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britneyshakespeare · 1 year

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it is weird being an aromantic asexual who is incidentally attractive. like. i just came back from a concert with my friends who have known me for years and know that about me. some of the very few real-life friends who know that about me actually and i only told them relatively recently. regardless. the only reason i had bothered to bring it up w them is that they had seen me in SO many situations that telling them “i’m asexual” was if anything just clarification. just confirmation, like, don’t worry. it’s not an inability to attach to others or whatever. if you can’t tell. like they’d seen me be pursued by quite a few people in our time as friends and at some point it seems like a curious thing if i only ever seem to feel negatively about anyone who’s attracted to me, ever, no matter who it is. and they were understanding and i knew they’d be. yeah.

we were talking on the way back about bucket list concerts we’d still like to see. we saw stromae which was a really big one of mine (my fucking boy btw, i had an amazing time). i mentioned that i don’t have very many, as i’m rarely the person to be like “yeah, let’s go to a concert” unless i have people i know i wanna go with. like i’ve been meaning to see the jonas brothers w my sister and sisters-in-law ever since they came back because it’d be a fun thing for us since we always listen to them together.

but i would genuinely love to see super junior someday, like just for myself, wherever whenever if i was just able to get transportation (i don’t drive). i’ve loved suju for years but i got really back into them in 2020 in the pandemic as a sort of nostalgia comfort thing (but also the music they’ve put out in recent years is like, literally the best in their discography, they just keep getting better w age). and i had to go on this tangent to explain it, right?

in the first months of the pandemic, there was something weird happening to people psychologically. some kind of end-of-the-world loneliness. i mentioned that i had like 5 or 6 different people in my DMs at the time interested in me. not all of them men. and the friend who was driving said “you know, diana, if this were literally anyone else talking, i would think that this is some enormous humblebrag—”

and i like. didn’t even think about it that way. i was just trying to make my point that i had a serious thought in 2020 of like, when the world opened back up, just doing one (1) seriously manipulative thing in my life and convince one of those men who was thirsting for me to buy me tickets to super junior and go with me. it was hypothetical. this hasn’t happened and all but certainly will not. i would not feel good taking advantage of someone’s feelings like that.

but i had to go on a tangent even before that because i was like. oh my goodness. i didn’t even realize that was a humblebrag. i’m sorry. i’m just telling a story.

#the politics of being a pretty young woman #tales from diana #i also wouldn't have felt comfortable telling anyone that anecdote about myself if they had known less about me than my friends i was with #so i guess i wouldn't be in danger of humblebragging. but sometimes i think i do? by mistake.#like when i talk about my social life in the past i always mention no one openly liked me in high school. not one person.#it very much affected how i saw myself. bc bullshit. young girls. male approval. y'know.#but in retrospect now i'm better able to tell when a boy had some kind of crush on me so i might mention it like 'he thought i was cute'#and one time a different friend i had. but one who i have also told im asexual (im trying to do that more) said to me #'you know for how unpopular you say you were in high school it seemed like a lot of ppl liked you'#i mean. yes? it's complicated. i was most certainly not popular i can tell you that.#i was more of a 'hey goob nice binder' 'hey goob wanna hang out at my house after school?' [narration: they all hated me...] kinda kid.#i probably kept myself from making friends wo realizing it but also lots of cliques i would've liked to be part of very much ignored me.#i was hot on the margins. a truly underrepresented social archetype... except that's literally every teen movie so maybe not.#i didn't have a big win in the final act that's the difference.#also before the concert we were talking about one of our other friends who is just. so fuckin funny.#like we were all talking about how much we love him. and they said they had been talking about who in the group chat we're in #has the most 'pull' and im like. pull?#like who could pick up the most ppl successfully. hypothetically.#both of them ranked me high :^) i was like. thank you.#they asked me to ponder on the topic myself and try to come back to it but i think im just confused by the concept of 'pull' itself #stromae has pull. that is all.

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that-local-punk-kid · 1 year

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one of my players just created a character with no memories as a backstory, his character just doesn't remember anything before he woke up in the middle of nowhere

tiniest part of me: he's a kid, he's the youngest of the table, it's his first campaign, don't do that

writer me, DM me and sadistic me: I'm so gonna make his backstory incredibly traumatic and reveal him as a mini boss at the last session before the fight with the BBEG

#my boy has no idea #he was created by the Big Bad #poor kid #im so gonna do it #ill crush his little teen heart #and i know he's gonna love it #rpg #dnd #d&d #dnd character #adventures in dming #i honestly feeli like a god #game master #dungeon master

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inupibaldspot · 2 months

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Back off,kid.

Pairing : Gojo Satoru x Reader

Note ₊˚⊹♡ : (Teen)Gojo is jealous over (kid) Fushiguro having a crush on you.

Fushiguro Megumi always wonders if he made the right choice every time a white-haired sunglass wearing teenager walks into the house.

The tall older boy would grin as his hands form a salute. “You doing good Megumi and Tsumiki?”

He was as useful as the indoor plants. Fushiguro thought.

Gojo wasn’t much good at cooking and neither helped with cleaning, probably because of his rich background—but he did spoil them with lots of food and pocket money but he wouldn’t ever admit that.

As much as Fushiguro would love to throw insults at Gojo, he holds back his tongue each time; Tsumiki would send sharp glare and nag him if he did.

The first friend he brought to visit them was a girl; it was after Gojo went missing for a while and when Tsumiki inquired about it ,he simply said one of his dear friend went cray-cray as his finger twirls at the temple of his head.

The girl had short, brown hair with a distinct smell of cigarette; her name was Shoko Ieiri. She wore an impressed look when she entered the house as she looked over to Gojo. “Heh— The place is pretty neat,Gojo.”

Fushiguro looked to Gojo who placed some groceries on the counter top with a proud smile on his face. “I know right!” Gojo replies.

The young boy frowns. “It’s Tsumiki who keeps the place clean.” Shoko gives Gojo a stare before she cackles.

A week later when Tsumiki was still in school with club activities, another person makes an appearance ,you. He could faintly hear conversations between you and Gojo through the front door on how you’d actually wanted to visit them sooner but was bombarded with mission before it swings open.

The first thing Fushiguro noticed was how Gojo seemed to make you enter first— other times he barges in without a care for Shoko— his hands near your back with a slight space, without touching it. Why was Gojo being nice?

You blink at the dark haired boy. “Fushiguro Megumi, right?” Gojo peers from behind as you smile. “Did you eat?”

“Not yet. Waiting for Tsumiki to get home.” Fushiguro thinks you’re the first person who is kind of decent.

You nod take plastic bag from Gojo’s hands and lift up it, your smile widen. “I’ll make you some good stuff then.”

“I want to eat your cooking too,y/n.” Gojo chirps in only to be ignored. And to your credit, it was actually good. He didn’t remember the last time he had something this good home made.

After that, your visits seemed to increase which Fushiguro Megumi did not mind, in fact he was getting fond of your presence. You helped with food, cleaning which lessened the load on Tsumiki plus you also helped him with his studies.

“You seemed to get it now, Megumi.” Poor kid, blushes a bit hearing your compliment. “Practice this set of questions and I think you’ll do pretty well on your tests.” You smile.

Fushiguro nods as he does as you say, face still heated up. He looks up at you, who was reading a book. Your hair slightly in your face, lips slightly parted with eyes focused. You were extremely beautiful and as much as he wouldn’t admit it , he had a big fat kid crush on you.

“Megumi-chan.” Suddenly he is shoved to the side as a body makes way in between you and him. It was Gojo who sat in between. “Move over~ This seat is mine.”

The boy frowns and so did you, not liking Gojo’s action. “Don’t interrupt the kid, who is studying.” Kid? Ouch…You huff as your move over, despite you complaining you make space for him, focus back on your book.

Fushiguro watched as Gojo leans closer to you, almost resting his head on your neck as he looked over to your book; after a while eyes slowly moved over to you, his expression softens.

Gojo smiles as he tugs a piece of hair behind your hair, to which you don’t react as if it was normal. Thee older man then turns his head to Fushiguro—oops,he got caught staring.

The white haired boy then grins, a condescending one in fact as he mouths out the following words.

‘y/n-is-mine.” Fushiguro huffs. ‘back-off.”

Reblogs, like and comment are appreciated! Love this work? out other here

#jujutsu kaisen #jjk x reader #jujutsu kaisen imagine #jujutsu kaisen x reader #gojou satoru x reader #gojo x reader #gojo imagines #gojo imagine #gojo satoru imagine #gojo satoru x reader #gojo fluff #gojo x you #gojo x y/n #megumi fushiguro #fushiguro imagine

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pxningfo0l · 10 months

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It's a reoccurring pattern with Steve, getting come out to and then instantly shitting on the person's taste in people.

Robin comes out to him and tells him she liked Tammy 'The Muppet' Thompson and Steve immediately jumps onto making fun of her because obviously, he will. She sounds like a goddamn muppet! Robin may deny it, but he knows she knows he's right. And he never lets her forget it.

After the Byers family moves back to Hawkins, Steve gets closer to the Byer-Hopper twins (Not blood related twins, but with how similar they are they might as well be). He takes note of the way Will carries himself, the way he stares at Micheal Asshole Wheeler of all people when he thinks no one is looking.

The kid doesn't come out that quickly, so with Robin's advice, Steve takes his time, making it known how okay he was with Will's sexuality, even if he did have standards low enough to beat Robin's terrible Tammy Thompson taste (He says this to her and she reacts as predictably as ever- by throwing something at him).

When Will does come out to him, Steve makes sure he only freezes for a literal second, not wanting the kid to panic like he'd seen Robin do back then. Of course, as soon as he's done comforting and reassuring the kid that he's completely fine with him being gay, he immediately jumps onto making fun of his terrible crush on Mike, finding great joy in the bright blush burning the teen's face.

The next time someone comes out to him, he's more caught off guard than he was with Robin.

Not because he was shocked that Eddie liked guys, no. He might be stereotyping a little, but no straight guy goes that close to another man and calls him Big Boy all low and seductively, a teasing grin curling his lips, a glint in his eyes-

You get the point.

The reason why he's shocked is because Eddie comes out to him, and when Steve asks about crushes, Eddie says,

"Oh, I had the worst crush on you in high school."

Steve sits there, his jaw practically on the ground. The way Eddie says it, all casual, not caring about the consequences or the effect it has on Steve.

"Wh- I- Me?" He stammered out, incredulous. "Dude, I was the biggest asshole back then!"

Eddie chuckles at that, a low sound that sends further heat into Steve's already flushed body. "The me back then did not give a shit, let me tell you that man." He turns to Steve then, giving him a slow look, a gaze more like, and smirks. "I certainly understood why the ladies were so desperate for you and your gorgeous locks."

His heart is pounding like crazy, an audible thump in his ears. Thoughts race in his head, one after the other, all jumbled up until what comes out of Steve's mouth next is,

"So what, you've got a thing for douchebags? Seriously?"

Eddie shoots him another look, more confused than ever. "What?"

"You heard me," Steve says, feeling the next words come out of his mouth like a waterfall. "I was a huge asshole in high school dude. How the hell did you have a crush on me back then? Did you seriously have no standards? You'd really stoop that low just because I had nice hair? I have good hair, and I'm nice now! What's stopping you from-"

Steve cuts himself off with an audible clack of his teeth, a sound that most often comes from Robin when she shuts herself up.

Goddamnit Robin.

Eddie is staring at him with wide eyes, the cigarette between his fingers burning away. Steve wants to watch the smoke curl away, but he's too transfixed on Eddie's doe-like gaze.

Then Eddie's features smooth over, a terrible, terrible grin curling its way onto his lips, deepening that dimple on his cheeks. He leans forward eyes lidded just slightly, and says,

"What's stopping me from what, sweetheart?"

#woo #that was impulsive #im practicing with my characterisation and im not sure if i wrote these two well enough #pls be honest i wanna write fics on these guys #steddie #stranger things 4 #st4 #steve harrington #eddie munson #steve x eddie #robin buckley #will byers

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bluehourbucky · 1 year

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My Mom Thinks You're Hot

pairing: beefy!bucky x singlemom!reader

summary: your son tries to set you up with an avenger in a grocery store

a/n: short drabble bc why not

masterlist

_______________________________________

Getting groceries might not be fun for most families but for you and your 6 year old son it's almost as fun as going to the park.

The store that you visit has small cart for kids which your son loves to push, making him feel like a big boy. It's absolutely adorable and you take a picture of him every time. You don't know how you got lucky that your son loves grocery shopping as most kids find it either boring or too stimulating which is completely normal.

"Mommy look it's Avengers cereal!"

As any other kid his age, he's obsessed with The Avengers.

"Yes it is and it's very cool but we already have cereal at home." his face falls and puts the cereal box back.

"Can we get it next time?"

"Of course honey." you chuckle when you see him do a little victory dance.

You were slowly but surely making your way through the grocery list, slowly because your son decided to stop in front every single Avengers food.

Now for your favourite.

Ice Cream.

You turn your head quickly when you hear your son squeal.

"MOMMY THE AVENGERS! CAPTAIN AMERICA! AND BUCKY!" He whisper yells

you look over to where he's pointing and it's true there stand Sam Willson and James Buchanan Barnes.

"Can we please say hi." he holds your hand and gives you his best puppy eyes. You give in since it's not every day you get to meet heroes.

"Hi! You're really cool!"

Two men look down at the 6 year old boy and smile.

"Hey champ,what's your name?" Captain America asks and crouches down to his eye level.

"That's such a cool name!"

"Thank you my mom chose it!" you immediately blush when both men look at you.

"Hi. We just wanted to say hi and uh thank you for saving the world and all that." you avoid looking at James Bucky Barnes because you might have a huge crush on him. Ever since you were a teen and studied for history you thought he was very handsome.

"All part of the job ma'am." Sam salutes you and you smile a little, he's the perfect Captain America.

"I have so many questions!"

"Honey, they are very busy we can't keep them all day. How about just one question for each of them? That's of course if you're okay with that." You look at two heroes,who reply with a nod

"Alright you heard your mom, what do you have."

He thinks so hard and finally asks.

"What's the name of your bird!?" Bucky bursts out laughing, that's not what he thought the boy would ask Sam. Your heart might have done a flip at the sound,you try to hide your face by looking at the floor.

"His name is Redwing."

"Well that's pretty boring why doesn't he have a cool name." At this the three of you laugh.

Sam looks mildly offended.

"What do you have for me?" Bucky asks and whatever he thought the boy would ask it certainly was not this.

"Mr Bucky sir - Do you have a girlfriend or boyfriend or partner? My mom thinks you're hot."

You immediately pull your son into you and cover his mouth. Bucky blushes deeply and so do you.

"Oh my god, I'm so sorry. We have to go right now." You're so embarrassed that you leave your full cart and go straight for the exit pulling your son by the arm.

"But he didn't answer the question." your son whines.

"We don't need to know that. That's a personal question you don't ask people!"

"Uh I don't mind answering that question." Buckys voice says and you stop in your tracks, you turn around but still avoid the eye contact.

"Really you don't have to!"

"I want to. And I'd like to ask a personal question too if that's okay with you of course?"

Your knees almost give out when you manage to make eye contact.

"No, I do not have a significant other. And I don't know how this works at this day and age, but I'd like to ask for your number,doll."

_____________________________________

some years later

"Thank you for coming guest's that I know and don't know. My mom is getting married to my dad! You should all be thanking me because I made that happen!"

You look at your now husband and smile.

Maybe it's not the way you thought you'd meet the love of your life but sure is a story your guests and son find very entertaining.

#james buchanan barnes #bucky masterlist #bucky x reader #bucky barnes #bucky imagine #bucky barnes x reader #sebastian stan characters #bucky fluff #bucky fic

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magewritesstories · 9 months

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[ ᴊᴇꜱꜱ ᴍᴀʀɪᴀɴᴏ ] ᴍᴏᴛɪᴠᴀᴛɪᴏɴ

summary: Luke doesn’t understand where Jess’s sudden motivation to do well in school is coming from TW: none note: i love him sm, but it’s a pretty short fic

“I’m leaving!”

Luke looked up, astonished at the sight that greeted him. Jess stood in the doorway of the diner, with a book bag slung across his shoulder, headed towards the library.

This had been happening for about two weeks now. Every Wednesday at 15:45 on the dot his nephew— his school despising nephew— had been leaving to go to the Stars Hollow Library

The older brunet had made sure that he was actually going to the library and not off to Walmart to pick up some extra shifts.

Jess made his way across the townsquare towards the local library. Everyone who knew the boy in the slightest would know he had no business there— his habit of annotating books meant he couldn’t borrow any, and he despised the quiet— so why was Jess Mariano going to the Stars Hollow Library?

The answer was very simple; Jess had a crush.

You were always there. Sitting in a faraway corner, of the library, working on homework or reading for an assignment.

A few weeks ago he’d gathered the courage to walk up to you when you were reading Wuthering Heights. He was surprised when you remembered him from your english and biology classes (mostly because he was rarely there.)

You were sitting in your usual spot when Jess arrived. It was a small wooden desk, with enough place for two people. The edges of the table were worn, just like the fabric of the pillows on the chairs. There was small yellow-light over the table that blinked every now and then.

The black-haired boy made his way over to the table, letting his bag fall onto the floor with a loud thump.

The sudden sound made you look up from your math assignment, “Oh, Jess, hey,” You gave him a bright smile, “Didn’t think you were gonna make it today.”

“Oh please, I am nothing if not consistent,” He quipped as he tried to ignore the feeling of his heart hammering against his chest.

You rolled your eyes, “They only thing you’re consistent in is bailing, Mariano.” Jess shrugged, “Doesn’t really matter what it’s in, I am consistent.”

“I heard you missed the math quiz yesterday?” You asked, turning back to your homework, “And I missed you in english.”

The teen shrugged, grabbing his books, “I had some stuff to do.” You raised an eyebrow, “Stuff?”

“Yeah, stuff.”

“Well, you missed Ms Bledel handing out our assignment,” You continued. Another thing Jess loved about being around; you didn’t push too hard on things that weren’t your business.

You handed him a copy of your notes, “It’s a two person assignment, and since you weren’t there I made sure we were paired up— so you better not choose next week thursday to be consistent.”

Jess laughed, taking the papers, “I make no promises.”

It was a busy day in the diner when you stormed in. Jess was refilling Rory’s cup of coffee, when the bell rang and you shouted his name.

He looked up in surprise, along with Luke and Rory. “I got an A!” You shouted, running over to him. The black-haired boy wrapped his arms around you in surprise when you jumped towards him, “Thank you!”

You were referring to the fact that he’d helped you with the english assignment and you’d gotten an A for it— which was practically unachievable since Ms Bledel never gave A’s.

Jess rolled his eyes, hoping that the tinge of red on his cheeks wasn’t obvious, “It’s not a big deal,” He shrugged as you pulled away.

“It’s a huge deal,” You countered, “She never gives out A’s, I don’t think I’ve ever gotten an A for english in my life.”

Rory, who was watching the scene amusedly, nodded along, “Yeah, even I haven’t gotten an A in her class before.”

Having heard the commotion Luke walked over to the three teens, “I heard someone got an A?” You nodded, proudly holding up your’s and Jess’s copy of the assignment— bit with a red A on them.

“Oh this is so going on the fridge,” Luke smirked, which made the black-haired boy groan, “Please don’t...”

You giggled slightly at the scene in front of you, before realising you had other places to be. “I have to go,” You said, “But I’ll see you at the library tomorrow?”

That’s when it clicked in Luke’s head; the sudden motivation to do well in school had nothing to do with his threats of kicking Jess out if he failed, it was simple puppy love.

The brunet watched in amusement as his nephew’s eyes followed you all the way to the end of the street.

You had become Jess’s motivation.

word count → 782 words links → gilmore girls masterlist

#gilmore girls #jess mariano #jess mariano x reader #jess mariano fanfic #jess mariano headcanons #gilmore girls x reader #gilmore girls fanfic

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trashmouth-richie · 1 month

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this comes from @serasvictoria with this ask the prompt words were: pillow, caught, crush

18+ no minors, angst leading to smut, vulgar, eddie talks about his dick and steve’s 😌

2.1k // eddie x fem reader

your ex hears you’ve moved on; is he ready to let you go?

send me a prompt!

“Don’t be a dumbass.”

Ringed hands were folded together, glistening from the makeshift dramatic lighting in Gareth’s basement.

In the summer, Hellfire moved locations from one member's place to another, rotating every Friday to a different place. A new aroma to tickle one’s nostrils upon entering whichever home was the designated spot for the evening, to host Hawkins very own hell bound teens.

Some homes were kept nicer than others, while Eddie’s trailer smelled like stale cigarettes and bong water, the Sinclair’s living room was pristine with updated furniture, smelling of warm vanilla and the smell of dinner still lingering in the air.

Gareth takes another gulp of Mountain Dew, wiping the lime colored beverage from his lips. Belching on the spot.

“Why would I lie about that?”

Eddie shifts in the folding chair leaning forward— the chain from his waist clinking on the metal, “whatever man, don’t fuck with me.”

Gareth grins, hands up in surrender, “listen dude, I’m just telling you what we saw, no need to shoot the messenger.”

What Gareth and Jeff had seen weighed heavy on their minds. They had even contemplated on keeping it secret. The two couldn’t decide if Eddie should know or if it would hurt him— in the end Gareth opened his big mouth and blurted it out, in the most repugnant way imaginable.

The painted tin container used to hold dice was crushed under the weight of Eddie’s fist as he hammered it onto the table.

Jeff shook his head, sucking in a breath between his braced teeth, looking away from the soon to be manic Munson.

Eddie’s temper ran hot when it came to one thing—and one thing only, you.

Raking his fingers through his scalp, he kicks the back of his chair upon standing, ragged breaths in and out, eyes to the ceiling. You still had a hold on him, it had been months—and the only one who seemed to not be able to move on was him.

He chuckled, pinching the inner corner of his eyes and shaking his head, “one of you take over as DM, I gotta go.”

Bounding up the stairs before he could hear any bitching from his two longest standing friends, the carpeted steps squished under his quickened boot steps. Stealing a cookie from an iridescent colored decorative plate on the kitchen counter, Eddie stomped out the front door and to the paved driveway, starting his van with a flick of his wrist, pedal to the floor as he reversed onto the street, running over flower beds in his wake.

—

The daffodil warmth of the sun was high in the sky, a small stitch of wind blew the blades of grass gently, feathering the soft pages of your book every so often.

It was a perfect summer day as you laid out on your driveway, ass parked in a tiny kiddie pool from your youth, blue in color, the flimsy plastic circle was filled with cool water straight from the hose.

A few shots of spiced whiskey danced on your tongue and tangoed with the carbonated bubbles of the mixed in Coke, fizzing with each slurp from your straw, you don’t have a care in the world.

Admiring your freshly painted nails in the pastel bubble gum shade he had picked out— it was a stark contrast to the ruby reds you had been accustomed to— but those days were long gone, and things were finally starting to look up for you.

It had been four months since Eddie broke things off, claiming he needed ‘space to find himself’ and although you spent a majority of that time wallowing in ice cream containers and mopping up tears when you saw a brown set of curls, or heard the jingle of a chain wallet— you moved on.

He wasn’t from Hawkins. Didn’t know of Eddie at all, and you preferred to keep it that way. You were never ashamed of the boy you loved for so many years, the only embarrassment you felt was the night he ended things like someone would end a call after placing an order for pizza.

Like it meant nothing to him, like you meant nothing to him. But that was then, and you were happier now.

So when you looked up to see Gareth’s wide eyes staring in shock was not at all how you imagined your date would go. You had been caught red handed by his best friends, and you knew it was only a matter of time before he found out.

Toes twirling in the water you bobbed your head along to the music playing on the portable radio, sunglasses perched on your nose— not a single care in the world.

Until the music turned to something more familiar.. the screech of guitars and aggressive tempos, you could practically feel the warmth leave your skin as the dark cloud of Eddie’s van cast its shadow on your skin, parked in your driveway like he belonged here.

By the way he tore around the corner and through the stop sign— you knew he was pissed. The clunk of his rings scraped against the paint as he reached through the window to open the door—still broken.

“I don’t smoke anymore Munson, but if you’re offering freeb—”

“Who is he?” he interjected, in no mood for your joking tone.

Sucking your drink until the ice clinks together at the bottom—whiskey making you ballsier than you ever had been—you finally answer, “Who is who?”

He crosses his arms, trying to stay calm, although all he wanted to do was scream, “the guy, cmon princess, don't play dumb with me.”

Staring at him you can’t believe the audacity of the boy standing in front of you, coming here, demanding to know what’s going on in your life when he’s the one who practically skipped on his way out of it.

instead of stomping around and causing you a scene, you simply ignore him, “you’re in the way.”

“Huh?”

Pointing with a lazy finger to the sky you watch as his eyes follow, “don’t tell me you came here to bitch me out, you’re wasting your time.”

He leans in over your body so close that you can see the chocolate color of his eyes, eyes that you'd lose count of the times you’d stare into them.

“I’m not leaving until you tell me who he is.”

“Okay.” You say nonchalantly, unbothered.

“Okay?”

“Yeah go ahead, stay. ‘s long as you want,” you push yourself up from the pool, standing in a string bikini that matched your nails, “I’ll be the bigger person here, and I’ll leave.”

Water dripped down your thighs as you walked to the front porch and pushed the door open, ready to slam it shut and twist the lock upon entry—but a dark boot prevents your dismissal.

Rolling your eyes you try to kick his knee to get him to move but he wouldn’t budge, and you huff in annoyance.

“Pretty sure this is harassment.”

You ignore the way he walks in your house like he knew his way around, even though he did, your house was a second home to him for years.

Shutting the door with dramatic flair, Eddie leans into your space, inches from your nose, “just answer my question sweetheart— and I’ll be on my happy little way.”

“You’re deranged if you think I’m telling you anything.”

He cocks his head and laughs like a jerk, mocking you.

“Thata more than likely, but I know better than anyone,” his eyes undress you, fingernails skating across your thighs, “how much you like it.”

You turn and shout over your shoulder, “go home Eddie— I’m not in the mood for this!”

He barrels around you, demanding your attention.

“Aww you’re not in the mood?” his voice dipped to a gravelly bite of anger as he put his hand over his heart, “my sincerest apologies to your feelings baby…but I somehow don’t give a fuck about your little feelings when I find out from Gareth that you were sucking some guy’s dick in the Starcourt parking lot.”

Your face heats in embarrassment and Eddie’s eyes are glassy, coated with pain. You never wanted to hurt him, never wanted him to look at you the way he is right now.

“Ed—”

He smirks.

“I think it’s cute…honestly, still doing the same shit you did with me…” he moves to brush your cheek with his thumb, “I’m flattered.”

“Get out,” you bite back, making to shove him to the door but you’re no match for him.

“D’dya swallow for him like you did for me?”

“Get..”

“He bigger than me?”

“…out!” your shoves are fruitless against his broad shoulders.

“Last I checked Harrington was the only one who had me beat… unless you’re fucking him too.”

The slap startled him, but he knew he deserved it. The torment in your eyes was fueled by his words and he fucking hated himself for making you feel that way.

He was hurting too, body shaking with rage and swallowing tears the whole drive here. But, when your tears fell on the apples of your cheeks— all his pain turned to gloom.

“I’m sorry— I— That was a dick thing to say.”

“Do you think getting over you was easy for me?”

“I don’t know.”

“It wasn’t.. and truthfully I don’t think I am yet, but what fucking choice did I have?!”

“Babe—.”

“I loved you, Eddie… I still fucking love you. Why isn’t that—”

His large hands clutch your cheeks, warm lips press into yours with a magnetic force you had forgotten about. Eddie’s tongue tasted like the tobacco spice of a camel, and a subtle hint of mint, and you devoured it like you were starved.

He whispers and groans how he was so stupid, a real dumb mother fucker, and that he never should have ended it.

Accepting his apology—for now—you pull him towards the couch, heels rocking on the carpet until they hit firm on the plush sectional, still lip locked with the man you swore, that you hated to your friends but your pillow heard a different plea ever since he broke your heart.

His arms wrap around your waist, fingers daintily pulling the string from your bikini bottoms until the soft fabric hits the floor. His Hellfire shirt joins them before you both collapse into one another on the cushions, Eddie’s hair draped into your face hiding you both away from consequences and the reality of bad decisions.

He breaks away from your lips to lick up the slope of your neck, and your head angles back in ecstasy. His body temperature was like fire against your skin, curling your legs around his back you couldn’t get enough of him.

“So fuckin’ beautiful,” Eddie grooaned, grinding into your naked cunt, his tongue kitten licking around your neck, working his signature hickey into your skin, “my angel.”

You moan feather light in his ear, fingers twisted into his curls. His hand works down your front, sliding between your slick folds with skills you swore only he possessed.

He played your body like a guitar, knew how to tune you up, the proper way to hold you. A true expert of his craft— your pretty little noises would harmonize from the simple touch of his fingers, your sweet cunt clinching onto him like vice.

“Missed that sound,” he chuckled, his bangs pushed up from the angle on your neck as you came undone, “so pretty like this… drunk on how I’m making you feel.”

Your eyes were pinched shut, chest heaving from the breath shattering orgasm you haven’t had since you got dumped by him. Nobody came close to the way Eddie could do it.

Kissing him square on the mouth, you twist your tongue with his, massaging them together as if a flame could spark from the pink wet muscles.

Intimacy with Eddie felt like home, like a warm blanket straight from the dryer when you were freezing. A cup of soup to soothe an itchy throat.

He melted into you, collecting each gasp you choked out with a kiss from his lips, doing a poor job of hiding the smirk on his face when your breath was stolen from his pistoning hips.

New— but entirely the same, your bodies fell back into each other like no time had passed and he made up for what was lost, twice. Each time your cries rang out like music to his ears— his favorite song.

You slept now, adjusting to his arm wrapped around you, a kiss to your forehead, and a new plea in your pillowcase— for Eddie to stay, forever.

#eddie munson #eddie x fem!reader #eddie x you #eddie munson x reader #eddie munson fanfic #eddie munson smut #eddie munson fluff #eddie munson angst #eddie drabble #eddie munson drabble #eddie munson blurb

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im-totally-not-an-alien-2 · 10 months

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"Hello." A dull thwack sound reverberated across the rooftop, leaving the boy who snuck up on Red Robin clutching his head. The boy, a meta if the large animal ears and tail were anything to go by, shook off the pain and pouted up at him, "What was that for?!"

The vigilante was unrepentant, holding his bo staff in a ready position, "You snuck up behind a vigilante at night. In Gotham."

"Okay," the meta conceded, still pouting. "You have a point there. Robin threw ninja stars at me when I tried to approach Batman."

That got Tims attention, "You tried to approach Batman? Was there something you needed?"

The kid suddenly got serious, "My mom went missing. I haven't been able to contact her for almost two weeks now."

Red pulled his arm closer to his face before he began typing on his wrist computer, "Can you tell me her name and date of birth?"

"Um." The other teen fidgetted with his tail a bit, "Okay, so...she's kinda Cheetah."

"...come again?"

"She's Cheetah. The...the supervillian."

Red Robin stared at him, and honestly who could blame him? The bats hadn't even known Cheetah had a son. "So why are you in Gotham? Why not ask Wonder Woman for help? Cheetahs one of her rogues not ours."

The teen shook his head, "She went to meet someone in Gotham before she disappeared. She seemed really agitated before she left, almost scared. I've never seen her like that before." He paused, giving the vigilante time to type before continuing, "I didn't go Wonder Woman since I figured I would wind up needing to talk to a bat anyway since its your turf and all." He said, waving a hand as if gesturing to the city around them.

"I wasn't aware Cheetah had a kid."

The meta grimaced, "she didn't until a year ago."

Red gave him a look, as if urging him to go on.

The meta chuffed, sounding a lot like whatever big cat he was supposed to be, "I'll only tell you my tragic backstory if you promise to help me find my mom."

"I'll find your mom." The bird said without an ounce of hesitation. Tim was a little offended. Did this guy think he was going to leave his mom in danger just because she was a criminal? Appearently so, seeing as the teen looked so relieved at his words.

"Okay, so my bio parents were evil mad scientists. Always a bad start, anyway they were obsessed with the occult and one day they suddenly took me and my sister to Brazil to hunt for some artifact of another. That alone was strange but weirder still was the fact my creepy godfather was paying for it all. He usually only does something like that when he's plotting "

"Plotting?" The detective interjected, "you make it sound like he does that often."

"Yeah. Hes a supervillian." The meta said casually, as if he didn't just leave Tim reeling, but the kid wasn't done yet, "He's had a massive crush on my bio mom since collage and never let it go no matter how many times she rejected him. She even married my dad, his best friend, and this dude just kept simping for 20 years." The teen rolled his eyes, "Hes convinced himself that if he murders my bio dad then my bio mom will fall in love with him and me and jazz will be "his"." He said that last part with fingerqoutes and a disgusted expression.

Tim filed that away for later, "Can I have his name, if nothing else?"

The teen seemed reluctant for a moment, "You're the worlds greatest detectives. You'll find out even if i try to hide it. Besides, I'd probably be better off if you and the Justice League know everything anyway."

Tim was...surprised by that. Most people usually weren't this open with them.

"His name is Vlad Masters, he also goes by Plasmius when he's dressed like a wannabe vampire. He's a ghost who's repossessed his corpse. My parents are Jack and Maddie Fenton, who are obsessed with ghosts and have convinced themselves that all ghosts are evil and must be destroyed, regardless of how much evidence points to them being wrong."

"And your name?"

The meta grinned at him, showing off four very sharp fangs, reminiscent of the large cat he takes after, "You can call me Jaguar. We were exploring a bit when I broke off from my family and got jumped by one of them. Suddenly I was struck by a claw and turned into furry bait. Fluffy stopped trying to make me his lunch and just stared at me before walking away, which was wierd. Then my parents found me, accused me of being a ghost, because thats naturally what someone would assume when thier son sprouts cat ears," he said while rolling his eyes.

"Naturally." Red joked, which had the benefit of making Jaguar smile.

"So my parents chased me through the jungle, shooting all the while, then suddenly a portal opened up in front of me. I'm not stupid, I know there was no way this wasn't a trap. I mean, a portal opening up right after that bizarre series of events and its the same shade of glowing green as the wierd death go my parents are obsessed with? There's no way they weren't related somhow, but I was desperate and jumped through anyway."

"I landed in another jungle, or the same one in a different location, I'm not sure. I tried hunting and foraging but wasn't very successful at either." Danny still remembered the throbbed in his head when he had headbutt that tree after missing his pounce on that pig he had been stalking. "Thats when Cheetah found me. She took me in and taught me to hunt and fight."

-----

Possible plot twists:

1. Danny isnt Phantom in this au

2. Danny is Phantom in this au but is trying to leave that life behind

3. My favorite. Danny has the ability to manipulate and control animals into doing his bidding with the effect of jaguars and other big cats being the most prevalent and he just doesn't realize it.

One of Cheetahs friends/allies realizes cheetah has changed and suspected something and convinced her to leave for a while to see if her care for this kid faded after a while away from his presence. It works and Danny loses another parental figure/possibly attacked by them too.

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thesuperiorrobin · 9 months

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➳ Reminder that all of these are Female reader insert

─── ⋆⋅☆⋅⋆ ── one shots ─── ⋆⋅☆⋅⋆

✶| Headline |

➳ Dating Damian Wayne was It’s pros and cons, cons being the press follows you almost every where when you’re alone or with Damian.

✶| Truth hurts |

➳ you find the truth about that scar on his chest

✶| He has feelings? | part two |

➳ Damian has been coming home late after his patrol, coming home smelling like strong feminine perfume. His brother follow him one night and they are in for a surprise

✶| Her laughter brings me joy |

➳Damians is in loved with the way you laugh. His brothers tease him about it

| “I promise I’m not scared of you” |

➳scarecrow uses you as bait and an experiment for his fear toxin leaving you in fear of someone precious to you

✶ | Is that my shirt? |

➳ playing with Titus a fun but sometimes he gets a little to competitive

✶| “Kind hard to focus when you look like that” |

➳ Damian find you staring at him while he does his daily workout session

✶ | “I don’t like sleeping alone anymore” |

➳ Damian confronts you after acting weird this past couple of days only to find out you haven’t been sleeping, but for what reason?

✶| “He’s only soft with you ” |

➳ Damians really whipped for you if he’s nice

✶ | “He lost his virginity!?” |

➳ the batfamily notice Damian acting off these past couple of months and come up with weird ideas as to why

✶ | “Don’t say a word about this” | Ft: Alfred|

➳ Pennyworth has to keep yet another secret

✶ | Media is stupid |

➳ you and Damian play with social apps—giving people taste of your love life

✶ | “Dance with me ” |

➳ you and Damian dance together at one of Bruce’s Galas and the attention is set on both of you.

✶ | lipstick Stain | part 1 | Part 2 |

➳ a TikTok trend that leads to the media coming crazy

✶ | “Crazy idea let’s make out” |

➳ teens being teens Y’know?

✶ | punished by my body |

➳ period are never fun. Especially when they keep you from killing you for seeing Damian.

✶ | untitled |

✶ | Rainy days |

➳ Damian realizes that the rain rain always put you in a mood—getting moody once you fix your attention one the thunder rather then his lips

✶ | Thoughts |

➳ Damian is neglecting his duties as being your husband—I’m result puts bad thought in your head that make your two confront him about it.

─── ⋆⋅☆⋅⋆ ── Headcannons ─── ⋆⋅☆⋅⋆

✮ Damian Wayne, the blood son of playboy billionaire Bruce way. Damian Wayne doesn’t live up to the playboy title like his father back in the day

✮ Fem!Reader having a crush on Damian Wayne

✮ Boyfriend!Damian Wayne

✮ Hispanic!Fem!Reader

✮ Damian Wayne doesn’t get crushes

✮ husband! Damian Wayne

✮ bat boys type

✮ random Damian Wayne headcannons

✮ Platonic reader

✮ Quality time

─── ⋆⋅☆⋅⋆ ── scenarios─── ⋆⋅☆⋅⋆

❀ Damian Wayne hates galas , more then he hates his brothers.

❀ Damian ‘Clingy’ Wayne

❀ his bed is more comfortable

❀ “I loves you’s” coming from him

❀ Damian’s not a big fan of holidays

❀ thinking about league of assassins! Damian Wayne

❀ he’s sick to his stomach every time he looks at you

❀ never question why’s your hair is always up

❀ Damian doesn’t get sick often but when he does…

❀ argument | Part 1 | Part 2 | Part 3 |

─── ⋆⋅☆⋅⋆ ── Random─── ⋆⋅☆⋅⋆

✄ incorrect quotes!

One, two, three, four, five, Six, Seven(Jason Todd)

✄ Instagram!

One, two, three

✄ message between you two!

One, two

This is a years worth of writing that I managed to put on one page 🥲

Just let me know if any of the links aren’t working

#damian al ghul #damian wayne #damian wayne x reader #robin x reader #damian x reader #batman x fem!reader #damian al ghul x reader #batfamily #batfamily x reader #damian scenarios #damian wayne headcanon #damian wayne x you #masterlist

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turnstileskyline · 4 months

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The Oral History of Take This To Your Grave – transcription under the cut

The pages that are just photographs, I haven't included. This post is already long enough.

Things that happened in 2003: Arnold Schwarzenegger became governor of California. Teen Vogue published its first issue. The world lost Johnny Cash. Johnny Depp appeared as Captain Jack Sparrow for the first time. A third Lord of the Rings movie arrived. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley released Take This To Your Grave.

"About 21 years ago or so, as I was applying to colleges I would ultimately never go to, Fall Out Boy began as a little pop-punk side project of what we assumed was Pete's more serious band, Arma Angelus," Patrick wrote in a May 2023 social media post.

"We were sloppy and couldn't solidify a lineup, but the three of us (Pete, Joe, and I) were having way too much fun to give up on it."

"We were really rough around the edges. As an example of how rough, one of my favorite teachers pulled me aside after hearing the recording that would eventually become Evening Out With Your Girlfriend and tactfully said, 'What do you think your best instrument is, Patrick? Drums. It's drums. Probably not singing, Patrick.'"

"We went into Smart Studios with the Sean O'Keefe... So, there we were, 3/5 of a band with a singer who'd only been singing a year, no drummer, and one out of two guitarists. But we had the opportunity to record with Sean at Butch Vig's legendary studio.

"Eight or so months later, Fueled by Ramen would give us a contract to record the remaining songs. We'd sleep on floors, eat nothing but peanut butter and jelly, live in a van for the next three years, and somehow despite that, eventually play with Elton John and Taylor Swift and Jay-Z and for President Obama and the NFC championship, and all these other wildly unpredictable things. But none of that would ever come close to happening if Andy hadn't made it to the session and Joe hadn't dragged us kicking and screaming into being a band."

Two decades after its release, Take This To Your Grave sits comfortable in the Top 10 of Rolling Stone's 50 Greatest Pop-Punk Albums, edging out landmark records from Buzzcocks, Generation X, Green Day, The Offspring, Blink-182, and The Ramones.

It even ranked higher than Through Being Cool by Saves The Day and Jersey's Best Dancers from Lifetime, two records the guys in Fall Out Boy particularly revere.

Fall Out Boy's proper full-length debut on Fueled by Ramen is a deceptively smart, sugar-sweet, raw, energetic masterpiece owing as much to the bass player's pop culture passions, the singers deep love of R&B and soul, and their shared history in the hardcore scene as any pioneering punk band. Fall Out Boy's creative and commercial heights were still ahead, but Take This To Your Grave kicked it off, a harbinger for the enduring songwriting partnership between Patrick Stump and Pete Wentz, the eclectic contributions from Joe Trohman, and the propulsive powerhouse that is Andy Hurley.

The recordings document a special moment when Fall Out Boy was big in "the scene" but a "secret" from the mainstream. The band (and some of their friends) first sat down for an Oral History (which doubled as an Oral History of their origin story) with their old friend Ryan J. Downey, then Senior Editor for Alternative Press, upon the occasion of the album's 10th anniversary. What follows is an updated, sharper, and expanded version of that story, newly re-edited in 2023. As Patrick eloquently said: "Happy 20th birthday, Take This To Your Grave, you weird brilliant lightning strike accident of a record."

– Ryan J. Downey.

A Weird, Brilliant Lightning Strike Of A Record. The Oral History Of Fall Out Boy's Take This To Your Grave.

As told by:

Patrick Stump

Pete Wentz

Joe Trohman

Andy Hurley

Bob McLynn - Crush Music

Sean O'Keefe - Producer/Mixer

John Janick - Fueled By Ramen

Tim McIlrath - Rise Against

Mani Mostofi - Racetraitor

Chris Gutierrez - Arma Angelus

Mark Rose - Spitalfield

Sean Muttaqi - Uprising Records

Rory Felton - The Militia Group

Richard Reines - Drive-Thru Records

"To Feel No More Bitterness Forever" - From Hardcore to Softcore, 1998-2000

PETE WENTZ: When I got into hardcore, it was about discovering the world beyond yourself. There was a culture of trying to be a better person. That was part of what was so alluring about hardcore and punk for me. But for whatever reason, it shifted. Maybe this was just in Chicago, but it became less about the thought process behind it and more about moshing and breakdowns. There was a close-mindedness that felt very reactive.

TIM MCILRITH: I saw First Born many years ago, which was the first time I saw Pete and met him around then. This was '90s hardcore - p.c., vegan, activist kind of hardcore music. Pete was in many of those bands doing that kind of thing, and I was at many of those shows. The hardcore scene in Chicago was pretty small, so everyone kind of knew each other. I knew Andy Hurley as the drummer in Racetraitor. I was in a band called Baxter, so Pete always called me 'Baxter.' I was just 'Baxter' to a lot of those guys.

JOE TROHMAN: I was a young hardcore kid coming to the shows. The same way we all started doing bands. You're a shitty kid who goes to punk and hardcore shows, and you see the other bands playing, and you want to make friends with those guys because you want to play in bands too. Pete and I had a bit of a connection because we're from the same area. I was the youngest dude at most shows. I would see Extinction, Racetraitor, Burn It Down, and all the bands of that era.

WENTZ: My driver's license was suspended then, so Joe drove me everywhere. We listened to either Metalcore like Shai Hulud or pop-punk stuff like Screeching Weasel.

MCILRITH: I was in a band with Pete called Arma Angelus. I was like their fifth or sixth bass player. I wasn't doing anything musically when they hit me up to play bass, so I said, 'Of course.' I liked everyone in the band. We were rehearsing, playing a few shows here and there, with an ever-revolving cast of characters. We recorded a record together at the time. I even sing on that record, believe it or not, they gave me a vocal part. Around that same time, I began meeting with [bassist] Joe [Principe] about starting what would become Rise Against.

CHRIS GUTIERREZ: Wentz played me the Arma Angelus demo in the car. He said he wanted it to be a mix of Despair, Buried Alive, and Damnation A.D. He told me Tim was leaving to start another band - which ended up being Rise Against - and asked if I wanted to play bass.

TROHMAN: Pete asked me to fill in for a tour when I was 15. Pete had to call my dad to convince him to let me go. He did it, too. It was my first tour, in a shitty cargo van, with those dudes. They hazed the shit out of me. It was the best and worst experience. Best overall, worst at the time.

GUTIERREZ: Enthusiasm was starting to wane in Arma Angelus. Our drummer was really into cock-rock. It wasn't an ironic thing. He loved L.A. Guns, Whitesnake, and Hanoi Rocks. It drove Pete nuts because the scene was about Bleeding Through and Throwdown, not cock rock. He was frustrated that things weren't panning out for the band, and of course, there's a ceiling for how big a metalcore band can get, anyway.

MANI MOSTOFI: Pete had honed this tough guy persona, which I think was a defense mechanism. He had some volatile moments in his childhood. Underneath, he was a pretty sensitive and vulnerable person. After playing in every mosh-metal band in the Midwest and listening exclusively to Earth Crisis, Damnation A.D., Chokehold, and stuff like that for a long time, I think Pete wanted to do something fresh. He had gotten into Lifetime, Saves The Day, The Get Up Kids, and bands like that. Pete was at that moment where the softer side of him needed an outlet, and didn't want to hide behind mosh-machismo. I remember him telling me he wanted to start a band that more girls could listen to.

MCILRATH: Pete was talking about starting a pop-punk band. Bands like New Found Glory and Saves The Day were successful then. The whole pop-punk sound was accessible. Pete was just one of those guys destined for bigger things than screaming for mediocre hardcore bands in Chicago. He's a smart guy, a brilliant guy. All the endeavors he had taken on, even in the microcosm of the 1990s Chicago hardcore world, he put a lot of though into it. You could tell that if he were given a bigger receptacle to put that thought into, it could become something huge. He was always talented: lyrics, imagery, that whole thing. He was ahead of the curve. We were in this hardcore band from Chicago together, but we were both talking about endeavors beyond it.

TROHMAN: The drummer for Arma Angelus was moving. Pete and I talked about doing something different. It was just Pete and me at first. There was this thuggishness happening in the Chicago hardcore scene at that time that wasn't part of our vibe. It was cool, but it wasn't our thing.

MCILRITH: One day at Arma Angelus practice, Pete asked me, 'Are you going to do that thing with Joe?' I was like, 'Yeah, I think so.' He was like, 'You should do that, dude. Don't let this band hold you back. I'll be doing something else, too. We should be doing other things.' He was really ambitious. It was so amazing to me, too, because Pete was a guy who, at the time, was kind of learning how to play the bass. A guy who didn't really play an instrument will do down in history as one of the more brilliant musicians in Chicago. He had everything else in his corner. He knew how to do everything else. He needed to get some guys behind him because he had the rest covered. He had topics, themes, lyrics, artwork, this whole image he wanted to do, and he was uncompromising. He also tapped into something the rest of us were just waking up to: the advent of the internet. I mean, the internet wasn't new, but higher-speed internet was.

MOSTOFI: Joe was excited to be invited by Pete to do a band. Joe was the youngest in our crew by far, and Pete was the 'coolest' in a Fonzie sort of way. Joe deferred to Pete's judgement for years. But eventually, his whole life centered around bossy big-brother Pete. I think doing The Damned Things was for Joe what Fall Out Boy was for Pete, in a way. It was a way to find his own space within the group of friends. Unsurprisingly, Joe now plays a much more significant role in Fall Out Boy's music.

WENTZ: I wanted to do something easy and escapist. When Joe and I started the band, it was the worst band of all time. I feel like people said, 'Oh, yeah, you started Fall Out Boy to get big.' Dude, there was way more of a chance of every other band getting big in my head than Fall Out Boy. It was a side thing that was fun to do. Racetraitor and Extinction were big bands to me. We wanted to do pop-punk because it would be fun and hilarious. It was definitely on a lark. We weren't good. If it was an attempt at selling out, it was a very poor attempt.

MCILRITH: It was such a thing for people to move from hardcore bands to bands called 'emo' or pop-punk, as those bands were starting to get some radio play and signed to major labels. Everyone thought it was easy, but it's not as easy as that. Most guys we knew who tried it never did anything more successful than their hardcore bands. But Pete did it! And if anyone was going to, it was going to be him. He never did anything half-assed. He ended up playing bass in so many bands in Chicago, even though he could barely play the bass then, because simply putting him in your band meant you'd have a better show. He was just more into it. He knew more about dynamics, about getting a crowd to react to what you're doing than most people. Putting Pete in your band put you up a few notches.

"I'm Writing You A Chorus And Here Is Your Verse" - When Pete met Patrick, early 2001.

MARK ROSE: Patrick Stump played drums in this grindcore band called Grinding Process. They had put out a live split cassette tape.

PATRICK STUMP: My ambition always outweighed my ability or actual place in the world. I was a drummer and played in many bands and tried to finagle my way into better ones but never really managed. I was usually outgunned by the same two guys: this guy Rocky Senesce; I'm not sure if he's playing anymore, but he was amazing. And this other guy, De'Mar Hamilton, who is now in Plain White T's. We'd always go out for the same bands. I felt like I was pretty good, but then those guys just mopped the floor with me. I hadn't been playing music for a few months. I think my girlfriend dumped me. I was feeling down. I wasn't really into pop-punk or emo. I think at the time I was into Rhino Records box sets.

TROHMAN: I was at the Borders in Eden's Plaza in Wilmette, Illinois. My friend Arthur was asking me about Neurosis. Patrick just walked up and started talking to me.

STUMP: I was a bit arrogant and cocky, like a lot of young musicians. Joe was talking kind of loudly and I overheard him say something about Neurosis, and I think I came in kind of snotty, kind of correcting whatever they had said.

TROHMAN: We just started talking about music, and my buddy Arthur got shoved out of the conversation. I told him about the band we were starting. Pete was this local hardcore celebrity, which intrigued Patrick.

STUMP: I had similar conversations with any number of kids my age. This conversation didn't feel crazy special. That's one of the things that's real about [Joe and I meeting], and that's honest about it, that's it's not some 'love at first sight' thing where we started talking about music and 'Holy smokes, we're going to have the best band ever!' I had been in a lot of bands up until then. Hardcore was a couple of years away from me at that point. I was over it, but Pete was in real bands; that was interesting. Now I'm curious and I want to do this thing, or at least see what happens. Joe said they needed a drummer, guitar player, or singer, and I kind of bluffed and said I could do any one of those things for a pop-punk band. I'd had a lot of conversations about starting bands where I meet up with somebody and maybe try to figure out some songs and then we'd never see each other again. There were a lot of false starts and I assumed this would be just another one of those, but it would be fun for this one to be with the guy from Racetraitor and Extinction.

TROHMAN: He gave me the link to his MP3.com page. There were a few songs of him just playing acoustic and singing. He was awesome.

WENTZ: Joe told me we were going to this kid's house who would probably be our drummer but could also sing. He sent me a link to Patrick singing some acoustic thing, but the quality was so horrible it was hard to tell what it was. Patrick answered the door in some wild outfit. He looked like an emo kid but from the Endpoint era - dorky and cool. We went into the basement, and he was like, trying to set up his drums.

TROHMAN: Patrick has said many times that he intended to try out on drums. I was pushing for him to sing after hearing his demos. 'Hey! Sing for us!' I asked him to take out his acoustic guitar. He played songs from Saves The Day's Through Being Cool. I think he sang most of the record to us. We were thrilled. We had never been around someone who could sing like that.

WENTZ: I don't think Patrick thought we were cool at all. We were hanging out, and he started playing acoustic guitar. He started singing, and I realized he could sing any Saves The Day song. I was like, 'Wow, that's the way those bands sound! We should just have you sing.' It had to be serendipity because Patrick drumming and Joe singing is not the same band. I never thought about singing. It wasn't the type of thing I could sing. I knew I'd be playing bass. I didn't think it'd even go beyond a few practices. It didn't seem like the thing I was setting myself up to do for the next several years of my life in any way. I was going to college. It was just a fun getaway from the rest of life kind of thing to do.

STUMP: Andy was the first person we asked to play drums. Joe even brought him up in the Borders conversation. But Andy was too busy. He wasn't really interested, either, because we kind of sucked.

WENTZ: I wanted Hurley in the band, I was closest to him at the time, I had known him for a long time. I identified with him in the way that we were the younger dudes in our larger group. I tried to get him, but he was doing another band at the time, or multiple bands. He was Mani's go-to guy to play drums, always. I had asked him a few times. That should clue people into the fact that we weren't that good.

ANDY HURLEY: I knew Joe as 'Number One Fan.' We called him that because he was a huge fan of a band I was in, Kill The Slavemaster. When Fall Out Boy started, I was going to college full-time. I was in the band Project Rocket and I think The Kill Pill then, too.

MOSTOFI: After they got together the first or second time, Pete played me a recording and said, 'This is going to be big.' They had no songs, no name, no drummer. They could barely play their instruments. But Pete knew, and we believed him because we could see his drive and Patrick's potential. Patrick was prodigy. I imagine the first moment Pete heard him sing was probably like when I heard 15-year-old Andy Hurley play drums.

GUTIERREZ: One day at practice, Pete told me he had met some dudes with whom he was starting a pop-punk band. He said it would sound like a cross between New Found Glory and Lifetime. Then the more Fall Out Boy started to practice, the less active Arma Angelus became.

TROHMAN: We got hooked up with a friend named Ben Rose, who became our original drummer. We would practice in his parents' basement. We eventually wrote some pretty bad songs. I don't even have the demo. I have copies of Arma's demo, but I don't have that one.

MOSTOFI: We all knew that hardcore kids write better pop-punk songs than actual pop-punk kids. It had been proven. An experienced hardcore musician could bring a sense of aggression and urgency to the pop hooks in a way that a band like Yellowcard could never achieve. Pete and I had many conversations about this. He jokingly called it 'Softcore,' but that's precisely what it was. It's what he was going for. Take This To Your Grave sounds like Hot Topic, but it feels like CBGBs.

MCILRITH: Many hardcore guys who transitioned into pop-punk bands dumbed it down musically and lyrically. Fall Out Boy found a way to do it that wasn't dumbed down. They wrote music and lyrics that, if you listened closely, you could tell came from people who grew up into hardcore. Pete seemed to approach the song titles and lyrics the same way he attacked hardcore songs. You could see his signature on all of that.

STUMP: We all had very different ideas of what it should sound like. I signed up for Kid Dynamite, Strike Anywhere, or Dillinger Four. Pete was very into Lifetime and Saves The Day. I think both he and Joe were into New Found Glory and Blink-182. I still hadn't heard a lot of stuff. I was arrogant; I was a rock snob. I was over most pop-punk. But then I had this renaissance week where I was like, 'Man, you know what? I really do like The Descendents.' Like, the specific week I met Joe, it just happened to be that I was listening to a lot of Descendents. So, there was a part of me that was tickled by that idea. 'You know what? I'll try a pop-punk band. Why not?'

MOSTOFI: To be clear, they were trying to become a big band. But they did it by elevating radio-friendly pop punk, not debasing themselves for popularity. They were closely studying Drive-Thru Records bands like The Starting Line, who I couldn't stand. But they knew what they were doing. They extracted a few good elements from those bands and combined them with their other influences. Patrick never needed to be auto-tuned. He can sing. Pete never had to contrive this emotional depth. He always had it.

STUMP: The ideas for band names were obnoxious. At some point, Pete and I were arguing over it, and I think our first drummer, Ben Rose, who was in the hardcore band Strength In Numbers, suggested Fall Out Boy. Pete and I were like, 'Well, we don't hate that one. We'll keep it on the list.' But we never voted on a name.

"Fake It Like You Matter" - The Early Shows, 2001

The name Fall Out Boy made their shortlist, but their friends ultimately chose it for them. The line-up at the band's first show was Patrick Stump (sans guitar), Pete Wentz, Joe Trohman, drummer Ben Rose, and guitarist John Flamandan in his only FOB appearance.

STUMP: We didn't have a name at our two or three shows. We were basically booked as 'Pete's new band' as he was the most known of any of us. Pete and I were the artsy two.

TROHMAN: The rest of us had no idea what we were doing onstage.

STUMP: We took ourselves very seriously and completely different ideas on what was 'cool.' Pete at the time was somewhere between maybe Chuck Palahniuk and Charles Bukowski, and kind of New Romantic and Manchester stuff, so he had that in mind. The band names he suggested were long and verbose, somewhat tongue-in-cheek. I was pretty much only into Tom Waits, so I wanted everything to be a reference to Tom Waits. The first show was at DePaul [University] in some cafeteria. The room looked a lot nicer than punk rock shows are supposed to look, like a room where you couldn't jump off the walls. We played with a band called Stillwell. I want to say one of the other bands played Black Sabbath's Black Sabbath in its entirety. We were out of place. We were tossing a few different names around. The singer for Stillwell was in earshot of the conversation so I was like 'Hey, settle this for us,' and told him whatever name it was, which I can't remember. 'What do you think of this name?' He goes, 'It sucks.' And the way he said it, there was this element to it, like, 'You guys probably suck, too, so whatever.' That was our first show. We played first and only had three songs. That was John's only show with us, and I never saw him again. I was just singing without a guitar, and I had never just sung before; that was horrifying. We blazed through those songs.

ROSE: Patrick had this shoulder-length hair. Watching these guys who were known for heavier stuff play pop-punk was strange. Pete was hopping around with the X's on his hands. Spitalfield was similar; we were kids playing another style of music who heard Texas Is The Reason and Get Up Kids and said, 'We have to start a band like this.'

MOSTOFI: The first show was a lot of fun. The musical side wasn't there, but Pete and Patrick's humor and charisma were front and center.

TROHMAN: I remember having a conversation with Mani about stage presence. He was telling me how important it was. Coalesce and The Dillinger Escape Plan would throw mic stands and cabinets. We loved that visual excitement and appeal. Years later, Patrick sang a Fall Out Boy song with Taylor Swift at Giants Stadium. It was such a great show to watch that I was reminded of how wise Mani was to give me that advice back then. Mani was like a mentor for me, honestly. He would always guide me through stuff.

MOSTOFI: Those guys grew up in Chicago, either playing in or seeing Extinction, Racetraitor, Los Crudos, and other bands that liked to talk and talk between songs. Fall Out Boy did that, and it was amazing. Patrick was awkward in a knowing and hilarious way. He'd say something odd, and then Pete would zing him. Or Pete would try to say something too cool, and Patrick would remind him they were nerds. These are very personal memories for me. Millions of people have seen the well-oiled machine, but so few of us saw those guys when they were so carefree.

TROHMAN: We had this goofy, bad first show, but all I can tell you was that I was determined to make this band work, no matter what.

STUMP: I kind of assumed that was the end of that. 'Whatever, on with our lives.' But Joe was very determined. He was going to pick us up for practice and we were going to keep playing shows. He was going to make the band happen whether the rest of us wanted to or not. That's how we got past show number one. John left the band because we only had three songs and he wasn't very interested. In the interim, I filled in on guitar. I didn't consider myself a guitar player. Our second show was a college show in Southern Illinois or something.

MCILRITH: That show was with my other band, The Killing Tree.

STUMP: We showed up late and played before The Killing Tree. There was no one there besides the bands and our friends. I think we had voted on some names. Pete said 'Hey, we're whatever!'; probably something very long. And someone yells out, 'Fuck that, no, you're Fall Out Boy!' Then when The Killing Tree was playing, Tim said, 'I want to thank Fall Out Boy.' Everyone looked up to Tim, so when he forced the name on us, it was fine. I was a diehard Simpsons fan, without question. I go pretty deep on The Simpsons. Joe and I would just rattle off Simpsons quotes. I used to do a lot of Simpsons impressions. Ben was very into Simpsons; he had a whole closet full of Simpsons action figures.

"If Only You Knew I Was Terrified" - The Early Recordings, 2002-2003

Wentz's relationships in the hardcore scene led to Fall Out Boy's first official releases. A convoluted and rarely properly explained chain of events resulted in the Fall Out Boy/Project Rocket split EP and Fall Out Boy's Evening Out with Your Girlfriend. Both were issued by California's Uprising Records, whose discography included Racetraitor's first album and the debut EP by Burn It Down. The band traveled to Wisconsin to record their first proper demo with engineer Jared Logan, drummer for Uprising's 7 Angels 7 Plagues.

TROHMAN: This isn't to be confused with the demo we did in Ben's basement, which was like a tape demo. This was our first real demo.

STUMP: Between booking the demo and recording it, we lost Ben Rose. He was the greatest guy, but it wasn't working out musically. Pete and Joe decided I should play drums on the demo. But Jared is a sick drummer, so he just did it.

TROHMAN: We had gotten this great singer but went through a series of drummers that didn't work out. I had to be the one who kicked Ben out. Not long after, our friend Brett Bunting played with us. I don't think he really wanted to do it, which was a bummer.

STUMP: I showed up to record that demo, feeling pulled into it. I liked hanging out with the guys, but I was a rock snob who didn't really want to be making that type of music. The first few songs were really rough. We were sloppy. We barely practiced. Pete was in Arma Angelus. Joe was the guy determined to make it happen. We couldn't keep a drummer or guitar player, and I could barely play guitar. I didn't really want to be in Fall Out Boy. We had these crappy songs that kind of happened; it didn't feel like anything. Joe did the guitars. I go in to do the vocals, I put on the headphones, and it starts playing and was kind of not bad! It was pretty good, actually. I was shocked. That was the first time I was like, 'Maybe I am supposed to be in this band.' I enjoyed hearing it back.

SEAN MUTTAQI: Wentz and I were pretty tight. He sent me some demos, and while I didn't know it would get as big as it did, I knew it was special. Wentz had a clear vision. Of all the guys from that scene, he was the most singularly focused on taking things to the next level. He was ahead of the game with promotion and the early days of social media.

STUMP: Arma Angelus had been on Eulogy. We talked to them a bit and spoke to Uprising because they had put out Racetraitor. At some point, the demo got to Sean, and he decided to make it half of a split with Andy's band, Project Rocket. We were pretty happy with that.

HURLEY: It was kind of competitive for me at the time. Project Rocket and Fall Out Boy were both doing pop-punk/pop-rock, I met Patrick through the band. I didn't really know him before Fall Out Boy.

TROHMAN: We got this drummer, Mike Pareskuwicz, who had been in a hardcore band from Central Illinois called Subsist.

STUMP: Uprising wanted us to make an album. We thought that was cool, but we only had those three songs that were on the split. We were still figuring ourselves out. One of the times we were recording with Jared in the studio, for the split or the album, this guy T.J. Kunasch was there. He was like, 'Hey, do you guys need a guitarist?' And he joined.

MUTTAQI: I borrowed some money to get them back in the studio. The songwriting was cool on that record, but it was all rushed. The urgency to get something out led to the recording being subpar. Their new drummer looked the part but couldn't really play. They had already tracked the drums before they realized it didn't sound so hot.

STUMP: The recording experience was not fun. We had two days to do an entire album. Mike was an awesome dude, but he lived crazy far away, in Kanakee, Illinois, so the drive to Milwaukee wasn't easy for him. He had to work or something the next day. So, he did everything in one take and left. He played alone, without a click, so it was a ness to figure out. We had to guess where the guitar was supposed to go. None of us liked the songs because we had slapped them together. We thought it all sucked. But I thought, 'Well, at least it'll be cool to have something out.' Then a lot of time went by. Smaller labels were at the mercy of money, and it was crazy expensive to put out a record back then.

MUTTAQI: Our record was being rushed out to help generate some interest, but that interest was building before we could even get the record out. We were beholden to finances while changing distribution partners and dealing with other delays. The buck stops with me, yes, but I didn't have that much control over the scheduling.

WENTZ: It's not what I would consider the first Fall Out Boy record. Hurley isn't on it and he's an integral part of the Fall Out Boy sound. But it is part of the history, the legacy. NASA didn't go right to the moon. They did test flights in the desert. Those are our test flights in the desert. It's not something I'm ashamed of or have weird feelings about.

STUMP: It's kind of embarrassing to me. Evening Out... isn't representative of the band we became. I liked Sean a lot, so it's nothing against him. If anybody wants to check out the band in that era, I think the split EP is a lot cooler. Plus, Andy is on that one.

TROHMAN: T.J. was the guy who showed up to the show without a guitar. He was the guy that could never get it right, but he was in the band for a while because we wanted a second guitar player. He's a nice dude but wasn't great to be in a band with back then. One day he drove unprompted from Racine to Chicago to pick up some gear. I don't know how he got into my parents' house, but the next thing I knew, he was in my bedroom. I didn't like being woken up and kicked him out of the band from bed.

STUMP: Our friend Brian Bennance asked us to do a split 7" with 504 Plan, which was a big band to us. Brian offered to pay for us to record with Sean O'Keefe, which was also a big deal. Mike couldn't get the time off work to record with us. We asked Andy to play on the songs. He agreed to do it, but only if he could make it in time after recording an entire EP with his band, The Kill Pill, in Chicago, on the same day.

MOSTOFI: Andy and I started The Kill Pill shortly after Racetraitor split up, not long after Fall Out Boy had formed. We played a bunch of local shows together. The minute Andy finished tracking drums for our EP in Chicago, he raced to the other studio in Madison.

STUMP: I'm getting ready to record the drums myself, getting levels and checking the drums, pretty much ready to go. And then in walks Andy Hurley. I was a little bummed because I really wanted to play drums that day. But then Andy goes through it all in like two takes and fucking nailed the entire thing. He just knocked it out of the park. All of us were like, 'That's crazy!'

WENTZ: When Andy came in, It just felt different. It was one of those 'a-ha' moments.

STUMP: Sean leaned over to us and said, 'You need to get this guy in the band.'

SEAN O'KEEFE: We had a blast. We pumped It out. We did it fast and to analog tape. People believe it was very Pro Tools oriented, but it really was done to 24-track tape. Patrick sang his ass off.

STUMP: The songs we had were 'Dead On Arrival,' 'Saturday,' and 'Homesick at Space Camp. There are quite a few songs that ended up on Take This To You Grave where I wrote most of the lyrics but Pete titled them.

WENTZ: 'Space Camp' was a reference to the 1986 movie, SpaceCamp, and the idea of space camp. Space camp wasn't something anyone in my area went to. Maybe they did, but it was never an option for me. It seems like the little kid version of meeting Jay-Z. The idea was also: what if you, like Joaquin Phoenix in the movie, took off to outer space and wanted to get home? 'I made it to space and now I'm just homesick and want to hang out with my friends.' In the greater sense, it's about having it all, but it's still not enough. There's a pop culture reference in 'Saturday' that a lot of people miss. 'Pete and I attack the lost Astoria' was a reference to The Goonies, which was filmed in Astoria, Oregon.

HURLEY: I remember hearing those recordings, especially 'Dead on Arrival,' and Patrick's voice and how well written those songs were, especially relative to anything else I had done - I had a feeling that this could do something.

WENTZ: It seemed like it would stall out if we didn't get a solid drummer in the band soon. That was the link that we couldn't nail down. Patrick was always a big musical presence. He thinks and writes rhythmi-cally, and we couldn't get a drummer to do what he wanted or speak his language. Hurley was the first one that could. It's like hearing two drummers talk together when they really get it. It sounds like a foreign language because it's not something I'm keyed into. Patrick needed someone on a similar musical plane. I wasn't there. Joe was younger and was probably headed there.

HURLEY: When Patrick was doing harmonies, it was like Queen. He's such a brilliant dude. I was always in bands that did a record and then broke up. I felt like this was a band that could tour a lot like the hardcore bands we loved, even if we had to have day jobs, too.

"(Four) Tired Boys And A Broken Down Van" - The Early Tours, 2002-2003

STUMP: We booked a tour with Spitalfield, another Chicago band, who had records out, so they were a big deal to us. We replaced T.J. with a guy named Brandon Hamm. He was never officially in the band. He quit when we were practicing 'Saturday.' He goes, 'I don't like that. I don't want to do this anymore.' Pete talked with guitarist Chris Envy from Showoff, who had just broken up. Chris said, 'Yeah, I'll play in your band.' He came to two practices, then quit like two days before the tour. It was only a two-week tour, but Mike couldn't get the time off work from Best Buy, or maybe it was Blockbuster. We had to lose Mike, which was the hardest member change for me. It was unpleasant.

TROHMAN: We had been trying to get Andy to join the band for a while. Even back at that first Borders conversation, we talked about him, but he was too busy at the time.

STUMP: I borrowed one of Joe's guitars and jumped in the fire. We were in this legendarily shitty used van Pete had gotten. It belonged to some flower shop, so it had this ominously worn-out flower decal outside and no windows [except in the front]. Crappy brakes, no A/C, missing the rearview mirror, no seats in the back, only the driver's seat. About 10 minutes into the tour, we hit something. A tire exploded and slingshot into the passenger side mirror, sending glass flying into the van. We pulled over into some weird animal petting zoo. I remember thinking, 'This is a bad omen for this tour.' Spitalfield was awesome, and we became tight with them. Drew Brown, who was later in Weekend Nachos, was out with them, too. But most of the shows were canceled.

WENTZ: We'd end up in a town, and our show was canceled, or we'd have three days off. 'Let's just get on whatever show we can. Whatever, you can pay us in pizza.'

STUMP: We played in a pizza place. We basically blocked the line of people trying to order pizza, maybe a foot away from the shitty tables. Nobody is trying to watch a band. They're just there to eat pizza. And that was perhaps the biggest show we played on that tour. One of the best moments on the Spitalfied tour was in Lincoln, Nebraska. The local opener wasn't even there - they were at the bar across the street and showed up later with two people. Fall Out Boy played for Spitalfield, and Spitalfield played for Fall Out Boy. Even the sound guy had left. It was basically an empty room. It was miserable.

HURLEY: Even though we played a ton of shows in front of just the other bands, it was awesome. I've known Pete forever and always loved being in bands with him. After that tour, it was pretty much agreed that I would be in the band. I wanted to be in the band.

WENTZ: We would play literally any show in those days for free. We played Chain Reaction in Orange County with a bunch of metalcore bands. I want to say Underoath was one of them. I remember a lot of black shirts and crossed arms at those kinds of shows. STUMP: One thing that gets lost in the annals of history is Fall Out Boy, the discarded hardcore band. We played so many hardcore shows! The audiences were cool, but they were just like, 'This is OK, but we'd really rather be moshing right now.' Which was better than many of the receptions we got from pop-punk kids.

MOSTOFI: Pete made sure there was little division between the band and the audience. In hardcore, kids are encouraged to grab the mic. Pete was very conscious about making the crowd feel like friends. I saw them in Austin, Texas, in front of maybe ten kids. But it was very clear all ten of those kids felt like Pete's best friends. And they were, in a way.

MCILRITH: People started to get into social networking. That kind of thing was all new to us, and they were way ahead. They networked with their fans before any of us.

MOSTOFI: Pete shared a lot about his life online and was intimate as hell. It was a new type of scene. Pete extended the band's community as far as fiber optics let him.

ROSE: Pete was extremely driven. Looking back, I wish I had that killer instinct. During that tour; we played a show in Colorado. On the day of the show, we went to Kinko's to make flyers to hand out to college kids. Pete put ‘members of Saves The Day and Screeching Weasel’ on the flyer. He was just like, 'This will get people in.'

WENTZ: We booked a lot of our early shows through hardcore connections, and to some extent, that carries through to what Fall Out Boy shows are like today. If you come to see us play live, we're basically Slayer compared to everyone else when we play these pop radio shows. Some of that carries back to what you must do to avoid being heckled at hardcore shows. You may not like our music, but you will leave here respecting us. Not everyone is going to love you. Not everyone is going to give a shit. But you need to earn a crowd's respect. That was an important way for us to learn that.

MOSTOFI: All those dudes, except Andy, lived in this great apartment with our friend Brett Bunting, who was almost their drummer at one point. The proximity helped them gel.

STUMP: There were a lot of renegade last-minute shows where we'd just call and get added. We somehow ended up on a show with Head Automatica that way.

MCILRITH: At some point early on, they opened for Rise Against in a church basement in Downers Grove. We were doing well then; headlining that place was a big deal. Then Pete's band was coming up right behind us, and you could tell there was a lot of chatter about Fall Out Boy. I remember getting to the show, and there were many people there, many of whom I had never seen in the scene before. A lot of unfamiliar faces. A lot of people that wouldn't have normally found their way to the seedy Fireside Bowl in Chicago. These were young kids, and I was 21 then, so when I say young, I mean really young. Clearly, Fall Out Boy had tapped into something the rest of us had not. People were super excited to see them play and freaked out; there was a lot of enthusiasm at that show. After they finished, their fans bailed. They were dedicated. They wanted to see Fall Out Boy. They didn't necessarily want to see Rise Against play. That was my first clue that, 'Whoa, what Pete told me that day at Arma Angelus rehearsal is coming true. He was right.' Whatever he was doing was working.

"My Insides Are Copper, And I'd Like To Make Them Gold" - The Record Labels Come Calling, 2002

STUMP: The split EP was going to be a three-way split with 504 Plan, August Premier, and us at one point. But then the record just never happened. Brian backed out of putting it out. We asked him if we could do something else with the three songs and he didn't really seem to care. So, we started shopping the three songs as a demo. Pete ended up framing the rejection letters we got from a lot of pop-punk labels. But some were interested.

HURLEY: We wanted to be on Drive-Thru Records so bad. That was the label.

RICHARD REINES: After we started talking to them, I found the demo they had sent us in the office. I played it for my sister. We decided everything together. She liked them but wasn't as crazy about them as I was. We arranged with Pete to see them practice. We had started a new label called Rushmore. Fall Out Boy wasn't the best live band. We weren't thrilled [by the showcase]. But the songs were great. We both had to love a band to sign them, so my sister said, 'If you love them so much, let's sign them to Rushmore, not Drive Thru.'

HURLEY: We did a showcase for Richard and Stephanie Reines. They were just kind of like, 'Yeah, we have this side label thing. We'd be interested in having you on that.' I remember them saying they passed on Saves The Day and wished they would have put out Through Being Cool. But then they [basically] passed on us by offering to put us on Rushmore. We realized we could settle for that, but we knew it wasn't the right thing.

RORY FELTON: Kevin Knight had a website, TheScout, which always featured great new bands. I believe he shared the demo with us. I flew out to Chicago. Joe and Patrick picked me up at the airport. I saw them play at a VFW hall, Patrick drank an entire bottle of hot sauce on a dare at dinner, and then we all went to see the movie The Ring. I slept on the couch in their apartment, the one featured on the cover of Take This To Your Grave. Chad [Pearson], my partner, also flew out to meet with the band.

STUMP: It was a weird time to be a band because it was feast or famine. At first, no one wanted us. Then as soon as one label said, 'Maybe we'll give 'em a shot,' suddenly there's a frenzy of phone calls from record labels. We were getting our shirts printed by Victory Records. One day, we went to pick up shirts, and someone came downstairs and said, 'Um, guys? [Owner] Tony [Brummel] wants to see you.' We were like, 'Did we forget to pay an invoice?' He made us an offer on the spot. We said, 'That's awesome, but we need to think about it.' It was one of those 'now or never' kinds of things. I think we had even left the van running. It was that kind of sudden; we were overwhelmed by it.

HURLEY: They told me Tony said something like, 'You can be with the Nike of the record industry or the Keds of the record industry.'

STUMP: We'd get random calls at the apartment. 'Hey, I'm a manager with so-and-so.' I talked to some boy band manager who said, 'We think you'll be a good fit.'

TROHMAN: The idea of a manager was a ‘big-time' thing. I answered a call one day, and this guy is like, 'I'm the manager for the Butthole Surfers, and I'd really like to work with you guys.' I just said, Yeah, I really like the Butthole Surfers, but I'll have to call you back.' And I do love that band. But I just knew that wasn't the right thing.

STUMP: Not all the archetypes you always read about are true. The label guys aren't all out to get you. Some are total douchebags. But then there are a lot who are sweet and genuine. It's the same thing with managers. I really liked the Militia Group. They told us it was poor form to talk to us without a manager. They recommended Bob McLynn.

FELTON: We knew the guys at Crush from working with Acceptance and The Beautiful Mistake. We thought they'd be great for Fall Out Boy, so we sent the music to their team.

STUMP: They said Crush was their favorite management company and gave us their number. Crush's biggest band at the time was American Hi-Fi. Jonathan Daniels, the guy who started the company, sent a manager to see us. The guy was like, "This band sucks!' But Jonathan liked us and thought someone should do something with us. Bob was his youngest rookie manager. He had never managed anyone, and we had never been managed.

BOB MCLYNN: Someone else from my office who isn't with us anymore had seen them, but I hadn't seen them yet. At the time, we'd tried to manage Brand New; they went elsewhere, and I was bummed. Then we got the Fall Out Boy demo, and I was like, Wow. This sounds even better. This guy can really sing, and these songs are great.' I remember going at it hard after that whole thing. Fall Out Boy was my consolation prize. I don't know if they were talking to other managers or not, but Pete and I clicked.

TROHMAN: In addition to being really creative, Pete is really business savvy. We all have a bullshit detector these days, but Pete already had one back then. We met Bob, and we felt like this dude wouldn't fuck us over.

STUMP: We were the misfit toy that nobody else wanted. Bob really believed in us when nobody else did and when nobody believed in him. What's funny is that all the other managers at Crush were gone within a year. It was just Bob and Jonathan, and now they're partners. Bob was the weird New York Hardcore guy who scared me at the time.

TROHMAN: We felt safe with him. He's a big, hulking dude.

MCLYNN: We tried to make a deal with The Militia Group, but they wouldn't back off on a few things in the agreement. I told them those were deal breakers, opening the door to everyone else. I knew this band needed a shot to do bigger and better things.

TROHMAN: He told us not to sign with the label that recommended him to us. We thought there was something very honest about that.

MCLYNN: They paid all their dues. Those guys worked harder than any band I'd ever seen, and I was all about it. I had been in bands before and had just gotten out. I was getting out of the van just as these guys got into one. They busted their asses.

STUMP: A few labels basically said the same thing: they wanted to hear more. They weren't convinced we could write another song as good as 'Dead On Arrival.' I took that as a challenge. We returned to Sean a few months after those initial three songs, this time at Gravity Studios in Chicago. We recorded ‘Grenade Jumper' and 'Grand Theft Autumn/Where is Your Boy' in a night or two. 'Where is Your Boy' was my, 'Fine, you don't think I can write a fucking song? Here's your hit song, jerks!' But I must have pushed Pete pretty hard [arguing about the songs]. One night, as he and I drove with Joe, Pete said, 'Guys, I don't think I want to do this band anymore.' We talked about it for the rest of the ride home. I didn't want to be in the band in the first place! I was like, 'No! That's not fair! Don't leave me with this band! Don't make me kind of like this band, and then leave it! That's bullshit!' Pete didn't stay at the apartment that night. I called him at his parent's house. I told him I wasn't going to do the band without him. He was like, 'Don't break up your band over it.' I said, 'It's not my band. It's a band that you, Joe, and I started.' He was like, 'OK, I'll stick around.' And he came back with a vengeance.

WENTZ: It was maybe the first time we realized we could do these songs titles that didn't have much do with the song from the outside. Grand Theft Auto was such a big pop culture franchise. If you said the phrase back then, everyone recognized it. The play on words was about someone stealing your time in the fall. It was the earliest experimentation with that so it was a little simplistic compared to the stuff we did later. At the time, we'd tell someone the song title, and they'd say, 'You mean "Auto"'?

JOHN JANICK: I saw their name on fliers and thought it was strange. But I remembered it. Then I saw them on a flyer with one of our bands from Chicago, August Premier. I called them and asked about this band whose name I had seen on a few flyers now. They told me they were good and I should check it out. I heard an early version of a song online and instantly fell in love with it. Drive-Thru, The Militia Group, and a few majors tried to sign them. I was the odd man out. But I knew I wanted them right away.

HURLEY: Fueled By Ramen was co-owned by Vinnie [Fiorello] from Less Than Jake. It wasn't necessarily a band I grew up loving, but I had so much respect for them and what they had done and were doing.

JANICK: I randomly cold-called them at the apartment and spoke to Patrick. He told me I had to talk to Pete. I spoke to Pete later that day. We ended up talking on the phone for an hour. It was crazy. I never flew out there. I just got to know them over the phone.

MCLYNN: There were majors [interested], but I didn't want the band on a major right away. I knew they wouldn't understand the band. Rob Stevenson from Island Records knew all the indie labels were trying to sign Fall Out Boy. We did this first-ever incubator sort of deal. I also didn't want to stay on an indie forever; I felt we needed to develop and have a chance to do bigger and better things, but these indies didn't necessarily have radio staff. It was sort of the perfect scenario. Island gave us money to go on Fueled By Ramen, with whom we did a one-off. No one else would offer a one-off on an indie.

STUMP: They were the smallest of the labels involved, with the least 'gloss.' I said, 'I don't know about this, Pete.' Pete was the one who thought it was the smartest move. He pointed out that we could be a big fish in a small pond. So, we rolled the dice.

HURLEY: It was a one-record deal with Fueled By Ramen. We didn't necessarily get signed to Island, but they had the 'right of first refusal' [for the album following Take This To Your Grave]. It was an awesome deal. It was kind of unheard of, maybe, but there was a bunch of money coming from Island that we didn't have to recoup for promo type of things.

JANICK: The company was so focused on making sure we broke Fall Out Boy; any other label probably wouldn't have had that dedication. Pete and I talked for at least an hour every day. Pete and I became so close, so much so that we started Decaydance. It was his thing, but we ended up signing Panic! At The Disco, Gym Class Heroes, Cobra Starship.

GUTIERREZ: Who could predict Pete would A&R all those bands? There's no Panic! At The Disco or Gym Class Heroes without Wentz. He made them into celebrities.

"Turn This Up And I'll Tune You Out" - The Making of Take This To You Grave, 2003

The versions of "Dead on Arrival," "Saturday," and "Homesick at Space Camp" from the first sessions with Andy on drums are what appear on the album. "Grand Theft Autumn/Where is Your Boy" and "Grenade Jumper" are the demo versions recorded later in Chicago. O'Keefe recorded the music for the rest of the songs at Smart Studios once again. They knocked out the remaining songs in just nine days. Sean and Patrick snuck into Gravity Studios in the middle of the night to track vocals in the dead of winter. Patrick sang those seven songs from two to five in the morning in those sessions.

STUMP: John Janick basically said, ‘I'll buy those five songs and we'll make them part of the album, and here's some money to go record seven more.'

MCLYNN: It was a true indie deal with Fueled by Ramen. I think we got between $15,000 and $18,000 all-in to make the album. The band slept on the studio floor some nights.

STUMP: From a recording standpoint, it was amazing. It was very pro, we had Sean, all this gear, the fun studio accoutrements were there. It was competitive with anything we did afterward. But meanwhile, we're still four broke idiots.

WENTZ: We fibbed to our parents about what we were doing. I was supposed to be in school. I didn't have access to money or a credit card. I don't think any of us did.

STUMP: I don't think we slept anywhere we could shower, which was horrifying. There was a girl that Andy's girlfriend at the time went to school with who let us sleep on her floor, but we'd be there for maybe four hours at a time. It was crazy.

HURLEY: Once, Patrick thought it would be a good idea to spray this citrus bathroom spray under his arms like deodorant. It just destroyed him because it's not made for that. But it was all an awesome adventure.

WENTZ: We were so green we didn't really know how studios worked. Every day there was soda for the band. We asked, 'Could you take that soda money and buy us peanut butter, jelly, and bread?' which they did. I hear that stuff in some ways when I listen to that album.

HURLEY: Sean pushed us. He was such a perfectionist, which was awesome. I felt like, ‘This is what a real professional band does.' It was our first real studio experience.

WENTZ: Seeing the Nirvana Nevermind plaque on the wall was mind-blowing. They showed us the mic that had been used on that album.

HURLEY: The mic that Kurt Cobain used, that was pretty awesome, crazy, legendary, and cool. But we didn't get to use it.

WENTZ: They said only Shirley Manson] from Garbage could use it.

O'KEEFE: Those dudes were all straight edge at the time. It came up in conversation that I had smoked weed once a few months before. That started this joke that I was this huge stoner, which obviously I wasn't. They'd call me 'Scoobie Snacks O'Keefe' and all these things. When they turned in the art for the record, they thanked me with like ten different stoner nicknames - 'Dimebag O'Keefe' and stuff like that. The record company made Pete take like seven of them out because they said it was excessively ridiculous.

WENTZ: Sean was very helpful. He worked within the budget and took us more seriously than anyone else other than Patrick. There were no cameras around. There was no documentation. There was nothing to indicate this would be some ‘legendary' session. There are 12 songs on the album because those were all the songs we had. There was no pomp or circumstance or anything to suggest it would be an 'important’ record.

STUMP: Pete and I were starting to carve out our niches. When Pete [re-committed himself to the band], it felt like he had a list of things in his head he wanted to do right. Lyrics were on that list. He wasn't playing around anymore. I wrote the majority of the lyrics up to that point - ‘Saturday,' 'Dead on Arrival,' ‘Where's Your Boy?,’ ‘Grenade Jumper,' and ‘Homesick at Space Camp.' I was an artsy-fartsy dude who didn't want to be in a pop-punk band, so I was going really easy on the lyrics. I wasn't taking them seriously. When I look back on it, I did write some alright stuff. But I wasn't trying. Pete doesn't fuck around like that, and he does not take that kindly. When we returned to the studio, he started picking apart every word, every syllable. He started giving me [notes]. I got so exasperated at one point I was like, ‘You just write the fucking lyrics, dude. Just give me your lyrics, and I'll write around them.' Kind of angrily. So, he did. We hadn't quite figured out how to do it, though. I would write a song, scrap my lyrics, and try to fit his into where mine had been. It was exhausting. It was a rough process. It made both of us unhappy.

MCLYNN: I came from the post-hardcore scene in New York and wasn't a big fan of the pop-punk stuff happening. What struck me with these guys was the phenomenal lyrics and Patrick's insane voice. Many guys in these kinds of bands can sing alright, but Patrick was like a real singer. This guy had soul. He'd take these great lyrics Pete wrote and combine it with that soul, and that's what made their unique sound. They both put their hearts on their sleeves when they wrote together.

STUMP: We had a massive fight over 'Chicago is So Two Years Ago.' I didn't even want to record that song. I was being precious with things that were mine. Part of me thought the band wouldn't work out, and I'd go to college and do some music alone. I had a skeletal version of 'Chicago...'. I was playing it to myself in the lobby of the studio. I didn't know anyone was listening. Sean was walking by and wanted to [introduce it to the others]. I kind of lost my song. I was very precious about it. Pete didn't like some of the lyrics, so we fought. We argued over each word, one at a time. 'Tell That Mick...' was also a pretty big fight. Pete ended up throwing out all my words on that one. That was the first song where he wrote the entire set of lyrics. My only change was light that smoke' instead of ‘cigarette' because I didn't have enough syllables to say 'cigarette.' Everything else was verbatim what he handed to me. I realized I must really want to be in this band at this point if I'm willing to put up with this much fuss. The sound was always more important to me - the rhythm of the words, alliteration, syncopation - was all very exciting. Pete didn't care about any of that. He was all meaning. He didn't care how good the words sounded if they weren't amazing when you read them. Man, did we fight about that. We fought for nine days straight while not sleeping and smelling like shit. It was one long argument, but I think some of the best moments resulted from that.

WENTZ: In 'Calm Before the Storm,' Patrick wrote the line, 'There's a song on the radio that says, 'Let's Get This Party Started' which is a direct reference to Pink's 2001 song 'Get the Party Started.' 'Tell That Mick He Just Made My List of Things to Do Today' is a line from the movie Rushmore. I thought we'd catch a little more flack for that, but even when we played it in Ireland, there was none of that. It's embraced, more like a shoutout.

STUMP: Pete and I met up on a lot of the same pop culture. He was more into '80s stuff than I was. One of the first things we talked about were Wes Anderson movies.

WENTZ: Another thing driving that song title was the knowledge that our fanbase wouldn't necessarily be familiar with Wes Anderson. It could be something that not only inspired us but something fans could also go check out. People don't ask us about that song so much now, but in that era, we'd answer and tell them to go watch Rushmore. You gotta see this movie. This line is a hilarious part of it.' Hopefully some people did. I encountered Jason Schwartzman at a party once. We didn't get to talk about the movie, but he was the sweetest human, and I was just geeking out. He told me he was writing a film with Wes Anderson about a train trip in India. I wanted to know about the writing process. He was like, 'Well, he's in New York City, I'm in LA. It's crazy because I'm on the phone all the time and my ear gets really hot.' That's the anecdote I got, and I loved it.

O'KEEFE: They're totally different people who approach making music from entirely different angles. It's cool to see them work. Pete would want a certain lyric. Patrick was focused on the phrasing. Pete would say the words were stupid and hand Patrick a revision, and Patrick would say I can't sing those the way I need to sing this. They would go through ten revisions for one song. I thought I would lose my mind with both of them, but then they would find it, and it would be fantastic. When they work together, it lights up. It takes on a life of its own. It's not always happy. There's a lot of push and pull, and each is trying to get their thing. With Take This To Your Grave, we never let anything go until all three of us were happy. Those guys were made to do this together.

WENTZ: A lot of the little things weren't a big deal, but those were things that [felt like] major decisions. I didn't want 'Where Is Your Boy' on Take This To Your Grave.

JANICK: I freaked out. I called Bob and said, 'We must put this song on the album! It's one of the biggest songs.' He agreed. We called Pete and talked about it; he was cool about it and heard us out.

WENTZ: I thought many things were humongous, and they just weren't. They didn't matter one way or another.

"Our Lawyer Made Us Change The (Album Cover)" - That Photo On Take This To Your Grave, 2003

STUMP: The band was rooted in nostalgia from early on. The '80s references were very much Pete's aesthetic. He had an idea for the cover. It ended up being his girlfriend at the time, face down on the bed, exhausted, in his bedroom. That was his bedroom in our apartment. His room was full of toys, '80s cereals. If we ended up with the Abbey Road cover of pop-punk, that original one was Sgt. Pepper's. But we couldn't legally clear any of the stuff in the photo. Darth Vader, Count Chocula…

WENTZ: There's a bunch of junk in there: a Morrissey poster, I think a Cher poster, Edward Scissorhands. We submitted it to Fueled by Ramen, and they were like, 'We can't clear any of this stuff.’ The original album cover did eventually come out on the vinyl version.

STUMP: The photo that ended up being the cover was simply a promo photo for that album cycle. We had to scramble. I was pushing the Blue Note jazz records feel. That's why the CD looks a bit like vinyl and why our names are listed on the front. I wanted a live photo on the cover. Pete liked the Blue Note idea but didn't like the live photo idea. I also made the fateful decision to have my name listed as 'Stump' rather than Stumph.

WENTZ: What we used was initially supposed to be the back cover. I remember someone in the band being pissed about it forever. Not everyone was into having our names on the cover. It was a strange thing to do at the time. But had the original cover been used, it wouldn't have been as iconic as what we ended up with. It wouldn't have been a conversation piece. That stupid futon in our house was busted in the middle. We're sitting close to each other because the futon was broken. The exposed brick wall was because it was the worst apartment ever. It makes me wonder: How many of these are accidental moments? At the time, there was nothing iconic about it. If we had a bigger budget, we probably would have ended up with a goofier cover that no one would have cared about.

STUMP: One of the things I liked about the cover was that it went along with something Pete had always said. I'm sure people will find this ironic, but Pete had always wanted to create a culture with the band where it was about all four guys and not just one guy. He had the foresight to even think about things like that. I didn't think anyone would give a fuck about our band! At the time, it was The Pete Wentz Band to most people. With that album cover, he was trying to reject that and [demonstrate] that all four of us mattered. A lot of people still don't get that, but whatever. I liked that element of the cover. It felt like a team. It felt like Voltron. It wasn't what I like to call 'the flying V photo' where the singer is squarely in the center, the most important, and everyone else is nearest the camera in order of 'importance.' The drummer would be in the very back. Maybe the DJ guy who scratches records was behind the drummer.

"You Need Him. I Could Be Him. Where Is Your Boy Tonight?" - The Dynamics of Punk Pop's Fab 4, 2003

Patrick seemed like something of the anti-frontman, never hogging the spotlight and often shrinking underneath his baseball hat. Wentz was more talkative, more out front on stage and in interviews, in a way that felt unprecedented for a bass player who wasn't also singing. In some ways, Fall Out Boy operated as a two-headed dictatorship. Wentz and Stump are in the car's front seat while Joe and Andy ride in the back.

STUMP: There is a lot of truth to that. Somebody must be in the front seat, no question. But the analogy doesn't really work for us; were more like a Swiss Army knife. You've got all these different attachments, but they are all part of the same thing. When you need one specific tool, the rest go back into the handle. That was how the band functioned and still does in many ways. Pete didn't want anyone to get screwed. Some things we've done might not have been the best business decision but were the right human decision. That was very much Pete's thing. I was 19 and very reactionary. If someone pissed me off, I'd be like, 'Screw them forever!' But Pete was very tactful. He was the business guy. Joe was active on the internet. He wouldn't stop believing in this band. He was the promotions guy. Andy was an honest instrumentalist: ‘I'm a drummer, and I'm going to be the best fucking drummer I can be.' He is very disciplined. None of us were that way aside from him. I was the dictator in the studio. I didn't know what producing was at the time or how it worked, but in retrospect, I've produced a lot of records because I'm an asshole in the studio. I'm a nice guy, but I'm not the nicest guy in the studio. It's a lot easier to know what you don't want. We carved out those roles early. We were very dependent on each other.

MCLYNN: I remember sitting in Japan with those guys. None of them were drinking then, but I was drinking plenty. It was happening there, their first time over, and all the shows were sold out. I remember looking at Pete and Patrick and telling Pete, ‘You're the luckiest guy in the world because you found this guy.' Patrick laughed. Then I turned to Patrick and said the same thing to him. Because really, they're yin and yang. They fit together so perfectly. The fact that Patrick found this guy with this vision, Pete had everything for the band laid out in his mind. Patrick, how he can sing, and what he did with Pete's lyrics - no one else could have done that. We tried it, even with the Black Cards project in 2010. We'd find these vocalists. Pete would write lyrics, and they'd try to form them into songs, but they just couldn't do it the way Patrick could. Pete has notebooks full of stuff that Patrick turns into songs. Not only can he sing like that, but how he turns those into songs is an art unto itself. It's really the combination of those two guys that make Fall Out Boy what it is. They're fortunate they found each other.

"I Could Walk This Fine Line Between Elation And Success. We All Know Which Way I'm Going To Strike The Stake Between My Chest" - Fall Out Boy Hits the Mainstream, 2003

Released on May 6, 2003, Take This To Your Grave massively connected with fans. (Fall Out Boy's Evening Out with Your Girlfriend arrived in stores less than two months earlier.) While Take This To Your Grave didn't crack the Billboard 200 upon its release, it eventually spent 30 weeks on the charts. From Under the Cork Tree debuted in the Top 10 just two years later, largely on Grave's momentum. 2007's Infinity on High bowed at #1.

WENTZ: I remember noticing it was getting insane when we would do in-stores. We'd still play anywhere. That was our deal. We liked being able to sell our stuff in the stores, too. It would turn into a riot. We played a Hollister at the mall in Schaumburg, Illinois. A lot of these stores were pretty corporate with a lot of rules, but Hollister would let us rip. Our merch guy was wearing board shorts, took this surfboard off the wall, and started crowd-surfing with it during the last song. I remember thinking things had gotten insane right at that moment.

HURLEY: When we toured with Less Than Jake, there were these samplers with two of their songs and two of ours. Giving those out was a surreal moment. To have real promotion for a record... It wasn't just an ad in a 'zine or something. It was awesome.

MCLYNN: They toured with The Reunion Show, Knockout, and Punch-line. One of their first big tours as an opening act was with MEST. There would be sold-out shows with 1,000 kids, and they would be singing along to Fall Out Boy much louder than to MEST. It was like, 'What's going on here?' It was the same deal with Less Than Jake. It really started catching fire months into the album being out. You just knew something was happening. As a headliner, they went from 500-capacity clubs to 1500 - 2000 capacity venues.

WENTZ: We always wanted to play The Metro in Chicago. It got awkward when they started asking us to play after this band or that band. There were bands we grew up with that were now smaller than us. Headlining The Metro was just wild. My parents came.

MCLYNN: There was a week on Warped Tour, and there was some beel because these guys were up-and-comers, and some of the bands that were a little more established weren't too happy. They were getting a little shit on Warped Tour that week, sort of their initiation. They were on this little, shitty stage. So many kids showed up to watch them in Detroit, and the kids rushed the stage, and it collapsed. The PA failed after like three songs. They finished with an acapella, 'Where is Your Boy,’ and the whole crowd sang along.

WENTZ: That's when every show started ending in a riot because it couldn't be contained. We ended up getting banned from a lot of venues because the entire crowd would end up onstage. It was pure energy. We'd be billed on tour as the opening band, and the promoter would tell us we had to close the show or else everyone would leave after we played. We were a good band to have that happen to because there wasn't any ego. We were just like, "Oh, that's weird.' It was just bizarre. When my parents saw it was this wid thing, they said, 'OK, yeah, maybe take a year off from college.' That year is still going on.

MCLYNN: That Warped Tour was when the band's first big magazine cover, by far, hit the stands. I give a lot of credit to Norman Wonderly and Mike Shea at Alternative Press. They saw what was happening with Fall Out Boy and were like, 'We know it's early with you guys, but we want to give you a cover.' It was the biggest thing to happen to any of us. It really helped kick it to another level. It helped stoke the fires that were burning. This is back when bands like Green Day, Blink-182, and No Doubt still sold millions of records left and right. It was a leap of faith for AP to step out on Fall Out Boy the way they did.

STUMP: That was our first big cover. It was crazy. My parents flipped out. That wasn't a small zine. It was a magazine my mom could find in a bookstore and tell her friends. It was a shocking time. It's still like that. Once the surrealism starts, it never ends. I was onstage with Taylor Swift ten years later. That statement just sounds insane. It's fucking crazy. But when I was onstage, I just fell into it. I wasn't thinking about how crazy it was until afterward. It was the same thing with the AP cover. We were so busy that it was just another one of those things we were doing that day. When we left, I was like, 'Holy fuck! We're on the cover of a magazine! One that I read! I have a subscription to that!'

HURLEY: Getting an 'In The Studio' blurb was a big deal. I remember seeing bands 'in the studio' and thinking, Man, I would love to be in that and have people care that we're in the studio.' There were more minor things, but that was our first big cover.

STUMP: One thing I remember about the photo shoot is I was asked to take off my hat. I was forced to take it off and had been wearing that hat for a while. I never wanted to be the lead singer. I always hoped to be a second guitarist with a backup singer role. I lobbied to find someone else to be the proper singer. But here I was, being the lead singer, and I fucking hated it. When I was a drummer, I was always behind something. Somehow the hat thing started. Pete gave me a hat instead of throwing it away - I think it's the one I'm wearing on the cover of Take This To Your Grave. It became like my Linus blanket. I had my hat, and I could permanently hide. You couldn't see my eyes or much of me, and I was very comfortable that way. The AP cover shoot was the first time someone asked me to remove it. My mom has a poster of that cover in her house, and every time I see it, I see the fear on my face - just trying to maintain composure while filled with terror and insecurity. ‘Why is there a camera on me?'

JANICK: We pounded the pavement every week for two years. We believed early on that something great was going to happen. As we moved to 100,000 and 200,000 albums, there were points where everything was tipping. When they were on the cover of Alternative Press. When they did Warped for five days, and the stage collapsed. We went into Christmas with the band selling 2000 to 3000 a week and in the listening stations at Hot Topic. Fueled By Ramen had never had anything like that before.

MOSTOFI: Pete and I used to joke that if he weren't straight edge, he would have likely been sent to prison or worse at some point before Fall Out Boy. Pete has a predisposition to addictive behavior and chemical dependency. This is something we talked about a lot back in the day. Straight Edge helped him avoid some of the traps of adolescence.

WENTZ: I was straight edge at the time. I don't think our band would have been so successful without that. The bands we were touring with were partying like crazy. Straight Edge helped solidify the relationship between the four of us. We were playing for the love of music, not for partying or girls or stuff like that. We liked being little maniacs running around. Hurley and I were kind of the younger brothers of the hardcore kids we were in bands with. This was an attempt to get out of that shadow a little bit. Nobody is going to compare this band to Racetraitor. You know when you don't want to do exactly what your dad or older brother does? There was a little bit of that.

"Take This To Your Grave, And I'll Take It To Mine" - The Legacy of Take This To Your Grave, 2003-2023

Take This To Your Grave represents a time before the paparazzi followed Wentz to Starbucks, before marriages and children, Disney soundtracks, and all the highs and lows of an illustrious career. The album altered the course for everyone involved with its creation. Crush Music added Miley Cyrus, Green Day, and Weezer to their roster. Fueled By Ramen signed Twenty One Pilots, Paramore, A Day To Remember, and All Time Low.

STUMP: I'm so proud of Take This To Your Grave. I had no idea how much people were going to react to it. I didn't know Fall Out Boy was that good of a band. We were this shitty post-hardcore band that decided to do a bunch of pop-punk before I went to college, and Pete went back to opening for Hatebreed. That was the plan. Somehow this record happened. To explain to people now how beautiful and accidental that record was is difficult. It seems like it had to have been planned, but no, we were that shitty band that opened for 25 Ta Life.

HURLEY: We wanted to make a record as perfect as Saves The Day's Through Being Cool. A front-to-back perfect collection of songs. That was our obsession with Take This To Your Grave. We were just trying to make a record that could be compared in any way to that record. There's just something special about when the four of us came together.

WENTZ: It blows my mind when I hear people talking about Take This To Your Grave or see people including it on lists because it was just this tiny personal thing. It was very barebones. That was all we had, and we gave everything we had to it. Maybe that's how these big iconic bands feel about those records, too. Perhaps that's how James Hetfield feels when we talk about Kill 'Em All. That album was probably the last moment many people had of having us as their band that their little brother didn't know about. I have those feelings about certain bands, too. 'This band was mine. That was the last time I could talk about them at school without anyone knowing who the fuck I was talking about.' That was the case with Take This To Your Grave.

TROHMAN: Before Save Rock N' Roll, there was a rumor that we would come back with one new song and then do a Take This To Your Grave tenth-anniversary tour. But we weren't going to do what people thought we would do. We weren't going to [wear out] our old material by just returning from the hiatus with a Take This To Your Grave tour.

WENTZ: We've been asked why we haven't done a Take This To Your Grave tour. In some ways, it's more respectful not to do that. It would feel like we were taking advantage of where that record sits, what it means to people and us.

HURLEY: When Metallica released Death Magnetic, I loved the record, but I feel like Load and Reload were better in a way, because you knew that's what they wanted to do.

TROHMAN: Some people want us to make Grave again, but I'm not 17. It would be hard to do something like that without it being contrived. Were proud of those songs. We know that’s where we came from. We know the album is an important part of our history.

STUMP: There's always going to be a Take This To Your Grave purist fan who wants that forever: But no matter what we do, we cannot give you 2003. It'll never happen again. I know the feeling, because I've lived it with my favorite bands, too. But there's a whole other chunk of our fans who have grown with us and followed this journey we're on. We were this happy accident that somehow came together. It’s tempting to plagarize yourself. But it’s way more satisfying and exciting to surprise yourself.

MCILRITH: Fall Out Boy is an important band for so many reasons. I know people don't expect the singer of Rise Against to say that, but they really are. If nothing else, they created so much dialog and conversation within not just a scene but an international scene. They were smart. They got accused of being this kiddie pop punk band, but they did smart things with their success. I say that, especially as a guy who grew up playing in the same Chicago hardcore bands that would go on and confront be-ing a part of mainstream music. Mainstream music and the mainstream world are machines that can chew your band up if you don't have your head on straight when you get into it. It's a fast-moving river, and you need to know what direction you're going in before you get into it. If you don't and you hesitate, it'll take you for a ride. Knowing those guys, they went into it with a really good idea. That's something that the hardcore instilled in all of us. Knowing where you stand on those things, we cut our teeth on the hardcore scene, and it made us ready for anything that the world could throw at us, including the giant music industry.

#long post #lke. VERY long post #fall out boy #fob #take this to your grave #tttyg #patrick stump #pete wentz #joe trohman #andy hurley #if theres any typos lmk and i'll fix em this. hust took fucking forever to transcribe.

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ladykailitha · 3 months

Text

Random steddie thought of the day:

Eddie is shocked to find out that when Steve turned eighteen whenever his parents weren't in town, he'd go to the nearest big city and make out with guys. He wouldn't call it sex, though he did get off a lot, but nothing went into any holes so he doesn't think it counts. He's always super careful, he knows there is a pandemic going on.

But he doesn't go as Steve, he goes as (insert middle name here, I went with Linus) an alter ego of his. The rich preppy clothes are gone, the expensive hair products and anything thing that might scream STEVE HARRINGTON is gone. He slicks back his hair and wears a baseball cap.

All his clothes are thrifted, even down to the watch and shoes. He borrows Robin's parents' car so no one recognizes the Bimmer.

He wears cropped tops and booty shorts, he does everything he can to become someone else.

So when Robin tells Eddie this, she tells him that Steve doesn't date these guys, he's never wanted to allow them into his life and the fact that he's is seriously considering it with Eddie is a HUGE deal.

Only Eddie is a little hung up on a guy he met in Indy. So beautiful and funny. He doesn't remember the guy's name or if he ever got it. But he fell in love with this guy just a little bit.

So to cover up for the fact that he's an idiot, he tells Robin there is no way that Steve could become someone else. He's just too Steve.

So one night when the older teens have had a little too much to drink, a little too much weed, Robin convinces Steve to become Linus to prove to Nancy, Jonathan, and Eddie that Steve isn't the dumb jock everyone says he is.

So Steve drunkenly stumbles away to go get ready and the other teens get a little more stoned, so Eddie might be a little excused when he freaks out when Steve steps out as his dream guy.

Everyone else is laughing and cheering Steve on, but Eddie is instantly sober. And he has very mixed feelings about this. Because on the one hand, he knows who his dream guy is and the real person is every bit as wonderful as he remember, if not more so. But at the same time he feels disappointed Steve didn't remember him, didn't remember the night they shared together. And that hurts.

Steve notices that Eddie isn't laughing and tugs at the hem of his crop top nervously. And that shatters something in Eddie. That this beautiful boy just wants to be loved and fucking hell, he can do that. He walks up to Steve and runs his fingers through his hair to fluff it back out again so that it's Steve again.

Steve gasps at the motion and his eyes meet Eddie's. "Baby?"

This time it's Eddie's turn to gasp. "You do remember?" Baby is what Eddie would go by when he was just looking for a hook up. When men would ask his name, he'd tell them they could just call him their baby.

Steve chewed his bottom lip. "A little. I won't lie and say that a lot of that time didn't just blended together. But I remember how safe I felt with you."

"God damn it, Stevie," Eddie cursed, "you are my high school crush, the man of my dreams, and my rescuer and protector, what chance did I have against all that? I love you."

Steve leans forward and they start kissing. It's a while before they come up for air, but when they do they find that the other three had gone home because they didn't want to witness what will most likely come next.

#my writing #stranger things #steddie #ladykailtiha writes

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andvys · 10 months

Note

sooo... I saw that your requests are open so maybe something with Henderson!reader who secretly has a crush on Eddie/Steve (you know I love them both so it's your choice here 🤭) and she has a fight with Dustin and this little shrimp (with all the love Dusty-bun) and his big mouth scream in nerves something about said crush and of course Eddie/Steve hears it, happy ending here pretty please 🥹

of course you don't have to write it if you don't like the idea! no pressure here, hope you have an amazing day Andy 🩷

My only angel E.M.

Warnings: slight angst, mentions of unrequited feelings, mutual pining, happy ending of course, mostly fluff

Pairing: Eddie Munson x Fem!Henderson!Reader

Word count: 2.5K

Note: thank you for this request bestie! I loved writing it!

stranger things masterlist

You love your brother, you really do but that little shrimp, how Eddie likes to call him, can truly get on your nerves sometimes. You do anything for him, which is probably why he is so insatiable. You always spoiled him, that was probably your first mistake but you love getting him things that he loves so much, whether it’s new comics, books, movies or anything DnD related. A lot of your savings are spent on him, you know it’s not your job to get him all this stuff all the time but he is your little brother and you love seeing that big smile on his face whenever he gets excited about the things you get him.

You drive him around when Steve is too busy to do it, you cook him lunch and dinner when your mom has no time to do it, you bake things for him and his friends and you let him host movie nights even though you love having the living room to yourself on Friday nights.

You always say yes to him.

But not this time.

“Come on, are you serious?” Dustin exclaims, rolling his eyes at you as he follows you to your locker.

“Very serious, Dustin!”

“You can literally do it any other night, y/n!”

Mike, Will and Lucas are tagging along with him, giving you their best puppy eyes.

You open your locker, staring into blank space as you take a deep breath before you turn back around to look at the teens.

“You know what? I’ve been waiting for this night for weeks! Mom is out of town, you were supposed to be at Mike’s place if I remember correctly and I was supposed to have the house to myself!”

Mike furrows his brows, “why can’t you have your girls night at our place? You can have the basement,” he shrugs.

“Yeah, the basement is nice!” Will smiles, though he doesn’t look like he wants to be a part of this argument.

“Yeah, I’m sure Nancy and Robin would be fine with that,” Lucas says, giving you an unsure grin.

“Exactly!” Dustin rolls his eyes.

You tilt your head, “why don’t you host your DnD thing in your basement? That’s where you always used to play!”

Dustin puts his hand on his forehead, “or you can just hang out in your room and we’ll have the living room to ourselves, that way we can all have what we want!”

You laugh, shaking your head in disbelief, “I want the living room, in fact, I want the whole house to myself, for once!”

Dustin scrunches his face up in confusion, “oh come on, y/n, please!”

Mike and Lucas nod along, “please, we don’t want any parents around, they aren’t exactly fans of Eddie.”

Your features soften a little, something that definitely doesn’t go unnoticed by your little brother.

You sigh, crossing your arms over your chest, you shake your head. You, Nancy and Robin have planned your only girls night for weeks, there is no way that you will let any boys interrupt it.

“Nope.”

Dustin’s face grows red, he rolls his eyes and throws his hands up, “son of a bitch,” he mumbles to himself, “is it because of your crush on Eddie? Are you scared that you will embarrass yourself when he’s around the way you always do?”

Your jaw drops and your eyes widen as you look at your brother.

Mike’s eyes widen as well, he opens his mouth to say something but quickly closes it again when he sees the metalhead behind you, his expression mirroring yours.

Will looks down, feeling sorry for you.

Lucas cups his mouth, looking like he’s about to burst into laughter.

Dustin’s face grows pale, regret flickering in his eyes when he sees the shocked and embarrassed look on your face and the surprised one on Eddie’s.

“What?!”

That’s the question you ask yourself, internally. That voice did not belong to you though, this is Eddie’s voice.

Your blood runs cold and your stomach churns. Closing your eyes, you take a deep breath. Oh, how you wish the ground would just swallow you whole. Your cheeks heat up and embarrassment rushes through you.

Eddie, whose face is more flustered than ever, steps around you, staring at you with wide eyes, “y/n, is that the truth?”

You can only imagine what he thinks and what he feels, you spare yourself the embarrassment of being rejected. You don’t look at him, you don’t even bother to answer the question, you slam your locker shut, “host your goddamn campaign, Dustin,” you spit before you walk away without sparing any of them a single look.

Eddie’s big eyes follow you, watching you walk away with your head hung low. His heart skips a beat, butterflies swirling in his stomach. You have a crush on him? The girl he has been pining for, feels the same?

“Dustin,” Will mumbles, “how can you embarrass your own sister like that?” He shakes his head.

“Yeah, dude,” Lucas mumbles.

Mike scratches his head and glances at Eddie who looks awestruck.

“Shit,” Dustin mumbles, closing his eyes.

Eddie finally turns to look at him, putting his hand on the teen’s shoulder, he looks down at him, “Henderson, is that the truth?” Eddie asks, “your sister has a crush on me– on me?” He points to himself in confusion.

Mike and Lucas share a look, smirking a little.

Dustin finally opens his eyes, looking nervously up at his dungeon master, he is unsure of what to say, not wanting to embarrass you any further, he shrugs.

Lucas sighs, rolling his eyes at his friend, “yes, Eddie. She has a crush on you.”

Mike nods, “yeah, she was actually talking about you with my sister.”

Eddie looks at them, “really?”

Dustin squints his eyes, taking in the excited look on Eddie’s face, “wait,” he mumbles, “do you like my sister?”

Eddie swallows, cheeks growing red.

“Holy shit!” Dustin exclaims as the three teens start smirking at him but before any of them can say anything else, Eddie turns around and runs off just the way you did, leaving them all giggling.

You and Eddie aren’t the closest friends, that is probably because of your huge crush on him. Dustin isn’t wrong, you do tend to embarrass yourself in front of him.

Whenever he is around, you turn into a blushing mess, you barely manage to form a sentence when he talks to you, all he ever gets are short responses, shy smiles and little waves. The poor guy probably thinks you hate him but he really just makes you incredibly nervous.

You always had a crush on him, from the first moment you had laid your eyes on him, you had a special place in your heart for the handsome metalhead, not knowing that he feels just the same.

You never talked much to him, only when you sat next to each other during class or saw him outside of school but you weren’t brave enough to make the move to become his friend or anything more than that.

When your brother befriended him and he started coming around, stealing your job of driving him around, he always left you a blushing mess. Eddie was always a flirt, throwing random pickup lines at you, gifting you a flower that he picked from your mother’s garden or someone else’s property, holding doors open for you or carrying your books to classes but you never thought much of it, you thought that he’s like that with every girl.

He is not.

You fear that, that is over now, that he is weirded out by your crush on him. Thanks to your brother and his big mouth, your day and the rest of your week is ruined.

All day, you have been avoiding Eddie, trying your best to avoid eye contact. The thought of being confronted and rejected makes you feel both mortified and heartbroken.

You successfully manage to get through the day without running into him again. Now, you’re alone in your room, sulking, listening to Tears for Fears and glaring at your diary, the one that Dustin must’ve read, how else would he know of your crush and your hopeless feelings for Eddie?

A knock on your window pulls you out of your thoughts, startling you a little. You throw the ripped out pages on your bed and turn around, eyes widening when you see Eddie who stands in front of your window with a smile on his face, waving at you shyly.

Your heart begins to race, your eyes widen. Nervously, you make your way towards it, he purses his lips, staring at you in excitement. Sliding the window open, you lick your lips and take a deep breath, “h-hi?” You mumble nervously.

He is not here to reject you is he?

Eddie smiles and you just now notice the flowers in his hands.

Surely, a guy who is about to reject you, won’t show up with flowers and a smile on his face, right?

“Hello princess,” he grins, looking giddy as he eyes you.

You blush at the pet name, breaking eye contact, you look down.

“Can I come in?”

You nod and step aside to let him in, you dig your nails into your palms, a nervous habit that you have picked up on, years ago. You look down at yourself, growing incredibly flustered when you realize that you’re only wearing a big shirt and underwear.

He climbs inside and shuts the window before he turns around to face you, he can’t even fight the smile off his face when he sees how nervous you are, “here, these are for you,” he whispers, holding out the flowers for you.

Your eyes light up, looking up at him, you notice the excitement in his dark eyes, his plump lips are set in a bright smile.

You reach for the flowers, your fingertips graze his knuckles as you take the flowers from him, “thank you,” you smile, glancing at the pink and yellow flowers, “those are not from mom’s garden,” you giggle.

Eddie shakes his head, “no, they’re not,” he smiles, “I picked them out just for you, there’s a huge field of flowers close to Lover’s Lake,” he explains. He licks his lips, looking around the room that he has only passed by whenever he came over to pick up Dustin, “maybe I could take you there…. tomorrow? To Lover’s Lake, I mean.”

Your heart flutters in your chest, excitement bubbling in your stomach.

“To do what?” You ask, tilting your head, “isn’t that like a popular makeout spot?”

His eyes widen and he chuckles, “no, according to all the jocks at school, skull rock is a popular makeout spot,” he says, stepping closer to you, he smiles as he watches you smelling the flowers, “but we could always make Lover’s Lake a new makeout spot, just for us, of course.”

Your eyes widen even more, your cheeks grow incredibly hot.

Your reaction makes him smirk, a sense of pride rushing through him for being so ‘smooth’.

You giggle, forgetting all about the embarrassment and the fear you have felt before.

“Just for us?”

He steps even closer to you, bringing his hand up, he brushes your hair back, tucking it behind your ear, “I wouldn’t want to take any other girl there, sweetheart,” he says, eyes softening, “but you gotta stop running away from me, I’ve been trying to catch you all day.”

You draw your brows together and look up at him with big eyes, it makes him weak in the knees.

“Tell me, is that little shrimp telling the truth?” He asks with big and hopeful eyes.

You blink, your breathing quickens and you grow nervous all over again.

“If he is, then I’d be the happiest and luckiest man in the world, princess.”

Your heart leaps to your throat, you can’t believe it.

“Really?” You breathe.

He nods with a large smile on his face.

“If you haven’t noticed, I’m like really obsessed with you,” he admits, cheeks redder than ever.

“Wait what?”

He chuckles, shaking his head as he cups your cheek, “I thought, I made it pretty obvious.”

Not only does Eddie use every opportunity to talk to you, to spend time with you, he also creates DnD characters based on you, he drives around Hawkins, searching for the perfect flowers for you, he picks up Dustin just so he can see you, even if it’s only for one minute, he does anything to see you and to be with you and he explains all that to you, leaving you standing there with a shocked and awestruck look on your face.

“I-I thought you do that for every girl,” you admit.

“Never!” Eddie frowns, “I only want one girl,” he says as he reaches for your hand, bringing it up to his lips, he keeps looking into your eyes as he presses a kiss to your knuckles, “I only want you, sweetheart. So, will you take pity on my cynical heart and do me the honor and go on a date with me?” He asks, dramatically and with a teasing look in his eyes.

Your giggle makes his soul happy.

Eddie is so crazy about you. He loves your beautiful voice, it always makes his heart flutter. He loves your sweet smile. He loves the way you get so flustered whenever he just looks at you. He loves your perfume. He loves the way you make him feel. The way you have always been so good and sweet to him, the way you always make him smile and happy, even on his worst days.

You're his angel.

“I would love to go on a date with you, Eddie Munson,” you smile.

“Really?” He exclaims happily.

“Yes!”

He fist bumps the air before he scoops you up in his arms and twirls you around, giggling at the squeal that leaves your lips as you wrap your arms around his neck, still holding the flowers in your hands.

“This is the best day of my life,” he whispers when he places you back on the ground, giving you a toothy grin, he can’t even help himself, leaning closer, he kisses your cheek, “can’t believe that your little brother made it the best day.”

“You should’ve asked me out before,” you whisper.

“Sweetheart, I didn’t think you were into me, I feel like I’ve been flirting with you for months!”

“I didn’t think you were flirting!”

“Wasn’t I obvious?”

You shrug, “I thought that you were just a flirt!”

He scoffs, putting his hands on the small of your back, he pulls you tightly against him, “only for you.”

You smile at him. Raising your hand, you run your fingers through his hair and push it back, reaching for one of the smaller flowers in your little bouquet, you pick it out and tuck the stem behind his ear.

Eddie chuckles at your action but his heart flutters when you lean in and kiss his cheek.

“You’re pretty, Eddie.”

“Yeah?” He asks, blushing.

You nod.

“I think you’re prettier,” he whispers, smiling at you, “you’re the prettiest.”

“No, that’s you.”

“No, you!”

Neither of you notice the hushed whispers outside of your door, too busy and focused on each other.

“Oh, they’re so gross already,” Dustin mumbles with a disgusted look on his face.

Lucas and Mike giggle.

“I think, they’re super cute,” Will smiles with a happy look on his face.

“I think Eddie will come over for something other than the campaign this weekend,” Lucas says, wiggling his brows.

Dustin groans, shaking his head, “ew!”

#eddie munson x you #eddie munson x reader #eddie munson x fem!reader #eddie munson x y/n #eddie munson x female reader #eddie munson imagines #eddie munson imagine #eddie munson drabble #eddie munson blurb #stranger things imagines #stranger things imagine #stranger things drabble #henderson!sister #henderson!reader

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jaylver · 1 year

Text

ALL OF THE GIRLS YOU LOVED BEFORE — P.JS

SYNOPSIS: growing up, you've always known this one boy who was your father's best friend's son. as you grew older, you watched the girls come and go, at the same time, you somehow got closer to him as well. feelings sparked and you progressively found yourself liking him. what were you going to do? kiss him.

PAIRINGS: childhood friend!jay x afab!reader

GENRE: childhood friend to lovers, romance, a pinch of angst

WARNING(S): profanities, two of them being a bit dumb

WC: 3049

AUTHOR NOTES: i'm in a jay brainrot and after hearing miss swift's newest song, i knew i needed to write something. it isn't the best i admit, i rushed it HEKSJ but i hope you'll like it! PLEASE GIVE SOME FEEDBACKS THANKIES 🫶

Ever since you were a kid, you knew this boy from your father's best friend. Park Jong Seong, also known as Jay. He was the son of your father's life long best friend, but unlike them, you and Jay didn't happen to be as close.

You were six when you first met him. It was his birthday and your dad had dragged you over to his house against your will, typical. You didn't have any high expectations for him as a kid, just wishing he had some legos for you to play.

Up till the moment you were facing him, your fathers introducing you to each other, you only realised how cute he was. Yes, little six year old you might've had a love at first sight moment. You can't blame yourself, his chubby cheeks and shy demeanour made you more curious.

You handed him his present silently, watching as he accepted it and in the next moment, his face broke into a small smile, grabbing your wrist and bringing you into his playroom.

Unfortunately, you and Jay barely met up after that, both of you having busy lives and your parents having no time to bring you to playdates either. You didn't think much of it as a kid, thinking of him as the funny boy who had tons of legos and that was it.

You figured you'll never see him again despite him being your father's best friend's son, but you were wrong. In the next few years, you would always go over his house for birthdays and the new years, it basically became a tradition.

Of course, only seeing one another once or twice a year, each year would be a different version of him, and you began noticing the big change he went through when you were sixteen.

Jay was much taller, voice deeper, his hair parted in a different way, his style evolved and the way his face had changed too … lord, he evolved like a pokemon.

You being a sixteen year old teen wasn't helping either. It was the prime year for a girl like you to be having crushes, chasing after guys, basically overwhelming hormones that had you thinking Jay was cute. Cute cute.

On that specific new year, you remembered having to do a double take when you entered the Parks' house, not realising he was, in fact, Jay. You hid the shyness and did what you always do whenever you're around for New Years Eve.

But that night, both of your parents were out for a party, in their words 'a party for adults', dumping their kids alone at home instead. It was awkward to say the least, having to sit on the far end of the couch with a movie playing in the background, Jay seeming half entertained by it.

"Hey," he scooted over and you turned over to see him inching close and closer until his shoulder was against yours.

"Yeah?" He can't be trying to hook up, right? You can't help but think, nervousness creeping up your throat.

"I heard there's a New Years party in town, let's sneak out?"

"Really?"

"Do you trust me?"

"I–I guess?"

"It's a 'yes' or 'no', Y/N,"

Panic and adrenaline rushed over you, fearing your parents would beat your ass knowing you're sneaking out, but it was Jay. You couldn't really say no. "Yes, fine,"

Jay replied only with a happy grin, snatching your wrist and switching the tv off, dashing out into the garage. "Don't worry, I've driven before,"

"If you crash, I'll kill you," you hissed but Jay ignored your threat, blissfully driving to the town.

Along the way, it felt like a scene from a coming of age movie. The radio was turned to the fullest volume, the two of you screaming your lungs out to the lyrics and having the windows opened, wind blowing against your faces.

The ride was quite short but memorable, your hand was in Jay's the whole time as he led you through the fun fair, the whole town alighted with bright lights and loud music.

The clock was ticking and Jay had finally dragged you to a specific spot. The place was empty and quiet, but the sky was clear and there weren't any buildings to cover your sight.

"This spot is the best for fireworks," Jay mentioned, sitting on the ground, which you followed suit.

"Really?"

"Yeah, my friend's brought me here once,"

"That's … cool," you said uneasily, an awkward tension unknowingly settled between the two of you.

"How's life for you?" Jay glanced at you, a hint of genuine curiosity in his eyes.

"It's fine. Typical highschool stuff. A guy did confess to me once, but I didn't feel the same," you found yourself babbling secret information, unsure why you were suddenly so comfortable with Jay. Maybe it was his presence, or maybe it was just him in general.

"You're amazing obviously, I'm not surprised he confessed. Just a shame it wasn't mutual," Jay said and your ears perked up.

Jay thought you were amazing.

"Right," you choked out, slightly flustered. "What about you?"

"It's chill, not much going on," Jay was fidgeting with his fingers, chewing on his lips. "I'm in a band with my friends though,"

"Oh! That's really cool,"

"Yeah?"

"Yeah," you repeated. "I'm sure you're super good. What position are you?"

"I play the guitar,"

"You should teach me someday,"

"You should come by more often," he confessed, gulping a little after realising what he had said. "It's been a long while since we've met,"

"You're right, come pick me up then,"

"Only on nights my parents are out," he laughed, pausing for a second. "Come to my show one day,"

He wasn't asking, he was making it clear he wanted you there.

"Of course, I'd love to."

The night faded off into colourful fireworks, small jokes that would soon be inside jokes in the future, and tired laughs rang into the quietness.

This was the only time you were sixteen and doing something wild, considering you would never ever have the balls to sneak out, but you were glad you did it that night, and all of it together with Jay.

Your lives went on and though you and Jay barely kept in contact, his request rang in your head from time to time. You felt like you've known him all your life, yet you knew completely nothing about him at the same time.

Around April the same year, you went over to his house to celebrate your birthday together with him since you two shared close birthdays and it pretty much became a tradition by now.

Upon arriving, you awkwardly stepped into the house, your parents too busy talking with Jay's parents out in the garden. Everything was familiar to you, but also unfamiliar as you've never travelled further in, feeling slightly tense while you sat yourself on the couch.

"Y/N?"

You turned your head around, meeting Jay's eyes, his body leaning against the wall. He smiled at once, approaching you and taking a seat next to you, he was a little too close.

"Jay, hi," you breathed out, blinking slowly.

"How have you been? We haven't seen each other much lately, but you do seem like you're having fun in your stories," for a moment you've forgotten you and Jay were following each other on Instagram, having the access to view your day to day life.

"Oh, it's nothing, just a girl's trip," he was referring to the day you went out of town with your friends, quite surprised he somehow took note of it.

"Sounds fun," he mused, nodding a little. "By the way, my girlfriend's coming, I hope you don't mind,"

You totally just experienced whiplash, completely bewildered that he had a … girlfriend?! You weren't surprised since he's cool, tall, handsome and super smart, but you hadn't expected it this early.

"I'm chill with it," you laughed it off, trying to seem nonchalant. "I didn't know you had a girlfriend,"

"Oh, yeah, we met at a gig of mine," he gave you a half grin. "Which you should totally come and get blown away by my skills,"

"As if," you giggled. "Send me the place, I'll pop by soon,"

"You promise?"

"I do."

Your sixteenth birthday definitely did hurt more compared to your past ones and it had a simple reason behind it. Well, it was because of Jay. The same Jay you couldn't help crushing over despite having the slightest contact with, but you didn't care, you knew him all your life, and he's the Jay you've always recognized, the same sweet and caring one.

Seeing his girlfriend's birthday card that was written for him on the table had you swallowing your cake sadly. Hearts were drawn around his name in her handwriting. Totally cool.

You kept your promise to Jay and stopped by one of his gigs without letting him know, which surprised him. On the other hand, you were the one who's more surprised. He did live up to his expectations, charming you and the crowd with his guitar skills and honey vocals. Gosh, whatever you were feeling for him, forget it, it's not dissipating.

To repay your kindness, Jay promised to turn up to one of your football games and you just laughed it off, waving your hands, but you knew for a fact that once he had said it, he was really going to do it.

And so he did. He was a man of his words. Luck was on your side too, winning the game victoriously and seeing Jay running up to you once the game was over, the biggest grin plastered on his face. He was practically telling you how good you were that day, bringing you for ice cream after.

Ever since then, your relationship with him grew unexpectedly. You were 17 together, then 18, watching the girls in Jay's life come and go, but the moment you had a boyfriend yourself, he wasn't the most keen on it.

You told yourself he was probably just protective, going through a phase where you thought he just "wouldn't get it". Oh how terribly wrong you were. He did get it, and your first boyfriend ended up breaking your heart.

You cried over a boy whose name you couldn't remember now, hiding in the bathroom until Jay had to drive to your house and slammed your door repeatedly for you to get out.

You said nothing, just falling into his chest with a thud and crying your eyes out. You knew he had a secret 'I told you so' in him, but he didn't say anything, keeping you in his arms until the sun had set.

21, college and being legal enough for alcohol, you and Jay explored frat parties, both being single and available, it was a hidden opportunity. Shots were downed into your throats and thankfully, you shared good alcohol tolerance levels with Jay, meaning it would be a long night ahead.

Someone had brought up hide and seek as the night's party game, and you initially thought it was stupid, but once you heard the winner getting a deal of a 100 dollars, you were in, partnering with Jay naturally.

On the count of ten, you dashed around the frat house with Jay's hand in yours, him following behind like a lost puppy. You entered someone's bedroom, finding a lucky hiding spot in a closet, pulling Jay in.

You closed the closet door shut, not realising how tight the space actually was, your chest pressed against Jay's, heat radiating off of each other's body. You've officially dug yourself a grave.

"Hi," Jay whispered, his gaze soft paired with a childish grin on his face.

"Hi," you smiled back at him, your eyes wandering all over his face, scrutinising his features.

"It's a little hot in here," Jay fanned himself a little awkwardly from the limited space.

"Definitely," you looked away for a second before staring back at him. "You have a really nice mole here," your finger grazed against his face, but he didn't flinch, accepting your touch.

"Do I?"

"Yeah," you murmured, your fingers moving to the side of his face, gently brushing loose strands of hair away from his face. He was so painfully pretty, you quietly thought in your head.

"You're really pretty, Y/N," he said out of the blue, causing you to freeze, catching you completely off guard. "I don't think I've said it once, but I've always thought you were pretty, beautiful even,"

Uh oh, you're falling in love.

"I don't know what to say," you said truthfully, gulping nervously. "I'm flattered, really, I—uh—thank you," you laughed, your cheeks getting unbearably red.

"You're flustered," he leaned in close to you, his eyes not leaving yours. He was inches away from you, his cologne infiltrating your senses, the scent a little too familiar.

Oh no, you're falling in love again.

"Shut up," you punched his shoulder. "You're such a tease,"

"You love that about me,"

"Sure," you rolled your eyes, ignoring his piercing gaze.

"Can I kiss you?"

"Will you regret it?" Uncertainty laced in your tone, scared, anxious, that you'd ruined something between the two of you.

"No," he answered with a certain sureness in his voice, his eyes truthful and honest. "Will you?"

"If I do, I wouldn't be doing this—" you pulled him in close by the back of his neck, pressing your lips onto his, your brain turning into mush.

His lips reciprocated back, kissing you deeply and having to place his hand on the side of your neck for some stability. The kiss was more than just a simple one, not the kind that would be forgotten easily, there was something more to it.

It felt like aeons before you finally broke apart, panting heavily against each other's lips, your hands still on his shoulder; his hand now on your waist.

Oh, you're falling in love.

There were many things you've regretted in life, but this? You would do it over and over again if you had the choice to, and maybe you do.

"I—"

"Is there anyone here?" A voice came from the outside and the two of you froze, hoping it wasn't the seeker. "The game's over," the person yelled out before you heard the door shutting.

"We survived it," you muttered cheekily, trying to ignore Jay's gaze.

"Yeah—uh—" he brushed his hand against his pants, the tension in the air thick enough to be sliced by a knife. "Should I drive you home?"

"Please do."

Ever since that night at the frat party, you've been on and off with Jay. You were caught up with work and Jay was busy, but the part where he said he was having a date did set you off completely.

None of you talked about the kiss. You didn't like the fact that you didn't, waiting for him to speak up about it first, but you hated the waiting game, yet you still couldn't make the first move. Jay seemed like he was about to talk about it every time he hung out with you, but he never did.

Days turned into a week, having only seen Jay once or twice, you figured you were avoiding each other. You hated the feeling, you were dreading it, dreading the fact that one day something like this would happen, and it did.

The silent treatment ended the moment when you were forcefully pulled into his dorm room when you passed by one day. Letting out a yelp in fear until you realised it was Jay.

"Jay?"

"Hi," he gave you an apologetic smile, holding onto your hand softly. "I—uhm—figured we have to talk … about that night,"

"Oh,"

"Are you avoiding me?" He cut to the chase, shocking you a little.

"No, I thought you were,"

"I wasn't," his eyebrows were furrowed, a quizzical look on his face. Were you two just in denial?

"Look, you asked me if I will regret the kiss and up until now, no, I didn't," sincerity shone in his eyes, his chest heaving. "But did you?"

"Of course not," you breathed out truthfully, noticing a sign of relief in his features.

"Good, because I like you, Y/N," Jay confessed, his gaze dropping to the ground to avoid your wide eyes, hands squeezing yours gently. "All of the girls that I've had in my life, they couldn't compete, you were the only one who mattered most to me. I never realised that, I admit, until I found myself trying to find a little bit of you in the girls I've dated, but none of them could ever compare to you."

You were stunned speechless, your heart twisting and pounding hard against your chest.

"I didn't want to repeat the mistake of doing all the avoiding, it's dumb, so I just want to talk to you here, one on one," he continued. "I'm sorry it took me years to realise. I was in denial that I liked you, I was scared you didn't, and the date I went to, I just couldn't stop thinking about us,"

You resisted the urge to smile, watching as Jay rambled in panic. "I like you too, Jay, ever since we were kids," you shook his hand, trying your best to put on the most reassuring smile. "To be fair, I'm in the wrong too, I didn't really have the balls to say anything either, but I'm just glad we're here now,"

Jay processed your words, features twisting from shock to relief, clear euphoria in his gaze. "Can I be your boyfriend?"

"I thought you'd never ask,"

You pulled him in by his collar, pressing your lips onto his and you let your hand wander into his hair, feeling him smile against your lips at the gesture. You grinned into the kiss, eliciting a small laugh from Jay in between. You wished to stay like this forever with him.

The stars were aligned, your past and his were intertwined to bring the both of you together. All of the girls he's loved before, forget about them, they made Jay the man you've fallen for in the end, and you're thankful for that, loving him a lot. More than anything and everything.

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joshlmbrt · 4 months

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hi angel, im so excited to read your stories :)

would love to make an angsty Steve x reader request. im forever such a Steve Harrington girl 🥹

an angsty enemies (more like rivals) to lovers. they get roped into the upside down things together, and their mutual love for the kids really brings them together. over the seasons they get closer and closer, silently falling in love. then towards the end, something happens and they all get separated.. and they all think she’s dead? until they’re somehow reunited and realize she’s okay? and Steve’s just a wreck, completely inconsolable thinking that she’s gone. and even more of a mess when he finds out she’s alive?

…or is that stupid… 🥲🥲

Angsty Teens. ( s. harrington x reader )

【𝜗𝜚 warnings; enemies to lovers!!!!, canon compliant, r is dustin’s sibling, r makes a joke about a father leaving during the middle of the night, dustin & erica gets TIRED ( robin enjoys the banter ), they think r is dead, blood, long over-due kissy kiss, sort of changed it a bit - i hope that’s okay! NO ONE DIES! i don’t think there is any use of pronouns, but if there is, let me know!

【𝜗𝜚 an; oh, oh, this is NOT stupid AT ALL!!!! ( no request is ever stupid! ) i was just gonna do 1-3 but then …. i rethought and decided to do all four. i hope you enjoy and this is what you had in mind!!

1983

There’s something about Steve Harrington - Steve ‘King’ Harrington as many people loved to call him - that you hated.

You weren’t for sure what caused this deep hatred. Maybe it was the many girls who he kept wrapped around his finger and he just messed with them, loved to parade it around.

‘Look at me! I have someone, and you don’t!’

Or maybe it was the fact that he used to be your friend and completely ditched you for Thomas Hagan and Carol Michaels.

“Your face is going to get stuck like that.” Eddie notes out loud, a small smirk on his face as he watches your face scrunch up in disgusted as the boy walks past with his goons and the girl of the month.

Nancy Wheeler.

Pretty. Pristine. Good grades. Never in trouble.

Her poor friend Barbra Holland - also known as Barb - was following behind quietly, books tucked close to her chest.

“Shut up,” You grumble to Eddie, slamming the locker door shut. “Hey, Barb!” You wave, giving her a kind smile.

Her head towards yours, waving with a small smile. She continues to follow behind Nancy.

You sigh. “I don’t get why he goes from girl to girl.”

“Well, he seems pretty serious about her.” Eddie shrugs, walking out with you.

“He seemed serious with Vanessa, Tiffany, Erica, Monica, and-”

Eddie clasps a hand over your mouth. You stare at him with wide eyes. “Okay. Okay,” He breathes, removing his hand. “I think I know why you feel this way.”

“What way?” You open the passenger door to Eddie’s van and slips in. He shuts the door for you, jogging to the other side.

He opens the door. “Jealous.”

You sputter on words. “What?! Me? Jealous? You cannot be serious!”

He slips into the car, shutting his door. “You had a small crush on Stevie boy and then - boom - he suddenly gets popular overnight with his big hair and nice polos.”

“Okay, first,” You hold up an index finger. “Gag me with a spoon. Secondly, I am not jealous. I could care less who Steve Harrington dates. He’s just. . . a boy.”

“Thank you, Captain Obvious.”

You narrow your eyes at him. “You know what I mean. I just hate that he leads everyone one, making them think he cares for them, then - bam - he’s gone like a father who leaves in the middle of the night.”

He purses his lips and squints his eyes at you. “I feel like you just related Steve to your father.”

“I did.”

He hums, nodding and turning in his seat. “Alrighty, then.”

ও

NOVEMBER 24TH 1983

There’s a knocking on the door that causes you to flinch and Nancy turn quickly, high on alert.

You’d never guess you’d be fighting faceless monsters with your brother and his small friends, plus Nancy Wheeler and Jonathan Byers.

“You don’t think they knock, do you?” You breathe out, a bead of sweat dripping down your temple.

“Jonathan! It’s me, Steve! I just- I’m not looking to cause any trouble, I just wanted-” Nancy is marching towards the door, opening it only a crack. His bruised face is confused when he sees the girl. “Nance? What-what are you doing here?”

“You need to leave.” Is all she says.

His eyes dart over her face, shaking his head. “What are you doing here? What happened to your hand?” His eyes peek over her head and you gulp once they land on your face. “What’s she doing here? What’s going on?”

He pushes his way in, stumbling a bit. He stands straighter, eyes moving over all the lights in the home.

“What is all this? What’s-”

“Steve,” Nancy says, catching his attention. He looks over at her, holding his hands up quickly.

You quickly step in front of Steve without thinking. “Nancy, what are you-” She cuts you off.

“You need to leave. And now.”

“Nancy.”

“I don’t understand what is going on! You all are acting craz-"

“Nancy!” Jonathan finally catches the attention of you all, he places his finger on his lips. “Listen.” He whispers.

Everyone goes silent, eyes lifting towards the roof.

“This is crazy. . .” Steve whispers to himself. “This is crazy! This is crazy!”

He rushes towards phone, picking it up. Nancy yanks it from his hold, slamming it back down. “Leave. Now. While you have the chance.”

And of course, Steve leaves, the door slamming behind him.

You roll your eyes, shaking your head.

The lights cut off, before flickering. You freeze, eyes darting around.

“Nancy!” You call out. “I can’t see anything! What’s-” A scream leaves your lips, your legs getting lifting from the ground, the blood flowing down to your head quickly.

“Oh, my god! Oh, no! Please! I don’t want to die!” You didn’t feel like you were going to die, but. . . with these things? You never know.

Your dropped onto your back, your breath being knocked from your lungs. A hand grips your shoulder pulling you up.

“Come on!” A voice eerily similar to Steve yells out. You check over your shoulder, before heat suddenly licks up your body.

You flinch back from the fire, staring down at the flames.

“Do you think it’s dead?” Nancy whispers. Jonathan steps forward, her hand shooting out quickly to grab at his arm.

“I’m just checking.” He says. She nods hesitantly, dropping her hand. He kneels down in front of the trap, watching it bubble.

“I think it’s dead.”

ও

Dustin’s head was laid over on left your shoulder, Lucas’ head occupied your right shoulder. Your arms were fuzzy but you weren’t going to complain.

Happy Will was alright and all the kids were fine. . . besides the poor girl who had grown on you.

Jonathan steps into the room, a small smile on his face. “Guys,” Mike was the only one away, slapping at Dustin’s arm. “Will’s awake.”

Mike stands from the seat, slapping both their shoulders now. You laugh softly, shaking your head as both of them startle awake.

“Come on! Will’s awake!” Mike cheers. Dustin grins, shooting up from his seat, Lucas following behind him down the hall to his room.

You’d go visit him later, allowing the boys to have their own time.

You stand from the seat, yawning as you walk towards the water machine, grabbing a small paper cup and filling it.

“Uh,” There’s a throat clearing behind you and you turn around. Steve Harrington. “Thanks for. . . not letting Nancy shoot me.”

“That’s only because I want to,” You shrug. “Not to help you.”

Lies. It’s still in your nature to care for your old friends and it’s tiring. Especially when they wouldn’t do the same for you.

Except, Steve had taken care of you. Made sure you weren’t eaten.

His lip quirks at the corner and he nods. “Right.”

You nod, lifting the cup to your lips, chugging it all. He nods a bit again, turning and making his way towards the door.

“Uh,” You wipe the corner of your lip off. You watch as he stops and turns towards you. “Thanks, too. I guess. For, uh, saving me?”

He nods and smiles a bit. “Anytime.”

ও

1984

You curse yourself for feeling bad for Steve as he watches Nancy stand next to Jonathan, her hand placed on his head.

He steps towards the back door, sitting down on the small step. You sigh a bit, looking out the window above the sink.

“Go talk to him,” There’s a nudge at your side. You turn and look at Dustin. “You know you want too.” He grins.

“Oh, shut up. I don’t want too,” You grumble, turning away and resting your back on the counter. “Why did you even get Steve in the first place?”

He squints his eyes at you. “You were on a date.”

“So? Couldn’t you have called someone else?”

“He was just there,” He says. “Literally.”

You let out a sigh, looking at your chipped polish. “I come home to you and Steve chopping up cubes of steak. It was weird.”

He rolls his eyes. “Go. He’s. . . he needs a friend.”

“You both are friends now,” You lift a brow at him. “Why can’t you go talk to him?”

“Because you know him better than me,” He shrugs. “Than anyone really. Weren’t you both best friends?”

“Key word: were. We aren’t anymore.”

“Doesn’t change the fact that you know him better than anyone.”

You frown - because Dustin is right. The little brother who you had taught to be nice to everyone, kill them wiyh kindness even, was giving you the same talk you’d give to him if it was between him and one of his friends.

You sigh and push yourself off the counter. “Fine. But don’t think I’m going to listen to you all the time just because I do this one time.”

He grins cheekily at you, despite all that has happened tonight, and makes his way towards the table and sits down.

You inhale deeply before exhaling, stepping outside now. You shut the door, stepping next to Steve and placing yourself next to him.

You stay quiet, eyes staring at the small building in the back.

“You didn’t have to come out here, you know?”

Your head reels back at the bite in his tone, a frown on your face as you turn to look at him.

“Excuse me?”

“You heard me.”

You rub your lips together, wanting to keep everything in.

“Just because your girlfriend doesn’t care about you anymore, doesn’t mean you can just snap at other people. It’s not an excuse,” You snap back. It was a low blow, really. Especially after learning what actually happened at the Halloween party. You stand from your seat.

“You are not going to speak to me that way. I won’t allow it. I came out here to see if you were okay, but. . . I can see that was clearly a mistake. Maybe that’s why she doesn’t love you anymore.”

Your cheeks are flushed red with anger and you walk past him, your dress hitting your thighs as you make your way towards the back door. He calls out your name, but you don’t stop and listen to him.

You shut the door.

ও

1985

Your head slams into the metal wall, a groan leaving your lips. “Booby trap.” You whisper to yourself.

“What?” Dustin murmured.

You stand slowly from the floor. Dustin stands next to you. “The canisters that Steve pulled out was a booby trap,” You narrow your eyes on him. “Why would you do that?!” You throw your arms up.

“Do you think I meant for us to get stuck down here?”

“Oh, I don’t know,” You shake your head, crossing your arms over your chest. “I wouldn’t be surprised. Because you never think!”

“Like I wanted to get stuck on an elevator with you!”

“Oh yeah?” Your brows furrow. “I had a date after this and now I won’t be able to go! Because of you pulling out that stupid canister! I mean, really?! Who pulls something out of a box that comes from Russians?!”

Erica leans towards Dustin. “Oh, they hate each other.” She whispers.

Dustin shakes his head, Robin does as well. “No, they don’t.”

“It’s the angsty teen, enemies to lovers plot.” Robin whispers, fingers giddily fiddling together. Erica furrows her brows. Robin cuts her eyes over to the confused girl. She then quickly looks back. “You’ll understand when you read Pride and Prejudice.”

“Pride and what?”

“Prejudice. It’s a-" Robin looks at Erica who has a brow lifted. She stops, lips rubbing together. “I don’t have time to describe it.”

Erica hums, turning towards you and Steve once again. “You know what,” You grumble. “I’m through with arguing with you! You never change!” You throw your arms up, stepping towards the center of the room.

“Dustin,” You say his name. He’s standing next to you in an instant. “Help me up there. I’m going to see if we can climb our way out of this. . . this literal hell. Especially if it has him in it.” He nods and pulls a chair over. You step on top of it, reaching up and pushing the tile up and over. You grip the sides, grunting as you pull yourself up.

You slide back before standing up, pushing your hair back as you stare up, hands on your hips.

You sigh and close your eyes.

You’re all stuck there.

ও

Your forehead is resting on your knees, eyes closed as you rest on top of the elevator.

It had been quiet the whole time, Dustin trying to get ahold of anyone. But of course, no one was answering.

You almost cry at the feeling of being stuck.

You feel someone’s knee bump into yours, and you know who it is before they even speak.

“Are you, uh, okay?”

You huff out a small laugh. “Oh, yeah,” You nod, lifting up your head. “Perfect. I love being stuck in an elevator with no way out.”

He looks down, fingers intertwining together. “It is my fault. I’m sorry.”

You sigh a bit, shaking your head. “It’s not your fault,” It pains you to say it, but it’s right. It’s not his fault that he pulled out a canister filled with mystery green goop. “We just know now that Russians can’t build elevators now.”

He snorts. “That’s exactly what I said.” You smile a bit.

“I’m sorry too. I didn’t mean what I said,” You let out a sigh. “I was just. . . angry.”

He nods a bit. “I understand,” He pushes a hand through his hair. “I promise to listen to you next time.”

You lift a brow. “Oh, that’s going to be so hard for you, Harrington.”

He nods and scoffs. “Definitely.” You give him a small smile.

Your heart feels a bit warm at the interaction.

ও

1986.

“Steve!” Dustin cries out, his knees digging into the unnatural ground. “She’s. . . She’s not waking up!”

Steve drops the bags, Nancy almost stumbling over the thing before coming to a stop. He jogs over, dropping to his knees.

The color had drained slightly causing Steve to worry. “Okay, move.” He pushes at Dustin’s hands. Dustin looks up at him with a worried express, tears falling down his cheeks and onto your shirt.

“What are you going to do?”

“CPR.” He nods, his hands moving onto your chest.

“You-you know how to do CPR?” Dustin’s voice wavers. Steve nods, huffing as he mutters numbers. He leans down over your mouth.

He lifts back up, pumping once again. After four times, tilts your head back, unhinging your jaw more. His lips press to yours, blowing into your mouth.

Dustin’s eyes dart between you both, eyes wide with worry. Robin, Nancy, and Eddie stand behind him watching.

There’s a deep greedy inhale that has Steve pulling back, allowing you to breath in the air. He pulls you up, hand pushing back your hair.

“Hey, hey. . . God,” He mutters to himself. His hand trails down your back. “Thank God you’re okay.”

Dustin throws his arms around your neck. You wrap an arm around his side, patting his back. “Steve saved you.”

“What?” You pull back.

“I didn’t.” Steve quickly denies, shaking his head.

“What are you talking about?” Eddie shakes his head. “You absolutely did.”

“No, I-”

“Could everyone give Steve and I a minute please?”

Everyone’s eyes dart to you. “You’re not gonna kill him are you? We just literally survived this whole thing.” Eddie shakes his head.

“No, I’m not. Now please, give me a minute alone with Steve.” They nod, making their way towards the trailer.

“Look, I’m sorry about mouth to mouth. I had too, you were-"

“Steve,” You cut him off. “It’s fine. I’m not mad.”

“You’re not?”

“Why would I be mad about you saving me?”

“Because you. . . hate me?”

You let out a small sigh, shaking your head. “I don’t hate you.”

“You don’t?”

“I did,” You say. “But not anymore.”

He smiles a bit, pushing some of the strands of hair that had fallen back to your face. “I’m glad.”

You stare up at him quietly, moving to your knees in front of him. He gulps slightly.

You press a small kiss to the corner of his mouth, hands moving up to cup his face. “Thanks for saving me.”

His own hands press to yours on his cheeks. “Anytime.”

You grin and lean in again, pressing your lips fully to his this time. He gladly allows you.

Robin grins as she peeks through the window with Dustin.

She leans closer. “Told you.” She whispers.

Dustin makes a face and looks over at her. “Told me what?”

“Pride and Prejudice, my tiny friend.”

【𝜗𝜚 thank you for reading! comments, feedback, likes, & reblogs are encouraged, welcomed, & deeply appreciated!ও

#steve harrington x reader #steve harrington x fem!reader #steve harrington x you #steve harrington angst #steve harrington fluff #joe keery x reader

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