Anyway earlier this month I said I had a lot of feelings about how visual framing is used in Viren and Harrow's relationship so time to talk about it, i.e.
Harrow is almost always framed as being above Viren
Now, some of the meaning behind this is obvious. In spite of their longterm friendship, the fact that Harrow was king and had the final say, and Viren very much did not (and likely went from being Harrow's closest advisor to second fiddle with Sarai, and then back again) is something that Viren concerns himself a great deal with: "My whole life I've been chasing after things I didn't have. Status, influence, power" (4x02). Due to this difference in status, Viren's plans are suggestions, whereas Harrow's word is law, and Viren each time has to present his ideas accordingly, and the framing reflects that:
We see this desire to be close to Harrow and power more generally bleed over into other areas of Viren's life, such as his obsession with the mirror. Viren assumes the proximity to power begets or informs importance/worth, and that because "the mirror was kept closest to where [the Dragon King and Queen] slept, it must be important."
This of course is a mirror (ha) to his image of himself, in which, "I thought you were going to be something special, something important!" (2x02) and exactly why Harrow's words of, "I see the problem now: it's that you believe you are special, above the laws of this kingdom."
His happiest moment with Harrow then arguably, within the text of the show, is when Harrow invites him up to be on equal standing (and also why said portrait is what inspires Viren to offer himself up as Harrow's "equal" - amid a self-importance kink, of course). When they were 'brothers', and why the dissolution of their bond undoes this framing entirely.
It's not surprising, then, that his psyche reenacts the Happy moment with the portrait with an even sweeter, cherry on top of not just Harrow's forgiveness, but his love, acceptance, and admiration, in Viren's dark magic dreams.
Symbolized by Harrow lowering himself in order literally lift Viren up from a kneel, to standing as equals, and into a hug (+ acceptance and a mutual assurance of familial connection/importance).
(Bonus points for Harrow's sword being changed into Viren's staff immediately after their hug, btw.)
But just like 2x05 with the portrait, this moment of reconciliation and happiness even inside Viren's mind cannot last forever, as he's pushed and stumbles into an even lower place than on his knees, and this part of the nightmare is over.
This is also, of course, the most overt framing to display power and control vs feeling powerless or helpless.
That said, while Harrow above and Viren below framing wise is the most consistent framing we see for the two (besides just regular shots with things like pillars and titan hearts in between them) are the ones where Viren is framed above... and it's not usually good.
We see the Standing to Kneeling to be on level with Harrow to Standing again progression as Viren makes his case regarding Zym. Like before, I think this serves a few purposes.
Viren standing at first when Harrow does not reflects their attitudes, specifically Harrow's relief that it's finally over and Viren's suspicion that it's not
Viren then moves to be on Harrow's level and this communicates how he's pleading / trying to have Harrow understand his point of view by bringing himself down to Harrow's level. This, of course, is ironic, because by doing so, Viren is bringing Harrow down to his level in terms of morality
Viren straightening up again indicates assertiveness, being active rather than passive, and perpetuating a path that offers agency, safety, and control, horrible as it is.
And it works, since as we know, Harrow goes along with and agrees to it in spite of his reservations.
However, the most interesting flip of "Viren looking down at Harrow instead" has always been this one at Harrow's funeral in 1x04, as Viren is attempting to rush things along and take his former's friend throne. All the power is there within his grasp as he stares impassively into the fire, and yet it rings hollow and reminds him ("In his final hours, he called me brother") of precisely what lies he's telling not only the populace, but also himself.
Because the only way for Viren to look down on and at Harrow was for him to be dead.
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