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#televisions on television
oldshowbiz · 2 months
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BRFAKFAST
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prokopetz · 1 month
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This site: What the fuck is with all these animated shows getting terrible live-action remakes? We should start remaking live action media as cartoons to balance the scales.
The monkey's paw: *curls one finger*
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lizardsfromspace · 3 months
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The exception is cheesy local commercials. Those should be the only ads. I will listen to someone who runs a store in my city doing an awkward rap. We once had a furniture store with these awful CGI ads and the slogan "where the deals are so low, it's almost criminal!" and then they got shut down, by the cops, because it turned out. It turned out the deals were so low because. You're not going to believe this but the prices were so low it was in fact
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puppyboypatrick · 3 months
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online friends are like. i would trust you with my life. i have never seen your knees
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nkp1981 · 6 months
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friendshiptothemax · 1 year
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I was on a plane this weekend, and I was chatting with the woman sitting next to me about an upcoming writer’s strike. “Do you really think you’re mistreated?” she asked me.
That’s not the issue at stake here. Let me tell you a little something about “minirooms.”
Minirooms are a way of television writing that is becoming more common. Basically, the studio will hire a small group of writers, 3-6 or so, and employ them for just a few weeks. In those few weeks (six weeks seem to be common), they have to hurriedly figure out as much about the show as they can -- characters, plots, outlines for episodes. Then at the end of the six weeks, all the writers are fired except for the showrunner, who has to write the entire series themselves based on the outlines.
This is not a widespread practice, but it has become more common over the past couple of years. Studios like it because instead of paying for a full room for the full length of the show, they just pay a handful of writers for a fraction of the show. It’s not a huge problem now, but the WGA only gets the chance to make rules every three years -- if we let this go for another three years and it becomes the norm? That would be DEVASTATING for the tv writing profession.
Do I feel like I’m mistreated? No. I LOVE my job! But in a world of minirooms, there is no place for someone like me -- a mid-level writer who makes a decent living working on someone else’s show (I’d like to be a showrunner someday, but for now I feel like I still have a lot to learn, and my husband and I are trying to start a family so I like not being support rather than the leader for now). In a miniroom, there are only two levels -- the handful of glorified idea people who are already scrambling to find their next show because you can’t make a decent living off of one six-week job (and since there are fewer people per room, there are fewer jobs overall, even at the six-week amount), and the overworked, stressed as fuck showrunner who is going to have to write the entire thing themselves. Besides being bad for me making a living, I also just think it’s plain bad for television as an art form -- what I like about TV is how adaptable it is, how a whole group of people come together to tell a story better than what any of them could do on their own. Plus the showrunner can’t do their best work under all of that pressure, episode after episode, back to back. Minirooms just...fucking suck.
The WGA is proposing two things to fix this -- a rule that writers have to be employed for the entire show, and a rule tying the number of writers in the room to the number of episodes you have per season. I don’t think it’s unreasonable. It’s the way shows have run since the advent of television. It’s only in the last couple of years that this has become a new thing. It’s exploitative. It squeezes out everyone except showrunners and people who have the financial means to work only a few months a year. It makes television worse. And that is the issue in this strike that means everything to me, and that is why I voted yes on the strike authorization vote.
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wowwforever · 3 months
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Mythbusters is great because Adam Savage will be like “Could Sir Arthur have built a surface to air missile with Middle Ages technology? Probably not. Anyway here’s how to make a bomb.” And Jamie will be like “If all goes well this will not blow up instantly and kill us.” And the three other guys are trying to see if you could kill a person by throwing an egg really fast.
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maaarine · 10 months
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Cunk on Earth 1x04
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oldshowbiz · 2 months
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prokopetz · 19 days
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It's that time of year when Tumblr celebrates Easter by posting pictures of crucified anime characters, and inevitably somebody in the notes will pop up to helpfully explain that crucifixion imagery has no cultural significance in Japanese media because Japan is only about 1% Christian, which bugs me because it's completely wrong.
It's true that in the majority of cases, crucifixion in Japanese cartoons isn't meant to be conveying any specific theological message, but something Western audiences are likely to miss is that a large portion of those random crucifixion scenes are referencing Ultraman.
Ultraman's creator was a devout Roman Catholic who explicitly intended the titular hero to read as a Christ figure, and consequently, various Ultramen have been crucified on multiple unconnected occasions throughout the franchise's history. Crucifixion scenes in Japanese cartoons are often directly name-checking particular crucifixion incidents from Ultraman, right down to emulating the compositions and camera angles of specific shots. It's like an especially morbid version of the Akira slide.
The upshot is that, while it's true that the inclusion of gratuitous crucifixion scenes in Japanese cartoons typically has no (intentional) theological message, stating that they have no cultural significance is incorrect. A large chunk of the Japanese viewing audience are going to see them and immediately go "hey, that's an Ultraman reference".
Anyway, as an image tax, have a shot of four crucified Ultramen miraculously resurrecting a fifth Ultraman by shooting laser beams out of their hearts:
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lizardsfromspace · 5 months
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People get so weird about John Oliver. They're so unwilling to accept that yes, this is the furthest left you're allowed to be on a talk show on a corporate network. They're currently mad he did a segment calling for a ceasefire in Gaza, something very few media people have done, something many outlets have discouraged, bc he...also said Hamas is bad, and he titled the segment "Israel-Hamas War". Like Jesus Christ, yes, a lot of what John Oliver says is radical by the standards of corporate media, and I don't know, maybe it's important to have that voice in that widely-accessible space and not hold him up as a failure bc he doesn't provide solutions for everything and isn't perfect.
"All he does is say the problem is capitalism, but doesn't suggest what to do" You realize HBO's other political talk show is hosted by a guy who spends each week raving about how woke college students and pronouns are oppressing him, right? The bar for John Oliver is not set where it is for a dirtbag leftist podcast; that's the bar. Why does he have to outline the revolution
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darkwood-hollows · 1 year
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hot take but i actively miss when tv shows were like 20 episodes a season. slow down. let me get to know the characters. let them do something dumb and not consequential to the plot for one fucking second i'm begging you.
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possessedpasm · 13 days
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"Television: it never lies. It never dies. AND IT KNOWS EVERYTHING YOU NEED TO KNOW."
[Retro commission for @modmad ]
You can read the comic here!
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douglasbradburyverne · 2 months
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Buffy the Vampire Slayers (1997 to 2003), Behind the Scenes photos
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lousolversons · 1 month
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An Extended Look at Season 2 | Interview with the Vampire
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