ngl, I'm beginning to take issue with how in conversations about anti-intellectualism almost automatically, the face of girls and women will be slapped on the problem.
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y’all i’m in both david and mark motherbaugh’s walls for this one.
i was going through bits of footage for gifs as i do, and realized that the little note progression in the alma+stede scene sounded very familiar. sure enough...
it’s the same little progression as the pre-kiss confession, just in another key. it’s the lead-in to the love theme.
something something the handling of stede’s heart in both scenes. something something love but in different ways, hence the same song but in different keys. something something love towards stede finally progressing to the intended point.
...tldr, this show is insane for its symbolism and motifs and it’s wild that we keep discovering things over a year after the first season dropped.
Ohh i could not stop thinking about the one commercial with the Wally plush!!
Where he says "Groovy", "Far out", and such!!
And if you look up "70's background"
There is just soooo much aesthetic suiting of Wally!!
So i really really wanted to dress him up in some Groovy clothes!!
The fish shoes were his original shoes, but i made them an alt cause they are hard to draw! pfffft!
Wally can Dance! He can teach You how to Dance!
Alternate blue glasses, i could not decide on the color of his John Lennon's, so he can have many pairs! Oh and he definitely has a wide wardrobe!!
(audio starts 10s in)
i've been casually collecting some cd singles mostly for the artwork and the novelty of it all tbh, but i got this and never knew there was a "guitars down" version of sugar :0 upon listening it seems the biggest differences with this vs the album version are:
the instrumentals/sustained controlled feedback that usually plays behind the prechoruses is also used between the chorus and the 2nd verse, over the normal chuggy riff
the backing vocal harmonies in the chorus seem to be significantly brought forward which sounds STUNNING, easily the highlight of this version
made it (+the music or the misery) available to download as a flac file here :)
I like to think the Ferryman would inevitably try to urge V1 into creating something! It often watched them work and seemed fixated on anything from painting to sculpting, to the point of becoming a major distraction for a process they'd become used to being a solo act. They thought placing a canvas in front of it would satiate it.
However, V1, being programmed for war, knowing only destruction, utterly fails to create. Through time and contemplation, it learns to appreciate art, and it finds things it enjoys. But it can't seem to get the hang of actually making something new. It may create a copy of an artwork, but everything from lack of time-earned skill to a more abstract "this is not what I am trying to do (make something new)" train of thought could upset it and cause it to abandon the effort. It'd try, maybe get a few shapes down, pick colors it logically knows are visually appealing together, but it just can't think of anything to make. Eventually, with time, it would, but the first time the Ferryman made it stand still and work, it overheats trying.
So it settles for watching the Ferryman make, instead.
“I heard a lot of that stuff [‘I’ll Build a Stairway to Paradise’, Paul Whiteman Orchestra, ‘Chicago’] and I think that filled my computer with data. So that when I came to print out later, it was all in there. One of the great things about me and John was we both had that. We talked about some of the songs we liked, and he liked ‘Little White Lies’ … The night that you told me! Those little white lies! I knew that, so it gave us little bonds. That was his print-out. So when we came to write together we had similar print-outs, similar data from our upbringing. People tended to think of John as just a rebel or something; there was this whole other side to him that I liked, and that allowed me to get on better with him than if he’d just been a rebel.”
Guess who just found the clip of Con O'Neill talking about how Taika Waititi said that Ed's and Izzy's relationship are like Jesus' and Judas' in Jesus Christ Superstar? THIS GUYYY