The Many Faces of Actress Asumi Rio
Wolfgang (Eliza) Amadeus Mozart, Sarah Brown, Elizabeth Arden
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THE LEGEND!
- THE OG Elisabeth
- THE OG Christine
- THE ONE! THE ONLY!!!
Has turned 50!! 🥂🎉🥂
(Yes, I discovered this five min ago, her birthday was February the 28th)
- She is my all time favorite Marie Antoinette!
- All time favorite Carmen!
- Not my favorite Elisabeth… but her interpretation is real darn good!!
👸🏻👑・HAPPY DELAYED BIRTHDAY MY QUEEN!・👑👸🏻
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Touken Ranbu: The Contradictory Tale of Genji
Went in expecting fanservice and just a good time, left impressed.
Part 1/3 - Plot:
The videogame source material has a very barebones plot because it knows what it is: a gatcha game for fujoshi to collect sword husbandos. Basically, something evil is trying to change (Japanese) history and make the universe implode. You, the player, are an onmyoji or priestess who is summoning famous swords like mad to save the world. The touken danshi themselves basically have the personalities of their famous historical figure owners or forgers coupled with quirks related to random facts and legends surrounding them. Some come with a Hachiko streak from losing their masters or their service in some darker parts of history. (only your love can heal them!). Classic gatcha game fare. In other words, there is a lot of room to be creative with this framework. Just look at all the sexy derivative works spawned from the thirsty fujoshi. This aspect of the fandom is surprisingly relevant to the plot of the musical. Stick around and find out.
Anyways, the plot of this specific show features a Tale of Genji crossover. The usual evil is messing with history again and a squad of swords are dispatched to fix it. The problem of the day is the entire Heian court has been isekai-ed into the novel Tale of Genji. The author Murasaki Shikibu and her fans have all gotten merged with the characters of the book. The Heian era swords are unavailable for vague reasons, leaving a bunch of young swords not forged in this era to untangle fact from fiction.
Thus, we start with team Kanesada finding themselves escorting a lady-in-waiting who explains that everyone around her has been suddenly larping Tale of Genji and she’s the only sane person left in court. They realize they are trapped in the book and reenact all the early chapters as they figure out how to undo the curse. Some of the more hot-tempered swords try to brute force their way out only to realize that book characters have protagonist halos to protect them from getting KOed. At the center of this vortex, the titular character Hikaru Genji is effectively an NPC who has gained sentience a la RE: Creators. We learn he functions similarly to the sword boys as the embodiment of the book. Not being a weapon, he can’t do much by way of fighting but he is unkillable and can act as dungeon master in his own story by transferring protagonist status to his victims. In other words, Genji can possess targets to simulate his story as a substitute while he dicks off. He uses this power to go OOC and try to retcon his own story. This is all quite convenient for him since he has a complicated relationship with his author. He is half reverential of her and half resentful. This culminates in Genji ultimately killing his own author. In the merged universe, Murasaki Shikibu and her readership have merged with the female leads of The Tale of Genji with Murasaki taking the role of the unobtainable Fujitsubo no Nyogo, Genji’s true love. In breaking the story with literal death of the author, all hell breaks loose with Genji going rogue.
As the touken danshi dig deeper, they learn the source of this chaos was a result of toxic fan culture! While many people enjoy Murasaki’s book and come away from it positively, a stalker fan voices his concerns that this is all vapid fiction with no value nor contribution to reality (the “wake up, loser” argument). They debate about the point of writing “fake” stories. While Murasaki understands the man’s point of view, she disagrees and refuses to put down her brush as this work is her passion. The man becomes so upset he is taken over by the evil powers to cause the time rift and alter history. His reasoning is if everyone is so obsessed with the book, they may as well live in it rather than face the real world.
Back in the present, the touken danshi are having a bad time resolving the timeline. They complain about needing grandpa Mikazuki’s help and keep getting possessed by Genji to reenact chapters while he escapes to cause trouble elsewhere. However, during the final boss battle with evil Genji, the isekai-ed fangirls come to the rescue! As they reminisce about their love of the novel (well, it would be equivalent of a serialized magazine at time of publication) and how it was therapeutic or inspiring for their real lives, they begin to return to themselves. Now it’s important to note that Murasaki’s contemporaries did write derivative works or helped her transcribe chapters to share. Therefore, these fangirls are effectively ancient Japanese fanfiction authors and thus have power to end Genji as much as the original author does. But they love him as a character too much so are unable to strike the finishing blow and basically toss the responsibility to young Murasaki, Genji’s second wife who he had kidnapped as a child to groom into the perfect woman. Unable to bear the suffering and moved by the women in his life both as characters and as his fans, Genji lowers his protagonist’s halo and accepts death. The touken danshi are able to finally fix history and complete their mission. When they return to modern day, they hear news that archeologists have found physical evidence that Genji existed as a historical figure and thus a conspiracy theory is born! The touken danshi take this information with mixed emotions.
What an amazing story. The theme was deep without being too obtuse. The climax got meta and opened a lot of discussion about the value of fiction, derivative works, the dangers of escapism, censorship, and even spirituality. Definitely worth a second viewing to digest all this.
There was a mini-revue number in the end where the cast performed an umbrella dance to anachronistic Touken Ranbu music. Then the cast descended a staircase in parade order for final bows. It was a much-needed break from the heavy and complicated plot. It was also a small nod to the main cast’s Takarazuka roots or hina doll staging, which is a common set design when using Heian costume. The umbrella dance reminded me of the finale Sakura dance OSK does at the end of their performances. Perhaps this is a proud Osaka tradition. I haven’t seen a different Touken Ranbu show (yet) so I don’t know if this is a part of the brand.
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Wish I could be friends with Kai, all her interactions with other siennes are always so wholesome and she just seems like such a cool bestie
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