Not socialist in a “I won’t have to work” type of way but socialist in a “I’ll still be working but I won’t be worried I won’t make the rent” type of way. In a “billions won’t be hoarded by one person” type of way. In a “janitors, fast-food workers, child care workers, preschool teachers, hotel clerks, personal care and home health aides, and grocery store cashiers, will live comfortably” type of way. In a “the sick and elderly will be cared for” type of way. In a “no child should work” type of way.
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I just love it when video games let you do really stupid shit that kills you immediately. I love being like "oh this is a terrible idea" and being able to do it and then die. It's good game design.
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Grover: Sir 🥺🥺 we’re so sorry but we have no idea what happened to our train cabin—
Percy and Annabeth: WHAT KIND OF STUPID ARE YOU, MR. TRAIN COP?! OOOH YOU THINK SOME TWELVE YEAR OLDS DID THIS?? SO WHAT YOU’RE GONNA ARREST US??? HUH???? POST UP
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i was thinking about that post comparing Jessica Rabbit as an asexual to Barbie and an asexual and then i thought of the Neil Gaiman post (was it a post?) about Crowley and Aziraphale being asexual sexless and then this happened.
anyways. thoughts?
sorry it took so long I meant to do this a week ago but my brain is full of rocks.
[Image ID a three sided venn diagram. the big circles show Margot Robbie's Barbie sitting in front of a mirror, Jessica and Roger Rabbit from the poster of Who Framed Roger Rabbit, and Aziraphale and Crowley from Good Omens standing back to back. Between Barbie and Jessica Rabbit it says "sexualised by society". Between Jessica Rabbit and Aziraphale and Crowley it says "Knows what sex is". Between Aziraphale and Crowley and Barbie it says "no reproductive system(?)". the center is the asexual flag. End ID]
Also i haven't seen the Barbie movie as of this edit so at least please tag your spoilers.
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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jason: what’s your darkest secret?
tim: i wrote the most kudos’d superbat fanfic on ao3
damian: i was his beta reader
jason: first you steal my costume, now you steal my spot as most kudos’d fic?!
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