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#thank you so much for your questions!!
glassedplanets · 3 months
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a few months ago giffy was like "haha hear me out, what if tattoo au" and then we blacked out and talked about nothing else for like three weeks
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souperluminal · 9 days
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Hello!! I'm a huge fan of your art and I thought I would ask about your colorwork, because it's genuinely super impressive to me how all your pieces have amazing palettes and they add so so so much to the general atmosphere. Do you have any process to pick colors for pieces? Like using picture references, gradient maps, etc or do you genuinely just eyeball them? I'm super curious :]
But yea I really love what you do and love seeing every new piece!! Have a nice day! Ty for reading <3
Thanks! I very much use references, though I don't use the color picker on them, gotta train the eye. I have an ever-expanding reference folder of photos and paintings with colors that I like so that when I start a new painting and I have an idea of the color scheme I want in mind, I'll already have some reference on hand. Good reference really makes a world of difference!
I also like to bias colors a little bit away from their standard versions:
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The more blue green and the more yellow green are both more interesting to me than the "just green" green. Nothing wrong with that average green though, sometimes that's exactly what you need. It's always situational.
Lastly, a fantastic color tip for digital art specifically that I got from Mike Hernandez: Use the RGB sliders instead of the HSB color selection!
By default, Photoshop gives you the HSB (Hue, Saturation, Brightness) color picking setup which looks like this:
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It's perfectly functional and has its uses, but it doesn't really feel like mixing color. On the other hand, if you use the RGB sliders:
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Now you can add a little more blue if you think that's what the color needs, or you can take away red, add some green, etc. It gets you actually mixing color and thinking more about how the colors relate to each other. It can take some getting used to if you've only used the HSB setup before, but it's worth it!
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beamiesbuddies · 9 days
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Part 2: A Dream of an Autumn Garden
A few more photos of Mr. Morpheus, continuing from my post here!
As I said on the other photoset, I'm very happy & proud of him! I'm happy I decided to take my time to get him just how I wanted & edit the photos I took nicely. I hope you all love him too. Sweet dreams~
I have included a bunch of Cool Facts about how I made him under the cut if you are so inclined!
Started: Late Jan 2022 / Finished: Dec 30 2022
Approx work hours- 273 hours (worked on average every 3rd day out of 274 days; averaged 3h/session)
Times I remade something because I messed it up/wasn't happy with it: Hands- 2; Feet- 2; Head- 2.5; Body- 1; Clothes: 3
Pattern: trial, error & determination
Height: 3ft tall
Materials:
stretch jersey knit (body)
polyfill (stuffing)
brushed out acrylic yarn (hair)
star sapphire x2 (eyes)
pipe cleaner (hand armature)
wooden dowels/18 gauge wire (elbow/arm skeleton that keeps snapping I may add)
acrylic paint/pastels (shading & details)
acrylic thread (body sculpting & upper eyelashes)
stretch velvet/velvet burnout, cotton (clothes)
Fun facts:
his look was inspired by his overall appearance in the comics; I particularily like the depictions done by Jill Thompson, Mike Dringenberg & Marc Hempel!
his arms and legs are jointed in the same way as many teddy bears are: you use a washer, nut & bolt to butt-up the limb against the body internally and it gives the limbs full rotation. First time I have tried the method and it's definitely something I'll try again!
I had no idea how I was going to do the inset eyes, but I was determined to have them as some sort of stone. I had to redo his first head completely because I cut too far in! Eventually I got it to work by creating a "backcushion" with clay for the stones, and then closed and sculpted the eyelids overtop to secure them in.
You can't see in most of my photos but his eyes are star sapphire: when light hits them correctly, it causes a ✨to appear just like his eyes in the comics~!
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making his hand & feet were a challenge, especially thinking about where to put the needle through to sculpt tendons, nails, etc (and also deciding how detailed to get without looking strange). I think I learned a lot tho and I'm very proud of the hands
my favorite sculpted parts are the collar bone/chest, the right hand & the nose~
because the skin is white, he gets very dirty with his black clothes, so I had to line all of them in white. He also has to soak in bleach once in a while to maintain his complexion (LOL)
A signature somehwere on his person xD
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Thank you all again for your nice tags & comments so far on my work. If you guys would like for me to share some behind the scenes photos of this photoshoot, or WIP photos of me making him, let me know and if there's enough interest maybe I'll make a post down the road!
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fantastic-nonsense · 29 days
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I love your thoughtful SoC meta! I would love to know your thoughts on Kaz and Jesper’s relationship. Specifically, I adore Kaz but one thing in particular that always seemed so dark to me was that he enabled Jesper’s gambling addiction even though he obviously does care about him. Kaz is obviously willing to do a lot of fucked up things in service of his goals, but this one in particular, toward his own brother figure, I find sad. It’s kind of addressed during their fight at the end of CK but still feels a little unfinished.
I love Kaz and Jesper's relationship. There's sooooo much to dig into there (way too much for a single meta); it's super juicy and complicated, and one of the best complexities of it is that they often enable and feed off of each other's trauma. The pre-canon status quo is a situation where Kaz and Jesper are, in many ways, using and abusing each other as a way of avoiding dealing with their own trauma. It's a fascinating push-and-pull dynamic because neither of them are pushovers and yet neither one is particularly interested in facing their Issues™ head-on, and they both seemingly recognize that in each other and give each other an uncharacteristic amount of grace in helping the other avoid dealing with it.
In Kaz's case, that most often looks like enabling Jesper's gambling addiction and then repeatedly bailing him out of trouble under the justification of "he's loyal and competent, it would be wasteful to let the other gangs kill him." In Jesper's case, this looks like ignoring Kaz's countless and extremely obvious issues in favor of playing the loyal second. Basically, it's not just Kaz enabling Jesper's gambling addiction; it's also Jesper enabling Kaz's unhinged ruthlessness with little pushback other than a few snarky comments.
They also project a lot of their own issues onto each other! Kaz pushes Jesper away in part because he's projecting the grief and blame he feels over Jordie's death onto Jesper, but Jesper is using Kaz's ruthless pragmatism to escape the crippling disappointment of returning home to face his father's judgement for being a college drop-out, gambling addict, and gang member. And Kaz withholds praise and verbal declarations of trust from Jesper because he hates acknowledging that he cares about people, but Jesper uses Kaz's emotional detachment as a crutch to avoid dealing with his own commitment issues by pining after a boy he knows will never reciprocate his advances. This status quo is, of course, insanely unhealthy for both boys long-term, but where would we be if any of the Crows actually dealt with their issues in a healthy way?
That dynamic, imo, is also only possible because Kaz and Jesper have known each other for longer than anyone else in the main crew; Kaz may have let Inej in further, but he let Jesper in first. As far as we know, Jesper is the first person Kaz genuinely lets past his mile-high walls since Jordie died...but he very deliberately holds him at arms' length in a way that he does not with Inej (something that Jesper notices and is jealous about!). Being "the first" in this case unfortunately comes with a lot of baggage, and Kaz and Jesper would both lowkey rather die than talk about how much they care what the other thinks of them.
Kaz clearly didn't recruit Jesper looking for a friend or someone who reminded him of his dead older brother; he recruited him because he saw someone with a useful skillset who he preferred to be at his side rather than in a rival gang or dead in the canals. It's to Jesper's credit that he managed to break through those walls anyway, but there's only so much he can do in the face of Kaz's armor. And like Inej, Kaz's closed-off personality and actions hurt Jesper repeatedly. But he stays anyway, because he (like Inej) sees the boy underneath the mask that Kaz wears and cares a little too much to let him go:
“He wouldn’t—” Jesper stopped short, and then he laughed. “Of course he would.” Jesper flexed his knuckles, concentrated on the lines of his palms. “Kaz is…I don’t know, he’s like nobody else I’ve ever known. He surprises me.” “Yes. Like a hive of bees in your dresser drawer.” Jesper barked a laugh. “Just like that.” “So what are we doing here?” Jesper turned back to the sea, feeling his cheeks heat. “Hoping for honey, I guess. And praying not to get stung.” Inej bumped her shoulder against his. “Then at least we’re both the same kind of stupid.” “I don’t know what your excuse is, Wraith. I’m the one who can never walk away from a bad hand.” She looped her arm in his. “That makes you a rotten gambler, Jesper. But an excellent friend.” “You’re too good for him, you know.” “I know. So are you." -Ch. 17, Six of Crows
Kaz is unused to verbalizing the trust he places in others and actively in denial about how much he cares about them until Crooked Kingdom; he spends his time deliberately being cruel and pushing people away even as he proves over and over again that he doesn't actually want them to leave him. This casual assholery hits those closest to him (Inej and Jesper) the hardest because they are clearly trusted with his life but not with his heart, and that hurts them both.
For Inej, resolving that behavior looks like giving him an ultimatum ("I will have you without armor or I will not have you at all") and telling herself to walk away unless he meets her challenge. For Jesper? That looks like duking it out on top of the Geldrenner when they're both at rock bottom, because of course that's the only way either one of those boys is ever going to verbalize the tension that underlies their relationship. There's just a lot of baggage and mutual toxicity and unsaid words that neither of them are very interested in dealing with until everything comes to a head during the Clocktower fight.
I think we also forget that the Kaz-Jesper dynamic we see in the majority of the duology is not their normal dynamic: it's how they interact when Kaz is mad at Jesper. And a mad Kaz is, within the scope of canon, a pretty cruel Kaz, which is something that I think a good portion of the fandom likes to handwave away in favor of pointing towards Kaz's active attempts to be better in the back half of the duology.
Ultimately we only see the "normal" Kaz-Jesper dynamic for the first 12 or so chapters of Six of Crows (when the Dock Fight/Eyeball Incident happens) and the last few chapters of Crooked Kingdom. Those chapters are a really interesting look into what that relationship looks like when they're on good terms. It's clear that they're good friends, trust each other a hell of a lot, and joke around with each other quite a bit (the "saves ammo" joke in the parley chapter, their interactions during the Hellgate breakout, the "man with a knife!" "man with a gun!" exchange immediately after Kaz throws Oomen overboard, etc), but we also see the stress points: Jesper getting mad at Kaz for not telling him about Big Bolliger's betrayal, Kaz sending Wylan with Jesper during the prep chapters to keep an eye on him, and Jesper's bee and honey conversation with Inej on the Ferolind, for example.
These stress points are what fracture and crack in the aftermath of Jesper accidentally alerting the other gangs that they were headed out on the Ice Court Job and nearly causing Inej's death, and further buckle under the stress and pressure that Kaz and Jesper deal with during the following month and a half: the Ice Court job, Van Eck kidnapping Inej on Vellgeluk, Colm showing up in Ketterdam, and the Sugar Silo/Auction scheme.
In this way, I think Kaz enabling Jesper's gambling addiction is less about Kaz being actively cruel towards someone he sees the ghost of his brother in and punishing Jesper for the sins he percieves Jordie to have made (which is also true, and a meta for a different time!) and more about the weird balance of toxic mutual leniency Kaz and Jesper have allowed the other to provide for them for over two years...and how that leniency breaks down once it's not just Kaz's life or time on the line when Jesper fucks up.
Put more succinctly: for a long time, Kaz and Jesper existed in a toxic balance of enabling each others' worst impulses and behaviors, which was only able to be verbally addressed when they were both at rock bottom, desperate, and seemingly had very little left to lose. This conflict is somewhat addressed and resolved in the conversation where Kaz refuses to give Jesper the last of the parem and offers up a tiny bit of information about Jordie—showcasing his own growth and how he's finally trying to break the cycle by refusing to enable Jesper's self-destructive tendencies—but that level of tension is unable to be properly resolved in one single blowout argument. And I think it's deliberately left a bit unfinished because neither of them are really in a place where they're ready to address everything they've left unsaid for so long, even in the epilogue chapters.
However, we do see the beginnings of that reconcilitaion (Kaz asking Inej to tell Jesper that he's "missed around the Slat") and the story ends on a hopeful note regarding Kaz's commitment to removing his armor, which implies a lot about the resolution of that dangling thread. And of course, we know that by Rule of Wolves they're back to being thick as thieves and fucking around as usual, so clearly they hashed it out at some point in the in-between (and personally? I don't think it took either of them very long after the CK epilogue chapters to do that hashing out).
tl;dr: I love it when two traumatized and emotionally constipated teenage boys use each other to avoid facing their own personal problems and then get into a fistfight to avoid talking about how much they care about each other. Top-tier dynamic. Chef's kiss. I could talk about them for hours.
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sweetgaleria · 1 year
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Help a college student graduate by answering a survey!!
Hey!! Are you over 18 and in the miraculous fandom? Then this is for you!!
Hi everyone, this is my last semester of uni, and one of my final projects to be able to graduate is to write a scientific paper. I'm writing an article about adult fans of children's animation, specifically Miraculous Ladybug. My goal is to understand what makes adults (like us) want to join fandoms centered around shows aimed primarily at children, and to do that I'd love to hear directly from the source! The survey takes around 10 minutes to answer, it's 100% anonymous and it would help me immensely!
>>Click here for the survey<<
I need at least 30 people to answer, but honestly the more the merrier! I've also made a little thank you gif at the end, so if you see it let me know! If you have any questions feel free to send me an ask, as well!
Please reblog so it can reach more people! Thank you so much!
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themeeplord · 5 months
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Hey Meep, Meepster, Meeperoni how do you draw scales?
I love your scales, both the prominent and far away ones. I especially love the scales on your cryptid boys.
So how do you do it?! When I try to draw scales it looks like a gravel road and just overall bad. Please share your wisdom, I beg.
In my head this turned into a bigger question than you might have intended pfjfjf, I tried my best to stay relativity simple with my answer!
Let me show you how you can think when figuring out big scales.
First I try to keep it simple and not sketch in all the scales until I've gotten the pose down.
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When I start planning out scales I start with figuring out the direction of the scales and the big shapes (I usually do this in my head, but drawing it can be very useful)
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Once I'm happy with the shapes and directions I start adding the scales one at a time, all overlapping each other like they're huge fish scales.
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Scales don't always have to follow the same 'start at the head and run down the body' idea, you can do the opposite and get some very neat looking shapes. You can mix it up too. Here's some examples!
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There are a lot of different kinds of scales and animals often have more than one kind. Some even do look like gravel!
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I suggest looking at real life animals and fictional creatures for inspiration and reference. It takes a long while to learn how and where to use specific scales, but it'll be easier if you're willing to spend some time looking at and studying scales and the anatomy around them.
Some examples of animals with scales~ (names in alt text)
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glass-noodle · 8 months
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What would a role reversed merman AU scenario be like? And most impotant, what kind of fish species would Hank be? (Not meant as a drawing request or super elaborate essay or anything, I just love reading your ideas ✨️)
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I know you said this isn't a drawing/essay request but HOW COULD I RESIST!!!
I am not a fish expert but I like to think of Hank being either a dwarf gourami (for that good ol' in-game symbolism hehe) or a tiger shark, because stripes and big teeth and bad temper. Or maybe he could be some sort of tropical fish that's super vibrant and colourful, yet also deadly (poisonous fin spikes?). Marine biologists please weigh in!!!
Some half-formed unofficial notes:
Hank is more outwardly aggressive towards Kamski and the scientists in comparison to Connor’s cold-shoulder approach. They went through their entire tranquilizer supply in the first few months just to get a handle on the roaring, thrashing beast of a merman, and he’s caused more than a few major injuries amongst their team. Just like Connor, he bares his teeth and resists every time they come to take him for experiments; they have to sedate him from a greater distance and with a much heavier dose than they use for Connor, however.
Hank is a little less malnourished than Connor, but only because he doesn't refuse to eat. He's still thinner and weaker than he would be normally
Connor works the night shift. Not sure if it’s because he has another job during the daytime or if he’s going to school, but either way he manages to catch up on sleep during his breaks. He sacrifices this sleep once he and Hank start growing closer, however.
Hank takes much longer to warm up to Connor than the reverse. He snarls and snaps his teeth whenever Connor gets too close; it takes weeks for Connor to be able to approach the edge of the tank. He has to leave the fresh fish on the deck and back away before Hank will even look at it, ice-blue eyes narrowed with suspicion.
Connor is a bit more hesitant to get close to Hank, but that's only because he's always taken his job seriously and he doesn't like breaking the rules. He can't help but stare in awe whenever the large merman swims by, however, vibrant fins flashing and his muscled body cutting powerfully through the water. It's only when Connor starts noticing the scientists taking Hank away - and his glimpses of Hank's violent resistance - that his curiosity and empathy override his sense of obedience and his desire to make a good first impression.
Because Hank doesn't talk, Connor is given even more of an opportunity than usual to run his mouth. He blabbers away, asking question after question as if Hank could answer, sometimes philosophizing and sometimes talking about nothing at all. Hank tries to tune him out as he eats, but the human is annoyingly persistent. Eventually he grows used to the babble, but only after he starts begrudgingly warming up to the kid.
Because Connor talks so damn much, it's alarming when he goes quiet. Hank initiates contact for the first time by taking off his glasses when he has his breakdown. It's the first time Hank has ever been so close to him.
I think that Hank would still have lost Cole when he was a baby mer; possibly to humans and their trapping practices, giving him even more of a reason to hate them. I'm torn on what Connor's backstory should be, though. Perhaps he lost Nines (to an ocean storm?)? Or maybe it’s post-fight with Amanda and he’s feeling directionless in life, suffocating under the weight of his family’s expectations and feeling like he’s a burden and a disappointment despite everything that he’s achieved? Maybe it’s just a good ol’ panic attack because I love forcing anxiety onto human!Connor (no I’m not projecting what do u mean)
Hank's power and girth take on a whole new light after they’ve grown close. Connor is more distracted during their time together, his stream of chatter faltering uncharacteristically whenever Hank shifts a certain way or rips into a fish easily with his powerful jaws. He swallows when he imagines the full strength of the merman pressing him down against the deck, of Hank dragging him into the water and grazing those razor-sharp teeth along his skin, tail wrapped around his body like a serpent and trapping him in place.
Hank could hold the skinny human down with one hand. He knows he could. He imagines wide dark eyes staring up at him, skin flushed prettily and neat brown hair dripping, wordless for once in his life, and nearly loses his self-control. If they were both mermen, he'd be courting the kid to the ends of the ocean. Or...maybe Connor would be the one wooing him. He's certainly brought him enough fish and stared at his chest and arms enough that any merperson worth their salt would consider it mate-like behaviour. It's a weird cognitive dissonance to be feeling this way about a human, but Connor is — Connor is different. Hank likes Connor; he likes him so much that it's stupid.
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ao3screenshotss · 2 months
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i gave up on buying the official tgcf books and i’m just reading a fan translation online so i don’t know if it’s just that but why is the novel SO HILARIOUS just the delivery of some lines makes me wheeze
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In issue # 110 of Nightwing (1996), why did Dick look irritated (and clench his fist) when Tim told him that Bruce considered adoption (which Tim rejected obvs), especially since Tim's dad was killed (and Dick knows that)?
ANON YOU HAVE ASKED ABOUT ONE OF MY FAVORITE ISSUES OF NIGHTWING OF ALL TIME <333
Very short answer: it's the trauma
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So the thing is, this is a heartbreaking issue that requires a lot of footnoting, because the emotional undercurrents are BIG and POWERFUL but the dialogue is deliberately understated?? and Dick and Tim are often not saying what they mean?? or just straight-up lying to each other?? and they're TALKING PAST EACH OTHER because
they both suck at communication
they are not even TRYING to communicate their actual problems - like, if Tim straight-up said, "A bunch of people I love are dead and I keep having nightmares about how it's my fault and I'm guilty and miserable and lonely and avoiding Bruce and I came to your city because I was reeling and I missed you and I didn't know what else to do and now I'm scared you're mad at me," that would crack through Dick's determination to keep his distance because Dick's whole thing here is based on the conviction that Tim is fine, but of course Tim doesn't say any of that, and Dick can't read his mind. And Dick's not quite as determined a liar as Tim so Tim is able to figure out a little more of what's going on with Dick vis-a-vis insecurities, but Tim's still completely missing what a colossal mess Dick is right now, and again: this is because he's not a mind-reader and Dick doesn't tell him! And doesn't want to tell him! And doesn't want him to know! So Tim thinks that Dick's maybe acting this way because he's mad at Tim, and he tries to solve the problem from that angle, even though that's not at all what's going on and actually Dick's miserable and traumatized and mad at himself
I love it so much
So the short-ish answer to your question is, Tim's correctly guessed at some of Dick's insecurities here. Dick's not mad that Tim's in the city, but Tim's right that the adoption was a big deal to Dick, and he's right that Dick's a little threatened by the idea of Tim getting adopted too. (This wouldn't normally be the case! But Dick was kinda uneasy about Tim in the early days when his own relationship to Bruce felt very shaky, and right now Dick's feeling like he's lost Bruce again, and when he's insecure about himself he tends to slide into seeing Tim as a rival - both in vigilante terms and in terms of a connection to Bruce.)
And probably the main reason Dick's so stunned - and a bit angry - here is because Bruce didn't tell him, and although this is very different from Bruce not telling him about adopting Jason... it's still jabbing at those old wounds.
BUT THE LONGER ANSWER is important! Dick loves Tim, a lot!! SO MUCH. He watches Tim sadly from a distance and thinks about how much he loves him in this very comic! So why isn't Dick more enthusiastic about the potential adoption? Why is he skulking around in alleys being miserable and self-destructive and avoiding Tim so determinedly that Tim's convinced he's offended Dick somehow? What's going on???
Well, Dick's life has been imploding.
So to really answer your question, we have to back up a bit and get the context of what's going on with Dick and Tim prior to this comic.
I started writing about this and it got way out of hand, so below please find a guide to my four-part manifesto about Nightwing 110 and what's going on and why I think it's great:
Background: Dick + Tim + Trauma Conga Lines
Background: War Games Aftermath
Nightwing 110
Fix-It Fic Ideas
rambling manifesto is below the cut
Background: Dick + Tim + Trauma Conga Lines
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Images: a reporter is shot and killed in front of Dick in N 93; a few days later, Darla is shot and killed in front of Tim in R 129; a blood-covered Dick turns from Blockbuster's body in N 93; a blood-covered Tim stares at his father's body in IC 6
Timeline-wise, we're in The Bad Year for Dick and Tim. Dick's life has been FALLING APART. Blockbuster figured out his secret identity and started murdering his entire supporting cast: Blockbuster hired someone to attack Haly's Circus, blew up Dick's entire apartment building, and shot a reporter in front of Dick. In the climactic confrontation, Catalina Flores killed Blockbuster and raped Dick.
More or less simultaneously in War Games, Tim's life has ALSO been falling apart and his supporting cast has been getting gruesomely murdered. In quick succession, Jack figured out Tim's secret and Tim had to quit, Steph got hired and fired as Robin; Steph accidentally started a gang war; Darla got shot and killed in front of Tim during the gang war; Steph got killed by Black Mask; and Jack Drake got killed by Captain Boomerang.
It's a grimdark time in DC comics.
Background: War Games Aftermath
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Dick's slowly recovering in the Manor as Bruce recaps recent events to him (Batman 634)
Now, Dick's actually part of War Games - very briefly. A day or two after Blockbuster's death, Bruce calls Dick for help, and Dick comes to Gotham. Dick and Tim briefly interact but Gotham is in flames, they're both freaking out, and they don't really help each other - Tim tries to tell Dick about Darla, and Dick shuts him down (not realizing Darla is actually Tim's friend); Dick has a panic attack in front of Tim and Tim drags him out of danger but gets snappish instead of worried.
AND THEN, midway through the gang war, Dick gets shot in the leg and ends up in a coma for a while. By the time he's recovered enough to wake up and walk around, Steph's dead, Jack's dead, the funerals are over, and Tim - who's avoiding Bruce - has moved to Blüdhaven.
Here's Dick trying to get answers out of Alfred in Nightwing 99 (Alfred and Bruce aren't telling him anything, either because they can't stand to talk about it or because they're worried about impeding his recovery):
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Somewhere around here - presumably whenever he first learns about Jack's death? - Dick calls Tim, who doesn't pick up, in IC 7:
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In Nightwing 99, it's implied that Dick leaves the Manor almost as soon as he wakes up, after confronting Bruce:
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Dick can't bring himself to confess Blockbuster's death, but obliquely admits his own distress: "…Bruce, I'm lost." Bruce wants to solve things by throwing themselves into The Mission in Gotham: "It's just you and me again, Dick. But there's plenty of work to do." As he talks, Dick grabs his crutches and leaves. He confronts Catalina, arrests her, and tries to turn himself in... but Amy doesn't let him. As he's walking out, angry at Amy and at himself, a prisoner offers him a card.
Meanwhile, in the Batcave, Alfred's stunned to discover that Dick's abandoned his costume:
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In Nightwing 107, we learn that Dick has ditched everything and apparently joined the mob - or is he undercover? Dick ultimately comes up with justifications for what he's doing, but a lot of what he's doing is punishing himself and hiding from his life. He's in Detroit for a while, but then has to go back to Blüdhaven, where he sees Tim...
...and now we're caught up with Nightwing 110.
Nightwing 110
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I haven't had a chance to see Robin in action since the beginning of the gang wars in Gotham. It seems like just yesterday he was an earnest little computer geek too smart for his own good. He's still too smart for his own good and he can still kick butt with a search engine, but now he's a full-fledged superhero, to boot. Wonder if he knows how good he is? Not just at the fighting, but at keeping the whole thing on his terms. That's really hard to do, and Tim - he's been through so much, and weathered it so well.
Dick's been staying mostly in Detroit rather than Blüdhaven for various reasons, but one very important one is that he's been avoiding Tim.
Dick and Tim's relationship always suffers when Dick's self-worth issues get in the way, and this is probably the most dramatic moment AND IT'S SO SAAAAAD *wails*
From very early on, Dick has had a very high opinion of Tim, and - like Bruce's conviction that "you're better than me, Dick" - this is
very heartwarming and an expression of Dick's faith in Tim
very important to Tim, who tries really hard to impress Dick and (like Dick) hangs a lot of his self-worth on being needed and useful
a source of many sweet moments
but also
a source of problems in their relationship, because Dick's high opinion of Tim and low opinion of himself means he consistently underestimates how important he is to Tim, wonders if Tim would be better off without him, and sometimes thinks that keeping his distance is good for Tim so that Dick doesn't bring him down... and meanwhile Tim interprets Dick's distance as disapproval or hostility
When Dick's down on himself, he'll continually compare himself unfavorably to Tim - Tim questions more, Tim's better with Bruce, Tim's got better computer skills, etc. etc.
And that's what's happening here, when Dick watches Tim fight from a distance:
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Dick: Still, Timmy played it through nice and clean. Disarmed the perps, protected and avoided the cops, kept any civilians from being shot... God, I love that kid. Too much to let him see me like this.
This isn't a neutral assessment of Tim's skills. This is Dick castigating himself. The implication is: Tim plays it nice and clean, Tim kept civilians from getting shot... unlike me. Elsewhere in this arc, Dick's been convinced that he's "poison."
He can't bear to see Tim because he's certain he'll only bring Tim down.
... There's a problem with his plan, though. Tim's spotted him.
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Narrator voice: they were not okay
I LOVE THIS PANEL SO MUCH
Tim spots Dick before he can sneak away, and chases after him. At first he tries to tease light-heartedly - "Look at you! Back on your feet!" - but when Dick looks away grim-faced, Tim sobers and we get a bit more of his actual worries. (Tim will sometimes fake cheerfulness when under stress - both Babs and his friends comment on this in War Games and in Teen Titans.)
Now they catch up. Tim asks Dick if he's okay. (Dick says he is. He's not.) Where he's staying. ("Some people" are the mobster family.) Dick asks Tim how his step-mom is. (Tim says she's okay. She's not. She's had a breakdown.) How school's going. (Tim says school's okay too. Actually, he's dropped out.)
And now at last we've looped back to the panels at the top! Dick tries to retreat, and Tim - convinced that Dick is mad at him, which is really not the case - tries to figure out if Dick is mad at him for coming to Blüdhaven without permission, or about Bruce's offer of adoption. (Tim's self-worth issues mean that Tim's convinced that Dick is mad at him about something, as opposed to the truth, which is that Dick is spiraling and it has nothing to do with Tim.)
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Dick (turning away): We - we shouldn't be talking like this. Tim (fake-cheer, acting as if Dick means "we shouldn't be talking with you in costume and me out-of-costume"): Well, go get your gear! Dick: I can't do that. Tim (more serious now): You're not mad I'm, like, in your city or anything? Dick (shocked): NO! No. I'm honored. You have more of a right to be here than I do. Tim: Is it the adoption thing? Dick: The what? Tim: 'Cause I was a little worried about that. That's kinda part of why I said no. I mean, that and the uncle thing. I was just thinking it wasn't really all that long since he officially adopted you, which was kind of a big deal, emotionally or whatever, and to me you're like totally his son and I don't wanna step on that or anything.
Dick (whirling): What are you talking about, Tim? Bruce is going to adopt you? Tim (hands up): No! I mean, he was. But he's not now. I've got this uncle… So I don't need, you know, anything really… from Bruce, or… You, uh. You didn't know. I'm sorry, I figured he would've talked to you about it or something. Dick (turning away, jumping off the balcony): Yeah, right. Fat chance. Tim: Well anyway, it's not gonna happen, so you don't have to worry about it... right?
Dick's unnerved by the adoption offer mostly because it drives home his distance from Bruce - he didn't know Bruce was offering this, and since Dick's been thinking of himself as Estranged from Everyone Forever, it feels like Tim joining Bruce's family - replacing Dick - instead of Tim joining Dick's family. So he reacts badly - EVEN THOUGH!!! AGAIN!!! DICK LOVES TIM A LOT!!!
So Dick emphasizes the distance he's trying to create: tells Tim that whatever he does is up to him and Bruce, not Dick, because Dick's withdrawing from everything. Actually, Tim should forget that he ever knew Dick:
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Dick (pulls his hood up, turns away): Look, Timmy, I'm sorry. I don't care what he does. If he can be of help to you, you should take him up on it. I wish I could offer to help you myself, but I can't. I'm not part of this anymore. This whole thing… I'm out. Tim: Yeah, right… Dick: From now on, it'd be better if you forgot you ever knew me. Tim (echoing what Dick said): ...Fat chance.
Tim's hurt by this, and he's been pretty oblivious about what's going on with Dick, but he's not an idiot, and after a moment of hesitation he correctly figures out from this ramble what Dick's not saying, which is that Dick's feeling like he's worthless to Bruce, that Bruce doesn't value him, that he's lost that relationship. So Tim impulsively tries to reassure him that Bruce does need him... but Dick's in a lousy headspace and it doesn't work:
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Dick's walking away. Tim chases after him again. Tim: Hey, uh-! Remember how I once told you that Batman needed a Robin? Well, that's still true, but even more than that, he…he needs you. You know, not like every second or whatever, but at the end of the day, he needs to know you're still on his side. It's…important. Dick kicks over a newspaper stand. Dick (glaring): YOU- ! - you have no idea how much of my life I've wasted believing that was true. Dick pulls up his hood again and walks away.
(Side-note: forever wonderful to me that both Dick and Tim use "need" as a synonym for "love." Issues: they have them.)
Fix-It Fic Ideas
I have spent a lot of time thinking about potential fix-it fics for this comic (TRAGICALLY AFAIK NO ONE HAS WRITTEN ANY, FEEL FREE TO BE THE FIRST). An idea that I offer free to a good home:
A bit after Dick leaves, Tim winds up in trouble and gets injured and Dick has to rescue him (how does Dick find out about it? I dunno)
Tim's injured so naturally Dick's gonna take him back to his home with his stepmom and/or uncle
. . . except the uncle is an actor and not a very convincing one; Tim's entire edifice of lies collapses
Dick realizes that Tim is not actually weathering things well
Dick still thinks that he's poison and terrible and awful and (insert self-hating monologue here) BUT Tim living on his own after his dad is murdered is so bad as far as Dick's concerned that clearly SOME kind of intervention is necessary
Tim insists he does not need an intervention
Dick's sense of responsibility and worry over Tim now force him to carve out time from his major project of hate-myself-and-feel-bad to try to look out for Tim
Dick insists that Tim stay with him until his stepmom is better
They share an apartment for a while
They are both still super-super-super traumatized
???
eventual hugs and healing on both sides
profit
Alternate fix-it:
Tim follows Dick back to the Tevis' house like the little stalker he is, and then introduces himself in disguise as Alvin Draper
Dick's furious and frustrated but can't do much about this without screwing up his own disguise
Tim's determined to figure out what's going on with Dick partly for altruistic reasons and partly because he's also running from his own life, but Dick doesn't figure out the second part until way later
Dick's so frustrated with Tim being here when Dick told him to go - plus wrapped up in wondering what Tim knows, and being paranoid about what he might figure out, and hating being observed - that it takes him a while to start wondering questions like, "wait, shouldn't Tim be in school"
Dick and Tim are pretending not to know each other - or pretending to have a hostile relationship, or something - so any real conversations have to be in snatches in secret
Dick tries to bluff/threaten Tim into leaving (for his own good!!) but it doesn't work
Slow crawl toward mutual awareness of trauma which they're both super-self-conscious about - Dick hears Tim crying at night; Tim hears Dick's nightmares or sees another panic attack
??
At some point it becomes increasingly obvious that they know each other / that their story about their relationship is fake, and when the mobsters confront them, Dick says yeah, he lied, actually Tim's his little brother, and he gives some kind of stylized version of the truth which doubles as an emotional speech to Tim who gets all choked up and hugs him
and it's very touching and emotional because remember Tim HASN'T been adopted so they're NOT brothers and Tim was worried maybe Dick didn't WANT to be brothers but Dick CONSIDERS him a brother so ;_;
??? i don't know what happens next. do they quit the mob? does Dick now explain his mob-infiltration plan to Tim?
meanwhile off-panel Bruce stops Deathstroke from blowing up Blüdhaven, well done Bruce
oh wait or maybe Cass does??
anyway Dick and Tim have hugged so then there's a happy ending
In Conclusion
IN CONCLUSION Dick and Tim should hug more and this comic proves it. Look at them! They both need hugs! They're standing so close to each other! THEY ARE MIRROR IMAGES OF TRAUMA AND BAD COPING MECHANISMS they need each other and they don't know how to say it - they want to help each other and they also don't know how to say it - they don't know how to talk to each other or to anyone else - Dick lashes out and Tim lies and they both isolate themselves and withdraw into depression loneliness even though they could help each other! and would want to help each other! but they won't ask for what they need because they don't think they deserve it and they don't realize how important they are to each other
i just think they're neat. i want to study them like bugs and rattle them around in a jar until all the masks come off and they can actually see each other clearly
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astral-realities · 14 days
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Hello again! New questions bc im really curious! How much do you all identify with your puppets and their appearances? Are they more of a tool for you or are they significant for your sense of self? I've noticed that your appearances somewhat reflect your personalities, was this a design choice made by your architects or have you been adjusting looks along the way by yourselves? (I know Habitually Stargazing did a little, the dress looks really pretty on you btw!) Im particularily fascinated by the antennas! Im guessing you don't use them much having a hard-wire connection to the rest of your superstructures, right? (perhaps they would be more practical when communicating with visitors in your chambers? I don't know..) Im seeing a sort of analogy between animal motifs in ancient art and masks and those retro-looking antenna resembling those used with older technology, though I might be wrong.. I'd be thrilled to know whether these hold any cultural / traditional signifincance among machines alike!
Also I'd love to know more about your serial numbers! What do they mean, and do you more identify with them or with your names?
Finally, Flowers - a creature for you
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It's an umbrella slug, hiding under it's umbrella!
Hope you all have a wonderfull day, looking forward to hear from you!
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SDA: Oh! While the exact details might vary from case to case, I would say that it's a bit of both - the puppet is a tool tied to an iterator's sense of self.
SDA: The puppet is only a small part of yourself, but it represents you as a whole. You .. used it to communicate with your citizens, you use it to communicate with your peers. Others start to see *you* in this form. The more you use it, the more you begin to identify with it. With time, its image truly becomes yours.
SDA: From our creators' perspective, it might have been a matter of needing an interface to interact with us. It seemed to be more natural to speak with something that you can actually look in the face.
SDA: Another important fact is that the puppet is by far the most expressive part of our bodies. Our biological elements can be somewhat controlled by our programming, but it cannot fully override them - there will always be a living, sentient being deep below.
SDA: One that has its own emotions, preferences, opinions; one that wants to express itself. The puppet serves as an outlet for that. It can gesticulate, it allows you to convey how you feel in a way that's understandable to most.
TFB: It would've probably been easier for them if we couldn't think for ourselves. Just tell us what to do and we do it until the end of time, no questions asked.
TFB: Instead, they chose to fully depend on something with an *attitude*! Some really tried their best to keep good relations with their iterator, afraid of putting it in a bad mood...
SDA: Yes, I suppose...
SDA: Some of us might pay greater attention to the puppet's appearance, adjusting it to our own tastes, mostly with clothes and accessories. Fashion was important in our creators' culture, so it wasn't out of the ordinary for an iterator to request a new robe or a necklace. Some took matters into their own hands.
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SDA: ... I'm sorry, I didn't mean to ramble on like this.
BROS: Don't you dare, it's always nice hearing you so passionate about something~
BROS: About the antennae - you're right, they're not as powerful as the equipment in the rest of the structure! They're decent for close-range stuff, and they're what you'd resort to in case of an emergency.
BROS: Like, somehow losing access to the rest of your body. The puppet can't do much on its own, but thanks to these, it would be able to communicate with anything near it.
BROS: Aaand they were mostly another way for the architect to visualize whatever concept they had for a puppet.
HS: I'm almost offended by the "retro" remark. As far as I'm concerned, these are state-of-the-art.
BROS: Sure, sure~
BROS: Finally, as for the model numbers. They represent the architect's name, the cycle when the project was officially completed, and the name of the project at that time, like this:
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BROS: Nobody really identifies with this, it's mostly used in paperwork - maybe some database stuff. Even if two iterators were given the same name, it's extremely unlikely they also had the same creator *and* creation date, so it allows for telling us apart that way.
HS: The name that appears in your model number isn't truly binding either. Such as...
TFB: Come on now, don't put them on the spot like that.
SDA: ...
SDA: It's fine...
SDA: Originally, I was called "Visions of Serenity", you'll see me in databases as GTIAOT672005VOS.
SDA: I was renamed shortly after, due to some... rather unfortunate coincidence.
SDA: It really doesn't matter now.
---
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TFB: Also, thank you so much!! I don't get to see many marine species around these parts, this is lovely!
HS: (...and thank you...)
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oc-center · 4 months
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Welcome to OC-Center's BIRTHDAY PARTY! 🎉
One year of sharing people's OCs to give them visibility, one year of a growing community, one year down with many to go ♥ Below I will share the OC-Center Wrapped, to see everything about this year in stats! 🙌
In the meantime, what better way to celebrate than showing off your own OC in this big party photo?
All your OCs are cordially invited to join in the festivities - add them to the picture in a reblog with a short tidbit introducing them to everyone; that's the best way to make friends at a party!
Will you accept OC-Center's invitation? 🥳
OC-Center Wrapped:
Anniversary: 11th of December Posts: 3,331 Followers: 866 'Needs Love' (posts with 10 notes or below): 41 Most popular original post: Bubble Web post
Number of OCs shared: 3233 'humanoid' OCs: 2261 'anthro' OCs: 646 'creature' OCs: 403 Submissions shared: 226
What a wonderful year! Thank you everyone, and here's to the next one ♥
Ressources used for stats:
Tumblr Stats: https://jetblackcode.com/TumblrStats Tag Counter: https://drunkonschadenfreude.com/
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aethergazing · 2 months
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Send 👑 to see them in something they might wear to impress others.
@tsunael | ask. | accepting.
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basketobread · 5 months
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U think your tav could take the girls. ( not in a fight )
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she has absolute confidence in her abilities and is always up for a challenge... whatever that may be. :)
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shady-tavern · 2 months
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hello! I don't know if you've been asked this before, but I always love reading (and re-reading) your work and was wondering if you have any plans to publish/make physical copies/an anthology?
regardless, I hope you're having a great day! you and the stories you write have brought me so much joy and comfort and angst, and I love falling in love with your characters! thank you c:
Hello! I do plan to publish an anthology for my short stories towards the end of this year and I hope to finish a book I'm working on within the next two months and have it published before/during summer. I hope that answers your question!
I am not yet sure about physical copies, since I have no publishing house backing that idea. It would have to be via pre-orders, but if there are enough people interested in that, I would absolutely do it.
And thank you so much! It genuinely makes me so very happy to know that you enjoy my stories and that you have fun reading them! I love writing so much, I always hope I can give my readers at least a bit of the joy it brought me to make those stories. To brighten someone's day or to make a boring one better or to cheer someone up or distract someone from things that are going on.
I hope you have a marvelous day and weekend!
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sketchy-tour · 5 months
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Helloo! My name is Lyla and I like your concept of Dandy! I would like to ask, did anything inspire them? Also, which gender are they? (IMO, they look like a girl to me....😊 but if you think otherwise, that's fine❤)
OH HELLO!!! Thank you I'm so glad that people like Dandy so much, it makes me so so giddy!!! Um, Dandy is inspired by a lot of things! Lots of my personal interests soaked into Dandy when I was designing them.
If you don't mind me rambling a little about Dandy's process, Dandy took me 3 months to make! Give or take at least. And they went through three other revisions before I was happy with their look!
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THESE WERE ALL THREE GOING TO BE DANDY! I was a little directionless when I made these three. I just knew "flowers" and that was...it. But otherwise I was kinda just throwing things at a wall and seeing what sticked. The last one is the closest to what Dandy ended up as but still wasn't quite right! Eventually I had to put these away and make a sort of inspo board, look at colors and clothes and puppets I liked. BUT YES there is one BIG MAIN INSPIRATION that really cemented Dandy's silly look. And it's THIS GUY!
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Boober from Fraggle Rock! Like when I saw him I realized I remembered the show growing up and I just... AUGH it filled me with joy to remember so I picked him up, picked up some color palettes I liked, picked up some clothes images, and ran with it. Eventually they ended up as the little goober we all know today!
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OH RIGHT! GENDER! yes yes um. Dandy is androgynous! On purpose! They're inspired by characters I grew up with, like Crona from Soul Eater, where no one could seem to agree what pronouns to give them. So Dandy is meant to be a character the writers couldn't seem to agree was masculine or feminine so the show and physical illustrations flip flopped between he and she. That is to say, all are correct! Dandy goes by any! I use they/them to try and be consistent but otherwise you may call them what you wish! So you may use she/her when addressing them if you so wish!
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elllisaaa · 6 days
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Hear me out… a fantasy fic about merman Felix x reader
first things first, felix gives out such strong merman vibes, he would look so good swimming in the ocean with his long blond hair omggg i love it ! i've never posted anything about fantasy on this account (yet) so i don't know if many people will enjoy it but i do, soooo much ! let me know if you would like to have a full fic about it maybe ? i'm into this idea i must say…
MERMAN!FELIX and you, a marine biologist, that is very passionate about what you're doing. every new day, you hop on the boat you use to make your samples. since you were a kid, you always loved the sea, maybe because you were living so close to the ocean and spent all your days at the beach. that's how your passion for marine creatures started, so much that you decided to make it your job. and you loved to scuba dive everyday to take notes on the species you're studying. in conclusion, you were doing your dream job and you couldn't be happier.
and you were even happier to go on a month-long study in the middle of the ocean. every night, you stay out to watch the beautiful stars in the sky, loving the way they reflect in the water. for a week, you are unaware of the gaze following your movements each night. and then you see him, particularly his head picking out from underwater, the intense brown eyes watching you intensely. you both jump in surprise when you realize you saw each other. felix doesn't have the courage to come see you that night, so he comes back the next one, but you're not there, and he prays that he didn't scare you away.
three days after your first encounter, you call for him asking : "is someone there ?" you think you're stupid, and that you just hallucinated what you saw. nobody could live in the ocean like that, and mermaids don"t exist. you have a logical mind, and you cannot help but rationalize his existence. it was probably just something you imagined because you were tired. but you see the guy approaching, you can't help the scream that you let out. felix is quick to slap his hand on your mouth, though : " please don't yell, you'll wake them up."
you succeed in calming down a little, but the shiny fish tail you can see underwater brings back every doubt and nervous feelings you had the second just before. "w-what are you ?" - "i'm a merman" he states as if it was obvious, but for you it made you question everything you knew. "but that doesn't exist, it's impossible, i must be dreaming !" - "you're not, i'm real." felix cannot say anything else before you run away.
he doesn't expect you to come back the next day but you are here, waiting for him. "are you okay." - "i just… i just don't understand how you can be real." felix chuckles in a low tone, and you take a propre look at him, at his cheeks covered in freckles and his long blond hair that are starting to dry because of the wind. "i don't know either, i'm here, that's all."
both of you stay silent for a little while. if it wasn't for the fish tail, you could believe that he is only a human. "what's your name ?" - "felix. and you ?" - "y/n". this is nothing, but this is what starts your nightly meetings with the merman.
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