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#thanks for reading all of this lol
mosovi-vian · 11 months
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And I will stay alive for my future self, so they can one day learn to be kind to who I was as a child. And I will teach them to honor who we used to be, so they can remember the comfort of what once was our untempered flesh and gentle soul. Me and myself are each a fresh wound and a rough scab, bearing respectively the gift of green faith and honed will.
This has been in my draft for a while because I was determined to post this only after I knew what I should write underneath it. I’ve read a lot on the concept of healing the wounded inner child since even before my c-ptsd diagnosis. However, I’ve sought as much comfort in my little self as they had in me. Looking back, I was an impressively emotionally-intuitive kid. I remember well how I used to think, the things I would write to my future self; they were wiser and gentler than I could ever hope to be as an adult. Needless to say, the little poem above is inspired by the aforementioned experience. Sure, big me is armed with a more developed pre-frontal cortex and access to invaluable resources (coping mechanisms, therapy, on and offline communities) , but I struggle to rediscover/reinvent my identity. Little me was the biggest vestige of my lost personhood. So yeah, this might be just a huge self-indulgent projection with my favorite character, but thinking that post-S3 Hunter would also be in my shoes is not completely baseless. 16yrs old Hunter is the fresh wound (a lot of things happened before his teen years, but I’m going to interpret the events of Hollow Mind - which happened when Hunter was 16 - as the ultimate boiling point in his trauma timeline, hence the ‘fresh wound') and 20yrs old Hunter is the rough scab. Each version of Hunter could be dealing with a different set of trauma-induced symptoms. I think his loyalty to Belos kept him going as a child. Being doubtless was important to Hunter back then; it held his sense of self together. And maybe when he survived and was rewarded the time and space to grow into his own person and live for himself, there was this lasting emptiness. I feel this sort of emptiness even today. My only reference of what ‘wholeness’ felt like was when I was obedient to my family. I equated self-abandonment as the righteous norm. The symptoms I deal with today are definitely different from when I was Hunter’s age pre-time-skip. Now that Hunter is in a safe space and an adult post-time skip, he might also need to seek that strength from his younger self. Reminding himself of how far he’s come and the parts of him that he'd like to keep from his past. The parts that he knows in his bones are purely his - not instilled by Belos, not inherited from Caleb.
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vaguely-concerned · 1 month
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So much of Garak as a person starts to make sense once you know his childhood was a fucking gothic novel. His main playground was a graveyard and he'd play pretend by perfoming improv eulogies to an imagined audience. For a long time his main touchstone for most important figures from recent history is 'oh yeah I know about that guy my dad buried him. great flower arrangements for that one'. He finds out later his 'parents' are actually a brother and sister who had to get married to avoid the utter shame and social devastation of having a child born out of wedlock, and they live in the basement of his biological father's house. (the madwoman in the attic vs. the tiny elim in the basement.) His biological father calls himself his uncle and locks him in a closet whenever he fails to live up to his insane and unpredictable expectations and everyone just has to act like that's normal and expected, and his will hangs over everything at all times, unseen but always felt keener than anything else. The father who actually raised him grows the world's most beautiful (and as it turns out, most poisonous) orchids and keeps the mask of a god hidden in a box in his work shed. Everyone in the house is choking down secrets like it's the only air they know how to breathe anymore.
What I'm saying is that right from the get-go this guy never had the faintest shot at turning out normal, so I'm glad that by middle age he's found a way to get a bit silly with it as he continues to be deeply deeply not normal about anything ever <3
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crabsnpersimmons · 3 months
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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
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and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
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Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
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Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
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Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
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Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
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Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
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Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
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Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
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Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
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Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
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Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
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Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
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Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
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Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
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Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
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Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
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Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
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zetadraconis11 · 2 months
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HL Incorrect Quote #100
*in the Room of Requirement*
MC, bursting in: I finally did it!
Sebastian from the sofa: Did what?
MC, holding up the Field Guide: I finally found all the pages!
Natty, looking up from her book: THAT'S why you've been casting Revelio everywhere?
MC: Yep! And not only that, but I also found all of those Demiguise statues!
Poppy, while petting Highwing: ...is that why you've been taking cat naps all around Hogwarts?
MC: Yep.
Ominis, from a lounge chair: For the record, sleeping on the floors of Hogwarts are not as bad as you would think.
MC: Oh, and I found ALL of the Astronomy tables!
Amit, by a telescope: You did?! I hope it wasn't too dangerous...
MC: Nonsense! I've dealt with a whole lot worse than some mongrels and spiders. This was a piece of cake.
The group:
MC: And don't get me started on those bloody Merlin trials... But I did all 95 of them!
Sebastian, horrified: 95???
MC: Yes! It was not worth the pints of coffee and tea I downed, but I have done it all!
The group:
MC: I need to sleep. *keels over onto lounge*
The group:
Ominis: The more I hear about what MC does, the more concerned I get.
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pyralart · 1 year
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All thanks to them...
Just an idea of what Belos could be doing next episode- you might also spot some suspicious drawings hidden in there- if not... it's your loss
ID in ALT and under read more:
[ID: Comic with the character Belos from the cartoon show The Owl House, in his monster form. It takes place after the episode "Thanks to Them". Belos is back to the demon realm in his monster form. He is seen going in his cave, overhead some tubes are full of a green glowing magical liquid. He says with a distorted voice: "I will finish this"
 
Belos is kneeling on the ground, looking down at it. A green tube is planted in the ground. Belos continues: "I just need..."
 
Belos is slowly melting into the ground in a horrific manner. In the background a goopy hand is reaching down as it shows all the goop disappearing in the ground as a green glow emanates from the earth.
 
A last drop of goop is seen on the ground before disappearing completely.
 
Next panel, a hand emerges straight from the ground.
 
A grimwalker, almost Hunter lookalike, is halfway out of the ground, looking at his hand. He show signs of possession by Belos, his eyes are icy blue and some green and brown patches appeared already. He finishes: "... A proper body to work with"
 
The background turned to black. On it is written: "Right, Caleb?".
 
The next panel shows the grimwalker, currently Belos, with horns sprouting from his head. He is taking up his (Caleb's) coat from a chair, continuing: "Thanks to them, we can finally-"
 
"Do this together" He ends in the next panel, tugging on his coat and smirking menacingly as his horns fully grew out of his head.]
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luxaofhesperides · 5 months
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Surprise husbands + "How are you real?" ; requested by @vehan-tikkun-olam-and-stuff!
They may not have planned to get married, or even wanted it all too much at the beginning, but that doesn’t mean they aren’t going to treat each other right. It was rough going, with both of them coming out of relationships and having secret identities, but time had softened the hurt feelings and allowed them to actually get to know each other.
And Danny, Duke has discovered, is a really good husband. 
Neither of them ever saw themselves as married at 20, but sometimes life throws horrible curses at you and the embodiment of balance and life and death swoops in to save your life. Via marriage. 
His life is weird, okay? Duke has made his peace with it.
The thing is, if they had met naturally and started off as friends, Duke could see himself falling for Danny and asking him to marry him in a far off future. Instead, they’re doing everything backwards: married, then going on dates to know each other, and finally feeling close enough to be friends. 
It helps that Danny does his best to communicate and that helps Duke find the words he needs as well. 
He’s sweet, too, so kind and doting and affectionate. Like a really lovable cat, honestly. Duke’s never been cuddled so much in his life and he’s loving every minute of it. 
He… might be falling in love with his husband. What a revelation.
“Duke?” 
He blinks, looking up from his half-empty plate, pulled out of his thoughts suddenly. Tim and Dick stare at him, concerned, and he realizes he’s missed the entire conversation because he was so preoccupied thinking about Danny. In his defense, it was their one year anniversary the night before and Danny had kissed him for the first time after a date night spent playing video games and talking shit about their respective rogues. 
Tim snaps a finger in front of his face, and Duke startles. He got distracted by his Danny Thoughts again.
“Yeah, what’s up?”
“You okay? You’ve been out of it all day,” Dick says, clearly concerned.
“Oh, uh, yeah, it’s all good. Just… adjusting.”
“To what? Did something happen?”
Duke shrugs, scooping up another forkful of pasta to shove in his mouth. “Yeah, I… this is going to sound kind of stupid, but I think I’m in love with my husband.”
Tim, taking an ill-timed drink, chokes and spits out his Zesti. Dick springs back, trying to get out of the spray zone but doesn’t move far, shocked still by Duke’s words.
“Oh, yeah,” Duke realizes, “I didn’t tell you guys, did I?”
“You’re married?!” Tim shrieks as Dick clutches at his chest, eyes wide.
“You didn’t tell me?” Dick asks, offended.
“Seriously? That’s what you focus on?”
Duke smiles as they begin to bicker. They do it constantly, but this time it’s halfhearted, as if they’re just going through the motions of something familiar to distract themselves from the bomb he’s dropped on them.
In all fairness, Duke did forget that he didn’t tell them that he’s married to Danny. He’s also only mentioned Danny once or twice and heavily implied that Danny was just a classmate at GCU. And then forgot that he didn’t tell them, assuming that they’d figure it out eventually being Batman trained detectives, after all.
Well. 
Oops.
Clearly that is not the case. Duke hurries to finish his pasta before Tim and Dick finish their joint freak out and get their senses back together enough to interrogate him. He can’t escape it, but he refuses to have this discussion with an empty stomach. 
He just barely manages to scrape the last mouthful off the plate when his fork is being yanked out of his hands. Tim and Dick close in on him, standing to either side of him, trapping him in place, and look at him with knife-sharp smiles.
Here we go, Duke thinks tiredly, and resigns himself to clearing up this misunderstanding.
Somehow, he manages to explain the situation (I got cursed, he saved my life, we ended up married because magic is bullshit, he treats me so well) and Tim and Dick both agree to not hunt down Danny to show him the wrath of older brothers on one condition: Danny has to join them for a family dinner.
“Don’t worry, we’ll catch everyone up on your… situation,” Dick says, pulling on his jacket to head out. Tim is already on his phone, no doubt telling someone already. 
“Great,” Duke says, unenthused. “You’ll also be answering all the questions because I’m not in the mood. So if you’ll excuse me, I’m going to figure out a day that works for all of us, and then I’m going to kick my husband’s ass in Mario Cart.”
He walks out the door, grinning as he hears them scramble after him, then twists the ring on his finger (not a wedding ring, but a magic portal making gift) and steps into the portal. It closes quietly behind him, leaving him in Danny’s lair, a comfortable, spacious house with high ceilings and little bits of his personality scattered about. There are soft rugs with geometric patterns on them, star maps on the wall, stained glass windows that throw colors across the floor, and a giant couch and pillow pit in the living room.
Danny’s asleep in it, curled up and looking completely at peace. Duke toes off his shoes and carefully makes his way over, footsteps silent so he doesn’t wake him up, all plans of Mario Cart fading away instantly.
Danny doesn’t get much sleep, with the stress of school and an internship and ghost fights to worry about. It’s why his lair is so quiet and comfortable; it’s what he needs, and he doesn’t let anyone else in without invitation, rare as it is.
Duke is allowed to waltz right in thanks to the ring Danny gave him. It never stops making him feel overwhelmed by how much trust Danny puts in him to allow him unlimited access to what is his only true sanctuary, letting his lair be a place of safety and respite for Duke as well. 
He crawls into the pillow pit, There’s no way to do this without waking Danny up since he can’t fly, so he isn’t surprised to see Danny blink his eyes open, still looking soft and content. He smiles when he sees Duke, reaching a hand out to him that Duke gladly takes, bringing it up to his mouth to kiss his palm.
Sitting up, Danny tilts his head up in a silent request. Duke happily obliges, still reeling over the fact that he’s allowed to do this! He can kiss his husband whenever he wants! 
Yeah, he’s going to be riding that high for a while.
“Hey,” Danny murmurs, sleepy and quietly pleased to see him.
“Hi honey,” Duke returns fondly, “Have a nice nap?”
Danny nods, leaning into Duke and closing his eyes again. “Mhm. How long are you staying? I wanna cuddle.”
“I got nothing going on today. I’m all yours, baby.”
“C’mon,” Danny tries to tug him down. Duke goes slowly, covering Danny’s body with his own, but holds himself with one hand before he blankets his husband completely.
“Wait. There’s something we need to talk about.”
Immediately, the sleepy haze is fading from Danny’s eyes, leaving him alert. “What’s up? Is something wrong?”
“Not really? You know how we agreed to keep our marriage a secret until we weren’t in danger anymore and all those cultists and sorcerers were taken care of?”
“...Yes?”
“Well.” Duke sucks in a breath and offers a bashful smile. “Guess who forgot to tell people we were married after that whole mess was dealt with?”
The nervousness clears from Danny’s gaze as he stares up at Duke with incredulous amusement. “No. No way.”
“Yeah. Kinda dropped a bomb on them and they started freaking out over me being married. Anyways, they want you to come to dinner?”
“When?”
Duke leans back, sitting on his heels. “Let me check.” He pulls out his phone and sends a quick text to the group chat asking for a day they could have a family meal to meet his husband.
His phone is bombarded with texts and calls immediately until Barbara, bless her entire soul, forcibly mutes all of them and puts in a poll with a few dates, setting the poll to close in 24 hours.
“Okay, well, they’re deciding now, but probably soon.”
Danny nods. “Alright. I know these aren’t normal circumstances at all, but I’m so excited to meet the Bats.”
“You do not mean that after hearing all my stories about them.”
“No, I do!” Danny laughs, surging up to wrap his arms around Duke and pull him back down to lay among the giant pillows with him. “They sound nice!”
“The Bats sound nice?!” Duke repeats in horror. “Did you hit your head?”
“They do sound nice! You talk about them so fondly, and yeah they have problems and are dysfunctional, but they’re heroes. Of course they have problems. Even with all their baggage, they’re kind. And you clearly love them, so I do too.”
It’s hard to resist the urge to hug Danny tight enough to make him squeak while peppering his face with kisses, so Duke doesn’t. He just goes and does it, because he’s allowed to shower his husband (!) with affection (!!!) as much as he pleases.
“How are you real?” he says against the corner of Danny’s lips. “How are you so perfect! To me specifically! Honey, if we weren’t already married, I’d be going down on one knee right now.”
“I mean, you still can. We never got a proper wedding either. Think if we offer them a chance to help plan our wedding, they’ll forgive us for secretly being married for so long?”
“Oh, absolutely,” Duke says. He’s already giddy, just imagining what their wedding will look like, what song they’ll play for their first dance, where they’ll have the ceremony… He should create a Pinterest account to start putting ideas together. 
Later, though. He wants to woo Danny properly and take him on so many dates.
Dates which include dinner with the Waynes and Wayne-adjacents, apparently.
“You sure you’re okay with meeting them over dinner?” he asks, just to be sure. He knows how intense they can be, even when pretending to be normal civilians. It took him years to get used to them, himself, and he doesn’t want to push Danny into doing something he’s not ready to do.
Danny cups Duke’s face in his hands and gives him a quick, reassuring kiss. “I’m sure. If nothing else, it’ll be fun to see how long it takes for them to realize I’m not fully human.”
“I really am glad it’s you.”
“Yeah, me too. I’d choose you all over again if given the choice.”
“Took the words right out of my mouth,” Duke laughs, wrapping an arm around Danny’s waist.
“Can we nap now? Now that you’re here and holding me, it’s taking everything I’ve got to stay awake.”
“Yeah, we can nap now.” Duke settles into the pillows, Danny cradled in his arms and closes his eyes to bask in the quiet easiness of it all. 
He really couldn’t ask for a better husband, unexpected as he was. The others will see that too, once they meet him. It’s impossible to not love Danny once you meet him; Duke knows this all too well.
He loves his husband.
And his husband loves him back.
Duke is fully prepared to keep making that choice for the rest of his life.
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choccy-milky · 3 months
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Finally had time to catch up on the raven and the snake. I am just in awe of everything.
Also, I kinda like Clora hanging out with Garreth and Leander. (don't kill me 🤐)
aw thank you!!🥹💖💖im happy to hear it! and NO i wont kill you, you are so right. the garreth/leander/clora hangout was my fav part of the chapter and also the most fun part to write, and it gave me an appreciation for the leander and garreth dynamic, which is amazing
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i now headcanon their relationship like brothers LMAO, garreth constantly badgering leander and getting on his nerves, while leander is just exasperated in dealing with him (BUT IN A FRIENDLY WAY) theyre like characters in a sitcom tbh BAHAHA (and to anyone wondering, im gonna TRY to have the next chap up within the first week of feb!🙏 ive just been busy with the dark relic comic + work + and now i feel a bit under the weather. ive been sleeping almost nonstop for the past 2 days LOL oop)
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willowser · 1 year
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you don't know how much comfort your dragon king bkg drabble has given me ever since you posted it!! i keep reading it i love it sm 🥹
as it turns out, the man bakugou is — a bit harder to handle.
he sleeps like a heathen; you once thought the dragon bakugou to be a bit lazy, with how often he tended to curl up in the fields of grass, warm under the sun, but now — it would seem his little human form needs significantly less rest.
almost up all hours of the day, and when he does finally lay down, he's everywhere. a mess of limbs: one thrown carelessly out to the side and the other bent at an angle you can't believe doesn't hurt his joints. his head stays tucked into you somehow, either buried in your neck or pressed against your ribs — or you'll wake to find him nose-to-nose with you. he still snores like a dragon, however.
you're also beginning to wonder if there is a bottom to the pit of his stomach. he ate much before, whole fields of things, but you expected that appetite to dwindle, at least a little, now that his stomach has decreased considerably in size. and in number ? you're not even sure how many stomachs a dragon has; that's not something that was mentioned in the fairytales.
it burns through him quickly, gives him more energy than he needs, and it doesn't ever seem to affect his weight much. already, he's huge and thick with muscle and eating as much as he does never dulls the severity of his cut abdomen. not that you're looking all that much.
— not that you have a choice not to, as he seems to have little-to-no understanding of —
the door to the bathhouse kicks open, with enough force that you already know who it is without ever turning to look. you try not to shriek when you see him, because he seems to like that in some evil, impish way.
you've been alone to wash so far, thankfully, as the inn you'd managed to find was small and far enough out from the nearest kingdom that the occupancy was low — enough for you and your little brute.
the man bakugou comes to stand in front of the bath, blinking and huffing against the steam. finding clothes for him was — nearly impossible, and so the trousers you'd found hanging on someone's line outside fit above his ankles, a bit too tight around his waist. instead of a shirt, you've wrapped him in a scratchy linen, swaddled him up like a baby to cover the small smattering of scales that decorate his body, almost like freckles from the sun, though they gleam just as bright and red as they ever have. no matter his form.
a horn has started to sprout, on the right side of his forehead, and you've done your best to cover that, too.
you have no idea how long this man thing will last. if it's permanent or if he even has control over it. the last thing you need is for him to switch back, somehow, while you're in the middle of feeding him, absolutely demolishing whatever tavern you're in and calling all of king todoroki's guards to attention.
bakugou grunts, almost sleepy, and tosses a fat, weighty sack onto the edge of the bath. it jingles a certain jingle that makes your heart stop.
"oh, allfather—" you move for the edge, awkwardly keeping one arm against your chest despite the fact that he's seen it all by now. when you peek inside and confirm your fears, you lob it back to him furiously, as if it were a steaming potato. "where do you keep getting this stuff?"
things have started to turn up, miraculously. shiny things — like coins and rings and gems. things he could not have simply found rolling around in the dirt.
"go put it back!" you hiss at him, and the tone of your voice makes his frown deepen. you never realized how pouty he was, when he was still a dragon.
you think he understands you, and you're pretty certain he just chooses not to listen; instead of doing what you've told him in the slightest, he simply dumps the coin-purse to the floor, and then lets his linen and stolen trousers cover it as he unceremoniously undresses.
the biggest issue that you would say the man bakugou poses is — his complete lack of understanding of personal space.
"bakugou!" your voice wavers, shocked again by his nakedness. as if you haven't seen it all by now. "no, you — get out!"
but he does the exact opposite, which is hop into the steaming water, ignoring the arm you hold out to keep him away as he saddles up beside you. skin against scales, pressing a nose into your hair to huff out his annoyance, to make it something you can feel.
if anyone were to walk in right now, they would — probably think the lie you'd told the innkeeper was true. that you are a simple traveler and this is your mute, over-sized husband.
regardless, you think this behavior isn't polite. especially in a public bathhouse.
"bakugou," you try again, turning your face away as you speak to the wood-paneled wall. "i'm taking a bath, you have to wait your turn."
all you receive in response is another huff against your ear and a low rumble of disagreement from his chest.
he has yet to speak back, and has only used inhuman sounds as his points of conversation. the only word you've ever heard him utter is oi, which he does when he really thinks he needs your attention. you're starting to wonder if he's named you that in his head. oi.
curiously, you turn back to him and the movement has him pulling his face from your hair, just enough that he can look down at you, too. watch you, with the red-rippled sea in his eyes.
they're — amazing, you will admit. just as bright and detailed as they always have been. fit for a fairytale told by the fire, veiled by the soft-ash of his lashes. he watches you through them, half-lidded, and you wonder if it's something other than fatigue that has them so heavy.
"do you know what i'm saying?" you ask quietly, voice lacking the firm heat you want it to. instead it's heavy, too, weighted by something soft and unfamiliar and frightening. "can you even understand me?"
bakugou doesn't respond, not with a huff or a rumble or ever a purr, like the one he let out on the night he lay over you by the lake. you've only heard it sparingly since then, oftentimes in his sleep when his face is pressed into you.
you try not to frown at his silence, try not to let it disappoint you because it shouldn't; he's a dragon afterall, and you're not sure what it matters. the little horn protruding from his forehead catches your eye and you reach up to touch it gently, watching him blink away the water that drips from your wrist — and then he's turning into you again, too close.
beneath the water, you feel his hands skate up your bare thighs, wrap around your waist until your chest is pulled flush against his. you feel his huff, again, against the damp skin of your neck but it's slower, lighter. not laced with his frustration. some unknown thing you feel guilty for liking.
you drop your hand to his hair, rushing full force into all the damned things you've thought about doing but have been too afraid to. he's soft between your fingers, and you trace your nails lightly against his scalp until he groans quietly; a new noise, one you don't know how to translate.
your fingers stop when they brush upon little spines that have grown at the base of his skull, that have started to trail down the center of his back.
suddenly, tangled up in the bath with him, you wonder how much time you have left.
bakugou huffs again into your skin, a little fiercer this time, and it's because of his light jostling that you realize how rigid you've gone. you try to relax so that he will, too, though you must not do a convincing job, because a sharp nip comes to your earlobe.
"ow!" you squeal, but he doesn't let you go far, not even as you try to jerk away from him. in fact, the harder you try the more his teeth show: into your cheek and the point of your jaw and then dangerously low on your neck.
it's not until you finally freeze that he stops, huffing again, with a warmth that burns more than the steaming water.
and then, very quietly, he grumbles, "shitty wife," into your collarbone, just before biting you again.
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hauntedandmurdered · 4 months
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The sexiest touch in movie history and no, nothing's ever gonna change my mind.
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gambeque · 11 months
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therapy sesh
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abscondminded · 2 months
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Hello to spy vs spy fandom
(edit: put the higher quality pics of the comic under the cut)
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mspainttaz · 5 months
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hi! I would really appreciate some help paying rent this month, I know Everyone Is Struggling right now but if you have a dollar to spare/if you could reblog it would mean a lot
I've been unemployed since June when I found out my name change process got Messed Up Badly and I legally! still haven't been able to apply anywhere. My emergency savings are pretty much gone at this point which is scary and stressful. Thank you so much if you help<3 I'm literally just trying to get through this month alive
cashapp / venmo
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darqx · 11 months
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Got an evil eye
In which there’s a small Demon!Rire Angel!Rire comparison.
❗️For commonly asked qs please see my BTD FAQ
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😇 The lore of Angel!Rire is essentially:
Possibly rogue angel that kills people under word of God.
Word of God being debatable because his criteria for killing people changes a lot - (eg: might kill a bad person cos they’re “bad”, similarly will kill a good person to get them to heaven faster, similarly will just “mercy” kill whoever because humans are a plague to themselves and others etc) - EITHER WAY no one seems to be stopping him.
Also debatable is whether he believes in his justifications for his actions or if he’s just doing it for fun and purposely smoke-screening that fact.
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I have described their main similarity before as deception since they both seem viable (as a normal human / normal angel) at first. Their main personality difference is that their modus operandi is flipped - Demon!Rire will often see how long he can con someone, but will eventually reveal his true nature and will match what he says with it. Angel!Rire is more blunt and will reveal his true nature almost immediately, but will continue saying things in complete antithesis to that reveal thus masking the reality of his intentions.
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I do know what OCTs are! But I probably would never join one due to lack of time. They seem to be very large commitments and i’d be better off trying to find that time to do BP :V
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There is no set location for BTD (considering that me, Gato and EP all come from diff countries LOL)...other than maybe “Earth” and “some city/town place that predominately speaks English”.
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This is, actually, one of the more popular questions I get asked over time about Rire XD; Which makes me think I need to update my FAQ to include it. Anyway in my FAQ i put it like this:
CAN RIRE FEEL LOVE? I don’t know if you could classify what he feels as “love” in the same definition we are used to…
And from other answers to similar qs:
IF he becomes fond of someone for whatever reason, he will probably become more possessive. His methodology might not change so much, but there would be more aftercare (cos if you want someone to last longer...)
I never go any more in depth when answering these kinda qs even though i’m sure people would like me to XD
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At first I was going to say “I don’t know Depeche Mode”, but when i looked them up on Youtube i saw “Just can’t get enough” and was like OH I KNOW THESE SONGS.
As for Rire it’s not super in line with his usual, but I don’t think he’d mind the music!
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He’s gotten used to moving between different climates quickly so it doesn’t really affect him as much.
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You would not be the first so go for it if you want lol.
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emily-e-draws · 5 months
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catventurers meowlphabet (first half) 😽✨
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still-cookiedough · 24 days
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Last year in January I got COVID and I was looking for things to watch. I ended up doing a Prime trial and I started watching The Legends of Vox Machina. I knew that it was based on a D&D Campaign that spanned multiple years and was thousands of hours long, and usually I find that length of content to be overwhelming. But after I finished the animated show I decided to jump into the critical role campaign 2 because - well there were lesbians.
Over the next 10 months I fell in love with The Mighty Nein, but as I was nearing the end I was getting so sad that I found it hard to watch and one day while on YouTube it just so happened to be Thursday night and CR was live with Bells Hells.
Now I had not watched by of campaign 3 but I was aware of the Bells Hells characters and I knew that Imogen and Laudna were shipped, but I also knew it was not cannon. Frankly I was debating on whether or not to watch campaign 3 at all because subtext sapphic relationships that aren’t actually together drive me crazy and I tend to avoid them for my own well being.
But it just so happened that the night I tuned in for my first ever live CR episode and the first episode of Bells Hells I had scene was episode 65. Thats right, while I casually had the show on in the background Imogen asked Laudna to kiss her. I was shocked and immediately wanted to rewind but I couldn’t because it was live! Was I wrong were the characters actually together and I didn’t know it? But no my first ever live episode was when Laura said “Can I kiss you?” to Laudna for the first time.
I explained this lovely coincidence to my girlfriend who has never seen an episode but knows all my favorite characters in what she calls “my nerd show” and it honestly just felt perfect.
In a world where shows are coming with shorter and shorter episode counts and all the shows with sapphic characters are canceled being able to nestle into the thousands of hours of critical role has been a gift. I’m finally caught up on CR 3 and all I can feel is gratitude 💜
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coladaminx · 6 months
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yo i don't think that vestige is all might! (╥︣﹏᷅╥) remember IZUKU IS SLOWLY DYING FROM GEARSHIFT WHICH SECOND SAYS HE ONLY HAS A FEW MINUTES and after using it on kacchan his vestige starts to appear That's why 2nd looked that way!!
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