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#takeshi motai
nobrashfestivity · 1 month
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Takeshi Motai, 1954
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holespoles · 2 months
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Takeshi Motai "Rabbey in the woods"
「森の羅兵衛さん」冨山茂    
装幀・挿絵 茂田井武 1949 年 有朋堂
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nijinokanatani · 1 year
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茂田井武 MOTAI Takeshi (1908-1956)
「アクロバット(Acrobatics)」 c.1932-1933
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dogandcatcomics · 4 days
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Attribution: 茂田井武 Takeshi Motai (Japan, 1908-1956), illustration c. 1950. Thanks to @anthropomorphic.japan for the tip.
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elegieenbleu · 3 years
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TAKESHI MOTAI /
Illustrations from Memories of Masterpiece picture book 茂田井武 思い出の名作絵本 Kawade Shobo Shinsha Of lamps 2001
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jacobwalkerjacob · 3 years
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Painter of Petulant Girls: Yoshitomo Nara
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                          Painter of Petulant Girls: Yoshitomo Nara
Yoshitomo Nara never considered being a painter until he was 18 years of age. Indeed, even while considering workmanship in Germany, he was uncertain about picking painting as a vocation. It was not until 1993 that Nara began seeking after painting genuinely. Before long, he got his first task to create special banners for the Swedish film Lotta Leaves Home. During this time, the craftsman fostered his unmistakable style: childish compositions of creatures and kids. Obliged to American twee and Japanese kawaii, these works portray a scope of enthusiastic intricacies, from disobedience and protection from thought and quietness.
 Nara has displayed universally, at long last carrying his work to the United States in 1995. In 2019, Yoshitomo Nara turned into the most costly Japanese craftsman when his canvas Knife behind Back sold for a record-crushing USD 25,000,000 at Sotheby's Contemporary Art Evening Sale in Hong Kong. From that point forward, his works consistently show up at barters from Sotheby's and other significant closeout houses. Yoshitomo Nara Paintings are very famous and are available for sale online.
 Nara is a music lover
Nara was brought into the world in Hirosaki, Japan to working guardians and experienced childhood in the rustic local area of Aomori. The craftsman is the most youthful of his siblings. With an age hole of more than ten years between his kin, Nara went to Japanese TV shows and comic books for comfort. "I was so forlorn and just encompassed by apple trees… I could converse with no one aside from nature," said Yoshitomo Nara in a meeting for ArtReview. "So I conversed with the trees, the canine, and the pigs."
 At eight years old, Nara started paying attention to the radio station from a close by US Air Base, at last fostering an interest in American and European pop, troublemaker, and society music. In spite of the fact that he didn't comprehend the verses of these melodies, he discovered them moving and freeing. Nara before long gathered the American and European records that molded his imaginative style.
 In the wake of finishing his schooling in Tokyo, Nara went to Germany. From 1988 to 1993, he learned at Kunstakademie Düsseldorf. In 1994, he got comfortable Cologne, where he remained for an extensive stretch. Nara embraced a progression of cooperative activities in the last part of the 1990s, including cover workmanship for The Star Club and Shonen Knife and a book cover for writer Banana Yoshimoto.
 In 2013, Nara chose to adjust the bearing of his vocation. "I felt awkward with being given a specific name, regardless of whether it was good or negative," the craftsman told Ocula in 2016. "I understood that I'd since quite a while ago ignored the 'discussion with myself,' which had been the establishment of my imaginative movement. So I quit coordinated effort works and began working with earthenware production to restart the discussion."
 Around a similar time, Nara went to photography, reporting his excursion. The 2017 presentation Takeshi Motai: The Dream Traveler at the Chihiro Art Museum displayed a portion of these photography works. He additionally delivered an assortment of ephemera from his life and travel, named Yoshitomo Nara Photo Book 2003-2012.  As he loved music he also liked to create stickers. Yoshitomo Nara stickers are the most favorite of all the fans of him. Album cover for Shonen Knife’s Happy Hour (1998), designed by Yoshitomo Nara is very famous. This Yoshitomo happy hour  is liked by almost every fan of Yoshitomo.
 Nara keeps on making artworks, figures, and drawings at his studio in Tochigi Prefecture. Today, his pictures of evil honest characters are among his generally sought-after craftsmanships. These creations highlight essential tones and straightforward, strong lines against void foundations. The impending Phillips x Poly Auction occasion will give one of these notorious works a gauge upon demand. Nara's Missing in real life (2000) portrays a young lady wearing a larger than usual green dress and investigating her shoulder in a severe way. There are many such artists to be explored. One can see the Auction Calendar of AuctionDaily to see their upcoming art sale.
 Media Source: AuctionDaily
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nobrashfestivity · 29 days
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Takeshi Motai
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holespoles · 1 year
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From Hirosuke Hamada's 'Hirosuke Fairy Tales Selection 1', painted by Takeshi Motai.
浜田廣介「ひろすけ童話選集1」より茂田井武画
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holespoles · 15 days
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Takeshi Motai "Yacht Day"
茂田井武「ヨットの日」
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holespoles · 2 years
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Kodomo Pen Published in Takeshi Motai, "Captain Wildcat", January 1, 1947
こどもペン 掲載 茂田井武『山猫船長』1947年1月1日号
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holespoles · 1 year
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Fairy tale picture book Takeshi Motai/Nagai Saburo, "Tin Toy Kin-Chan."
童話絵本シリイズ 茂田井武/奈街三郎 "ブリキノキンチャン"
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holespoles · 1 year
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"SWEET" No. 3 PR magazine of Meiji Seika in 1951.
Illustrated by Takeshi Motai (茂田井武)
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holespoles · 1 year
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"Kappa and Other Stories"
English Picture Storybooks English language learning material with three stories, including 'Kappa', illustrated and bound by Takeshi Motai. Fairy tales.
茂田井武さんが、挿絵と装幀を手がけた、「河童」ほか3編の物語掲載の、英語学習教材用?童話。
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holespoles · 1 year
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Takeshi Motai (1908.9.29 - 1956.11.2) “Ce PETIT CHIEN REGARDE le TROTTOIR TOUT LE JOUR”
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