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#tamron 24-70
nfasth · 2 years
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tamronindia · 2 years
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The Tamron Lens A043 Model is designed for easy handling and transportation, measuring only 124.3mm (4.9 in) long and perfectly balanced. Three optimally placed LD (Low Dispersion) glass elements and three hybrid aspherical lenses eliminate various optical aberrations. The OSD (Optimized Silent Drive) DC motor provides exceptionally quiet autofocus with improved precision and speed.
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livefromphilly · 11 months
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Sony RX100 VII Thoughts After Two Months
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PROS:
Stacked sensors are the future. Well, technically the present considering that Canon, Nikon, Sony, Fuji, and OM Systems all use stacked sensors in their top of the line cameras. Either way, finally getting to experience shooting with one on a daily basis has made me want one in pretty much any camera going forward. The benefits are twofold: Not only do you get shutter speeds up to 20 frames per second, and without a mechanical shutter flipping in the way obscuring your view in between shots, but you also get no rolling shutter while doing it. Pretty much every Sony camera can shoot 10 fps bursts with the silent shutter, but any movement can give you a jello-like effect since the sensor reads out so slow on non-stacked cameras. The only con, at least on this camera, is that you can’t shoot flash at higher than 1/100 with the electronic shutter. That’s still plenty fast for a lot of stuff, but well below the 1/2000 you get when shooting the mechanical shutter. 
The fast frame rate wouldn’t make much of a difference if the camera was bad at autofocusing, but this camera is great at it. It has a lot of the same fancy focusing stuff that my full frame Sony has like human/animal eye autofocus and all the tracking modes I’m used to. It actually makes the camera pretty solid for wildlife if you can get close enough at the 200mm end. 
Speaking of that, the 24-200mm equivalent is a great range, and one that I missed a lot since I traded away my Tamron 28-200 to help cover the cost of my A7RIV. The small size and extra 4mm on the wide end actually makes it even more convenient than that Tamron. 
Aside from covering a broader range than the 24-70 equivalent lens from the older RX100 cameras, this lens also seems noticeably sharper. The last RX100 model I had, the Mk. IV, just didn’t seem as crispy as this lens is. 
It has a touchscreen! It’s wild to think that the previous RX100 cameras I owned didn’t have this basic ass feature, but Sony was very late in putting touch screens in their cameras. Ironically, I don’t really use it in this one because the AF is good enough that I can just do focus and recompose with tracking. 
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CONS:
It’s still only a 1” style sensor so high ISO isn’t the cameras strong suit. Programs like DXO PureRAW help a lot and let you get somewhat usable images at ISO 6400 in a pinch, but you’re kinda pushing things at that point. 
While the lens is sharper and covers a wider range than the older models, it’s also significantly slower. At 24mm equivalent it’s already at f/2.8 where the old cameras were f/1.8. It’s f/3.2 at 25mm, f/3.5 at 33mm, and f/4 at 40mm. From 109mm to 200mm you’re at f/4.5. The relative slowness of the lens combined with the small sensor means that this can struggle getting quality images in low light without a tripod or something. 
No USB-C. My Fuji, Ricoh, and larger Sony all have USB-C charging, which is amazingly convenient when traveling. I haven’t really gone anywhere with this camera yet, but having to account for a micro USB cable is annoying since pretty much everything aside from my iPhone uses USB-C. 
It’s expensive. Just like my Mk III and Mk IV I got it used so it was cheaper than retail, but the copy I got cost about twice what I paid for the previous models. 
Start up time is just a tad bit slower than I’d like. The GRIII and X100V both beat it that regards, albeit those aren’t zoom lens so I have to cut the Sony some slack. 
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SAMPLE PHOTOS: 
(The sample photos were edited in Lightroom Classic and DXO PureRAW2. Also, the sensor creates a roughly 2.7x crop factor, so the 9-72mm lens equates to 24-200ish)
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Young Bird | ISO 160. 72mm. f/4.5. 1/200. 
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Graffiti Shot from a Car | ISO 100. 33.98mm. f/4. 1/400.
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Stickers | ISO 100. 29.67mm. f/4.5. 1/100.
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City Hall | ISO 100. 38.13mm. f/4.5. 1/200. 
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Flip Up Screen Selfie with My Friend Hanae | ISO 3200. 9mm. f/2.8. 1/40. 
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Zoomed in Graffiti | ISO 640. 72mm. f/4.5. 1/500. 
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Fishing Store Neon | ISO 800. 28.67mm. f/8. 1/200. 
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Flowers | ISO 200. 72mm. f/5. 1/640.
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Selfie Shots with My Sister | ISO 3200. 9mm. f/2.8. 1/100. 
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kantoku2002 · 1 year
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「kurenai」2022.11.6
Canon EOS 5 TAMRON SP 70-300/4-5.6 Di VC USD 
FUJICHROME Velvia50
12/24で今年最後の写真展「みんなの植物エネルギー2022」終了致しました。
ご来場頂いた皆様には感謝申し上げます。
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aradxan · 1 year
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Claudine . . . ! by Geraldos  Outdoor portrait of Claudine ... f5.6 − 1/100 - ISO64 - No Flash - Nikon D850 - Tamron 24-70 f2.8 https://flic.kr/p/2mJvv7n
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nefja · 2 years
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Recent photos imply you have two cameras 👀 did you get a new one? What are you shooting with lately? Do you have a favorite lens?
"Nefja's camera" is my old Canon EOS M50 which I rarely use anymore but it's still too good to sell.
I got my "new" camera in December 2020 I think? The Canon EOS R.
My favourite lens is my Tamron 70-200mm f/2.8 G2. Would replace it for a Canon RF 70-200 in a heartbeat tho if I had the money.
2nd fav is my Tamron 24-70mm f/2.8 G2 because it's so amazingly sharp. Still not a big fan of wide angle shots yet (mainly bc I don't know how to do them right and I don't have many pretty backgrounds) buuut we're getting there.
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capicturestudioes · 1 year
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What is the best lens for wedding photography?
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Wedding pictures are particular in that it encompasses numerous genres of pictures: fashion, portrait, architectural, product, macro, family, and every so often even journey pictures. Few genres call for extra from photographers and their gear. 
Here is a subjective listing of 6 must-have lenses for any given wedding ceremony that the best wedding photographers in Madurai recommend.
1. 70-200mm
This is my preferred lens. It creates lovely bokeh (blur) at f/2.eight, and the compression you get while you’re zoomed in from 150-200mm offers your photo a glance that’s tough to gain with some other lens. It additionally lets you get in near the motion without disrupting the moment.
DSLR Options
Canon 70-200mm f/2.8L IS III USM Lens
Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR Lens
Sigma 70-200mm f/2.eight EX DG APO OS HSM Lens for Canon EF
Tamron SP 70-200mm f/2.eight Di VC USD G2 Lens for Canon EF
Mirrorless Options
Sony FE 70-200mm f/2.eight GM OSS Lens
Canon RF 70-200mm f/2.eight L IS USM Lens
Nikon NIKKOR Z 70-200mm f/2.eight VR S Lens
2. 50mm
This is some other one in all my preferred lenses. The 50mm focal duration is terrific for portraits, and it may store the day while the mild begins off evolved to drop; the broader aperture lets you rely much less on for your flash and it creates a softer, extra herbal search for your subjects.
DSLR Options
Canon EF 50mm f/1.2L USM Lens
Nikon AF-S NIKKOR 50mm f/1.8G Lens
Sigma 50mm f/1.four DG HSM Art Lens for Canon EF
Mirrorless Options
Sony Planar T* FE 50mm f/1.four ZA Lens
Canon RF 50mm f/1.2L USM Lens
Nikon NIKKOR Z 50mm f/1.2 S Lens
Sigma 50mm f/1.four DG HSM Art Lens for Sony E
Rokinon AF 50mm f/1.four FE Lens for Sony E
3. 24-70mm
The versatility of the 24-70mm zoom lens is crucial for smaller spaces. For example, a tea rite at a Vietnamese wedding ceremony is typically held in a dwelling room. The 70-200mm might be too compressed for this situation, and the 50mm might now no longer offer sufficient versatility, as you usually don’t have lots of room for movement.
DSLR Options
Canon EF 24-70mm f/2.8L II USM Lens
Nikon AF-S Nikkor 24-70mm f/2.8E ED VR Lens
Sigma 24-70mm f/2.eight DG OS HSM Art Lens for Canon EF
Tamron SP 24.-70mm f/2.eight Di VC USD G2 Lens for Canon EF
Mirrorless Options
Sony FE 24-70mm f/2.eight GM Lens
Canon RF 24-70mm f/2.8L IS USM Lens
Nikon NIKKOR Z 24-70mm f/2.eight S Lens
Sigma 24-70mm f/2.eight DG DN Art Lens for Sony E
Tamron 28-75mm f/2.eight Di III RXD Lens for Sony E
4. 100mm Macro
If your bride and groom are spending hundreds of bucks at the info of a wedding ceremony, they may be positive to comprehend you taking pictures of the occasion in element. With the 100mm Macro, you may seize distinctive pictures with the equal best element as product classified ads in magazines. Add your contact of lighting fixtures and creativity, and also you get ring pictures just like the one below. Contact Capicture for best wedding photography in Madurai 
DSLR Options
Canon EF 100mm f/2.8L Macro IS USM Lens
Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED Lens
Sigma 105mm f/2.eight EX DG OS HSM Macro Lens for Canon EOS
Tamron SP 90mm f/2.eight Di Macro 1:1 VC USD Lens for Canon EF
Mirrorless Options
Sony FE 90mm f/2.eight Macro G OSS Lens
Tokina FiRIN 100mm f/2.eight FE Macro Lens for Sony E
5. 16-35mm
Sometimes the 24-70mm lens simply isn’t extensive sufficient to seize the whole lot you want. The extremely extensive perspective facilitates you to seize the environment. Venue and panorama pictures additionally offer a terrific addition for your wedding ceremony day coverage, as they set the scene for the day and let you take complete benefit of the scenery, in particular at lovely venues.
DSLR Options
Canon EF 16-35mm f/2.8L III USM Lens
Nikon AF-S Nikkor 16-35mm f/4G ED VR Lens
Sigma 18-35mm f/1.eight DC HSM Art Lens for Canon EF
Mirrorless Options
Sony FE 16-35mm f/2.eight GM Lens
Canon RF 15-35mm f/2.8L IS USM Lens
Nikon NIKKOR Z 14-24mm f/2.eight S Lens
6. 85mm
When this newsletter turned into first posted in 2009, the 85mm f/1.2 turned into in our honourable point-out category, however, we’ve fallen in love with this focal duration. The 85mm lens is a real portrait lens that doesn’t distort the photo the manner that a few wider-perspective lenses do (together with the 24mm or 35mm), in particular alongside the rims of the frame. This lens additionally gives terrific compression and historical past bokeh at wider apertures.
DSLR Options
Canon EF 85mm f/1.4L IS USM Lens
Nikon AF-S Nikkor 85mm f/1.8G Lens
Sigma 85mm f/1.four DG HSM Art Lens for Canon EF
Tamron SP 85mm f/1.eight Di VC USD Lens for Canon EF
Mirrorless Options
Sony FE 85mm f/1.eight Lens
Canon RF 85mm f/1.2L USM DS Lens
Nikon NIKKOR Z 85mm f/1.eight S Lens
The authentic article additionally covered the 15mm f/2.eight Fisheye lens which we now no longer use. Funny how speedy developments can change!
What do you think? What are your must-have lenses? If you haven’t executed so already, test out our Lens Wars series, the closing visible manual to actual international variations among an entire host of Canon expert zoom lenses and primes. In total, we examined 25 Canon lenses worth over $40,000 greenbacks beginning from 17mm to 300mm focal duration. For more information visit Capicture and contact us for wedding photography in Madurai
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cendrineartist · 15 days
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From the archives: Lonely leaf
From the archives: Lonely leaf https://creativeramblings.com/my-photography/archives-79/
Sharing my favorite images from my archives. Lonely leaf (2015) – Photo credit: Cendrine Marrouat Camera: Nikon D600 Lens: Tamron 24-70mm f/2.8 Focal length: 70 mm Aperture: f/3.5 Exposure: 1/640 ISO: 160
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lokuhapuarachchi · 4 months
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Transitioning Gear: From Canon to Sony - A Journey of Adaptation and Savings
Preparing for an upcoming event in Leicester City, I decided to introduce a new addition to my camera gear. Before diving into the shoot, I wanted to familiarize myself with this latest equipment to ensure it seamlessly integrated into my setup.
My journey with photography spans across several iconic camera brands, starting from Minolta, Yashica, Practica, Olympus, and Pentax cameras from 1984 to 1991, transitioning to Nikon cameras from 1991 to 1998. However, the landscape shifted in 1998 when Canon stepped into the scene, bidding adieu to the familiar camera room. Canon swiftly became my preferred brand, solidifying that connection in 1999 with the Canon 400mm f2.8 L IS lens.
This lens became a staple, accompanying me to photograph international cricket matches for the Sri Lankan cricket team during my tenure at Reuters News Service. Its recommendation stemmed from multiple factors—excellent image quality, minimal optical distortion, a rapid aperture, image stabilization, and an agile autofocus system. While this lens thrived in sports reporting, my repertoire expanded to include everyday news, even extending to covering conflicts, utilizing three lenses: the Canon 16-35mm f2.8, 35-70mm f2.8, and 70-200mm f2.8. With a surplus of cameras matched to these lenses, I seamlessly interchanged cameras during shoots, minimizing lens changes.
However, as time progressed, my photographic needs underwent a metamorphosis. Weight reduction in equipment and a streamlined lens collection became paramount. Deliberating on this, Sony cameras emerged as a plausible option due to their lightweight build. Additionally, capturing bustling scenes without frequent lens changes became an appealing prospect.
Yet, I wasn’t prepared to compromise on lens quality or sacrifice the minimum aperture of f2.8. While lenses like Tamron 18-400mm f3.5-6.3, Canon EF 28-300mm f/3.5-5.6 L IS, and Sigma 28-300mm f/5.6-6.3 offered a range, the varying aperture and potential compromise in image quality didn’t align with my standards.
Contemplating a transition to Sony while retaining my Canon equipment, I stumbled upon the 35-150mm 2-2.8 lens—an intriguing find. Among the options like Samyang AF 35-150 f/2-2.8 FE and Tamron 35-150 mm f/2-2.8 Di III VXD, I found subtle performance differences despite a significant price gap and that feverable to Samyang. Opting for the Samyang, priced attractively on Amazon at £854.00 while Tamoron price £1486.00, seemed like the right choice after thorough research.
Thus, with the Samyang 35-150 f2-2.8, a Sony A7 Mark II, and a Godox Xpro at an Amazon special price, I made the purchase using allocated funds for new camera equipment.
Adapting from my Canon gear to Sony, I sought solutions for flash equipment. I found that using the Godox XPro to employ flash strobe lights for Sony, alongside the Godox SX 400 Studio Flash for Canon and Godox V1Hot Shoe, proved more cost-effective than purchasing new flash equipment. The entire conversion from Canon to Sony, inclusive of accessories, totaled £1585.00. This transition meant relinquishing the focal range of 35-16mm and 150-200mm, which I deemed acceptable given the substantial savings.
Considering the Amazon prices, the total expense for the Canon lenses (16-35mm f/2.8 = £1599.00, 24-70mm f/2.8 = £1947.00, and 70-200mm f/2.8 = £1624.00) would have amounted to £5170.00. Thus, by completing a full Canon to Sony conversion, I managed to meet my requirements while saving £3585.00.
With my setup primed, I am now geared up to capture the event in Leicester City next weekend, all with the convenience of a single lens.
by - Anuruddha Lokuhapuarachchi
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cbirdsongphoto · 9 months
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L♪VE ~ US Festival
The US Festival Tribute band benefit at The Boardwalk in Orangevale. 6 bands donated their time and gave great performances to help raise money for UCD Children’s Hospital in Sacramento. 96.9 The Eagle was here as well as many Sacto Celebs.  Sony A9 24-70 2.8 Tamron Edited Capture 1 for Sony Basic Edits. Be sure to follow my live music and event IG at…
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digigraphs · 1 year
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March 1st, 2023; Dusk in Lake Wilcox Started to work on my time lapse(s), but soon I found it will take time. So probably this weekend! Have a look at some moments I captured last night at calm and peaceful Lake Wilcox. Shot on #Canon R5 + #Tamron SP 70-200 f/2.8 G2 (the first three in the grid) EF 24-105 f/4 (the wide one with landscape format. Yes! I took this lens out and used it after a year of it collecting dust) + #Cameron Pro CPL On #Manfrotto Element Tags: #canoncanada #tamronglobal #withmytamron #shotoncanon #canoneosr #sharecangeo #yourshotphotographer #shareyourweather #cbcyourgta #blogto #dailyhiveto #tdot_shots #thetorontolove #lakewilcox #myrichmondhill #sunset #sunsetclouds #sunsetlovers #sunsetphotography #clouds #cloudscape #cloudchaser #astrophotography #moon #moonmagick #moonphotography (at Lake Wilcox Park) https://www.instagram.com/p/CpSrz8hOwxs/?igshid=NGJjMDIxMWI=
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nfasth · 2 years
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tamronindia · 2 years
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The Tamron SP 24-70mm F/2.8 Di VC USD G2 is a second-generation standard telephoto zoom lens for full-frame DSLR cameras from Canon and Nikon. This lens has an f/2.8 constant aperture throughout the zoom range, improved Vibration Compensation (VC) technology, a minimum focus distance of 0.38m, an ultrasonic focus motor for quiet and fast AF operation, and a moisture-sealed construction.
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dskimages · 1 year
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What technological marvel do you think this is? This technology has advanced quite a bit over the decades and if you know the current versions, you may still not know these. This is a section of panels that were duplicates of the ones that flew on NASA's Skylab back in the 70's. That was when photovoltaic cells were a rarity and quite expensive. Plus imagine trying to make something that will take the shake, rattle, and pounding of a rocket launch. So much so that one set of the panels did not extend when it finally got into space. Even then, the sunny side of the panels are around 250 degrees F while the back side can be -250 degrees F! These are some heavy duty solar panels and the best they could do in the day. I took this pic of the panels on display at the US Space and Rocket Center in Huntsville, Alabama. I thoroughly enjoyed my visit there and recommend it to anyone interested in rockets and space. Especially the Saturn V building which also houses these panels. Some of the static displays outside need some maintenance, but I imagine they don't get as much attention from visitors unless you're old enough like me to remember when those were the new thing. Still, I would go back any chance I get. . Jun 21 . I show all my pics here, or you can follow JUST my travel pics at @DSKwanders. . Nikon D610, f4.5, 1/3200s, ISO-2500, 24mm, Tamron SP 24-70mm f2.8 Di VS USD G2 with Polorizer filter Adobe Lightroom enhancements . #DSKImagesNW #mydailypic #mydailyphoto #myphotooftheday #mypicoftheday #InstaDaily #InstaPic #myshots #myphotography #PicoftheDay #PhotooftheDay #PhotographyDaily #BestoftheDay #thingsISee #thethingsiveseen #unique #perspective #Engineering #industrial #throughmylens #PhotoAddict #JustGoShoot #InstaFocus #whatISee #Skylab #SolarPower #SolarPowered https://www.instagram.com/p/CnUw0yHrKRz/?igshid=NGJjMDIxMWI=
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Snow covered trees and moody skies. Taken using Canon R6 and Tamron 24-70 at 45mm, f/11, ISO 800, 1/80s. #winter #Frozen #Outdoors #Nature #Tranquility #Branch #Tree #Sky #TranquilScene #picoftheday #imageoftheday #photooftheday #photography #photographer #canonr6 #tamronuk #3lt #snow #moodyskies #winterwonderland #ice #woodland (at Mam Tor) https://www.instagram.com/p/CmHjwIlDqgn/?igshid=NGJjMDIxMWI=
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aradxan · 1 year
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Cape Bear Lighthouse by PPP thnx for 29 million views The Cape Bear Lighthouse is a little on the worn side today but this plain unassuming lighthouse has seen a lot of action over the years also being a sister site to a Marconi radio station from 1902-22. Sometimes my shots of lighthouses are landscapes sometimes they are portraits each composition depending on what is on offer at the site we visit. This location was the first in Canada to receive a distress call from the Titanic the night of April 14th 1912 and the lighthouse did its duty during WWII as an adept spotter of U-boats that frequented the coastline giving it a pretty storied career. I took this on Sept 16, 2022 with my D850 and Tamron 24-70 f2.8 G2 Lens at 62mm, 1/200s, f8 ISO 64 processed in LR, PS +Lumenzia ,Topaz, and DXO Nik Disclaimer: My style is a study of romantic realism as well as a work in progress https://flic.kr/p/2o5PAW4
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