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#the 100 7x01
mspirations · 2 years
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Clarke Griffin
"From the Ashes" -  7x01
"False Gods" -  7x03
"Hesperides" -  7x04
Bcbgmaxazria Tori Top in Black
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Venezia 229303 NERO*
* I found it
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alidravana · 13 days
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Another drabble!
Really enjoyed the other drabble that I wrote, so was inspired to do this one for a short missing scene from last night's episode (different fandom). Main restriction being only 100 words!
Buck almost ran into Eddie, who had been standing outside of Chris’s door, looking equally devastated as Buck felt.   “Hey,” Buck said softly, placing a hand on Eddie’s shoulder, squeezing gently in some poor attempt to offer comfort.  “Let’s go talk,” he added, letting his hand trail down Eddie’s arm, his fingers interlacing in Eddie’s as he pulled him towards the living room.   Buck didn’t think twice about Eddie’s hand in his, and neither did Eddie obviously, neither letting go as they sat on the couch, silent as they contemplated Chris’s startling confessions.   But they would figure it out, together.
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okmcintyre · 2 years
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Bellarke + reacting to SASS from Madi
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laufire · 1 year
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very nice to see her get to this point actually.
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maschotch · 2 years
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The Foyet and Doyle arcs are probably the best 'big bad' arcs of the show but they still both have one massive flaw in that the setup was good and then they really do not stick the landing. Which given the similarities between 100 and It takes a village (legal inquiry things w flashbacks) makes me wonder if they run out of steam towards the end or struggled to make the story compelling within the limitations of that framing, if you get what i mean
i completely fucking agree. it feels like such a cheap way to end it? like they couldnt figure it out?? i was worried it was gonna be one of those things where they stick to a formula and call it tradition as an excuse for how bad it still is, but thankfully they stopped doing it after that
like it's just such a weird way to tell the story? why can't it be just a regular criminal minds episode lmao that wouldve been so much better, even if it was normal. i'd take 'perfectly average' over 'unnecessary narration/complication that's really just irritating' any day
#and emily SPEECH at the end of it takes a village....... we dont talk about it akjshdlgfkajhdg#sorry babe but please shut the fuck up#asks#cm crit#endgame spoilers#and like?? other than the narration part 100 was pretty good#it takes a village..... it was just awful#like....... this is how id rank them#100 beginning (5x01/02)-good | middle (5x03-5x08): bad | end (5x09/10): ok#lauren beginning (6x13-6x16) ok | middle (6x17/18/20) good | end (7x01) bad#the tension w emily was exciting and intriguing... the tension w hotch was kinda pathetic and a little frustrating.. at best it was boring#their initial confrontations w their villains are both so fucking good akjshdlgkj#the knife.... the stake...... these bitches gettin stabbed and we love to see it#at least 100 was. fine. it had good moments even if the rest was kinda ehhhh#like foyet torturing the marshall and killing haley... fantastic moments. exactly the kind of brutality expected of a cm Big Bad.. chilling#the strauss interrogation throughout the whole thing and the five minute scene of hotch just breathing loudly were unnecessary#(and tbh the fight was. a little anticlimactic. foyet talking ab killing jack was funny tho akjshlk)#it takes a village tho..... there aren't even good moments to speak of#even the reunion was nothing special. it was so... underwhelming (other than maybe morgan who carried the epiosde anyway)#doyle looked like shit too ajskhdlgj he looks so OLD KJASLDKGH especially in the wife beater lmaoooooooo#i'll never get over that kjashdlkjfgh#anyway. sorry 4 taking so long to respond ajksdhlg i just wasnt sure how much to say ab all this#bc let me tell you i have to much more to say skjdhlagjkhldhflkgj
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stagefoureddiediaz · 11 days
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Costume Meta 7x01
Aaaaaaannnnd we're back!!
OMG I cannot tell you how good it feels to be back writing costume meta - I have missed it so very much and this first episode has given me lots and lots to talk about so lets crack on with it shall we!
Where to start?! Firstly - Its amazing to have Alayna Bell-Price back in the driving seat and she is a genius because she knows the characters better than anyone and I have to say from my perspective there is a pretty clear difference between this episodes costumes and the ones from season 6 - not that s6's costumes were bad, just that you could see the shift of having a designer who didn't know the characters to the same level. I’m going to go in order of character appearance in a non uniform capacity for this one I think so we’re going to jump around from character to character a bit. There is no Maddie or Hen this week, as we don't see them out of uniform, but every one else is accounted for and I've included Norman and Lola as they've got a multi episode arc and their costumes are interesting and playing into a colour theme!
putting it below the cut as its a long post and I on't want to overtake everyones dashes! Enjoy!
We start off with Athena in this pale pink high neck ribbed sweater with large bell sleeves. I've spoken a fair amount about pale pink over the last couple of seasons of costume metas and how, in clothes its representative of childish and immature behaviours or thoughts. That holds true here - the pale pink is playing into Athena's childhood - when she developed her fear of cruise ships - its creating a connection between her childhood experiences and the woman sitting in Franks office.
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We get a flashback that shows her in yellow and orange - the yellow for communication and the orange for transformation. A literal moment where we see Athena transform from the innocence of youth to her developing anxiety and fear around cruise ships. Its really clever visual storytelling connecting adult with child and shows us her fear is genuine and founded in something that she may not have been able to articualte fully as a child, but she can as an adult, even if she doesn't actually articulate it to Bobby.
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Our next non uniform costume is Chimney. The lighting is really low in this scene, so it's kind of hard to be 100% sure of the colouring, but he seems to be wearing either a dark navy or black button up shirt under a dark green and black bomber jacket. The use of really dark green in combination with black, Back is a colour that can be about hiding ones vulnerabilities - concealment and masking, but it is also a colour associated with magic (generally dark magic) as well as pessimism. The green is growth and renewal, and the hope for a better future. to use them in combination i this way is playing on Chimneys insecurites and fears, his desire to keep the 'magic' alive in his relationship with Maddie, but it also speaks to his growth, that he goes home and talks to her about it (even if he does come up with an insane plan to 'date forever').
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Eddie in the locker room - aside from being shirtless for much of it and pulling some epically good faces - was a super interesting costume choice. Especially the use of his watch! first though - Denim shirt time! We don't actually see Eddie in a denim shirt all that often and we've seen him in the super washed out one far more than dark denim shirts. I've been laughing a little bit at a few people (on twitter mostly) claiming its the same shirt he was wearing at the hospital during and after Bucks coma and it being a play on bringing Buck back to life. While I like the theory, its actually a very different shirt - the one in the hospital was black with a grey wash out and was made of velveteen - so different colour and fabric.
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This shirt, is however one we have actually seen Eddie wear before and its far more telling than if it were the hospital shirt. You need to bear in mind that this scene is about Buck and Eddies respective girlfriends (or lack there of) and the fact that Christopher has a girlfriend now as well. This shirt is the same shirt Edie was wearing when he (re)introduced Ana to Chris in 4x08 (breaking point my beloved! the gift that keeps on giving!) and this puts a conversation about Marisol and things going well with her into the same category as Ana - suggesting she is ultimately destined for the same fate as Ana. the other thing that plays into this narrative is the use of the watch.
Eddie does not put the Christopher watch on until after he has found out that Buck has broken up with Natalia - so during the entire conversation about their respective girlfriends, he is only holding the Christopher watch, rather than wearing it.
In the picture below from 4x08 you can see that Eddie is wearing his black 'work' watch rather than the brown strapped 'Christopher' watch. Remember that the first time we see the Christopher watch is when he goes for his first date with Ana in Jinx, so he already has this watch and in theory should be wearing it in this scene. The fact he isn't is pretty telling and I'll go into that a bit more later when we get to Chris's (and Eddies) date scene.
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Then we have Buck in his outfit of many colours! The white trainers, continue to play into my theory of Buck wearing them when he is in key points on his journey to discover his self - her it is about showing his growth - that he ended the relationship with Natalia - this is a massive thing when we saw how long it took for him to end things with Taylor - The man who clings is growing and getting out before it drags him down!
The jacket is similar in style to many of the ones we've seen him wearing in season 5 and 6, but this one is much brighter and more colourful. I know I go on about white meaning bad things for Buck, but that isn't relevant here - the white bad things happen to Buck theory is much more about t-shirts, jumpers and shirts rather than jackets - its an under-layer rather than a top layer that = danger. So i'm not thinking of its relevance here for this scene. What I am going to say is that this (according to my spreadsheet!) is the first time we've seen Buck in a white jacket of any description. To me, it's playing into the idea of purity and rebirth which is what white is often associated with. This plays into the comment Eddie makes welcoming Buck back to 'the land of the living' but also implies that Buck is starting a new chapter and making a fresh start - the check patterning suggests it might not all be plain sailing though.
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The check pattern is an interesting one, obviously check pattern theory comes into play here, but whether its only in relation to the reveal that he split with Natalia, or if its also foreshadowing Buck getting himself into danger/trouble down the line, remains to be seen.
I'm going to quote myself again because I did predict that this scene may be about his relationship with Natalia when we got the stills dropped - the costume department never let us down!
The only thing I can do is scream into the void about check theory because check does't bode well for people - they always end up in the middle of the drama (see my check theory posts linked on my pinned post for more) and while they come out the other side (99% of the time) Buck in check for that scene in 6x18 pretty much doomed his relationship with Natalia (its specific to her and not C&K's baby as Buck wasn't wearing it when he delivered it!) and as that shirt in the still is very un Buck like, has not only yellow ochre in it, but also its a white base (and we all know buck in white is a bad sign!!) and its check patterned - my theory is that this scene is connected to Natalia in some way - either Buck is not being true to him self in more than one way - that things are going to/have come to a head for their relationship (my kingdom for a reverse of Buck to Eddie about Ana in 5x03!!!) and lead to a pretty big change in some way (fingers crossed for Buck to end it and then finally break down and deal with his trauma!!!) Some other things about that shirt - the colour combination - the green blue and yellow ochre are giving me call backs to coma Buck (another reason I think it might be connected to Bucks unresolved trauma around his death and Eddies absense in his dream)
In the quote above, I was also referring to the blue and white check pattern shirt he was wearing when he and Natalia got together, but there was also the fact that in the balcony scene at the end of 6x18, we also saw her in one of Bucks white shirts. I wrote in my 6x18 meta about how those two things combined didn't bode well for that relationship going forward, and thats what leaves me unsure about the check pattern on this white jacket being purely about something that has already happened. If I put my Buddie goggles on, I would perhaps suggest that the troubled times ahead may be more connected to Buck and Eddies relationship, and this would fit in with a couple of the things Oliver and Ryan have said. The thing with check theory though, is that generally speaking if it's on one of the mains, they come out the other side of the dram/trauma stronger than before. So if it is connected to Buck and Eddies relationship, then we can expect it to be in an even stronger position on the other side of whatever goes down (and at this point you can't strengthen their relationship any further and keep them as just friends imo!)
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Chimneys forever dating proposal to Maddie, connects with his outfit when he's talking to Hen - it's the same jeans and black shirt, so the meanings of black, can be continued on into this scene - the idea of magic and hiding his vulnerabilities. The addition of the jacket with this brickwork pattern in its weave is a fun choice, it's playing into the idea of building something, but also plays into the idea that Chimney has his walls up - again fitting in with the black meaning of hiding his vulnerabilities - because instead of expressing his fears to Maddie ad then them talking it thorough, he comes up with his insane forever dating concept. the fact that much of this scene is a contrasting parallel with the scene from season 1 when he is pretending to be someone else entirely for Tatiana all ties in perfectly with this costume. The fact that he reverts to wearing blue (ran out of picture spaces so I couldn't include one) later on - when he's realised his plan isn't realistic, talks to Maddie and they end up back on the same page is really good to see - the blue being a signature Chimney colour and is indicative of him being true to himself.
Bobbys blue suit and blue check patterned shirt. The brightness of the blue is a really important choice - it's the only time we see him this brightly coloured on the cruise until he ends up in the bright red at the end. This is important because this is the moment when he's still all excited and hopeful for his honeymoon cruise - everything is good in Bobby's world at this moment in time - the check pattern is telling us that it's not going to stay that way for long. From her on out we see the colours of Bobby's costumes slowly beginning to dull and take on a washed out tone, but here in this moment all is good.
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Athena's bright yellow dress is all about making her stand out - communicating with the audience, she is the brightest person in the room (in more ways than one!!). The thing with yellow, apart from the communication aspect, is that it can also be a symbol of anxiety and fear, so this dress plays rather nicely into the theme of Athenas fear of being on that ship.
The colour does have other good traits too - its fresh and bright and is a colour of happiness in its more jewel like tones and I think we can see all of these meanings in these scenes - Athena might be anxious about being on the ship, but she is also happy and enjoying herself with Bobby in that moment.
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Lola and Norman. Lola is the one we need to focus on in her very bright very check patterned Victoria Beckham dress. Obviously the check pattern plays into check pattern theory, but the red also acts like a neon sign to the audience - highlighting that Lola is in danger - the ga won't pick up on check theory, although they might connect the dots about the fact this check patterning looks very like a cage - foreshadowing her being held captive later on, but also as a nod to the fact she was incarcerated previously.
The red is also a nod towards romance and love - playing into the rekindling of their relationship and romance in the aftermath of the freeway 'see me Norman' incident.
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Ok so Christophers date night and by extension Eddies date night! This is where this meta is goingto get a bit messy and I'm goingto jump around a bit becasue I need to talk about the way colour theory is at play in all the scenes in Christophers bedroom, so we're going to talk about Christophers bedroom as one big thing rather than the two separate scenes that it actually is. They are extensions of one another and build on so much of the groundwork we've already seen in previous seasons.
Chris in plaid check yellow and red check plays perfectly into check pattern theory - it’s a signifier that something is about to go down with him - namely that the fact he’s dating multiple girls at the same time. 
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He’s also wearing a white shirt which is not a colour we see on him all that often - in fact, the only times we’ve seen him in a completely white shirt is with his suit in 5x01 when suit shopping and again in 6x08 for his school dance. He did wear a white vest when dressed as wolverine for halloween  So as you can see its not a common colour for him, but the times have seen him wear it as a solid colour have been connected to school/girls and dating (i’m including the suit shopping in this because Ana was there and it was kind of a Eddie and Ana date of sorts - in that it was suppose to be for this Christening - meet the family - date type thing).
The most interesting thing is the plaid hooded shirt though. It was such an interesting choice to go with for a couple of reasons. the colour way is especially loud - we tend to see Chris wearing greens and blues and greys, with the odd other colour thrown in occasionally. So red and yellow are not common colours for him to be wearing.
On the red front we see him in it a couple of times - the adapted skateboarding scene and the scene in 4x10 when he joins Eddie and Ana on the sofa - getting in the way of their date night. We do also see him wear red in Christmas related episodes (so I don’t tend to count them in the same way as the Christmas colour theming will nearly always override any other colour theming intention - the use of stripes or check or other patterning is more important in those episodes!). 
On the yellow front things are even more clear cut - the Tsunami arc, the aftermath of him falling off the skateboard, Mays graduation party and 5x03’s Eddie Ana break up! These (apart from the tsunami shirt) were all bright almost neon yellow.
This new plaid shirt is more into the yellow ochre part of the yellow spectrum, therefore tying much more to the tsunami arc, which is actually really fitting if you think about it in a little more detail - its a connection, not only to Buck, but also to loss and grief. Eddie might have been using his secret weapon (Chris) to get Buck out of his moping (read mourning) over not being able to go back to work, but Christopher is also still grieving the loss of his mother at that point as well, so its not just about cheering Buck up, its also about giving Chris a chance to do something fun and distract him from his own grief. That is why the use of yellow then ties in so nicely with its use on Chris now.
The other thing that really grabbed my attention about this shirt though is the fact that the two times we’ve seen Buck have a conversation with Chris in his bedroom, he has sat in the same spot and has been wearing one of those two colours - post shooting in maroon and this episode in the yellow ochre - if you watch those two scenes side by side, you see that they’ve used almost identical camera angles as well to film Buck.
I've spoken a lot about the use of maroon as a colour connected to parenthood - especially fatherhood , which is how its intended to be read on Buck - connecting to Eddie and his being shot, pushing Buck into a parental role in Eddies absence.
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That alone is a pretty loud reference to Christophers connection and relationship to Buck, but then we have the yellow ochre of it all.
I feel a little bit insane about how close my prediction was on what the Buck Christopher scene was going to be about - this is from the meta I wrote when t he stills dropped;
Whatever this scene transpires being about, based on what we've seen with Buck wearing yellow ochre, we can assume its going to continue to play into this idea of Buck not being fully truthful with people and fitting into the role he thinks people want him to pay rather than being true to himself. I do want to add to this theory by looking at Christophers shirt as well. The grey/ yellow combination is a bit reminiscent of Breaking point (the episode that really is the gift that keeps on giving) because we get Chris in grey and Eddie in tan - that is yellowish toned whilst not actually being yellow There isn't a good screenshot of them together, but the placing of Chris and Buck in the new one has echoes of Eddie and Chris in that scene (one that is interestingly enough playing into the idea of changing family dynamics, but also the moment before and the one that happens afterwards at Bucks loft, directly placing Buck into a parental role (as an aside the idea of Buck being a miracle worker plays into the theme of Eddie looking for magic, just saying!))
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Indirectly this scene was about Buck not being true to himself with people and fitting into whatever role he thinks people want him to fit into, only this wasn't an active situation - this was a scene where Buck could draw on his experience of having done that in the past to help Christopher - the line from Eddie 'you didn't end up being like you' is such a call to this and actually shows how valuable Bucks own experiences and learnings are in helping Chris (we've all been joking about Eddie choosing Buck to help him with this Chris's issue, but in actual fact he was the perfect person for the job - not just because of his being a 'reformed player', but also because of his relationship with death and the death of a loved one where you are reliant on others for their memories of a person rather than having your own)
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The thing with the Yellow ochre (this meta here that i've already quoted from above is the place to go if you'd like more detail on its use on Buck more widely) isn't just its about it's connection to Buck, his place in Christopher's life and more loosely to the will of it all, (the fact that Buck and Eddie are both wearing the same colour ways as in the hospital bed will reveal scene and are both on the same sides of the screen in both scenes is a stroke of genius and is meant to connect these two scenes together) its also its connection to Shannon.
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The first time we meet Shannon, she sits on Christophers bed in more or less the same position as we see Buck and Eddie sit, and looks at where Christopher has been positioned in all these conversations, and she is wearing a burnt orange top thats pretty close to the dark yellow ochre we see Buck wearing. Shannon wears a lot of yellow - as in it there are only a couple of times we don't see her wearing something yellow or with yellow in it and those are key scenes (which I will talk about later on).
Shannons appearance in Christophers room to read the letter she wrote him had her in this black top with a floral patterning on it. She was also wearing green trousers (which can be seen in the still below but aren't actually seen during the scene.
I actually really loved the green trousers and black top as a choice because the top is very Shannon - it sits perfectly with the floral patterns we saw her wearing when she was still alive. The green trousers are a bit of a departure for her, but I think its very intentional for two reasons .
The first is that they are very much in the Eddie trousers wheelhouse, especially in combination with black - he wears green khaki trousers a lot. The inference being that the black and green combination is an echo of Eddie.
The second ties to Christopher. Green is also a colour we've seen on Christopher a lot, it's probably the colour we see him in most. It's being used as a reflection of the fact he is growing and transitioning from child to teenager. But having it here in this scene - on Shannon connects a Christopher growing up without his mom.
Both of these combined really connect into Shannon in this scene, tying the three of them together and on Eddies efforts to keep her alive for Christopher - the underlying implication that his growth into who he is so far is as much to do with Shannon as it is to do with Eddie.
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Her necklaces were not identical to the ones we saw her in in season 2, but that's most likely because they don't have them any longer, so they've replicated them as best as they can. The other little nod that I enjoyed is the brown bracelets on her right wrist - the same place Eddie wears his brown strapped Christopher watch!
But the top they have her in plays into a couple of other things - the prominent yellow flowers make an obvious connection to Buck from the previous scene, but they also tie into the 'I want a divorce' scene from 2x17 where she is wearing a dark blue dress with bright yellow ochre flowers all over it. the dress is not especially close to the top in the wider sense - blue dress with white squares v black top with florals in a variety of colours, but the yellow flowers are the prominent aspect of both items of clothing and play into the yellow theme connected to Shannon and then to Buck.
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This is espeically relevant when you remember that Eddie is in a black suit in that scene and he's wearing black when he gives the letter to Christopher.
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The black for this sequence of scenes is such a poignant choice - its Eddie mourning all over again, not for his loss, but for Christophers loss. I did find it telling that again in this scene, we have the absence of the Christopher watch. Eddie has very rarely not been wearing a watch in his scenes, so the times when we don't see him wearing one are very telling.
For me, in this sequence of scenes, it's about the fact that they are not about Eddies relationship with Christopher, but about Shannons relationship with Christopher. The watch is much more about Eddie and Christopher, so to have it absent from this story arc makes total sense and is symbolic of Eddie being a good father
Then we have Christophers grey shirt - I said when we first got the stills from that scene, how it was likely to be connected to complex family relationships - a la when we’ve seen Buck wearing his grey shirt. And what do you know - the scene was about complex family dynamics/ relationships.
It wasn’t perhaps in the manner I was expecting, but that series of scenes played with the full scope of Chris’s complex family relationships - from the relationship he has with Buck -not only as Christophers friend, but also as more or less Eddies co-parent (the way Eddie asked for Bucks help screamed co-parent rather than friend imo - that whole burnt out car scene was two co-parents discussing their child!) to the relationship he has with his dad - which is a pretty great relationship, but it is a complex one.
The relationship he has with his mom - or the fact he feels he doesn’t have a relationship with her despite Eddies best efforts, because as he grows up she feels further and further away. 
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Eddies 'date' night with Marisol. Again I ran out of pictures (30 is not enough!) so you're going to have to use your imagination or go back and rewatch the scene for yourselves, but trust me when I say that Eddie is wearing the same shirt he was wearing for this date night as he was in 4x10 - when Christopher interrupts because he can't sleep!
It's also a similar tee to the one Eddie wears when he has his breakdown and trashes his room (that one was more green when this one is much browner). Its slouchy and has cut and stretched raw edges at the sleeves and on the pocket - in the same way his breakdown shirt did. there is an element of being in familiar surroundings and being comfortable at home, but stretched out raw edges and Eddie generally tend to mean not so great things.
Of course there is the element of his parenting skills being tested by Christophers having more than one girlfriend, but if that where the only reason, then it would've made more sense to have him in that shirt when he's listening in to Chris talking to Buck, rather than when he's on a date with a new girlfriend.
This is especially true as the screen time for that tee has more connection with Marisol than it does with Chris. Combined with the fact that once again, like in the locker room scene, he is not wearing his Christopher watch in this scene and that speaks volumes.
If we are to read the scene as being about Christopher soley, he should be wearing his watch because that watch is a physical embodiment of the importance of Christopher in Eddies life - that he puts Christopher first in all things.
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Got to say I was a bit shocked to see Marisol in his bright magenta silk spaghetti strap top when you consider the costumes we saw her in last season - mostly dressed down, t-shirts, jumpers and dungarees so this is a complete 180 for her character.
There are a few interesting things connected to her outfit, firstly it low key ties into Natalia - we saw Natalia in a red version of this top for her first proper onscreen date with Buck (when they go to the badge and ladder joint) so there is an interesting low key parallel to draw there. There is also the fact that her bracelet is a chain one - much like we've seen on all of Buck and Eddies previous girlfriends - although those have been necklaces, so I'm undecided if this chain bracelet is paying into the same trope as those.
Then there is the pink of it all.
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You see Eddie and Pink on his girlfriends doesn't bode well for Marisol.
Both Shannon and Ana wore pink. Ana wore it a lot - there are two examples below, but generally speaking its her most commonly worn colour - including on her first date with Eddie in Jinx.
The first example below is from the first time we see her in the Diaz house. the shades are different, but the fact that the first time we see both characters in the Diaz house they're both wearing pink, speaks volumes.
The other key use of Pink is when Shannon is at the beach with Eddie and Christopher and she tells Eddie she's pregnant - Eddie takes it as the sign he has been looking for - the chance to effectively start over with their marriage, but this is the beginning of the end for their relationship, even if she hadn't died a short while later. She is wearing pale pink in that scene and it's the only time we see her wear the colour in the show.
The fact we can also contrast the use of pink with when Buck wears it is telling in its own right - we see the relationship between Buck and Eddie strengthening when Buck wears pink - May's graduation party, the tsunami, the Hildy coffee machine - all moments (big and small) that show the development of various aspects of their relationship and its ability to endure.
Essentially all this use of pink on the women he has had previous relationships with, doesn't bode well for Marisol and the longevity of her relationship with Eddie. How quickly it will end I can't say, just that it will end.
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I spoke earlier in this post about colour theming for the episode and this is where I talk about it!
Pink - and in particular the very bright pinks we saw scattered across the episode. Marisol above wearing it, isn't just about connecting her to Ana in costume terms (especially as at this point that costume is a departure of her costumes from s6) it also connects her to the other characters we see wearing bright pink in this episode - Lola and Norman.
At this point in time I'm not sure if we're going to see it play out as a theme across the season, but its use in this episode was very loud on characters that are going to be around for more than 1 episode. It suggests that there is some underlying theme that connects them (by this I don't mean that they're gonna meet and hang out I mean that personality traits are going to be similar)
Magenta and bright pink in colour theory means a few different things, and like with all colours, has positive and negative traits. Generally speaking its a loud and brash colour thats designed to stand out and draw attention to it's wearer.
Things that are considered positive traits for this shade of pink are; intensity, acceptance, kindness and it's supportive and uplifting nature. It's connected to naive love (as in lust rather than the passionate and enduring love of red) can also be considered a nurturing colour.
Negative traits are; intensity, volatility, arrogant and impatient, irritability and irritating and frustration. it is also said to be a stress inducing colour and is said to be overly emotional.
Theres a clear and fairly loud connection between Lola and Norman getting into danger - Lola is in magenta trousers when she is kidnaped. Norman also has bright magenta flowers on his shirt at this point as well. My guess at this point is that we're supposed to lean into the stress inducing element, and also the irritating nature of the colour (On Athenas part at the very least!) and we'll see if those are the themes that play out for Marisol as well down the line.
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Norman is in bright pink when he's lying and claiming she's unwell from being outside or too long. We also see that he is wearing pink in the ditsy print shirt later on (again I ran out of picture spaces!)
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Athena's black top in this scene is much like the use of Chimney in black in his scenes. It's all about power and authority but it's also about her hiding her vulnerabilities. The other thing it does is creates a huge contrast with Bobby and all of the other passengers - she is the only one in black in the scene and it contrasts her with the underlying white of Bobbys shirt - juxtaposing them and visually putting them at odd with one another.
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Like I said above about him becoming increasingly pale - here we see Bobby in a sea-foam green shirt - its the palest and washed out colour we've seen him in on this cruise (grey pyjama shirt not being included as its blink and you miss it and a pyjama tee!!!). Sea-foam green doesn't really play into the traditional meanings of green - there is still the element of renewal about it (the sea washes the sand etc)but its mostly a self-conscious and uncertain colour - both things that perfectly sum up how Bobby is feeling in this moment.
The other fun thing about this outfit is the palm tree shorts the patterns Bobby has worn in relation to this cruise, up to this point (and that includes the shirts from season 6) have all been tropical themed but on his shirts, the fact that they've now slipped down onto his shorts is a visual representation of him becoming increasingly dissatisfied with the way his honeymoon is going - that the tropical vacation vibes are slipping away.
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Athenas red and white shirt, in my opinion is showing her cross purposes - its the duality of investigating and being on a cruise in a shirt. The bright red ties into the red and blue first responder colour way the show uses (for obvious reasons) while the white and the palm fronds, the lei flowers and the watery theming of the pattern fit into the troipical cruise they're on.
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Bobbys red shirt contrasts with the lavender that we see on Athena - its not a colour we see on Bobby all that often and that makes its use all the more important. Especially considering the entire cruise thus far we've seen him in blues and greens - especially pale closer to pastel tones.
This red is bright snd bold and unlike his usual choices. Red is a colour of cross meaning - there is obviously the connection with love and the heart, which is absolutely at play her - his love for Athena is spurring him on and is part of what is pushing him in to investigator Bobby mode - and its representation of love is what is going to be the key player in the up coming episodes on the ship - when he is looking for Athena during the evacuation etc. But the other meaning of red is war, courage and anger and that is very much present here in this episode, and will (i'm assuming) be later on in 7x02 and 3.
The other thing I think its worth pointing out at this point (which is pure conjecture on my part at this moment in time but that I think will become relevant in the next two episodes rather than this one) is the foreshadowed parallel with Buck in season 5 when he broke down Eddies door. The bright red we saw him wearing then was an uncommon colour for him, in the same way it is for Bobby here. It's paralleling the way Buck was prepared to go into battle for Eddie, with the way Bobby is prepared to do so for Athena - going to war for your closest person, your loved one and doing what you need to do to save them.
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Putting Athena in lavender the moment she gets to go into cop mode was a choice that had me giggling! Lavender is a colour of relaxation and order so for her to start wearing it the moment she gets to start being a cop again - speaks volumes for her state of being - it shows that her fear of being on the cruise ship and of being alone with bobby, has been overridden by her need to do her job and start investigating things. Its the perfect colour for this moment and for the impeding trouble brewing on the ship - Athena will bring order to things as order has been restored to her inner world.
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Hopefully you've enjoyed this little canter through the costumes of 7x01 we're back in business and I can't wait to read your comments in the tags and comments 🥰
Tagging for those who've asked to be tagged - drop me a comment on this post if you'd like to be added to the list for the next meta 😎
@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @mandzuking17 @spotsandsocks @loveyou2thecore @wanderingwomanwondering @oneawkwardcookie @leothil @copyninjabuckley @nathleigh @shammers86 @crazyfangirlallert @missmagooglie @inandoutoffocus @katyobsesses @radiation-run @gayandbifiremenofmine @lemotmo @bi-moonlight @satvojihusana @crazyaboutotps @princesschez75 @mongreloer @alliaskisthepossibilityoflove @sherlocking-out-loud
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taylorxtiva · 1 month
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Why 2024 will be the year of Tiva:
In 11x01, Tony tells Ziva to “count to a million.” Now, of course we assume that he meant ‘count for one million seconds and I’ll be with you.’
But what if the ✨ universe ✨ was telling us that to count to a million, and that it would be an essential number for their love story?
1,000,000 minutes = 694 days
6 + 9 + 4 = 19
Which is the number of years since Tiva first met.
(Season 3 aired in 2005, and 2024-2005 = 19)
This year is also the shows 21st season.
2 + 1 = 3
You know what also makes 3? 1 + 1 + 0 + 1
And when did they first meet?! 👀 3x01!!!
But there’s more!
1,000,000 hours = 41666 days.
11 years = 4017.75 days.
If you remove the decimal point from the bottom number and subtract the top one from it, you get this:
401775 - 41666 = 360109
If we then add the individual digits of the answer together, we again, get the number 19!!!
3 + 6 + 0 + 1 + 0 + 9 = 19
Now, 11 is Tiva’s number.
Ziva left in season 11.
“Past, Present and Future” is the 236th episode overall.
2 + 3 + 6 = 11
And she left again in episode 11 of season 17.
“Jet Lag” (the first time Tiva are in Paris together, and is also an iconic Tiva ep) is episode 7x13
7 + 1 + 3 = 11
Tony is born in 1971. Ziva is born in 1982. There is an 11 year age gap between them. But also, if we add up the individual digits of their birth years, and then add both of those together:
1 + 9 + 7 + 1 = 18
1 + 9 + 8 + 2 = 20
20 + 18 = 38
And of course:
8 + 3 = 11
Which is also the number of years it’s been since we’ve seen Tony and Ziva on screen together.
2013 + 11 years = 2024.
And you know what also equals (20)24?
The equivalent of 11 years.
4 + 0 + 1 + 7 + 7 + 5 = 24
Now, if we go back to the beginning:
1,000,000 hours = 41666 days.
4 + 1 + 6 + 6 + 6 = 23
If we add 24 and 23 we get = 47.
“Kill Ari (Part 1)” is the 47th episode of NCIS, and the episode in which they first meet.
Add those two individual digits together and we get
4 + 7 = 11, which is Tiva’s number.
The episode also aired on 09/20. 9 + 2 = 11
Even further, if we add the digits of 2024, we get 8.
2 + 0 + 2 + 4 = 8
“Truth or Consequences” (which is possibly the most iconic Tiva episode where we all knew they loved each other) is 7x01.
7 + 1 = 8
Which also happens to be the number of years they were at NCIS together.
This episode also aired in 2009.
2 + 0 + 0 + 9 = 11
“Under Covers” is also episode 8 of season 3, which is where they first kiss each other (albeit undercover as Sophie and Jean-Paul).
8 + 3 = 11.
I’m just saying… the universe works in mysterious ways. ✨
UPDATE: I have not recovered from the announcement. I’m not sure I’ll ever recover. Of course, I wrote this post as a joke, because I thought there was absolutley no way it was going to happen. And what’s a bit of harmless clowning fun in the grand scheme of things?
Someone did make a comment though, saying that I give CBS too much credit. In fact, I give them zero credit in this. This is nothing to do with CBS.
This is all to do with Michael and Cote and them being the awesome Captains of the Tiva ship that they are. They are the ones responsible for this, not CBS.
CBS wouldn’t even dare entertain the possibility. I mean… they couldn’t even entertain the possibility while the two of them were on screen for 8 years, let alone anything else. The idea of having a whole spin off show dedicated to their most popular ship on their OG show? That would be utterly absurd!
But, I am perhaps the most excited I have ever been to see my babies back on screen together again, and to give us all the Tiva content we deserve. I might not trust writers because of all that we’ve been through, but I trust them. I trust Cote and Michael. They know what we want, and I have 100% faith that they’re going to deliver.
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911bts · 11 months
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So 9-1-1 isn't going to be affected by the writers strike, right?
No, it absolutely will be affected. There's a reason I've been sharing information on the strike and bringing up how things could happen differently with the strike.
This strike is affecting every aspect of TV. Especially shows like this that film and air on a timeline. Netflix shows you can put on the streamer whenever. Broadcast TV, you have some many shows with so many timeslots with so many weeks in the year.
So production doesn't properly start until a show is renewed. So 9-1-1 Season 7 should be in some level of script work for 7x01 and plotting what's going to happen in 7a within the next few months to prepare for filming in July. But that won't happen if the strike is still going. All the writers are on strike.
If it lasts until July or longer, they can't start filming. The delays in production could result in a delay in the start of the season or in a shortened season, depending on when the strike ends.
(For reference, the writer's strike of 2008 lasted a little over 3 months/around 100 days)
There's many other ways that this can affect this, too. A lot of actors and crew are striking in solidarity, so some smaller things that we might think about could pop up and be affected due to this.
I shared a video earlier that talked about why this is all happening. In the tags, I encouraged people to read up on what's happening. I'm just gonna repeat that. There's plenty of articles (some are simple and some are more complex. Vulture has a "WGA Strike for Dummies" article) that talk about it and explain why it's happening and how it will affect things.
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snarkylinda · 6 months
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Everyday I see Spencer Reid be put on the "lawful good/neutral" side I die a little. Like maybe they mean early season 1 Spence like yeah I can see it, but did you watch his scenes on 100/7x01??? He was literally throwing a tantrum on a court of law, he slams a door mid-conversation on his boss's face like 3 times, broke protocol wayyy more, and it's overall an angsty teenager trapped inside a 20/30 something because that is kind of what happens when you raise yourself, that little thing called emotional maturity gets a tiny bit fucked up.
He fluctuates between chaotic neutral and chaotic good depending of the situation (ie if say, his friends or children or mentally ill people or whatever vessel he chooses to project himself onto that week).
He just wants to be lawful good/neutral but it's too mentally unstable for any of it.
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teenwolf-theoriginals · 8 months
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riverdalefashionblog · 11 months
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Who: Camila Mendes as Veronica Lodge What: Jimmy Choo 100 Suede Pointy Toe Pumps in Yellow - Sold Out Where: 7x01 “Chapter One Hundred Eighteen: Don’t Worry Darling”
Worn with: Rebekka Sorensen Kjelstrup dress
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nympha-doras · 2 years
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aaron & emily: a taylor swift playlist
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a hotchniss playlist, telling the story of their lives using only taylor swift songs. inspired by the one i made for harry and nikki.
if a song has been connected to a specific episode/storyline, then they will be first in each section in a specific order. songs that relate to the section they’re in overall, are in album order at the end of each section.
i’ve added in songs that don’t particularly fit with hotchniss as a ship, but fit with a part of one of their lives that had a significant impact on them (like emily’s abortion, and her time undercover with doyle, and aaron’s divorce from haley).
there are a few bonus tracks from speak now deluxe that i’ve added, however with that version of the album not being available on uk spotify they’re currently missing from the playlist. they’ll be added when taylor releases speak now (taylor’s version).
i’ve used taylor’s version of songs where i can, and i’ll be back to update as soon as she releases the rest of her re-records.
below the cut you’ll find a brief timeline/some headcanons to make this make sense a little more, followed by an explanation for the positioning of each song.
enjoy 💜
playlist
    a few headcanons/a timeline to make some of these make sense:
pre show: aaron and emily had an affair while he worked for her mother and she was home from yale for the summer. it was the early days of aaron’s relationship with haley. haley wasn’t 100% in the relationship at this point, she wasn’t a fan of the career he’d chosen, she always had 1 foot out the door. emily took a real interest in him and encouraged him to go for his dream career, she cared and she listened. he felt guilty, but he doesn’t regret the summer they spent together. i’ve also slotted emily’s undercover time with doyle here seeing as this is when it happens
2x09 - 3x11: sparks are flying but aaron is married. they get to know each other again, it’s been so long since they last saw each other, they’re completely different people now
3x12 - 5x01: aaron is now divorced, they’re free to fall in love again. they’ve both been hurt by love in the past so they’re hesitant, they take it slow
5x02 - 6x13: they’re ready to be together, but with foyet after aaron’s family it’s not the right time
6x14 - 6x18: once again, just as they’re ready to be together someone is trying to kill one of them
6x19 - 7x01: emily has faked her death and is now living in paris
s7: emily is back, but she needs time to adjust before they jump into anything 
post s7: emily has left dc, the love they have for each other wasn’t enough to make her stay in a city she no longer felt comfortable in
s12: emily has returned, she still loves him and she hopes he still loves her, but they can’t explore anything because once again someone is trying to kill one of them and aaron and jack have to go into witsec
s13: aaron and jack are out of witsec, no one is trying to kill either of them, now is their chance to be together 
no particular placement: songs that fit into multiple sections, or cover their relationship as a whole
        pre-show
seven before they meet - taylor wrote this about a childhood friend who didn’t have a great home life growing up. aaron had an abusive father, emily doesn’t have the best relationship with her mother.
tied together with a smile written about a girl she knew with an eating disorder, someone who was hurting but didn’t tell anyone - emily’s abortion when she was 15
everything has changed their lives will never be the same now that they’ve met tim mcgraw taylor wrote this about a relationship she knew wouldn’t last, and she wanted to memorialise their time together love story forbidden relationship speak now emily overhears security at her mother’s place talking about aaron and haley’s wedding and dreams of a world where she and aaron could have made it wildest dreams they know this affair isn’t going to last, but they hope to remember each other fondly when it’s over wonderland they shouldn’t be having this affair but they’re “too in love to think straight” dancing with our hands tied their relationship is doomed to die because of outside pressure, but they hate the idea of losing each other and desperately want to hold on for as long as possible august forbidden relationship illicit affairs forbidden relationship
don’t blame me emily undercover as lauren, falling in love with doyle cowboy like me emily falling for doyle while undercover hoax narrates the struggles taylor endures in a toxic relationship. although she has been driven to the edge of hopelessness by her lover, taylor is unable to let go of her doomed relationship - emily being in love with doyle getaway car emily beginning to realise she needs to leave doyle all too well (10 minute version) the end of emily’s relationship with doyle
        s2e09 - s3e11 (emily’s first episode - aaron’s divorce)
enchanted 2x09 - they’re just as enchanted to meet each other for the second time as they were the first innocent 2x15 - aaron beginning to learn from his mistakes and become a better man because of those mistakes
invisible emily falling back in love with aaron, while he’s happily married to haley girl at home they’ve had an affair behind haley’s back once and they refuse to do it again, especially now aaron and haley are married and there’s a child involved gorgeous they’re both attracted to each other, but with aaron still being married to haley, there’s nothing they can do about it dress they’re best friends, but they want to be more cruel summer falling for each other while aaron is still married to haley i think he knows they’re starting to fall for each other. emily knows it’s a bad idea, they work together and he’s married, but she lets herself fall anyway. willow they weren’t expecting each other, but they want to take each other hands and jump into it together. gold rush emily falling in love with aaron, while he’s still married to haley ivy emily falling in love with aaron while he’s still married to haley
we are never ever getting back together haley divorces aaron
        s3e12 - s5e01 (aaron’s divorce - foyet’s attack, haley and jack going into witsec)
a perfectly good heart 4x17 - demonology disagreement tell me why 4x17 - demonology disagreement false god 4x17 - they’re still in love, despite disagreeing with how to handle the death of emily’s friend afterglow post 4x17 - aaron apologising to emily after demonology
fearless falling in love with each other after aaron’s divorce - the start of a new relationship, the fearlessness of falling in love mine they’ve both been hurt in past relationships, but falling in love with each other makes them believe in love again sparks fly they’re starting to fall for each other, sparks are starting to fly between them state of grace neither have had much luck with love in the past, they didn’t see each other coming, but they could have something good and right and real together. treacherous they’re starting to fall for each other. they both know it’s a bad idea - they work together, he’s recently divorced - but they let themselves fall anyway.
jump then fall they’ve fallen in love, they’re going to be there for each other no matter what
        s5e02 - s6e13 (foyet’s attack, haley and jack going into witsec - first mention of doyle)
soon you’ll get better 5x01 - emily looking after aaron after foyet’s attack forever winter post 5x09 - emily helps aaron heal after foyet’s attack and losing haley evermore post 5x09 - emily helps aaron heal after foyet’s attack and losing haley superman post 5x09 - emily waiting for aaron to be ready for her and for them after foyet and haley’s death stay beautiful they know they want to be together, but they also know that right now isn’t their time, and they hope it’ll come one day …ready for it? post 5x09 - emily has fallen for aaron but knows he isn’t ready for a serious relationship after everything that happened with foyet, but she’s in this for the long haul so she’s willing to wait to wait until he’s ready
        s6e14 - s6e18 (doyle comes after emily - emily fakes her death)
bad blood 6x16 - doyle threatens emily and her family mad woman end of 6x17/6x18 - emily goes after doyle on her own haunted (acoustic) 6x18 - aaron loses emily to doyle my tears ricochet 6x18 - emily faking her death
        s6e19 - s7e01 (emily fakes her death - emily returns after faking her death)
you all over me post 6x18 - aaron missing emily after they’ve faked her death red post 6x18 - they loved each other passionately, in burning red, losing each other was one of the hardest things they’ve had to go through. marjorie post 6x18 - the team mourning emily this love 7x01 - “this love is good, this love is bad, this love is alive back from the dead” doyle is dead, and emily is able to return. their love comes back from the dead.
look what you made me do emily has done a lot that has hurt both herself and those she loves because of doyle
        s7
come in with the rain 7x12 “i’m having a bad day” - aaron knows he can’t push emily, but he lets her know he’s there for her and to come to him when she needs to you belong with me 7x16 the triathlon - emily watching aaron with beth bye bye baby 7x24 - emily deciding she needs to leave, aaron’s love isn’t enough for her to stay last kiss 7x24 - emily deciding she needs to leave, aaron’s love isn’t enough for her to stay the lakes 7x24 - emily needs to escape and a part of her wants to ask aaron to go with her it’s time to go 7x24 - emily deciding she needs to leave, aaron’s love isn’t enough for her to stay miss americana & the heartbreak prince 7x24 - emily telling aaron she’s leaving exile 7x24 - emily telling aaron she’s leaving
teardrops on my guitar written about an unrequited love - emily’s pov while aaron is with beth a place in this world written about the uncertainty of the future - emily’s pov during s7, trying to fit back into her old life after faking her death call it want you want aaron helping emily heal after she returns from the dead mirrorball emily isn’t quite the same after returning from the dead, she’s fractured like a mirrorball, reflecting the person she used to be back to her family to make them think she’s okay this is me trying emily struggling after returning champagne problems aaron hoped they’d become something more once she returned, but she struggled too much after everything happened and couldn’t give him what he wanted happiness there was happiness because of each other, and there’ll be happiness when she leaves coney island a heavy feeling of loss and nostalgia for a past relationship where effort was not equal from both sides
        post s7
white horse aaron accepting that emily is leaving and they won’t get their chance to be together breathe aaron accepting that emily is leaving and they won’t get their chance to be together forever & always (piano version) aaron coming to terms with emily leaving just as he thought they were getting somewhere we were happy they were in love, they were happy, but they live separate lives now come back…be here emily leaving for london back to december their first interaction after she leaves if this was a movie hoping emily will come back. i almost do there’s so much they want to say to each other whenever they call each other, but they both know they can’t, that it would just make the separation harder holy ground their love didn’t last, but it was good and something they’ll both treasure the moment i knew the team’s first christmas without emily message in a bottle they try to keep in contact as much as possible, but being in different time zones and both having such demanding jobs makes it difficult the very first night they miss each other, they wish they could go back and be with each other again out of the woods reminiscing on their relationship all you had to do was stay they were on the verge of being something, all she had to do was stay i wish you would a part of emily wishes she had never left  clean the hidden message to clean is “she lost him, but she found herself, and somehow that was everything.” emily lost aaron but leaving, but it was essential to find herself again after what she went through with doyle death by a thousand cuts losing emily hurt aaron, “tryna find a part of me you didn't take up, gave you so much, but it wasn't enough, but i’ll be alright, it's just a thousand cuts”. dorothea emily’s off running the london interpol office, but she’ll always have a place back at the bau with her family right where you left me emily left, she moved to london and started a new life. but he’s still in virginia, still working at the bau. right where she left him.
’tis the damn season fits with either 9x14 or 11x19 - emily returns to help the team out with a case and reconnects with aaron
        s12
untouchable emily is back in the states and they’re ready to be together, but it can’t happen with scratch after aaron and jack, and them having to go into witness protection
        s13
that’s when reconnecting after aaron and jack come out of witsec begin again they’ve not had much luck with love - both with each other and with other people - but they’re finally in a place where they can watch it begin again cardigan reconnecting after aaron and jack come out of witsec
change things are finally changing for the better, they’re finally getting what they’ve always wanted, nothing else is in their way and they can finally be together run they’re finally getting their chance and they’re not going to let anyone or anything tear them apart again endgame they want to be each other’s endgame, they want to last. but neither have had much luck with delicate they’re ready to be together. they want it to last, but they’re scared it won’t, because their past experiences with relationships haven’t given them reason to believe it will. king of my heart they’re the ones each other has been waiting for, the one they want their happy endings with. new year’s day they want forever with each other, they don’t just want the midnight kiss, they want to still be there the next morning helping each other clean up after the party, and every morning after that the archer they’re ready to be together. they’re scared that their past experiences with love will mean this relationship will end the way all their others have. paper rings they want to spend their lives together, the shiny superficial things don’t matter as long as they have each other. cornelia street they wouldn’t survive losing each other again me! they’re irreplaceable to each other, they’ll never meet anyone like each other. it’s nice to have a friend the song follows two friends from childhood to their marriage. aaron and emily have known each other since their early 20s, and are now happily spending the rest of their life together daylight neither have had much luck in love, but they finally have each other invisible string their past relationships have paved the way for their relationship. their romantic pasts have taught them what love shouldn’t be. peace they’re ready to be together. they’re scared that their past experiences with love will mean this relationship will end the way all their others have.
        no particular placement
i’m only me when i’m with you they know each other better than they know themselves, they only show their true selves to each other. the best day jack’s pov, growing up with aaron and emily never grow up jack growing up with aaron and emily ours people are going to frown upon their relationship no matter when it happens - he’s her boss, and the fbi have rules about this kind of thing (thanks rossi) - but they’re in love and they don’t are what anyone else thinks style written about a relationship between 2 people who keep leaving and coming back to each other - they separate and are reunited 4 times before they get their chance to be together i did something bad emily flirting with the male unsubs to get what they need out of them so it goes… they know how they feel about each other, and they’re gonna keep fighting to be together no matter what gets in their way. parts of the song also relate to lauren/doyle. this is why we can’t have nice things the cases and unsubs always interrupting their free time the man people assuming that emily isn’t an agent because she’s a woman, having to flirt with the unsubs to get what they need out of them you need to calm down the unsubs need to calm the fuck down and give the team a break epiphany the songs describes someone hoping to find peace in their dreams despite living in a world of chaos and violence. no body no crime it’s a song about a murder, ofc i was always going to put it on here
you are in love they’re in love lover they’re in love
the 1 in another life they could have been the 1 for each other
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babysdrivers · 2 years
Note
hello there hi hello please can you tell me your favourite criminal minds episodes?
hello! sorry i didn't see this i was sleeping 💔
anyways my fave eps are (long list incoming):
the boogeyman (2x06)
sex birth death (2x11)
profiler profiled (2x12)
jones (2x18)
doubt (3x01)
seven seconds (3x05)
lucky (3x08)
mayhem (4x01)
masterpiece (4x08)
52 pickup (4x09)
omnivore (4x18)
a shade of grey (4x21)
amplification (4x24)
to hell... and back (4x25 + 4x26)
100 (5x09)
the uncanny valley (5x12)
risky business (5x13)
safe haven (6x05)
corazon (6x12)
coda (6x16)
it takes a village (7x01)
proof (7x02)
painless (7x04)
self fulfilling prophecy (7x09)
true genius (7x11)
unknown subject (7x12)
profiling 101 (7x22)
hit and run (7x23 + 7x24)
mr scratch (10x21)
entropy (11x11)
as u can tell my fave seasons are s4 + s7 and i don't really care for many eps after that (supernatural is the same its weird)
would love to know your faves too! am always open to talk about cm it's my fave
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okmcintyre · 2 years
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✨Optimism ©✨ on 'The 100'
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laufire · 1 year
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For what it's worth, given that we're talking about September 2023 - I'll gladly join you in a stacked rewatch for The 100. I've tried to rewatch in order and it's just impossible for me now, but I think the air date method is a really novel way to mix it up. Count me in! (In ten months, lol.)
I often find myself missing the ~energy of this fandom (read: exclusively that of my mutuals in my little dash <3), so if any of you joined me I'd love it! I do want to rewatch the show eventually, but like you, thinking of a regular rewatch... eh. But this way is a lot of fun and can lead to really interesting findings IMO.
(in particular, I think a rewatch of this show, knowing all I know in hindsight, it's going to make Clarke a more enjoyable protagonist for me LMAO)
The (tentative) idea would be start in October 22nd 2023 (in part so I have time after finishing stackediaries lol), with the second season's premiere. That way, we'd finish on September 30th (2024) with the proper series finale. I'm c&p how the schedule would look under the cut:
October
22 – 2x01
29 – 2x02
November
5 – 2x03
12 – 2x04
19 – 2x05
December
3 – 2x06
10 – 2x07
17 – 2x08
January
21 – 2x09 + 3x01
28 – 2x10 + 3x02
February
1 – 4x01
4 – 2x11 + 3x03
8 – 4x02
11 – 2x12 + 3x04
15 – 4x03
18 – 2x13 + 3x05
22 – 4x04
25 – 2x14 + 3x06
March
1 – 4x05
3 – 3x07
4 – 2x15
10 – 3x08
11 – 2x16
15 – 4x06
19 – 1x01
22 – 4x07
26 – 1x02
29 – 4x08
31 – 3x09
April
2 – 1x03
7 – 3x10
9 – 1x04
14 – 3x11
16 – 1x05
21 – 3x12
23 – 1x06
24 – 5x01
26 – 4x09
28 – 3x13
30 – 1x07 + 6x01
May
1 – 5x02
3 – 4x10
5 – 3x14
7 – 1x08 + 6x02
8 – 5x03
10 – 4x11
12 – 3x15
14 – 1x09 + 6x03
15 – 5x04
17 – 4x12
19 – 3x16
20 – 7x01
21 – 1x10 + 6x04
22 – 5x05
24 – 4x13
27 – 7x02
28 – 1x11 + 6x05
June
3 – 7x03
4 – 1x12
5 – 5x06
10 – 7x04
11 – 1x13 + 6x06
17 – 7x05
18 – 6x07
19 – 5x07
24 – 7x06
25 – 6x08
26 – 5x08
July
1 – 7x07
8 – 7x08
9 – 6x09
10 – 5x09
15 – 7x09
16 – 6x10
17 – 5x10
23 – 6x11
24 – 5x11
30 – 6x12
31 – 5x12
August
5 – 7x10
6 – 6x13
7 – 5x13
12 – 7x11
19 – 7x12
September
9 – 7x13
16 – 7x14
23 – 7x15
30 – 7x16
24 notes · View notes
themarinaalexis · 2 years
Note
Ver unpopular opinion, Hanna should of died in 7x01 and become the new flashback girl. It would of raised the steaks and added more intensity on finding out who was AD.
100% AGREE!! The stakes were so incredibly low by the last few seasons. I did not care when we saw Hanna's "lifeless body" at the end of 6x20 because I knew she would be fine. I did not care when any of the girls were in danger in season 7 because I knew they would all live. I did not care when they tried to make it seem like the girls would go to prison for Rollins' murder because I knew everyone would get their happily-ever-afters. Nothing against Hanna (although I kind of hated her in most of the time jump), but killing off a main Liar like that would have been insane, and would have totally changed how everyone viewed the show in the last season.
3 notes · View notes