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#thank you this means so much to me
kimdokjas · 21 hours
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though the movie might be cancelled, yuri on ice will live forever in our hearts. thank you yoi fandom, it's been real ♡
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moonlightsapphic · 10 months
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Releasing Nimona on the last day of pride month 2023 was such a great move because it’s a really needed piece of media right now. Lots of countries that legalised gay marriage years ago have been grappling with this rising TERF narrative of “if you’re gay it’s whatever but if you’re trans, non-binary or gender non-conforming in some way you’re a PERVERT! A MONSTER trying to GROOM CHILDREN!” The outrage against simple things like pronouns and drag events, and the movement against gender affirming healthcare have reached a terrifying peaks for contemporary times.
So a kid’s movie set in a fictional country with controlling government officials with personal agendas, with an openly gay couple but also a shape-shifting kid who cannot even be afford to be out is our reality in the US today. Nimona’s feelings about her vibe, body and form, her insistence that she is only “Nimona” no matter what she looks like and her aversion to “small-minded questions” together forms such a beautiful allegory about trans, genderfluid individuals.
Ballister asks her to be a girl, but for whose sake? It’s only for the comfort of people who refuse to understand her, and would rather see her die than let her be herself. And it’s this widespread rejection and loneliness that has eventually made Nimona indifferent to pain, that makes her feel suicidal.
In the end, it is another member of the LGBTQ+ community that truly sees and accepts Nimona for who she is. And that should be a reminder that we cannot let them divide us. Trans people stood up for the rest of us and made historical change happen, and we need to do the same for them. Besides, cis queer people are only the “good ones” until they’re done with trans people and then will turn on us.
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cuddlytogas · 1 month
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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canisalbus · 4 months
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✦ 2023 summary of art ✦
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factual-fantasy · 4 months
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I wanted to pop in and say that I just came across your Super Mario Bros art after I just got done watching the movie on Netflix and it’s just soooo gorgeous!!! I love how you draw them, I love their expressions, I love their brotherly love and how close they are, I know it’s been a hit since thought of them but your art for them will be something I treasure always
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It has been a hot minute since I've drawn the lads, yeah.. But I haven't forgotten about them 💖🔥✨🧊💖
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airborneice · 4 months
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i think we all know who the REAL star of season 3 is
i'm making a vague attempt to pace out this season by doing a drawing after each episode, so anyway here's my new fave character
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jagalart · 11 days
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Bounty Hunter
A tengu character I designed for the greatest @ WithTheFox, thank you again for trusting me with this 🖤 I'm back to comms tomorrow so you can expect updates soon 👁️
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cupid-tune · 1 month
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Hehe Hal warmups
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prinsomnia · 1 year
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in her head ✷ wishing everyone a graceful 2023!
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chrisbangs · 1 year
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찬이의 "방" 🐺 200 Episode Special
200! 
I looked back at the message I wrote for you almost 2 years ago now, to see what I said. And honestly, I have to agree with past me. It doesn’t feel like that much time has passed since the first day you showed up on VLive and spoke to us so kind and warmly. 200 episodes later, and well now on YouTube, and you are still doing just that. Week after week, being there for us to cheer us up with your laughter and your jokes and your advice and your terrible pick up lines. I still have nothing in my heart but gratitude towards you, Channie. Thank you for continuing to be the most amazing person ever. 
Let’s meet each other again next week, okay?
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gabe-lovebot · 24 days
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councilor 3D model
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i learnt 3d modelling from the ground up to bring him to life. he's yours now. do whatever you want with him
[link]
please credit me if you make something using the model (or even ping/link me to it, i would love to see what you made!)
currently available as a .blend, .fbx and an SFM port.
#hello councilnation i'm finally releasing him to the wild#have fun playing toys with him#ultrakill#councilor#councilor ultrakill#3d stuff#obviously with the councilor having just 1 full body image of him means that some stuff i had to improvise on#so you get to enjoy my headcanons on how he looks#(like obviously the wings & halo)#(but also the chestplate design)#but did you know that the councilor's canon design has subtle engravings on his forearm armor pieces?#i only barely noticed them when painting textures and i was floored#i had to add them#to the sfm anon and whoever else wants to use this for sfm stuff-#i did my best with a port for sfm and i'm quite proud of the result#but please be aware i have never used it before so if you find that something doesn't work as it should please please let me know!!#gonna pour my heart out in tags as always so close your eyes if you don't wanna see me being sentimental but#i'm not kidding when i say i learnt 3d modelling from the ground up for this#i have meddled with blender before but never actually came close to finishing a project#and i don't know how i did it and how i kept going#(i do know) (it was my friend encouraging me every time i showed him progress)#this was like 1 entire month in the making#but i'm so fucking proud of this and how it turned out and people's tags in my act 2 render genuinely were such a huge confidence boost#so thank you guys for liking it <3#i'm still very much thinking of doing a version with just his bloodied head#but it might take a while because i want a break and i want to play warframe
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fumifooms · 3 months
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Kaka compilation
Because everyone is sleeping on him. Witness his greatness!! First two Kaka colored icons were colored by me, lineart by Ryoko Kui though!
Kaka & Kiki are kinda like Laios & Falin… Kaka being stoic and giving repressed energy like early Laios, Kiki being cryptic and always smiling and kinda soft-looking. Autism siblings 2, ostracized and othered as kids and have a deep bond due to sticking together through it all, though unlike with Laios their parents are very loving so Kaka developed family as a big value more than Laios (bc asides for Falin Laios doesn’t care much about it).
In the gnome festival comic you can see Kaka is more emotive than he seems! Full with a :3 face, and he’s the one crying at the end. He’s insecure about his legs and being tall… It really got to him. Conceal don’t feel. In the gnome festival comic you also see him sensing others’ gaze on him and that something is off unlike Kiki, again Laios-like in the way that judgement from others gets to him more than her.
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ninadove · 3 months
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Hello there.
[Slides elegantly into the tags]
Do you ever think about Emotion?
Of course you do. How could you not. But do you ever think about this exchange specifically:
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“You’re not Adrien!”
Because Adrien is sweet, and forgiving, and kind. In fact, kindness is his defining quality — Marinette herself made sure of it:
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“I’ll never tell another boy I love him before I know everything about him! Whether he’s kind or not, thoughtful, what he does outside of school and with who… I’ll know everything.”
But.
Do you ever think about Adrien’s development in S4 and especially S5?
Overtime, he has grown resentful of a system that exploits him relentlessly.
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Of the people he gave countless chances to, only to be let down over and over again.
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Of the web of lies and half-truths he constantly finds himself tangled into. A web that is only growing bigger, stickier, and trickier to escape.
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And the Senticousins. Do you ever think about them?
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Do you ever think about how they are each other’s reflection, identical and opposites all at once?
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“When you bring a living being into this world, you have a responsibility towards them. Your duty is to protect them, love them, help them discover the true meaning of their existence. To deprive them of that… is monstruous.”
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“To have a child is to help them blossom, to grow, to find themselves and to be free!”
Do you ever think about their opposite character arcs in S5 — one learning mercy and trust, the other developing a rage so strong it could destroy the world?
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Do you ever think that if Felix can now have this exchange with his mum, and mean it:
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“They’re all monsters!”
“Not all of them.”
Then there’s nothing stopping Adrien from saying this:
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“Look closer, Marinette. They’re the monsters.”
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whaliiwatching · 9 months
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kaleidoscopic crush
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ryllen · 3 months
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Hi! I hope that you are doing well🥰💗💕 I really adore your art!! Your Yuu really wins me over to the very heart!💘💘💘
I wear lightning-shaped earrings and they really remind me of Sebek!⚡ I would like your girl to put them on and draw this🥺💓
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But I also really love her black earrings that she wears when she's a teenager and green ones when she's an adult! It's really cute💕💕
And! I would be interested to know if Sebek notices when Yuu puts on other earrings or doesn't wear them at all if she doesn't want to?👉👈💗
Have a nice day!🥰❣️❣️❣️
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decide ur ending, which feels more in character
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poorly-drawn-mdzs · 11 months
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He's sensitive about that
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