Going to my first munch tomorrow! No idea why they call them that, it's just people in the kink world getting together to hang out non-kinkily, usually at a pub or something
It's specifically one for neurodivergent people. A LOT of kinksters are, unsurprisingly. Wild to live somewhere I can have my pick of gatherings to meet them!
I just can't do online community the way I used to. It feels like forcing my very strange brain through a meat grinder to interact when it's not in person or over the phone. It is viscerally unpleasant and uncomfortable. I need voice and body language cues and to feel present with somebody
Kink is kind of the epitome of that in the moment, real-feeling experience I need to connect and I'm so thrilled and excited to explore it moreeee
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Tidbits of ATSV That I Enjoyed (Or Alternatively: Just Miles Being The Most Endearing Spidey Ever)
Miles patting The Spot's head after successfully webbing him (I don't see this as condescending, but rather him still engaging with the humanity of a villain like Spot) and ~very assertively~ telling/asking him not to escape.
"I'm like Robin Hood-if he gave to himself."
Miles' spidey senses going off when he arrives late to his dad's party because there's nothing more frightening than Brown parents when they're mad at you. Beware the chancla or correa!
O.k. So we all know there are different versions of the movie out there. You may already know that one of the slight differences is when Miles goes to save Inspector Singh. There's a version where you can hear Gwen's voice in the distant background yelling no! when she thinks Miles gets crushed under the rubble, and there's another where she's silent as she webs to him. Now, I have found ANOTHER version (online) where her shouting is even more at the forefront. She's practically screaming and sounds more desperate, (prolly because it's close to the same way her Peter Parker died so she's reliving trauma) and the fear in her voice is palpable. That one haunts me.
Jefferson trying to equate studying for his police exams to childbirth, which Rio quickly nips in the bud.
Ganke having a soccer poster of Son Heung Min, a famous Korean footballer who currently plays for the Premier League Tottenham Hotspur and is captain of the South Korean national team.
Miles having a Sashimi (his universe's version of Supreme, but I just like the idea that Miles loves eating sashimi. Like I know that kid has good taste in food) poster in his bedroom.
The fact that Miles kept in touch with Aunt May for long enough after the events of ITSV that he helps her move.
The Spot saying he was one of the more handsome scientists at Alchemax according to his colleagues.
Miles and Gwen having the same collectible toys, the only difference being that he keeps his in the box and she doesn't.
"Hey, don't try to wow me with big words, man," *in deep manly voice* "I do crosswords every day"- Miles after Spot points out Alchemax as "the crucible of our connection!"
Miles going, "This job is so dumb sometimes" after he tries to web Spot at the deli, but it goes through a hole and lands on his face.
"Nahhh, he seems more Dominican to me." Kinda want Miles to meet a native Dominican Spidey because that dynamic would highkey fuck hard *pun not intended*. They would repair relations between our two islands-PR&DR.
"Almost there Mami *smiley face* *cowboy* prayer hands*"
The college admissions coach at Visions Academy straight up saying, "That's your story! Now, just stick to the script..." Ma'am what???
"Calmate Mami, eso no es my fault."
"I've hit a lot of different villains with a lot of different food...I'm just trying to lighten the mood."
Miles in his angsty teen era and smart-mouthing everyone around him. Love that for him.
"He almost killed his mom as a baby, I mean, look at those shoulders." No but for real tho. Those shoulders are as wide as a truck. Kim Seokjin who??? (if you understood that reference, ily).
Miles writing a love letter to his dad in 2 cakes.
Gwen at the water tower chowing and saying how feelings make her hungry after her and Miles talked about how they can't be together cause it would end in tragedy. Like Gwen, come again?!
Also, Miles' and Gwen's talk at the Williamsburg Bank Building being lowkey the catalyst for the 2nd/3rd acts of the film. Without them both kind of silently admitting their feelings for each other, Miles probably wouldn't have chased after her the way he did. Pretty sure you know the rest.
"I bet she doesn't even speak Spanish," and Jeff going "Que barbaridad" in his very broken Spanish. Queue Rio's bombastic side eye.
Both Gwen and Miles referring to Spot as a Villain Of The Week, even though neither of them have spoken about Spot to each other.
"I was bitten by a-wouldnt you like to know? Know what I mean?" SIR. Chill. This movie is for children.
The Spot inverting himself, going from a white mass with black spots to a gaping black hole with smaller white spirals. It's giving Junji Ito.
The irony of Pavitr exclaiming, "Well that was another easy adventure for Spider-Man!" right before an incoming canon event. HIS. He was about to experience his first big loss, and his happy-go-lucky nature would've been challenged.
Miguel saying conyo! when all the Spideys start pointing at each other.
"!Cállate!" "Nosy!" Sidebar: we don't talk about Gwen's banter with bad guys enough. She's so funny!
A lot of the Peters saying hi to Gwen as she passes HQ because she is canonically the one lost love--the love interest they all would've ended up with had she not died, so they all have an affection for her.
Web-Slinger going "Giddy up!" Cause he's swinging up.
Miles offering his fresh new takes on how to deal with the Spot upon meeting Miguel, saying "He just wants to be taken seriously. Like we all do." MILES YOU BEAUTIFUL, COMPASSIONATE GOLDEN SUNFLOWER BOY I LOVE YOUUUUU.
Hobie referring to Peter B. as Humbling Reality Spider-Man, which considering how steeped in tragedy the Spidey lore is, is really saying something.
Miguel's nonono no puedo más no puedo más. His misery is very funny and delightful to me. Little bitch ass.
"You know you're the only Spider-Man who isn't funny." Yes! More Miguel slander in the next one, please! Little bitch ass.
"Snitch!"
Miles shouting out Peter's name for help whilst Miguel pins and lays into him the fact that he's an anomaly. This after he momentarily glitches back to his ITSV store-bought suit. Mimicking the way-in also the first movie-Miles shouting out Peter's name for his own rescue as Doc Ock attacks him at the research facility. Because even though he feels hurt by Peter at this point, that's still his dad mentor and he still instinctively looks to him for protection. Rip my heart out why don't you!
Gwen sneaking back into her and her dad's place just to get that printed polaroid of her and Miles, a pic she already has on her phone.
Earth-42 Miles wearing Nike while our Miles wears Jordans.
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the structure in mac and dennis break up
this is gonna be a short post tbh, I just rewatched the episode and I have a couple of thoughts.
if you need a refresher on what I think the structure is in general, I talk about it here.
I think Mac and Dennis Break Up shows us an example of Mac and Dennis (and Charlie and Frank) working properly in regards to the structure, let me explain why:
First... I don't think there's a need for me to describe the plot of the episode, we all know.
What I want to focus on, is that at one point Mac moves in with Frank and Charlie, and starts bringing his way of life to them.
At first, Frank is thrilled.
"I could use a little structure in my life here." he says.
This reminds me of dialogue from Carries a Corpse.
"Nobody admit this to Mac, but... I feel like he was carrying a ton of weight."
"That would be another one of his annoying identities... the man who could carry stuff."
He's been shown carrying Dennis, on top of generally being inclined to micromanage, take care of others so they're safe, and make decisions or at least demand to be consulted in them (like which movie to watch on movie night).
That's when Mac works best, so I assume that Mac generally brings structure (or is a man of action, as he describes it).
Later on, we see Mac take this too far, and Frank doesn't like it anymore. To me, this is because what this episode tells us is that Charlie and Frank don't work well with a set structure, the way that Mac provides. They're more free.
I think this reading is important because it shows me why The Gang Gets Romantic fundamentally fails in its objective (not as an episode god forbid, I mean in the narrative, especially for Mac and Dennis).
It applies the romcom structure to Charlie and Frank, while it doesn't to Mac and Dennis, when it should be the opposite. Throughout the episode we see that Mac and Dennis keep fitting the tropes to the romcom structure, but they refuse to follow it, and thus it crumbles. It can't work.
Here's another thing.
Dennis' back broke in the S15 finale.
That is funny, yes, but what does this mean when I say that Mac is the (his) structure, then?
Well... Carries a Corpse implies that Mac was carrying most of the weight of the corpse, and the corpse is meant to be the show... and most show meta is basically the same as Dennis meta (most meta lines seem to relate to him, whether the fact he left for north dakota and came back, or the fact he's a dad, being between life and death, breaking his back aka the structure, and so on), as I have discussed better in my other post.
Point being, Mac carries Dennis. That's what he's meant to do, and what he does best in their relationship.
This makes me think of another recent scene that I think is emblematic of their dynamic... but in an interesting way.
So, in 2020: a Year in Review, Mac and Dennis work together on a song.
They seem to be in harmony, but eventually start disagreeing and stop altogether to focus on something else. Why?
Because Dennis is working on the backup vocals, and Mac is working on the words. Which means their roles are reversed. Mac is supposed to be carrying the song, like the wind beneath his wings that he is, and Dennis, like the man of words that he is, should be responsible for the lyrics. They're doing each other's job, which means any harmony they reach is still bound to crack a bit the moment the song doesn't work for them.
Their seating position on their sofa reflects this.
Compare it to Mac and Dennis Break Up, which is supposed to be our ideal.
They're in each other's places, in 2020.
This isn't new, they've been sitting in each other's places ever since Break Up. Mac was sitting in Dennis' place in MFHP, Dennis was sitting in Mac's place in Gets Romantic.
So tl;dr... Mac and Dennis work well under structure, when Mac is the one to bring it and carry Dennis. They fit a proper couple structure after all. Charlie and Frank don't work as well under structure, since their relationship is more unique and doesn't quite abide by normal rules because of that.
This does bring me to one last consideration though...
They're back in their right spots, in season 16! Only problem is... couch is different. I would argue an inflatable couch doesn't offer the same amount of support (structure) that a normal one would...
Now that Dennis' structural essence broke, is he gonna feel what it's like when Mac is absent?
Perhaps this is why in Cursed we get Mac as the lucky one while the others as so unlucky they start to believe they're cursed (according to the synopsis...).
So the whole gang needs Mac?
Well...
In Goes To Hell pt2, when they build the human pyramid, it's both Mac and Dennis that end up at the bottom, as its structure.
So maybe... Dennis needs Mac as his structure, and the gang needs them to be in sync so they can both, together, support them (or shut the hell up about it, as both madbu and s15 would argue). Maybe this realization could be what brings the gang to work together in order to get them together. But that's getting into just speculation so imma end it here.
I like these thoughts though... Mac and Dennis being the foundation, the structure of the whole thing :)
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