Tumgik
#thanos sympathizer
marlesisdumb · 2 years
Text
I actually have watched ms marvel (to the point it is at which is episode two). it’s fine, i wish they kept her original powers however all in all i was reasonably entertained. i find it absolutely hilarious how angry anti-sjws are over this show. it’s also incredibly interesting that only marvel works with a even slightly diverse cast get this treatment. anti sjws are pathetic. stay mad, it’s literally a show. it’s not the best show however it’s not awful. if it’s not your cup of tea so be it however grow up and learn to not be so angry at a show for having a woman in it
8 notes · View notes
phoenixyfriend · 8 days
Text
Somewhere out there is an essay about superhero movies where villains co-opt, misuse, or even just misunderstand the language of the left to push methods and goals that are incompatible with the actual theory of the left, but that sound Right And Good to viewers who aren't thinking it through entirely. And the essay is not just about how they compare to each other, but how they are a litmus test for viewers to know how susceptible they are to propaganda.
Co-opt: Most obvious example and the inspiration for this post is the Riddler in Batman (2020, the one with RPatt). The Riddler recites leftist rhetoric about corruption, wealth hoarding, and redistribution, but his actual actions and goals are unrelated. He's an accelerationist who's more interested in tearing down a system that didn't benefit HIM than in actually rectifying the problems, and who cares if a few kids get traumatized or even killed along the way?
Misuse: Easy mode, this one's Thanos. He talks about ensuring there's enough for everyone to eat, but like. Bro.
Misunderstand: Erik Killmonger, who has the benefit of both some incredibly legitimate grievances and a pretty face, but also kind of fails at the idea of intersectionality, proportionality, or Start With Words Before You Escalate. He's the easiest to sympathize with, because he has some really good points and ultimately does appear to be legitimately pursuing those goals... but he's also a misogynist, jumped to international terrorism before "call up my cousin who doesn't know I exist," and there's something in there about the role played by his time in the US military, which gave him emotional trauma, head trauma, and a sincere belief in the validity of US-style insurgency operations based on hostile takeovers of inconvenient countries. He's charming and pretty and sincere... he's just also, in many ways, wrong. And the parts where he's right makes it easy to try to ignore the bits where he's wrong if you're predisposed to like him and prefer some absolutism.
Anyway, yeah, there are definitely other examples, but the ones that were suggested to me didn't quite vibe with the base idea (Mysterio and Vulture both had disgruntled union moments in the MCU, but they left those roots so quickly that I don't think the concept of using leftist rhetoric as cover/justification for the crimes really applies since, they very quickly shift gears into revenge and greed respectively).
Someone's probably done this better orz.
383 notes · View notes
lucianalight · 5 months
Text
Loki S2 Review
I rewatched S2 and I liked it even more on the second watch. I'm giving it a 6 out of 10 in average(8 for the finale). Since I didn't post a review week by week like for S1, I'm just going to talk about the main things I liked/disliked
The Improvements & Things I liked:
The pace and the narrative's tone and framing have changed. While the pace drops sometimes, these moments aren't as boring as S1. Meaning you don't want to constantly check when it's going to end(like you know, S1 and especially 1x06). The narrative is neutral and doesn't villain code Loki and hero code others. It doesn't turn Loki into a clown, a punching bag or someone who deserves humiliation(I guess they've done enough of that in S1). On the contrary the characters are shown as flawed people, with Loki being the most moral, considerate, logical and heroic amongst them.
They stated bluntly in episode 1, that what TVA used to do, were atrocities. That they were killing numerous innocent people who had a right to live their lives as they chose.
The characters were three dimensional, likable or tolerable despite their actions in S1. They showed remorse for the things they had done. Although the way the narrative chose to go about it in S1 still leaves a bad taste in my mouth. It shouldn't happen to you for you to realize sth is wrong. But at least it was shown that the characters weren't slaughtering people mindlessly and some of them deep down knew it was wrong. Although the fact that they still did it, because of the "greater good", and "woe is me! It's not a comfort it's a burden" attitude about it is repulsive.
OB, Casey and Timely being funny, cute nerds and fanboys :D
Loki using amazing magical stuff and DID YOU SEE THE GREEN MAGICAL GLOW IN HIS EYES?*incoherent screaming*
No Romance. It was unnecessary and rushed in S1. This time they focused more on Loki needing friends and that was definitely a better choice imo and what they should have gone for in S1 too.
Sylvie's actions and personality framed as what they were. She wasn't put on a pedestal as this amazing different FeMaLe version of Loki. She was framed as a flawed character with wrong and right actions and beliefs.
Loki and Sylvie's talk in the pie land, about change, hope, fixing what's broken and being gods. That sigh before Loki saying "We are gods" with all the weight of the world on his shoulders. Wonderful acting.
The ending and its epic soundtrack.
Topics & Things That Could Have Been Handled Better:
The Topic of New York Invasion
"Sometimes a rage builds up and you just gotta let it out. Do you remember that time I was so angry with my father and my brother, I went down to Earth and I held the whole of New York city hostage with an alien army? Tried to use the mind stone on Tony Stark? It didn't work so I threw him off the building. It wasn't tactical. I lost it"
On the surface it looks like Loki's saying that's why he attacked New York and probably most people accept this without a second thought.
But the context of the scene matters. We see during the interrogation Mobius loses his temper. He was worried about Loki getting angry, but he was the one who loses his temper and hits Brad. Loki tries to calm him down by sympathizing with him to try and see what caused his behavior. It's the same thing he did for Thor in the first movie, before coronation and after it, while Thor was nervous and angry. What he says about New York while isn't the whole truth, it also isn't untrue. He was angry with Thor and Odin but as we know his anger and thoughts were influenced by the scepter. We also know Loki doesn't like to talk about his time with Thanos or being tortured. Instead he uses a half-truth, sth that is in character for Loki.
So the scene can be rationalized by this analysis but it's still annoying that this analysis is even needed. They should have been clear about the scepter's influence especially when mcu confirmed it.
Loki thinking about Thor's change as being a weakness. While both Thor and Loki were groomed and taught to consider being soft as a weakness, that wasn't Loki's true feelings. At least I don't think someone who prefers words and magic-that are considered a weakness in Asgard-over brawn thinks like that. His goal in the first movie was to goad Thor into fighting him. So the line should have been sth like this: "Asgard taught us being soft is a weakness, so I used that against Thor to goad him into a fight. I said he's gone soft…"
Plotholes and things that weren't explained.
Why Loki and Sylvie weren't sent to their original timelines like others? And why neither of them showed any interest in seeking their family? You're telling me Loki wants to see these people he knows for 10 seconds more than Frigga or Thor? OOC.
Sylvie's sudden mastery of magic since 1x06 isn't explained. She didn't know much, but then suddenly could do everything Loki did. I mean I can headcanon that her and Loki linking their power taught her some things but these sudden developments without any explanations are annoying.
Loki's genderfluidity. No mention of it at all. Although I believe that no representation is better than bad representation. And you should leave a topic alone if you don't understand it, otherwise you're gonna mess it up. Because bad rep can be more harmful. And so maybe it was a good thing mcu let that one go. But they could still fix it with some shapeshifiting, explaining its difference with illusions and Loki confirming that he is comfortable in her female form.
Loki's clothes. It's probably not that important in comparison with other issues but I really hate that beige suit. Why Sylvie who doesn't even want to be Loki and wasn't in Asgard since childhood changes into an Asgardian outfit for a fight and not Loki? Yeah I get it. It was because of the last reveal and transformation and finding his identity blah blah blah but at least they could have gave him his old Asgardian clothes or he could change the suit's color ugh
Criticism & Things I didn't like:
The ooc moments for Loki in some comedic scenes. Especially in episode 5. While the character has a comedic potential, it's not based on clownery or clumsiness. The best humorous moments for Loki are the ones where he outwits others, use sarcastic language or he is being outwitted despite his careful plans.
Certain emotional stakes aren't clear from the start. The audience know that saving TVA is the right thing because it protects all the freed timelines but they don't know why they should care? Or more accurately why Loki is so emotionally invested in this goal. That gets answered in episode 5 and while Loki's talk with Sylvie is a good emotional scene, the fact that it's stated so late in the story, makes the first few episodes boring when it comes to saving TVA.
The main reason the emotional stakes aren't clear(at least for me), I believe is because most of the people Loki call them his "friends",  haven't done anything to either deserve his friendship or aren't close enough to be considered a friend. Let alone someone Loki tries to move heaven and hell to be with them, instead of for example trying to find his brother and family. It is an issue which again is rooted in S1 and carried to S2. What happened in S1 wasn't therapy or a healthy friendship.
However, Loki being loyal to anyone who show him an ounce of affection or him being moral enough to try to save people are in character for him and that's sth good about it.
The torture scene.
The trick Mobius and Loki pulled was predictable as hell. I didn't even doubted Loki in TDW, let alone here. And even though I didn't believe for one second that Loki's actually going to hurt the guy, and he wasn't shown enjoying it, I still hated that he went along with the torture idea Mobius had come up with. Especially considering the fact that he was a victim of torture himself and never shown any sign in canon that he would torture someone. So yeah I hated that scene.
And why that scene was even necessary? Loki could get into X-5's mind when they weren't in TVA. We know he is capable of it. He did it both through mind stone in Avengers and in TR. how else they were going to delve into Mobius' problem though smh
But alright let's say they needed a scene like that. Still the whole Brad believing Mobius is against torture, and Loki's the one who would be in favor of it, is so fucking ridiculous. Any way you look at it, it has always been TVA and Mobius who did any torture we've seen during the two seasons. The tortures that Loki endured might I add. Even in the previous scene, it was Loki who didn't hit Brad and only tried to intimidate him non-physically by acting as a villain. It was Mobius who hit him, who was shown more affected by Brad's insults. So logically the scene they had planned to fool Brad, should have been played completely the opposite way. By having Mobius do the torture. At least it was recognized that the torture idea was from Mobius and both he and Loki gave the credits for it to Mobius.
Verity Willis. Hunter B15 unlike the Verity in comics, doesn't have a close friendship with Loki or truth detector powers. Not having a good friend like comics Verity for Loki, was such a wasted opportunity in the series.
Mobius saying to Loki "You're a man of action...". That was such a stupid, unnecessary line. As if the main difference between Loki and Thor wasn't Thor acting before thinking, and Loki thinking and planning before acting. While Loki is also a man of action, he is first and foremost a man of strategy. The only plausible explanation imo is that Mobius said it to not feel useless in comparison with Loki and his skills.
"Thor's not that tall". Yeah, no. I don't think Loki's reaction to seeing Thor and Odin's statues would be that. Knowing his brother and family were murdered by the very same people he's working with now. Remind me again why he's considering them "FrIeNdS"? Someone really needs to explain the concept of friendship to Loki. Or rather the writers of this show.
And while we are at it. Let's talk about how Loki's past and identity issues were completely swapped under the rug as if they were all magically fixed and didn't matter anymore. As if those weren't the most important part of his journey. Another issue rooted in S1.
Final Thoughts(for now :D)
Season 2 was definitely better than season 1. Not perfect, and not for those who care about OG Loki's issues. They set him on a completely different path in S1 and they messed up any chance to actually delve into his problems. So in S2 we're having a character that we're supposed to accept has moved on from certain issues, and now tries to find what he wants and where he belongs. Still, I think that they listened to the criticism for once as they tried to fix some of the problems of S1. After many years it didn't feel like that the creators hate the character, or using him as a prop, or a plot device. It was a story about Loki. A bittersweet story for the god of stories.
59 notes · View notes
cosmicjoke · 6 months
Text
youtube
See, this conversation really highlights everything that's wrong with not just the Loki show, but the MCU in general now.
What they highlight here, about Loki's conversation with Mobius, and how dismissive and flippant he is while talking about what he did he New York, like it's all some silly joke that shouldn't be taken seriously, like it wasn't a big deal, like what he was feeling while he did what he did wasn't a big deal, is really the heart of the problem. Nobody takes anything seriously in universe, so how the hell is the audience supposed to take anything they do, think or feel seriously?
They've reduced Loki's entire character to a joke. They've reduced what he went through in the first Thor film into to a joke, what he went through when he fell through space and landed in Thanos' clutches into a joke, what happened during the first Avengers film into a joke. Everything's a big, fucking joke now. How can anybody like this? Don't they see what the writers of this trash are doing? They're shitting all over you by shitting all over the thing you love. By making fun of it and undercutting it, they're telling you you were stupid to ever take any of it seriously. It's the ultimate form of disrespect to the fans. It's a blunt insult.
This kind of shit drives me absolutely up a wall. It's so awful. And what they say in this video is so spot on. Loki started out having such depth and gravitas and presence. He started off as such a commanding, attention grabbing, complex character. And now, he's just some guy who eats pie and talks about his feelings, but with a flippancy which tells you that he doesn't actually have any feelings at all. He's just a hollow cut out that's full of shit. It's such a god damn joke.
People shouldn't settle for this. They shouldn't praise it because 'well, it's not as bad as the first season'. Because that's such a high bar to clear? Loki getting kneed in the nuts over and over by Sif. That's the bar you're clearing. Loki falling in love with a variant of himself after knowing her for five whole minutes, for no discernible reason, because who the fuck would love Sylvie, the most obnoxious bitch in the universe ? Loki getting man-handled and getting his ass handed to him by a bunch of humans with taser sticks. Loki being made a fool of every other scene. Loki losing every fight he gets into. Loki being tricked and outsmarted at every turn. Loki being so narcissistic and brain dead, that he can't see when he's being manipulated. This guy is supposed to be a genius. He's supposed to be terrifyingly smart. Anyone who knows anything about this character knows that. But reverse psychology works on him, I guess.
So Loki does a little magic which, more than anything, just highlights the utter void of creativity in these writers minds, and we're supposed to cheer and clap? Loki is a god. Loki is the most powerful sorcerer in Asgard. He can do pretty much anything you can imagine. And this is the best they can come up with? He holds someone down with shadows on the wall. Wow. So impressive. Get the fuck out of here.
But that's really the problem. They've reduced Loki into such a shadow of what he once was, that even the barest crumbs of it that we get now, we get excited about. We praise and point to as proof that things are "better". They're not better, though. This Loki is still a clown and an idiot and acts and conducts himself in ways nothing like what was originally established with this character. This Loki still has nothing to do with the original character's story or history in the MCU. They make passing references to that history, and play it off for laughs, instead of actually delving deep into it and exploring it and helping the audience to really understand and sympathize with Loki as a character.
Loki talks here about being "angry" with Thor and Odin. Okay. That would be great, except he says it like it's a joke. Imagine if instead of that, it was actually treated seriously, and we finally, finally, got an examination of what Loki was going through emotionally during the first Thor film? Imagine if Loki actually got to acknowledge the devastation he felt when he found out he was a frost giant? If he got to really acknowledge the alienation and rejection he felt upon discovering he was the very thing that his own people, the Asgardians, had always considered to be lesser beings, and not only that, but literal monsters? Imagine if he got to really express the turmoil of that? Of finding out you come from a race of beings you were raised to believe were inferior, in all ways. If he was allowed to process why he had such an overwhelming emotional and mental breakdown, that he tried to destroy Jotunheim and then take over Midgard. Imagine if we got an actual acknowledgement of what lead up to all of that, with Loki feeling like an outcast, a reject among Thor's friends, among the Asgardians in general, always seen as lesser than Thor in everyone's eyes. Does nobody remember how disrespectful practically everyone was to Loki in the first Thor film? From servants to the Warriors 3 and Sif, to Heimdall. They all treated him like shit. Fucking Christ, there's a literal world of ideas and character depth to explore there, and they just... don't. They could have devoted the whole show to this and it would have been riveting. Imagine, imagine, imagine. But nope. Instead, we get a passing reference to it, written and delivered as if it was all some big comedic skit, and the rest of the show is about finding Kang so they can set up Avengers 5. Holy shit. People should not accept this as good. People should not praise or even give positive commentary on this because it's "better" than the first season. It's not better. It's more of the god damn same.
People shouldn't accept mediocrity. They should demand better. Because if they don't, Marvel and Disney will just keep putting this same shit out and think they can get away with it.
44 notes · View notes
Tumblr media
This definitely isn't targeted at Wanda specifically, but that's more or less the context I found it being used in.
Oh, and I definitely agree with the sentiment, it can never justify or excuse it. But that's the thing, explaining and contextualizing actions is not the same as justifying and excusing them.
It's especially jarring when it comes to discussing fiction. Sympathy is subjective (you can talk to me about how being exiled from his home planet traumatized Thanos, but I don't give a damn. His fans do though) and we can't be forced to sympathize with every character. But that's one thing... and it is quite another to discuss the circumstances surrounding a character's actions/mistakes.
They have no sympathy for Wanda's situation and grief? Okay, that's cool. But they can't pretend her actions came on a vacuum and she's just evil. That's refusing to acknowledge the entire story in the series.
Not to mention "accountability" is NOT the same as punishment.
26 notes · View notes
zerohirrotries · 1 year
Text
Watched Guardians of the Galaxy Volume 3 today!
Spoiler warning!
The movie was amazing, like one of the best mcu movies. I love how instead of treating Peter's grief like how they usually do. Instead they have every single guardian trying to help him. They all understand him and are chill with his drinking problems and grief of loss.
Everyone was so caring for Peter. But mainly Nebula was there for him. She was like another sister almost. She kept being there for him and wanting to help.
Love how Drax takes all the kids because it is how he is. He is and always will be the father. Drax with the kids just broke me, like ahhhh!! Also I love how Nebula is with the kids, wanting to save them from what she had to go through with her father Thanos. Then his relationship with Mantis, Peter kept throwing them to work together and they seem to be annoyed with it. Mantis kept Drax from doing some harsher things, yet she never could fully control him because she seem to trust him still. Mantis and Drax both seem to felt like they did not fully belong with the Guardians, yet they stayed cause they view everyone as a family, something they both love much.
The movie was telling about the backstory of Rocket. Each movie gave hints and he always tried to avoid talking about it. Yet now it had to be out for the guardians to help him. For he was dying in the movie and was out over half it. Yet those flashback we got.... They got to me, I love his friends he had. Lylla and Rocket were so cute, like ahhh!!! Then Teefs and Floor!!
All the four together in the flashbacks at least explains why Rocket was always worried of trying to save everyone. Watching how he lost all three for trying to save them. Even when Teefs and Floor told him to run, he could not leave them. I just could not hold those tears for that....
Groot, oh poor Groot. Through the movie, as Rocket was dying... He kept being worried. I could tell he was worried and more scared thought the movie. He was always listening and never goofing off much. Taking things seriously because it was Rocket's life at their hands.
Love how Cosmo and Kraglin were becoming friends. I love their friendship and how they care about everyone. Cosmo was a strong leader, yet she was playful. Kraglin wanted to be strong, yet he kept doubting himself. When he thinks about Yondu and sees him mentally, that is when he starts to become stronger. He has been slightly grieving over the lost of Yondu silently and no one knew. He was trying so much to not think about it, holding it away. That is when he finally became strong and started to master the arrow.
Love how the ravagers had now Gamora. In the movie, Peter kept talking about his Gamora, saying that she had to be the same as the future version. For they were the same person. Yet, they did my take on future and such, after a long the movie, Peter and Gamora finally come to a stand where they both know that she had her own decisions she could do. She did not need to be the future Gamora, the same person. Yet, maybe at the end it hinted that she started to have a small liking as in at least friendship with Peter now..
With High Evolutionary as the villain, it was a villain that we could not exactly sympathize much. He was actually crazy, like he killed whatever he made if it did a small mistake, he needed things to be perfect. With his creations, Adam and his mother were made. Adam had a mission to save his kind, he had to get Rocket to High Evolutionary. Yet when we see Adam we learn that he is still a kid, learning about the world and his life. Not fully understanding anything, even death fully. Until he found the ravager pet Blup. He found something he cared about, learning about love more. So when he lost his mother to Evolutionary, he still worked for him until Groot saved his life. That is when Adam repaid them and saved Peter's life. Now he is a part of the new Guardians that is lead by Rocket.
Also most people kept saying someone would die, well no Guardians did and no one has left the mcu yet!!! Star-Lord is still around, but back on Earth and trying to fix things with his Grandfather. The new Guardians still has Rocket, Groot, and Kraglin. Nebula, Cosmo, and Drax are staying at Knowhere, which seems to be the home place for the Guardians. Then the only one that I am slightly questioning about what next is Mantis. Mantis does not fully understand herself, like her brother Peter. So she sets off on a journey to understand herself better.
I am just so happy, yet I cried like at least over ten minutes of the movie!! I did not expect it to let me laugh and cry almost at the same time... All you mcu fans should go watch this masterpiece, I loved it so much!!
Tumblr media
86 notes · View notes
gay-jewish-bucky · 1 year
Text
Why does everyone at Marvel studios (besides Seb) hate MCU Bucky and say he's never done anything heroic? Why do they constantly force him to suffer as if he was responsible for his victimization? Why do they turn the reveal of his sexual abuse into a joke? Why can they sympathize with Ultron and Thanos, but not Bucky?
Sexism!
The nature of lot of the abuse and exploitation he's faced is, in western media, mainly carried out against women, sometimes queer men (like Arnie Roth). Conversations around his female coding within the MCU have largely stopped but it's very important to remember. The patriarchy punishes all men who step out of line, and this is a very good example of that phenomenon.
To them, because of this, he is a failure of a man. He is weak. He is complicit because men can't be victims and still be men. he is not worthy of respect or accolades.
His fans as a whole tend to be people who are frequent targets of overt misogyny, they generally aren't those who believe in and participate in enforcing the expectations of white, western manhood.
You know who does believe in and patriciate in that? The people who have actual control over his character's arc and treatment in the MCU. The one person with power who actually understood Bucky (Stan Lee) died and since then they've been saying the quiet part out loud.
They've also robbed him of the female coding and anything that could be read as contrary to their oppressive standards of masculinity from his character (this includes cutting his hair and robbing him of the softness he had even after everything he'd been through, not letting him have a cat because yes I've heard people outright state he's "too manly" to own a cat) in an effort to force him to be a "real man".
73 notes · View notes
linkspooky · 1 year
Note
What are your thoughts on the Al ghuls?
Tumblr media
My second favorite dysfunctional family (behind Slade Wilson, his ex-wife, his butler, his children and Terra which I collectively call the DeathFam). The Al Ghuls specifically Ra's Al Ghul and Talia are my favorite batman villains, sometimes anti-villain, and in Talia's case sometimes Anti-Hero (My Girl's got range.) Since you asked my thoughts I will try to give them as organized as possible but warning there are a lot.
1. On The League in General
The League, the Lazarus Pits, and the mythology surrounding them is one of the coolest parts of DC Lore in general. In my opinion the best portrayals of the league are when they are one hundred percent genuine about their ideals. One joke I like to make is that Poison Ivy and Ra's are both environmentalists, but unlike Poison Ivy R'as actually has a plan and resources. Ra's love for the world and his desire to save it is at the core of his character, and the reason he will not let himself die, or let go in any real way because his work is not done.
One aspect I do not like about the league is that they are supposed to be antagonists, but I wish Ra's plan was more developed than "kill a whole bunch of people so the resources can be split amongst the survivors." That's such a disagreeable plan Ra's point to make about how the whole planet is dying and nothing superheroes do is really fixing that problem is kind of lost. It's also as dumb as movie Thanos idea to snap and destroy half the life in the universe. If I were to tweak it, I would make Ra's agenda more in line of a communist revolution. That is get rid of the capitalistic systems that drive the destruction of earth's natural resources for endless production and profit. That change would make some of the leagues motivations and methods much more sympathetic.
The league would still be villains however, because even if in this tweaked versions their methods are understandable they're still a big huge cult. Which is an aspect that a lot of fans and sometimes comic writers seem to miss. In the microcosm (Ra's personal family) and the macrocosm (the whole league) the league is a cult centered entirely around Ra's ego, his ideals, his wishes. Even if you can sympathize with their ideas of revolution and go "Hey, that might work" the League is still going about it the wrong way because they constantly prey upon vulnerable minors and people on the edge of society and then raise them up into loyal pledges to a cause. A lot of real life fringe groups do this too. In this version the league recruits members because it's easier this way, which is in line with Ra's character. The whole conflict with Ra's is that he just will not let go of control, he talks about how he wants an heir to take over everything but that's never going to happen because he won't even let himself die. You could fix this too, take the league out of Ra's hands, reform it, and it could be a more genuine force for good. So yeah, my take is less the league isn't good because they assassinate politicians and have more revolutionary ideals, but rather the league is bad because they regularly groom minors.
2. Ra’s Al Ghul
Tumblr media
Here is a comic panel of Daphne from Scooby Doo sword fighting Ra’s Al Ghul, mostly because I love it. 
Ra’s is THE Batman villain for me. If the Joker represents Batman’s completely anti-thesis, then Ra’s is Bruce, all of his ideals, his nobility, taken to their most logical extreme. He’s the definition of the noble demon. If you want to ready story arcs that I think show off Ra’s at his best, there’s the “Tower of God” storyline where Ra’s finds all of Batman’s measures against the Justice League he prepared in case any of them turned evil and then decides to use them himself. Then there is “Injustice 2″ which is one of the better depictions of Ra’s where he is at his most genuine to his goal of environmentalism and even at points sits down at the table to talk with the superheroes in a more peaceful manor on how they could be doing better. 
If the Tower of God storyline did not explain it to you, Ra’s reflects Bruce in good aspects and bad ones. The same relentless dedication that Bruce has to saving Gotham, Ra’s applies to the whole world. Ra’s also like other batman villains shows how a generally positive trait like Bruce’s insane levels of dedication can easily turn into a flaw. Bruce has no powers just his martial arts training, but just will not give up under any circumstances. Ra’s determination gets him into a horrible cycle of corrupting himself worse and worse over the years both due to overuse of the pits and also frustration at a world that refuses to change, and also shows in his inability to surrender power in any real way. 
The way Ra’s treats his direct family, and the league as a whole is also a dark mirror to Batman and the Bat Family. Now, I don’t believe that Bruce is raising up hero sidekicks as child soldiers... Suspension of disbelief people! However,  Ra’s genuinely does treat all of his children as tools for his agenda. As much as he has the capacity to love them, their needs and desires will always come second to his use for them. Ra’s is undeniably a groomer not in the sexual sense but in the sense he is using his position of power raising up and manipulating these minors to shape them into what he wants them to be. 
Ra’s also represents Bruce’s paranoia and the times where he abuses his position as patriarch of a family to manipulate his kids lives. Ra’s is undeniably the one who holds the most power in the Al Ghul family, and he uses that imbalance in power entirely to his own ends. What he creates is a cycle of generational abuse that lasts all the way until Damian.  Ra’s also represents Bruce’s sometimes toxic ideas of masculinity turned up to 11. My man is a 400 year old misogynist. He is obsessed with ideas like divine birthright, dynasty, legacy as shown by the way he once again treats his children. His oldest son is disqualified for being albino and therefore having a defect, Nyssa and Talia are disqualified for being born women. The fact that Bruce represents his ideal heir and he is a man with money and power the peak of what society considers is masculinity is you know, telling of his opinions towards gender. Bruce and Ra’s are both carriers of family legacies, who devote all of their money and power to their genuinely good goals, but Ra’s seems to believe that might makes right, the money, resources and bloodline he has makes him inherently better or even chosen. Which cycles into the reason why he will never let go of said power. 
3. Talia Al Ghul 
Talia is my favorite member of the family, she is also hardest to talk about because she suffers from two things number one being wildly different depending on the writer, and two orientalism. Now I won’t discuss this much not because I don’t think it’s important but because I’m not qualified to talk on such subjects and a practicer of the “stay in your own lane” philosophy. The orientalism in Talia’s character is undeniably there, and also a part of a pattern in DC where female brown mothers are regularly villainized to make their white fathers look better. I think Grant Morrison’s take on Talia is inherent dehumanizing of her and kind of reducing her to a plot object, and also a deviation from the original ideas her character was meant to represent. I think also Talia has a habit of being reduced to her relationships to the men in her life rather than her own person with you know thoughts and feelings. Women have those. The league also as a whole is orientalist as a concept there’s really no getting away from that. 
Just as an example of how Talia and Damian’s relationship could be better depicted than it currently is in comics. There’s a storyline in the fourth season of Young Justice that I really like (even though I don’t like the cartoon that much) which explores the family dynamic between Cheshire, Roy and Lian. Cheshire attempted to stay with Roy to raise Lian for awhile, until she went back to the lifestyle and could not give it up. Her sister Artemis eventually goes after her and it’s revealed that Cheshire left Lian with Roy not because she chose being an assasin over her but Cheshire believes she is inherently bad and harmful person and has too much in common with her abusive father and if she is in that kid’s life she will only hurt them. It also ends on a hopeful note that if Cheshire puts the work in on becoming a more emotionally healthy version of herself she could return to that household. 
Now that that disclaimer is out of the way (please don’t yell at me for this I love Talia. If you want to discuss it further please use my askbox, I don’t like it when people reblog my posts to argue with me.) The most interesting aspect of the Demon’s Head is the generational abuse storyline. There’s no two ways about it, Talia repeats the cycle with Damian. That’s what makes abuse generational. Once again the whole storyline from conception of Talia having a secret love child with Bruce is kind of orientalist but you have to work with the plotline you got. At least until somebody retcons it. 
Now I am going to go on a long diatribe on how Talia repeating a cycle of abuse that starts with Ra’s does not make her an inherently bad person. This is where I am qualified to talk because I’ve done a lot of research into this subject! Talia grew up in a cult. Not only that she was the direct daughter of the cult’s leader. In the microcosm Ra’s family is what you would call a Narcisstic Family Structure: a family centered around one person’s individual needs where the other’s needs go underlooked. In the macrocosm it’s a goddamn cult. 
People view members of cults as either stupid, or immoral for joining because they imagine it could never happen to them, but the way cults work is by preying on vulnerabilities every single person has. 
No one joins a cult voluntarily; they are recruited into it. There is lack of informed consent. Everyone has vulnerabilities. Possible situational vulnerabilities include illness, the death of a loved one, breakup of an important relationship, loss of a job, or moving to another city, state or country. [x]
Haruki Murakami wrote a book named “Underground: The Tokyo Gas Attack and the Japanese Psyche.” It is a non-fiction book containing several interviews of victims in the aftermath of the Saren Gas Attacks. This is a real life event where the Aum Shinrikyo Cult convinced its members to release Saren gas in several subway trains. While the attack was viewed by society as an act of fringe extremists, the cult was made up of members who were educated people, doctors, lawyers, who were still somehow convinced this was a good idea. 
The interviews highlight many intriguing aspects of the Japanese psyche. Work was a high, if not central, priority for most of the interviewees. Isolation, individualism, and lack of communication were also strong themes which were common throughout many accounts of the attacks. Many of the interviewees expressed disillusionment with the materialism in Japanese society and the sensationalistic media, as well as the inefficiency of the emergency response system in dealing with the attack.
The book also includes Murakami's personal essay on the attacks, "Blind Nightmare: Where Are We Japanese Going?" In this essay, he criticizes the failure of the Japanese to learn from the attacks, preferring to dismiss it as the extreme act by a group of lunatics rather than analyze the true causes and prevent similar events from occurring in the future.
I bring this up once again to reinforce the idea that anyone can be preyed upon by a cult, and Talia was literally born into that environment. Clts also operate with a specific method of cutting off their members from the outside world to cut off their ability to leave (BITE: Behavior Control, Information Control, Thought Control, Emotional Control). Talia grew up in an environment where most likely all her social interactions and her contact with the outside world was controlled by Ra’s and only Ra’s because in most versions her mother dies early in her life usually in some horrific way. 
That’s not even getting to the kind of parent that Ra’s is. He is always a really outwardly loving parent to Talia, but that love comes with a big huge asterisk. Ra’s loves his children until they either have a defect, or they decide to be someone other than what he wants them to be, at which point he either cuts them off, or relies on emotional manipulation to regain control. Talia’s only parental figure was both extremely loving, but made it clear that love was conditional. Even if Talia tries to live up to Ra’s expectations of her and be what he wants her to be, she’s immediately disqualified from actually taking on the mantle she was groomed for her entire life by being a woman. Even the original concept of Talia’s character who is much more anti-hero than anti-villain chooses her father over Bruce at times because Ra’s conditional love is what she knows, whereas Bruce’s love for her is something she does not understand fully even if she desires it. 
I’m going to bring up my favorite comic book character Terra here. Terra was also a character who her creators have said several disrespectful things about and she was not created by the best of intentions. However, Terra is a unique character because she is one of the few grooming and CSA victims who is allowed to be downright unlikable, to show her trauma in what are considered to be traditionally bad ways. She’s a character with flaws and agency and stuff. Terra represents a specific kind of fifteen year old kid who usually does not get help and adults believe is a lost cause. Characters who carry Terra’s trauma either magically get over it, or they are just reduced to weak, pitiful shells. I’d rather have Terra be the mess she is than either of those things. It’s honest to a reality that certain people face, and also shows victims who would not normally get sympathy. 
I just went to great length to establish the horror of Talia’s upbringings so she’d undeniably be affected by it. I won’t even mention what kind of mother Talia is because wildly depends on the author, but the decision to raise Damian in that cult rather than try to leave is her perpetuating the cycle. This is something that happens in real life too, parents who are preyed upon by cults will either drag their kids into it, or raise them up in that same life when they are young and vulnerable. It’s undeniably something she did to Damian and deserves to be called out on. 
Tumblr media Tumblr media
If Talia shares Ra’s nobility and idealism she also reflects his bad qualities as well, his belief in special people, of causes that succeed individuals, of noble purposes. Especially since these are toxic ideas that Ra’s has essentially forced onto her. I don’t even think Talia is past the point of redemption or incapable of learning to be a better mother, because while abuse is a chain it’s also a chain that can be broken. 
4. Damian Wayne / Al-Ghul
To begin with I don’t think Bruce is a good parent to Damian, and Talia is a bad one. They both kind of fail Damian in equal and totally different ways. I don’t believe Robin is a child soldier, but right away making Damian Robin is kind of a mistake because Bruce makes him Robin to try to fix some perceived flaw from being raised by the League, when really Damian is more or less just a ten year old kid reacting how any ten year old kid would if they were groomed their entire life and had that kind of destiny practically forced upon them. 
The difference between Talia and Damian is of course, Damian got out of there which gives him a unique opportunity that Talia didn’t to make connections outside of the League and to the outside world and therefore learn to think in different ways then how he was raised to think. Damian represents the chance to break the cycle of generational abuse passed down from grandfather, to mother, to son. 
Because like I said Damian reserves the right to call out his mother for not choosing to put him first, but at the same time Damian undeniably loves his mother. Even in the storylines where they have a strained relationship at best Damian is fiercely loyal to her because essentially Damian and Talia want the same thing which is to have a loving family of their own, and to be their own people outside of their usefulness to other people (cough, cough, Ra’s). 
Damian’s character arc tends to repeat a lot but there are more modern storylines that are pushing Damian in this direction where his goal is a reconciliation of the past and to be able to move on with a healthier version of their relationship. Ra’s getting shot in the head helped a whole lot. 
Damian represents a chance to break the cycle for both himself and his mom, because like I said Talia isn’t an inherently bad person, or a bad parent, she just like anybody else has an opportunity to grow and develop as a person especially if one day she gets to finally move on from the league. People can be influenced by circumstances, but also circumstances change and in better environments people have a chance to do better. Damian isn’t obligated to forgive either parent for the ways they’ve failed him but at the same time he clearly wants a connection with both of his parents, and is willing to work with them on it. 
It is funny how Damian typically gets portrayed as the edgy Robin, because in my mind he’s actually one of the most normal ones. He acts like a thirteen year old boy, with the needs of a thirteen year old boy, he desires a normal life outside of capes and costumes. He just has been told he’s the chosen one all his life and that’s had an effect on the way he views the world. Damian has every chance to break the chain that Ra’s started though, and that’s probably where the comics should go if they didn’t repeat the same plotline with him like nine million times. 
130 notes · View notes
maximotts · 2 years
Note
❛ say you love me. say it now — can’t you say it now? even if you don’t mean it? ❜ and/or (ur choice i just couldnt decide) ❛ i’m sorry i had such a devastating effect on you. ❜ for doublewanda (reader included or not hehe it can work either way) - not silver
yes yes thank you Not Silver, this gave me an excuse to start posting double Wanda
❛ say you love me. say it now — can’t you say it now? even if you don’t mean it? ❜ / ❛ i’m sorry i had such a devastating effect on you. ❜ + 616!Wanda & 838!Wanda; heavy angst in this one with MoM spoilers; character death/murder mention
538 words
f. scott fitzgerald prompts
Tumblr media
You were scared and confused, looking between the two versions of your wife in front of you. The one you knew, the woman who made you breakfast each morning and held you while you slept every night stood closer to the stairs, an equal amount of fear clearly running through her veins. The gash on her head was large, blood inching down the middle of her brow, but she didn’t care about any of that. Her only concern was the other woman in front of you, on her knees and desperately begging for your attention. 
“Please…” The waiting was about eating her alive, she wouldn’t be surprised if she was visibly shaking. It was just seeing you, being close to you after she’d lost you so tragically in the wake of the chaos Thanos created on her Earth, was more overwhelming than she’d prepared herself for. Wanda had been blipped away, unable to protect you from the anger the population felt with the Avengers’ failure, and in her absence you’d been ripped from existence, killed as an example of what would happen to superhero sympathizers. Being gone for five years barely phased her, but finishing the fight and seeking you out, only to find a small grave maintained by your last remaining family member… that tore her apart, 
And so she searched and searched, seeking out any available way she could get you back. Maybe she hadn’t gone the most pleasant or morally upright way, but who was to judge when you, an innocent citizen, had been murdered in cold blood because of her failure. Wanda never failed again after that, she made sure of it. Even when her comrades warned her of the dangers, she ignored them. She’d risk every single thing she had for you, in any universe. All of it was worth it to have you standing in front of her, but not like this. 
Wanda didn’t understand your fear; surely you recognized her? Even with her morphed hair color and new outfit, you always knew her. She waited anxiously for you to laugh or smile, any little reaction she remembered you made… Your fear was the last thing she wanted. “Say you love me. say it now — can’t you say it now?” When you shook your head, you took your eyes off her, looking to her counterpart for reassurance. It should be her you sought out. She was the one who’d risked everything, traveled the multiverse to find you, you were hers. “Even if you don’t mean it?”
You meekly confirmed your no, even with the grip she had on your calves digging painfully into your skin. “I don’t know you…You’re scaring me.” Those seven words shot her through the heart, searing a mortal wound right atop the one she held over the initial loss of you. Even scanning your brain all Wanda saw was panic and trepidation— you recognized her, but didn’t know her. You were hers, but not her version.. you were different.  Realization set in suddenly— her deadly actions, the Darkhold corruption, her destruction— it hit her like a wave. Wanda crumbled with a hard thump, a sound that had both you and her variant rushing to kneel by her. It was unfathomable that you weren’t running from her; she could tell you wanted to. But her wracked sobs left her coughing and crying, tears blurring her vision even as she clawed at her face anxiously. “I’m sorry I had such a devastating effect on you.”
457 notes · View notes
Text
Given the release of X Men 97 and the fact X Men Evolution is easily my favorite version of the team, I've actually been kicking around the idea of doing a crossover fic where Ben joins the X Men after being stranded in a Marvel world and researching the various superhero teams he can join.
Like obviously he'd be the most powerful Avenger/X Men since he can literally go to cosmic scales at the drop of a hat and do shit like casually hand Thanos or Apocalypse their ass with zero effort but seeing as he'd likewise know that I honestly think he'd make the conscious decision to join the X Men out of any given superhero group because there's no way in hell he'd allow all that genocide and lynching and shit that happens to mutants all the time slide.
Hell he'd probably even agree with Magneto and absolutely sympathize with his already being a Holocaust survivor once already and not wanting his people to do it again. Though obviously Ben would disagree with his methods.
Oh and since mind scapes are big things in Marvel I figured the Omnitrix would basically make him immune to psychic tampering because it'd be his mind scape and thus have all of the esoteric defenses in place the Omnitrix already has as well as the various fail-safes.
Like that isn't to say he'd cooldown his heroic drive in Marvel of course, he'd absolutely get involved with stopping Galactus or whatever and not really abide by the whole "people being too busy or otherwise occupied and thus not able to help with the given crisis of the day" thing that's so common in Marvel stories even if it's nominally a shared universe.
Just look at everything that happened in Genosha and shit.
Given how often he'd interfere plenty of heroes really wouldn't like him lol since Ben would absolutely be ok with killing a motherfucker. Like the Maximum Carnage storyline? Ben wouldn't hesitate to kill Carnage and probably end up fucking hating Spider-Man for stopping other people from killing him in the first place.
It'd actually be pretty interesting to see how his presence would affect the canon of Marvel.
Like he could pretty easily make Galactus a non problem by using his super smart aliens/Galactus's own help to make a machine that can just fucking make planets for him to devour. The Galvan entirely remade their planet in less than 6 months after it was blown up by the Highbreed. Working with Galactus it'd be fucking trivial to give him a endless buffet of planets to feed on so he doesn't have to target planets with populations on them, something Galactus himself doesn't even like doing.
I honestly wouldn't be surprised if Galactus straight up made Ben his herald or something assuming the watch couldn't just scan him since he has DNA and shit.
If anyone would be down to co write this or something hmu in the comments or pm lol it's incredibly fun to think about the realistic consequences of a twist of fate like this.
8 notes · View notes
beheworthy · 20 days
Text
Thank you for the tag @haeva 🥺
Last song: If I ever by Conor Maynard
Currently watching: last thing I watched was S1 of Emily in Paris and I'm currently reading 'the secret'.
3 ships: I got 2
Tumblr media Tumblr media
Like I've said, Tyler x Nik is just my personal interpretation because I mean they're taking bullets for each other???? But I'd be okay if canon doesn't go there. But if Thor doesn't get to have babies with Jane, it's on sight for Marvel.
Favourite colour: black and red
Currently consuming: nothing atm
First ship: I shipped Alexis and Starscream from Transformers Armada back in the day because I thought that was what the show was going for. And I was like 'wow interspecies romance' (foundation for ThorJane lol). and Musa x Riven from Winx Club (don't look at me!)
Relationship status: don't want any more trauma.
Last movie: May December 3 months ago
Currently working on: You'd think after writing a 10k word essay on how my man is wronged by Marvel, I'd calm down. But uhhh I have ideas that haunt me for 7 more essays: 1. In defense of Thor's characterization in Thor2 2. How to make the audience sympathize with a character: Wanda vs Thor 3. Why Thor4's ending with the child sucks 4. Thor3 didn't manage the tone well either 5. Korg - the worst supporting character 6. The tragedy of being a Thor fan (fandom experience) 7. The brutality toward Thor (by his storytellers)
And some fanfics: 1. missing scene after Thor4 ship kiss where they actually do it because f you marvel they deserved moments of love w each other and not die celibate like you. 2. post Thor4 dream sequence where he begs her to come back to him. 3. their experiences after separating (him finding out she got wiped out by thanos, knowing she was brought back to life, and a scene w mantis right before Thor4 parallel w Jane finding out she has c*ncer). 4. tyler ovi reunion fic where tyler runs into ovi unexpectedly and they get to be father-son for a night.
No pressure tags: @notallthosewho-wanderarelost @fostertheory @m1ghtythor @karioke13 @uniiiquehecrt @coolnerdyrn
8 notes · View notes
brsb4hls · 3 months
Text
With the writing sometimes being a bit chaotic I wanted to make a very simplified (very very simplified) short list about the 'villain' and or 'threat' / 'problem' in the Loki show from ep to ep.
That might help with philosophical and moral discussions.
This is my personal take:
Avengers 1: villain - Loki (Thanos, Chitauri)
problem - mind stone, portal
Loki 1x1: villain - tva, Sylvie
Loki 1x2: villain - tva, Sylvie
Loki 1x3: villain - the time keepers ( since the tva now conists of brainwashed abductees and we got to know Sylvie and her motives)
Loki 1x4: villain - the time keepers (Ravonna)
Loki 1x5: villain - HWR (unknown) (Ravonna)
threat - Alioth
Loki 1x6: villain - HWR (Kangs in the
future, also threat)
Loki 2x1: threat - Kang variants, time
slipping
Loki 2x2: villain - Doxx, X5
threat - bombed branches
Loki 2x3: threat - the loom exploding
problem - opening blast
doors (Timely required)
villain - Ravonna, Miss
Minutes
Loki 2x4: threat - loom exploding
villain - Ravonna, Miss
Miss Minutes, X5
Loki 2x5: threat - loom failsafe
deleting new branches
problem - tva gone
Loki 2x6 threat - loom failsafe,
Kang variants
The goal posts constantly shift back and forth for narrative reasons.
Season 1 was pretty clear:
The tva is technically bad, but the audience needs to sympathize since Loki will keep working with them. So variant reveal, leading to splitting tva agents into good (Mobius) and bad (Ravonna) and tva being more morally grey. Sylvie as villain was a red herring, the time keepers a front, HWR as actual villain reveal.
Then drama, Loki vs Sylvie based on possible Kang threat in the future.
Season 2 should have logically followed the Kang threat.
But couldn't, cause budget and possible use of Kang in future movies.
So, it needed other threats. Plus the tva beeded a purpose. They tried a reforming approach (B15 vs Doxx), tva monitoring for Kangs in the future and for drama added loom possibly exploding and closed blast doors (connected to the Timely story with Ravonna as villain).
When they decided to want to 'elevate Loki from god to capital G god' (interview quote), they needed a sacrifice. So initially Loki was supposed to keep the loom intact by going out there and staying there.
They only later on decided the loom needed to go and added the fail safe narrative, which makes more sense, since the multiverse existed just fine before the loom, so the loom isn't needed. But it couldn't just go, vecause then Loki wouldn't have to need to make a sacrifice, he could just blow it up. Hence the deleting of new branches.
So, tl; dr: everything that might confuse people about Loki is a fictional problem. It is simply due to narrative reasons.
So if MCU productions just used a fucking show bible and actual show runners, it might have prevented chaos. (I read they're now planning on doing that, fingers crossed for future projects).
9 notes · View notes
skyalent · 3 months
Text
Witches Can Be Good | Supernatural x Scarlet Witch! Reader - Part 3
Warning: Angst
Happy New Year everyone… although kinda late. I’m not gonna lie I totally forgot about this until I finally logged into Quotev and got notifications on people commenting for part 3. I’m so sorry TwT RisaIceCreamPudding and Arabella from Quotev… but also thank you for reminding me <3
Also do you guys want me to make a masterlist? I don't expect this series to be too long, but if you'd like it, I can make it. Or a taglist. Just let me know with a comment!
Part 1 *~* Part 2 *~* Part 3 (You are here) *~* Part 4???
.
.
.
.
.
Part 3: ...Goodbye?
The brothers were acting strange and Y/n knew it. She didn’t know why because she didn’t want to pry into their minds, but she did make subtle attempts to make them open up to her. Nothing was working so far. 
Meanwhile the brothers were full of all kinds of thoughts. After Sam deemed the DVDs safe and normal they watched the movies together while they sent Y/n out on a solo ghost hunt. 
Dean’s mind was blown over and over again. One, Y/n’s real name was Wanda and was part of the avengers!? Which was pretty damn cool especially with how hot she looked back then (and she only got hotter as she got older). But then both him and Sam found out about Y/n lover. Vision, a robot, but he reminded them of Castiel, as both were learning how to act human. 
While watching they felt like they were intruding in that moment. The way the two confided to each other… Dean wasn’t one for chick flick moments but he could tell that these two were utterly in love with each other. 
But then they witnessed the pain Y/n went through, practically losing everything. She lost her brother, her twin- a mute scream emphasizing her pain. Dean and Sam could relate, having lost each other more times than they could count.
She lost Vision to Thanos, the ugly wrinkled grape that both brothers just wanted to beat up in order to never see Y/n look that upset again. 
Then she herself died, her face oddly calm as she dusted away. But Sam understood. At that point, Y/n thought she had lost everything and had nothing left to live for. Her thoughts were probably along the lines of, at least I’ll be with my brother and Vision.
Coming back to life 5 years later, Y/n was understandably angry as she unleashed her anger on Thanos. But after that Y/n was lost. 
Her brother, gone. Her lover, gone. And as she came back to life she learned that her sister figure, Natasha, was gone too. 
Maybe that’s why they could only sympathize and understand as they watched WandaVision that for once in her life Y/n just wanted to be normal and happy. 
It was quite weird to watch Y/n magically give birth to two twin boys, but they couldn’t deny the amount of love Y/n had for her family. 
And then… 
“Dean isn’t that the witch that gave us the DVDs?” 
Agatha Harkness. Now the brothers knew that the witch could not be trusted based on the way she treated Y/n. 
The next time they see her, Dean isn’t going to hesitate in shooting his gun. 
But then onto Doctor Strange in the Multiverse of Madness… 
“LIKE DUDE WHAT THE F*CK!?” 
First off, Y/n was hot. As in, slay b!tch, get it kinda hot. And she was kinda evil. 
“But think about it.” Sam pointed out, “She just lost her children, who she had for like, a couple days, she lost her husband- although I can see that she’s accepted his death by now. At this point Y/n is just desperate for her family, for love, for normality.” 
Sam wasn’t ashamed to say he was balling tears by the end of the movie. Obviously, Y/n wasn’t dead, but she had gone through so much that it left one question in their minds. 
Does Y/n… still want that normality? 
Because even if the Winchester brothers hated the thought of getting rid of Y/n from their lives, Y/n would never get to live a normal life while being friends with them. She would be stuck in a hunter’s life.  
“We should let her go…” Dean said blankly after a few minutes of silence. 
“Dean-”
“No, I’ve thought this through. That life she wanted. Sam, she’ll never be able to get that with us. Didn’t you see how happy she was with her family? I admit it was kinda f*cked up, but now she has another chance at it again. We can give her that chance again.”
Sam contemplated it, though Dean could see his resolve breaking. 
The Winchester brothers were going to let Y/n go.  
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
The brothers had driven Y/n far from the bunker after telling her they were going on a trip. After parking into a driveway, they stepped out, a confused Y/n following after.
“Wait, what’s going on? Why-” 
“Y/n what we do is extremely dangerous, and it’s only going to get more dangerous from here on out.”
“Dean, I know that already. Why do you think I’m here? To protect you guys because-” Y/n attempted to explain but was cut off by Sam. 
“We can’t be associated with witches Y/n. All the hunters know who we are. Once they figure out what you are, even more people will be out to kill us, on top of the supernatural.” 
“Alright I’m calling BS-”
“Sorry, Y/n. But please, this will be so much better for you. We even paid for this house and everything. Don’t worry about it, please.” Dean opened the trunk and took out Y/n’s suitcase, rolling it to the door and passing the house keys to Y/n.
“But guys you’d be even safer if-”
“If you stayed here.” Dean sternly said to Y/n, looking directly into her eyes. She swallowed, her mouth feeling dry. “We don’t need a witch helping us.” 
Frozen, Y/n could only watch as the brothers got back into the Impala and drove away into the distance. Heart broken, tears uncontrollably ran down her face as she wept.
“...but you guys are my family…”
So... Part 4???
< Previous *~* Next >
15 notes · View notes
caatws · 11 months
Text
i’m back to yell again bitch! why are characters grieving vision vs gamora treated so differently by both mcu canon and fandom???
i’ve been saying for the past 5 years how, when ppl blame peter for the avengers losing in iw when he lost his cool on titan after hearing thanos literally killed gamora, it’s hypocritical for these ppl to not also blame wanda and the other avengers, bc them delaying sacrificing vision to the literal last minute also directly contributed to thanos winning.
while vision had put wanda in the position to sacrifice him and she said no, gamora had also put peter in that very same position—and he said yes. and he was gonna do it, even though it pained him. wanda was only ready to do it when their backs were fully, completely, against the wall, and it was literally the final thing standing between them and thanos getting all 6 stones.
while my problem for years has been the lack of equally blaming wanda while blaming peter for behaving out of the same motivations—acting out of love for their partners, who were reduced to thanos’ pawns, and wanting to defend/avenge them—now considering everything else going on with gamora in the time since, there’s an extra layer to this that just has me...hm.
when wanda and the others act on behalf of their love, and eventually grief, for a white male character...it’s understandable, it’s valid, it’s relatable, it’s fine.
but any time peter has acted on behalf of his love and grief for a woc character...it’s treated as the reason thanos won and half the universe died. it’s considered an impediment to other characters, even in his own team who also once called gamora their family. it’s still relatable and understandable, but it is emphasized as an obstacle to overcome in a way that i don’t think wanda’s love and grief ever was.
wanda’s grief was so complex, so tangible, it spawned a whole show abt the ways we grieve and how it can become a dangerous part of our lives. and in the end, we’re made to sympathize with wanda still.
peter’s grief has still gotten its moments, but it’s been treated as a solitary experience the rest of the gotg don’t partake in, for whatever reason. when his grief causes him to act destructively or disruptively, it’s not given the “i support women’s wrongs” empathy by fandom. sure, it’s still made out to be something we can sympathize or even empathize with—but there’s a certain grace given to wanda and her occasionally villainous actions, motivated by her grief, that i’ve just never rly seen given to peter when he fucked up the fight against thanos.
frankly, i don’t know exactly what this means. is it yet another byproduct of both audiences and marvel studios themselves prioritizing and upholding the avengers franchise over the gotg? probably, in part. is it bc w*ndavision is a more profitable ship and (white) wanda is a more profitable character to explore the complex emotional turmoil of? oh, i’m sure that’s an element at play. is it bc ppl like (white) wanda more than peter? that’s definitely part of it and comes as a surprise to no one.
is it an intentional disparity in canon about how much a white character deserves to be grieved vs a woc character? i don’t work at marvel so i could never prove or disprove this with certainty.....but i think it’s an awfully interesting element to consider, bc regardless of intentions, it sure has a certain....impact.
it sure just leaves a Taste in my mouth abt what makes a character more or less worthy of grief than another. when vision died, wanda could uproot the very fabric of the universe in her grief and we maybe want to root for her. when gamora died, peter simply reacted in the moment, and suddenly he’s the worst character in the mcu and the sole reason that an entirely separate character, the actual abuser and murderer, killed half the universe and now we have to hold peter accountable for it like lmao bro???
27 notes · View notes
dark-elf-writes · 11 months
Note
You say 'Harry is master of death but doesn't know it yet' how would he find out????? The angst potential is of the freaking charts.
Also I am of the personal opinion that mod Harry could kick Thanos' ass. And completely thwart the whole 'destroying half the population' like at this point death is so much Harry's bitch that he is like 'ehhhh I really can't do that, it would upset my boy Harry too much'
Oh max trauma for everyone involved tbh.
Maybe out with Clint and the other Avengers when a Voldemort sympathizer sees Harry and decides to make that tired looking twink’s life so much worse?
Thor and maybe Loki in a “community service/sorry for hurting you while brainwashed/at this point the only magic user that might know what’s going on with Harry’s magic” kind of way. None of the others are exactly happy about it but they care more about Harry ‘s wellbeing than they hate Loki so.
Then the sympathizer shoots a killing curse at Clint. Loki and Harry see it at the same time. Loki portals Clint away as Harry decides to take the more direct route and take his third killing curse straight to the dome.
Chaos.
They get the wix down. Loki is trying to explain that no one has ever lived through that spell.
Harry wakes up.
EVEN MORE CHAOS.
No one is more freaked out than Harry who got to somewhere different than last time looked Death in the… face? and was told this would keep happening before he “woke up”
19 notes · View notes
Text
So...these headcanons are more for my enjoyment than anyone else’s. I just LOVE superhero comics so much and wanted to combine my two interests. Also, these headcanons have nothing to do with any movie/show adaptations. Just comic books. Sorry if you don’t recognize some of the characters. Like I said, this list is extremely self-indulgent.
Favorite Superheroes (and a couple villains):
Optimus- He connects with heroes who do right even at great personal cost. Therefore, Spider-Man is his absolute favorite. The line “With great power there must also come great responsibility” resonates deeply with him. Like Peter, he knows he can never turn his back on those that rely on him, even when the weight of his responsibility threatens to crush him. Peter fights to remain compassionate, something Optimus - though he would never admit it - also struggles with. Reading about someone who resists his darker impulses and chooses to do good inspires him to continue to do the same.
Ratchet- Does Alfred Pennyworth count as a superhero? Probably not, but Ratchet doesn’t care. As someone who has to remain at the base, wait to see whether his companions make it home safe, and prepare for if they don’t, Ratchet can deeply sympathize with Alfred. Also, Alfred is an exceptional fighter whose skills - like Ratchet’s - often go unacknowledged, so Ratchet absolutely loves it whenever Alfred cuts loose.
Arcee- She’s an X-Men gal through and through and Storm is her favorite. Storm’s got a lot of pent up rage and Arcee admires how she embraces it instead of pushing it away. The 80s run where Storm changes her look to match how she’s changed inside is by far Arcee’s favorite comic storyline.
Bumblebee- He sees himself in the New Teen Titans hero Jericho. Both of them had their voices violently taken away and both chose to remain kind and compassionate despite this. Jericho reminds Bee to stay true to who he is whenever darker emotions cloud his head. Also, sign language representation always makes him happy (even when it’s not always accurate).
Bulkhead- The Thing - from the Fantastic Four - is his comfort character, for sure. Like Ben, Bulkhead’s not particularly bright and often doesn’t think things through; however, they are both incredibly loyal, and Bulkhead finds reassurance in seeing his own strengths in Ben.
Megatron- Thanos. He can get behind a character who started as a timid intellectual and went on to conquer worlds. Also, Thanos’s obsession with Lady Death and her disfavor of him hits close to home…
Starscream- Classic Loki! Of course he loves a character who schemes and backstabs at every turn. However, he is also fond of the modern Loki who constantly strives to prove himself as good (this version is the result of a reincarnation of the original). He doesn’t like thinking about why the newer Loki resonates with him so much; he just enjoys the comics and leaves it at that.
Knock Out- First off, human Knock Out is literally modern Starfox. I’m putting a picture under the cut so those not in the know can see the glory with their own eyes. Knock Out would definitely admire a hero that’s just like him. Other than Starfox, he enjoys suave, dashing heroes like Iron Man and Nightcrawler (he refuses to acknowledge their flaws).
Breakdown- The Incredible Hulk; he’s the strongest there is, after all, and Breakdown can relate to letting his anger get the better of him.
Soundwave- Like him, Cassandra Cain - or Batgirl - is a silent, mysterious, and imposing figure. They are also both highly capable individuals who tend to operate in the background. Like Cass, Soundwave finds it difficult to express himself. Seeing her triumphs and tribulations offers him a sense of comfort on an unconscious level.
Shockwave- Who else could be his favorite but the intelligent and logical Mr. Fantastic? He appreciates Reed’s tendency to ignore pathetic emotional attachments in favor of scientific breakthrough. Of course, Reed does give in every now and again, though Shockwave concedes few can be as purely logical as himself.
Bonus:
Skyfire- Superman. He appreciates how gentle Superman is despite his immense strength. He wants to be just like him.
Rumble and Frenzy- They like Batman because Batman is cool. He also reminds them of their dad and they like to joke that they’re Soundwave’s Robins.
Wildbreak- As the son of notable Decepticons and nephew of the president (Starscream), Wildbreak feels he has a lot to live up to. As such, Jon Kent - Superman’s son - means a lot to him. Anytime he feels inadequate, he remembers that Jon feels the same. Even though Jon is fictional, he makes Wildbreak feel a little less alone.
Tumblr media
I mean...just LOOK at him! Literally Knock Out!
93 notes · View notes