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#the bad people have a cruel backstory in their life
nomazee · 1 month
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keep my blankets warm and my name in your mouth
after a night of soaring through belobog's liquor, you finally face the consequences of it on the floor of your hotel room. thankfully, dan heng has experience with taking care of idiots (i.e. you)
dan heng x gn reader — drunkenness, sweet and sappy and sarcastic, dan heng is probably ooc, reader is trailblazer but this is set vaguely in canon & lore doesn't matter, stupid people who love each other but never say it, are they dating or are they toeing the line of cohabitation in the middle of a hotel room?
sequel here
notes: oh gawsh hey guys... yeah yeah it's been forever since i posted but i giggled at all the requests i miss and then instead of doing those i wrote this, but TRUST i am getting back to all of you in a timely manner i love you all thank you so much for sticking with me, i'm coming out with a follower event once i hit 1k (soon) so be excited! love you guys and enjoy
—°+..。*゚。*゚+.*.。.—
Dan Heng is an awful caretaker, really, and you should’ve known this because of his deadpan and often awkward nature. It just never really occurred to you until he’s truly saddled with taking care of a living, breathing thing—i.e., you, drunk and vomiting into a trash can after a spree through Belobog’s bars. 
In your defense, having no memories means having no experiences to your name (other than everything you’ve been through on the Express so far, which is maybe more near-death experiences than you’d like to have), and you heard that being drunk was just something everybody experiences at least once. 
Then, Pela texted you that one time asking for quick tips to sober up, and it dawned on you that you don't even know what that feels like, and then—who cares, really, you don’t have half a mind to think of your tragic pre-drunk backstory when you’re trying not to die of embarrassment as Dan Heng maneuvers you in a way that won’t get vomit on your clothes. 
The cold tiles of the Goethe Hotel en suite bathroom aren’t enough to bring you to full awareness, so you let Dan Heng ragdoll you into kneeling over the trash can and pull any dangling accessories away from your, um, line of fire. 
“Why would you guys let me do this?!” you wail in disbelief, trying to hold back a mouthful of bile but ultimately failing as you cough into the bin again. You’re truly betrayed at the thought that your closest friends wouldn’t warn you of things like alcohol poisoning, and pacing yourself, and how many drinks is too many drinks. 
“I didn't let you do anything,” your friend retorts, because he’s evil and mean and awful at comforting you, “I told you it would be a bad idea. You’re the one that still went out.” 
“Did I puke in front of everyone?” 
Dan Heng pauses, which is always a bad sign. It means he’s thinking, really thinking about what to say. “At the very least, you puked in the snow and not inside the restaurant.” 
A desperate wailing noise escapes you yet again. Life is cruel, and Dan Heng is crueler. He should’ve told a sweet little white lie and you would’ve been none the wiser and a lot less mortified. “Himeko laughed so hard when we found you that Welt had to make her leave.” 
“Just kill me,” you whisper into the trash can, full of your hopes and dreams and the remnants of your dinner and drinks. “I can’t go back to the Express. Execute me and give me a gentle death.” 
“No need to be dramatic,” he says, annunciating his words in that odd little way he does, and it makes you want to kiss him and read a dictionary to you, cover to cover. “You need to drink water, and then brush your teeth. I don’t trust you showering right now so you have to wait until the morning.” 
“Oh, Dan Heng,” you keen, with the grief of a spouse watching their partner go off to war, “you don’t even want to wash my hair for me?! You just think I’m— I’m a drunken slob!” 
“Be quiet,” he commands through his teeth, embarrassment warming him up—you can feel it, the way the tips of his fingers go a little bit warm from where they rest on your shoulder and the side of your face. “You— I don’t think that. You need to brush your teeth.” 
You definitely are not brushing your teeth tonight. You tell Dan Heng as much but he just rolls his eyes and compromises with a travel-sized bottle of mouthwash that he pulls from the cabinet under the sink. He’s so prepared. Or maybe that’s just the hotel staff. Regardless. 
You rinse your mouth out once you’re fine enough to let Dan Heng pull you up to your feet and rest you against the counter of the sink. He has to remind you multiple times to not swallow the mouthwash, and you bat at him childishly for thinking you’d ever do such a thing—except, you definitely would have drinken down an entire mouthful if he didn't say anything. You can’t bear to look at your reflection in the mirror. You just pray to whatever Aeon is listening that there’s no awful stains on your clothes, and that you don’t smell so terrible that Dan Heng goes running the minute he lets go of your arm. 
“Where’s March?” you whine out as he leads you from the bathroom to the main hotel room, trying to gently set you down on your bed but giving up once you immediately fall into it like an ungraceful rock. “She would be so much nicer. You’re mean. Do I smell bad?” 
“I’m not mean,” he tells you, sure of himself and the twist of his mouth as he avoids looking you right in the eyes. “You don’t smell. You need to go to bed. And lay on your side.” Petulantly, and not without some kicks of your legs and flails of your arms, you find yourself situated under the sheets of the hotel bed, sock somehow off your feet now as Dan Heng pulls the blankets right up to your shoulders. 
“I’m on my side now. Do I get a reward?”
“Why would you need a reward?” 
A disgruntled tsk escapes you and you look up at Dan Heng with an exasperated expression. It’s pitiful enough to guilt him into kneeling down beside your bed so that he’s at eye level with you. “Because I went through so much tonight,” you slur out, words starting to mix with each other as a result of your remaining drunkenness and the exhaustion of the night hitting you. “I’ll take a, um— a gold star, or something.” 
“I can give you a cup of water in the morning.” 
Another dreadful wail escapes you. You’ve never faced evil more potent than Dan Heng, and by the stupid twinge of a smile on his face, he knows what he’s doing. You hate how endearing he is, and how he dangles little treasures like this in front of you. You’re brought back to the heat of his fingers from earlier, the gentle touches he left on your shoulders as he let you puke your guts out without even flinching. As much as you joke, you know Dan Heng’s kindness comes from a lack of evil. Comes from a supporting weight against your arms, comes from travel-size mouthwash, comes from staying in your hotel room until you fall asleep and double-checking that you’re on your side. 
In the morning, you’ll take the cup of water, and you’ll take him out for breakfast, too.
—°+..。*゚。*゚+.*.。.—
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thranduel · 8 months
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i need people to actually stop and think logically when it comes to fictional characters. more specifically, when it comes to astarion.
it’s frustrating when people only talk about him in a sexual way and reduce him to “the hot sexy flirty vampire” or “the bear guy” (he was used as an EXAMPLE in a livestream, it’s not even canon in his lore) and view him as someone who “loves flirting and sleeping with people” when he does NOT. he canonically has sexual trauma, was forced to use his body to seduce people, got punished whenever he didn’t listen and is STILL suffering from ptsd after years of abuse and torture (already kinda spoke about this here).
it’s also frustrating when people hate on him and reduce him to “horrible evil heartless cruel annoying bastard” and act like you’re a shitty person if you like his character and must automatically agree with everything he’s done when you absolutely don’t?? he’s a FICTIONAL CHARACTER IN A FANTASY GAME, you can enjoy the complexity of his character and appreciate his character development while also acknowledging his flaws and not approve of every single thing he has ever done.
but before i continue, everyone should watch this scene. many people haven’t seen it because you have to pick very specific dialogue choices when astarion’s siblings approach you at camp. it’s brutal and heartbreaking but this is where he talks about what cazador did to him when he punished him for not listening to his orders. and yes, it’s bad. like really bad. this is just the first part, but the rest of it is more intense and it’s in the video:
“once - in the first decade of my slavery - i found a darling boy who i couldn’t bare to bring back to him. so i ran, instead of hurting that sweet man. after cazador caught me, the bastard sealed me, starving, inside a dusty tomb, all on my own, for an entire year”.
i wish people could actually just try to understand him and his backstory before reducing him to something he’s not. he’s not this one-dimensional “chaotic evil villain”. he’s not this “flirty sexy vampire red flag bad boy” he is SO much more than that. he is so complex and well-written and it’s so weird how people ignore it.
instead of constantly focusing on how he acts at the beginning of the game and saying “astarion is so mean and cruel what a horrible guy who doesn’t care about anyone but himself”, why can’t we talk about how he was forced into doing so many horrible things that he never wanted to do and how his master punished him every time he didn’t follow orders to the point where it utterly broke and destroyed him? he lost his freedom and bodily autonomy. he was forced to sleep with people and then lure them to tragic fates. imagine how sick, disgusted, guilty and horrible he felt all at once. it made him numb, empty, angry and scared even when he was far away from cazador, because that type of pain and trauma never leaves you. he was surrounded by cruelty for so many years that he responded with cruelty in many situations. he hated when people tried to be the hero or make false promises to save someone because no one ever saved him. no one even tried. he had no one and nothing. he was used to constant disappointment and loneliness. he was treated like an object rather than a person. of course he’s going to be bitter because of that. how can you seriously expect someone who only knew a world of cruelty to see sunshine and rainbows and be the sweetest person you’ve ever met? he’s upset, he’s angry, he’s hurt, he’s bitter. does that make every action of his okay? is it an excuse? absolutely not. and no one said that it is. his own life was being destroyed and he also destroyed others at the same time. it’s horrible. but everything cazador did to him explains why he became like that.
but the moment you actually start to treat him like a person, you can immediately see things start to change. that is literally the only thing he ever wanted. that’s why the scene you get after the drow interaction at moonrise is one of my absolute favourites. i know there’s a different version of that scene (if you don’t talk to the drow) where he instead admits he had a plan to seduce you but then fell for you, but the reason i prefer the drow one is because it feels really meaningful and important for his character in regards to consent and treating him like a person. like it’s just such an important conversation to have with him. obviously the other version is still really sweet when you think about the romantic aspect of your relationship and it’s nice to hear that he’s fallen in love and tells you that you deserve something real, because he’s never had those sort of feelings for anyone. it’s really beautiful. but i love how the drow version of the scene could actually work for both platonic and romantic relationships with him if that makes sense? it’s important to him because you made the decision to actually treat him like a person, defend him and allow him to make his OWN decisions (something he never had with cazador). he appreciated it so much that he decided to come up to you in the middle of the night and thank you, and then he felt comfortable enough to be vulnerable and open up to you.
at the start of act 3, you already start to see how much he’s changed. if you give an orphan child some food, he approves. when you first met him, he wouldn’t have. he probably would’ve felt bitter; angry to see someone stop for someone else when no one ever did for him. but because you showed him basic respect and kindness, he started to realise that there is good in this world and people do care. it’s not just evil and coldness and cruelty. he only believed there was because of how long he suffered with cazador. there is literally a scene where he tells you that no one has ever cared about him or been kind to him and that no one else has a heart like you. he starts to find safety and comfort in you. this is why it’s so beautiful to see how much he grows and changes and it also shows that he genuinely loves and cares for you too because he’s trying. he’s really trying. you are able to convince him that he can be better than cazador and he believes you after everything you’ve done to help him. it’s going to take a very long time for him to heal after everything he’s suffered, but the fact he has already started to try and be a better person is such a massive thing. obviously it doesn’t erase what he’s done in the past and it doesn’t automatically “fix” him, but the fact that he’s trying and he wants to be better tells you more than enough about him. i am so proud of his character development and growth and i really hope people start to understand him and appreciate him more.
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sopuu · 2 months
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Imma be real for a second and say I love the way Jesse has scars on your art??? Love it when someone gives a character who's been through a lot of physical (and mental) trauma some kind of scar. It just emphasizes to me that they went through that. And the effects of that stay with them.
Sorry I'm rambling
Tldr mmm scar art prettyyyy
exactly!! jesse’s gone through so much that i’d be surprised if he didn’t have any scars. and i like to think he’s confident enough to show them off not as injuries to his body but as a part of who he is, like a collection of experiences and battles he’s overcome. hence why i have his sleeves rolled up most of the time (and also rolled sleeves…so gender…)
he’s got a bunch of other scars i never get to show off so here’s some scar headcanons as a treat! i wanted to give each major one a backstory so it’s not just there for aesthetics. the others are normal battle scars tho
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ramblings about the f-bomb scar and the face scar under the cut bc there’s a lot oops. ty for the ask!
can we talk about the damage the f-bomb did to him in game. or the lack of damage even. because there’s no way this man got out of a close explosion from the strongest bomb with ONLY ringing ears for a few seconds?? not that im complaining i’m glad he’s okay bfjkfh
either the order’s armour is made of impressively strong cloth and metal or minecraft block people are very tolerant to damage. although the logical explanation would probably be the damage can’t be shown realistically within the limitations of a minecraft game (not just on the pg side of things but also they are. made of a few pixels) idk it’s something interesting to think about lore/game development wise
if it weren’t for canon depictions i’d probably have the scar cover half of his body,, but i like keeping designs close to canon depictions so a big shoulder scar it is! i had it cover more of his back since he turns when being fished down to try and shield himself
as for the face scar! i’ve debated for a long time whether to have that as the origin bc i thought it was too cruel but it stayed in the end- it’s probably the hardest one he’s had to overcome despite it being the smallest major scar. every time he looks in the mirror he’s reminded of how he failed reuben. how can it be that he only gets a small scrape while his best friend loses his life? all because of jesse’s mistakes?
some OLD art incoming so shield your eyes but these are a few doodles exploring that! i was also testing the f-bomb scar on the face for funsies
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eventually though, as he learns to accept his many scars he comes to see this one as a mark of the turning point of his life, both the good and the bad, and how much reuben and jesse meant to each other that they faced the world’s end together, knowing full well of the consequences. in a sense he carries reuben’s memory through that scar :]
anyways this is so long i’ll shut up now LOL
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vaxieth · 7 months
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because something really did ask, have a much too long post about my thoughts on laudna’s individual dynamics with the rest of bells hells.
under the cut because it’s almost 3000 words.
laudna/imogen
i struggle to find something to say about imogen and laudna that hasn’t already been said a million times before. the core concept—the thesis—of their arcs, together and separately, is choice. so much of their backstories are defined by helplessness. laudna was chosen and killed because she happened to look like someone else, she was resurrected because she happened to be there. imogen’s mother left, she was burdened with powers she didn’t understand and meant constant pain and isolation. so, they make sure to constantly emphasize that the other person has a choice in everything. imogen tells laudna she only has to come back if she wants to, even though it would have devastated her to lose laudna forever. laudna tells imogen that the gods can’t control her, that no matter what her “destiny” is, if she wants, they can leave and live in a little cottage and raise horses together. the way they love each other unconditionally is all the more incredible given how cruel the world was to them for so long. laudna’s “you make me better” is true for both of them. they give each other a place to be vulnerable and feel all their messiest, worst feelings because they know the other one won’t judge them. they’ll support each other no matter the choices they make.
something i’ve mentioned quite a few times but never gone in depth about is that imogen and laudna do have a fairly significant age difference, and i do think that affects their dynamic. on the one hand, they both have a bit of arrested development—imogen due to her isolation from the rest of gelvaan from 18-26, laudna because she died at 20. on the other, laudna has so much more life experience than imogen. she spent almost 30 years traveling and interacting with the world even if was mostly people trying to kill her, maybe even because of that. the “laudna is imogen’s aunt/mother/older sister” takes were obviously ridiculous, but laudna does canonically look at imogen and see someone young who she wants to protect in a way she never was. she said as much to fcg after the gnarlrock fight. laudna acts as imogen’s rock, her tether if you will, a lot of the time, and part of the reason she can counterbalance imogen’s anxiety is because of the experience that comes with age. for example, during their conversation in episode 49, laudna is able to stay more “rational” and level-headed even when imogen is scared and overwhelmed. 
one of my other favorite things about them, specifically from laudna’s point of view, is that with a few exceptions (the gnarlrock fight, her jealousy of frida), she doesn’t seem insecure about their relationship. again, during episode 49, laudna mentions that she knows they haven’t talked in a while, but she didn’t worry because they “transcend words.” she didn’t need outside assurance from imogen because she felt confident in their love for each other. something i love about that episode 39-49 period is that they didn’t interact a lot, but when they did, they slipped right about in the same kind of intimacy they’d always had—imogen holding launda’s hand when they went into her dream together, laudna’s protectiveness of imogen after she interacted with ludinus. but anyway—that confidence is why i believe the transition from friends to lovers was so easy for laudna. laudna’s unsure of herself, of delilah and what she might do, but she’s absolutely not unsure of the love between her and imogen. that’s why as soon as imogen tells her she’s not a bad person, that she wants to be with laudna in that way, she lets herself embrace it entirely.
in conclusion: they invented romance, they’re the best canon pairing critical role has ever had and one of the best dynamics in general, etc., etc.
laudna/orym
oh my god, WHERE to begin? i feel like my take on their dynamic is slightly controversial. at the very least, i get more push back from people when i post about it than anything else, so let me start with this: orym cares deeply about laudna, i will never dispute that. however, orym is uncomfortable with laudna and has been since the very beginning of the campaign. she’s his friend and he recognizes her beautiful heart and resilient spirit, but he’s uncomfortable with her appearance and her messages in his head, with her macabre humor and her deadness. he can’t reconcile that laudna his friend and laudna the dead woman can’t be separated. laudna’s deadness is a part of her, one laudna embraces. orym, for better or worse, is “normal.” he grew up with a loving family and he had a husband and a career. will and derrig’s deaths were an unbelievable tragedy but one that never challenged his place within the status quo. (sidenote: i’ve always wondered if part of orym’s discomfort with laudna come from the fact that her proximity to death is a reminder of the resurrections will and derrig never got.) he sees himself as a follower, someone that doesn’t stand out, then there’s laudna, who does nothing but stand out. 
something i find fascinating is that orym is the first person to find out laudna’s backstory, and it affects him so much he can’t sleep that night and takes a point of exhaustion. he even explicitly recognizes the dehumanization she’s gone through and how laudna’s relationship with puppets like pate and sashimi mirror that. yet, he still never apologizes for trying to disguise her appearance, something without even asking. yes, i get it’s tactical and for “safety” (though that argument falls a bit flat for me when there’s also a glowing rock person and a fully conscious automaton in the group, but whatever), but it still hurts laudna. even beyond that, orym always qualifies his friendship with laudna to other person, making some mention of how she’s dead-looking and isn’t that crazy, wow, almost as if he wants some validation that it—laudna—is weird (one he, interestingly, rarely ever gets, given how enraptured most of the other pcs, including guests, and even some npcs, are with her). he does this even in situations he absolutely doesn’t need to like, for example, when maeve says laudna “looks cooler than i thought.” all this just sucks. it’s not that the love isn’t there, it is. it just isn’t unconditional, and laudna deserves better than that.
finally: the delilah in the room. no, it isn’t orym’s “fault” delilah is back. yes, he was also having an extremely bad time during the bor’dor fight and it wasn’t his “responsibility” to save laudna from herself, but laudna is orym’s friend. he listened to laudna tell him the trauma delilah put her through, he fought through hell to save laudna from her, and still nodded because part of him thought maybe delilah could help him and that was selfish. the fight against ludinus is important to of the bells, but for orym, it’s personal. it’s been his mission for six years. meanwhile, laudna is the one with the least enthusiasm about this. she has no connection to the gods. in fact, she actively thinks they dislike her, but he’s willing to sacrifice not just his safety, but the safety of her and all his friends for a cause they never set out to fight for.
in conclusion: i want to put them in a salad mixer together and watch them go around and around and around and around and around, then let them out to scream at each other a little.
laudna/ashton
if i had to explain laudna and ashton’s dynamic in one word, it would be “projection.” i adore their relationship, it’s one of my top 5 c3 dynamics, but oh my god, so much projection, and it’s so interesting because of that. ashton thinks he understands laudna, but in reality, he doesn’t at all. i’m an absolute sucker for characters that look very different on the surface but in reality are much more similar than they know, and ashton and laudna are that to a tee. they are very much narrative parallels especially regarding their feelings of “brokenness” and how their traumas are physical, visual parts of themselves, but the ways they diverge are almost more interesting.
certain people have said that her conversations with ashton are the only time laudna is “honest” or that, at the very least, she’s more honest with him than she is with anyone else, and i couldn’t disagree more. laudna can be a joyful, optimistic person and deeply traumatized with a core anger she hasn’t truly processed. laudna is a high-charisma character, and in my opinion, part of how that manifests is her ability to adapt her demeanor to the person she’s talking to. she speaks gently to imogen the same way she matches chetney’s hyperactive energy when they go sky-sailing. of course when she’s with ashton, who makes no effort to hide his anger and bitterness and doesn’t want her to be soft, she isn’t. none of these laudnas are more “real” than the others, they’re all laudna. what those people, and ironically, ashton themself, don’t get, or won’t let himself get, is that all those things can be true at once.
with ashton specifically, i don’t think they want to believe that because then they’d have to admit that growth and healing is a real possibility because anger is so much easier to deal with. people talk most about orym’s choices during the bor’dor fight most, but i’m fascinated by ashton’s as well. i wouldn’t be surprised if there was a part, no matter how small, that wanted laudna to break, to prove to himself that he was right and laudna was just as broken and fucked-up as them. so, laudna killing bor’dor was almost vindication, evidenced by their “what have i done?” “nothing i haven’t done.” exchange afterwards.
i don’t want this to sound like ashton doesn’t care about launda, they do. ashton cares about her so much, and besides imogen and fearne, is the most unabashedly into laudna’s aesthetic. i love how much they love all the weird shit she does. i love how protective ashton is of laudna, especially during battles and their willingness to go above and beyond for her—he carried laudna when she was dead despite his chronic pain without complaining once and were willing to make a deal with hexum after going through an entire museum heist to repay their debt. i love the moments when ashton sees how much laudna is struggling and tells her, as gently as he can, to take a moment and do what she can to ground herself. i love that when laudna way too dramatically assumes they kidnapped imogen, their response is “that’s very fair.” it’s all wonderful, and i love them.
in conclusion: I LOVE THEM SO MUCH AND I WANT TO LOCK THEM IN A ROOM AND FORCE THEM TO TALK ABOUT THEIR FEELINGS FOR HOURS.
laudna/fcg
laudna and fcg have been getting more attention in the past few days for obvious reasons and that has me rubbing my hands together maniacally because even though they have very little actual interaction, the subtext is delicious. 
besides ashton, fcg might be the character laudna parallels the most, especially their struggle with their humanity (if they’re even human at all), which isn’t helped by the constant dehumanization they face from outsiders, including the almost continuous comments they get when they meet someone new. people look at launda and see a horror while they look at fcg and see a novelty (he’s a robot with personality??), and those both suck. i think, for fcg, laudna is an uncomfortable reflection of himself because everything they’re afraid is true about themself is true about laudna. finding out they had a soul was such an important moment for his character (also remember his early campaign habit of calling other people “soul-touched folks”). as a hollow one, who knows if laudna even has a soul. if i’m honest, fcg seems to think less of laudna than the rest of the party (see: him calling her a “former person,” his speech before casting turn undead including, “no offense to laudna but can you please shine your light and wipe these evil, dead souls off the face of this flat planet?”) and that’s probably why. they have such strict ideas about “good,” which has become “godly,” and “wrong,” (“ungodly”), and within that framework, everything seemed to point to laudna as “ungodly,” which is why their empathy towards her is lacking. 
the biggest conflict between fcg and laudna right now is obviously their feelings on the gods. the changebringer brought fcg purpose and tangibly helps them on a daily basis. of course they want to share this incredible thing with everyone they meet, especially his friends. yet, time-and-time again, the world has shown laudna the gods don’t seem to care about her. before someone says anything, pike resurrecting laudna doesn’t automatically mean she has to trust the gods. clerics and paladins spent 30 years running her out of towns for existing and trying to kill her in the name of their gods. if the circumstances were different, there’s a good chance fcg could have been one of those people. for fcg, the world is black-and-white. for laudna, it’s all gray. laudna was able to have a conversation with imogen about the ruby vanguard’s message and the purpose of the gods because she understands the need to question things and thinks that’s a good thing even if she doesn’t agree with the conclusions. fcg’s not there yet, and until he is, their friendship with laudna will never be able to progress past where it is now.
in conclusion: please have a conversation, maybe even two or three. it’d be so good for fcg to learn the world’s incredible nuances and for laudna to see how faith in the gods can be an empowering force for good, not just something beyond her grasp.
laudna/fearne
out of all launda’s dynamics, this is the one i desperately want more of. we’ve gotten so little! almost all their moments are interactions between the three witches that tend to center imogen (making the red-string friendship bracelets and comforting imogen after she talked with relvin come to mind) OR center imogen and fearne’s mutual appreciation for laudna’s… everything. one of my favorite about fearne is that, like imogen, she doesn’t think laudna is gross and creepy, she thinks laudna is gorgeous and charming without any caveats. even ashton, who also loves laudna’s laudnaness, tends more towards “yeah, you’re disgusting and THAT’S why it’s great.”
the other main part of their dynamic i want to sink my teeth into is the coin-toss, more specifically fearne’s guilt over the coin toss. regardless of whether you think fearne lied (i personally find that headcanon FASCINATING but to each their own), she clearly feels so many emotions about having to pick whether to save laudna and orym that she hasn’t even begun to unpack. one of the few sole moments we’ve gotten of them was in episode 42 when laudna asked fearne to help teach her to cast fireball, and in it, fearne, unprompted, blurts out, “how’s it feel being alive again?” almost immediately. she also apologizes to laudna, says they’ll fight any piece of delilah that’s still in there, and tells her, “i missed you terribly for that moment in time.” even when laudna gives her the chance to make the conversation light-hearted, fearne stays so genuine, which is all the more-noteworthy because she’s usually so flippant and almost always keeps her real feelings close to her chest. 
some other examples of fearne’s guilt include: the 4sd where ashley said part of why she was so protective over imogen during their separation arc was that she couldn’t bear having to tell laudna anything happened to her and just this past episode when fearne’s protectiveness after laudna made her only cast first-level cure wounds on fcg after they cast turn undead.
in conclusion: PLEASE LET THEM INTERACT MORE. THERE’S SO MUCH JUICY POTENTIAL AND I WANT TO SEE IT EXPLORED.
laudna/chetney
i don’t have that much to say about them except that their dynamic is absolutely delightful. i love that we’ve gotten to see more of it in recent episodes, and i hope that continues. 
chetney exists at an interesting place between orym’s genuine discomfort and fearne and imogen’s complete enchantment with laudna’s undeadness. he is sometimes grossed out, but he also seems to accept it as a thing about laudna without too much judgment, or at least, that “judgment” is light-hearted in a way orym’s or even fcg’s isn’t.
i love that they’re the characters with the most life experience (even if laudna is technically the fourth oldest, fcg only has two years of memory and fearne is a 100+ but spent 99% of that time in one place) but also embrace being “childish” and silly together, like the entire sky-sail sequence! 
in conclusion: *gently holds* i just think they’re neat!
that’s all! if you read this whole thing, you get my eternal love and gratitude. thank you.
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sunlit-haruka · 17 days
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Honestly, I think that if Kotoko doesn't have any kind of tragic backstory or deep-ridden trauma and did have a relatively normal upbringing like she says she does, it will probably heighten my enjoyment of her character and her narrative even more. I've said it before and I'll say it again, my favorite thing about Kotoko's narrative and role in the story and why she is my favorite prisoner is the fact that she is the perfect encapsulation of what I think Milgram is trying to teach. It is unfair to put her, or any of these prisoners into boxes of good and bad because both are cruel oversimplifications that only serve to dehumanize them regardless of if the audience's intentions are good or bad. By dehumanizing them and partaking in the fucked up justice system that is Milgram, you are emotionally distancing yourself from them. When you emotionally distance yourself from these people, you become more ignorant to the possibility that you could do the very thing that they're doing. That Haruka, Yuno, Fuuta, Muu, Shidou, Mahiru, Kazui, Amane, Mikoto, and especially Kotoko could all be you and you won't know it before it is too late. That is why even within this system that pushes black-and-white nuance-less thinking, the narrative itself encourages you to look beyond the surface depiction of these prisoners that we are presented with. Because in the words of one Will Wood - "If you were in my shoes, you'd see I wear the same size as you" But what does any of that have to do with Kotoko and her backstory? Well, @/archivalofsins / Gunsli made a very good post that explains exactly what I'm going to talk about in more depth, but I'll give it a rundown nonetheless. It would be very easy for someone to look at a person who has gone through tragedy or trauma who has done bad things, and say in response: "See, I can't become like that because she is abnormal. I could never do that, that would never happen to me.". Now I would hope that you don't need me to tell you that this way of thinking is a white lie cake rich with ableist frosting, but that is a discussion dug into by Gunsli's post. And I do believe, if Kotoko is revealed to have a tragic traumatic backstory, this will happen to her. Because it happened to Amane. And that is why Kotoko having a 'normal life' would be so important to me and, in my opinion, heighten her already amazing narrative and writing. Her role in the story is to be a audience parallel, she is an embodiment of the system and mindset Milgram as a story criticizes and her actions are a direct consequence of our involvement in it. Milgram is already not subtle about this fact, but Kotoko's ordinary upbringing is the thing that fully hammers the nail in the wood. Anyone can become like Kotoko Yuzuriha, trauma or not. Her beliefs, her bigotry, her fascism, her violence, and her fantasy to be the chivalrous hero who protects the weak are not things that are alien or only things that form within an "abnormal" brain. In fact, they are very normal things that a lot of normal people across the globe perpetuate wholeheartedly whether they realize it or not. Kotoko isn't some one-of-a-kind individual She is literally just a girl
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soupthatistohot · 8 months
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BSD 110: An Absurdist Analysis
The fate of Aya Kōda
Since my post analyzing BSD 109 in accordance with Asagiri's absurdist storytelling got so much love, I've decided to continue analyzing the chapters thru an absurdist lens when I deem it relevant, and making predictions accordingly. I think that not only is it an effective way of reading BSD, it gives us readers a bit more hope that things will turn out okay when the plot is... like it is right now (lol).
I recommend checking out my BSD 109 post if you haven't already this since I explain the philosophy of the absurd in depth there :)
BSD 110 spoilers below!! Obviously! Also TW for discussion of suicide.
So. I really don't think the ten year-old girl is going to die.
On top of Aya being "the last hope" (more on that later), suicide is one of those things that absurdists really frown upon.
Aya's plan as I understand it right now is to add her weight to the table in order to pull the sword from Bram's body, this is why she jumps. If this works, the sword will be dislodged and she, the sword and the table would fall to the ground, which is very far below -- she would likely die upon impact.
Absurdists really don't like suicide as a solution to hopeless situations, most absurdist storytellers have their characters commit suicide because they have "given up". It's submission, giving into the meaninglessness of our reality rather than rebelling against and embracing the absurd.
We see this with Oda in Dark Era, his suicide mission is framed as him giving up on life because the orphans were killed. Of course, it also served as catalyst for Dazai's character development, compelling him to escape a situation that would have likely ended up in his own eventual suicide. All this to say that even though Asagiri chose to make Oda go on a suicide mission, the overall narrative purpose still lent itself to absurdism through Dazai's decision to defect. It needed to happen for the story to move forward as it has (and as we know from BEAST, there literally cannot be a universe in which both Oda and Dazai are alive).
So, if Aya dies now, what message does this send? It's almost certain that the world will literally end if she does, meaning that everyone's efforts up until this point have all been for naught, which, as I explained in my BSD 109 post, is the opposite of the entire point of BSD as an absurdist text. Aya is really the "last hope" right now, with all our other main characters pretty much screwed or just not present.
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"Nothing is impossible for a warrior of justice. We beat the bad guys and save the world, no matter what happens."
What Aya says right here is something I'd liken to the Dazai quote I brought up with my BSD 109 analysis: "The ones who actually make the world turn are those who scream within the storm of uncertainty and run with flowing blood." Both communicate the idea that there's never an acceptable point in time to give up (suicide), that there's always something more that you can do, even when things seem bleak. Those who "make the world turn" are one in the same with Aya's concept of "warriors of justice."
Aya may not succeed exactly the way we expect her to, but she absolutely is not dying like this. On top of the absurdist storytelling reasons, she's just a child. Of course, we know Asagiri isn't above killing kids, but Aya is a bit different than the other children we've met in BSD. Her character has been built up and developed, she has a fleshed-out backstory, and we've spent a lot of time with her. To kill off a little girl we've come to care about a lot would just be cruel, plus her death wouldn't really serve a narrative purpose right now.
So, what could happen?
One prediction is that Aya adding her weight to the table does dislodge the sword and she falls, but she is saved by another character. We know Kenji and Tecchou are out there right now, we haven't seen Yosano or Kyouka in ages, etc. etc.. Basically, there are definitely people out there that could come to her rescue.
But there's an option I like a lot better: Aya's ability manifests.
Aya Kōda was a 20th century Japanese novelist and essayist, and the namesake for the Aya we know in BSD. As far as we know, all the characters who are named after real-life authors possess an ability inspired by the life/work of said author. Aya doesn't have an ability yet, so logic follows that she will develop one by the end of the series.
I'm not sure where I read this, so take it with a grain of salt, but I believe that in BSD the character's abilities manifest because of trauma. Not only does Aya live in a somewhat emotionally abusive household, but she's literally been thrust into the middle of a conflict in which the world could literally end and has decided to jump off of a tall building to try to save the world -- I'd say that's pretty traumatizing!
I'm not familiar with the irl Aya Kōda's works enough to speculate about what her ability would actually do, but there's a decent chance that because of the current situation, her special ability will manifest in order to prevent her from dying and/or dislodge the sword from Bram. This would also fit absurdist storytelling very well, she's literally doing jumping off a building as a complete last ditch effort, it's a crazy plan that probably won't work -- but her other option is to just accept death, and that's not acceptable. If she were to manifest her ability in this moment, it would reinforce the idea that rebelling against the absurd has value, that even when things seem at their worst there's always something you can do.
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Anyway, these are just my thoughts! Please feel free to add anything you find relevant, especially if you're familiar with Aya's irl counterpart! See you next month ;)
Here's the BSD 110 translation I pulled the panels from.
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alpaca-clouds · 7 months
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Rape, Abuse, Trauma and the Need for Power
This topic has been sneaking around in my brain for days now. Because I find it quite interesting to see this depicted in now multiple franchises. And I really want to talk about it. Partly, because I see some people struggling to understand it. So, let me, an abuse victim, explain.
You see these three characters? Yeah, they actually have a lot in common. Let me explain.
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Spoilers vor Castlevania, Stray Gods and Baldur's Gate, obviously.
All three of them were victims of abuse and (probably) also rape. It should be noted that with both Carmilla and Persephone it is never outright said that they were raped, but it is heavily implied. With Astarion, obviously, it is outright stated.
More than that, we do know about all three of them that they were also abused. Both Carmilla and Astarion by their respective sires. Persephone by Hades.
And they also have one other thing in common: Their character arc features them trying to get some sort of power. Let me go through with them.
Carmilla was abused by her sire. We do know very little about the details, only that he was very cruel. There is some heavy implication that the abuse involved rape. At some point she killed her sire. Her entire character story is about her trying to get power for herself. First by trying to get control over Dracula's Castle. Then she tries to build her own empire. With her mental health getting worse, she ends up fantasizing about world domination.
Persephone in Stray Gods was kidnapped, raped and abused by Hades. She had everything taken from her during this, until she finally could not take it any longer and killed Hades. But the other gods denied her to take control over the underworld. Her basic conflict stems from her wanting to regain control over the underworld again.
Astarion is of course the odd one out, given we learn a lot more about his abuse. But like the two women, he was abused, raped and tortured. Due to the DnD vampire rules, he had no way of actually fighting back against his sire, with him escaping just through what amounts to sheer luck. When he learns that his sire wanted to sacrifice him (and many others) to gain a lot of power, Astarion wants to finish the ritual for himself, gaining the power.
The outcome of course is different for all three.
Carmilla gets killed, once she goes down the "world domination" thing. While with Persephone and Astarion it depends on player choice. I would argue though, that the happy end for them both is them giving up the power. That is Persephone giving up the throne and Astarion not finishing the ritual.
What is the interesting thing about this... Or, well, interesting might be the wrong world. But it is well written. Because this is very, very realistic for their backstories.
See, both abuse and especially rape are a lot about power. The abuser/rapist takes full control over the victim's body and life. (Which is also why rape rarely has to do with sexual enjoyment, and more with the rapist wanting to assert power.) Or, from the perspective of the survivor: It is all about having the power taken away from them.
This is bad enough if it is something that is a one time occurance. But if the survivor is in the situation for a long time, they experience a prolonged period of powerlessness and fear. The survivor is constantly afraid, constantly in survival mode, constantly trying to just get through it.
In my life I have seen too many bad takes along the lines of: "Rape survivors should stop whining. How bad can one rape be?" And those people do once again not understand: Rape is not about the sex. It is about having control and power over your own body taken away from you. It is about you being turned into a thing to be used by someone else. Which does not even mention the feeling of fear most people experience during a rape, as they do not know what kind of other violence might follow.
And this is something that leads the survivors to even after escaping the abuse, the trauma often leaves them feeling powerless. They might objectively not have less power than they had before the abuse happened, but to the traumatized nervous system it feels like that. And the traumatized brain does not work logically or objectively. All it knows is: The survivor has not enough power to prevent this situation from occuring again. But here is the thing: No amount of power will make them feel like they have enough power, like they can meaningfully protect themselves from further abuse.
This is why Carmilla is escalating so much in season 4 of Castlevania. Because no matter how much control and power she gets, she does not feel like it is enough to protect herself.
This is also why I do feel like the happy end for both Persephone and Astarion is them giving up their symbol of power. Because the thing is, that them gaining the power will just push them along into a spiral of needing more power to keep themselves in a feeling of being safe. Which is why the good ending for them needs to involve them being convinced to basically trust people again. Because that is a path that given enough time can lead to healing. Them gaining the power won't. In terms of their trauma the power they might gain is just a bandaid on an infected wound.
I have seen a lot of people argue that you should let Astarion finish the ritual, because it "is what he wants". But the thing is... it isn't. All he wants is to feel safe. And he thinks if he gains that power, he can feel safe. But he can't. To feel safe he needs to heal.
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bougiebutchbitch · 2 months
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This is definitely hand me down info, and I can't be bother to check cause I'm not on Twitter. But apparently there was some discussion of a scene being cut that, according to Con, was removed because it made Ed 'irredeemable'. Season 2 already went some really dark places, so I'm wondering what your thoughts on it are?
I'm also asking you because the comments were full of people who would have loved to see it. Because to them, Ed is totally fine no matter how reprehensible and abusive his behaviour gets. And I just. You're one of the few non-brainrotted people here sometimes I like to get in touch with reality
I am...... so very intrigued and would love to see it. But I'm also very glad they did decide to cut it.
As much as I love Ed as he is in canon (i.e., dark, flawed, genuinely trying (sometimes), but selfish and occasionally cruel, with untreated severe childhood trauma and related mental health problems, and 0 healthy coping mechanisms to his name) I loathe with a vengeance every person who uses him as a platform to parrot their age-old victim-blaming bullshit of 'um, if you had a Sad Backstory you can abuse and torture people as much as you like! And you 'deserve' abuse if you are in any way an imperfect person. Yes, I believe this is a totally normal and correct stance to have about real life as well as fiction'
So as much as I would love Ed no matter what he did, because I think he's a multifaceted and fascinating character, the mere thought of the bullshit his die-hard stans would be spouting already makes me nauseous lmao
I am once again reminding people that it is totally okay to like characters who do bad 'irredeemable' things. No, you don't have to write essays justifying your love of that character. In fact, you don't need to justify shit to anyone.
Just....... maybe....... don't die on the hill of pretending abuse is okay if you don't like the victim/the victim said a mean thing once. It's that simple.
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versadies · 1 year
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CHAPTER FOURTEEN \\ EVERMORE (VERSADIES'S VERSION)
SYPNOSIS (of chapter). in which a certain ragnvindr's fate and complications in his life have all led up to a certain you.
SYPNOSIS (of series). breaking up with your first love was heartbreaking, but not as heartbreaking as getting invited to his wedding after years of not seeing him. that is, until things seem to be easier when you encounter a certain guest, who could end up being more than just a blooming friend to you.
CHARACTERS. kamisato ayato, diluc ragnvindr, thoma (w/ gn!reader)
CONTENT. angst/comfort, grammar errors (?), mentions of violence, sh1nsuke, minor character death, car accident, mentions of threats, spoilers to diluc's canon backstory, terribly written crime case, diluc and kaeya are in good terms
WORD COUNT. 13.7k words
LINKS. EVERMORE MASTERLIST \ MAIN MASTERLIST \ EVERMORE SURVEY
POST-SCRIPT. thanks to your answers in my recent survey that i posted, i decided to put my taglist at the very bottom of the chapter (as well as my other fics from now on) so you could have an easier time reading <333 i hope this version doesn’t disappoint you :DDDD
PREVIOUS || NEXT || ORIGINAL VERSION
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A few things Diluc had lost were the bright hopes and future he once had when he was but a teen who's ready to fulfill as many achievements and dreams as he can. 
He could still remember how happy he was with the life he had back then, how he dedicated himself to being faithful with his duties as a detective in the Favonius, Mondstadt’s police department, and used to follow his father around, listening to every word he says as he learns the ways of running the business. 
He remembers all the lessons Crepus taught. He remembers his first time making a drink with the ingredients his father provided on a long table. He remembers his first time serving drinks to customers in Angel’s Share. He remembers his first time attending a business event with his father. 
He remembers his past too much. A price to pay for dwelling too much in the past. 
That Diluc is long gone. All that remains is his shell that’s swallowed by guilt, pain, and helplessness. 
He does not live for himself, but lives for his family’s business to continue thriving and succeed like what his father wanted him to do. He lives to fulfill his father's wishes written on an old piece of paper. He lives to make sure his land is safe from the corrupted and from harm. 
He lives to deal with the burdens that he gained from his birthday. A special, cruel gift from fate.
Wine is something he didn’t like much, which is ironic for someone who specializes in making them. His father actually planned to let him try some of their famous wines that people loved once he’s allowed to, until something happened. 
Wine.. reminds him too much of what happened. 
Diluc didn’t expect to lose his father so early, especially since his father is a healthy man who still had a life ahead of him and a son to guide. He thought his father would live long until he died of old age, a peaceful way of meeting death’s doorstep. 
If only it weren’t for that treacherous car accident…
If only that drunk driver didn’t drink at all with a darn wine. 
For one moment, Diluc was sitting right across from his father in their private van. They were just talking about what Adelaide would cook for dinner, they were just discussing about the client they were talking with earlier, they were just talking about what his father was supposed to say– 
Then before he knew it, everything was turned upside down. Literally. 
He has a hard time breathing, his vision is blurry as he feels lightheaded from being upside down. 
Father…
Diluc tries to get his vision clear and come to his senses. He could hear people screaming somewhere, there’s something that tastes like metallic in his mouth, everything’s hot,  he feels like he’s about to puke– but where is his father?
“Fa…Father…” He calls out. Everything aches so bad, what just happened to him? 
Once Diluc finally sees more, he realizes the car he’s in is upside down. Is this… a car accident? 
The young heir looks ahead when he hears a groan, and his eyes widens at the sight of his father being in the same situation as him – except, his state is way worse than his. 
As for the driver… He doesn’t know where on Earth he is. 
“Fa-Father!” He calls out, his fingers shakily try to unclasp the seatbelt before falling down to the ground that’s filled with the shattered windows from the van. “Father, are you alright?” 
Diluc tries to ignore the pain all over his body as he crawls towards his father and helps him get out of the van. “Hold on, father. I’ll get you out of here!” He says as he reaches out towards his father’s seatbelt to unclasp it. 
“Di..luc? Is that you my.. Son?” Crepus asks weakly, letting out a cough as he falls down from his seat. “I’m glad you’re,” He lets out another cough, “alright…” 
“Don’t worry about me, father.” Diluc reassures him, helping him crawl out of the van through the broken window nearby. The only thing in his head is that he needs to get his father to the hospital immediately. 
As soon as Diluc and Crepus finally manage to get out of the van, the younger man immediately tries to look for his phone in hopes of calling for the ambulance. Thankfully, his phone is still in his pocket and working despite its destroyed state, and he instantly dials the emergency contact. 
“H-Hello? We need help, we’re somewhere by…” As he explains the situation to the operator, the young teen didn’t manage to notice how slow his father’s chest is moving up and down nor did he notice the blood on his hands from covering his mouth when coughing. 
When Diluc finally looks at where his father is, his eyes are full of hope that they’re going to be okay. 
“Father, help is on their way. We’re going to be okay” He says, hoping his father will be alright and be proud of him for what he has done.
Crepus remains silent. 
“...Father?” He quietly calls, his heart sinking when he notices how his father’s chest is stilled. “Father, are you… a-alive?” 
Diluc slowly leaned down with his ear on top of his father’s chest, his eyes widening in fear when he couldn’t hear any heartbeat at all, as though he’s….
No, let’s not jump into conclusions.. He’s probably asleep.. 
The heir gently shakes his father in hopes it’d wake him up, only for his shoulders to sink when his father is still motionless. “Father…?” 
It took the ambulance to arrive for Diluc to stop trying to wake up his father, the paramedics carried him away as another inspected the young heir’s body for any injuries to take care of. 
Whatever the paramedic told Diluc, he did not pay any attention to it. Not when he’s watching the two paramedics looking at each other with hesitant looks on their faces after putting all of their efforts in trying to bring back Crepus, who remains motionless. 
The light in Diluc’s eyes fades away when he realizes what just happened. 
He thought this was just a horrible nightmare. He thought he’d wake up to the familiar sight of his room and continue living in his life with his father who’s alive. It wasn’t until he realized he’s in the hospital room when his hopes shattered in realization that his father was dead and gone. 
“Breaking News! The infamous wine tycoon, Crepus Ragnvindr, has unfortunately passed away due to a car accident. His son, Diluc Ragnvindr, has fortunately survived from the accident. We do not have any updates on the young heir’s condition, but we can only hope that he is well and we give him our condolences for his father’s passing.”
Diluc finds himself staring at the TV helplessly as he continues to stay on his hospital bed. After the paramedics took him and his father to a nearby hospital, he was hospitalized in a VIP room after getting his wounds treated.
Why did this happen? 
He looks down at his bandaged-hands, only for him to remember seeing his father’s blood on his hands. 
Why not me?
He suddenly hears a knock, to be followed by someone entering the room. 
“And here I thought you’d never wake up.” Kaeya spoke as he closed the door behind him, a bouquet of flowers in his hand. “How are you?” 
Diluc stays silent, still staring at his hands. 
“...Why am I still alive?” 
The red head didn’t bother to look at his sworn brother, who was extremely taken back by his question. 
“...Why shouldn’t you be?” Kaeya responds, his tone is more serious. “What happened last night is out of your control–”
“I could’ve done something.” He interrupts, he now looks at the blue-haired man with an unfamiliar expression that wasn’t seen before from the usual brightful man. 
It’s as if said brightful man has died with his father.
The blue-haired man dared not to say another word, causing the other to continue speaking. “I could’ve… I could’ve dragged him myself until I found a hospital. Or… Or maybe I could’ve noticed the signs more and performed CPR – but I was busy talking to the operator I couldn’t… I could’ve done something instead of watching him die.” 
Diluc clenches his fists at the memory of the car accident. If only he watched his father more carefully, if only he insisted that they went to another place, if only–
If only he was the one who died instead of his father. 
He can’t imagine running Angel’s Share on his own nor can’t he imagine being able to keep his family’s business together at this age. He thought his father would guide him all the way – he thought he wouldn’t be alone. 
He doesn’t even know if he’s ready to become the next head of the Ragnvindr family. 
“Whatever you could’ve done, there’s no point in that anymore when it already happened.” Kaeya says, grabbing a chair nearby and placing it beside Diluc’s bed before sitting down on it. “Father wouldn’t want to see you like this. He’d want you to carry yourself and take care of the family business with what he had taught you–”
“He isn’t here and he’ll never be.” He snaps. “I can’t just move on and act as if his death doesn’t phase me. I lost someone special to me.”
“He’s someone special to me too.” Kaeya retorts. “You’re not alone, Diluc. You have me, Adelaide, Elzer, and everyone else in the mansion who are willing to help you and be there for you. I’m not saying you should move on and act as if his death doesn’t phase you, but you should stop thinking of what could’ve been and think of what could be now.”
Diluc looks away from his sworn-brother, knowing he’s right. 
It’s true… It’s better for him to think of what he can do now instead of the past. 
“Did you find out who was behind the car accident?” Diluc questioned.
The blue-haired man fell silent.
“What would you do if I said yes?” Kaeya asks, leaning back against his chair. 
Diluc took a long while to answer, something that made Kaeya guess his answer already. The young heir – well, the young CEO rather – is not one to sit idly by and let justice handle itself, it’s precisely why he’s such an efficient officer who never lets one case go ignored or incompleted. 
So when he finally answered, Kaeya did not believe it one bit. 
“Nothing.” 
Liar. I bet you’ll suddenly disappear from this room the next day. Kaeya thought. Yet then again, regardless of what he’ll say to Diluc, he knows he’ll only get himself out later on to find more answers. 
“I better not receive any calls from the hospital about you disappearing,” He said, letting out a defeated sigh. “There was a driver who crashed into your van. He’s currently imprisoned and will face charges as well as imprisonment.”
Diluc was about to open his mouth for another question when Kaeya lifted up his hand to stop him. “I’m not some person of interest being interrogated. Save your questions for later, focus on your health first.” He clarifies. “I can’t disclose too much about the incident to you since Chief Varka instructed me to, but I can reassure you we have everything under control, brother.” 
The red-haired looks at him with an unexplainable expression on his face. 
“...Fine.” 
And so, Diluc trusted Kaeya, knowing fully well all the words his sworn brother told him were all a lie.
Eventually, he found out that the police suspected it was a drunk driver who drove into the car. However, thanks to the security cameras around that area being disabled due to technical problems that have been ongoing for the past weeks before, it took a while to find out who was exactly the drunk driver that managed to get away from the scene of the crime before the authorities arrived.
What made it more strange was how the person who was driving the van is not the same driver who usually brings Diluc and Crepus around the place. The driver was left behind in the building he and his father  visited, meaning that this whole time, the two men were unknowingly in the same car with an unknown person who has unexplained motives. 
Diluc could only guess the motives weren’t pleasant given the aftermath. 
Unfortunately, the police weren’t able to find the unknown driver and are still looking for him, making all the things worse for Diluc, who feels like his lifespan is draining away the more he stays in the hospital doing nothing but wait and ponder. 
Countless time that’s spent inside the hospital room made the red-haired feel suffocated. His patience is getting thin each time he receives no useful information whatsoever about the damn cause of the car accident that drove his father to death, his overwhelming guilt for being the only one to survive is getting bigger each day after spending too much in his thoughts, and his loneliness began to devour him inside out as the sounds of the TV news were just white noise to him. 
He hates that he’s doing nothing. 
It would’ve been better if he didn’t feel anything, but at this moment, he’s feeling everything. 
Eventually, Kaeya and the others manage to find out who was involved in the incident – an FPD officer in his mid-20s who was trying to move on from a heartbreak, only to end up drinking more than he intended and got into a car accident. 
He’s relieved that they finally found who was partially the cause of it, but that doesn't mean he feels like he can rest peacefully. 
Not when the other driver is still missing. 
It took a few more days until there’s finally more news about what FPD (Favonius Police Department) would do to the drunk driver, but it wasn’t what Diluc was hoping for. 
“What…?” He asks for Kaeya to repeat what he had just said from the phone. It felt unreal to hear it – he would’ve thought his brother is joking with him again if it weren’t for the remorseful tone in his voice. 
Surely… Surely Favonius did not go mad while he was gone, did they? 
“I’m sorry you have to hear this, brother.” Kaeya said. “I couldn’t believe it either. When I came back from the hospital, Amber suddenly informed me that Officer Pallad was released with no charges at all.” 
Had Diluc not controlled his strength, his phone would’ve been crushed and destroyed from anger. 
“Why?” 
“...Lieutenant Eroch informed me it was because there was not enough evidence to prove that he’s the one who was involved with the incident. Don’t worry, my team and I are already looking for more evidences–”
“I’ve waited long enough.” Diluc interrupts before ending the phone call, his eyes darted towards his coat that’s hanging near the door.
It wouldn’t hurt to have a chat with Lieutenant Eroch, would it? 
“My deepest condolences for your loss, Detective Ragnvindr.” Eroch said, sitting on his chair as Diluc stood across from him. “Alberich informed me that you were still hospitalized, but it appears he isn’t aware that you’re discharged today. How are you?” 
“I’ve been feeling better.” He answers, not bothering to give him a polite smile as he usually does with everyone back then. “May I ask something regarding the case of the car accident?” 
Eroch hums. “Getting to the topic, huh? Alright, you may.” 
“...Why did you release Officer Pallad?” 
It took a few moments before the lieutenant let out a sigh, as though he suspected the young detective to ask such a question. “I may have realized that our officers could possibly have arrested the wrong man after the testimony of Officer Pallad during our interrogation. I cannot let our image as the protectors of our city be tarnished for such a possible mistake, especially since he’s a part of the department.” 
“But the evidence is all there, is it not?” Diluc clarifies, not caring about the fact that he could get in trouble for questioning a higher up’s motives. “Alberich found that Officer Pallad was in Angel’s Share before he drove through the route that led to the car accident. He’s the only one whose vehicle has a huge dent at the fr–”
“It’s not enough for us to officially conclude it’s him who crashed into your van.” Eroch interrupts.
“Then what will it take for you and the others to consider him being–” 
“Never. Unless you have a clear footage of Officer Pallad’s vehicle crashing into yours.” 
Diluc tries not to feel hopeless. “...What about the person who was driving the van? Did your team at least find something about them?” 
Eroch shakes his head. “Unfortunately we have not. But that’s none of our concerns at the moment, not when there are other important cases we have to look into.” 
The red-haired man feels his hands clenched into fists. “None of your concerns? You’re looking for the two people who killed my father–”
“Tell me, Detective Ragnvindr. Are you here to waste my time telling me to do something I can’t do in a blink of an eye? Or are you here to give me something worth my time?” 
The other man stays silent, his mind filled with more questions instead of the answers he wanted. 
Why? 
It didn’t help that the lieutenant looked less guilty and more bored, something that made Diluc start considering if the police department truly serves to protect the people of Mondstadt.
Eroch lets out another sigh before standing up. “I assure you detective that we’ll quickly let you know if we found something about the culprits, but now is not the time unfortunately. It’s best that you should keep this a secret from the public. We wouldn’t want our reputation to be tarnished because of a reckless officer drinking. If we won’t be able to find the culprits, then we have no choice but to consider–“
Eroch stopped talking when he hears something on his table, causing him to glance down and realize it’s a badge,
The badge that belongs to Diluc. 
“Forget it.” The detective said in a cold tone before turning around to take his leave.
The lieutenant didn’t bother convincing Diluc to change his mind, and simply watched as the ex-detective left his office with all hope and faith lost in him. 
All that remains is the determination in bringing down what brought his father to his death. 
When Kaeya found out, he did not find the power to persuade his brother to come back and work for FPD, not when Diluc isn’t the type to retire from his career as a detective so quickly. Instead, he wished him well and made sure to let him know that he will do his best to help his dear brother out in finding out the culprits of the accident, something that the red-haired appreciated.
The news that Diluc has retired from being a detective spread like wildfire the day after. It didn’t matter what the public thinks, all that mattered for Diluc is that his father gets a proper and quiet funeral that he deserves. 
The funeral… It’s hard to talk about it. 
The ceremony left an empty part in the poor young man’s heart. Had it not been for Kaeya and those who work in the mansion, he would’ve felt alone. There wasn’t an overwhelming number of people who came to his funeral, but just the right amount of people for others to know how much Crepus was cared for and loved by a lot of people. Some were his close acquaintances in the business world, some were his old pals, some were his dear friends, and some were employees from both the mansion and from Angel’s Share who have been loyal for a long time. 
Diluc tried to hold it together and not break down in front of everyone, wanting people to know that he can handle Angel’s Share without his father’s guidance anymore. It still feels unreal that he won’t see his father for the rest of his life now. 
I promise father, Diluc thought in his mind as he placed a flower on top of Crepus’s coffin. I promise I will find out who caused your death and will make sure justice will come. 
Of course, just because he stopped working in FPD, it doesn’t mean he’ll stop helping and protecting everyone in his nation. 
Diluc plans to disappear sometime after his father’s burial, wanting to find out who crashed into the van and who was driving the van that he and Crepus were in. The least he can do is to bring justice to those who are responsible for his father’s undeserving death. 
Before that, he must hear his father’s wills as well as a paper that’s written by his father that Adelaide managed to find when she was fixing the passed CEO’s bedroom. 
His wills are simple. The mansion, the company, the establishment will now be in the hands of Diluc as he is the rightful heir. Kaeya got some valuable items of Crepus that’ll be of use to his life and his job in Favonius. The rest of the items will then be handed over to both charity and to Alice, Diluc’s godmother.
As for the paper… 
It was a letter for both Diluc and Kaeya that the passed CEO managed to write in case he died. Not only did it contain advice and going through the memory lane, it also contained secret feelings and unsaid words that the man didn’t get to say. 
One of them in particular is his wish for Diluc’s future. 
“...I fear that I might not make it to watch you grow up into the man who has a life ahead of him, and it breaks my heart to imagine you reading this if I died too soon. My son, your journey will not be easy if I’m no longer here, but I know you can get through this. You have people who care for you as much as I do and I know they’re all happy to help you with the troubles that can come in your way. I wish you nothing but happiness and safety in your life, so please, do not mourn for me forever and move on in a healthy way. Do not burden yourself with what you could’ve done, instead, accept that you can’t change the past and only learn from it. 
If fate decides so, I hope that someday, you’ll meet someone who you consider as your equal and the person you want to spend the rest of your life with. Treat them with respect, understanding, and love like I did with your mother and I hope they’ll do the same with you. Don’t concern yourself with what the public thinks and what I would think. Just know that it’ll make your old man happy if you’re going to spend the rest of your life with someone who makes you happy and feel cherished. (the rest of the letter is blank, making it evident that Crepus hasn’t finished it completely for unknown reasons).”
Diluc didn’t know what to think when he read it, he could only close his father’s letter and keep his words to his heart. 
Now that the wills have been revealed, Diluc and Kaeya have no choice but to come visit Alice – who’s currently in Liyue for her next book about the region – to transfer some items for her. 
“My deepest condolences for your loss.” She said, watching as Diluc sat down on his seat across from hers as someone filled his drink with tea. Unfortunately, Kaeya had a call from work and won’t be able to come inside the room to talk to the woman. “It saddens me that your father has to go so soon. How have you and Kaeya been?” 
“Thank you… We’re doing well, Aunt Alice.” Diluc responds.
The woman smiles lightly. “That’s good to hear.. I’m sorry to hear that you haven’t found those who are responsible for the… accident. But you must know, revenge won’t do much for your grievance towards your father.” 
The red-haired man tries not to look surprised, but stays silent, causing Alice to continue. 
“I know it’s difficult to lose someone who guides you in your life. Partings are the most painful things, but they also encourage us to grow. A bird that has lost the roof over its head will fly further than others of its kind.” 
She then lets out a chuckle. “But of course.. I know you wouldn’t be persuaded by my words, so I wish you still have your sense of good and justice on your journey to look for them. It’s not an easy task I bet, but I’m sure you’ll be able to catch them with your capabilities.” 
The woman’s eyes gazed towards a bulletin board on one of the walls before looking back at the young man. “Should you be able to find the culprits, then you can try to go out and see the world afterwards. That’s the best course of action I can envision for you. Only by feeling, observing, and listening can your heart be healed. Everything that was your father now finds new life with you, that which you will experience in this world may have been things that your father experienced once upon a time.” 
When Diluc looks at the older woman’s eyes, it screams nothing but good things for him and Kaeya. 
Something he never thought he needed until now. 
“...Thank you for your words.” 
“Anything for you. I hope that the wind will bring you all manner of wondrous things in your many journeys to come, Diluc. Should you need a person to talk to or consult with, I’m always willing to lend an ear. I hope you won’t mind if I treat you as if you were my own child.” 
It only took two days for Diluc and Kaeya to deal with the rest of the items that once belonged to Crepus while catching up with Alice before they decided to take their leave. Not only did they both have to go back for their jobs, but Diluc also had to go back to start his search in finding the culprits of the accident.
Before the two young men could leave the estate Alice lives in, the woman stops them for a moment. 
“One last thing before you two go.” The woman then pulls out two items: a pocket watch and an earring with a blue jewel in it. “These belong to your father who left these with me back then. I think it’s best if you have these instead.” 
Diluc hesitantly grabs the pocket watch while Kaeya grabs the earring, letting out a comment about “what a perfect timing this is, I was thinking of a good accessory to buy as a souvenir from Liyue.” causing Alice to laugh.
“Thank you, Aunt Alice. We wish you well on your journey as well as your work.” Diluc said politely.
Alice waves them off. “Have a safe trip, boys. Do tell my darling Klee that I said hi when you get back, alright?” 
And so, the two men left. 
As they’re on their way to the airport, Diluc stares down at the pocket watch Alice gave him, his mind filled with what’s to come for him once he comes back. 
He can’t turn back now, not when the two drivers could potentially hurt someone else.
“You’re planning something, aren’t you?” Kaeya asks suddenly, causing the red-haired man to look up at his sworn brother.  
“...What’s it to you?” 
The blue-haired man lets out a chuckle. “Oh Diluc, I thought you’ve learned by now that I wouldn’t let you do things on your own, have you?” 
He lets out a sigh in response. “I don’t need your help. This should be something I must do on my own–”
“You’re finding the two culprits who are responsible for our father's death, so I too want to take them both down with you because they deserve to go to jail for their crimes. Besides, you’re no longer a detective in FPD, the least thing I can do is to hand out some information that’s given to us, particularly the one that involves the mysterious driver that managed to get his hands on your van.” 
His eyes slightly widened from hearing that. “...There’s info on the driver now?”
Kaeya hums. “It’s not much, but it’s worth reading it since I’m sure it’ll help you with your investigation. Feel free to ask more about the case, it’ll definitely take some work off my shoulders if you somehow find that driver. I’ll take care of the aftermath once you do” 
Diluc stays quiet for a moment. 
“..Fine, you can hand it over to me anytime. Just.. make sure to keep an eye on Eroch and his men.” He says.
The blue-haired crosses his arms. “Who said I don’t? That lieutenant has been suspicious since day one. I’m relieved Deputy Chief Jean is quite determined to investigate him and see if there’s anything suspicious.” 
Jean…
“You mean Gunnhildr?” Diluc asks, raising an eyebrow.
“Yes. She recently transferred to the department thanks to Chief Varka. I caught her skimming around the lieutenant's office while he was gone.” Kaeya then smiles. “You should try talking with her. Isn’t she an old friend of yours?” 
“We weren’t close.” 
“Still. I’m sure she’ll be delighted to see someone who’s just like her in the department – besides the retirement – and is familiar with her personally.” 
The red-haired man thinks about it for a while.
“I’ll.. Think about it sometime.” 
“Perfect.” 
By the time the two men are on their way through the airport, Diluc finds himself immersed in his thoughts about his plan in going around Mondstadt to look for the culprits who are responsible for his father’s death. He was so distracted that he didn’t pay attention to how there are paparazzis lingering around nor did he realize that he was about to bump into someone until it’s too late.
“Sorry.” He mutters to the person he bumped into before continuing his way towards his plane. He failed to notice how a certain item managed to slip out from the pocket of his black and long coat. 
Until he hears someone calling him. 
“Sir!” The stranger called, causing Diluc to stop his tracks for a moment and turn around to see if the stranger was calling him, only to spot someone walking towards him with a familiar object that he stared at moments ago.  
“You dropped this,” you said, showing him the pocket watch, “sorry again for bumping into you, by the way.” 
Diluc’s eyes slightly widened, a bit stunned by your kind act. Had it been anyone else, they probably would’ve kept it with them..
He slowly grabs the watch from you. “Thank you.” 
You give him a smile and nod in response. “It’s no problem” 
Without another word, you immediately ran off from Diluc, as if you didn’t just get the chance to meet Mondstadt’s two most famous men. 
“My, I’m surprised they didn’t know about us two, Diluc.” Kaeya spoke in amusement, watching you go away. “You’re lucky they gave you that pocket watch. I’m not sure what would happen to you if you lost your father's watch after he just died.”
Diluc’s expression quickly changes to a glare, looking at Kaeya’s direction. “Watch your mouth before I make sure you’re not going to my private plane on our way back to Mondstadt.” 
The other laughed. “I’m rich too, Diluc.” 
The red-haired man then turns around. “We should go before we start wasting our time. The sooner we get to Mondstadt, the better.”
“Whatever you say, brother.” 
Diluc didn’t hesitate to start his search immediately when he arrived in Mondstadt.
Unfortunately, after Pallad was released from the department cell, the vehicle that had a dent was immediately returned to him, so there’s a chance that it’s gone by now. 
Despite being accused of reckless driving and a culprit of a car accident, Pallad still had the audacity to come back to Angel’s Share – not that the CEO is complaining, this definitely made things easier for him.
It’s already an alarming sight to see the officer using a new vehicle. 
For the rest of the night, the young CEO listens attentively to Pallad’s conversations with other customers who are familiar with him. There wasn’t any useful information until someone finally asked the officer about his car. Apparently, he got himself a new car because his other one is too old and not functioning well, making him give it up in a car graveyard. 
That was all the information he needed.
It took a while when Diluc finally found the graveyard that Pallad owns with the help of some of his connections (one of them being Kaeya, who told him the details of what the car looks like). It wasn’t hard to find the car Pallad used since he only gave it up recently, but it was hard to hold himself back after seeing the officer’s car that clearly has a huge dent despite seeing it for the second time.
He will never forgive that drunkard for killing his father.  
Diluc was at the very least relieved when he spotted a dash cam inside the car. The officer must’ve been confident enough to not consider deleting footage of his dash cam, thinking it’ll be destroyed thanks to the graveyard. Unfortunately though, the dash cam was broken from possibly the accident, so it took a while to restore the footage until the ex detective got his hands on the piece of evidence that Eroch will surely not reject.
After the repair, Diluc sent it to Kaeya, who would pass it to Chief Varka and drag Pallad back to prison at last. 
All that’s left was the unknown driver. 
If it weren’t for Kaeya’s help in giving him information, Diluc wouldn’t know where to start. The only information the Favonious Department found about the culprit is they’re a part of an organization called the Fatui, based on a blurry CCTV that contains footage of someone in a Fatui uniform infiltrating the parking lot where the Ragnvindr’s van is and was never seen coming out. 
The Fatui… Just hearing that name made Diluc feel angry.
They’re not an unfamiliar name in the business world. They’re known for being dangerous, powerful, threatening, and not to be underestimated. A woman who owns the company, Tsaritsa, is the most powerful person in all of Snezhnaya. People in the cold region respect her and look up to her for her contributions to the country, particularly the advanced technology that she invented. Those who aren't from Snezhnaya look at her in the opposite way.
Crepus and Diluc are those people. 
He’s heard of what they do to those who have wronged the company as well as the things they can do to those who associate with them. It’s a miracle that the Ragnvindr hasn’t interacted with them at all (as far as the young CEO knows at least..), and as the new CEO, he knew he had to keep it that way.
Now that he thinks about it, just what did Crepus do if Fatui is responsible for his death? 
Diluc isn’t sure if he wants to know the answer. 
But he knows he has to. He has to understand why this happened to his father and where the driver ran off to, even though he’s fully aware that he won’t be able to grasp the full truth of the story. 
He then considers Alice’s advice: to travel around Teyvat. The Fatui is everywhere in the world, so he plans to go through every single one of them in each nation until he reaches Snezhnaya, where he’ll try to confront those who hold the higher ground of the Fatui and hopefully learn the truth. 
He hands over the Dawn Winery business to Adelaide, Elzer, and Kaeya and informs them that they can always reach him through messages. He trusts them all that his family business won’t sink and will remain as strong as ever, so he isn’t worried that he’ll be contacted to come back to Mondstadt to fix a situation. 
“How long will you be away?” Kaeya asks as he watches his brother pack his items in his luggage. “I’m not sure how to tell everyone about your leave, what should I answer if they ask when you’ll come back?” 
“Tell them I’ll be back in due time.” He answers, focusing on thinking about what else to bring for his travels. “I can’t… guarantee when I’ll come back. This won’t be an easy trip for me.” 
“Of course not, not when you’re taking on the Fatui.” The blue-haired said, his smile begins to fade. “Just… make sure not to die while you’re at it. I can’t attend another funeral again.”
“No promises.” 
The two of them then fell silent. The only noise around the room is Diluc placing his necessities in his luggage.
“...Could you at least talk to Miss Jean once before you leave?” Kaeya asks.
Diluc lets out a sigh. “Why are you so insistent on me talking to her?” 
His brother lets out a chuckle. “Don’t get me wrong, brother. I’m simply convincing you to talk to her about the FPD. She has more information than anyone else in the department and might be a great help to you, trust me.”
Kaeya wasn’t wrong about that. “Fine, I’ll consider having a chat with her if that’ll keep your mouth shut.” He said with a huff. 
Kaeya smirks. “Good. You can thank me by giving me a free drink in your establishment if you end up getting good information out of that hangout.” 
“In your dreams.” 
– 
With the help of Kaeya, Diluc was able to contact Jean and see if she’s willing to spend some time with him, only for her to instantly agree and invite him to a private restaurant where they won’t be disturbed.
“It’s an honor to be able to meet you, Mr. Ragnvindr.” Jean said with a polite smile as she and Diluc sat down on their seats across from one another, the server pouring water on their glasses before handing out two menus and taking his leave. “I hope you didn’t have a hard time finding this place, did you?” 
The red-haired man shakes his head. “No worries, I didn’t have any difficulties. How’s your… day?” 
“I’m relieved you didn’t have any hard time, and my day has been a breeze, thank you.” She then lifts up her cup towards her lips. “If I may ask, what brings you to spend time with me today?” She asks before taking a sip of her drink. 
He lets out a sigh when he remembers his brother. “Ah… You should thank Kaeya for that. He’s been nagging me to come and talk to one of my colleagues before I take my leave.” 
Jean’s eyes widened. “Oh, you’re leaving?” 
He nodded in response. “I’m planning to… travel to some places. I won’t be back for a long time, so I’m sure a lot of things will change by the time I return.” He explained. 
“I see… I understand, you need something to get your mind off of everything.” She says with a sad smile. “I hope you get something out of your trip, and may the wind lead you to the closure you needed.” 
He processes her words. “...Thank you.” 
Something flashes through Diluc’s eyes, and the atmosphere turns serious. “I hope you don’t mind, but I would like to discuss something regarding… something about a certain PD.” He adds. 
Jean stays silent for a moment, also turning serious.
“...Is this related to the reason why you’ve asked for a chat with me?” She asks. 
Well, she isn’t wrong about that. Diluc was already considering meeting up with Jean as soon as Kaeya told him about how the woman had her eye on Lieutenant Eroch as soon as she was transferred for reasons unknown. There’s no doubt that there’s something amiss in the police department given how sudden her transfer was, and it’s related to the lieutenant who shrugged off the case of his accident. 
Could he be the one behind his father’s death perhaps?
Diluc feels a little guilty for talking to the woman simply because of how she has the information he wanted. “Yes. I understand if you’re not willing to talk about it.” 
Jean shakes her head reassuringly. “No it’s alright. I have a feeling I know where this is going now.” 
She then looks around cautiously before whispering, “we are talking about Lieutenant Eroch, right?” 
He nodded. “Correct. I heard that you’ve been skimming around his office.” 
“You must’ve heard it from Mr. Alberich then.” She says with a light chuckle. “He’s the only one outside of the operation who knows, your brother has my deepest gratitude – if anything, I would’ve been easily caught by Lieutenant Eroch and make the situation worse if your brother tells him.” 
“What’s your purpose there?” He asks. 
Jean taps her fingers on the table, careful of what to say. “Let’s just say the lieutenant has been way too suspicious lately. Too suspicious that it caught the attention of a certain chief.” 
“And the certain chief requested you to personally investigate it?” 
She hums, looking down at her drink. “I suppose it’s for the better since we’re not sure who’s on our side, hence why I was transferred to the Lion of the South Department (2).” 
“You came from the Falcon of the West Department, correct?”
“Yes. I was actually supposed to come to the Lion of the South Department in a year, but it seems Chief Varka has other plans.” 
Diluc chuckles. “He’s one unpredictable man, indeed.” 
Jean then looks up at the man. “Is there.. Something you want me to do?” 
He crosses his arms. “There is. I take it that you haven’t found anything from his office?” 
She shakes her head with a sigh, only for Diluc to continue his words. “Then you should look on the rooftop.” 
She furrowed her eyebrows, now curious. “May I ask why?” 
“The lieutenant’s always up there if he’s not in the conference room and office.” Diluc says. “I’m sure a man like him wouldn’t go to the rooftop for view-watching or some peace and quiet. You should check if there’s something that’s hidden in sight.” 
Jean nodded slowly. “I see… Thank you for this, Mr. Ragnvindr.” 
“Please, you may call me Diluc.” He says. “I’m sure this won’t be the last time we’ll interact and talk like this.” 
It’s safe to say he’s right, this wasn’t the last time he’ll be interacting with Jean.
He’ll admit, she’s good to cooperate with. Not only did she take note of his advice, she also made sure to give a piece of her mind in return. 
He feels relieved, knowing that someday, the FPD will have yet another reliable and great chief who’ll lead them once Varka steps down. 
As soon as their hangout came to an end, both parties were satisfied with the information they gained. They both agreed to keep in touch with one another through texts so Jean could update him about Eroch (and hopefully something about the Fatui should the Favonius find out about something), thus exchanging each other’s numbers before taking their leave.
Afterwards, he began his journey to travel around Teyvat in search of the truth.
He supposedly wanted to stay in Mondstadt to investigate them, but knowing the possibility that they could be watching him given that he didn’t die from the accident, he instead decided to make it his last resort. 
Of course, he kept in touch with Kaeya, Adelaide, and Jean, who all informed him of updates regarding Mondstadt, the wine establishment, and the FPD. There were many good news to hear, such as how Kaeya became even more famous after a particular case where he found many children who were missing, how Angel’s Share is still the most sought-after establishment–
The one news that made him relieved is how Lieutenant Eroch has finally been arrested for many countless crimes committed, but unfortunately, none of the crimes were involved with the car accident.
He also learned how Chief Varka and a couple of officers were sent to a classified mission, which resulted with Jean becoming the current Chief of Police while he was gone. Meanwhile, Kaeya also became the lieutenant of the FPD, claiming he’s now “oh-so busy after my dearest brother left me here to rot with these never ending cases.” 
In a blink of an eye, four years have passed. 
There was never a moment when his determination wavered, his passion is as strong as an eternal flame that never goes out. He never fails to remember why he’s doing this and why he must finish this journey, reminding himself by remembering all the memories he shared with his father. 
Sometimes, he goes back to that time when Crepus died. Trying to remember if there was a single detail he must’ve missed that could help him make more progress with his investigation, only to bring back the pain, helplessness, and guilt he tried to suppress.
He took down most – if not all – that involved the Fatui’s dirty work, brought down those who are as evil as they can be and exposed them in public, and even fought them with either his own hands or with a weapon should the situation resolve in.. an inappropriate manner. 
Because of this, he’s now considered a threat who shouldn’t be underestimated.
Throughout his trip, he once helped a few people who have the same motives as him, such as a woman from Liyue’s government – the Qixing – whose against one of the members of the board of directors in the Fatui, a young CEO in Inazuma who disapproves the Fatui, a man who holds an important position in Teyvat’s most prestige academy and also has something against the Fatui for reasons he didn’t disclose, and many more. 
However, the most notable person he came to work with is someone who introduced him to a secretive network. If it weren’t for them, he would’ve been killed in Snezhnaya by the Fatui. 
Despite how far he has come, Diluc never encountered Tsaritsa – besides some of the board of the directors, who all have anything but good intentions towards him. This doesn’t mean his journey all came to fruitless of course, not when he learned so much from traveling around the world and encountering other people. 
He looked past his progress from his journey, and after a lot of thoughts, he decided to join the underground intelligence network, where he put all his dedication in it just as he did in the FPD. Not only did he rise up into the upper ranks of the network, he also gained even more useful information about the Fatui, such as how Officer Pallad’s involvement with the accident has nothing to do with the Fatui, causing the driver to run away from the incident since the van is destroyed.  
He also finds out from the network that Fatui can’t touch certain people such as the Tianquan, the Chief of Police, some families, and even certain CEOs of companies who are too valuable in their nations. He also gained new comrades – most of whose pasts are left behind and go on with the future like the wind. 
Perhaps he too, should stop looking back with the past and not think about all of what could’ve been anymore. 
By the time his journey had ended, he had a conclusion. 
The driver is still unknown, but he knew the order came from either the board of the directors, the chairman, or the CEO herself based on certain documents from each branch that mentioned the Ragnvindr name. The possible explanation is that Fatui wanted to  burn down the biggest supplier and the company who has unmatched wines in Mondstadt, whose nation revolves around wine and freedom.
Not to mention how everything will turn out worse should he face the Tsaritsa with ill intentions. Given how the Tsaritsa is one of the most – if not the most – important figures in Snezhnaya, only Celestia can tell what will happen to Diluc. 
He also realized that when he comes back to Mondstadt, he is still just as unsafe as he was during his stay in Snezhnaya.
He started thinking: what if he loses everyone he cares for? What if his brother gets taken? What if his dedicated and loyal employees get hurt? What if he somehow falls in love with someone, and they get hurt because of him? 
This led Diluc to believe that it’s for the best that he tries not to get too close with anyone anymore – let alone fall in love. Hence why he isn’t usually found with people around him, besides those who work for him or want to work with him in the business world of course. 
If he wants to be safe as well as protect those who he cares for, he must protect Mondstadt and become stronger. 
When he finally returned to Mondstadt, everyone was too busy talking about the latest mystery of the nation, aka the person responsible for the crime rates suddenly going down and for dragging criminals to the FPD’s doorstep before the sun rises. No one suspected it was the CEO of Angel’s Share – not when he just came back from his journey (in reality he actually arrived back a bit early but went undercover for a couple of days before announcing his comeback). 
By day, Diluc stays in his office doing his work by signing and approving documents, inventing new beverages, and sometimes serving in Angel’s Share if the days are quite slow. By night, he strolls around the city when everyone’s asleep, looking out for anyone who’s in possible danger as well as anyone who’s possibly a threat. He makes sure no one was followed or stalked, no shops being stolen, and no houses being invaded – it honestly reminded him of his old days as a detective back then. 
To Diluc’s relief, there were no actions from the Fatui towards him ever since he came back to Mondstadt – unless you consider the few Snezhnayan merchants who’d come to the wine tycoon in hopes for a partnership with their business. Of course, that doesn’t mean he’s less cautious and less guarded with his surroundings. 
This went on for the next few years. It’s the same cycle as always besides the special occasions and events he attended to: wake up, get ready, do paperwork in his office, check on his vineyard and think of new drinks to make for his establishment, visit Angel’s Share and help Charles if possible, go back home, start his patrols around the city, go back home and repeat. 
He didn’t mind how nothing’s changed much. As long as he’s doing what he can, he’s content with his life. 
Fast forward, Diluc was recently invited to attend the Grand Goth Hotel for the wedding between Hiiragi Chisato and Kamisato Ayato. Unfortunately he had no one who could be his plus one since everyone is busy, so he thought he’ll just be all alone, something he grew used to and didn’t mind thanks to his four years of exploring around Teyvat. 
Then he met you. 
He bumped into you due to him being distracted by his call with Kaeya. He realized his mistake for not apologizing quickly, but when he turned around to look at where you are, you’re far from his reach. 
He thought that was the end of it, until he saw you again in the souvenir shop hours later. He felt like you looked familiar when he first saw you in the shop, and perhaps you must be feeling the same way as well from how you’ve been staring at him like a hawk. However, when it’s revealed that you’re only staring at him because you remembered him bumping into you, he felt… taken back. That’s the reason why you’ve been staring at him? 
He was even more taken back when you were quick to tell him how he was so rude for not apologizing to you. He’ll admit, it’s sort of a refreshing sight to see someone who isn’t so timid or nervous around him and isn’t afraid to scold someone for their errors no matter who they are. Nevertheless, he didn’t hesitate to apologize for his behavior – and when he found out you’re also a guest in the wedding, he was even willing to pay for your wedding gift if you allow him to share, something you reluctantly agreed on after checking its price. In a way, this is his payment for what you’ve done for him back at the airport (though, he wasn’t aware that you’re the same person that gave him his father’s watch at that time). 
The next time you meet was in Good Hunter’s, whereas he overhears your conversation with who seems to be your group of friends. He didn’t bother listening to it, until he heard his name being mentioned. 
When you explained how you don’t like him because of how rude he is, he felt taken back once again. Were you really that hurt from him bumping into you? Well, his shoulders are broad and must’ve hit you quite harshly if he wasn’t careful at that time, so he can’t blame you for thinking he’s rude for that. 
But then again, he thought buying those champagne flutes for you was enough… 
Turns out, it is enough. 
It was strange how he keeps seeing you these days, especially this particular day. Almost everywhere he goes, you’re also there. It was quite an interesting  situation, he thinks. 
However, he knows that he shouldn’t get close to you. He swore to never be close with anyone anymore (with the exception of his loved ones) and you cannot be an exception. That’s why he has to make sure he can’t meet you again, for you and his sake. 
Yet despite his oath, he still finds himself getting involved with you – especially during one of those encounters when he sees you in a rather uncomfortable situation. 
He recognizes the two men talking to you as being the members of the Kamisato family. He would’ve mind his business if it weren’t for how you seem to be in need of help, 
And Diluc is not someone who ignores such a situation.
So he comes over to where you are, acting as if he was looking for you despite a part of him telling him to not go and help you. Fortunately, you caught on to what he was trying to do and played along to his lie, something that the other two men fell for and decided to leave you two alone. 
He’s not one to pry into someone’s life, but he wonders what the Kamisato has done to make you so distraught and sad. Instead of asking, he simply kept his mouth shut and offered you his handkerchief, and you reluctantly grabbed it from him. 
The gesture made him finally realize why you’re so familiar to him. 
The incident was years ago, but he’ll never forget you giving him back something precious to  him. He really can’t imagine what would’ve happened if he lost one of the things that belonged to his father. He isn’t sure if you remembered it, but it didn’t matter, because he finally repaid his gratitude to you. 
After comforting you, he eventually found out that you indeed had forgiven him already, causing him to feel a bit embarrassed that he’s been thinking that you still haven’t forgiven him. 
As soon as you enter your hotel room after what happened, Diluc realizes that somehow, this wedding no longer seems to be as lonely as he anticipated it to be. 
You became a familiar sight for Diluc from then on as much as he didn’t want to.
The next time you meet is in the bachelor party, whereas the two of you started to get to know each other more. You’re pleasant and smooth to talk with, and there was never a moment where the two of you felt off with your conversation despite some differences with opinions and ideas – at least, that’s what he feels – and bonded a lot on how you two have a lot in common. 
You’re not afraid to speak your thoughts and even laughed at some words he said that were unintentionally a joke. Even though you now know of his achievements and reputation, you still treated him the same, which is something that made him feel pleasant. Even more so when you praised him for being such “a cool multitasker” as you watch him make drinks and serve them throughout your conversation with each other. 
He can’t help but be reminded of his father, and yet for some reason, he didn’t feel remorse from that.
He’d never thought he’d click with someone, let alone having a conversation that could last forever, like he did with you. Interacting with you feels like he doesn’t have to be so uptight and has to keep up with the formalities – especially after convincing him that he doesn’t have to do so – and he’s free to say his thoughts.
When you decide to stop your conversation for a moment and excuse yourself to go to the bathroom, Diluc tries not to show the disappointment in his eyes and words. It’s strange to him, why is he so disappointed? You’ll come back anyway just like you said. 
As he waits and waits, he earns himself a new company.
Kamisato Ayato is… One secretive and mysterious man. It’s not something Diluc is suspicious of, really. If anything, the two of them have a few things in common, such as their shared determination in protecting the people they care for, their shared experiences of being the CEO at such a young age, their shared experiences of losing their parents–
As well as messing with the Fatui.
Diluc isn’t so surprised with the fact that the other is aware of his dangerous situation with the organization, but he was surprised that the groom had to send him a warning about being careful with how he spends time with you, who is still in the bathroom doing only Celestia knows what. 
His warning alone made the bartender wake up from his daze, and he faced the reality he had always hated. 
You can’t be involved with someone like him, a man whose hands have been dirtied and committed things that he dares not to explain. 
Once you’re entangled with him, you’ll simply be yet another person he has to protect from the Fatui and the burdens of only simply being his friend. Although he’s more than capable of dealing with the Fatui, he knows that spending time with you will only make things hard for you. 
Not to mention how people would react if they see you spending time with Diluc, and only Celestia can tell how drastic the rumors can be once this spreads around, so Ayato is indeed right, he should leave you alone. 
He does not acknowledge how such thought aches his chest deeply.
Still, he knows that ignoring you wouldn’t do anything but cause problems, so he tells himself that it’s up to you if you still want to spend time with him. 
And it seems you do, especially the next day after that.
The CEO was surprised to see you entering Angel’s Share, especially since the wedding is today. What surprised him more was when he realized just how much he missed you – or talking to you rather. 
What a strange feeling… 
As he continues doing his job, he can’t help but observe you from afar; a habit that he does at times during his shifts here whenever an unfamiliar customer visits the establishment but unlike everyone he observes, he doesn’t observe you out of suspicion that you have something up your sleeve. You looked like you’re enjoying your time with your few friends, something that made him quite happy to see (even though one of your friends is someone who’s rather a hassle in his establishment when he feels like it). 
He feels all the more pleasant when you decide to chat with him for a bit as though you’re old time friends, not realizing that he may or may not have slipped up a few words that he didn’t really mean, making you assume that he’s just there for the wedding to serve his finest drinks. 
It’s only a matter of time until Diluc realizes what he was doing, especially when he finds himself looking at your way unintentionally. You just look so out of place in Angel’s Share in such a good way that his eyes are drawn to you, like how a moth can’t help but be captivated by a shining light.
It comforted him to see you being relaxed in his establishment – be it because he’s happy to see his customers satisfied or because you’re happy – and he wanted to let it stay that way, especially when he has a few guesses on why you were saddened whenever the groom of the wedding is around. 
When he catches on to the fact that you’re also staring at him, he can’t help but feel conscious about himself, thinking about how he mixes his drinks, how he positions himself by the bar, or how he talks to his fellow customers politely, he wonders what you think about what he’s doing even if it’s the simplest of gestures. 
…Is this really something friends think of about each other? 
By the time it’s time for you and your two friends to leave in order to get ready for the wedding, Diluc couldn’t help but feel disappointed, wanting to say more to you but couldn’t. 
However, when you take one more look at him while he’s staring at you as well, and give him an acknowledged nod with that smile of yours; he knows the two of you will eventually talk again and catch up once more.
For some reason, he’s looking forward to the wedding more than ever. 
By the time he makes it to the wedding, he was a bit surprised to see that the ceremony hasn’t commenced yet. His surprise instantly disappears when his eyes land on you, who looks as though you’re looking for someone. Could it be him, he hopes? 
Thankfully, luck was on Diluc’s side. Seeing how there’s one more seat that’s empty beside yours, he slowly makes his way over to you to sit on that empty chair. When he sits down, you instantly look at him and your eyes brighten. 
Him noticing you being excited from simply seeing him made the wine tycoon feel.. Something. Important? Valued? He isn’t sure anymore, he’s at a loss for words when it comes to you.
Truly, this must be something friends have sometimes. 
As he watches the wedding ceremony commence, he can’t help but feel as if someone’s watching him from behind. This caused him to cautiously turn around for a bit, only to find the father of the bride glaring at his direction, but not at him it seems. 
He then realizes that the father of the bride was glaring at you.
Diluc couldn’t help but feel protective, internally taking note to watch the current CEO of the Chisato company should he plan to do something to you. 
When the wedding went on to the reception, it seems luck is still on Diluc’s side. When he arrives at his assigned table by looking for his name displayed on the seats, he spots your name on the seat that’s next to his once again. 
It made him feel relieved, knowing that he won’t be sitting next to those who would most likely talk to him in hopes of gaining opportunity to have the CEO’s attention and support in their businesses and whatnot. 
When you find out as well, you’re pleasantly surprised, but nevertheless happy with the arrangement. If anything, it gives you a chance to continue your previous conversation with your friend! 
Throughout the party, the two of you bonded more and are closer than ever. Diluc really couldn’t recall when’s the last time he had a conversation like this. It really feels as if he could never get tired of talking with you and won’t run out of topics to talk about. 
His highlights of your conversation are the times when you laugh at his words, when you listen to him with an awe look on your face, and when you talk so passionately about the things you love. 
Diluc particularly admires how you talk about your beloved nation, Inazuma. You talk as if Inazuma is your child, and you’re a parent who’s proud of it. Not only did you tell him the things that you love about it, but also showed him just how much you missed your home with the longing look on your face. Considering how long you haven’t visited the nation ever since you went to Liyue, he can understand the feeling. 
Someday, he’d like to go there with you… Maybe then you’ll be happier than you are now, and he wants to see that in his own eyes.
After you explained all there is to know about Inazuma, Dilic then shares his own words about his nation in return. He talks about the things that he thinks you might like about his land, only to find that you love everything about Mondstadt and explain how much you love the place, telling him how you’ve always wanted to go to Mondstadt because of its carefree nature and kind people. It was something that Diluc isn’t surprised by – he’s used to many foreigners he had talked to telling him about how wonderful Mondstadt is – and yet, he feels his heart warming hearing such compliments about his home from you. 
While he was explaining though, he can’t help but notice how you’re somewhat.. distracted, as if your thoughts drifted off to something, causing him to feel a bit concerned. Are you bored from his explanation? Did he say something wrong? Or.. Is it because of Ayato? 
When he asked you if you’re alright, you only responded that you’re distracted by the sight of the garden that surrounds the open-air room. He wasn’t convinced obviously, but seeing how you don’t want to admit the real reason, he knows not to push you for it and respect your privacy. 
However, asking you somehow got him to spend time with you in the hotel’s garden. 
Diluc could see why the garden is one of the hotel’s best spots for guests. It’s as magical and peaceful as what most people described. 
And yet, he can’t help but think that this place is all the more magical and special when you’re here with him. 
“It’s so beautiful..!” You comment in pure awe. If you at least glance at where Diluc is, you would’ve realized that he isn’t staring at the view of the garden that is indeed beautiful.
“Indeed.” He quietly agrees, his gaze never left you. 
Diluc feels his shoulders sinking a bit. Friends don’t think of each other this way, don’t they?
As the two of you stroll around the garden, Diluc covers topics regarding the flowers that surround the two of you and about other things, all the while you listen with great eagerness. 
It was only when he started talking about his first drink when he realized something. 
How long has it been since he talked to someone about his father? Let alone his past?
Was he really that comfortable talking to you to the point where he’s willing to share the things he never thought he’d talk about with someone? 
He was sincerely taken back that he didn’t watch his step and accidentally stumbled from a bump on the pathway. 
…How embarrassing!
His thoughts from before instantly fade away, replaced by how embarrassed he is from the situation he put himself in. It was impressive how you managed to pull him back from falling, had it not been for your strength, he would’ve been even more embarrassed from falling down to the ground completely. 
Unfortunately, it wasn’t the only embarrassing incident that occurred between the two of you. One thing led to one another, and suddenly he finds you hugging his arm out of fear from the sudden appearance of your plus one. 
Diluc felt like he was frozen the moment he felt your touch on him. He didn’t know what to do really, especially when you’re holding onto him as if your life depends on it. It was only by the time you let him go when he felt like he could breathe, watching you walk away first to get back to the venue.
Despite letting him go, he still feels the ghost of your touch. 
It seems the night is still young for you and Diluc. 
After the reception, the two of you proceeded to explore around Mondstadt City together to hang out more. But this particular night brought the man to something more than just a hangout. 
The more the both of you continue to spend time together, the more Diluc feels more confused, maybe even worried, about his thoughts and feelings towards you. He doesn’t know who you are to him if not a friend. If you’re indeed just a friend, then why does he feel like it’s more than just? If not a friend, then what? 
Deep inside, a small part of him already knows the answer to his worries and thoughts. 
So when he sees you talking with someone who interrupted your hangout with him, an unpleasant feeling creeps up on him, especially when it turns out that the stranger is someone you’re familiar with. 
He hasn’t felt jealous for a long time until now. 
Just the thought of you being with someone else made him feel unpleasant, and he isn’t sure what to do with it. He could only watch as you happily chatted with Heizou, his mind clouded with conflicts and realizations. 
Diluc realizes that his feelings towards you are something serious. This isn’t a mere admiration and fondness that will go away in a blink of an eye, but the kind of admiration and fondness that made him want more. 
What hurts is that he knows he can’t have that. Not when his life is too complicated to have the happiness he wants to have more with you, not when his life is as dangerous as it can be to have the peacefulness he wants to share with you, and certainly not when he’s sure you don’t feel the same feelings that he feels for you. 
Yes, Diluc finally admitted it. He wants you to be more than his friend. He wants you to be more than just someone who he sees on a daily basis, but someone who he sees when he wakes up to another day, someone who he sees when he’s all dressed up with gifts for yet another memorable date night, someone who understands him more than he understands himself, someone who he kisses goodnight before sleeping away next to each other, someone who he will cherish with all his heart without hesitation, 
Someone who he loves just as soulmates do. 
But he knows that it’s far out of his reach. 
What hurts more is how the two of you won’t be able to see each other soon, and none of you are sure when you’ll be able to.
…It’s for the best, he thinks. 
The morning after, he received a phone call from Kaeya.
“How was the wedding? Any juicy drama that I should know of?” He asks. 
“It was… not bad.” He replies. “I made friends with someone.”
“Wow, there’s actually a person who doesn’t mind Mr. Grumpy? Let me guess, it’s that foreigner you bumped into, isn’t it? ( Name ), right?” 
Diluc lets out a sigh, already knowing where this is going. “Yes, it’s them.” 
“Ohoho, now I’m curious to know more about them. You better introduce me to that friend of yours when I visit there.” 
His eyebrows raised up in surprise. “You’ll visit here today?”
“Yeah, I’ll be able to come to the hotel today to congratulate the couple. Don’t keep your new friend away from me when I get there, yeah?” 
Diluc scoffs. “As if they would want to be involved with someone like you.” 
“You wounded me! Who wouldn’t want to be involved with the person who grandmothers consider as the top candidate for grandson-in-law?” 
“Whatever you say. Don’t try to get lost in the streets.” 
“Ugh, that was only one time – and in my defense, I was drunk. See you there, Diluc.” 
And just like that, the call ended. 
Diluc puts his phone down with a sigh. He prays that Kaeya actually does get lost and won’t be able to see you. Only Barbatos knows what that man is going to do if he ever finds out about his feelings for you. 
Unfortunately, that was today’s least of his concerns. 
He can’t help but notice how a few Fatui members have been around the hotel lately. Usually he ignores them if it weren’t for how.. often he sees them today. Is it perhaps related to a certain higher up who wants to buy the hotel? 
Or.. is it related to a scheme he has yet to know about?
He thinks about it deeply to the point where he even spaced out a bit while talking to you in the garden as you wait for your friend.
He eventually finds out what the Fatui were up to when he decided to contact one of his associates in the underground network. 
“The people you’ve been seeing are under the security branch of the Fatui, so it’s evident that someone must’ve hired them for something they’re planning to do that needs to be under wraps. We’ll let you know if we happen to find out who’s their employer and whether or not you should intervene.” His informant tells him through the phone as Diluc continues to stand around the lobby waiting for Kaeya, eyeing on the Fatui guards carefully from afar. 
He didn’t have to wait for long on who’s the employer of the Fatui guards.
As soon as he kept his phone away after the phone call, he noticed the father of the bride walking around the lobby with a couple of the Fatui following him. He raises an eyebrow at the sight of the guards walking in a certain formation as though they’re surrounding someone–
Only for his heart to drop when he sees you among said guards.
What are they doing with you?
He then remembers how Shinsuke was glaring at you at the wedding ceremony back then, causing him to conclude that it must’ve been related to whatever’s going on with you and Ayato. 
He didn’t hesitate to start following them in hopes of getting you out of there safely, only to lose sight of you when a lot of people suddenly entered the lobby.
He quietly curses at himself in irritation as he tries to walk through the busy crowd, hoping that he’ll still be able to see you once he’s out of there. 
When he doesn't see you, he feels like he’s about to burn this place down. 
Please be alright, he thinks as he runs around the lobby like a madman, looking at every hallway to see a glimpse of you or your captors who seem to have more than just ill intentions towards you. It feels like he’s back in the incident where his father died as he feels the same thing that his younger self felt. Helplessness and fear of losing his loved one.
Fortunately, it was only a matter of time when he spotted the familiar Fatui guards standing in front of a door, holding what appears to be the very same bag that he saw you carrying at the garden earlier. 
He didn’t hesitate to go towards where they were, causing the guards to notice him at last and be alerted. 
“Sir, you’re not allowe–”
“I don’t care.”
As minutes passed, not one single person among the busy crowds in the lobby noticed the unconscious guards around the secluded hallway, with a tall man standing in the middle of the aftermath of his anger. 
As soon as Diluc finishes dealing with the Fatui guards, he immediately grabs your bag before reaching out to the closed room to open it. 
His heart drops at the sight of Shinsuke’s raised hand towards you. 
Hold yourself, he orders to himself, not wanting to throw hands towards the man who was planning to hurt you, who seems to be frightened but relieved to see Diluc. 
He puts on his calm facade. “Was I interrupting something?” 
It wasn’t hard to get Shinsuke out of the room and get you to safety, by the time he did, his heart breaks at the sight of you being all shaken up from whatever the older man did to you before he could arrive. 
This is an example of what will happen if they’re with me, Diluc thought as he tries to comfort you. He knows that even though your situation right now has nothing to do with him, you’ll get more situations like this if you’re with him, making him realize that even if he’s not an engaged man, he knows he still can’t have you. Not when it’s a risk to even be with him. 
He just wishes you to be safe and happy, but it hurts that it’s not something you’ll get from him. 
That’s why when you mentioned the airport, he felt sad from the fact that he won’t be able to see you after a while. By the time this wedding is over, he’ll go back to the same cycle he lived with ever since he came back to Mondstadt. He won’t be able to wonder what’s to come for him tomorrow, what topic you’ll be talking about with him, and he certainly won’t be able to see you at all for only Celestia knows how long. 
He then wondered if you two will ever contact each other after this. As much as it sounds selfish of him, he didn’t want that to happen, not when he feels this content with you. There’s no one who could laugh at the jokes he unintentionally makes, who would tease him enough to make him a bit flustered and smile, who could talk with him about anything for hours on end, 
There’s no one out there who’s like you. 
But he knows that he can’t make you stay, not when you have your own life to live. 
Perhaps… Perhaps things can be different if the world is safer. If his life isn’t as dangerous as it can be thanks to the Fatui, who dared to lay their hands on you for the sake of a greedy man such as Shinsuke.
Maybe… If fate allows so, maybe in the future, when things possibly change for the better, then perhaps you and Diluc could be something more than friends.
It’s just wishful thinking though.
He didn’t hesitate to take the opportunity to come with you to the airport so he could personally bid you farewell. To his relief, you were happy to have him coming with you as well as reaching out to him once you come back home. 
He wishes this week could last forever. 
Hours later, he finds himself staring at the ceiling while lying down on his bed. Meanwhile, Kaeya is on his own bed that’s next to his while applying skincare on his face as he rants on and on about whatever’s going on around the FPD. 
He wonders what could’ve been if his life wasn’t so complicated and dangerous. He wonders what could’ve been if it were you who he gets to call his spouse and the one he gets to consider as his partner and equal. He wonders what could’ve been if he wasn’t such a coward. 
He wonders if you think of him the way he thinks of you. 
.
.
.
You realize that suppressing your feelings is not the way of moving on. 
Love hurts. Thinking of the past hurts. You realize that Diluc is just someone who helped you with your confrontation towards the past you so wanted to forget because of the pain it brings, but he’s not the one who can completely help you heal. 
By the end of the day, it’s you alone who can heal yourself.
You knew that you can’t admit your feelings to Diluc just yet, and you know it’s best this way – after all, you still have to take time focusing on yourself first now that you took a big step from your burdens. 
You just hope that by the time you’re ready to deal with being in a relationship, you wish that person who you’ll be with is Diluc. 
You find yourself lying down on your bed as you scroll through your photo gallery, finally looking back at the memories that you shared with Ayato, with your friends, and with yourself. It’s been so long since you’ve looked at them that you almost forgot some of the moments that made you happy. 
It took a while until you finally decided to call it a night, turning off your phone and placing it on the nightstand next to your bed before trying to sleep.
You hope you’ll be able to see Diluc again and spend time with him one last time. Maybe you two could go eat at Good Hunter’s together, take another stroll around the hotel’s garden and talk about Inazuma’s flowers this time, or even–
Ah, you feel so in love. 
You let out a quiet dreamy sigh with a smile, excited for what’s to come tomorrow. 
Now that you mentioned Inazuma, you couldn’t help but wonder when you’ll be able to visit your homeland again.. 
You close your eyes. Perhaps Ei won’t mind if I request for a transfer someday. 
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sleepykye · 10 months
Text
Back to the old times...
Okay so imagine that you are obanai's best friend from when he was young.
《Spoiler warning》
Obanai's backstory
What's behind his mask
Please read at your own risk ⚠️
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Obanai sat on his tree, thinking about you from the old times, oh how you were so kind to him...
His family was well off because of cruel things they did. Obanai was born and raised in a cell by a family who worshipped a female snake-like Demon. The Demon's face and lower half of the body took the form of a snake and loved eating babies. His family sacrificed their own children in exchange for the stolen goods of the people the Demon had killed. The demon took interest in obanai because of his eyes, which leads to her sparing obanais life in order to eat him when he was older. But she had ordered his family to slit his mouth in order to resemble hers.
Here's a pic of how it looked like ( her mouth )
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You, being one of his family's servants (pretend they had servants okay- ) served him food everyday, but you felt pity for him. He would be eaten one day without seeing the outside world, and you felt that what his family does is wrong. You gave obanai a hairpin for him to break the walls and escaped.
The hairpin could be hidden easily when he was observed by the snake demon. You didn't really think that it was good enough for him to break the wall though. But you had faith in Obanai, you even gave him your pet snake, it was trained by you and could prove useful for him. Obanai found you kind and you often found yourself talking with him and engaging in conversations. You also often help him try to break the wall with a hairpin aswell.
The moment you both succeeded in escaping, both of you ran and ran until you were out of breath. But not long after, the snake demon had found both of you and almost ate the both of you alive, until you were both saved by shinjuro.
He handled the snake demon quickly before taking you and obanai together to find obanai's family. Obanai got yelled at by the last survivor of his clan saying, " YOU SHOULD HAVE LET YOURSELF GET EATEN ! OUR WHOLE CLAN IS DEAD BECAUSE OF YOU !! "
Which brings us back to the present, obanai didn't really want to remember the rest. With you beside him on the tree, he is thankful that he and you were together till the end. And if it wasn't for you, he wouldn't be alive right now.
"What are you thinking of obanai ? " You tilted your head as he looked like he was in a daze.
"Nothing" was all he said as he patted your head. You let it slide as you both continued to sit on the tree in silence, observing the surrounding area. From the expression he had just now, you could tell he was smiling under his bandages covering his mouth. But you really didn't understand why he would want to cover it, but you decided not to ask as it may bring up bad memories for him.
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idyllic-affections · 8 months
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HIII so this might be an odd request,,, mayhaps i ask for kaveh with an older step sibling (since his mom remarried i think).,, i think kaveh would be a little awkward interacting with them at first but they got along in the long run!! esp when they update him about his mom and never really makes him uncomfortable, or always doesn't force a conversation!! he respects his ideals and supports his passion!!
but the main idea was they go to sumeru one day to visit kaveh (they've been informing him thru letters) and accidentally finds out that he's buried under crippling debt and flat out broke!! i think kaveh would feel so ahasmed of himself but!! his older sibling doesn't judge n is very understanding!! helps him with his burdens (if kaveh allows them), maybe recommend his architectural skills to their friends in fontaine!!
idk i just really like the idea of kaveh having an older family member that he could rely on because he really just deserves nice things yk 🥺🥺 even tho they're just step siblings, they feel like true family!!
anyways feel free to ignore this!! have a nice day/night and take ur time!! 💖💖
the blending of two families.
summary. not all step-siblings are like the cruel ones in the fairytales.
trigger & content warnings. references to death and grief. spoilers for kaveh's backstory.
tropes, pairings, fic length, & other notes. fluff, comfort, slight angst. kaveh & older step-sibling!reader. 1k words. they/them pronouns for reader.
author's thoughts. THIS REQ IS LITERALLY SO CUTE WHATSJSGJF??????? i have Feelings about kaveh's mom and they are NOT good ones but i'll be nice to her for the sake of this piece........ /lh i did this in brainrot format because i wanted SOO badly to get this one done relatively quickly this req invaded my brain like a song that gets stuck in your head
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kaveh first meets his older step-sibling at his mother's wedding.
he's... happy for her, he really is. or he's trying to be, at least. she deserves nothing but the best. what kind of son would he be if he wanted her to live her life wallowing in grief and sorrow? she's hardly ever done anything to hurt him, and if she ever did, it was unknowingly. he could neved wish anything bad upon her. she simply does not deserve those things. therefore, he's doing his best to be happy for her.
a part of him, however, still misses his father.
a part of him— well, who is he kidding? the entirety of his being still suffers under the weight of grief and guilt caused by the circumstances surrounding his father's death.
he doesn't even know the man his mother has chosen to marry, really. kaveh absolutely does not feel like she is betraying him or his father whatsoever, but... he does wish that he had gotten to know this man a little bit better before having to trust that he would not wound his mother's scarred heart.
the architect doesn't engage with the other guests much. it's unlike him, really, but he finds that he can't muster up the strength and charisma to talk with people beyond simple pleasantries. he keeps to himself for the most part.
still, he doesn't dare dampen the atmosphere with his woes, so when another person approaches him, he offers his warmest smile.
"sorry, i hope you don't mind me asking..." this stranger smiles politely at him. it puts his mind at ease a little. "is the bride your mother? you look an awful lot like her."
"oh, i—" he stammeers inelegantly, then clears his throat. "yes. i am her son, kaveh."
they smile again.
"hello kaveh. i'm [name], the groom's child."
"oh. oh! i am so sorry, i had no idea!"
"it's alright, really. you mind if i stick around for a while?"
and kaveh finds that he doesn't. he doesn't mind at all.
the architect has been known to be loose-lipped about his troubles; that in and of itself is part of the reason why he spent the night withdrawn from the celebration. he had no intention of being open about his troubles, and yet...
his step-sibling had the sort of face that made him want to rant, and rant he did.
"i can understand that," they mused thoughtfully, kind eyes observing his expression closely. "it's complicated. grief is never easy. i get it."
initially, they were the one lingering around kaveh, but by the end of the night, the tables have certainly turned. he is practically attached at their hip.
he finds that their understanding presence ended up raising his low spirits.
a few days later, kaveh has to return to sumeru—he does have responsibilities, after all—but he's a bit sad about it! they're, of course, there to reassure him that they plan on visiting someday soon. maybe he can show them around? the prospect alone is very thrilling to him, and what's better is that he'll get to show off his magnum opus like an excited toddler showing off a drawing they made! he does warn them that it is very humid and they need to be prepared, though.
until they can visit, kaveh regularly exchanges letters with them. he complains about his terribly annoying roommate and how awful his taste in interior design is. he tells them about random gossip he heard at the tavern. honestly, he just rambles. it's endearing, really, and in return, they tell him about fontaine and maybe sneak in just the smallest bit of gossip about a certain chief justice or even about the hydro archon herself.
(in the future, closer to when the traveler arrives in fontaine, they do not dare tell kaveh about the heightened fatui activity. goodness, the poor thing would worry to death for theirs and his mother's safety.)
when they do finally have the time to come visit...
they arrive by boat in port ormos, and kaveh is there to pick them up!
he's got a lot of things he intends to show them and a lot of people he intends on introducing them to. on the way back to sumeru city, he stops a few times, pointing out some particularly beautiful locations or animals, all of which would have his siblimg absolutely over the moon. sumeru in general would have them enamored.
the air in sumeru is so... clean compared to fontaine, and the fauna and flora—it's completely different than what they've seen.
now, as for [name] finding out about kaveh's crippling debt... i think they would suspect something was off financially for him, simply because of certain mannerisms of his. he's careful with what he spends his mora on. he tries to be, at the very least, and his caution is very evident. or maybe they're just observant? either way, they know something is a bit off.
kaveh leaves them at alhaitham's home for a while.
it's not that they're one to snoop—it's disrespectful and rude to do so, they are very much aware of this—but a letter would catch their eye.
a letter detailing what he still owes to dori.
suddenly, things make sense in their mind.
they don't try to ask his roommate about it. instead, they wait until he's home and alone with them.
"kaveh," they call. "are you in debt?"
his heart sinks a little. so much for hiding it...
"i..." he hesitates, obviously embarrassed, but he does come clean. in their eyes, he looks like a kicked, pouty puppy. "it's... complicated. i mean, you're not wrong..."
"aw, kaveh, don't look like that," they coo, reaching out to gingerly squeeze his shoulder in a gesture of gentle reassurance. "it's nothing to be ashamed about. things happen, kaveh. life happens. i understand if not, but... will you let me help you out? at least a little bit?"
regardless of what he says, whether he admits that he could use the help or insists that they shouldn't have to do that, they do still go around and tell people about their super awesome and talented step-brother! and when kaveh asks in a letter about the suspicious amount of commissions he's getting from fontaine...
nope! they have no idea how those people found out about him. <3
please consider reblogging, it helps me out quite a lot!
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belit0 · 8 months
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HIIIII<3333 How are you and how have you been. First, i need to praise you for such a good work you do, i really am impressed by your writing skills and how you write the characters so realistic and understandable. You truly have my respect especially for writing some characters like Madara or Indra are really complex to write because of their personality and they truly are complicated due their backstory. So thank you dearly for accepting requests and working on them. You truly have an unique writing style wich i do absolutely admire! Please keep up but don’t overwork yourself, rest is important and please remember to drink and eat enough. I love you so much and your blog is literally my favorite. ( You 🔛🔝) So actually i wanted to ask for a request. (A oneshot or a scenario please) About Madara watching his wife giving birth to his baby and how he sees his wife holding their new born in her arms. Please i am too curious cuz i really can’t Assess this man if he would cry at this sight or not😭. I woule appreciate if you would accept my request. But there is no need to. Feel free to ignore it, i still love your blog so much.
I swear your words touched me so much that I took a screenshot and saved the message in my private chat to read it whenever I need motivation, you brought tears to my eyes (literally)!!!
Thank you infinitely for your beautiful company and for supporting my modest work, I love to share what I do, especially if I have people who like it and enjoy it, it fills my soul to read words like that💕🙏💫🛐
I can never explain the appreciation I feel upon receiving this type of messages, it's a very powerful and big feeling, too strong and too deep for words.
Thank you so much, my beautiful nonny, for being around and keeping me company, please never go away, i love u😭💕💫
Now, going back to the request, OF COURSE MADARA CRIES, he's one of those persons who cries out of anger, it bothers him a lot because he feels weak but has a great facility for tears.
Now, what I did to him in this piece is a bit cruel, I apologize🤣🙏
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He can't stop pacing the hallway, anxious and nervous, desperate because of the screams he hears on the other side of the door. The midwives demanded he stay out of the room to avoid creating more chaos, his distress palpable in the air every time he asked "Is she in a lot of pain? Is the baby okay? Is something wrong with (Y/N)?"
He was kicked out of the place to avoid putting more pressure on the poor women assisting with the delivery, and even as the clan leader, he was taken away the choice of whether to be part of the moment or not. It all pushes him so far over the edge he even resorts to taking off his gloves and chewing his nails like he's 15 years old again.
"You look like crap, Aniki." Izuna comments with a smirk on his face, openly mocking his poor older brother. Leaning against the wall with his arms crossed, he looks at him with amusement and even a bit of pity.
As always, his Otouto accompanies him.
"No shit." He snorts in anguish, tearing the skin off his finger and hissing from the burning. He may be the strongest warrior of all his time, but he can't help the little mundane aches and pains of day to day life.
"What's got you so bad? It's just a baby." He reaches out to him as if to lay a hand on his shoulder, but stops before doing so, knowing the outcome, clicking his tongue at how fickle fate is.
Staring at the ground and swapping the tortured finger for a new one, he fails to get out from inside his mind, raise his head, react. Worry consumes him, and (Y/N)'s screams of agony don't help. "Exactly that. I couldn't protect anyone, I couldn't protect you, I won't be a good father, what if-"
"Wowowo, hold your horses, Aniki. You couldn't protect me because I wouldn't let you, if anyone was going to take that idiot down it was me. We talked about it many times, didn't we?" He stands in front of him, unable to get his older brother out of his vicious cycle of insane thoughts, and crouches down to the ground to meet the path of his eyes. He smiles at him again, an act that always manages to get Madara's attention, and he finally listens to him.
"Did you think of a name? That'll be your job if it's a boy." Madara jumps in a startled gasp as (Y/N) screams louder than ever, and looks at the door separating them as if wanting to set it on fire. Respecting the midwives' wishes feels stupid, but neither does he want to get in the way of things he doesn't understand.
"Izuna." He answers without moving his eyes from the spot, walking and avoiding his younger brother like he couldn't just walk right through him. He moves a little closer to the door, waiting.
"What?" The younger Uchiha gets up, and moves back to stand next to him, not understanding.
"Izuna, for the name."
"You want to give your precious baby my terrible name? You'll doom him to be a beautiful mess."
"Tribute, so he'll always remember the uncle he never knew." And at the moment his eyes fill with sadness and melancholy, his brother decides to change the course of the situation.
"If you want to pay tribute to me, take him to visit my grave and drink sake over my remains, you idiot. I say you name him Inari, I always thought it was beautiful."
"Inari..."
"Sounds nice doesn't it? It's a good one to scold him after he gets in trouble, which I'll make sure he does."
"Will the baby be able to see you?"
"We'll find out."
"MADARA-SAMA!" the door suddenly opens, one of the midwives coming out agitated "THE BABY IS COMING, SOON!" She demands him to re-enter the room, and Madara looks at his brother for encouragement.
He smiles at him again, and that's all he needs to know that everything will be okay.
The makeshift delivery room, on the other hand, is a mess. Several women run around moving bloody towels and trying to wipe the sweat from (Y/N)'s forehead. One holds her hand tightly as his wife pushes and pushes, legs spread wide and revealing a picture both terrible and wonderful.
"MADARA-SAMA!" the midwife shoves him from behind to the side of the bed where she attempts to deliver their child, unafraid to be rough with the clan leader. Madara, unable to react, grabs the hand that was previously held by another woman, as he stares at her belly and can do nothing but try to hold back tears.
Paralyzed by inoperability and not knowing what to do, the Uchiha feels useless, incapable of helping or assisting in any way. His expertise is in fighting, combat, violence, he has no idea how to act in sensitive situations or those that require emotional intelligence. He is afraid to say something inappropriate, something that will upset (Y/N), and cannot find the strength to speak without crying.
No one told him he would feel this way, an experience so surreal as to make him break down.
The last time he cried disconsolately was with his brother's death, years ago, but his child's birth seems to challenge him in the same way, the miracle of life and the product of his own dedication coming to reward him, demanding him to pour out all his feelings through tears, no shame for being in front of strangers.
Everything seems to disappear around him, focused only on his wife and the task ahead. The stupor washes away little by little, getting into the game and helping her get through the experience as best he can.
At one point he thinks to be speaking words of encouragement, but has no track of what is going on. The image of (Y/N) suffering, crying, screaming, stirs him to the core of his very being, wishing he could take away her agony and be the one to endure this odyssey.
He holds her hand with both of his, while between his wife's legs two midwives demand further pushing. Everything is chaos, a maelstrom of speed where Madara can only concentrate on her, until he suddenly hears it.
The most beautiful cry he has ever witnessed, a small, high-pitched sound coming from a tiny baby in one of the midwives' arms. (Y/N)'s face automatically relaxes, ready to faint from exertion and exhaustion, yet she whispers "Hold the child" before smiling with genuine joy.
Madara, following orders while being totally out of his comfort zone, receives the newborn in his arms, and what was once silent tears now turns into unrestrained crying.
He crumbles in front of his baby for different reasons, moved and overwhelmed for having been able to produce something so beautiful, so delicate, after destroying and murdering as much as he did. That adorable little human being is proof enough, at least for him, of not being a disastrous person, for there being hope and kindness in his destiny, able to repent for all the lives he stole on the battlefield.
Izuna's death brought him great resentment for the world, condemning him to anger and rage as a way of life, willing to destroy whoever it takes to regain what was lost, yet (Y/N) saved him from an avoidable catastrophe, and showed him he could be more than his grief, giving him the tools to move on.
Holding the result of such pure and generous love in his hands is the mythical demonstration of how the blood on his hands is washable, how his past does not define him, and how his future is not marked by eternal pain.
The thrill of a better life engulfs him completely, as he stares with pure affection at the child he himself created. His son, utterly his, the most beautiful ray of sunshine. "Inari..." he whispers between sobs, and brings him closer to his wife for reconnection with his mother.
Upon reassuring (Y/N) is no longer bleeding and there are no further problems to worry about, the women begin to leave the room, carrying lots of bloody sheets and towels, cleaning the space little by little and giving privacy to the new family.
One of them takes the newborn for close examination, and when the room finishes clearing of people, Madara can see Izuna near his baby, making sure the midwife treats him well and takes proper care of his little Inari.
He can't help but cry again at the image, knowing his son will always have a guardian angel with him.
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twst-rose-prisms · 18 days
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Alisa Whiterose's profile
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𓇼 Bio 𓇼
- Dorm: Octavinelle
- Japanese: アリサ • ホワイトローズ (Arisa Howaitorozu)
- Birthday: July 10th (Cancer)
- Age: 16
- Height: 165cm
- Dominant hand: Right
- Homeland: Queendom of Roses
- Family: Unnamed Mother & Father Alice Whiterose (non-blood related sister)
- Voiced by: Kana Hanazawa
- Other Name(s): Mademoiselle Angelfish (by Rook)
𓇼 School 𓇼
- Grade: Freshman
- Class: Class D (no 5)
- Club: Board Game
- Best subject: Alchemy
𓇼 Preferences 𓇼
- Hobby: Shopping, Yoga
- Pet peeves: Saving money
- Favorite food: Strawberry candy
- Least favorite food: Green smoothie
- Talent: Photographic Memory
A cheerful, trendy girl who is a remarkable Magicam icon to her followers with her fashion sense. She loves cute things in general and likes to take pictures or selfies many times. Though in reality deep down, she's a cunning, calculating and somewhat cruel girl who isn't afraid to bend the truth to get what she wants. At least, she only gives that treatment to those who get on her bad side or break Azul's contract as one of his debt collector and assistant.
𓇼 Unique Magic 𓇼
Sugarhoney Whisper ( 嘘の行進 "Parade of Lies" ) Can bend the truth permanently with any lies she wants (even jokes or nonsensical words if she wants to). However, she can't lie to the same people with the same lie twice, and if they remembered the truth then the lie that she told them will become useless.
𓇼 Background 𓇼
Living under the sea can be both exciting and also scary at the same time, especially when you're not a carnivorous, big animal with sharp teeth or a giant body. You could easily be eaten or won't be big enough to survive, it was the same for Alisa. A tiny, feeble angelfish, that's all she was. Got drifted away from her family at a rather young age (at least, for a sea creature), and she learns what it's like to survive for yourself and yourself only in a harsh, but memorable way. She admires the land above the sea, she wants to feel the warm sunlight, and the bright and white clouds that she only heard in the tales under the sea. She only has one wish - and that is to become a human. A creature with limbs that can grab, touch and feel things easily. She isn't even a merfolk, which makes her wish, her desire grow stronger every day. Even fishes have sentience too you know!
She doesn't remember what happened or how she became a human, but she does remember her body above the water's surface, drifting near the shore as she opened her eyes and looked around at the unfamiliar world around her. Her life changed completely right at that exact moment as she realized she had gained a human body. Her wish finally came true, after oh so many years of longing and waiting.
𓇼 Trivia 𓇼
She is based on pink fluorescent Pterophyllum (Angelfish), she has a human form like other Octavinelle characters, even though she didn't her a merfolk form at first until after she had a human body that she gained one.
Her hair is styled like 2 long fins of an angelfish's body, although she doesn't seem to mind it, she did wish her hair to grow even at some times, which indicates that her hairstyle is natural.
Her merfolk form has fluorescent gills and tail that can glow under the sunlight, with clear, translucent fins and her eyes also turn into a more ruby-pinkish color. She rarely turns into her merfolk form because she is rather insecure about it.
She has an excellent photographic memory and can remember the exact details of a photo that caught her attention, she is also very good at remembering people's faces, Due to this, Azul made her one of his assistants and made her work on things that related to memories or when searching for his clients.
As her backstory stated, her real homeland wasn't Queendom of Roses like in her profile but it was the Coral Sea.
While one of her pet peeves is saving money, she is actually good at it, although it brings her frustration every time she does so.
Everywhere she goes she always puts on makeup including her school look to her PE uniform. It's also the same with manicures, she likes styling herself a lot in general and isn't afraid to show off her charm confidently.
Often stays at NRC for winter holidays and rarely goes back to her home, she prefers to stay at the dorm more as she doesn't seem to have a good relationship with her family, it seems that it's the same case with Alice - her older sister.
Coming from a family that specializes in selling potions or witchcraft tools, she has a good understanding of making potions especially alchemy, it's also her best subject.
Although she can appear cruel, that's not actually the case most of the time as stated in her profile. She is pretty friendly towards most people and is not afraid to start a conversation with others whether they're strangers or not.
She always wears a white ribbon with her name on the fabric everywhere she goes, even in selfies or photos she doesn't seem to take it off most of the time. To her, it's a "special gift to remind her of a special memory" and she seems to treasure it a lot.
She often uses modern slang in her sentence and doesn't seem to get embarrassed about it, she said that it's not because it's trendy that she does so but rather she is just fond of it and found it funny.
Despite being a freshman, she has her own henchman and often makes him work for her but it's mostly just carrying heavy things or buying stuff for her. She treats him like a good friend and often puts him in photos with her.
One thing she despises the most is photobombing, especially her selfies. She has her own "ritual" before taking a photo, from planning the angle, lighting, etc. and will get moody if her "ritual" gets interrupted or goes wrong.
She dislikes eating veggies in general but can tolerate them if she has to eat them, although green smoothie will definitely get a no from her.
She often has a sweet, candy smell coming from her as said by others, it's unknown whether it's natural or not as she will not give a clear answer or just smiles in a very cryptic way.
Like other Octavinelle students, she also works part-time at the Mostro Lounge, mostly at the bar and serving drinks with a cute, charming smile that would get others swooning for her (she is confident in her look).
She has a mole under her right eye, one on her left ear and right thigh. She isn't afraid to show them off or has no problems with it whatsoever.
Put her together with Cater and you'll hear nothing but a bunch of modern slang, trendy topics or talking about Magicam stuff in general. She also makes sure she catches up to the latest trends or gets updated on the latest news constantly. (Her phone case is also pretty eye-catching and customized to look very "Alisa-styled")
If you're reading this then first of all, thank you so much for reading till the end! I really appreciate it!! I'm finally done with my 2nd OC reworking! I'm happy with how she turn out even though she doesn't look that different comparing to her old design, but she got more drip! Really have fun designing all of my OCs so far so expect more to come in the future~
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kuugelsart · 9 days
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(Last two pages from The Heartless Cur) I saw on another social media platform one anime contest and it was ''best sensei'', Gojo vs Dazai. All the ones who were voting for Dazai and wrote about it in comments, got comments from Gojo fans and others, that Dazai is just an bad person who abused Akutagawa. Those people clearly don't know the actual background story about how Dazai and Akutagawa actually met. I commented like this in that post: Many people here are talking about Dazai abusing Akutagawa. In the short story The Heartless Cur, that was released about 9-10 years ago, it a bit explained Akutagawa's backstory and also the moment he met Dazai. Dazai said to Akutagawa that he can give him enough money to have decent lives with his sister or he can join mafia. Akutagawa said that he wanted a reason to live and asked if Dazai can give it to him. He wanted join mafia and he did. In anime, none of this was told. Akutagawa could have had nice life without joining mafia. Dazai also knew very well how cruel, brutal, sadistic the life in mafia was. In his mind he most likely thought that he has to give Akutagawa rougher treatment so Akutagawa gets used to the life in mafia and that he will survive in the life path he himself chose. It doesn't of course fully excuse that kind of treatment but it still makes sense. Akutagawa had way better chance to survive and succeed in mafia when he was taught from the beginning how cruel it is so he was able to adjust and get used to all the possible horrid things he would face in the future. Many people judges characters and situations without knowing the actual full truth and it's sometimes quite frustrating. As I see constantly everywhere people saying how Dazai is bad and horrible character and person as he was abusive to Akutagawa. But his actions does make in a way sense. Akutagawa could have chosen differently but he chose life in mafia.
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theerurishipper · 7 months
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do you think Zoe as a character is a necessary for the plot?
I lover her design but as far I can see her character doesn't seems to be necessary for the story, at all. I thought at first she'd be a challenge for Chloe to finally become better, especially after the play they did in Queen Banana. I thought with Chloe break of her friendship with Adrien that would be the time for her to slide in and try to be a sister/friend for her which will create a positive characrer development for Chloe.
But as the story progress I feel like she doesn't seems like to make impact on Chloe's life and it seems like she doesn't even interact with Chloe much, she instead hang out with Marinette and end up become another generic character added for the sake for increasing Marinette's harem and I don't know, a better bee holder who wouldn't talk back to Ladybug or demanding thing from her perhaps? Because this show has allergies toward character who challenge Marinette's morality.
I mean if the reason why they added Zoe is just for the sake for a new bee holder, I don't see a reason why they can't use Aurore or Mirriele since they already have unique model. Being from different class doesn't stop Marc to be a miraculous holder after all. If she's added for the sake of lesbian representation, we have JuleRose already. So why is she here?
Honestly? Zoe is one of the most useless characters in the show. She only really exists so that the writers can fit her into whatever role they need to progress the plot, because she doesn't have any established characterization. I do like her design, but that's really about all I can say. She's just such a non-entity to me.
Her first episode was actually quite interesting to me personally. A character who tries to hide her true self and lies in order to be accepted by her peers? Interesting stuff! I dig characters like that. Her being all nice and friendly with Marinette at first and then switching instantly to becoming mean and cruel? How intriguing! What a good way to establish a character! This could be the start of a really good character journey in which Zoe learns that she doesn't have to put on these roles to be accepted, culminating with her earning the Bee Miraculous as a fully established character!
But there was no character arc. There was no arc, no nothing she just... got over it thanks to one speech and got the Bee Miraculous in the next episode and then descended into obscurity. She could have been so much. Imagine how it could have been if we had gotten to explore her character. Like, maybe she could have caused the akuma on her first day instead of being the one to be akumatized. This could have set up everyone else disliking her while leaving Marinette wondering why she seems so different from before, and it could have started Zoe off on the path of realizing she didn't want to put on an act to please bad people and be accepted by them because she didn't want to hurt other people, actually.
Over the course of the season, maybe we could learn about what exactly happened in her old school through a proper backstory and not just an exposition dump. We could learn about why she is the way she through exploring her relationships with her father and her mother. We could have her grow through her interactions with others and her observing Marinette with her friends, and we could have watched her slowly realize that she maybe doesn't want to put on an act anymore and that she just wants to be accepted for herself. This way, we could actually get to see her act this way and understand why she is the way she is, and have her motivation be revealed in a natural and compelling manner, instead of just having it all be dumped onto us in her debut episode.
Then we could have the obligatory akuma, which lets Marinette know that there's more to Zoe after all. Maybe Marinette tries to reach out to Zoe after that. Maybe this leads to Zoe learning what real and true friendships are really like and leads to her finding people whom she can be herself with and who will accept her unconditionally. Maybe we could actually see her hanging out and bonding with everyone and actually watch the scenes with stuff like Rose and Juleka helping her dye her hair instead of it being relegated to an end-of-the-episode montage. They could have used those sneakers of hers more. Those were an interesting and compelling aspect of her character, considering the fact that she would write down the nice things people said about her on it. Maybe we could have a scene of her doing that with her new friends. And maybe after this, she gets the Bee Miraculous, and being able to help Ladybug like this inspires her to help others the way Marinette helped her, which makes her reach out to Chloe, thus letting her true self shine through completely, and this could also prompt a gradual change in Chloe.
I'm just throwing out some scenarios here and I don't claim that I'll do a better job of anything, but I really do think that the reason Zoe's character suffers is because of the abysmal pacing. They set up something interesting with her and then resolved it in one episode, which made her character dull and boring for any other time she's on screen. If they had stretched it out over the course of the season, she would have been way more interesting. As it is, she has nothing going for her.
From a writing perspective, Zoe has the most generic personality ever. She's nice and kind, just like every other character in the show. Any interesting facets to her character or any meaningful conflict she could have faced is fixed in her introductory episode and never seen again, and she herself only ever appears in the background of other episodes along with the rest of Marinette's classmates, contributing nothing of value. Her relationship with Chloe and her promise to always love her? Forgotten. Her conflict about not wanting to put on an act? Somehow, she just... got over it in one day and was always just her authentic self from then on. Like, name one character trait about Zoe that you can't say about anyone else. Even the rest of the class, obscure as they are, have more defined personalities and quirks than she does.
Zoe is literally just there, and the writers pity her sometimes, so they give her stuff to do. And you can't really say any of them don't make sense for her character, because she doesn't really have one beyond the base traits of nice and good. So you need a replacement Chat Noir? Zoe. Need representation? Zoe. There's no real reason for any of this to be her, it just happens to be her... because. Like you said, this could have been done by characters who were already here. We could have had our lesbian rep from Julerose, we could have had Nino for the Black Cat. There's nothing of value that Zoe as a character brings to any of these things, it just so happens to be her because she has nothing else going for her, and because her personality is so underdeveloped and practically non-existent that anything goes. And also Kagami would have been a better choice for both of these things no seriously this is Kagami erasure this is Kagami slander justice for Kagami.
And it really does suck, because Zoe could have been an interesting character. Her character premise was genuinely compelling. But then she just got reduced to another classmate who hangs around helping Marinette confess and to another one of Ladybug's team. All her scenes are just comparing her to Chloe and going "oh Chloe bad Zoe good." There is nothing Zoe has going on for herself. She's really just there to be a replacement for Queen Bee. And this would have been fine if the writing organically and naturally inserted her into the role by fleshing out her character and relationships with Marinette/everyone else. But she has virtually no development or character and most of her scenes are used to beat it down our skulls that Chloe is Evil and Zoe is Good, so root for Zoe, guyz!
They are so insistent on shoving the Zoe is the Good Chloe agenda down our throats that they have characters act OOC just for that. Somehow, being talked down to in front of the school doesn't make Marinette doubt Zoe in any way, shape or form. Instead, the blame is placed on Chloe for corrupting her. Andre suddenly decides to grow a spine and stop enabling his daughter, and once again Zoe is supported and praised and Chloe is condemned (I'm not saying it was wrong for Chloe to be told off, just that it coming from Andre of all people just makes it part of the problem because it's so OOC). They even had Plagg go out of his way to compliment Vesperia over Queen Bee like, five seconds after he's seen her for the first time, even though Plagg never compliments anyone so quickly or so much, not even Adrien. They had Plagg spend the whole of Deflagration kissing Zoe's feet and praising her constantly even though he would never do so while he offers to Cataclysm Chloe! He would not fucking say that.
Honestly, when it comes to others interacting with Zoe and the conversation actually being about her instead of about Marinette, it just results in more comparisons to Chloe and how Zoe is sooooooo much better than her. Even the episode focusing on Zoe and her feelings has a Chloe subplot that basically takes over the whole thing so that they can be compared.
And I am self-admittedly not a Chloe stan. I am not particularly fond of her. But I also don't like being told what to think, and I don't like how the narrative tries so hard to make us hate Chloe and like Zoe without developing either of them or letting us come to our own conclusions. Zoe isn't given anything of her own. Either she is being whatever the writers want her to be or she is being Chloe but Good or she is being Marinette's newest wingman. They could have explored so much about her. They could have fleshed out her struggles and her backstory. They could have done something with that set up in Queen Banana between Zoe and Chloe's relationship. They could have explored Zoe's new relationships (the Zoe/Lila parallels practically write themselves, as does the Adrien-Zoe friendship). They could have elaborated more on her dream of being an actress. But they didn't. They just kept comparing her to Chloe whenever anything had to do with her, and her character suffered for it.
Zoe could have been her own character in her own right, and she did not need to be bogged down by being forever labelled "Chloe's replacement," but the show didn't let her grow beyond that initial label and now it's pretty much stuck forever. Honestly, she deserved better.
Thank you for your ask!
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writerthreads · 2 years
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How to write morally grey characters
By WriteAway on Servicescape
Morally ambiguous characters are those that are not simply heroes or villains. They fall somewhere in between, and as such, add a layer of depth and complexity to your story. The truth is that most humans in real life are not pure angels or simply bad people, but rather hold elements of both. Morally ambiguous characters can drive the plot in interesting ways, allow for great character growth, and sometimes end up being some of the most memorable characters in a book.
Morally ambiguous characters can start off with good intentions and then be driven to evil by others or by society, or they can start off evil and come to redeem themselves. Alternatively, they can remain ambiguous and complex throughout the whole narrative, and leave the reader to make up their own mind about them. Either way, these characters certainly make us think about the nature of good and evil and the complexity of the human psyche.
Give them a backstory
Understanding where they came from is important for any character, but it's particularly crucial when your characters are morally ambiguous. Often, the struggles the character went through in the past go some way to explaining their negative character traits now, or at least make us empathise with them a little.
The backstory is important for character development, and it is a great place to explore ideas of personal responsibility vs critiques of society and the results of terrible experiences. Whether your character was bullied as a child, pushed to the margins of society, or something else entirely, give them a rich background that helps us understand why they act the way they do.
Understand their motives
All characters should have needs and desires, and reasons they do the things they do. Often, when it comes to morally ambiguous characters, their motive is exactly what causes them to slip up and do morally questionable, cruel, or destructive things. This can be true whether or not the motive is itself a good one or not.
A morally ambiguous character can be a wonderful opportunity to explore the idea that the ends justify the means, and the corrupting force of power. Whether your character's motives are good but lead them to terrible actions, or whether it is precisely the selfishness of the motives that lead to your character's downfall, give them goals and desires that force them (and the reader) to grapple with choices and dilemmas. And the motives don't have to be as dramatic as the ones mentioned – as with Jay Gatsby in The Great Gatsby, it can be something as simple as a desire to win back a lover that leads a character into moral ambiguity.
Give them a weakness
Going all the way back to ancient Greek tragedies, the idea of the hero with a fatal flaw has lived on in literature for thousands of years. A morally ambiguous character may be fundamentally good, but marred by a particular weakness, such as cowardice, vanity, shame, or anger. The characters in F. Scott Fitzgerald's The Great Gatsby are full of fatal flaws. For Daisy Buchanan it is her vanity and desire for wealth and admiration. For Jay Gatsby it is his love for Daisy, as well as his shame surrounding his background.
Your character's weakness doesn't have to be the ultimate cause of their downfall or even their central character trait. The main point is that they have certain elements in their nature that challenge them, tempt them, or cause them to struggle. It doesn't matter what they are, but weaknesses make morally ambiguous characters more believable, layered, and human.
Give them redeeming qualities
This goes without saying, but you can't have a morally ambiguous character without giving them some redeeming qualities. Whether they are primarily good but are driven or tempted to wicked acts, or whether they are basically villains with good motives or elements of kindness, there needs to be some level of balance.
Severus Snape is often cruel and sometimes corrupt, but he ultimately makes the right choices where it matters. The Artful Dodger is a thief and ultimately betrays Oliver in Charles Dickens' Oliver Twist, but he also helps Oliver and displays feelings of sympathy towards him. Moreover, his actions can be understood in light of his circumstances and experiences.
In the end, it doesn't matter where your character falls on the scale of morality. The important thing is that they have a believable and interesting combination of motives, flaws, and redeeming qualities. If you can get these elements right, you will have yourself a really fascinating, morally ambiguous character.
Let them grow and change
Character arcs are essential to good storytelling. No character should be exactly the same at the end of a book as they were at the beginning. The mechanics of plot are important but are ultimately meaningless if they don't cause development on the part of the characters. However, when it comes to morally gray characters, the way they change throughout the narrative is particularly important.
George R. R. Martin is a master of the character arc. Both of the Lannister brothers are not presented as particularly praiseworthy at the beginning of the series. Tyrion, while harmless, is shown to be philandering, selfish, and lazy. Jaime Lannister, on the other hand, is an outright villain, as he pushes a young boy out of a high window just to protect the reputation of him and his sister. Both go through redeeming character arcs, with Tyrion becoming a paragon of thoughtful justice with a commitment to seeing good prevail. Jaime has perhaps the most striking redemptive arc of the series, but his love for his sister is the fatal flaw that spells disaster in the end.
Many supervillains and other characters experience the opposite type of character arc. In the recent Joker movie, we observe the Joker not as a simple villain, but as someone who was pushed to evil from his experiences and the cruelty he suffered at the hands of society. He begins as a sympathetic character, but by the end he is without question a villain. However, it need not be as black and white as this. Jay Gatsby's weaknesses certainly lead to his downfall, but it is up to your interpretation whether he is ultimately a tragic character or someone who has received his comeuppance.
As we can see, a character arc need not be simple or go only in one direction. Your character can struggle continuously with moral questions, leaving the reader unsure up until the finale what side they will end up on. You can end your book and leave it ambiguous whether the character was ultimately good or evil, or perhaps a very human combination of the too. The main point is that the experiences they have and the actions they undertake throughout the novel must affect them in some way, so that they develop as a character.
Keep the readers guessing
The previous point touches on this, but one way you can keep readers fascinated throughout the whole book is to keep them guessing about the true moral nature of the character and what they will do next. Severus Snape is a prime example of this. We as readers are left unsure right up until the end of the series whether his loyalties lie with the Death Eaters or with the Order of the Phoenix and those fighting Voldemort. In fact, people still argue about whether Snape really redeemed himself enough to be the namesake of one of Harry's sons or not. If your character causes arguments, you have done something right!
There are multiple literary devices you could use to keep your readers guessing. You could pepper little hints throughout the narrative that show the possibility of redemption or allude to potential disaster. Instead of revealing what the character is thinking, you could merely show us their actions, leaving us to interpret them. Alternatively, you could be explicit about the mental struggles the character is going through when making moral decisions. Whatever your method is, leaving things uncertain and keeping various possibilities open is what makes the audience want to keep reading.
Give them difficult choices
Choices often drive plot and character development, and difficult decisions are a central way in which authors can allow ambiguous characters to struggle with moral questions and keep readers guessing. The choices that these characters make can redeem them or be the catalyst for their downfall. Snape's decisions to join the Death Eaters and later to leave and join the fight against them, is the cornerstone of his character development and much of the plot of the Harry Potter series. Jay Gatsby's initial decision to lie to Daisy about his background is the key choice that leads to his life of dishonesty and unhappiness.
In many cases, the choices that characters make are key events that determine the shape of a book. They are also great opportunities to explore difficult moral questions and dilemmas. Maybe your character has to choose between the greater good and personal desires. Perhaps they are faced with a decision that hinges on loyalty to loved ones versus making the moral choice. They could be tempted by greed, vanity, cowardice, or anger. There are so many difficult choices you can force upon your characters.
Not only can such decisions drive the narrative of a book, but they can also make readers think about very real dilemmas they face in their own lives, and broader questions about the nature of "right" and "wrong." A really good book doesn't just entertain us, but makes us think and forces us to come to our own conclusions. It makes us consider things we may not have before and leads us to apply ideas to the real world, no matter how magical the setting of the book is.
Focus on relationships
Often, the decisions that a character has to make and the experiences they go through are closely linked to other characters. In the case of Frankenstein, the central relationship is between the monster and the scientist who created him. It's not a relationship that involves much contact, but it is what the narrative revolves around. Relationships can redeem, such as Snape's love for Harry's mother Lily. Alternatively, they can cause a character's downfall, such as Jaime Lannister's incestuous relationship with Cersei or Gatsby's obsession with Daisy Buchanan. Relationships are a great motivating factor for morally ambiguous characters, whether they lead to temptation, redemption, or other moral challenges.
In addition to that, it's important to consider the conflicting motives and forces informing all of your characters. Although not all your characters need to be morally ambiguous, they should all be complex. Even the most heroic character can struggle with temptation and can make the wrong choice from time to time. Even the evilest villains should have elements that we can empathise with or moments of kindness. Otherwise, they are nothing more than a caricature. That does not mean that you cannot have people who are essentially good and those who are essentially evil. However, inserting a little ambiguity into all of your characters makes them more authentic and human. Each character should be well-rounded, believable, and multifaceted. Writing explicitly morally ambiguous characters can help you make better characters all round.
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