. Joel was confused on what you were getting at, but he ignored it. He tried to shush you in a soothing way.
“No, please. I wish I didn’t have these feelings… but I do.”
Joel froze. “What?” he asked, holding you in place.
You pulled back and looked at him. It felt like the first time over again. “Look at me and tell me you don’t feel a thing.” you hiccupped.
“I…” Joel sighed, closing his eyes for a moment and letting a breathe of air go.
“Say it.” you demanded.
The silence in the room was deafening.
“I can’t.” Joel said quickly. He looked down at his knees on your mattress.
“I think you should go.” you sighed, laying back on your side and facing the opposite wall.
He listened. Finally, Joel caught a hint. The sound of him walking away made you long for him more than ever. But it was good. The feeling of him leaving, knowing you were right. Joel Miller wasn’t a man who could love. At least not anymore.
Your sudden pride stopped when you heard his boots thud against the floor. Then the all familiar zip of his jeans followed by the hit of him placing them on your wooden chair next to your bed.
He rested a hand on your thigh as he peeled up the blanket that was stuck to your legs. Slowly, he moved down next to you in the tiny space you were leaving him.
“You don’t listen.” you huffed, still not giving him enough space on the bed.
“When do I ever?” he chuckled, wrapping his arm around your waist.
Fuck it. You gave in.
You allowed his arm to move closer to the underside of your breasts. Scooting over in bed, you gave him more space for his legs to entwine with you. His boxer’s material rubbed against the back of your thigh. It smelt like him; Wet grass and expired generic soap scent had never smelt better.
Sleep kindly greeted you once you felt his breathing slow. Trying to match his, you fell into the deep sleep you had been yearning for, for what seemed like weeks.
-
The absence in the morning was startling.
You struggled to move, hoping that the previous night was just a horrifying dream. A sigh escaped from your lips when you saw his boots sitting against the wall where he placed them last night.
The clanking sound of tools made you turn. On the other side of your small studio apartment, there he sat at your doorframe attempting to fix your door handle.
The overcast sky stayed, but you could tell it was early morning by the chatter outside.
“Shit!” Joel hissed, grabbing his finger in pain. “Damn fucking…”
He looked up and noticed you watching him.
“You alright?” you asked, watching him in amusement as he attempted to fix your door.
“Yeah,” he mumbled, sucking the tip of his finger. “Haven’t fixed a door in a good twenty years.” he muttered, wiping off the excess blood on his already dirtied jeans.
“Go back to bed, It’s still early.” he suggested, going through the tiny tool kit he had given you as a previous gift.
“This is more entertaining than sleep,” you chuckled, placing your feet on the cold ground and getting out of bed. “You want any breakfast? I don’t know if I have anything good here but…”
“Nah. Tess’l be expecting me.”
The sheer thought of Tess waiting at their home for him was enough to ruin the whole night you had before.
Joel looked up to you after your lack of a response. He noticed the demeanor change in your face. “Everything okay?” he asked, turning back to the doorknob he was almost finished fixing.
“You seem to go sour every time I mention Tess.”
“I wonder why,” you muttered under your breathe, attempting to open a tuna can for breakfast. You tried not to dry heave as the scent of the old fish met your nose. Tuna was never a favorite meal, especially for breakfast. But, it’s all you had.
Joel pretended like he didn’t hear you, but he heard you loud and clear. “We have a run to do today. You understand that, right?”
A bitter ‘mhm’ came from your lips as you shook the prepackaged coffee in your hand before ripping off the seal.
Joel sighed and placed the screw driver down dramatically. Joel’s knees cracked as he got up from his position. “You always gotta fucking act jealous. Don’t you? Ruinin’ a nice morning.”
“Jealous?” you said, raising your voice.
“What the hell do you even want from me?” you scorned, on the brink of tears. He could see through you like glass. You hated to admit it, but he knew you like the back of his hand.
Joel wished he could shout out the answer, but his ego kept it in.
You froze with your back turned to him and set down the brittle coffee mug. “Your always leaving me to go to her…”
“Because we’re business partners, Y/N. Don’t you get it? Don’t you hate livin’ the same damn day over and over again? It’s why I come to see you.”
“Stop,” you whispered, now face to face with him. “Stop yelling. Please, it’s too fucking early to get into that shit.”
“Really? Tell me you don’t loose your mind living the same day, same drama for years!” he yelled. “Always you being jealous. Don’t you ever get sick of it?”
Anger consumed you. Proof that the two of you would never work. He’s just a bitter old man.
“You know I would give anything to leave this damn QZ! To live a normal life, not fucking be here.” you yelled, with a finger now pointed at his face. You were avoiding the original accusation. Jealousy.
“Tell me.” you said, with a quieter but angrier tone. “Am I really just your fuck toy?”
Joel stepped back for a moment, stunned at what you just said. Guilt seemed to wrack his nerves as the realization hit him.
You were in love with him.
“Is that what you think?” he asked, approaching you with a sorrowful more soft look. “What else am I supposed to think? You come here, use me, and leave and go back to her.”
The feeling of letting go of all that emotion felt healing. The sudden aftermath of realizing what you just had accused him of made you feel somewhat guilty.
“No,” he sighed, grabbing your hand. “That- no. Absolutely not Y/N.”
His other hand reached for your chin, and brought your face up to his gaze. You could feel his heat on your skin.
“Understand…” he began to say. “Understand what?” you whispered back. A sly smile came to his lips.
“Give in,” he whispered, dropping your hand and wrapping his around your waist.
You melted into his grasp as he kissed you. Joel hadn’t kissed anyone in years. The hesitation from him only brought out the dominance in you.
As the two of you mutually pulled away, you wanted nothing more as to be back where you were just seconds ago.
“Understand that it’s hard.” he said, still holding you close. “I…”
“I know.” you said, cutting off his words.
You were an anxious, sorrowful over-thinker and he was the bitter, closed off introvert.
“I’ll be back,” he said, with a slighter more chipper tone. “Tonight. We have to get this damn car battery and…”
“Stay safe,”
“I promise.” Joel said. He really did not want to leave you. The thought of the two of you spending today lazily in bed was very tempting.
“But please believe me Y/N when I say, you are and never have been just a ‘fuck toy’.”
He squeezed your hand once more and then dropped it. Silence filled the apartment after he left.
The thought of how you tasted haunted Joel Miller’s mind the whole day.
Part 2
tag list: @dani5216 @uwiuwi @alohastyles-x @samanthacookieone @maddieinnit0 @alexxavicry @scoliobean @avengersfan25
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slayerkitty · 2 months
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The DFF Experience: A Dead Friend Forever Fandom Round Up (Part 1*)
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I had the wild idea of compiling links to all the various metas, theories, and other resources for DFF for everyone to use so that links and information were kind of all in one place. I dragged @shannankle along for the ride, and we combed through the tag to find all the things we could.
We most likely have missed something even though we tried to be as thorough as possible - if you think there is something we over looked that should be added let us know in the replies or the tags; if you write meta or other resource posts in the future, please tag us and we can add it to the post.
With that, please enjoy The DFF Experience!
Media: 
Official Trailer
Pre-Release/Pilot Trailer
Behind The Scenes
No More Dream - Barcode
Without Me - Bump
Por's RIP? Pic by @having-conniptions
Reviews: 
Dead Friend Forever is More Than Just A 90s Slasher Film Imitation by @syrena-del-mar
Dead Friend Forever is a Marvel of Mystery Writing by @lurkingshan
Phee, Jin, And A Masterful Misdirect by @lurkingshan
Fun Facts to Know and Tell: 
Non refers to his brother New as “P’New” during his argument with his parents in episode 8, confirming that New is the older of the two. 
White refers to Por as P’Por when he’s alone confirming he is younger and not lying about his age
Character Profiles by @raelle-writing
Based on screenshots, White and Phee do not go to the same school as the embroidery is different. 
Fuaiz says White’s parents are rich and engineers
What the Characters Know and Don't Know (As of Episode 9) by @raelle-writing
Actor Reveals About The Characters by @raelle-writing
Theories (Episodes 1-8):
Not Jin’s Video Theory by @raelle-writing
Not Jin’s Laptop Theory by @raelle-writing
Hints at the timeline/dates things happen by @yellingaboutkp
Why Uncle Dang Was Killed by @befuddledcinnamonroll
Is Jin final girl? by @blismytherapy
Non is dead (dead men tell no tales) by @mikuni14
Why So Many Maskys? by @slayerkitty
Tan is New by @tbhimnoteasyonmyself
Are The Boys Being Drugged (Are you High, Top?) by @italianpersonwithashippersheart
Non isn’t dead (alive men tell tales) by @respectthepetty
Theories (Episode 9-10):
Why Jin Sees Keng by @raelle-writing
Is Phee Still Playing Jin (Play On, Player?) by @yellingaboutkp
What's Up With White's Hallucinations? by @jeffsatyr with contributions by @italianpersonwithashippersheart
Tan is Going to Turn on Phee (and other upcoming episode theories) by @slayerkitty
Non Isn’t Dead (alive men tell tales, but they don’t change their clothes) by @subtextsays
Phi is on Tan's Hitlist by @respectthepetty
Non is Alive (Only Alive Men Tell Tales in Telenovelas) by @babyangelsky
Non is the Hidden Character And In This Essay I Will - by @babyangelsky
On The Episode 10 Preview by @crysta1ized
Non is Alive (Alive Men Tell Tales When They Paint in Grayscale) by @yellingaboutkp
Gas Mask for Masky? by @biochemjess
On What Tan Sees by @raelle-writing
Will Phee Tell Jin the Truth? by @mikuni14
How Much is a Hallucination and How Much is Real by @babyangelsky with contributions by @respectthepetty and @shannankle
White is the Mastermind by @sniggerwarning
Top's Scar and Masky on Crutches by @subtextsays
DFF Theory Time by @squishysquadstuff
Theories About White by @crysta1ized
Ninth Person Theory by @raelle-writing
Hallucination or Real? by @raelle-writing
Non is Alive for Now (Alive men tell tales if they're about to kick the bucket) by @harurio
A Scream/DFF Parallel Theory on Who's Behind the Mask by @crysta1ized
Tree Mark Theory by @babyangelsky
Episode 11 Preview Theory by @crysta1ized
New and the Antidote by @respectthepetty
White-Non Theory by @crysta1ized
*Due to the number links and mentions the round up is now four(!) posts. Please see Part 2 here, Part 3 here and Part 4 here.
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lactoseintolerentswag · 6 months
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Rise Characterizations Pt. 6!!!!!!
After the turtles and Splinter, here we have the girl Ever. She's pretty spunky, I had fun analyzing her for writing.
April O'Neil Character Notes
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Language Habits:
Uses bae/aave, something she could have passed on down to Raph and Mikey as they also use bae/aave
Most notably uses "mm-kay" in place of "okay"
Uses a lot of filler language, interjections, or onomatopoeia. Think "mhm", "uh huh, uh huh!", "oh yeah!"
"Ah nuts" is her go-to disappointed phrase
Grits and or strains her teeth when she's frustrated
Uses her own name (the full "April O'Neil!!!!") as a battle cry, or brings her name as a motivator i.e. "the one and only April O'Neil will solve this case!"
The more worked up she the louder she tends to be, this extends to stronger emotions such as passion or panic
Over text uses emoticons
Refers to splinter as "splints"
Refers to the turtles as "the fam"
Refers to villains/antagonists through insults rather than their names
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Personality:
Adrenaline junkie, as she's often the first to jump into a fight. She also laughs in the face of danger, and was seen maniacally laughing and smiling the entirety of the gumbus episode
Jack of all trades. April has a lot of skills she's picked up from various jobs or personal adventures she's seeked out (like canoeing through the sewers in a hazmat suit and earning a crane license)
Wild and blunt. April is Loud, and rarely ever afraid to share her opinion. This can either make people draw back from her bluntness or be drawn in by her excitableness
Self-conscious. Despite her strong sense of self-esteem, April is still often motivated to impress the popular kids at school or at least fit in. She doesn't want to be seen as the weird kid, or associated with the weird kids
Persistent. April is always quick on her feet to hit back whatever comes at her. She has a good set of problem-solving skills that she's gained from all the skills she's picked up
Loyal. She's always willing to back up the turtles, and goes out of her way to keep Splinter happy with her company. Once she finds a friend it's hard to pry her away
Unlucky. Mostly in absurd or mundane ways. She has that whole curse with her birthday, but things don't often tend to go right for April O'Neil, which contributes to the disasters that cause her to get fired all the time
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Miscellaneous:
Code-named "yellow submarine" by raph
Tends to have information on wifi passwords, secret exists, and access to keys from all the jobs she's been hired and fired from
Has a preference for blunt objects as weapons (most commonly bats, clubs, pipes)
Uses the environment in a fight in general
She's been part of the "warren stone fanclub" since 2010, and keeps all her ids in her wallet
Likes unicorns and cats (as seen through her brief texts with sunita and her pajamas)
Loves laser tag
Can beat Donnie at video games (if he didn't use cheat codes)
"sherlock_corn" is her handle online
Lives in an apartment/flat with her mom (showed onscreen briefly), that has its own bathroom
Has a subtly mentioned interest in fantasy, as noted by Donnie she tends to download fantasy rpgs and freaks out over cosplay wizards
Just an end note to all of you who aren't black, some offensive tropes I would stray from is making April the angry black girl. This is one of the most common stereotypes of black women in media. I wouldn't mistake April's passion or loudness for aggression. It would be a disservice to dilute her lively character into familiar but ultimately harmful tropes in media.
I am in no way saying you cannot portray April as angry, this is a powerful emotion and it should be explored with black characters, but I am saying that should not be the base of her character. Because well that's not even April's base. She's centered around fun and thrill-seeking.
Wikipedia (yes I know, But they have proven to be more dependable these past years) has a good article on the angry black woman stereotype, so that would a good place to start research on what to Avoid. In my splinter post I also provided some links on doing research on writing poc.
---
Anyway!!! We've ended our analysis trip of the main cast in s1. Next I'm thinking of picking apart our antagonists :]. Gonna take a break to work on my own fic, but stay tuned if you found any of my other posts helpful! It's been a fun ride with you all <3
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isaksbestpillow · 3 months
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Ossan's Love Returns episode 3 eng sub
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I've subbed the third episode of my favourite favourite favourite show! There were quite a lot of Japanese references to explain in this episode so please read the notes before getting confused.
Previous episodes, welcome on board: Episode 1 Episode 2
Episode 3:
RAW
subtitle
Do not reupload to any streaming sites.
Notes:
Hirugao (japanese bindweed) was a popular drama about cheating that aired in 2014. Kin'youbi no tsumatachi e ('to friday wives'), also known as Kintsuma, was a popular drama about cheating that aired in the 80s. I didn't translate or localise these titles since making references to Japanese tv shows seems to be part of Kurosawa's characterisation.
Sontaku: A word that became popular after the Moritomo gakuen political scandal in 2017 and is often used jokingly. I didn't translate it because there is no simple translation as it is a cultural concept rather than just a word and I wanted to maintain the scandal link. Here is a wikipedia page about sontaku. Basically it means to do something the other person wants you to do without them saying they want you to do it.
Convenience store restrooms usually have a poster that says something along the lines of thank you for always keeping the restroom clean.
Dogeza: the ultimate kneeling apology. Not actually used anymore sans some press conferences after a major fuck up.
Before you become a memory, show me your smile one more time: This is actually a Spitz lyric. Here is the song:
youtube
Takekawa-san's twitter account is also a reference to Spitz.
Tag list:
@babeluda @twig-tea @nieves-de-sugui @nongnaos @veikonvihannekset @bengiyo @thirstkanaphan @my-rose-tinted-glasses @faillen @ellieellieoxenfree @randifrn @fromisstar @lurkingshan @penguin251159 @i-remember-yyou @remadi @thesedamncannibals @sewichii
Let me know if you'd like to be tagged in future uploads!
Enjoy!!!!!!!!!!
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tenthgrove · 4 days
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Reverse Engineering the OIAR Tagging System
I'm not the first to theorise that the tagging system is important - this post is inspired by the person who noticed that Needles and Bonzo share both a CAT and an R tag.
This is an incomplete attempt to decode the entire system for theorising purposes. Unfortunately, I was not able to figure it out as thoroughly as I hoped but I'm sharing it here in hope others can make observations. Here is the table:
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For those who want a better look, or cannot see the image due to screen-reader use, here is a google document with the same table: https://docs.google.com/document/d/1Wc4COCMHdwKz6N-KawvMOs4Y3k3W6Kq-NDhZ7brcRLg/edit?usp=sharing
So, my observations thus far:
CAT (probably short for categories)
There are four categories so far- 1, 2, 3 and 23.
Needles, both Bonzo statements and the very first statement are the only CAT 1s so far.
Needles and Bonzo are likely to be major recurring characters, so this could suggest the creature in the first statement (which to me gives distortion vibes) may also be.
Alternatively, CAT could suggest danger. Needles and Bonzo are serial killers, while the CAT 3 statements tend to refer to very old or contained objects, so perhaps these are less dangerous? The only gap in this theory is InkSoul being CAT 3, which makes little sense given their livestreaming. Unless... could InkSoul be dead?
Generally, but not absolutely, newer statements tend to be closer to CAT 1, and older statements closer to CAT 3. Bonzo and Needles both referred to statements taken days before the episode dropped. Again, this isn't an absolute rule and the first statement is again the odd one out.
What I absolutely cannot figure out is CAT 23. I thought it was a typo until I encountered it again for Ep 11. It clearly means something special. Unlike for the R system, I don't think it means between categories 2 and 3, because the statements we get are both quite important. We'll probably have to wait for more episodes to figure this one out.
R (probably short for rank)
This is the one I'm more sure about. I believe it indicates 'grades' of some measure, like school grades. A is best, B is after that, and so on.
I think AB and BC are borderline grades.
Ep 3 and 4 (plant boy and violin man) do not have an R tag. My working theory is that this indicates the statements are below a grade C.
So what does R actually grade? Again, it could be importance (assuming that isn't what CAT means), or usefulness to the institute, but then why is our known external Mr Bonzo only a B?
So far we have no rank As and only one rank AB - the Red Canary statement.
If there's one thing I'm certain of, it's that the first rank A statement is going to be very big indeed.
Conclusion
I believe category and rank indicates any two out of the following: importance, danger, level of OIAR control, level of usefulness to OIAR, certainty of being true, amount of evidence. Ultimately, we need more statements to be sure.
For whatever two measures these systems represent, I am fairly certain that a category closer to one and a rank closer to A represents a better grade on that measure, with the exception of CAT 23 which I think is its own thing. The ultimate purpose of this post is to encourage people to pay attention to these tags more as I am certain they contain clues, and if anyone smarter than me can spot them as more episodes come out, then great.
PS: As I was just about to post this I had a sudden idea as to what CAT 23 *might* be. It could be dimensional cracks. This is clearly what's going on in the magnus institute (with the dice statement being exempt because it was taken before the institute burnt down) and it's possible the graveyard in Ep 11 also serves this function. This is pure speculation however.
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she-posts-nerdy-stuff · 5 months
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Rewatching Shadow and Bone so here are some of my favourite little details that I haven’t seen loads of people talk about (this is almost definitely just part 1 so stay tuned)
The bird cage in Heleen’s office
The masks on stalls in the Ketterdam streets, including Komedie Brute masks, what look like the Jackal masks, and what I believe might have been a sun summoner mask
The song that Ravkan soldiers in Mal’s unit sing whilst they march in s1e4 is the Kerch drinking song Nina sings for Inej on the boat in Six of Crows
Matthias’ hesitation before saying “I feel nothing for you” and Nina replying “then I guess that makes you good at your job” is SO reflective of Matthias’ realisation that Brum didn’t have to drown the good parts of himself to do terrible things the way Matthias always did; Matthias had grown to admire Brum for what he believed was the ability to silence the good in himself in order to do what “must be done” because he found that so difficult to do, and acknowledging that Brum didn’t find those things difficult the way he did was one of the most important moments of being able to separate himself from the Drüskelle beliefs and begin to understand that what he went through was actually abuse and what’s implied to be at least similar to Stockholm Syndrome (I’ve written at length about this and if I get going I’ll never stop, so if anyone wants to know more lemme know and I’ll tag you in my post about it)
“Pomdrakon Players”, the group the Crows join to infiltrate the Little Palace, references Ravkan desert “Pomdrakon” where you soak raisins in brandy then set them on fire and try to grab them in the dark that Nina tells Matthias about on the ice
This isn’t an observation I just thought you’d all like to know that when I was watching the map room scene in episode 4 every time Alina said ‘Aleksander’ I repeated her in a stupid voice, which was really unfair to Alina because she doesn’t know but it was a genuine reaction and I stand by it because screw the Darkling
The comment that the Fjerdans don’t mark ash tress because they’re scared, I love that. I wonder if they pray when they mark trees, like they do when they cut them down? I personally got the impression that all trees were precious but ash trees were sacred when I read the book
The valve to turn out the lights in the Royal Archives Heist because all the lighting is gas powered!! Like I know this probably was just a thing we knew without really thinking about but it’s also really cool in that it reminds us about the class difference between the Crows and the others since, at least in the books, gas lighting isn’t as common to the Barrel as candles and bone lights are but is implied to be more common among the Merchants
Also not an observation but “you’re the quarter master, aren’t you?” “Yep” *wallop* will never not be hilarious and iconic
I’ve said it before and I’ll say it again: the costume department for this show were goddamn miracle performers thank you for your service. I’ve banged on about the symbolism in the costumes before so I won’t now, but I have really only talked about s2 so I guess if you want more I could talk about s1
“No guns” *walking past Jesper* “no knives” *walking past Inej* “no weapons of any kind” *wait where’s Kaz* will always be fabulous
I genuinely have no idea how they did the Tailoring on Alina’s hair when Genya first does it for her but it is incredible like I don’t know exactly what changed but it just… I don’t know, it’s amazing
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tommysversion · 1 year
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Breathe Through It (Joel Miller x Reader)
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Summary: you have a panic attack. Joel helps.
CWs: Descriptions of mental health conditions (namely PTSD, but can be read as any anxiety based disorder with panic attacks) / graphic description of a panic attack / some adult language/ references to past trauma (nothing explicitly described but inferred).
Notes: This is entirely self indulgent, I have pretty severe PTSD and this is the coping mechanism of the day. Implied to be F!Reader but it can be read as gender neutral.
Word Count: 1.1k
Tag List: @joelsgirl & @mydailyhyperfixations
You don't feel it happen until it does. You've heard that for some people, their panic attacks build up, like the world's shittiest tidal wave, steadily looming over them.
Yours aren't like that. You'll be fine one minute, then something will trigger it. A sound. A place. A thought. Someone with a similar sounding name. A nightmare.
You get less than ten seconds warning, if you're lucky, before it hits you like a tonne of bricks and you freeze. It doesn't matter where you are, what you're doing, your chest constricts and you get tunnel vision. It's like you're a spectator in your own body, dissociated so hard you can't tell left from right.
The worst thing is when you lose your ability to speak. It doesn't happen every time, but when it does it's like someone's squeezing sand down your throat, completely taking away your ability to ask for help. As if you even could. You hate drawing attention to yourself at the best of times, let alone when you're so vulnerable.
Which is why it's annoyingly inconvenient that this is happening now. You haven't exactly been hiding your panic attacks from Joel, but you haven't directly talked about it with him. You know he has his own problems, far more trauma than he lets on. You know it isn't a competition, but you don't want to burden him with your anxiety.
Deep down, you know that it wouldn't be a burden. That he loves you, but it's hard to remember that when trauma brain is the one at the wheel.
You're not sure what it is this time. You're just walking through town with him, heading home after a drink, after a shift on the guard tower together, when someone, of all things, laughs. The laugh isn't quite right, but it sounds close enough that you freeze up, breath catching in your throat. Fuck, you're maybe ten feet from home. Why now?
Joel gets maybe two steps ahead of you before he realises you're no longer keeping pace, turns to say something, maybe crack a joke about you being a lightweight, but the comment dies on his lips the moment he sees your expression.
Most people think you just space out. Think it's a personality quirk or just a thing that you do. Joel knows better. He knows better because Ellie's described what he looks like when he has a panic attack, recognises when he's about to have one these days.
So it's immediately fucking clear as day to him what's happening.
He doesn't bother asking what's set it off; knows that there isn't always a clear answer, and that even asking, reminding you of the trigger, could just make it worse.
Joel hates being touched when he's having an episode of his own. Knows it triggers his fight response, that he'll start swinging. He doesn't think that will apply to you, but he doesn't know for certain, and that's all that keeps him from wrapping his arms tight around you.
Instead, he takes you by the hand, leads you the last few steps to the house, closes the door behind you, flips the light on.
"'S okay. Look, we're good. Door's closed. Nobody's coming after us."
You can barely hear him, heart pounding in your ears, breaths coming out ragged like you've just run a marathon.
"Hey. Hey. If you can, look at me, okay?"
He doesn't sound angry, or tired, and it's not a demand. This voice is the one he uses when Ellie's sick, or you're sick, or when he's reassuring one of the kids in town that he's not remotely mad that they stole an extra slice of pie when he was meant to be on food watch duty.
Joel is always soft spoken, but this is different. It makes you feel safe, not enough to pull you out of it, because that's not how it works, but safe enough to look at him, to focus as best you can on the dark depths of his eyes.
"There you are." He goes to let go of your hand but you cling on to him, slump against his chest, needing the warmth and solidness of him to ground you.
That's all the permission he needs, wrapping his arms tight around you.
"I've got you. You're safe, I promise."
You know that. Deep down, you know that the people who hurt you are far away. That they'll never touch you, control you, hurt you, ever again. You know that you're safe here, in this house, with Joel.
He rubs soothing circles on your back, kisses the top of your head, relieved when you start breathing properly again, coming down from the adrenaline.
"You don't need to hide these from me, darlin', I know how they feel."
"That's why I didn't want you to deal with it." You manage to get out; your throat is dry as hell, the guilt already forming.
"Deal with it? What, like it's a big issue? I'd rather be able to help. That's what I'm here for. We do this together, remember?"
"But it's..."
"Nothing. Don't you dare call yourself a burden or anything similar. You've been through so much. Ain't a competition. But you've gotta let me in, okay? I'm not going anywhere."
"You promise?" You hate how small your voice is, how distant you still feel. Even if the worst is over, you'll still feel horrible for a few more hours, trapped by your own thoughts.
"I promise. Breathe through it, baby. I'm not going anywhere. We can stay here all night if it helps you feel safe."
You exhale. You do feel safer, standing there with his arms locked around you.
"Will it always be like this?" You hate yourself for asking, but you know he's been dealing with these a lot longer than you have.
"Yes and no," Joel says finally. "You learn to sit with them. They don't suck any less, they're still fuckin' horrible, but you get your support, and you'll learn to sit with them."
You nod against his chest, finally feeling a little better. At least better enough that it doesn't feel like your limbs are full of cement.
"What can I do to help?"
You consider for a minute. "Can we have coffee? Maybe take a shower?"
You always feel a cold sweat come over you after the worst of it passes. Joel nods, gives you one last reassuring squeeze.
"Course we can. Whatever you need, darlin', I'm always gonna be here for you."
He lets go of you to move to the kitchen, but keeps hold of your hand, knows without asking that you still need the reassurance of touch.
"Hey, Joel?"
"Yeah, baby?"
"I love you."
"Love you too, baby. C'mon, let me take care of you."
It's not a miracle cure. No such thing exists, after all, but having someone who loves you so much, who you know will support you through it? It makes all the difference in the world.
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Interesting Linguistic Notes from Jun & Jun episode 4
In her phone conversation with Choi Jun, Young does not exactly call herself his "fiancé."
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She uses the word 구녀로서, which roughly translates to "as your woman." 구녀 when used alone means "she/old woman," but when paired with 로서 (which means to do something as a person who holds a specific status) it transforms into the idea more along the lines of being that person's singular girl. So you'll sometimes see it translated to "as your old woman" because it's more akin to the slang way we refer to our moms and wives than it is to the way we might say "I'm your woman" to refer to ourselves as your romantic partner. It's less about the state of romantic ownership and more about the old and familiar. I don't know why the translation team chose to translate it as fiancé, unless it's possible they have access to later scripts and know something we don't. But even then, we can probably anticipate that she's not an official fiancé, but rather someone their parents expect him to marry.
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My current bet is just on her being overly familiar with Choi Jun, as we saw from her speech patterns in the car ride with both Juns earlier that morning. When she realizes that she already calls Choi Jun "Jun-i Oppa" (an intimate and affectionate way to refer to an older male/brother, as spoken by a female) and she has to call Lee Jun something different, any normal Korean who wanted to breech that level of familiarity would suggest "Lee Jun Oppa" as a way to differentiate the two. But she's been raised in the US too and leaps into suggesting "Jun-i Eonni" (an intimate and familiar way to refer to an older woman/sister, as spoken by a female). Lee Jun comedically bristles at that, saying he'd rather she kept calling him "Pigeon" instead. But she doesn't care and brushes right past societal norms and even still refers to him as Eonni later in her phone conversation with Choi Jun. Choosing this is intentionally queer-coded language as well (because her Korean is otherwise so good, and she doesn't seem to be joking). It's like calling a gay man "girl," or "sister," or "queen."
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Speaking of the ways others address Lee Jun, it's important to note that in the final scene Simeon repeatedly calls him 우리 이준씨, which basically translates "my Lee Jun." He's not speaking intimately, but he is claiming ownership. This is why we see Hyun Jae's bewildered and sad expression and Choi Jun's stunned and jealous expressions.
Finally, I'll share a tidbit that caused some confusion when @bengiyo watched the episode and take my comment out of the notes on Ben's post and put it here. In his breakroom conversation with Lee Jun, I think it VERY LIKELY Hyun Jae was vaguing about M/M relationships. Because Korean culture is still VERY homophobic, he was trying to feel out how accepting Lee Jun is towards diversity and possibly even invite him into a queer space. He begins by saying, "you know, people have different values depending on the environments they've lived in," and ends with "diversity is valued these days." But instead he "dug his own grave" because Lee Jun's brain immediately went to the morning's events and the confusion he feels from it all (particularly being invited to do a sexual favor for a man who then later received a kiss on the cheek from an overly familiar woman) and he basically said NO, SOME THINGS ARE TOO DIVERSE.
I expect we'll see Lee Jun try to draw more boundaries with Choi Jun, not because he's a man (he flirted back after all) and not because he's his boss (although that may play a role), but mostly because his current impression is that Choi Jun isn't serious. He thinks he flirts like this all the time because he's too American.
@absolutebl I'm tagging you again because you're a linguistic geek too!
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heyclickadee · 1 month
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Guys, I’m gonna need the fandom to stop being weird about Phee.
Okay, so, first off, I’m not back. I’m still on break; I just logged in to check on the DMs? Made the mistake of checking the tags, and happened to see some real hot takes about Phee’s line about Tech and wrote this out before my better judgment kicked in. Two things:
1. From a narrative perspective, a NARRATIVE perspective, not a character perspective, a narrative perspective, Phee’s line has the exact same function as every other mention of Tech by the characters and visual reference to him through the season so far. We haven’t seen any single character process Tech’s “death.” And by processing Tech’s death, I mean that we haven’t seen a single character come to terms with it the way we, for example, saw Omega and Tech come to terms with Echo’s departure, or the entire ghost crew come to terms with Kanan’s death in Rebels.
In refusing to show us this, the show refuses to allow the audience to internalize Tech’s death as an actual event that has consequences and is expected to stick. In addition to this, the show pokes at us at least once an episode, whether by a single line or by visual cues, to remind us of Tech’s absence. In so doing, the show refuses to allow the audience to fully let Tech go; this only makes sense from a writing perspective if the absence is temporary and the much needed catharsis after an event like the first five minutes of “Plan 99” is going to come from something other than processing the character’s death—something like letting him come back. Phee’s line is just another one of those jabs reminding us that Tech is absent.
(Before anyone comes in here saying that they’re probably mourning Tech off-screen: They probably are. That’s not the point. The point is that there is purpose in what writers choose to emphasize. They have had plenty of opportunity to show us Omega or someone coming to terms with what happened, and plenty of time to do even more than that, because not only are they willing to stop for emotional moments—half the season so far has been Crosshair’s extended emotional moment and catharsis from two seasons of buildup. I’m actually not willing to argue about this at this point.)
2. The way Phee talks here is the way that every character has been talking about Tech the whole season. She’s not unique. The Tech mentions have largely been informative and impersonal—just enough to hurt, not enough to derail a conversation. The emphasis has not been on the loss of him as a person, but instead on his absence and how that makes life difficult. Once again, from a narrative perspective, this is because getting personal with the Tech mentions leads directly into the characters actually processing their loss; and since the show is not allowing that processing to happen since it’s almost definitely bringing him back, the little, slightly impersonal mention once an episode is as far as it can go in bringing Tech up. And since it doesn’t want us to forget about him either, that’s what we end up with. It’s not bad just because Phee did it too now.
3. From a character perspective generally speaking (of the whole cast), the way the mentions work reads to me as ambiguous grief. Remember that Hunter and co. never recovered a body, never really saw any evidence, and don’t really know what happened to Tech in the end. And, speaking from personal experience, not knowing can be emotionally paralyzing and can leave you incapable of processing your loss, because you don’t know if it’s a loss or not. They come across to me as stuck and unable to to anything that we see besides noting that he’s not there. He’s gone, they don’t know where he is; he might be dead, and he might not.
4. And, speaking of Phee specifically: Phee’s mention of Tech wasn’t overtly sad, but neither was Omega’s mention of Tech back in “Shadow’s of Tantiss.” Not everyone cries every time they bring up someone they lost. I don’t. Don’t expect everyone to outwardly react the way you want them too, please.
And, frankly (this IS a hill I will die on) Phee brought Tech up out of nowhere. They weren’t talking about him. She brought him up completely unprompted in an unrelated conversation, meaning he’s on her mind, meaning that, no, she’s not over it.
PS: Do not come into my notes and bring up Fives and the lack of Fives discussion in TBB. I love Fives, I love the domino twins, but Fives was a secondary character on a completely different show with a completely different kind of narrative structure. Not bringing him up in this show is not the same as not allowing the characters or audience to process the happened to Tech.
PPS: I’m sorry if I sound salty in this. I am. This isn’t really directed at anyone I follow or interact with on her, or really anyone who follows me; this is directed at certain parts of the larger fandom that are kind of exhausting.
PPPS: If anyone comes into this post to call me delusional for still thinking Tech is coming back because that’s literally what they’ve set up on screen, they’re getting instablocked.
PPPPS: Don’t @ the cast and crew on Twitter, guys. Just don’t. Think about what they’re doing and what you’re doing, and don’t.
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bubuslutty · 1 year
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You're upset, darling?
pairing: platonic gn!reader x ghost x soap x price
word count: 1.4k
tags: angst with comfort, depression, episodes, no use of y/n, 3rd person pov, reader is mostly refered to as darling + they/them pronouns
warning: mention of suicide, not in detail tho but still (let me know if I missed anything)
summary: 141's darling has episodes where they feel like shit and how they spend their day in the base with those feelings, and how the guys comfort them.
a/n: I wanted to add könig, horangi and gaz but I was too tired to keep writing so I only wrote abt these three. this is very much based on my personal experience. I'm also undiagnosed so I might not use certain terms.
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Sometimes 141's darling has days where they're down and very upset. It's normal, they think, everyone must have days where they don't feel entirely themselves, right? it's totally normal and very human, they believe.
At first, when they were upset, nobody would notice, because no matter how they felt, they always did the same things as they always do, if not a bit slower than usual.
They would shower, groom their hair, wash their clothes, clean their room and attend all activities with the other guys. They would even sleep their full hours, uninterrupted, and finish all of their food, rarely missing a meal.
But all of that feels robotic. An attempt to seem normal, to seem fine. When in reality, they feel gray on the inside. Dead. a walking corpse. A heaviness that settles in their chest like a rock. Sitting there, unmoving.
And more often than not, they wouldn't know why they're so upset, so down and dead and just not themselves. They might as well be in a coma because nothing feels real during those days.
Then they would be forgetful, less talkative, and their face would drop, drained out of any light and animated expressions they usually wear. They would laugh along to jokes that aren't even funny, to keep anyone from noticing that there's something wrong, that they're wrong.
But they couldn't keep having their episodes unnoticed. They're not sure who noticed first, out of 141, but they do remember how Soap would look at them. How even when he's talking and laughing loudly, he would glance at them, to study their reaction and face. But he wouldn't say anything, not yet at least.
He would then drag them with him as much as he can, and not necessarily make them speak, because he notices their silence, and the discomfort that would appear in their face when they're made to speak and actively participate in a conversation when they're not obligated to. He would fill in the space, with his chatter, but it would not be as loud, softer, a comforting murmur, a nice sound to focus on when they can't make themselves stop falling inside their head.
And then darling would lean against his side when they're sitting down and he's sketching on his knees, still talking and filling in the air. And he would wrap an arm around them and squeeze, his body heat comforting and welcome in those gray days. And when darling has to be somewhere without Soap, he would give them a much needed tight hug, all warm and big and long and soft.
"You'll be alright."
They find themselves hanging out with the 141 guys more often during their episodes. And Ghost is no exception. No matter what anyone says about the man's personality, whether he's cold hearted, emotionally unavailable or just straight out a bastard, they would never get it right, never, nobody knows him as much as he knows himself. But he does let out bits and pieces of himself to his mates. Because he trusts them.
Darling would be sitting next to Ghost, without saying a single word while he's cleaning his guns in similar silence. The only sound that could be heard is their breathing and Ghost's hands working on cleaning his weapons. But then darling did break their silence once, they don't know what urged them to open their mouth and speak, but they did.
"Thank you for being my friend."
Ghost's hands froze, and he just kept staring down at his guns when he lifted his head and looked to the side at the sergeant sitting next to him.
"Sergeant, are you suicidal?"
Darling was slightly taken back by the bold question. But that was Ghost for you. Asking direct questions when it mattered. Darling didn't take offense to his question but simply shook their head, "Negative, sir."
Ghost kept staring at them silently and reached out for their hand, gripping it and squeezing it in his gloved hands. Darling smiled a bit and didn't say anything after that, nor did Ghost.
Darling doesn't know if their words freaked their lieutenant out or not, but he did mention their very short conversation to their captain, John Price.
"Sergeant, I need you in my office, now."
Darling was a bit confused, raking their mind over any mistakes they did, or said anything wrong to anybody. And were even more confused when they couldn't think of anything they've done.
"You're not in trouble." John said as soon as they entered his office and sank down on the chair in front of his desk. Darling fidgeted with their fingers, unable to just sit still under Price's gaze.
John Price was the only man on base that Darling disliked interacting with during their episodes while simultaneously yearning for his attention and approval. His eyes could see everything, he knew everything.
They didn't like to be weak in front of Price. They don't like how easy it is for him to see and understand them. Even if it is one of the most relieving feelings in the world. It was scary. To face a man who could read you and so easily pin your vulnerabilities.
"Lieutenant Ghost told me what you said earlier today. He's worried about you and wanted me to check on you." Price said, arms crossed and leaning against his desk, staring down at them with a steady gaze.
He went straight to the point, no wasting time or breath.
Darling opened and immediately closed their mouth, unable to form a sentence or pick what to say, their mind was reeling and they had the urge to just spill everything to the man.
He does that to them, makes them want to lay out everything they are and stand naked in front of him and let him see every scar, every mole, every dip, every swell and every pore.
"Talk to me, honey." He said, so gently when he kneeled next to them, that it choked up Darling's throat.
Their eyes immediately blurred with tears, their breathing picking up and now heaving, struggling to breath.
"Breathe, aye?" Price said.
And it was as simple as that. Breathing. Breathing for their captain.
He wanted them to breathe? They will, with no question.
They're not sure if it's just his rank that makes them more obedient, more willing to obey and trust blindly. But they're too afraid to think too much about it. They're afraid they'll find a hidden layer under it.
"I- I feel useless. I feel lost and confused. I feel sick in my heart. I'm not happy, and I don't know why. And I want to be happy, to not feel like I'm not myself anymore. I want to feel good. I want to be good."
And just like that they spilled like an overflowing glass of milk.
Price's gaze softened even more, and he placed a big rough warm hand on their thigh, "Darling," He said and their heart jumped in their chest.
"With all due respect, you're not useless. If you were, I'm scared to think of what that would make us." He said, voice all deep and warm.
Darling cracked a small smile, looking at him with their hands on their lap and staring at him with big eyes, shiny and begging for praise and reassurance.
"You're more than enough, love. It's alright to feel like shite, but what's not alright is you keeping your hurt to yourself and making yourself sick with it. Talk to me, talk to us, you're safe. You're safe and good. You're so good."
A tear spilled down their cheek, staring at Price with their heart beating faster than a horse in their chest, their body heating up and feeling all warm and fuzzy and so loved they could suffocate with it.
"Come here." Price said before dragging his sergeant by the arms to engulf them in a big warm hug. His scratchy beard was pressed against their temple. But they didn't mind. Their captain smelled like cologne, mint and tobacco, but they didn't mind either. His grip on their body was tight, but they also didn't mind. Because their captain was good, solid, a constant force, safe and warm and understanding.
And that heavy stone that lodged in their chest was finally lifted and they could breathe again. They know this won't somehow heal them. To think so would be foolish and a joke. But this felt good nonetheless.
Their captain knows they will have their episodes, maybe not as often, maybe more often, who knows. But what he does know is that he'll set up a private therapist for them. And he'll make sure to remind Darling that they're part of 141. They're part of them, and they don't have to act as if they're fine, it's okay to be vulnerable, because they'll protect them, keep them safe from bad thoughts just like how they protect them from bloodthirsty enemies and bullets.
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punkascas · 3 months
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okay, so i don't want to, like, Start Something or whatever so we're doing a barely-tagged, separate post. i also realise this is mostly pointless because others have already said what i'm going to say, and did it better, with far more grace, and sound less like an asshole than i do.
but jesus louise helen christ, the weird fucked up ideas people have around abuse and personal responsibility and the effect of trauma. like as an abuse and csa survivor, it genuinely alarms me to read posts that use arguments i remember my dad making. like, i'm assuming most of this rhetoric comes from gen z — maybe that's inaccurate; maybe that's unfair. but right now i'm very much Having A Moment Here that the kids aren't alright.
no 22-year-old should be repeating the same awful, manipulative, logically and morally bankrupt justifications for violence and torture my dad says. like literally what's in the first two episodes of ofmd s2 is torture.
i love ed; he's an amazing character. taika is hella wowza top marks acting him. but like.
like.
torture, my dude. physical and psychological. trauma. harassment. that we see the lasting effects of through s2.
just. i. what??
so here we go, okay. have too many, zealously highlighted screenshots so i can dig into details.
cut to save your dashes. content warning for discussions of abuse and trauma (if that wasn't obvious), as well as spoilers for ofmd s2.
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re: ed knew what he was doing was wrong and felt guilty about it at the time:
we have no on-screen, textual examples of this. not in the dialogue; not in the acting; not in the blocking; not in the cinematography or music. nothing.
knowing the crew are overworked and kind of traumatised by all the violence, ed bribes them with cake. because, as we know, cake like tea fixes everything. only ed wasn't even with them to share in the eating of the cake. he made izzy responsible for that. he doesn't give the crew a break; he doesn't choose less ethically-fraught prizes to hunt. there is not one scene of ed talking directly to the crew — until he points a gun at each of them.
we see ed crying (and drinking, and rhino horn-ing [way to help further extinction, man]) but it's always paired with shots or flashbacks that reference stede. ed is still all up in his feelings about stede, and ed confirms this when he tells frenchie the myth about albatrosses never needing to return to land. ed cannot go back, does not want to go back, because he was rejected. (like, stede is literally landed gentry, come on!) all he wants to do instead is stay at sea committing to this unhinged version of unstable, sadistic piracy.
but okay, okay. say we ignore all of that. let's say ed does feel sorry and guilty and ashamed of his actions. he knows what he's doing is wrong and unfair and cruel. that it's harming others. that it's particularly harming the dude that ed has, for better or worse, basically spent his life with (izzy; i mean izzy). ed… still continues to do the things! how far off are we at this point from the definition of malicious? you know action x hurts person b and then you do it anyway. is that honestly a better, happier, more ethically defensible reading of the character?
re: the crew didn't mutiny because they love ed despite his violent, sadistic actions.
mutinies were a thing, yes. but both historically and in the world rules established by the show, mutiny is disincentivised through threats, distraction via extra work, and corporeal punishment. we see both ed and izzy use all three of these to try to prevent the crew from disobeying orders. they didn't wait until the storm and izzy shooting ed to mutiny because they understood or sympathised with ed; they took the chance to kill him then because that was the first real opportunity they'd had. the reward finally out-weighed the risk given that ed was going to kill them all that night anyway.
again, we have no scenes, no dialogue, no visual or audio cues to tell us that the crew understands or loves ed — excluding izzy, obviously. fang could also be on that list, if you take into account his personality and his behaviour both in s1 and later in s2 in the fishing boat scene. but in the first two episodes, we only see the crew show trauma responses around ed. they talk about him but almost never to him. and when they do have a direct conversation with ed, it is either confrontation or head down, submissive, "of course, blackbeard; anything you say" placating. i'm so baffled where the show points to any sign of love from the crew towards ed before his "death".
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re: ed can't be held responsible because he was suicidal.
uhm. no. hard no. a harder no than stede's brazilian cherry wood mast. fucked up people do fucked up things but part of being an adult is owning your fucked-upped-ness and not fucking up others while you work on unfucking yourself. children, children are not fully responsible for the impact of their actions on others when they're deep in their feelings, especially if they're feeling their feelings as a trauma response. this is because literally their brain cannot do that kind of control. it doesn't have that software pack installed yet. ed does have all the adult updates installed, even if he isn't running them at that moment. he has no right to take out his feelings on other people: to maim them, to psychologically torture them, to abuse them, to work them to exhaustion. to kill them. he does not get a free pass to do suicide by abused employees. (like suicide by cop but more indirect and passive and harmful.) talk about passive aggressive.
secondly, ed is not just passively suicidal and happy to find new risks that might end his life. he is very purposefully taking izzy with him (see: literally removing the bits of izzy that would help let him walk away from ed; the fact that ed becomes actively suicidal only once he thinks izzy is dead; the whole keeping izzy's corpse in front of his and stede's beach shack i mean inn — the codependence, she runs deep). ed is also putting the crew through the same risks, the same isolation, the same danger. both stede and izzy agreed that ed had gone full scorched earth policy. you don't get forgiven for the murder part of a murder-suicide pact just because of the suicide part. not to mention that no one (once again, you could potentially argue izzy as an exception) was good on a murder-suicide pact with blackbeard.
and then to say the crew felt guilty? i assume i'm misreading that. the crew. felt guilty. for ed's actions. that is, if not victim blaming and if not darvo, a very close inbred cousin of them. like hapsburg jaw inbred close.
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re: ed healing and his view of himself as a monster.
to heal means, in part, to accept responsibility for the harm you've caused, whether it was intentional or not. it means making amends. it means building or rebuilding relationships where possible. it means putting the other person or persons' feelings and boundaries and need for safety above your desire for absolution or forgiveness. it means working through your own guilt and shame and anger (or whatever drove you to act the way you did) in a separate space, not with the people you hurt, but someone who can be a step removed, more impersonal and objective to help you reflect and face hard truths as needed. i say this as both someone involved in activism and community reparations and as an abuse survivor who has done nearly 30 years of therapy learning this in order to not hurt people. it's not ed's fault he's fucked up just like it isn't my fault i am. but it is on me, like it is on anyone, to make sure i limited as much as possible the harm i can cause to others because i learned some awful but very effective tricks at a young age to survive.
ed does not really do any of the above. he doesn't say "sorry". he speaks in generalised language. he complains about the cat bell (which he seems to wear only for one day, given the implied timeline with lucius and pete's engagement). i have a model ship on a stand that says "this is a safe space ship" as a joke because i work for the government and have written press releases that sound just like ed's "apology". where you take no responsibility and encourage "the culture" to move on.
so, really, my question becomes: ed sees himself as a monster. in s1, we had enough balance between ed's current actions and his referenced past actions to see this belief as likely untrue. in s2 though — i mean, is it? is that an unfair or inaccurate belief? i can understand how carrying that belief can get in the way of ed's growth and eventual healing but like. from an outside perspective of ed-the-fictional-character. he's not a "good" person. he's capable of and has done and continued to do horrible, cruel things. ethically, can you argue with that statement about him?
re: ed trying to destroy relationships because of his self-worth issues and instead the consequences of his actions proving that he's loved.
this is the point that made me go: right, no, i need to respond. i need to say my piece about this. izzy and the crew suffering ed's violent tyranny and then sticking around on the revenge anyway afterwards is not a sign of love. it is not showing love to bear pain for someone. it not showing love to let someone mistreat you, threaten you, hurt you, maim you. their actions are selfish and done to give them feelings of power and control over you. lying back and thinking of england to get through it is not love. it is absolutely a survival technique. but it is not love when you do it at the expense of yourself or others.
i also disagree that ed was trying to push people away or break his relationships with others. we know from s1 that ed is fairly blasé about whether crew members die. again, we don't see any friendly or intimate exchanges between ed and any of the crew to imply any kind of relationship there beyond "tools who accomplish ed's goals". the one exception, as always, is izzy. and as previously stated, ed seems bound and determined, in a very conscious way, to bring izzy into death with him. ed does everything in his power to make izzy want to kill ed, or at least agree that it's best if ed dies, and to want to kill himself so ed doesn't have to die alone. that isn't ed breaking that relationship; it's making it permanent in a really fucked up shakespearian way. the only relationship we see ed waffle between wanting to keep and wanting to push away is stede. after his corporate "apology" and the fishing trip with fang, all of ed's dialogue is with stede and a little bit with zheng until izzy's death scene. the crew loving ed just isn't a thing, at least not one we're shown. not from either side. ed's relationships are with stede and kind of, sort of with izzy (because he does manage to, if not fully break, do some major damage to that).
love did not save ed. ed wanting to live, because stede came back, because he didn't want to jump off hornigold's cliff in the first place, saved ed. izzy saved everyone else.
so yeah: that's it; that's the post. the rhetoric that abuse is love or that abuse can be "cured" with love or that trauma isn't lasting and serious and has impacts on people's daily lives is just. wild. wild.
and terrifying.
my dad was born in the 40s. why is anyone born in the 80s or later still defending this mindset? it honestly, truly freaks me out.
guess it's good i have a fucking therapy appointment on monday.
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r0semultiverse · 1 month
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Mr. 6 made you do a good show to be released?? 👀 um....
This is already giving serious eye vibes.
A whole show dedicated to public humiliation?
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The Mr. Bonzo suit started moving??? 👀 Serious stranger vibes. 🤡
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"It actually became a sort of ritual"
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I've seen people being like "don't cross tag" but buddy... the writing cross tags itself here I mean c'mon! 😂 Something something ritual of the stranger- okay, I'll keep listening!
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Hey, what's with the music?? Hey, who is Terrance Menki???👀
"The police said there were eleven bodies in total and his wardrobe was full of all sorts of homemade costumes." BRO IS ACTUALLY MAGNUSPOD WILLIAM AFTON-
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"It certainly had a profound effect on the Mr. Bonzo brand." Oh I'm sure it did, holy fucking shit. 👀
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Oh, me using this image is rather ironic now.
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"In a lot of ways I’m more his prisoner now than I ever was on my show." WHAT DO YOU MEAN BY THAT? 👀
"The witness statements from three murders over the last five years that claim a person in a Mr. Bonzo costume was at the scene? Do you think there could be a copycat?" Has the fear of clowns manifested as an actual clown-guything?
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"Don’t contact us again." "Us?" "Why am I still trapped dealing with all this this- Why won’t he let me go?! Why-" So Mr. Bonzo is absolutely a clown cryptid of sorts with some sort of hold over Nigel.
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Oh no, Gwen's about to fuck around & find out, isn't she? 👀
Hey, is Colin still himself & is he supposed to be back?
Hmm, okay, I guess that's him (hopefully).
"Maybe don’t tell them I’ve been on their terminals. They’ll only get the wrong idea." "If Lena asks, I wasn’t here." Seems like everyone's got their own little secret investigations going on, fun! This can only go well! 🙃
One of the episodes absolutely no one shows up to work except Lena is there & is like "where the fuck did everyone go?"
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"Time to get some new hires again I guess."
Let's go!! Ruin exploration gang!!
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"Like, it’s Saturday night and I’m choosing to hang out in a hole with you. A wet hole. And not the good kind either."
Alice with the absolute best quotes. lmao
That sounds like something with giant wings like a bat or some sort of cloth flapping in the wind. Let's hope it's the latter!
Oh a rusty old filing cabinet! Wait tetanus- 😭
"That carved floor in the big atrium – I don’t know what’s going on with that." Ah so we're just gonna breeze past that then. 😶
These are probably the remnants of old avatar creation test areas like mentioned in the Gerry & Gertrude episode. I'm just assuming here.
A key? Big find! Let's go!
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AS I WAS SAYING-
Gwen, it was nice knowing you. 🫡
"Now get out of his house."
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Archivist! 👁👄👁
"symbols of ancient otherworldly power"
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Wait could this be a timeline where this universe's Jane Prentiss actually did manage to invade the building & succeed? I'm thinking out loud.
21:10 that sounds like critters, insects specifically 👀
"I have memories of weird stuff I saw here, but no context. I want to know what was happening, why they chose us… why they didn’t choose me. Maybe find the bit where everything started to go wrong." I am so captivated & intrigued please recount said memories to us- I mean Alice so we can learn more. Please. 👀
EXCUSE ME, WHO THE FUCK WAS THAT?!? WHO IS "[ERROR]?"
WHY DO THEY SOUND DISTORTED AS FUCK?? ARE THEY FROM THE PRIME TIMELINE OR IS THIS A NEW THING?
ARE WE GAZING OUR EYES UPON A WRETCHED THING FROM THE MAGNUS ARCHIVES?!
edit:
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Is Lucia Wright an avatar of The Flesh now (in this universe or from the original timeline somehow)? Because it sure fucking sounds like it! 👀 Well, at least that key was put to good use! 😂
Also, supposedly Mr. Bonzo is a reference to Mr. Blobby.
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Gwen, I'd be quaking in my boots too. That thing is terrifying!
Late observation but this universe & story seems to focus a lot on the cryptids & I like the direction it's going in! Loving this plot of cryptid hunters, childhood avatar experiments, a strange institute where our main character has past trauma, & just all of it is so good! 💜
Amazing episode, 10/10, I was at the edge of my seat the entire time! 💜 That Bonzo scene & the sound design were absolutely horrifying, thank you! The ending too! 🔥
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isaksbestpillow · 7 days
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Ossan's Love Returns spin-off part 2 eng sub
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This is the second part of the two-part spin-off originally streamed on Telasa and concludes my journey of fansubbing Ossan's Love Returns.
We did it!! I translated over 11k lines of fast-paced comedic dialogue and people talking over each other. I feel like I am a better subber now than I was before I started this project haha. Thank you to everyone who came along on this journey! I'll make a masterpost at some point before the episodes disappear to the depths of my blog, but this is the terminal stop.
I forgot that I also have a kofi. No pressure in this economy, though!
Full episodes, welcome on board: Episode 1 Episode 2 Episode 3 Episode 4 Episode 5 Episode 6 Episode 7 Episode 8 Episode 9
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Notes:
Tsumagoi is a town in Gunma prefecture known for cabbage.
Ikebukuro ('pond bag') is a commercial district in Tokyo.
Hotei Tomoyasu is a renowned guitarist. I think Takekawa-san was maybe trying to perform the theme from the yakuza film Shin jingi naki tatakai/New Battles Without Honor and Humanity. I don't recognise his lyrics from any Hotei song lol.
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Maro calls Kikunosuke too kenage. I translated this to persevering but honestly there isn't a word in English that quite captures the full meaning of kenage. Kenage means heroic or brave but it's used to praise a weak or powerless person showing courage in the face of adversity, such as a child.
Ribbon and Nakayoshi are shoujo manga magazines.
The lifetime together line is again a reference to his old one hit wonder.
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Tag list:
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I don't know why tumblr removed most of the tags I'm sorry. D: I hope this post will still find you.
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