A quick review: The Goblin Emperor
I binge-read the last of the The Goblin Emperor today and my brain is still buzzing. Everyone knows that I'm a big fan of stories about people in power choosing consistently to be kind, especially when it's hard and it does not benefit them, and this book DELIVERED.
I loved reading about Maia choosing, over and over again, to be compassionate, even though he was miserable and overwhelmed and it would have been easier to be cruel. Maia felt like the purposefully isolated, abused teenager he was, overwhelmed and powerless when he first came to court, but I adore that we saw the slow, hard-won changes that hebrought about: winning allies simply by being kind and honest, making REAL change for the betterment of his people
Maia has only been ruling for a less than a year (I think) but already the world is benefiting from the care of Emperor Edrehasivar the Bridge-Builder (and what a title!!!). All the birthday messages Maia received - not just platitudes but warm gifts from people whose lives he'd changed - made me tear up
And I also really liked all the hurt/comfort scenes with Maia being surprised by being liked and treated nicely, and winning the loyalty and affection of so many just by virtue of being himself :'))
Anyway if you haven't read The Goblin Emperor, you should definitely give it a chance!! Especially if you also read and enjoyed The Hands of the Emperor
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[ID: a three panel comic depicting maia, cala, beshelar, and eshevis tethimar from the goblin emperor. 1) maia seated at the throne, his nohecharei behind him. he looks very weary and is saying, "what is your concern, dach'osmer tethimar?" the nohecharei look on past maia in suspicion and disapproval. 2) a closeup of tethimar, looking darkly upward and saying, "our concern...? our concern is..." he launches up, pulling a long, thin knife through the air, cloak billowing behind him as he says, "A KNIFE!" 3) cala and beshelar crowd in front of maia, who looks horrified. cala holds up a hand crackling with maz, and beshelar raises one arm in front of him, the other shielding maia. both are yelling, "NO!!!" end ID]
let me see what you have!!!! A KNIFE
this was @lollians 's idea thank you my beloved
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The Goblin Emperor 5/5: I’m Bored and I’m Having So Much Fun
5/5 stars
446 pages
Contains: an emperor that doesn’t know what the fuck he’s doing; kindness as like a plot point; court intrigue!!!
The Goblin Emperor has been on my TBR for years, now. I’d heard someone say, a long time ago, that it was a weird book, and that “you’ve never read something like this before”. Of course, my curiosity was piqued. I love weird, funky little books, that turn you upside down and shake you a bit, especially if they’re speculative fiction. So The Goblin Emperor went into my TBR, until this month, when the mood to read it finally struck me and I sat down with it.
But The Goblin Emperor is not best described by “weird”, in my opinion, nor is “uneventful” a good descriptor, either. I think those of you who have read the book will agree with me that there are several big events throughout the story that capture your attention and are major turning points for the characters. However, it’s impossible to avoid, when recommending this, the fact that it is… boring?
Let me be clear: I don’t mean this in a bad way, at all – I had so much fun reading The Goblin Emperor. Nor am I using it to suggest that Ms. Addison’s writing choices were inadequate. I’m using this word because I think it’s the best way to describe what happens here.
I’ll explain myself: it’s not that nothing happens in The Goblin Emperor, but the pacing is slow. And not in a bad way – things just take their time. We follow our main character in an almost day-by-day basis. We watch him wake up, have breakfast… And at the end of the day, we are with him as he puts on his pajamas and goes to bed.
And then there is the fact that Ms. Addison takes what I called an “almost anthropological approach to describing culture” in my review of the Teixcalaani Duology, by Arkady Martine. Much like Ms. Martine does in her two books, A Memory Called Empire and A Desolation Called Peace, Ms. Addison takes her time to consider every move in its cultural context. If, in A Memory Called Empire, the most striking element of this approach is the Teixcalaani smile, which differs from how other parts of the world chose to do so, here we see this attention to detail in the elvish language.
In this world, “we” is the default first person singular. It’s the formal “I”, and “you” is the formal second person singular. Watching these characters drop this formality barrier or decide to put it up makes for a beautiful addition to the dialogue and character relationships throughout the book. It also, of course, tells us much about this world and this culture, which is bound tightly by strings of formality and tradition. (And is also a reflection of how other languages work, in the real world. French, Italian and Spanish, for example, have formal yous, as I’m sure other non-European languages do, too. This makes me super curious to see how this quirk was translated in languages that already have this as a feature. If anyone knows, please tell me!)
This almost-anthropological lens, however, adds a stillness to the story that makes it move slower, taking more time in each of the character’s movements. Which, in turn, makes this book a little more boring.
But, like I said, this is boring in a good way. This stillness, this slowness, allows us to spend ample time with our characters, really getting to know them. And the world sparkles around them, made so vivid by this attention to detail, this approach to a fictional culture. It feels alive outside of the pages, like we’ve only popped in for a visit, and the clock will continue ticking when we’re not there.
But the crux of the story, and the reason why it needs to slow down, the most, is our protagonist, Maia. Maia is the youngest, half-goblin son of the elvish Emperor, who scorns him. He is secluded to a remote location with his cousin Setheris, until a messenger arrives – the Emperor and all his other sons have died in a freak accident, meaning Maia has inherited the throne. With no education in politics and no friends, Maia journeys to court, where he will learn to rule.
And although he’s put in this position of power, and finds himself, in several ways, helpless and dependent on others, Maia never loses his kindness. He’s a generous soul who strives to make decisions for the good of others, and this is the axis around which the rest of the plot moves, slowly, forwards.
To really understand this kindness, to dig into it and be aware of its various implications, its causes, it’s necessary to spend quite a while in the company of Maia, as he blunders forward. And what a journey it is! I’ll tell you, “boring” might be a good word to describe this book, but so is “compelling”. When it hooks you, it hooks you, and it leaves you wanting to bury yourself further and further into this world, to know more, to spend more time with Maia, and find out all the intricacies of his language.
Thank you for reading this review! I’m working on a list of similar books, which will be called something like “Books for Humanities Nerds”, so if this sounds like your cup of tea, keep an eye out! Have a nice day :)
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