at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
I really find it interesting how Zionists have no issues constantly using words like "Islamic" or "Islamist" or "jihadist" to describe the people they're killing without any fear of being accused of Islamophobia or that they're being bigots.
Because they know that we live in a world where anything or anyone remotely "Muslim" are automatically portrayed as inherently evil and deserving of death, especially in the US and other Western countries where Israel gets most of its support from them. So therefore, no one can be mad at them for killing all of these people, right? After all, they're only killing scary radical "Islamists" and "jihadists," NOT innocent people.
Meanwhile you would never hear any pro-Palestine people calling IDF soldiers "Jewists" or "Jewish extremists," even when they're literally branding the star of David onto Palestinians' faces and houses, instead we have to be very careful to not associate Judaism with Israel's crimes and are obligated to write a long essay about how we in fact do NOT want to kill every Jew in the world before we're allowed to show a shred of sympathy toward the thousands of Palestinian civilians being murdered as we are speaking.
Yet somehow that's not enough and they still hit us with the "when you say Zionists you actually mean Jews!" all while ignoring how they themselves aren't putting any effort into not demonizing Islam and Muslims with their words, because demonizing Islam and Muslims isn't an issue to them and the only way they can justify all the killing they're doing.
fuck you ageism fuck you life ending at 30 fuck you makeup industry forcing us to feel bad about a natural process fuck you hustle culture fuck you instagram fuck you youtube fuck you glorification and deification of youth fuck you who make people feel bad for not having "achieved anything" in their 20s fuck you people who peaked in high school and try to drag everybody down by insisting it's all downhill after 19
new game is to type one through ten in your tags and see what comes up. i think my favorite of mine is ‘my uncle told us he spent seven and a half hours in a sensory deprivation tank once’ but ‘gideon the ninth motherfucker’ is a close second
You’ve most likely answered this before but what breed exactly is Machete? I’ve been trying to figure it out for a while I’ve thought maybe a saluki but the ears arnt right.
In theory his breed is fictional Podenco Siciliano, but he's not a purebred example. Out of existing dog breeds he looks closest to (and is related to) Ibizan Hound.
But sometimes I see Silken Windhounds that also kind of remind me of him. They just don't have the characteristic bat ears.
you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.
you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.
he says i don't like small talk. and then he smiles again, watching you.
a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.
he doesn't like small talk, figure out something to say.
you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.
people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.
wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.
also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.
he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."
you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.
"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."
he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.
you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.
is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?
[this is kind of a messy ramble, sorry about that]
Demon Twins AU, except Danny is loyal to the League.
The League of Assassins is a “cult” for a reason. They know what they’re doing. Ra’s has been around for a very long time; he’s seen every trick in the book and then some.
So when his daughter Talia gave him two, near-identical twin grandsons, he had already planned out their lives by the time the sun had set on their first day living. He knew the plans weren’t perfect. Nothing ever went exactly how he wanted it to. But that was the joy of being absolutely fucking ancient. Ra’s adapted better than anyone. If something went wrong, Ra’s will simply work around the issue and live to see another day.
So the boys were raised as he wished. Ruthless, with sharp blades and even sharper wit. They matched each other in every way, blow for blow. Neither won more than the other, and Ra’s encouraged the competition between the twins. Eventually, the battle for title of Heir came, and Damian won that particular match.
Danny was fine with this. Thrilled, even, for his brother to earn the title of Heir. The boys were very close, and worked well to take down targets twice their size. Ra’s approved this, and granted Danny title of Shadow. He was to be Damian’s eternal shadow, a guard. Both Talia and the boys were pleased with this.
But then came the time for the boys to learn how to live without each other. They’d gotten too used to someone guarding their back. Too complacent and too confident in their roles. Ra’s knew it would happen, and so sent Danny off at a very young age to live with some sleeper agents in America.
The Fentons.
Damian would stay here, with Talia, to learn how to be the perfect Heir. He needed to learn how to fight without the assistance of his brother.
Danny would go to Amity Park, and be fostered by the Fentons. He needed to put his skills to practical use and learn how to live without constant orders.
This was their Test.
Damian did quite well, for a while. Until Talia sent him off to his birth father, The Bat. Reports on his behavior declined in quality after that, and Ra’s couldn’t help but feel dissatisfaction with how the Heir had been corrupted.
Danny’s reports were always immaculate, however. His mask never slipped, and he’d worked himself into the hearts of the townspeople. The sleeper agents, Jack and Maddie, had a daughter who was quite enthusiastic about the properties of the mind, and accept Ra’s instructions to teach Danny with ease. It was the ideal situation.
In Ra’s eyes, Danny was thriving. Damian was not.
And then Ra’s died. The League was in shambles. Damian was at peace with his family, away from the cult he grew up in. He assumed Danny had defected years ago, since their mother stopped giving him reports about his twin.
Then Danny showed up at the Wayne’s doorstep, decked out in full League attire, angry and hostile.
“Tell me, dear brother,” he spat. “Why did you not inform me that Grandfather had died? I had to find out through his spirit when it came to visit from the afterlife!”