if there’s one thing succession is gonna do is serve up an absolutely insane set of performances the sheer amount of talent on that cast is incomprehensible to me
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I know content creator is a term usually used for like YouTubers, but it kind of feels like Fan writers/Fan artists put themselves in the same mindset. Not in a "they're grinding for money", and not just in the "they're constantly seeking engagement and the numbers game" but in a "I have an audience I must appease."
Sometimes I really miss the days fanfic was more hated and the culture less open, because it felt there was less worry about sensibility and being 'accepted.' It didn't matter what you wrote, they'd treat it just as bad. You risked a website banning you for what you wrote, but you didn't fear Twitter. Sometimes forum drama happened, but...it's not the same.
I wish I could say I was immune. I can create content without fear of the audience. I do fear it. It loses the face of a few people behind screens joining you for a brief moment and becomes the all consuming force.
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okay in fleabag the fourth wall breaks are a metaphor for dissociation yes i will agree with that but i don’t see people talk about how it’s also her performing for an audience - she is using this imagined audience in order to feel seen and heard in a way she isn’t in her real life, a way for her to validate herself through the lens of others and when hot priest calls her out on it it’s because he is actually!!! seeing her!! and when they’re having sex it’s the first time she pushes that audience away and refuses to perform she is present in that real life moment and being seen etc by hot priest. i’d argue that the dissociation goes hand in hand with that performance like she dissociates in order to perform for an imagined audience and also i think that other interpretation of the fourth wall breaks are valid i don’t think there’s one complete and total explanation/answer as to what they mean. much like in real life our coping mechanisms are often used in response to a multitude of situations/traumas and can represent multiple things about our psyche !! anyway just wanted to share my thoughts
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new money, and it's all cash
explicit, 2.6k, nico/lewis, lewis/ofc.
voyeurism, exhibitionism, 2013 brocedes being rancid, comphet, internalized homophobia
The only time Lewis fucks women is when Nico is watching.
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givin me afycso nostalgia can b so dangerous i once cried 4 an hour straight with time 2 dance live in denver video on loop cuz i cudn deal w the fact ill never b able 2 see the beauty of their burlesque/clown/cabaret dancer lives AN it was all so theatrical too like they don make concerts like dat anymore.
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two things: genji issuing commands with ominous undertones to kanon yet again. more curiously though is the way that kanon speaks the line - there's a kind of desperate over the top panicked quality to it which is like. off considering that kanon's whole thing is being more emotionally muted.
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I definitely will not get back into kpop ever but occasionally I'll go through a youtube binge of my old faves. I only ever liked female artists but the thing was you'd get attached to a girl group or a female vocalist and like a year later it would be like "no she's too old now. time to abandon her and introduce a new group of 15 year olds" . they continually wasted so much incredible talent by viewing the artists as well as talent itself as a replaceable commodity imo (i'm not saying this doesnt happen in western pop too but perhaps not so brazenly)
anyway a lot of it is bad lol but these are some of the things that I've revisited that still actually go so hard:
4minute crazy- excuse me?? this was such a slay. also hate. the tonal plot twist in this track: unparalleled. hyuna was iconic but also jiyoon !!! i agree w the comments of this yt video this would absolutely be a massive hit if it was released today
ladies code. this is just legitimately good pop music. a very sad story behind them as well and they were very undervalued as I recall. but this. galaxy was spectacular. both of the last two EPs tbh. that vocalist's voice does things to me
f(x) 4walls. should have been an international dance hit tbh
wonder girls obviously. even as far back as irony which is so charming in a retro way but I love that they eventually were playing their own instruments/having more of a hand in their own music. specifically i want to point out that park ye-eun from wonder girls was legitimately SUCH a talented musician imo (as a singer and a composer) and so much of her solo stuff as ha:tfelt was incredible. I was very glad to hear that she (and the others i think) left their agency bc they were so mistreated rip
yezi cider.... god she was so talented and i was so in love with her. my underrated fave... at one point i watched a whole reality show about korean female rappers for her lol (which was. a lot. but she should have won)
suzy yes no maybe again this was just really good pop.
dalshabet someone like u this is the corniest thing i'll put on this list but mostly it's just a super interesting case to me. iirc it was fairly popular with international audiences but kind of a flop in korea. which is fascinating to think about in terms of the cultural differences in what music appeals to us. like as a cheesy pop song it is just so catchy to me lol and I can't understand how it could not be but there u go
in capable/caring hands so many of these women could have done INCREDIBLE things imo. like it's undeniable that there is very real talent in kpop, I think the aggressively commercial aspect just limits the artists criminally and it's a shame. which ig is true to some extent about any pop music.
anyway i've put two of my kpop playlists that were popular on 8tracks on spotify: here and here
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just watched raúl in the great performances show (twice) and um. i literally screamed into my pillow i'm not even joking
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