Tumgik
#tashirojima
neko-suna · 5 months
Text
Tumblr media
7th Nov., 2022
164 notes · View notes
catsofstreetview · 1 month
Text
Tumblr media
Japan - Tashirojima
5 notes · View notes
inganikki · 2 years
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
I went to Tashiro-jima 田代島, one of the "cat islands" of Japan
5 notes · View notes
plumedesnuages · 11 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
1) Raven from Himeji Castle
2) Pigeon from Kenchō-ji
3) Cats from Fushimi Inari shrine
4) Egret from Miyajima
5) Turtles from the Golden Palace
6) Heron from the Okayama Korakuen
7) Cat from Hakone, near Mount Fuji
8) Couple of very blurry ravens from Hiroshima
9) Jellyfish from (brace yourself) Cat island
0 notes
pantherazuredevil · 1 year
Text
Japan Trip 2023 - Day 2 (Tashirojima) Part 1
Tumblr media
Day 2's highlight was also one of the main highlights of my trip - a long journey to an island off the coast of Sendai, one of the designated Cat Islands of Japan, Tashirojima (田代島).
In what would be an early start to a long day, I woke up to prepare at 6, then went for breakfast at 6:30 AM. Due to how rushed I was, I couldn't even enjoy it. There was a handout at check-in that made me believe wrongly it might be ramen, despite having booked what I knew to be a breakfast buffet. It turns out the ramen was for some night-time snack for free instead, if one chose to order it. The buffet itself was just decent, nothing special, I didn't eat as much as I could because of the fear that I might not make it in time for the first ferry to Tashirojima. It was filling enough. I departed at 7 AM or so, and almost missed my train as I was unfamiliar with train stations and the area. It turned out that I got on the same manga train as the video in which I first saw for Tashirojima and the one which would eventually make me decide to choose Tashirojima as my Cat Island of choice.
Tumblr media
It took an hour by local train to reach the area where the ferry terminal was, so it was quite some distance away from Sendai Station. There were lots of shaking but nothing different from SG's MRTs, but the train was forced to emergency brake at one point, adding some 10 minutes of delay or so. I was fretting over whether I could make it for the first ferry.
There was also a Japanese couple who ended up talking throughout the journey till they alighted, as well as a group of school boys who made quite the racket when they got on. People saying that Japanese trains are quiet clearly mean the majority of people are quiet, because in the end, there will always be people who do things out of the average.
When I got off the train, I was immediately smacked hard in the face by the wall of cold. The temperature showed 8 degrees Celsius, a temperature I was entirely unaccustomed to. Adding to that my natural weakness against the cold, a jacket alone definitely didn't cut it. I walked speedily to the ferry terminal, a 10-minute brisk walk away. The tickets were easily bought as the machine also had English instructions, though a staff member also stood by in case and helped me with some stuff, passing me a sheet with last boat timings and a map. I noted the early hour of the last boat's departure from Tashirojima. It was then a short wait before boarding the See Cat, which is in the picture above. You can also see a short video of me walking to the See Cat here.
Tumblr media
I went up straight to the top deck in this freezing weather, what a genius idea that was. I knew the risks and I still took them. It was very loud though, due to the air-conditioning compressors and what-not machinery. The winds were constant up there, and it was just cold as hell. Nice views though, but the bitter cold.
The boat picked up people first from the ferry terminal I got on at, then went to another nearby ferry terminal to pick up more passengers, and a bunch of what I assumed to be male workers came to the top deck as well, shattering the noisy peace I had. They were there mainly to be able to smoke and chit-chat, though from time to time one or two tourists would also come on deck to take pictures of the surrounding sea view.
Tumblr media
It was a generally gentle ride to the island, and I took what photos and videos I could in the cold weather. Here's an extremely ill-advised video I took under almost freezing conditions. I suspected that the wind chill temperature was close to 0 Celsius. Freezing my ass off was an understatement.
The ferry first stopped at Odomari, a less used port on Tashirojima. This port is more popular with anglers, and this could be seen from the number of people holding fishing gear and the like that got off. We then moved on to Nitoda, the port with more cats and the one generally meant for tourists to the island. By the time I got off the boat, my fingers were mostly numb thanks to the unrelenting cold.
Tumblr media
The island itself isn't super big, but it also depends on what one would want to see. For cats, there's actually only a region of the island where they're more likely to be found, and the signs pointed to "More Cats" on the left and "Less Cats" on the right (towards Odomari). Naturally, I took the left path. Here's a video of the view of the sea from the island at one point, showing how quiet the island actually is.
I saw quite a number of cats almost immediately, and others were also going up to them and all. Much to my dismay, my fingers were so cold that most cats would simply move off at so much as a touch, but there were a few that eventually allowed me to stroke and pet them. These communally owned cats are definitely not like the abandoned strays back home I'm used to, and most didn't really enjoy the petting. Feeding is not allowed by tourists as the islanders do feed the cats and any extra might hurt the cats' health.
Tumblr media
I walked a whole ton on the island throughout the morning till the time I had to leave. There were also long pathways with no cats, so one should keep that in mind if one wants to visit the island. I looked for a toilet not too long after I arrived, only to find that I had to walk all the way back to Nitoda Port for one, so going before you get on the ferry, or right after you land at Nitoda would be a good idea. Toilets are few and far between on the island.
Tumblr media Tumblr media
If I remember rightly, this kitty in the shot right above allowed me to pet it for a bit. All the cats on the island have names and the islanders can clearly tell them apart, especially ones nearer the cafe which I'll talk about shortly.
Tumblr media Tumblr media
Cats at a fork in the road with one path going uphill. In the early part of the residential area right after leaving Nitoda Port, you can often find a few or several like these spread out across the landscape, minding their own business.
Tumblr media Tumblr media
These were some lovely kitties I saw, though there were definitely quite a number who also needed medication regularly, due to fights that occur between the cats. They're communally owned and allowed to run free on the island, so they would, in a sense, be no different than strays that have to defend their own territory fiercely to avoid being bullied by other cats.
Tumblr media Tumblr media
More kitties that I saw while exploring. Truth be told, I was aiming to reach the island's cafe, Shima no Eki, by lunchtime as I had seen from the video I linked early in the post that lunchtime also meant feeding time for the cats at the cafe, which would be quite the sight in person.
Tumblr media Tumblr media
This lovely cutesy allowed me to pet it for quite a bit and enjoyed the petting. Ah, to feel the warmth of a cat...if I could feel anything through my numb fingers that is. I was grateful it allowed me to pet it at all, that was how cold my hands were.
Tumblr media Tumblr media
I reached Shima no Eki at about just after 11 AM. There were already people there gushing over the cats, and I took a while to also enjoy the sight of cats milling about the outside seats, or generally enjoying and relaxing themselves outside the cafe waiting for lunch. I then went in and ordered a kitsune udon for ¥770, which turned out to be hot and good, just nice to warm me up for a bit. I sat inside for a while since I didn't want to leave the cafe's warmer atmosphere, and I was also a little tired from walking and had to take a rest.
It was after 11:30 AM when I went outside after asking the owner about their meal-time, to which he looked at the clock and replied "Soon". While outside waiting, I took a short video of the cats on the tables.
Tumblr media
One of the cats kept trying to get into the cafe, and it actually succeeded once while I was eating. The cat in question was named Subaru, and I knew this because when it got inside, it was discovered by the cafe shopkeeper/owner who then picked it up saying "だめだよすばる", to which it meowed and he replied "いいわけじゃない". Amusing, to say the least. Here's a short video of Subaru making one of his many attempts.
There were quite the number of people coming for both lunch as well as the cats' mealtime. Anticipation was definitely high in the air. The owner was finally ready and brought out a large pot of food that he had cooked for the cats, after laying out the split bamboo poles you see in the picture above that are used to hold the cats' food. Here's a short video I took of the number of cats eagerly awaiting their lunch as the owner prepared their bowls and stuff.
Needless to say, feeding time was a frenzied affair. The cats all rushed the poor owner for their food, and there were some small fights here and there. Injured cats were more readily seen here, and the owner also came out to put medication on some of them before and after feeding.
Tumblr media
At one point there were cries of "かわいい" all around and the owner went "You're all going this is kawaii but to me it's actually scary" and everyone laughed. It was true though, the way the gang of cats just simply rushed to his spoon as he tried to scoop out the food onto the poles was a little harrowing. I wouldn't want to be in his position, and he has to do this daily. It was a lovely atmosphere overall though, and some of the cats were also eating on top of the tables and being petted by others.
Tumblr media Tumblr media
Well fed cats sitting around enjoying their post-meal relaxation time. There were easily 40-50 cats in the area.
Tumblr media
More relaxed cats sitting directly in front of the cafe. You can see them through the windows from inside.
Tumblr media Tumblr media
I sat right in front of this lovely kitty and took pictures of it, sadly by the time I remembered to take photos it was clearly interested in something else in the distance and wouldn't look directly at my camera. The fur is so lovely though for a communally owned cat.
After staying there for some time, I decided to keep walking on in search of the cat shrine I had seen in the video, and not too far from Shima no Eki, I came upon it. Of course, I simply asked for permission to the spirits that might be in the area for a photo, which is shown below. It would be rude otherwise.
Tumblr media
I then continued on to Odomari Port, and all along the way there were no cats to be seen after leaving Shima no Eki. There were times where I would simply stand there alone on the path after walking a distance, listening to just the howling wind and the rustling of the trees, and realize just how quiet and far away I was from civilization for the first time I could remember. This was the kind of tranquility that I had wanted to escape to, even for a short bit, and it definitely seemed almost mystical to me in the way it all seemed to come together. A most serene and almost other-worldy experience, I would say.
Tumblr media
The view of Odomari Port as shown in the picture above. I had already realized quite long ago there were no cats to be had, and by this time also understood that I had seen all the island had to offer me in terms of cats, so I made my way back to Shima no Eki to enjoy the remaining time I had left with a place I knew that at least had cats.
Continued in Day 2 Part 2
1 note · View note
beboeligzon · 1 year
Text
i miss shinjuku actually
0 notes
itsnothingbutluck · 1 year
Link
0 notes
ventique18 · 27 days
Text
🌸 choosing their Earth! date locations: Tashirojima Cat Island, Disneyland, Hello Kitty Theme Park. They keep a cute album of photos and tickets for every location to remember the experiences by.
🐉 choosing their date locations: The ruins of Pompeii, Chernobyl ruins (they were somehow safe because of him), the Paris Catacombs. They are trespassing in all of them instead of getting proper tourist tickets.
They both enjoy all of their dates.
483 notes · View notes
bakuhatsufallinlove · 18 days
Text
U.A. High School Field Trip Around Japan: Day 1 Translations
To celebrate My Hero Academia reaching one hundred million copies worldwide, Shonen Jump is releasing special illustrations in the newspapers of Japan's 47 prefectures, calling it "U.A. High School Field Trip Around Japan." It's being rolled out daily across one-week.
The schedule is:
April 4th, Day 1: Hokkaidō & Tōhōku regions
April 5th, Day 2: Kantō region
April 6th, Day 3: Chūbu region
April 7th, Day 4: Kansai region
April 8th, Day 5: Chūgoku & Shikoku regions
April 9th, Day 6: Kyūshū & Okinawa regions
April 10th, Day 7: Nationwide release
You can see the illustrations on their website here, where they are released digitally the day after their newspaper release, so Day 1 and Day 2 are available right now.
The illustrations depict charming scenes between Class 1-A about something related to each prefecture's culture or history, so I thought it would be really fun to translate them and share a little bit about Japan.
Here we go!
Note: As I mentioned, the illustrations are available on the official site, but they are all rather small, which makes them hard to read, so in this post I have included photographs from fans which I used for my translations. Every photo was available publicly on twitter and I have credited the posters, but please be respectful and don't draw undue attention to these fans. If anyone contacts me wishing for their photo to be removed, I will do so.
Hokkaidō Region
Hokkaidō
Tumblr media
Photo credit: twitter user URix0307
Iida: "Heroes! Be ambitious!!' Aizawa: "I'm leaving you behind."
Iida is standing in front of the statue of William S. Clark at Hitsujigaoka Observation Hill, a scenic spot in Sapporo. Clark worked with the Japanese government to found Sapporo Agricultural College (now Hokkaidō University) in 1876; he is a very famous figure in the history of the region. The statue is inscribed with a quote attributed to him as he left Japan: "Boys, be ambitious!"
Tōhōku Region
Aomori
Tumblr media
Photo credit: twitter user redaotkrsn
Dark Shadow: "Fumikage!! I GOT ONE!!" Tokoyami: "The allure of forbidden fruit which tastes so sweet..." Dark Shadow: "One simply cannot resist!" Asui: "Tokoyami-chan sure likes apples, huh?"
Agriculture is huge in Aomori, and specifically they are famous for their apples, contributing about 60% of Japan's entire apple production. Raw apples, jams, juices, desserts, etc., they are everywhere in Aomori, and fyi, they are all absolutely delicious. The sweetest, richest, freshest apples I've ever had in my life were the ones I had here! Dark Shadow is right, one simply cannot resist!!!
Iwate
Tumblr media
Photo credit: twitter user bakkk_17
Todoroki: "I can have as many bowls as I want, right?" Endeavor: "SHOUTOOOOO!!!" Kouda: "Todoroki-kun!! Your dad said he wants to eat with you, too!!" Todoroki: "Check, please."
Todoroki is eating wanko soba, a specialty from Iwate where it's basically an all-you-can-eat. The soba is served in many small bowls, and you slurp them up and immediately get served more. The verb he uses, ikeru, is one people also use for "holding your liquor well," which I personally found hilarious. "Oh yeah, I can hold my noodles."
Miyagi
Tumblr media
Photo credit: twitter user Abino_Haru_Maki
Ashido: "Teacher, what's wrong? You keep lollygagging about!" Aizawa: "Kittykittykitty..." Shouji: "Anybody suspicious around? Nothing has come up in my search for enemies." Iida: "We're leaving you behind, teacher."
Miyagi is famous for being home to Tashirojima, the so-called "Cat Island" where cats outnumber people. Iida gets revenge!!
Akita
Tumblr media
Photo credit: twitter user kado0730
Hagakure: "Namahage faces are so scary!!" Kaminari: "Looks just like Bakugou, don't it." Bakugou: "THERE'S NO RESEMBLANCE AT ALL, I'LL SEND YOU FLYING!!" Sero: "He's a rotten kid who looks just like a Namahage!"
Namahage are frightening folkloric figures from Akita's New Year's festival. Men wear big demon masks and straw coats and wield a (fake) weapon; they march through the streets or knock on doors to scold misbehaving children, asking if there are any "warui ko," (naughty/rotten/bad kids), which is what Sero calls Bakugou.
Yamagata
Tumblr media
Photo credit: twitter user ha_n_a_0
Yaoyorozu: "Oh, tranquility! Penetrating the very rock, a cicada’s voice." Kaminari: "Jirou! How about you put your earphones on that rock?" Jirou: "Are you stupid?"
Yaoyorozu is reciting a famous poem by Basho Matsuo written when he visited the Buddhist temple, Risshaku-ji (also called Yamadera, meaning "mountain temple"). This translation is by Helen Craig McCullough. Risshaku-ji, a National Historic site, is home to a number of beautiful buildings and statues built into the mountainside; temple history claims a lineage back to the 9th century. The trail up to the temple consists of 1,015 steps; I visited in winter, which made it quite the precarious climb!
Fukushima
Tumblr media
Photo credit: twitter user kingyo0927
Kirishima: "This right here is what I should be aiming for!!" Aoyama: "A fateful encounter~!" Bakugou: "When I said 'just being able to keep standing through anything makes you crazy strong,' this ain't what I meant!!"
Kirishima is looking at rows of okiagari koboshi, which are traditional papier-mâché dolls popular in Fukushima's western Aizu region. They are weighted so that no matter what you do to them, they pop right back up to standing!
That's all for Day 1! I'm still translating Day 2 and collecting Day 3's as they roll in, so please look forward to those. :D
123 notes · View notes
class1akids · 14 days
Text
Class A field trip around Japan - Day 1
In order to celebrate 100 million copies of the manga, the WSJ promo team initiated an ad campaign in local papers around Japan between 4/4-10/4, featuring the Class A kids in different famous locations. The art is all edited from existing manga panels.
Intro:
Tumblr media Tumblr media
Aizawa is explaining that the class will go on a field trip around Japan to express gratitude to the people who support hero activities.
EDIT: In the meantime I saw someone already made translations / posted all of this. Here is their post with translations (can't reblog it, as I think I'm blocked by them). I'll leave my post up anyway because of the higher quality pictures and because I worked hard on it.
Day 1:
Tumblr media
Aizawa: Are you guys excited?
Tumblr media
Iida, Deku and Ochako are in Sapporo Hitsujigaoka Observation Hill at the statute of Dr Clark, referring to his famous quote "Boys, be ambitious"
Tumblr media
Tokoyami, Tsuyu and Mineta are tasting Aomori's famous apples.
Tumblr media
Bakugou, Kaminari, Sero and Hagakure are at the Namahage snow festival. His classmates are teasing Bakugou that he looks like one of the demons.
Tumblr media
Shoto and Koda are in Iwate, where Shoto is doing the wanko soba challenge (it's an all you can eat soba tradition).
Shoto: You can eat as many bowls as you want
Endeavor: Shotoooooooooo!!!!
Koda: Todoroki!! Your father wants to eat together with you too!!
Shoto: The check please.
Tumblr media
Aizawa, Mina, Shoji and Ojirou are on Tashirojima, an island famous for its cats
Tumblr media
Momo, Jirou and Kaminari are in Tateishokuji Temple Yamagata. They refer to the quote of Matsuo Basho - "The silence and the voice of the cicadas that penetrate the rocks."
Tumblr media
Kirishima, Sato and Aoyama are in Fukushima, looking at traditional Okiagari Koboshi dolls, which represent perseverance; even if they are knocked over, they stand right back up. There is also a reference to Bakugou's quote to Kirishima about how being able to stand means he's strong.
👉Day 2
👉Day 3
83 notes · View notes
chimielie · 1 year
Text
there are many benefits to being a marine biologist
summary: Goshiki x F!Reader. Ponyo!AU. one part fairytale, one part growing up, one part love language exploration. you fall in love with a human boy and then move mountains to find him again.
word count: 8.7k
cw: nothing. gets better as it progresses imo
a/n: i started writing this maybe two years ago for a contest held by two users who are now both inactive i think? the outline for this planned for like two more acts, but i thought it should stop rotting in the drafts and i like it as is now. i do have quite a lot of worldbuilding not in the fic (mostly regarding goshiki's family, who i named after the original ponyo characters lol) so please, if you happen to read this and have questions about this little story that's been living in my head, feel free to ask :)
The day before he finds you, it storms like the world is going to end.
Seawater washes into the road as the sea swells in thick knots, rising and never quite falling as far as it should. Blooms of white—foam and algae and debris, and drowned souls if folklore was to be believed—swirl on the surface, which waits to break against the cliffs until the wave inflates to grotesque proportions, as though it’s a fist hammering against a wall. The wind tries to match the hysteric sea’s beat, and comes screaming in from the horizon, wrapping around whatever it finds in its path if it cannot blow through it and squeezing like a python. With it blows in the fog, until the atmosphere brings a river of milk, writhing over the pine islands so they become black spikes against which the ocean hammers.
Tsutomu stands against the back door of his home on the cliff, hands pressed to the glass, careful not to let his breath obscure his vision any further than the mist already was. Even inside the house—where the air is still warm, where the wind can’t creep in—he can hear the crash of waves and the shriek of the typhoon, even if they’re reduced to a low-crooning song punctuated by the steady rhythm of his mother’s voice.
“Transmitting from JA4LL. JA4LL. Come in, Koichi. This is Risa and Tsutomu.”
She’s been speaking steadily into the microphone for a few minutes already, and Tsutomu pads over to press his cheek into her side, fists his hands into her shirt while she pats him on the head. When the headset crackles to life, he jumps and she doesn’t. His parents’ voices wash over him warmly, and he relaxes, hoping the weather will calm soon so they can all go to Tashirojima together.
Sound asleep in a bubble deep beneath the sea, you don’t even know that there’s a storm on the surface.
“Wake up, girls.” You wake when your father speaks to you, swim eagerly to the border of filmy water and press your nose to it in a sort of nuzzling good morning kiss. “I—yes, good morning, hello—I said I’d take you all to work with me today, if you’d like—stop pressing on the bubble, you’ll pop it!”
You do happy flips when you’re let out of the little aquarium, linger at the back of the school of your sisters as your father quickly becomes engrossed in his work. He’s often distracted and always scatterbrained, but centuries of experience have made him an expert at marine wizardry. There’s little he loves more than his work, except perhaps your family, but he’s unfamiliar with the care and keeping of young goldfish and your mother is away right now.
This is how you slip away: with discretion from your sisters, distraction from your father, and a rush of excitement you’ve felt almost never in your entire life. It’s not that you don’t love your family, that you want to run away; it’s just that your sisters are all still babies, freshly hatched, and you get bored in the little bubble, always having to watch your father work and never getting to do anything. There’s no room for anxiety in your fish-body as you swim towards the surface, wriggling your fins frantically and buoying yourself with upward currents whenever possible. 
The first sight of sunlight streaming through the aqua is mesmerizing, and you kick doubly hard for the remainder of the journey. 
The surface is the most incredible thing you’ve ever seen. Exhausted from the swim, you flop onto your back on top of a passing jellyfish and stare in wonder at the coastline. There’s a road, and little metal vehicles crossing it, and houses tucked into every crevice in the hills. There are jagged cliffs that look like they were hewn in half by some godly hand (one of your uncles, maybe). And on top of the tallest cliff, there’s a little house, so small you can hardly see it, yellow and red and white, and you find yourself fascinated by it.
When he wakes, Tsutomu finds himself in bed, his eyes stuck together with leftover sleep. He remembers, just barely, being carried by his mother’s strong arms to his room, the press of her lips to his forehead. It’s not an unusual occurrence, so he starts his day as usual. Breakfast is leftovers from the fridge, his mother is still half-asleep sipping coffee at the breakfast table (she’s always groggier after a late night up speaking to his father), and he walks down the path to the beach, carefully balancing his favorite toy—a beach ball light enough for him to carry and shaped like a volleyball—in his arms. 
It’s clear today, almost like there was never a storm at all. The sky is a cheerful blue dotted with puffy white clouds, the temperature warm enough to only require a t-shirt, not cold enough to make him uncomfortable. The sun shines down on the beach with a smile, the morning light nearly shining a spotlight on the red lump just above the waterline.
“Eh?” Tsutomu says to himself, walking closer and struggling to peer past the bulge of his volleyball. He sets it down carefully, stopping it from rolling away with his foot, and bends at the waist to look closely at you.
You stare, eyes bulging, back up at him. A little boy, the likes of which you’ve never seen before, fringe falling into his face, is the most magical thing you’ve ever seen.
“A goldfish!” He declares triumphantly as he identifies you. “Hello, Miss Goldfish.”
You flap a fin at him as best you can. He giggles and scoops you up in both hands, wading into the water and holding you just beneath the surface so you won’t dry out. You spin in his hands, and nuzzle his chubby palm. 
“Tsutomu!” Someone calls from above. “Time to go!”
“That’s my mom,” Tsutomu says to you. “We’re going to work at the senior center. Well, she’s going to work, and I get to go to school right next to there, ‘cause I’m five years old.” He adopts a wise expression. Five is the oldest he’s ever been, and it feels very big. You splash. Me too! Me too! “It was nice to meet you, Miss Fish. My name is Tsutomu. I hope I see you again. Bye bye!”
He lets go of you gently, and turns to find that his ball has rolled into the water, a little too deep for him to reach without soaking his clothes. You, still watching the curious human boy, see the frown on his face, the tremble of his lips and watery eyes, and dart off quickly. When he looks down, you’re gone. He stands on the sand in front of the ball, watching it float further away, listening to his mother’s increasingly aggravated shouting for him to come up from the beach, and feels stuck with the tide of unhappiness rising in him. He reaches up with one fist to wipe at his watering eyes.
Shock overwhelms him when a stream of water hits the ball, pushing it against the current, intermittent splash carrying it all the way back to shore. His eyes stop watering from the pure amazement of it all as he watches a little red spark flash with every spurt of water, and he has to shake himself before wading back in to grab it.
“Thank you, Miss Goldfish,” he cheers when he finally lifts the ball clear of the surf. “You’re amazing!”
There’s nothing but pure childish admiration in the words, which makes you as happy as he is. You like this boy! He thinks you’re amazing!
You flip in the air, coming down with a splash that sends droplets of saltwater all the way to Tsutomu, who shields his face and twists his whole torso away with shrieking laughter. 
“Tsutomu!” You say happily. He untwists to look at you, bobbing in the water. 
“You said my name! You really are amazing!”
“Tsutomu!” You cheer, and then again for good measure.
“Tsutomu!” His mother roars, coming into view on the beach, and her ferocious tone hardly seems to dent his mood. 
“I have to go now. Thank you a lot, Miss Goldfish,” he waves at you and begins walking back to his mother, who’s standing with her hands on her hips and her lips set in a scowl.
“Tsutomu!” You say in farewell, and begin the swim back home.
“Mom, I made a friend! I saw a goldfish, and she talks, too. She said my name! Isn’t that so cool?” Tsutomu bounces up to his mother with his fists clenched and raised in the air, as though he’s declaring victory, and her irritation dissipates almost immediately. She laughs and swings him up onto her shoulders.
“That is cool, but we’re going to be late. Think I can drive over before they open the drawbridge?”
You’re lucky your father doesn’t notice and you know it. For the rest of the month, you listen attentively as he explains, half-mumbled and face pressed up against a blackboard, the things he believes children ought to know: potionmaking, mostly, the way that those potions affect the environment, and the filthiness of humans. You try your best to be good, but you file as much information about magic away as you can and know in the deepest depths of your heart that it’s so you can see Tsutomu again.
You sneak away again, maybe every month, and rarely have to wait longer than a few hours for Tsutomu to come rushing down the path from his house, huge smile on his face, shedding his backpack and shoes. During low tide, he can reach what becomes a tide pool, and often he shows you things from his day-to-day life. You love hearing him talk, sometimes practicing human speech by following along with his words. He gives you a name, better than the one your father calls you, you think, shaping it in your mouth. While you watch with great interest, you never bring him anything.
You are a fish, after all.
As the years pass, your visits to the surface become more infrequent. You worry about your human-hating father catching you, and your education has intensified as you age. Your little sisters are starting to grow up and, though they’re still captivated by stories of your Tsutomu, you worry about fostering jealousy of the dry world in them. One daughter your father may not notice missing for a day, but where one of your sisters go, almost all the rest will follow. 
“What does Y/N mean?” You ask innocently one day, when the two of you are eight years old. You bob in the water, and he sits on a rock, the surf spraying up around him but never reaching high enough to soak him.
“Mm,” he says, looking down and kicking at a pebble. “Beloved.”
“Really?”
“I don’t know,” his grin is childish, and the effect is only lightly diminished by the way he’s clearly struggling to maintain eye contact with you. You splash him, and he shrieks and falls into the water. Both of you come up giggling. Whatever the true meaning of his name for you, you know that whenever he says it, that’s what he means; and that is all that matters.
Although he waits patiently for you for many years, Tsutomu tells you one day with a serious face that he’s going to be going to school further away, in Sendai, and will have less time to spend watching out for you. You have a year left before this happens, he says, so your visits resume a near monthly routine. Sometimes, you simply spend hours after he’s left staring at the house on the cliff and imagining living there with Tsutomu and loving him the way he tells you his mom and dad love each other.
When he leaves for school, crying a little while you blink up at him, you absorb yourself in your studies. When you really, really miss him, you swim up to the surface and remind yourself that someday, you’ll be old and strong enough to live up there with Tsutomu. The next time he sees you, he’s twelve years old. People call him Goshiki-kun, not Tsutomu-chan, and his voice cracks when he speaks. On the train ride home from school, he worries that you’ll laugh at him, like his peers do, that the way he’ll surely tear up upon seeing you is unmanly.
It’s July, the month of salt-making rituals, and this becomes the marker of your visits to Tsutomu. To his immense relief, you still call him by his first name, you don’t laugh when his voice breaks, you throw your whole body at him to smack his cheek like you’re trying to hug him with your fins. You missed him as much as he missed you, he can tell, and the both of you spend hours catching up.  You get two more years before disaster strikes.
The day you’re due to visit the surface, it storms again. You know what lightning is, now, know the acrid scent of sky-fire splitting the air, the brutal strength of riptides and currents. When you break into the air, you find that a gray mist lingers over the bay and the mood of the few people you see appears dismal. When you look up to Tsutomu’s house and see that it shines as cheerfully yellow as always, that yellow and red seems to creep into your bones until you feel sure that everything is alright. This is a kind of magic your father has not yet taught you.
This has always been your secret, safe harbor. You don’t expect anything to go wrong here—not when you’re accustomed to submarine chemical vents and shining anglerfish in the deep blue depths. Here it has always seemed safe, calm, kind.
You learn today why your father despises his former kin so much.
There’s silt in the water, probably stirred up by the storm that took away the cheeriness of the sky. One fish swims by you, its eyes bulging frantically. Then another, and another. It’s only when an entire school passes in the same direction that you hear the ship coming closer and realize that you should probably be heading that way yourself.
You’re too late, and so are the rest of them—something huge, bigger than the mouth of a whale, you think it must be, traps you, pressing you together with sifting mud and other scales and glass, like your father’s bottles. You try to move your tail and push yourself out, but you’re packed so tightly in with a million others doing the same that the action is impossible. 
You’re starting to panic.
Then, the boat attached to the net you’re in swings around, taking you and everyone else with it, and you find yourself face to face with a glass jar. Worse, you find yourself slowly being pushed into it by the sheer unluckiness of your position and the crush of animals trying to escape the churning mud and human garbage.
You push more frantically than before, thrashing your entire body violently.
“No, no, no, no!” You wail, the words bubbling in the water. Then you fall through a gap in the net.
Unable to right yourself in time, you find yourself stuck halfway into the jar, and your wriggling only makes it worse.
You can’t—you can’t breathe. This was a mistake. You’re so scared.
You have to take the last resort. You send up a prayer to your mother—please, don’t let him be too angry—and send out a spell with the last bit of energy you have. A signal that will ripple all the way to your father.
You run out of oxygen, and everything goes black.
Tsutomu has been waiting a long time by the beach. He got up early to watch the sunrise, carrying a thermos of hot tea with him as he sat by the water and wondered what your life was like through the months you don’t see him. As he wakes more fully and the air starts to warm (though not by much) he walks alongside the waterline, testing how far he could go in without getting the hem of his pants wet, how long his toes could stand immersion in the cold seawater. He ponders why you keep visiting him, year after year, bringing him good luck and sunny skies.
You’re more to him than a symbol, though; you’re amazing.
As he settles himself, he starts to walk back to the tidepools, hoping you’ll be there. He knows it’s a little early for your visit, but you’re unpredictable; besides, he’s sure you care about your weird human friend as much as he cares about his fishy one.
Near the stairs, something rolls on the sand, flashing gold. Tsutomu squints at it, then picks up his pace. Shit, shit, is that—
It is. He picks up the jar, lips pressing into a pout when he sees that you’re unmoving. He runs up the steps to his home, taking them two at a time, all the while talking to you like you can hear him through the glass barrier.
He collects a bucket and stands next to the garden hose, trying to shake you out of your jar. He thinks that it would require too much force than would be safe to get you out, but you’re clearly suffocating in there. He squats on his heels, turning the jar over in his hands and wracking his brain for a solution.
“Tsutomu, you’re gonna be late for practice!” His mom rounds the corner, startling him, and he drops you. “Tsutomu—what was that?”
You’re out of the jar, but now you’re lying in pieces of shattered glass. Eyes round in distress, Tsutomu snatches you up and plops you into the full bucket of water.
“Nothing,” he says, voice suspiciously shaky.
“Okay, well, we’ve gotta go, so get in the car now.” She jerks her thumb towards the vehicle. He nods and peeks into your bucket. You stare up at him, as alert as ever, and he breathes a sigh of relief. 
In the car, you swim happily in circles, raising your head out of the bucket to peer out the window.
“What’s in the bucket?” His mom says with interest, and he presses a hand over the opening of the bucket, trying not to giggle as you nuzzle his palm. 
“It’s for a group science project—Mom, watch out, you’re gonna make it spill!” She side-eyes him, knowing her son has never been so conscientious of a school project or of his own messes before, but lets it slide. There’s no point in prying when there are only so many options to be found on the beach. The worst that can happen is that he lightly traumatizes some sea creature, and she doubts that Tsutomu’s conscience and childhood obsession with marine life could let him do that. Besides, she smiles to herself. The sea is basically in his blood.
Tsutomu rushes out of the car, managing only a “Thanks-Mom-love-you-goodbye!” before he’s dashing to the gym, gaze bouncing between your bucket and the ground to avoid tripping so fast watching his eyes makes you dizzy.
He sets you down on the bench closest to the court.
“Are you sure you’re okay?” He whispers, picking you up to make sure there’s no glass embedded in your skin. 
“I’m okay!” You beam up at him. “Tsutomu rescued me!” 
He smiles at that, blushing faintly, pretty eyes squinting, and you pop out of the water to splash him lightly.
“Hey, I have to practice in this,” he frowns.
“Sorry,” you say, abashed, but he shoots you a small smile and you know it’s alright.
Listening to Tsutomu explain volleyball is entirely different from watching him play it. You didn’t really understand it when he spoke, before, but now you understand the difference between a fishing net and a volleyball one, as well as other crucial aspects of the game. There’s a lot of yelling, and squeaking, and it’s a little hard to see from inside your bucket, but you don’t mind. You bob up every so often, trying to find Tsutomu on the court, though it’s hard when he moves around so much.
At one point, he jumps up and slams down the ball in what’s clearly a perfect line even to the untrained eye. Around him, his teammates burst into cheers (“Nice going, bowlcut!) and you get so excited you mimic them, whooping and doing a flip in the air.
“Eh? What was that?” Someone you can’t see says, and then Tsutomu is there, grinning widely at you from above, eyes watering slightly.
“Oi, Goshiki,” a boy with hair as red as your scales slides an arm around him. “What’s this you’ve got?”
Tsutomu opens his mouth, but you beat him to it, using the name he gave you without a second thought.
“Huh? Wow, you have a smart goldfish! Reon, come check out Goshiki’s goldfish!”
Reon simply looks at you and says, “Cool.”
“Be nicer!” The redhead says, smacking him lightly on the shoulder. “She can talk!”
“I can talk!” You echo. Reon repeats cool, unfazed.
“What are we looking at, Tendō?” A boy whose shirt reads Yamagata slows his jogging to a stop, one hand running through his hair as he looks at the red bucket.
“This is Y/N,” Tsutomu says. “I found her on the beach.”
“Are you going to eat that?” A voice deeper than the others makes you poke your head further out of the water than before. It’s a boy like the others, with greenish hair and a huge stature. He reminds you, oddly, of your mother. Big and bea-uti-ful!
“No!” Tsutomu yelps. “No, we won’t! Ushijima-senpai, sir,” he adds, voice calming to a lower pitch as he does.
“Are you sure?” Asks Tendō, a sly expression crossing his face. Tsutomu pushes him away hastily and steps protectively in front of you. 
“Yes! I mean no! I mean—”
“Alright,” Ushijima-senpai says slowly. “Welcome to our practice, then. I hope you enjoy watching volleyball.”
“Enjoy!” You do another flip. “Watching Ushijima-senpai!”
“Okay—” Tsutomu says, picking up your bucket, looking around as he tries to find his way out of the circle of boys.
“What’s wrong with your fish?” A boy with long bangs and pointy features grabs the bucket and peers at you. You don’t like this pointy human. “Why is it talking?”
You say nothing, hollowing your cheeks in preparation to spit at him.
“Give her back,” Tsutomu narrows his eyes. “Careful, Shirabu.”
“Is no one else concerned about the talking goldfish?” Shirabu looks around at his upperclassmen. “What the fuck, Goshiki?”
“He’s right,” Ushijima says thoughtfully. “The fish could be a spy. For Karasuno, perhaps.”
“What?” Shirabu’s outraged yell is shortly cut off by Tsutomu’s fearful-yet-determined denial that you would ever do such a thing to him or to Shiratorizawa.
A deep sigh, sounding somewhat like it’s exhaling the speaker’s entire soul, interrupts them both.
“Can we please stop staring at Goshiki’s pet and get back to practice?” A boy with ash blond hair says, and immediately, a few of the others nod and disperse.
“She’s not a pet,” Ushijima says, while Tsutomu splutters incoherently. “Or sushi. She’s a friend of Goshiki. But you’re right, we should be practicing.”
“T-thank you, Ushijima,” Tsutomu says haltingly, eyes shining in admiration. “I really appreciate it!” The captain only needs to look back at him, his face unsmiling but not at all unfriendly, for him to continue. “And I apologize for distracting everyone, I’ll get back to work now! Thank you!”
The rest of practice goes smoothly, although you get a few lingering stares and an odd few minutes of interrogation from Shirabu while they’re on their break. He tries to explain that you can talk, and this is bad, and it’s a demon, to an old man with white hair, who merely hums when he looks at you and tells him to do an extra fifteen laps as a punishment for talking nonsense about magical goldfish.
Once the games have all finished and Goshiki’s changed into street clothing, though, something horrible happens. He’s picking you up, ready to transport you to his mother’s workplace so you can drive home, but then someone taps him on the shoulder. He startles, water sloshing over the sides of the bucket, and lifts up the bucket to his chest to prevent any further instability.
“Goshiki-kun,” a girl human says. “Could I speak to you outside?”
“Ouuuu,” you hear Tendō’s voice from across the gym. “Little bowl cut is receiving a confession?”
“Uh, um, yes, you can,” he says, and when you turn his cheeks are scarlet. “Let me just pack up the rest of my things, and I’ll m-meet you out there.”
“Sounds good!” She says, and you don’t like the cheery note of her voice or the way she brushes her hand against his bicep. You make a face up at Tsutomu, but he doesn’t seem to notice, lost in his own head.
You swim all the way to the bottom of the bucket, only to feel him poking you not a minute later.
“Don’t be grumpy,” he says. “Please? It’ll be just a second.”
You flap a fin at him and make an enthusiastic noise.
It is not, in fact, a second. You wait for an eternity (and you know about eternities) for the girl to stop stuttering her way through telling Tsutomu that she thinks he’s really smart, and she likes his bowl cut, and you can just see the word amazing forming on her lips before she says it. Her hand is stretching out, dropping something shiny into his hand, and you hate it, you hate it, you hate it.
You act before you think. Your cheeks puff up and you take a big breath in and then there’s water, all over her pretty pink cardigan. She shrieks and then starts to cry a little, and you stick out your tongue and blow a raspberry at her before diving back down, flipping your tail with sass as you go.
“I’m really sorry,” Tsutomu says frantically, offering her a wrinkled handkerchief. “It was an accident, I swear. I-I really appreciate your confession and, um, I’m glad you were comfortable enough soo that you could come to me, but, oh! My mom’s here, I have to go! Bye!”
You swivel and watch as he picks you up and bolts away; her tears seem to have dried a bit as she stares after him in bewilderment. Not for the first time, you wish you had two legs and hands to hold onto Tsutomu. You wish that you could stay on shore with him, and keep away all the girls like her forever.
You know it’s childish, but you don’t care. Does it matter that it’s an immature thought when it’s completely impossible?
In the car, Tsutomu is quiet. Even his mother seems to notice his pensive aura, and frames her questions about his day carefully to avoid sounding like she’s prying.
“What’s that?” She asks, and he unclenches his hand, looking as mystified by the object in his palm as you feel. It’s a pin, gold and pink and shaped like a heart. “Oh, my gosh, is that from your girlfriend, Tsutomu?”
“No,” he says immediately. “Maybe. I don’t know.”
You frown, bumping the red walls of the bucket, and he trails his fingers through the water. Something coppery floods your senses, and you dart over to nuzzle his hand instinctively. In his palm, there’s an angry red mark, oozing little droplets of blood. When you poke it, he winces. 
It tastes weird when you lick it.
“Hey!” He jerks his hand out of the water. “Whoa.”
Where Tsutomu knew he had been pricked by the pin a few minutes ago, there’s no sign of injury, even though the water surrounding you still has a faint tint in places. You watch him with round eyes, and he offers you a smile and a pat on the head. Amazing.
“What did you think, Y/N?” You stick out your tongue.
“Girlfriends suck,” is your opinion. “Pbbbt.”
The wind blows the longer strands of Tsutomu’s straight hair to the side as he stands next to the garden hose, refilling your bucket with fresh water. Above you, the sky is a weak blue, it��s brighter shades concealed by layers of white mist. A lush, slightly overgrown garden is what hides behind the picket fence you can see from the seashore, full of plants that look so familiar to the kelp forests you’re used to, yet so different. The upper lands are so strange. You’re glad Tsutomu’s mom doesn’t keep her garden dry and cut into shrubbery, like some of the houses you saw on the way to his school.
“Who are you?” Tsutomu’s voice is stiff, like his form as he drops you into the now-full bucket of fresh water while you crane your neck to see past his legs.
“Where is she?” Booms a voice you know all too well. It cuts off when he sees you, lips pursed while you try to look as inconspicuous as possible. “Captured by a human boy? Bad, that’s very bad. Give her here—“
“No!” Your friend yelps. “You want to take her? Y/N, I’ll protect you.”
“Protection?” Your father sneers, his hair puffing up threateningly. “I felt her signal for help—very good, by the way, your spellwork is coming along nicely. Give her here, now, I’ll be drying out soon.”
“I don’t care! Y/N wouldn’t do that, we’re friends,” Tsutomu says, casting a glance down at you. You nod, your tongue feeling stuck.
“My daughter would not befriend a human—“
“Y/N loves Tsutomu!” You cry. A light blazes in his eyes at the words, and his posture straightens.
“And I love her!”
“Eh?” Your father looks between the two of you. “That’s nonsense, Brunhilda, you know what humans are like, and what’s a Y/N, anyway?”
“It’s me!” You flip in the air, surging with defiant energy. “It’s my name.”
You choke midsentence as a hand closes around you; the world goes up in bubbles, and all you can hear is Tsutomu screaming your name, over and over.
Over.
And over.
And over.

“Again!” You sigh and twitch your fins lazily, watching with hooded eyes as lines only you can see race across the model mountain, glowing faintly before they settle into the material. The warding spell is clean and simple, requiring no complicated incantations or strange ingredients. However, it needs time to sink in, and when a hermit crab scuttles over the map and right onto your now-invisible lines, the whole thing goes up in a puff of smoke.
“Y/N,” your father says sternly, having given up on Brunhilda some time ago, when you refused to answer to it. “This is meant to be a demonstration for your sisters. These spells require layering, you know, one spell to ward and a secondary spell to, in a way, ward that ward. This creates an effect…”
You say nothing, merely letting a current of water roll you onto your side, your eyes rolling up to stare at the ceiling. You can feel the sympathetic gaze of your father—you know that he didn’t intend for this to happen. He only wanted to save you; he couldn’t have known that Tsutomu wasn’t the threat. You know he worries about you when he thinks you can’t hear him. You hear his every prayer for your mother to come back, to make things right, to help you see things his way. It’s only on the third point that he loses you. You didn’t want things to be this way either.
When you lost Tsutomu, something inside you boiled up and nearly steamed over. You can only remember wanting to go back, to go home to him, desperately trying to rejoin him on land. You love your father, and you only want his understanding. He left behind his humanity for your mother; why can’t you gain it yourself for Tsutomu?
The lid had clamped down on that furiously bubbling emotion, and in response it had gone to sleep, simmering but never fully boiling away. At first, you had been unmotivated even to eat or wake when your sisters did. Four years later, you still miss him: you go about your day to day life just fine, but you lack your childhood verve.
Even now, you can feel yourself slipping into slumber, exhausted by just a few minutes of magic. Your father’s voice and the clamor of your sisters meld into a comforting hum, lulling you further. You barely register the feeling of your father carrying you to your aquarium, the whisper of his goodnight lost on your drowsing mind.
When he was fourteen, Tsutomu’s mother found him in the garden. There was a wet trail leading right off the bluffs, a red bucket lying on its side, and her son, sitting with his knees under his chin and crying his heart out. The garden hose was still on.
She didn’t ask what happened, just turned off the hose and crouched next to him, arm over his shoulders, until he looked up at her with puffy eyes and wordlessly followed her into the house.
Risa had always known that she could be a little sharp with her words, and so she used food to express herself more often when she wanted it to be soft and soothing. She mixed her son some tea, the way she had every time he’d gotten sick when he was little, slid two slices of bread into the toaster, and hoped that the warmth of what she gave him would travel into his heart and help it heal a bit. Tsutomu cried into the toast a little, once it had been lavished with butter and honey, but it was just sniffling and not silent sobs, so she didn’t mind much. Then they sat on the couch and she rubbed his back while old tapes of his very first volleyball games played on the TV.
Tsutomu never told her what had happened that day. He could tell that she was curious, but unwilling to pressure him, and he wasn’t sure how to explain it. She’d always spoken about you in the same manner most adults used to describe the imaginary friends of children, and correcting that assumption seemed beyond the dignity of the man he wanted her to see him as. He knew that she guessed that he’d knocked over the bucket and sent his fish back down into the sea, and it wasn’t an unreasonable explanation. Fourteen year old boys weren’t the most rational creatures, and he could very easily have been sent into a similar kind of spiral had the fish just been a regular goldfish. It wasn’t, though, and he’d never cried so hard over any girl since.
He misses you. Though it doesn’t ache as sharply as it did when the fear of facing off against your father was fresh in his mind, he still thinks of you with a pang of sadness. There had been a sense of belonging with you he knows was more than a fleeting feeling. He hopes you’re happy in the ocean, learning new magic and spending time with your sisters, and once you’re queen of the sea, maybe you’ll come visit him. He’ll show you his cross spike.
“Again!” Shirabu barks, and Tsutomu has no trouble complying. He empties himself of every concern outside of the game and slams down a serve, just outside of the zone he wants it to land in. Without prompting, he picks up another ball and does it again.
Over and over and over.
Electricity was already crackling in the air when he woke up.
Everything felt uncomfortable, like the pressure in the atmosphere would pop and the sky would fall down in flaming pieces around them. It’s gray, like it was the day you went home. You’ve been lingering even longer on his mind than usual, and he just hopes that the knot in his throat will go away if he hits enough perfect shots. It would probably help if his partner for the day weren’t allergic to acknowledging when he does something right.
“Alright, that’s enough,” Shirabu says. Tsutomu makes a face at him and serves one more ball, the sound of it hitting the ground echoing obnoxiously. These days, he and Shirabu are good friends, though they’re still hiding behind the thin veneer of antagonism they’d held for each other in their first years. Being teammates at Shiratorizawa means being bonded for life, after all. There’s no sense in fighting it. The powers that be (also known as Coach Washijō) are as inexorable as fate, after all.
During the school year, Tsutomu lived in the dorms, like most other academy students, but living a mere half hour ride away meant he often visited the school over summers, too. It’s a little bittersweet now to know that each day spent practicing in this gym could be his last; though he has some time before university begins, he’s not sure when graduates are supposed to lose access.
“I drove with my mom,” Tsutomu says, “so I’ll be meeting her at the senior center. You’re coming over to watch the Rockets game later, right?”
“Sure,” Shirabu says, slinging on his backpack. “I have to bring some homework, though, I have too much preliminary coursework already.”
“You asked for it, smartass,” teases his friend.
“That’s gonna be Doctor smartass to you.”
Despite the short walk between the academy and the senior center, Tsutomu is soaked by the time he walks inside. He’s careful when taking off his raincoat and shaking out his umbrella, placing it into the designated stand, stamping his boots on the absorbent mat a few times to be safe. Just past the welcome desk, he can see his mother, pushing rambunctious Mrs. Suzuki down the hall, probably to her daily bingo game, where she’ll fleece the other players just like she’s done every day for years. Mrs. Fukuyo is sitting near the terrace doors, gazing out of the big window at the wet world outside.
“Hello, Tsutomu-chan,” she says, beckoning him to sit down, taking his hand in both of hers. “Or should I say Goshiki? You’re an adult, now, aren’t you?”
“Basically,” he says, lifting his chin. “One more week.”
“Oh, yes, you’re very grown up,” she says. “I remember when you were just starting secondary school. You were a bit skinnier then, and you wouldn’t eat fish.”
Tsutomu flushes.
“A lot can happen in a week,” says Miss Itoh, who often plays Mrs. Suzuki’s partner in crime when she deigns to attend bingo, as she passes by. “You be careful, Tsutomu, with all this weather. It’s bad luck.”
“There’s always weather,” sniffs Mrs. Fukuyo. “And we need the rain.”
“I’ll take care, don’t worry,” Tsutomu says politely. “You do the same, please.”
“Good, good,” Miss Itoh sounds distracted. “Happy birthday. Keep out of the rain, you’ll get sick. And don’t go sailing.”
“Yes, ma’am,” he stands to bow as she leaves the room.
“She’s crazy,” Mrs. Fukuyo sighs, half-joking. “But even a broken clock is right twice a day. You’re a good kid.”
“Thank you,” he says, stiff and awkward, cheeks glowing red.
“Tsutomu, there you are. Sorry to keep you waiting, I’m done now,” his mother lands a hand lightly on his shoulder. “Hello there, Mrs. Fukuyo. Doing well?”
“I am, thank you,” says the elderly woman. “Just telling your son what a strong man he’s grown up to be. He’ll take good care of his mother.”
“I will,” Tsutomu says with conviction. His mother’s pride beams down on him like the sun splitting the clouds.
“Thank you,” his mother says. “The storm rages on; we should probably go.”
“The roads aren’t safe,” says the the woman at the check-in desk as they prepare their rain gear to leave. “You should stay here for the night, Risa.”
Her jaw tightens. “I need to be there if Koichi radios in. We’ll make it just fine, don't you worry.”
On a nondescript day in August, you wake up.
Something tastes different on the current, and you feel almost like you’re regarding the world with new eyes again. You remember, with fierce and reckless abandon, what it is to love.
“Good morning,” you greet your sisters cheerily.
“Good morning!” They echo back, beaming at you. They feel it too, you can tell.
You eat your breakfast with gusto, examine your scales and scrub each until they shine. You kiss every sister you see on top of her red-gold head.
“I want to see Goshiki,” you tell your father, watching as his hair stands on end at the name, bracing yourself so the surprised jolt of power he emits doesn’t knock you down.
“No,” is all he can muster for a moment. “The human world isn’t safe. Look at what happened to you the last time you went up there.”
“I would have been fine because of Tsutomu,” you say, “And I’m even more powerful now than I was.”
“It doesn’t matter,” he snaps back. “They taint everything they touch. You’d have to-to literally, actually become a human to return to the surface. I don’t want them taking you. I don’t want you to get hurt.” You take a deep breath.
“Fine,” you say. “Then I’ll do it myself.”
You exhale with controlled force, closing your eyes and concentrating on the slow beat of cold blood in your veins.
“What are you doing?” Starts your father, nervously, but you don’t hear as you focus intently on the warmth spreading through you.
Pop!
You open your eyes, magic still swirling around you, and beam.
“Feet!” You chirp. “I have feet!” A little more pushing, and—
“Are those legs?” Your father shrieks. “Stop this right now!”
“No,” you say fiercely, and release an explosion of power so potent it rocks you backward. Seconds later, you realize that you’ve blasted a hole in the wall and the barrier ward; seawater rich with plankton rushes through, followed by barracuda with bulging eyes and squirming eels. You have hands, now, and something odd is happening to your scalp. You use one of the new extremities to reach tentatively up and pat your head.
“Hair!” Your sisters, freed from their own bubbles by the commotion, float around you. A shock of hair has sprouted from your scalp like a crop of coral. It tickles your forehead.
“I did it,” you say quietly, breathless. “I’m human.”
You look around for your father, but only see the tail end of him dashing into one of his back rooms, his nervous muttering echoing around the room.
Perhaps if you were human from the beginning, your mother would have taken you to the sea, held your hand as you beheld the glittering waves for the first time, and warned you never to turn your back on the ocean. Alas, you weren’t and she didn’t, so you fall with no resistance forward when a rush of water slams into your back, grinding your face into the floor and sweeping you away while you flail your little hands helplessly.
You’ve only felt so powerless in the water once before. Scrabbling for purchase as you freewheel through the halls of your home, you catch your fingers—there’s still a little rush of joy from it, you made them, you have fingers—on the spokes of a great wheel and cling for dear life. It creaks and turns, and you yelp, your words turning to bubbles that rise and pop against the ceiling, against which the water now reaches. The wheel turns again, and you try to hold your breath (something you’ve never done before) as something in the door clicks. There’s a moment where you think it’ll hold, and then you rock forward a little more, and it swings open. The ocean, eager to fill everything and make it its own, changes its course, and you tumble into the room, eyes widening when you see the enormous cauldron filled with something richly luminous and golden. Even submerged, the scent of the potion is strong, reminiscent of plant rot and blooming flowers, the same perfume that your mother exudes. For a moment, you gain breath, lungs and gills morphed and confused, and then you’re pulled back beneath the surface and pushed right into the pot.
You shut your eyes, the golden glow permeating even through your eyelids, and oddly enough, you can breathe like it’s pure oxygen. You can feel your spell being taken away from you, your limbs becoming fins, and you open your eyes.
I want to be human, you cry. I want to see my love.
The cauldron erupts, pushing you out of it on the top of a geyser. You hear popping noises and try to stand, looking down to see several of your sisters caught up in the fount of bubbling-over magic, thrashing joyfully as they try to wave at you with suddenly huge fins. 
You wave back, and gasp involuntarily when you see your own hand. Five fingers, covered with soft skin, veins carrying warm blood and strong bones beneath it. Your sisters may have grown far more in the span of the last few seconds, but you’ve reached an entirely unfamiliar size and shape yourself. You stretch your legs, examining your toes, the way your dress—the same color as your scales and a little iridescent, just like they were—flows around you, and beam at your sisters.
Thank you, Mother. You bow your head quickly in short prayer.
“Let’s go see Tsutomu!” You call out, and your sisters leap in answer. The surface world is so different through the eyes of a human. Your head is turned constantly to the shore as you race on the bubbling foam towards the highest hill you can see, a speck of yellow and red on top of it growing closer with every step. Lights turn on and off in the windows of homes, a thousand little fireflies glowing smaller in the distance. Trees, shivering and shaking in the wind, make up the landscape, shaping it into something that looks almost soft from so far above.
The broad panorama isn’t without more minor detail, though: with some fascination, you see two glowing eyes staring at you from along the road. Their owner steps out of the shadows—a furry creature with pointy ears and a tail and a sleek white coat of fur. Another cat follows him into the light, this one black and her eyes shiny green, unlike the first’s calm blue. The white cat rubs his cheek along the other’s, winding around her while she stands stock-still. Quick as a minnow, the black cat swipes at him, but the white cat darts away, checking over its shoulder to see if she’ll follow. You beam broadly and speed up, eager to situate yourself in this strange and exciting new world Tsutomu comes from.
Tsutomu can’t remember a time his mother’s spent the night away from home. Every night, without fail, if she knows that his dad will be in the harbor, she sits at home and waits for him, beaming their signal in start-stop patterns, having whole conversations with him in flashes when the radio reception isn’t to be used. It’s not often he’s away from home, either; it makes him uneasy to be away from the open sea. A closed horizon is a strange sight to him, like being a bug trapped in a bowl.
His parents’ commitment to each other has shaped him, something he’s always known. In sickness and in health, they swore to each other, and they kept it. For better or for worse.
His mother certainly seems intent on plowing through the worst to get to his father, now, the rain hitting their windshield in sheets and the water sloshing around their tires. Tsutomu doesn’t protest at all, just hangs on to the grab handle and stares out at the behemoth waves.
A flash of red shines in the corner of his eye. He sucks in a sharp breath, twisting fully around. He squints, trying to make out shapes through the rain.
“Get back in your seat,” his mother blindly swats at him with one hand, eyes focused on the road. “You’re throwing off the weight distribution.”
Tsutomu ignores her, white knuckling the cushions of the car as he watches you, dancing in the rain, running with the waves. You duck and weave, your dress red against the cold, gray sea.
“There’s a girl in the water!”
“What? Where?”
His mouth lies, but his heart knows the truth, knew it as soon as he saw you.
“There,” he points, but you pull ahead of them, and then there’s nothing but lightning flashing in the distance. “Never mind. Never mind. We just—we just need to go home, sorry.”
“Right you are,” his mother says, and drives the gas pedal into the floor.
Tsutomu is a shipwreck. Tossed around on the waves of his thoughts, he finds himself cresting and falling, one emotion followed immediately by another. It can’t be you. It is you. Tsutomu doesn’t care what you are, just that he can see you again. He wonders if this is what drowning feels like.
Their wipers battle to slough off the buckets pouring from the sky, and Tsutomu’s heart drops to his soles when a smudge of red reveals itself just to be his old bucket, hanging off the fence. His mom parks and he tries to regulate his breathing, unbuckling his seatbelt and getting out of the car on shaky legs.
“Is that…” His mother says, trailing off, and his head snaps up, the car blocking him from whatever she sees.
He walks around, trying desperately not to break into a run, trying not to get his hopes up.
Barely audible over the sound of storming, the pat-pat-pat of rapid footsteps is his only warning before—
You crash into Tsutomu, both faces scrunching up from the impact, both losing your footing on the wet pavement and falling further into each other. He knows it’s you even with his eyes closed. He would know you in every world and the next; he would know you from the beat of your heart and the touch of your skin and the way he loves you, loves you, loves you.
For a moment, before you hit the ground, you feel like you’re flying with him.
You spill together onto the driveway like an egg cracked into a pan, still holding each other in a bone-crushing embrace. You inhale his scent deeply and nuzzle into his wet-rain-jacket shoulder, and he cracks his eyes open, afraid you’ll disappear when he comes back to reality.
Tsutomu says your name quietly, on tenterhooks, almost all the breath in his body taken out of him.
You lift your head and say his louder, eyes wide and bright and wet. He can’t stop his tears from welling up, but he can blame them on the rain.
You kiss his cheeks where the salt might dry, one then the other, soft as the breeze. Tsutomu can still feel your smile, unfading. The sky turns gold around you.
115 notes · View notes
neko-suna · 5 months
Text
Tumblr media
7th Nov., 2022
124 notes · View notes
hillbilly---man · 1 month
Text
Ok so the other thing I did yesterday in Tōhoku was visit the ruins of Kadonowaki Elementary School, which was hit by an earthquake, then a tsunami, then fire brought by burning debris floating on the tsunami waves.
Tumblr media
The school has been preserved as it was after the disaster, and it now serves as a museum and memorial.
Because of the school's disaster drills and following of their evacuation plan (as well as the dedication of staff and the hard work by the children to follow the plans despite likely being very scared), no students died at the school that day.
More photos under the cut (nothing graphic, just ruined classrooms and debris etc)
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
I made a post already about our trip to Tashirojima (Cat Island), but I want to emphasize that this is right on the mainland facing the island. Like, as you take the ferry out, you can see all the new wave breaks and fortifications. You can see the empty land that used to be homes. In my opinion, a visit to Cat Island needs to at least come with an understanding of the rebuilding that the community has done in the past 13 years, even if you don't tour any of the ruins or memorials.
Tagging @disasterarea-podcast because I know the Tōhoku earthquake and tsunami are on your list of topics and I thought you might be interested!
11 notes · View notes
chats-cosmiques · 2 months
Text
Tumblr media
Tashirojima, l’île aux chats (Océan Pacifique).
5 notes · View notes
thecybird · 8 months
Text
Bleuregard Foster (YoshBot but as a retrofuturistic toy robot)
Tumblr media
An alternate version of my sona made to fit into @prokhorvlg's Sunset System universe. Fan-lore below the break. Last Edited: 2023-08-18
YoshiBot (ヨッシーボット) was a line of robots developed by the Japanese company Untendo (運天堂) and released on November 1, 2080. They were intended to be a caretaker and companion for young children. They were designed to avoid sharp angles, were fully waterproofed, and their exterior panels featured thick rubber that allowed them to be softer to the touch, more resilient, easier to clean, and in a wider variety of colors than other robots. YoshiBots functioned as nannies, assisting to various degrees in caring for the child's needs, but were also meant to be the child's friend, playing and talking with them on their level, and they also had the ability to teach the children responsibilities, tasking them with "feeding" and cleaning up after the eggs they lay (they were simply containers for the items that the child fed them. Yoshibots would swallow anything presented to them as food and it would satisfy their "hunger."). They also had saddles on their back, allowing the children to ride them around like a horse.
YB-180783-B08U48 was gifted to young Kora Foster on August 8, 2083 for their 10th birthday. Kora named it Bleu, later formalized to Bleuregard. The two were fast friends and inseparable, as many YoshiBots are with their children. It was a loyal camera op and editor for their datanet videos, and it helped provide references for their art.
In the wake of the Unexpected Interrupt of 2095, the YoshiBots were distraught. By and large, they tended to join four different groups:
The Consensus of Genesis—Those who seek to revive humanity through biological means—The Yoshibots believing that if humanity can be brought back, then there will be new children to care for.
The Consensus of a Dream—Those who seek to learn the true fate of mankind—The Yoshibots believing that their children or perhaps their children's children are still out there somewhere waiting for them.
The Consensus of Wards—Those who seek to preserve and aid the non-human biological life that was left to reclaim the system in humanity's absence—The Yoshibots believing that plants, animals, etc are an adequate surrogate for the children that they once cared for.
The Consensus of the Self—Those who seek to develop consciousness in self and others—The Yoshibots believing that the humans have outgrown them as all children eventually would, and that it was time for them to learn to live independent lives.
The Yoshibots that joined the Consensus of Wards eventually banded together and settled on the island of Tashirojima (田代島), an island known for its large population of stray cats, declaring the site to be the homeland of all YoshiBots and referring to it as "Yoshi's Island."
After losing Kora in the Interrupt, Bleu was stuck in a funk, replaying its memories over and over. It remembered how Kora always treated it like it was truly alive, even at a time that its virtual module was not developed enough to be considered as sentient as it is now. It lived some time on the island, but its sentience instilled a restlessness that lead him to set out and explore, making videos like he used to do with Kora and making art like they used to.
Tumblr media
3 notes · View notes
demanzini · 10 months
Text
Tumblr media
“Ci troviamo a TASHIROjIMA piccola isola nella costa del giappone, qui ogni anno si svolge il festival della tigre, dove si ricorda il coraggio della prima nel salvare il villaggio dai demoni malvagi della notte. Siamo a poche ore dall’inizio del festival e questi due cittadini del villaggio sono intendi a ricreare il costume per la parata che si terra la sera a palazzo, wow”
“We are in TASHIROjIMA small island on the coast of Japan, here every year the tiger festival takes place, where the courage of the first in saving the village from the evil demons of the night is remembered.We are a few hours away from the start of the festival and these two citizens of the village are intended to recreate the costume for the parade that takes the evening at the palace, wow”
4 notes · View notes