at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Everyone whos saying they pulled a 5 hour long bait and switch on people just for the hl2vrai trailer. It wasn't just a bit for that it was so much more than that. Everyone is switching on a dime calling it such a good joke or staying stuck mad and pissy about it. Genuinely it was a fun stream. It was something the RTVS team clearly had a lot of fun making, they put 3 years of work and planning into it. There is more to them than HLVRAI. They never directly said it would be HL2VRAI.
But honestly though. I can't blame them for teasing it as such. If YOU put 3 years of effort into something would you allow it to just get ignored by everyone because it isn't what everyone cares about you for. Or would you want to make sure all the people started liking you for it initially would see how you grew.
BrBaVRAI was the same thing that HLVRAI was supposed to be. A fun stream with friends.
It isn't just for you man. It's supposed to be something fun and if you genuinely threw a shitfit about it or if you gave up on it called it unfunny, mid, or even bad. Only to turn around once you got what you Wanted.
You do not deserve what the RTVS crew will make.
You do not deserve HL2VRAI
EDIT: Honestly I don't care about most of the shit people are upset about. Yeah its fine for them to troll you they're known for that. Don't treat their work like it was always shit up until the point they gave you the shit you were waiting for. Just because you wanted a Twix doesnt mean a Snickers doesn't taste just as sweet. They aren't morally bad people for a prank that upset you.
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so you've probably seen the news that riverdale ended with the main 4 in an actual, canonical, poly relationship
and that's amazing for a bunch of reasons, including the fact that the number of canon poly relationships on tv are miniscule and also it brings the number of canonically straight main cast members down to 1. Ethel is legitimately the show's token straight representation. love that for her
but to get the full impact of that news, you really also need to know that in order for the polycule to form:
Jughead's transdimensional angel girlfriend has to destroy multiple other timelines to create a new stable timeline for the polycule to live in. timelines destroyed include the one where jughead is immortal and trapped forever in a bunker underneath riverdale, and one where tony and fangs's magical timetravelling gay baby is fighting an evil wizard for control of a train full of evil ghosts
Jughead's magical transdimensional angel girlfriend then returns to the newly created main timeline, and restores the main cast's memories of all the other timelines, which she does by forcing them to watch the show riverdale. That is not a joke or a metaphor she even goes to the trouble to bring a colour tv back to the 1950s so they can watch in colour, except for Clay and Julian, because they did not exist in any of the previous timelines and they're sad about it and refuse to watch a show they're not in.
(Well, Julian technically did exist in the original timeline, but only as a ghost possessing a haunted doll, which doesn't really count)
(Also for some reason as well as the main cast, she makes dilton doily watch it, despite his only contributions to the show being a) dying as a human sacrifice in the og timeline, b) trying to blow up the planet and then dying because of it in the rivervale timeline, and c) gay kevin telling people he has the biggest dick in the 1950s tlmeline, and honestly, I feel like it would be kinder to just not show him any of that)
(ethel does not get to watch riverdale, because she did the only sensible thing any riverdale character has ever done and fucked off to a normal town to have an actual life, because as well as being the token straight character, she's also the token sane one)
After watching Riverdale, all of the main cast except Jughead and Betty decide it sucks and they hate it, and ask tabby to rewipe their memories and only give them the cute bits and not all the serial killers and shit, because the writers have run out of time for subtle metaphors and they weren't sure the audience had fully grasped that the entirely last season of the show is a weird metacommentary on the criticisms people have of the show riverdale so they're just straight up going to have archie andrews look straight to camera and say that the show should have been more like the comics
also I have no idea how only showing them the happy bits works, because that removes 90% of the entire plot so I assume they just have a bunch of completely out of context sex scenes and meals at the diner and nothing else. possibly also some musical numbers, idk if I'd count those as happy memories personally
Betty and Jug chose to keep their memories of the Gargoyle King and Betty's 2 long-lost secret gay serial killer brothers because they're edgy (and also because the writers are annoyed at all the people who say the show should be more like the comics, so they have the smartest characters say they liked the actually and everyone else is being a wimp about all the serial killers, because again, we have run out of time for subtlety)
Having had his memories restored, Jug's like "oh hi tabitha, my secret transdimensional angel girlfriend, I haven't seen you for months, I've really missed you. I'm so glad you're you're back. i love you so much"
And she responds by telling him that she'd chosen to write herself out of the timeline when she fixed in, and she has to return to the great big diner in the sky (not a joke, heaven is a diner in the riverdale universe and, it is heavily implied, also in our universe, so that's something to look forward to), so she freezes time halfway through kissing him and just nopes out of time and space. which is also how I would handle all break ups if I had angel powers tbh
since jug is now single, and all 4 of them just got multiple timeline's worth of fucking one another mainlined straight into their brains, the main 4 decide to all start dating
(they are probably inspired to do this in part by betty's sister, who in the new timeline is a burlesque performer who's stage name is Polly Amorous)
As far as I can tell from the last episode, they tell gay kevin about this and literally no one else, for reasons known only to themselves
also genuinely can't tell if this was the writers wanting a poly relationship for them, or if they just couldn't be bothered with the internet slap fights that would have followed them picking individual monogomous ships to be endgame
they also, hilariously, refuse to say that archie and jug are dating, I assume due to network restrictions, despite archie being canonically bi at this point, so betty's just like 'well sometimes I go to veronica's and we fuck, and the boys do... something we're not going to talk about'
the final episode of the show is a flash forward where as a now old betty is dying, jughead's ghost shows her memories of their teens, in which it's reveal that she has just straight up forgotten about being in a poly relationship
literally she looks at her teen self and is like "wow, I seem weirdly close to veroica jughead and archie" and Jug's ghost has to be like "because we were dating. how do you not remember that we were dating? what the hell? did I mean nothing to you?!"
also old betty specifically seeks out reggie and is like "hey you know how me and you dated, and you and veronica were together for years in multiple timelines, and you archie keep declaring your undying love for one another and nearly fucking, well we're all dating and we specifically decided not to invite you, sucks to be you" and walks away and I have no idea why she did it. justice for reggie
anyway RIP to the greatest television show ever made, it was so gay and so deranged and so meta, and there really will never be anything quite like it again
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what are your thoughts on Madoka and Sayaka's relationship? I always thought it was underrated for how complex and tragic it is.
Madoka and Sayaka's relationship function similarly to that of a knight and a princess, so both their friendship or couple pairing are interesting to me. It seems to be intentional that Sayaka was crafted with a knight motif in mind to click with Madoka's vulnerability. The tragedy is that Sayaka was way too young and inexperienced to be shouldering such expectations in a friendship. Taking up the role of a protector at every turn because she wanted to protect everyone has always been a contributing factor to how fast Sayaka burned out.
Contrarily, Madoka's struggle with her own helplessness throughout the show was also part of the reason why Sayaka said a lot of terrible thing to her, but deeply regretted her actions to the point where she succumbed to Witching out away from Madoka. Madoka, at least in this "final" timeline, was not there to see her own childhood best friend change into something else. To, in a way, "die", and be reborn as the same monster that all magical girls were hunting after in a frenzy. Homura was right that Sayaka brings Madoka grief — it seems that in almost timeline, since Sayaka becomes a Witch as long as she becomes a magical girl unlike Mami or Kyoko, Sayaka is a consistent source of Madoka's grief. Whenever Madoka becomes a magical girl, then, her aspirations are based on Sayaka's sacrifice and ideals, except Madoka actually has the power to "save everyone". I believe Madoka loved Sayaka as Sayaka may not have been an "effective" magical girl, but she was the one who was willing to sacrifice her soul for her ideals, regardless of how naïve they were. To Madoka, who was so ensnared by her sense of uselessness, Sayaka was the closest thing to an idol or a star for the courage required to be a magical girl. Sayaka's desire to make the world a safer and justified place for people was so inspiring to Madoka that even when Madoka becomes Kriemhild Gretchen, the Witch's whole gimmick is "creating heaven on earth, a Witch content only if there is no more grief in existence". A prospect deeply held onto by Madoka that even Gretchen embodies it.
It's probably why Madoka's wish to save all magical girls would definitely sound equally impossible to he audience and the incubators, but Madoka herself says, "If someone says it's wrong to hope, I will tell them that they're wrong every time." Sayaka was often called foolish for her ideals and hopes, and Madoka was the only other person aside from Kyoko who understands Sayaka's struggles so much that she outright tells people that Sayaka was never wrong — this is how Madoka protects Sayaka. Madoka would never want anyone to say any of the magical girls' wishes were wrong or foolish. It was how Sayaka also found her peace at the end of the show: to be understood and not viewed as an object that would eventually be replaced in the cycle of magical girls and Witches.
Madoka and Sayaka eventually learned how to protect each other. Sayaka doesn't need to suffer from her own overbearing expectations anymore, and Madoka can finally be something even more to protect her angel: A God.
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I think the interaction between Kaiser and Isagi at the end of chapter 203 is very important and foreshadows how Isagi and Kaiser's (and Ness') relationships will change soon. Especially since Kaiser had to admit that Isagi outplayed him at the end of the BM v MSC game, and Ness' following freakout.
Look at this panel of Kaiser holding ness by his hair, essentially making him bow down:
We've seen Kaiser do this on multiple occasions.
When Isagi loses consciousness, there is this (in my opinion) very significant panel of Kaiser simultaneously releasing Ness and grabbing Isagi's hair in the same exact way.
I see it as a sort of crude metaphor for exchange that makes believe think Kaiser will try to replace Ness with Isagi, who has now proven more interesting to Kaiser. Not just to entertain himself or act on any other sort of personal feelings he has towards Isagi, but, most importantly, to put him in his place (the same way Kaiser has Ness under his thumb).
This is idea is further established simply by how the last panel is framed:
Isagi, no matter the circumstance and how you put it, is on his knees in front of Kaiser.
Remember this?
He finally really has.
While it happened probably not how Kaiser had envisioned, he still has Isagi kneeling in front of him, proving his superiority as the player who endured.
But Kaiser did have to admit his (small, but nevertheless) defeat, and knowing how prideful he is, that must have been a blow. That makes be believe that he will be working very hard to somehow get Isagi on his side and crush him into submission the same way he has with Ness.
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