Tumgik
#the c3 tag
leafspiritz · 3 months
Text
Tumblr media
sometimes a family is you, your scary girlfriend, her rat-bird-son, and her terrible mangled hell-hound that comes from the depths of her soul 💜
685 notes · View notes
undead-knick-knack · 10 months
Text
Tumblr media Tumblr media
2K notes · View notes
awsok · 6 months
Text
Tumblr media Tumblr media
vex'ahlia de rolo / imogen temult — defying the raven queen
873 notes · View notes
ariadne-mouse · 3 days
Text
I wonder if during his Aeorian excursions Ludinus has ever been wildmagicked into a potted plant
170 notes · View notes
chenkingart · 4 months
Text
Tumblr media
I hope they make up
Do not repost or reproduce in any way.
283 notes · View notes
caeslxys · 2 days
Text
I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
#critical role#cr spoilers#bells hells#orym of the air ashari#cr meta#imogen temult#ashton greymoore#liliana temult#this is genuinely completely written in good faith as someone who loves orym#but is also about orym and so will inevitably end up being completely misconstrued and made into discourse. alas#I could talk about how Orym’s unwillingness to allow the hells to actually finish/come to a solid conclusion on Philosophy Talk#is directly connected to one of the largest criticisms of c3 (that they are constantly having these conversations)#all day. alas. engaging with orym’s flaws tends to make people upset#it is ESP prevelant when he walks off after exclaiming ‘they (vangaurd) are NOT right’#which was not only never said but wasn’t even what they were talking about#he even admits as much to imogen like ten minutes later! that he is incapable of viewing it objectively#which is 100% justifiable and understandable but simultaneously does not make his grief alone the most important perspective in the world#also bc i fear ppl will play semantics on my tags yes the line ‘i hope she’s right’ was said but it was from ASHTON#who does not believe they are at all and wasn’t saying they actively WERE right. orym just heard something to latch onto and ran with it#ultimately there is a reason orym only admitted that he was struggling when he had stepped away to talk to dorian#who has not been around and thusly has not changed once n orym's eyes#and it isn't that the hells never check in or care. they do. they have several times over#it is dishonest to say they haven't#the actual reason is that all of this is something He Is Aware Of. he doesn't mention it bc he KNOWS it's hypocritical and selfish#he says as much!#EXHALES. @ MY OWN BRAIN CAN WE THINK ABT MOG AGAIN. FYRA RAI EVEN. FOR ME.#posting this literally at 8 in the morning so I can get my thoughts out of my brain but also attempt to immediately make this post invisibl
124 notes · View notes
kyeree · 11 months
Text
‘Are you a duck of holding?’
Tumblr media Tumblr media
515 notes · View notes
clar-a-m · 6 months
Text
Tumblr media Tumblr media
Happy Halloween!!! Have some Laudna form of dread sketches
235 notes · View notes
sideblogdotjpeg · 16 days
Text
not over it actually . that sol is a clone and what his response to that says about him as a character.
like okay. traditional clone angst shit is like "oh am i real/im not the original/im just a fake copy of someone else/etc etc etc" . and that route of a character arc might have even made sense w sols whole launchpad history - that he self-identifies as a sidekick. but also. maybe that rejection of being the main character is what allows sol to take a different route entirely. swag isnt just his prime clone, hes his "daddyself". sol doesnt really care about being the prime version of himself, he just wants family.
im so deeply fascinated by how the concept of clone-dom intersects w the concepts of family. what is a son but a version of you fated to go through all the same patterns of experience you have. what is a brother but a version of you whose choices has led him to a place you could never go. what is family if not enveloped in fear, love, idolisation and rejection. what is family if not a piece of your heart fragile and vulnerable and walking away from you.
anyway. so like. just compare how mothership sees clones (expendable identical bodies) vs how sol sees clones (brad & bron, youll always be a part of me you are me)
like. does that drive anyone else crazy.
and the original point of this post has completely flown away from me but in a feeble attempt to bring it back. my interpretation of sol is like. sol doesnt want to be a hero, he wants a purpose to fight for. he wants people to fight for. he wants to be part of this thing *bigger than he is* to dedicate himself to. and that used to be the mothership corporation, and has now taken the form of his friends and family. its only natural he would have adapted the spore network, as someone so clearly driven by his connections to other people. it makes so much sense he would see his clone identity this way because ultimately he sees himself in terms of his relationships to other people
(and if you want to be insane like i am, then you can think about sol as a child abandoned and alone in a derelict waterpark, so desperate for any kind of connection that it comes to form a defining character motivation for the rest of his life) 👍
75 notes · View notes
sky-scribbles · 7 days
Text
I don't know if this is at all likely to happen, but can you imagine if Sam's new character is a Reilora? Or any Ruidian humanoid?
There's so much potential! They could be a repentant member of the Imperium! A Volition member! A downtrodden citizen desperate to escape the hellscape of the moon and go to the Blue Promise! A player character who's a fish out of water on Exandria! And don't even get me started on the amount of Ruidus lore we could get from them! Sam Riegel can you hear my telepathic plea?? Do you see my vision? Do you see it??????
129 notes · View notes
bloopitynoot · 8 months
Text
I don't know if I can physically handle a BBEG fight with Vox + M9 + Bell's Hells.
Could you even IMAGINE the dynamics??? How absolutely unhinged and chaotic omg.
Level whatever the heck Percy and his weapons watching Mister in action with the fire shit gun he made for him
All of the spell casters trying to one up each other in the most flirtatious battle mage way
The femme magic lesbians and the butch melee lesbians fighting alongside one another
Pike a cleric AND baker- meeting Jester Lavore baked good enthusiast AND cleric meeting FCG now certified OVEN and cleric
Orym and Yasha bonding over battle, soft spoken conversations, and loss
Laudna and Fjord getting one another immediately after the first ELDRITCH BLAAAST
Kingsley meeting Chetney another blood hunter with respect BUT THEN seeing him shift mid battle and -
Fearne and Nott - the sticky finger bandits - clashing while they try to steal the same thing at the same time and Vex fixing the hot mess they created
Ashton's entire existence gaining so much respect from the fighters but so much intrigue from the wizards
231 notes · View notes
stone-stars · 21 days
Text
a while ago i saw a post by @sideblogdotjpeg about how the cycles in c3 seem a lot more personal/familial. and i kind of went insane in the tags at the time and i’ve been thinking about it a lot since because like…
you have the heroic cycles that the band of boobs parallel/break on this large scale. the idea of these broken trios of adventurers is there throughout the campaign, but they really start to engage with it towards the end— with the divine hearts, and thiala, and the wheel of suffering/wheel of joy idea. the thing hardwon says as he takes the divine heart, that no matter what anybody chooses from then on it’s with love in their hearts, i feel is very relevant to how they break the cycle. they love each other, and they choose over and over to hold each other tighter rather than be driven apart.
and on the other hand, you have duck team’s refusal of fate vs their family’s resignation to it. look at swag working with mothership, oliana’s contrition, and the stuff that is currently ongoing with gowan. you know— sol is a version of swag who fully rejected mothership and found his friends instead. callie refused to be a part of her family’s business, and her love for the wild and the serpents is giving the world a chance. calder, when he makes the deal with ultrus, telling callie and sol that he trusts them to save him. and now calder is refusing to sit back and let gowan handle things in the ice knife.
it's not that duck team aren't trying to save the world. they are. and it's not that the boobs didn't have a personal connection to the cycles they were breaking. they did. but it's like... well... how do i put this into words. right--
the song melora's boon plays when the boobs arrive at the heart of the world and speak to melora. when she talks to beverly about duty, shows him the places he faltered and how at the last second, he gets back up. (later, when they face thiala, bev doesn't go unconscious once. at one point, he's the only one standing.) for sol, this is the song that plays when he expresses his fear of going down again. when he admits to callie that he's scared of the day that she and calder are down and he's the one that needs to stand up alone. when callie says she's not afraid of that day, and sol finds himself empowered by the mushroom in his chest. the moment that sets up sol's long death monk ability, where he's able to refuse to go down and keep on fighting.
melora’s boon is also the song that plays for moonshine’s boon at the heart of the world. there are actually two songs in this scene, hardwon’s is different, and the transition back happens when melora says there’s a part of herself that moonshine hasn’t embraced. when she speaks to moonshine leading her people to a better future like an alpha wolf leading her pack. for callie, it plays when she tells hardwon and sol that she’s a liability and she needs to change— to embrace winter— in order to get calder back, even as they reassure her that she doesn’t. it also plays when callie asks the others to help her protect honeysuckle while he’s weakened. when they promise to lead honeysuckle home and free him from his connections to gromdal.
the writing on the wall plays when the boobs reach the court of gods. there's the wall of prayers there, and they hear the prayers of the people of bahumia, reaching out to them. prayers of protection-- for and by them. prayers that put the future of bahumia in their hands. for callie, this is the song that plays when she sees aryox's carving of her reaching the cave. when she realizes her mother acted the way she did because she could see what was coming in the future. when she realizes her mother was leaving the world in her hands.
the songs that the boobs first encounter at the end— when they’re basically demigods stepping up to face thiala— return for duck team in these personal moments. when sol finds the strength to refuse death. when callie talks about embracing winter, her mother’s season, something she eventually finds strength in, to save her friend. when callie asks the others to help honeysuckle, one of the serpents that she’s promised to protect partially due to the harm her family caused to the wild. and when callie realizes her mother saw the future and acted as she did because of it, pushing callie to walk the path she’s walking now.
anyway. this was a post about naddpod music.
70 notes · View notes
undead-knick-knack · 27 days
Text
Tumblr media
@the-relvin-temult Is this what you had in mind?
214 notes · View notes
its-your-mind · 4 months
Text
Tbh I??? Really love these Bell’s Hells Company Retreat Activities???? Bc like. It’s not like any of them have been overly cagey this whole time, or actively hiding big secrets from each other. (someone at some point mentioned how BUCKwild it would have been to watch the M9 try to play What The Fuck Is Up With That within the first ten episodes of c2, with all the shit all of them were hiding and how much their early relationships were based on a mutual understanding that no one would expect each other to bring up the past unless it became a danger - the only one who ever poked that particular bear was Beau with Caleb at the start when she traded access to the Archive for the reason why Caleb gets fucked up by fire, and that private conversation shaped their relationship for the rest of the campaign BUT I digress.)
Nothing anyone confessed during the Honesty exercise was… a surprise. The only one who hadn’t shared the entirety of his past (that he remembered) was Chetney, and his was never the past that felt like a threat - that revelation was more along the lines of FCG’s type of “tell me about your family trauma so I can fix you” line of questioning.
The truths the Hells offered up to each other… they were significant (Fearne, I was disappointed in you for being afraid of your power), and scary (deep down, both Delilah and I kind of want the shard), and hard to say out loud (even on the nights I bunk up with one of you, I feel so lonely), but critically, so little of it was surprising. No one was sharing anything earth-shattering about their pasts or previously unknown plans for future betrayal.
And during the Communication exercise - none of them - Chetney, Imogen, Ashton, or Orym - doubted that their directors were leading them the wrong way. They listened, and paid attention to instructions, and didn’t try their own path because they felt like they knew better.
And then during Trust! The part that should have been the hardest!! All of them were obviously distrustful of each other, shooting around stressed looks, sending familiars to dive-bomb to check for flesh, but like… none of them actually turned on each other. None of them ganged up, or broke off, or stood in opposition - they were wary of each other, and they got the task done.
So… it didn’t really lead to any huge shifts in the dynamic. But that was never really what they needed! The Hells have trusted each other since the beginning, and even when they’re actively having to fight each other, it’s always with a desperation born from a place of concern. They really do care for and love each other. I don’t think any of them, if they sat down to think about it, truly believed that one of them was going to betray the others.
But they haven’t had time to sit and think about it. They have been actively fighting the literal end of the world since like… ep 45 (first irl Ludinus sighting/convo). The apocalypse happened. Has been happening. For thirty episodes now. They spent a good chunk of that time apart from each other, and then the rest of it desperately reaching out to anyone with more power than themselves to beg for their help.
So yeah! It’s not a big surprise that they’re all bottling up a lot of their own shit right now! There aren’t that many personal issues that feel like they deserve more attention than the literal end of the world.
It was inevitable something was going to give. And since Ashton’s shit was up next for dissection because they had a past that brushed up against the Primordials? Of course they were the one whose internal lockdown broke first. And of course when it did, it physically shattered Ashton, too, right along those same fault lines where Milo put them back together the first time. It’s so good that they had friends who were there, past and present, to make sure none of the pieces got lost. To put them back together.
We watched Laudna break down right after, specifically because she was back home, in this place where Delilah had first tortured and killed her, where she had lived as a wraith haunting a castle. Delilah had been slowly picking the lock on the cage the Hells had forced her into, and Ashton’s “betrayal” was the last tumbler Delilah needed to snap into place to break the lock in Laudna’s mind. And her mind shattered, fragmented in the same way it had been after she was first brought back as Delilah’s vessel. How beautiful that it was Laudna’s love of children and her desire to make Ashton a gift (meant to be part insult, “because you’re a child,” and declaration of her care for him, “I like children.”)
And Fearne… Fearne almost broke down after them. Slamming the hammer down next to Ashton’s head over and over and over, screaming at him, wandering away through the city, sleeping alone in the woods… She saw the cliff’s edge coming. That’s why she asked them if they could stop at her Nana’s first.
Because she needed it. And the rest of the Hells say, “Why? Do you think Nana Morri can help us in this?” And Fearne says, “Well, I don’t know, but…” And Imogen says, “Do you need it for you?” And Fearne says, in a small and shattered voice, “…yes.”
And that’s the end of the discussion.
They go home, to a place where they are safe and have time, for the first time since Ruidus was locked in place.
And so they have time to be Honest - and they are. Fearne likes to watch them all and play with their hair while they sleep. Orym has thought through how he would neutralize them if he absolutely had to. Ashton thinks it would be better for him to be dead than for Fearne to be hurt. Imogen is scared to face her mom. Laudna dreams of leaving this behind. FCG is jealous of the people around him with a heart, because they have possibilities he doesn’t. Chetney hasn’t settled down once in 400 years because he’s scared he’s cursed to drive away any family he has.
Behind all of this - I want to know everything about you. I need to make sure you don’t hurt each other. I would sacrifice myself to keep you from pain. I don’t want to choose between my blood and this family we’ve built. I want you all to be safe. I want you to pursue happiness. I don’t want to lose you.
And then, Communication - follow along this path. Listen to my voice. Keep calm, keep quiet. Stay the course. I will keep you safe. Keep walking, keep walking, and… you’re there, honey.
And finally, Trust. Two of them are going to be replaced by fae beings bent on preventing them from completing their mission, and they have to complete this task without letting the infiltrators stop them. Okay. Let’s all stick together. Keep eyes on each other. Wait for the doppelgängers to give themselves away somehow. Do you remember these small, banal details about our mutual history? There’s a possibility that action you took was malicious, but I know you well enough to know that might have been a mistake you made on your own. Here, I’ll walk into traps to show that I’m not going to stop you. I’ll get out of your way and take out the threats. I’ll be eyes in the sky and send my familiar to poke you to test if you feel like you should. But nothing you’re doing makes me see you as a real threat - just the possibility of one. I trust you. I trust in you. I trust myself to know enough about you to identify if you’re doing something differently than normal.
And the result of those exercises? No new information, but maybe some things that we all had lost track of amongst the chaos. I am not shocked by your Honesty. I know deep down that I can rely on your Communication. I do Trust you. I know you. I care for you. I know you care for me, too. Even when I have doubts, even when you fuck up, even when things break bad and you make the wrong call…
We are a team for a reason, and no matter what we said in the beginning, it is not just out of necessity or convenience. Are we a bunch of fucked up, broken people? Absolutely. Are we going to continue to fuck up? Probably. Does that change how we feel about each other? No. Never. As long as you’ll have me, I’ll be here, fighting alongside you. Helping you up when you stumble. Offering a shoulder when you need to cry. Standing over you to protect you if you fall. Laughing with you in good times, kicking ass for you in bad. This is our family, damn it. It is strange, and broken, but it is ours, and it is good.
115 notes · View notes
ariadne-mouse · 9 months
Text
Tumblr media
Blue Perennem
Common names: taintflower, gooch poppy, grundlebundle, taint-patiens, pussy willow, butt-ercup, nether-lily, panty-petunia, chrysanthebum, down-low daisy (1)
Appearance: Leaves and stems are greyish or black, and similar in shape to those of a rose bush. Flowers are a vivid blue, each with six petals, and each petal bearing distinct variegation that resembles a screaming face.
Etymology: Most scholars agree Blue Perennem takes its name from Archaic Common word perennis, meaning "everlasting", possibly in reference to its survival in harsh environments or its use in healing medicines. However, folklore points to its origin in the Modern Common word perineum, which informs many all of its common names. The association of perineum with the flower itself is unclear. It may be that in some phenotypes, the center of the flower markedly resembles an anus, and thus the petals would be analogous to the aforementioned perineum.
Distribution: Blue Perennem is an uncommon flower native to the Grey Valley, a region of the Cliffkeep Mountains north of the Umbra Hills in Tal'Dorei. It can be found growing in areas rich with demonic energy, cursed magic, death, loss, or other sites where significant conflict has occurred.
Uses and cultivation: Blue Perennem is used in powerful restorative medicines, in particular those reversing damage caused by poisons. Cultivation is largely unsuccessful. Despite Blue Perennem's hardiness against the hazards of its native environment, it poorly tolerates transplanting. Advocates of the perineum-origin etymology point to this as an example countering the flower's association with "everlasting".
(1) the author received many unsolicited contributions for this entry from amateur arcano-botanists, especially for common names of the Blue Perennem. Most have been reluctantly included for the fulfillment of linguistic descriptivism, though this author doubts the validity of several of them, especially those from parties who made many submissions and were giggling as they handed over their papers.
461 notes · View notes
aeoris4lovers · 7 months
Text
Tumblr media
one of these days i'll learn how to draw well enough to redraw this as ashton and orym
244 notes · View notes