#tcoas
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Dear Nemlei,
I know that you will probably never see this, but I hope you know how much you and your game saved me. Not in the sense of death, but for a month or 2, I was dissociating pretty much every day. I'd come to every once in a while, but for the most part I didn't really exist.
I remember accidentally coming across a YouTube clip of someone playing the Coffin of Andy and Leyley and I didn't really pay much attention, I saw the cute art style and I continued on.
It wasn't until I stumbled across a meme with Ashley that I remembered the game. I got really interested. I watched 2 playthroughs of tCoA&L and I absolutely loved it.
It snapped me back into reality. I started feeling emotions other than loneliness, worthlessness, and boredom. I bought the game and played through every ending, getting all secret optional stories and dialogue.
I felt horrified, disgusted, and unclean... but in a good way it was enjoyable. It actually played into psychological horror. Something I don't think anything else could replicate.
It broke my daily dissociation and I'm now enjoying every day. I still think about tCoA&L every day because the story and art is beautiful.
TL;DR Thank you for making the Coffin of Andy and Leyley. You helped me in a way I couldn't even imagine. I hope we see more games like this after episode 3!
Happy 1st birthday, tCoA&L
#nemlei#the coffin of andy and leyley#tcoaal#tcoa&l#happy birthday the Coffin of Andy and Leyley#thank you
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MERLIN WEEK 2022
↳ Day 4: Aesthetics
#i love the over sharpened look sue me#merlinweek2022#merlinedit#bbc merlin#merlin bbc#merlin#morgana pendragon#katie mcgrath#morgana#s3#3x13#tcoa#episodes#my edit#xuserann
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the chronicles of aeunoia
. . .
sea cookies shenanigans.
who called for peppermint cookie detainment?
what was captian caviar and black pearl discussing that made her jump in shock?
when will candy diver reach squid ink cookie?
where is sea fairy and crimson coral cookie ?
why is sorbet shark cookie so adorable???
so many questions …
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Thoughts on the Graves parents? I saw a video detailing all the... well, details we have on them, and I think they're pretty interesting in their own right, though of course it's all in service of the main characters
Also do you think Andrew's conception was unplanned, unlike Ashley's?
Holy shit, my first ever Tumblr ask?! (not including the ones that are basically just The Klan having a normal one in the inboxes of people who speak positively of Lily lol
ty ty ty ty ty--!
*sees it's TCoA&L related*
💀 ...welp, guess it's time to make an ass outta myself!
*grabs the stepladder and yoinks the basket that Lily accurately-labeled "Flowers in The Attic but it was made by the folks behind Llamas With Hats" and placed on the top shelf*
Going only off what I've personally observed, I consider the parents to be the "actual" villains of TCoA&L: it seems pretty cut-and-dry that Andrew was unintended (hell, I don't even think Ashley was intended; IIRC Mrs. Graves had her when she was 17, and I just don't see a teenager putting life into the world intentionally), and instead of doing the responsible thing at-- what was she? 15?! --and getting an abortion (or at the very least, giving the kid up for adoption), she tried to play 1950's Nuclear Family in a late 90's/early-2000's economic landscape where such a lifestyle would be completely unsustainable.
So when Ashley reaches the age where the Nuclear Family model's worst weaknesses rear their ugly head, instead of Actually taking responsibility and sending Ashley to a therapist, Mrs. Graves-- in her infinite, galaxy-brained wisdom 🙄🙄 --decides to dump a possibly-neurodivergent girl onto her barely-older brother. As Lily pointed out in her video, any psychologist worth their license would tell you that is the single worst thing to do in Mrs. Graves' situation short of disowning and abandoning the child completely.
By the time Bonnie & Clyde: Ohio Edition have grown up, Mrs. Graves somehow still hasn't even tried to put two-and-two together as to what the actual fucking problem is (hint: it's not Ashley, and it's definitely not Andrew), throws her kids to the wolves and has the audacity to try celebrating that the two are "No longer her problem." Mrs. Graves is the type of woman who would vote for the Leopards Eating Peoples' Faces party.
Look, I'm not a psychologist, a victim of parent-on-child abuse (at least not to the extent that would provide relevant experience to this conversation-- at most, I was neglected by my bio-mom for the first three years of my life, and then promptly adopted by Mom who's unironically The Best), or even that particularly good at character/media analysis, but it's pretty open-and-shut to me that 90% of the awful shit these characters go through could've been avoided if Mrs. Graves and her husband ever wised the hell up and realize the shitshow they've put their family in.
anyways 10/10 ig well done Nemlei in making a detestable villain no cap 😅
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Character Voice Tag
Ooh, this looks fun! Thanks for the tag, @daughter-of-inklings!!
Rules: Rewrite the line of dialogue from the person who tagged you into the voice of your OC’s! (You can include a short beat of action to help establish character if you want.) Pass on the tag with a new line of dialogue.
“Are you stupid, or is that on purpose?”
Ev: “Are you- Are you sure you thought this through?”
Kei: “Are you serious right now? Are you trying to get us killed?!”
Ros: “I… don’t think that’s a good idea. Are you sure?”
Nas: “I would advise against it, but… if you say so.”
-
Emilia: “Is this a joke? Or did you really not think about what this would mean?”
Athena: “I- I don’t mean to be impolite, but it does not seem wise to proceed this way. Are you sure about this?”
To anyone else who feels like doing this:
“Make up your mind already, we’ve gotta go.”
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Just realized who Limerick reminds me of...
Jeanne and Limerick both fall into the genre of character where its like "I don't like you because you're kind of the worst BUT you're written in an interesting and compelling way so I want to see where this goes."
Jeanne my beloved but also my detested??? She's a girlboss and also like a wife to me. Idc if she would stab me...Unlike Limerick who I legitimately just Hate.
Something something it's easier to get behind Jeanne’s motives of wanting nice things/never being satisfied with where she is vs Limerick who starts with the motive of wanting Recognition but then veers into doing it for One Man’s attention specifically, and that's where she loses me. It's also a little about The Struggle. I experience a similar thing with Chosen One characters where they can have immense power but it has to feel like They Earned It. Jeanne lived a tumultuous life in Paris and worked for Every Scrap of Everything she ever Got vs Limerick who grew up with everything handed to her. Not to mention Jeanne to some degree cared for Rosalie and her mother, even though she tried to pretend she didn't. Limerick truly and sincerely doesn't.
Anyways I love unintentional character parallels...
#Rose of Versailles#Jeanne Valois de la Motte#Rose of Versailles?? What are you doing in my falafel????#idk what I expected though honestly#This campaign was largely inspired by Rose of Versailles and Classic Barbie Movies#dnd#TCoA Spoilers#The Crusades of Amalthea#Its been a while since I've seen RoV so apologies if I got something wrong x_x#hate blog
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chapter 9 (The Dead and The Living)
As Aster wanders through Dragonspine, he comes in contact with a monster. Is this going to be his first kill? Or the beginning of something new?
read on Ao3 here!
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My fic is gonna to break anyone who has any Security Breach character as a comfort character LOL. This outline dark as hell
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Ras: Of course I have a lot of pent up rage, you fool! I've been the same height since I was twelve!
Una: I love you.
Emric: Me too.
Haylor: Ah shit I forgot.
Isa: Forgot what?
Haylor: How do you expect me to answer that?
Evelyn: I hate you with every inch of my body.
Emric: That's not a lot of inches...
Isa: What situation is not instantly improved with the addition of fishnets, I ask you?
Bailey: Being a fish.
Isa: Well shit.
Ras: I hate when people ask me "Well what did you do today?" Buddy, listen, I woke up at noon, then it was 5 pm, okay? I DON'T KNOW.
Councilman Rezune: Bailey always accuses me of having a favorite but that's not true.
Councilman Rezune: I love Isa and all non-Isas equally.
Emric: Can I have some water?
Evelyn: *starts chugging her water bottle*
Evelyn: *chokes from drinking too fast*
Evelyn: *spills water all over herself*
Evelyn, coughing: I don't have any water.
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ive hit a new low (<-got attatched to fortunado from the cask of amontillado)
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Alright, theory time:
Andrew and Ashley will be getting fake IDs in episode 3 no matter the route.
We know that they can't use their own IDs as they were pronounced dead due to the soda/water supply/organ harvesting/surgery conspiracy. And they can't use their parents' IDs as the parents "went missing."
So, who will they be on new IDs? We can guess that they'll still use their own first names or if they (*cough* Andrew *cough*) are being extra cautious, they'll probably use their nicknames on the IDs; but what about last names? Well, this might be how we learn Mrs Graves maiden name, they might go with that as their last name.
Relating to this theory, I have a question about this:
Do they have their new IDs by this point (assuming all these screenshots happen in the same route and are connected) or are they going to have to convince these officers of a lie? I mean, obviously the Grave siblings haven't gotten rid of the stolen car yet, (I assume we'll see Andrew having an internal panic attack.) so they might not have their new IDs at this point.
#thanks for coming to my ted talk#thanks for letting me ramble#the coffin of andy and leyley#tcoaal#tcoa&l#ashley graves#andrew graves#devlog#tcoaal devlog#the Coffin of Andy and Leyley devlog#theory
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หลังเล่นเสร็จ 🤣🤣🤣 #tcoa #thecreationofadamth #gravitytonerecords #gtrcrew (ที่ แหลมแท่น ชายหาดบางแสน) https://www.instagram.com/p/CoP5toqhAU4/?igshid=NGJjMDIxMWI=
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POV: You showed up to the TCOA uninvited.
#battle for dream island#bfdi#ice cube bfdi#match bfdi#ruby bfdi#bubble bfdi#pencil bfdi#book bfdi#freesmart#battle for dream island again#bfdia#the clubhouse of awesomeness#bfdi alliance#my art
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'The Cask Of Amontillado': Analysis
Edgar Allan Poe's short story, 'The Cask Of Amontillado,' explores the themes of revenge, vengeance, freedom, justice, and remorse within the context of 18th century Italy. The carnival season's atmosphere of deception and hidden motives reflects the themes of revenge and vengeance, while the social hierarchy adds complexity to the concepts of freedom and justice. The catacombs beneath Montresor's palazzo symbolize the characters' descent into darkness, evoking potent emotions of remorse and guilt. These contextual influences, combined with Poe's masterful storytelling, language, and symbolism, enrich the thematic exploration, resulting in a captivating and haunting tale of human emotions and their consequences.
Revenge & Vengeance
‘The Cask Of Amontillado,’ written in 1846 by Edgar Allan Poe, delves into the theme of revenge and vengeance as a prolific concept throughout the entirety of the story. This is initially portrayed in the opening of the story, with Montresor, the protagonist and narrator, stating
“The thousand injuries of Fortunato I had borne as best I could, but when he ventured upon insult, I vowed revenge.”
In the phrase “I vowed revenge,” Poe foreshadows the theme of revenge that runs throughout the story, hinting at the conflict and Montresor's determination to seek vengeance and retribution against Fortunato. Furthermore, Poe employs dramatic irony, creating an awareness in the reader of Montresor’s intention for revenge, with Fortunato himself remaining unaware of this, consequently forming an atmosphere of tension and suspense for the reader. In this, Montresor reveals his long-standing tolerance for Fortunato's offenses but declares his determination for revenge when insulted, establishing his intention to get revenge for the wrongs Fortunato had done unto him in the opening of the story, further hinting at the themes of conflict, retribution and vengeance which are carried throughout the entirety of the story. Montresor’s desire for revenge is continually expressed in
“At length I would be avenged; this was a point definitively settled.”
In this, the significance of Montresor's unwavering determination for revenge is highlighted, showcasing his resolute mindset and foreshadowing the unfolding events of the story. By employing parallelism in “At length I would be avenged” and “this was a point definitively settled” Poe creates a sense of balance and emphasis, with the repetition of similar structures enhancing the impact of Montresor’s resolve for revenge. Furthermore, the quote exhibits a determined and resolute tone, conveying the narrator's unwavering decision to carry out his revenge, leaving no room for doubt or hesitation. Montresor's firm conviction to carry out his revenge sets the tone for the narrative and underscores the depth of his resentment towards Fortunato, fueling the suspense and dark atmosphere of the tale. Additionally, it shows how Montresor has waited an extensive length of time for his revenge, and that he is determined to get it regardless of the cost. In
“I must not only punish but punish with impunity.”
Poe employs irony. This is exhibited as Montresor declares his intention to punish without facing any consequences. The notion of “punishing with impunity” implies acting without accountability or punishment, highlighting the narrator's twisted sense of justice and moral code. This indicates Montresor’s acknowledgment of the need to punish Fortunato for his perceived wrongs, suggesting a desire for some form of justice or retribution. Furthermore, this emphasizes Montresor’s desire for not just retribution, but for carrying out the act without facing any consequences. It highlights his sinister intentions and the extent to which he is willing to go to ensure that his revenge remains hidden and unpunished, underscoring the narrator's twisted sense of justice and adding to the chilling nature of the story. Poe employs hyperbole in
“For the half of a century, no mortal has disturbed them. In pace requiescat!”
The exaggerated statement of “For the half of a century” emphasises the long passage of time. By suggesting that no one has disturbed the objects for such an extended period, Montresor intensifies the atmosphere of mystery and isolation. This concludes the tale with a sense of finality and closure, revealing that the narrator has successfully carried out his revenge, entombing Fortunato in the catacombs for fifty years without anyone discovering the truth. The Latin phrase “In pace requiescat” translates to “May he rest in peace,” indicating the narrator's satisfaction in achieving his desired outcome. This highlights the narrator's twisted satisfaction and the extent to which he seeks to ensure Fortunato’s eternal punishment, emphasizing the dark and macabre nature of the story's conclusion. Throughout the entirety of the story, the most prominent themes are revenge and vengeance, with Montresor declaring his intent for revenge in the opening and with him succeeding in achieving his vengeance in the story’s close.
Freedom & Justice
‘The Cask Of Amontillado’ explores the themes of freedom and justice, delving into the notion of retribution and vengeance as a form of justice. In
"I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation."
Montresor’s deceptive nature and his enjoyment of Fortunato's impending doom is revealed. Through foreshadowing in the phrase “and he did not perceive that my smile now was at the thought of his immolation” Montresor’s smile, which Fortunato fails to interpret correctly, hints at the impending doom that awaits him. This creates suspense and anticipation for the reader, as they are aware of the narrator's hidden intentions. This highlights Montresor’s ability to maintain a facade of friendliness and normalcy while harboring dark intentions. Despite his sinister thoughts of immolating Fortunato, Montresor skillfully conceals his true emotions behind a smile, emphasizing his manipulative and cunning nature. This quote serves to deepen the sense of suspense and tension, showcasing the narrator's calculated and cold-hearted demeanor as he continues to lead Fortunato to his ultimate fate, linking to the themes of freedom by showing that though Fortunato believes himself to be free, Montresor intends to twist his fate with his own plot for revenge. In
“A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.”
Poe employs parallelism, suggesting that a wrong remains unresolved when the act of retribution surpasses the initial harm, implying that excessive vengeance can perpetuate a cycle of violence and further injustice. Additionally, the quote emphasizes the importance of making the wrongdoer understand the impact of their actions and the presence of the avenger. It suggests that for justice to be truly served, the avenger must make their presence felt and ensure that the wrongdoer recognizes the consequences of their deeds. Additionally, Montresor takes pride in his ability to manipulate and control the situation, asserting his own sense of power and freedom, as seen in
“I re-echoed, I aided, I surpassed them in volume and in strength.”
The use of repetition of ‘I’ creates a sense of emphasis and intensifies Montresor’s actions. The repetition serves to reinforce the idea that he actively participated in the events, amplifying his involvement and contributions, further adding a sense of assertiveness and self-importance to Montresor’s description, showcasing his desire for control. Furthermore, by re-echoing, aiding, and surpassing others in volume and strength, Montresor asserts his control and power, suggesting a shift in the power dynamics between him and Fortunato. This quote showcases Montresor’s manipulation, as he manipulates the events to his advantage, ultimately leading to his craved revenge. It serves to emphasize Montresor’s growing confidence and determination to carry out his plan, hinting at his escalating sense of power and control over Fortunato's fate. Ultimately, the concepts of freedom and justice are thematically explored throughout the entirety of the story through Montresor’s views of his feud with Fortunato, and how his perspective of his revenge shows it as a form of perceived justice and retribution.
Remorse
Poe’s short story also thematically delves into the concept of remorse, and the effect it can have on one despite any resolve they have otherwise, and no matter how much one is intent on doing what they later feel remorse for. This is portrayed through Montresor, who despite being intent on getting revenge and satisfied once his vengeance was achieved, still felt what can be interpreted as some form of remorse as seen in
“My heart grew sick; it was the dampness of the catacombs that made it so.”
This quote suggests a physical manifestation of sickness, which could be interpreted as a metaphorical representation of Montresor's inner turmoil or remorse. The mention of the darkness of the catacombs symbolizes the overall atmosphere and setting of the story. representing the darkness, decay, and impending doom that permeate the catacombs where the narrative takes place. Furthermore, the dampness contributes to the unsettling and oppressive ambiance, evoking a sense of discomfort and foreboding. It also serves as a reflection of Montresor’s deteriorating mental state, as his sickened heart suggests a growing unease and fear, and signifies the psychological effect of the setting on him, contributing to the overall sense of darkness and impending doom. Additionally pathetic fallacy, or the attribution of human emotions to inanimate objects or nature, is evident in the statement, "My heart grew sick." This personification technique assigns human characteristics to Montresor’s heart, conveying his emotional distress and uneasiness. By linking Montresor’s emotional state with the physical surroundings, Poe creates a sense of connection between the inner turmoil of Montresor and the external environment. Ultimately, this serves to intensify the suspense and foreshadow the ominous events to come, as the narrator's deteriorating mental state mirrors the sinister nature of their revenge plot. From this it can be seen that, though Montresor wanted and was pleased with his revenge, the guilt of it still consumed his unconscious mind, thus showing his inherent humanity.
Summary
In Edgar Allan Poe’s ‘The Cask Of Amontillado,’ the themes of revenge, vengeance, freedom, justice, and remorse are explored within the historical context of 18th century Italy. This captivating tale is enriched by the contextual influences present throughout the narrative. The deceptive atmosphere of the carnival season, with its masks and disguises, reflects the themes of revenge and vengeance, while the social hierarchy of Italian society adds layers of complexity to the notions of freedom and justice. The catacombs beneath Montresor's palazzo serve as a physical manifestation of the characters' descent into darkness, evoking potent emotions of remorse and guilt. With Poe’s masterful storytelling and skilled use of various literary techniques, ‘The Cask Of Amontillado’ becomes a haunting exploration of human emotions and their profound consequences.
#english extension assignment#the cask of amontillado#tcoa#montresor#fortunato#edgar allan poe#analysis
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Just realized something yesterday about the past couple months, and decided to make a meme about it.
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