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#the circus has an audience
an-albino-pinetree · 4 months
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I feel like it’s important to note that those relationships Plaidy had with the other freaks, took place during her..performance days.
@hootbon @ask-the-ultimate-baseball-star
After she somehow escaped getting torn apart, and screwed off into The Grounds, everyone assumed she’d died of their injuries, or the audience got them.
Just..ignore everything I said about Jax stealing her broken parts, or Ragatha having an issue with the bugs in them, no one knows they’re even still alive-
or don’t! It’s a major plot hole! /j
I’ll probably clean this up, and might colour it, when I have more spoons to spare- I’m still pretty hungover. But I think it’s a cool sketch!! :D
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justskyla-art · 6 months
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Are you guys okay (/gen)
Anyways more TADC doodles (will draw more Eastward someday.....)
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cctinsleybaxter · 3 months
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re: the notes on that post it looks like the disqualification drama with the hugos is insanely complicated because they change their voting system every few years and transparency is on the whim of like three random people, so the truth is no one really knows what's going on, but i can confidently say neil is not being silenced by the chinese government
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this is fucking embarrassing dude like more than usual
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innytoes · 9 months
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Ooooo Willex circus AU? Hyped!!!
For someone with anxiety, Alex knows his job is a bit of a strange pick. Climbing a tiny ladder up to a tiny platform high, high above the ground only to fling himself into the air holding on to just a little bar attached to two pieces of wire doesn't seem like something people who get anxious easily would do.
But when he's in the air, he's flying. He's in complete control of his body, he knows exactly what to do, he knows exactly where the bar will be.
And most of all, he trusts his partner with his life. Willie will always be there to catch him, to grab him, just like they've practiced over and over a hundred, a million times. With every gasp of the crowd, Alex knows Willie will be at the end of it, steady hands and a firm grip, and a beautiful, sparkling smile just for him.
Yeah, Alex gets anxious about a lot of things, but two things in his life have never sent him into a panic. And that's being a trapeze artist, and falling in love with Willie.
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burymeinblack2022 · 1 year
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AND JUST LIKE THAT TUGAS LIVE TO SLAY ANOTHER DAY OLÉ OLÉ OLÉ 💃💃 TOMA CARAGOOOOOOO 🇵🇹 🇵🇹 🐓 🍷🤌🏻 😮‍💨
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blujayonthewing · 1 year
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OC Cupcake Piccrew Game
rules: using this piccrew, make a little cake(? cupcake? dessert??) that represents your character! go wild! there is a lot of room to play around with symbolism in this one, though you can also just fall back on aesthetics or make one that they would be inclined to eat!
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Thanks for tagging me @antique-symbolism :D I have way too many OCs and this picrew has way too many options lmao, so I just did this on straight vibes until I lost steam, but I might come back and do more later cause these are really cute 😌 I think Mel's and Idri's look the nicest, but to be honest June's is the one I'd personally most want to eat (and possibly Elyss', depending on what flavor that actually is, lol).
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theheadlessgroom · 2 years
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https://beatingheart-bride.tumblr.com/post/686080920982290432/theheadlessgroom-beatingheart-bride
@beatingheart-bride
“I dunno, it...doesn’t sound so bad,” Randall shrugged affably, admitting, “I-I’ve never done it before, like I said, but it doesn’t so bad to me. Maybe in practice I’d be restless too, but in theory...it sort of sounds nice.”
Again, perhaps him having never done it before contributed to his interest in the concept: He was so used to being on the move, doing something, that the idea of doing nothing for a change sounded refreshing. Here at the opera house, he was constantly busy: When he wasn’t tutoring Emily or watching rehearsals, he was either writing messages to the managers or working on his Don Juan, and he seldom took breaks in between, other than to perhaps eat a little something. It was a busy life, and although he enjoyed it, he liked the sound of lazing about in bed all day, just...relaxing. He supposed he could say he used to not do anything once upon a time, but since he had to sit in a cage all day and be jeered it, it certainly wasn’t the same.
That being said, he could completely understand Emily’s own frustration: She was a woman that did not sit idly by for anything: She was always on her feet, whether it was to practice her dancing or her singing, and he respected that about her. She was full of life and song and energy, and it was one of the many, many reasons that he adored her so much.
“D-Did you spend a lot of days in bed when you were younger?” he ventured to ask. “W-Were you ill a lot?”
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neil-gaiman · 7 months
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hello mr gaiman! this isn’t a question I just wanted to thank you for good omens and all the joy it has brought me.
I am a very flamboyant and feminine man. I use wild hand gestures, I talk loudly and dramatically, and the way I present myself often gets me a lot of strange looks and ridicule from people. Whenever I see people who look/act like me in media, they are usually treated as the butt of the joke, something hilarious for the audience to laugh at. One of the only characters who isn’t like that is Aziraphale. Aziraphale is dramatic and feminine, but not in a way that is for the audience to laugh at. He is a funny character, but not because of his mannerisms, mostly because of his naïveté and general silliness. He is not the same hurtful stereotype that I’ve been forced to watch again and again. For my whole life I’ve often been treated like this walking circus. I’ve had to hide who I am in order to be taken seriously by most people. It just feels so refreshing to see a character like me be celebrated and loved for his mannerisms. Watching him in season 1 gave me the confidence to be prouder and more true to who I am. Watching season 2 just made me feel even stronger and more confident. He gave me hope that even if everyone is laughing at me right now, someday soon I can be taken seriously.
I know you probably won’t see this, but thank you anyway. This show/book means so much to me and many others. I hope you have a good day :)
I'm so glad. I love him so much, and I know that Michael Sheen loves him too.
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teal-sharky · 1 year
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The literally only impressive thing about SpaceX Starship test is that it shows how incredibly dumb the audience is at this point.
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People keep comparing Starship to SaturnV, because tentatively, if it ever became a space worthy vessel and orbital delivery vehicle (it's not); it'd be the largest and most powerful one in history, with SaturnV its only near peer (sorry, N-1, you really didn't qualify).
And the first "integration test vehicle" (read: the actually whole complete thing, that's literally the point of that kind of test; it's meant to be all the pieces, already tested and proven on their own, finally assembled into the final thing to make sure everything plays nice when together)
So lets see how did Saturn family development go in comparison? How many "integration test vehicles" did the Saturn project obliterate in the process?
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ZERO. They blew up ZERO Saturn first stages, ZERO Saturn second stages, and ZERO Saturn payloads.
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It's not fucking normal to blow up rockets this size and complexity, because they're expensive and dangerous! You build SMALLER, SIMPLER prototypes, you test those, you do all the "risky" tests on your separate parts of the system, and test the integration at less ambitious scales and stress levels. That's how you do rocket science. Iteratively, yes! But the iterations must make sense!
And let me stress
They got Saturn to moon and back in the SIXTIES, when simulation was in diapers (partially, literally invented within projects like the Saturn series).
SpaceX exists at a time where they can (and should) do 90% of the raw, grueling development with lot of painful failures in digital simulations, or tests where you build a small, simple thing and enhance the simulation based on what you learned there.
And the worst of it all is that another thing that Elongated Muskrat has at this disposal is all of the Saturn research. It's been DONE.
Saturn and other projects paved the worst of this goddamn slog. They did all the dirty, awful work already. They literally gave us the textbooks that you study from if you actually get a science degree (Elon does not have one).
And again, the most embarrassing thing isn't Musk and his poor, toxic, overworked circus that's SpaceX. The most embarrassing thing is the "space science enthusiast" crowd that's cheering on this launch as some sort of tentative success.
The king is fucking ass goddamn naked, and you all yes-men are an embarrassment to this doomed goddamn species. You're not supporting the effort to give Humanity a "chance at survival", you're hooting and hollering around a basementman dumpster fire that's literally immolating what's left of the scraps of natural and human resources we have left.
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gotheskin · 7 months
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buggy falling in love with a psycho girl that he meets while destroying a town.
she immediately gets attached and throws herself at him, and he adores it.
she quickly becomes his harley quinn, but he cares more about her than the joker ever did about harley.
she sits on his lap while he sits on his “throne”
if anyone on his crew dare interrupt his time with her sitting on his lap, he yells at them.
she definitely has rode his cock on that throne multiple times.
they fuck a lot, both always have hickies/face paint on their necks and chests
she does circus shows with him, and will do anything for him
buggy will threaten people (mostly his crew) if anyone has upset her in any way
she becomes his little princess, anything she wants, buggy will get it for her, no matter the measures and/or people that he will have to kill
sometimes if she acts extra bratty, he will spank her, sometimes in front of his crew or unwilling “audience members”
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celaenaeiln · 3 months
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Was Dick ever mean to Jason when they first met? Because I’ve seen a lot of fanon where it’s implied/shown that he was, but I haven’t seen anything to prove that it’s canon (and I’m happy you’re back even though you weren’t gone long I love your blog)
Aww thank you!!
Ugh I don't know where fanon keeps getting the idea but Dick was never mean to Jason as Robin.
Let's start with the erased version, otherwise known as pre-crisis.
Jason Todd was born to acrobatic parents and also performed in the circus. Here's the interesting bit: it wasn't Bruce who found out about them, it was Dick who was at the circus and cheered them.
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Batman (1940) Issue #357
Where was Bruce? He was busy becoming squid food in Gotham.
Anyway Bruce escapes and meets up with Dick who is still Robin and helps him solve part of the crime. As he's discussing the case with Dick, Dick mentions that there may be a connection to Bruce's case and something Trina Todd said.
Yup! Dick becomes friends with Jason's mom <3
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Batman (1940) Issue #358
Bruce doesn't trust her but Dick does and Bruce trusts Dick so he accepts.
So Dick goes to meet Trina and her husband but they've already left to sneak into the villain's lair and get caught by Killer Croc. So he chases after them. Barbara joins in as Batgirl but Batgirl and Robin are too late because Killer Croc has already fed Joe and Trina to crocodiles.
Batman's still fighting his own case while all this is happening.
Waldo the Clown takes Jason to the manor and while Jason's in the kitchen looking for food, he finds the door behind the grandfather clock open, goes inside, and finds the batcave.
He finds a trunk of Dick's old suits as Robin and that's where the iconic pre-crisis Jason Robin scene comes -
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Detective Comics (1937) Issue #526
Which first of all Jason why are you wearing other people's clothes without their permission? But anyway Jason hears people coming and finds Batman's busy grabbing information with Selina and so he hides in the trunk of the Batmobile. Robin Dick and Batgirl solve the case on their end and find out there's a trap for Batman so they come in and save Batman and his allies. Jason sneaks out of the car and finds his parents are dead so he tries to kill Killer Croc but Dick and Barbara stop him.
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Detective Comics (1937) Issue #526
Dick's just like "oh, you sweetheart."
Dick wants to adopt him but Bruce is like mine because they're both like "It's my fault his parents died, I should take responsibility."
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Detective Comics (1937) Issue #526
Dick was really nice to Jason.
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Batman (1940) Issue #529
Dick is Jason's idol. He and Dick have a great relationship, so much so that Dick actually passes on the Robin name and suit to Jason.
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Batman (1940) Issue #529
I could make a meme out of the handshake scene with Bruce being one hand and Jason being the other and in the middle the hands meet is "idolizing Dick Grayson".
So Dick and Jason had a fantastic relationship.
And then some things happen where this Jason wasn't well-recieved by the audience because of the way writers handled the transition from Dick's robin to Jason's so DC realized that they need to make Jason into his own person with his own personality, looks, and story.
So they magic marker erased the previous timeline and now we have the actual Jason Todd that's actually relevant to every comic that comes after.
Yet in this current timeline too, Dick treated Jason sweetly.
Here Dick's first meeting with Jason, he actually saves Jason from the hands of drug dealers.
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Batman (1940) Issue #416
He let go of his hiding spot to get the new Robin out of trouble.
Jason is not at all happy about this.
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Batman (1940) Issue #416
And Dick's pissed off because he found out there's a new Robin through a newspaper and he just lost a drug deal he's been waiting on to bailout the new Robin.
So Dick storms off and Jason asks Bruce about Nightwing
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Batman (1940) Issue #416
And I'm going to reiterate parts of this post for this part (people please please read this post because tumblr has an image limit and I've explained it in detail there but I can't here)
Dick had no idea Bruce passed on the Robin costume. He finds out through the newspaper because Bruce is pissed at Dick. Like he's so mad that when he told Dick to leave, Dick actually left.
You know how there's a saying about not being able to take back words of anger? Bruce is feeling that heavily. He already had suspicions that Dick wanted to leave but before Dick could tell him, he fired him so he wouldn't have to hear those words. But Bruce is super mad that Dick left anyway. So what does he do? He makes the first boy he sees Robin.
And Jason finds out Dick was Robin when he confronts Bruce why Nightwing knows Bruce's identity. And that gets Bruce more mad because he's now feeling guilty which is when Dick comes to confront Bruce.
After meeting Bruce, Dick talks about what he's been up to since he left and put Bruce in a good mood before he starts tearing into him.
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Batman (1940) Issue #416
Bruce looks so wrecked. The guilt and sorrow is tantamount to his pain.
Then Dick asks Bruce why he choose someone new.
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Batman (1940) Issue #416
So Bruce tells him. But Dick and Bruce's relationship go way deeper than just friends or family. They know each other. They revolve around each other so Dick calls him out, and out comes the truth
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Batman (1940) Issue #416
But here's what it means in terms of Dick and Jason's relationship:
Instead of letting Jason become some sort of spite move, Dick becomes the bigger man and decides to turn Robin into a legacy.
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Batman (1940) Issue #416
He passes it down like it was meant to be passed down. Because let's be honest here. The Robin name and costume is Dick's. If he wanted to, he could've taken it back, Bruce be damned. And that was one of Jason's fears.
It's Dick's approval of Jason and them catching the drug dealers together at the end that cements Jason as Robin. It's his acceptance and good will toward Jason that Bruce is grateful for.
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Batman (1940) Issue #416
Dick also validates and praises Jason in the comics whenever they meet.
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The New Teen Titans (1984) Issue #31
He's basically, "Don't worry about Bruce, if you get in trouble, I'll take care of it."
The only problem is they didn't meet a lot but when they did it was good times all around.
The third version of Dick and Jason's meeting.
In this version holy honking heck. First of all it's a flashback when Bruce fires Dick because he feels like he's too busy with other duties to be with Batman and then after a series of events in present time, it shows that Bruce literally kidnapped Jason and gagged and tied him to a chair. And Alfred's like WTH BRUCE?!
Even more things happen on both sides (curse you 30-image per post tumblr limit) and Bruce essentially makes Jason watch all the videos of Dick and sets Jason's gauntlet test to be a game of tag with Dick.
Dick is completely unaware of all this happening because he's just having fun busting up thugs and playing with Barbara, having no clue that Bruce and Jason are literally watching him livestream through his bike dash cam.
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Nightwing (1996) Issue #105
Jason literally shows up while Dick's pondering on a rooftop and is like who're you? Oh wait you're him lol. Move over there's a new robin in town! And Dick's just like WHAT?! He such a little shit about it.
Dick's immediately like okay I'm upset at Bruce but I have to help this new kid out. There's no hesitation, no regret, no anger towards Jason at all. Just pure desire to see him succeed.
Not gonna lie, Jason's just awful towards Dick because he thinks that Dick is his test or something Dick's just like, "can you cool it for a sec?" They soon find out about a huge crime drug activity going on and Dick sorta mentors Jason through it while on the case. I'm not gonna include the panels but it's just Dick and Jason working together. It's fun to read and cute because Dick's protective of him and Jason's like a little bird following a bigger scarier one.
At the end the crime is solved, Jason and Alfred go home, and Dick calls Bruce to tell him this -
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Nightwing (1996) Issue #106
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Nightwing (1996) Issue #106
He was so, so nice to Jason. Actually it's impossible for anyone to treat Jason better than Dick treated him, not even Bruce was this nice to Jason.
In Nightwing (2016) Annual, there's another story of Dick and Jason's meeting. In this case Dick comes over after Alfred calls him and Jason's sulking in his room because Bruce grounded him. He pulls Jason away and they go on a Nightwing and Robin adventure where Dick talks to him, teaches him, and lifts his spirits.
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Nightwing (2016) 2021 Annual
Dick being mean to Jason is pure fanon, it's so fanon that there isn't even a single comic panel that can be used in support of that horrible idea. He never ignored Jason. Dick makes it very, very clear that his problems are with Bruce won't interfere with his relationship with Jason. He treats Jason as an independent person with his own personality and genuinely looks after and cares for him in every retelling. The only thing is they didn't meet very often but when they did, Dick was such a good brother.
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mommypieck · 6 months
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𑄽୧ sensory deprivation with choso 𔓘 ᰍ
kinktober day 25: pussy delivery for you!!!
✿ choso kamo x circus entertainer! reader
✿ warnings: sensory deprivation, fucking while hanging from a rope, p in v, creampie, oral (m receiving)
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You watch him from your swing in the circus. He's in between all the people, ready to see you perform. You have never noticed him before even though you have performed in this city a lot of times. At first sight, he's different. All of the guys try to maintain their bad boy hair while he's wearing a fucking pigtails. What guy wears pigtails?
"Who wants to be my accomplice?" you ask the audience, and they answer by roaring chanter. Everybody wants to get closer to you.
Your family has a deep history of doing circus. It was your great-grandfather who started all of this. You never complained though. Your job is to swing wrapped in ropes, doing all kinds of tricks.
"What about you, sir?" you point at the guy in pigtails. He looks surprised that you would pick him, but he follows you to the stage. The shyness just radiates off of him, and you think it's the cutest thing ever.
"We have a brave volunteer here, " you exclaim with a smile, "you see those hoops? You can't connect them, but I'm gonna show you that is possible."
This trick is old, but people seem to love it the most. Half of your body is wrapped in the rope swing, and you place one hoop in the guy's hands.
You swing your swing around him, gathering some speed before you throw the hoop at him. He puts it right in front of him at the right moment for it to intertwine with the other hoop. The crowd roars in awe, throwing flowers at you. Another hoop follows suit and lands perfectly into the hoop too.
"That's all guys," you yell at the crowd. They boo at you, wanting to see you do something more, but it's the end of your performance. You hop out of the ropes, gathering the hoops from the guy.
When you're close to his side, you whisper in his ear, "Meet me here at 6 pm."
Choso had his eyes on you for a long time, always watching your videos on YouTube. He used to come to the circus with his family when he was little before you were even born. But he never got the courage to visit you personally. Until today.
He sneaks away from the circus security, heading right into the main tent. Here you are - his goddess. You're in your swing, swinging from one side of the tent to the other.
He dares to step closer to you, making you notice him. You stop by slithering your legs around his waist. He jumps at your touch, and his cheeks turn red when you take his face in your hands.
"I couldn't stop thinking about you." you pout at him, using your finger to graze his bottom lip. He's shy, almost trembling under your touch. Choso tries to control himself, after all, it's the first time he gets to touch you.
"Do you want me to make you feel good?" you whisper in his ear, and he nods timidly. You swing upside down on the ropes, your face coming in contact with his hard-on. You don't waste any time as you pull down his pants to reveal his hard cock. He's big, pretty dark curls on the base. You usually mind when a guy doesn't shave, but it fits him.
Your mouth wraps around his cock, and you swirl your tongue on the base. His shaking hands find their way to your hair, and he guides you. he slowly thrusts his cock deeper when he sees you have no trouble taking in.
"I love your mouth." he moans. This is better than he imagined. Your mouth is way warmer than his own fist. This is exactly what turns him on, you in the ropes with his cock in your mouth. He whines when you pull away from him.
You turn normally again to tell him he can do whatever he wants with you. He's eager to finally fuck you, finally sinking his cock into the woman he dreamt of for years and years.
Choso grabs the robes, tying your wrists together while keeping you secure with the rest of them. The dress you're wearing doesn't conceal your body, and he has no issue pulling the bottom of your bodysuit to the side.
He nearly moans when he gets to see your glistening pussy. His fingertips pet your wetness, and he uses it as lube for his cock.
His length pushes all the way inside of your pussy, making you gasp. He's sloppy, he would never tell you that it's his first time. His head leans on your shoulder, this is too much for him. Your pussy is way tighter than he thought it would be, wrapping around his cock nicely.
"You're so hot." you moan, you want so badly to run your hands through his hair, but he has you wrapped. He's speeding his thrusts, and you suspect that he's close. You want to cum first.
"Come on, baby. fuck me until I'm screaming." he doesn't need to be told twice. His cock angles inside you so that your sweet spot is abused by his cock. He fucks you nicely when he's more focused.
You feel close under his new set of thrusts, and you know that he's close too.
"Gonna cum together?" you ask him. he just nods his head, poor guy too overwhelmed to answer. Your orgasm hits you like a wave, making your pussy wrap even tighter around his cock. Choso can't take it as he cums right inside of you. He just hopes his beloved sweetheart gets pregnant.
"Untie me, please," you beg, you're still in the hair by the restraints. He panics, what if you would like to run away with him?
He carefully unties the rope, setting you down on the ground. He's fast, and he's not gonna let you get away.
"What's your name by the way?" you ask him as you check your outfit to see if there's any damage.
"Choso Kamo."
"Nice to meet you, Choso. I gonna think about when I come back here"
choso smiles to himself, you're not getting anywhere. Not under his watch.
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undiscovered-horizon · 5 months
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"Ultimatum" - Zoro x Reader
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prompt sent in by the wonderful @maybe-a-bi-witch | Enjoying my work? You can leave me a tip on Ko-Fi | Have a request?
When you were a child, your parents took you to a circus. Among clowns, lions and contortionists, the one thing that stuck in your mind was a tightrope artist. She danced and tumbled 40 feet above the ground, a smile on her face. When she flew in the air, you kept wondering whether this time she would fall but your fear never came true - she didn't lose her footing, didn't lose her balance even once.
You find yourself thinking about the circus artist more often lately as you keep questioning your relationship with Zoro. On one hand, there are the lingering touches, stolen kisses and words filled with undeniable desire. But there's also his coldness and distance, the unwillingness to speak about his feelings. Whenever you're about to give up and cut your losses, accept that your little maybe-romance is purely opportunistic, Zoro pulls you right back in with seemingly no effort. He has you wrapped around his finger, no sense in denying that.
And just like that girl 40 feet in the air, you're also walking the tightrope. But contrary to the performer, you're not sure you can do it as skillfully as she did. As days turned into weeks and your relationship with the swordsman only became more confusing, you felt yourself losing balance. It feels like soon enough you'll be falling off the tightrope. And a 40-foot drop is enough to break, whether it's a bone or a heart.
The night fits your mood: cold, rain hanging in the air, wind tugging and nipping at exposed skin. The ocean and sky are in turmoil, giving you a sense of comfort - tonight, it's not only you who's fighting against themself. Does the sea also question her relationship with the shore? Does she also wonder if their fleeting, chaste kisses as waves wash the sandy beach are something more than opportunistic tenderness?
Your heart is beating out of your chest as you knock on the door to Zoro's bedroom. Shortly after, a welcoming grunt resounds on the other side.
The swordsman is lying in a hammock, staring at the ceiling above. With one hand underneath his head, he looks really comfortable. He bends his neck slightly to look at you but doesn't get up for now.
"I'm done, Zoro," you spit out a little faster than you planned. There's no point in pretending that you're not about to choke on your emotions.
The tightrope artist tumbles on the highwire.
He furrows his eyebrows. "With what?"
"With whatever it is we've got going on." It feels like a dam has broken and you find yourself unable to control the flood of words coming out of your mouth. Tears sting your eyes. "You clearly don't want anything serious and I've grown into accepting that I can't change your mind. I also can't just wait around to see if you maybe decide to settle for a relationship. I love you, Zoro, but I have too much self-respect to let myself remain just a convenience to you."
Only when you finish your monologue do you realize you're crying. Weeks of pent-up emotions, anxiety and pure, unrequited adoration you hold for that man have burst inside your chest. The sense of relief you're suddenly feeling is something of a silver lining.
She loses her balance. The audience falls silent.
But Zoro doesn't share your emotional turmoil. He returns to staring at the fascinatingly bland ceiling. "Fine, I'll do it. I'll be your boyfriend," he says in a disinterested voice.
Only static fills your mind. "What?" A question escapes you as you try to make sense of his words. "Zoro, you-"
"That's what you want, isn't it?" he cuts you off. Suddenly he sits up, legs hanging over the side of the hammock. The movement makes the cot swing slightly.
You stare at his face in search of the truth that hides behind his words. Does he really think superficially succumbing to you will fix everything? Or maybe there's something else on his mind - maybe he just doesn't care what you call him.
"What I want is something authentic, not just a fling to pass the time because we're both lonely," you continue. "I have feelings for you and I can't keep pretending that I'm casual about this," you point between him and you, "thing."
The performer waves her hands around, desperately trying to find her footing.
Zoro gets up from the hammock. In a few strides, he finds himself in front of you, closer than within an arm's reach. "You're not a fling," he says decisively. You almost believe him.
A bitter laugh escapes your lips. "I'm not a relationship either, it seems."
He lets out an exasperated sigh. This conversation is tiring him. Maybe you're tiring him.
Zoro's dark eyes are drilling into yours. You can't help but think that he's holding back from something.
"I don't care what you name it." His voice is stern. Suddenly, the air is too thick to breathe comfortably. "All I want is you. I'll do whatever it takes. If that means being a 'boyfriend'," the mocking tone is obvious, "then so be it. I'll gladly be your boyfriend."
Truthfully, you didn't know what you were expecting when you decided to confess your feelings to Zoro but it definitely wasn't this. Then, your previous anxiety blossoms into something unbearably sweet and tender. He doesn't care what you have as long as it's with you.
"Are you serious?" you whisper. This reality seems almost too good to be true.
"Dead," he murmurs back.
Zoro presses his lips against yours. The kiss is slow and heartfelt, unlike the kisses you're used to sharing with him. Strong, desperate hands grab at your waist and hips, forcing you to follow him as Zoro walks backwards. With a creak and a thud, the two of you fall on the hammock.
The crowd cheers loudly. The dancer has regained her balance and continues the routine with even more grace and glamour in her movements.
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burymeinblack2022 · 1 year
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was anyone gonna tell me brad taste in music reviewed hesitant alien and gave it the most absolute dogshit rating like. living up to the name i see like jesus christ, man......
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ripplestitchskein · 1 month
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Today I wanna rant talk about this
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Versus
This
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A lot, and I mean A LOT of people use these two moments as a way to compare Stolas and Blitzø with Fizz and Asmodeus. Specifically, Asmodeus with Stolas. And I get it, both Tiny Clown Imp with Giant Bird Aristocracy. Both dealing in different ways with the social hierarchy of hell. People keep using it as a “well Stolas HID while Asmodeus declared” and yes, that’s true but I don’t actually think we’re meant to be comparing Stolas and Asmodeus, at least not about this specific thing.
Blitzo doesn’t need someone to declare their love for him, he needs to declare his love for someone else.
People put the “Stolas is ashamed of Blitzo because of his station” on Stolas a lot and it is shown multiple times that it is not a factor for Stolas. He even like…sings about how it’s not an issue? Explicitly. The different stations was an issue for Asmodeus for awhile based on thier convos and the hiding. And it was for Fizz, though for different reasons I’ll get into in another post cause this is already going to be long as fuck. But this social hierarchy, famous person conflict is 100% Blitzo.
Blitzø is the only person who should be interpreting Stolas hiding his face as being because of the social disparity because that is a hangup of his. We, the audience, should know better because we’ve been shown the truth, or the reality of the situation in the scope of the show, MULTIPLE times. Blitzø is the one who harps on the class disparity, he’s the one who has the perception that Stolas is only looking for a fetishcentric fuck with the common rabble. The audience is supposed to see Blitzø’s reaction and know he is wrong, that this interpretation is because of one of his character flaws of feeling not good enough, and being compared to people, not because of the reality, because we have proof otherwise. Including the canon song where Stolas fucking says it outright.
There is a lot of talk about the “solution to Stolitz” being Stolas loudly and publicly declaring their relationship ala Asmodeus. But…Stolas already did his big public declaration at the BEGINNING way BEFORE Asmodeus. Stolas did it in The Circus flashback. He reinforced it at the Harvest Moon festival. He reinforced it at Ozzie’s.
His initial public declaration was following up a Imp leaving his bedroom in front of the Ars Goetia yelling “Sorry I fucked your husband” after a big aristocratic party by coming out well fucked and loudly screaming he was getting a FUCKing DIVORCE and ripping a banner in front of some of the most socially influential people in Hell. He then publicly thirsts over Blitzø at the Harvest Moon festival, multiple times and by name AND species. He takes Blitzo’s hand, and goes on a public romantic date with him, even reminding the doorman of who he was and who he was with and THEN when all eyes are still on them after the song at Ozzie’s, despite everything said, reaches out to him across the table and then gets up and leaves with him even taking his car home when he has the ability to just portal. No one who converses with him about Blitzø is left with any ambiguity that they are involved, not Stella, not Striker, not Octavia, he loudly declares he is into the imp to anyone who will listen, often in front of Blitzø, which he cringes away from and insists is just a transactional fucking.
The contrast to be drawn between Asmodeus making a public declaration shouldn’t be on Stolas but BLITZØ. He’s the one who needs to declare it, Stolas already has, repeatedly and out loud, and in public already.
Blitzø is the one who can’t say it out loud. He’s the one who shies away from conversations about it and dismisses it when anyone brings it up. He uses the excuses of social class and it being only for sex to justify his own inability to own it. There’s a reason all his exes are massively famous people who got famous after he destroyed the relationship. With Verosika it’s pretty clear she was super into him and he dipped. It’s not clear if it was because she was getting famous, that might be revealed, but the hints we have (her tattoo, his stealing her credit cards and disappearing) is that the end of that relationship was all Blitzø. When people find out he was in a relationship with her he is uncomfortable with the fact that she is famous, he goes out of his way to separate himself from her fame. Because people react exactly as he expected them to, incredulous someone famous could be into nobody Blitzø.
Somewhat ditto with Fizz, at least at first. Fizz was shown to be already pretty well known by the end of their friendship. Because of Blitzø’s self worth issues he doesn’t believe someone like Fizz could reciprocate his feelings, he sees him surrounded by people and doesn’t feel worthy to be one of them so he turns away and accidentally burns down a circus doing so. While a confession from Fizz first, if he felt the same way, might have prevented the catastrophe we have no way of knowing if Blitzø would have done the same thing to Fizz he did to Verosika and let his self worth issues eventually destroy their relationship too, especially after he signs on with Mammon. A big theme of their comments to each other before their reconciliation are about the disparity in fame, Fizz is also an imp so it’s not social class, but that Fizz is a beloved, famous figure and Blitzø failed at becoming one.
The Circus illustrates this so well, Blitzø is the failure who keeps trying his hardest and Fizz is the one who steps in and just kind of naturally does it. Blitzø’s dad makes no secret of the fact that Fizz is the more desired one. We also see Stolas appreciating Blitzø for who he is. Laughing against the crowd, just like during the sitcom taping, he doesn’t care about the public’s reaction to Blitzø, it doesn’t lessen Blitzø in his eyes at all.
We have also seen Blitzø be told very publicly a person loved him already as well and it STILL wasn’t what he needed. Verosika has it literally tattooed in a prominent place on her body, out there for everyone to see.
He doesn’t want a public declaration, he fears making one of his own and being compared to the one he declared for. “That guy is with THEM?!” It happens when Verosika steals his parking space and everyone realizes they dated, and it happens when the crazy fan goes after Fizz. People dismiss Blitzø in favor of the famous person he is with.
Hearing that, again, would invite the scrutiny that would just further validate that he’s not good enough, that he’s lesser and lower. That’s been his experience so far. Stolas declaring it would just put the spotlight on him once more, and I think it would actually make things worse for him mentally and emotionally. His reaction to Ozzie outing Stolas as his date to the crowd shows us this. I believe it’s why he split up with Verosika, the more famous she got the more eyes on him that could find him lacking. He’d be in the spotlight and his act wouldn’t be able to measure up to hers.
Just like at the circus with Fizz when they were kids, or during the sitcom, when eyes are on Blitzø he fails. Stolas gave him a bit more confidence each time. Not by loudly yelling “Hey, I like him!”to sway the audience, but just by quietly and genuinely laughing at his jokes and appreciating Blitzø for who he is. Stolas I think realizes this consciously, he sings it in Look My Way that the realm doesn’t appreciate what Blitzø is and because of this Blitzø built up walls around himself to protect from that lack of appreciation. Stolas tries to hype Blitzø up, he does so in the Harvest Moon Festival early on in their relationship but it makes Blitzø uncomfortable because the public declarations bring eyes to him. He has like….relationship stage fright in a sense. Imo the last thing Blitzø needs is another loud declaration.
Stolas though, he does NEED it. He has had one romantic partner publicly declare they don’t love him to all who will listen for like well over a decade, and now he needs a partner who will make it really really clear they do and I think preferably out loud where others can hear.
Stolas’s conflict and flaw is his family and his desire for reciprocal love. The shame of being an adulterer, of destroying the idealized family he strived for and the image he projected for so many years. And especially, the loneliness of his “romances” being one sided. With the exception of Octavia all of Stolas’s surrounding family and “friends” don’t give a fuck about him and he knows it. Why would Blitzø be any different? He also needs someone to choose him outside of a business or familial relationship. Stella was an arranged marriage to produce a heir. Blitzø was a sexual transaction for the grimoire. Octavia is his daughter. His relationship with his father shows that he isn’t special to him either. Paimon doesn’t even know his name. Stolas has no one declaring for him.
There’s a reason most of Stolas’s issues are told though “images”. The family portraits, the Sinstagram posts of Blitzø appearing annoyed or disinterested while Stolas does not see the picture Blitzø took, because that is his primary issue, he destroyed the image of himself he was trying to project for a chance at a reciprocal relationship. That image maintenance has nothing to do with Blitzø’s imp status, but more the public lack of perceived reciprocity in his romantic dealings.
He knows he looks like a fool, putting himself out there and not getting a confirmation back. This is why every problem Stolas had with his marriage seemed to come down not to attraction or status but mutual feeling. He doesn’t feel bad for cheating because Stella made it clear she didn’t care about him for him. Stella tells everyone loudly and publicly, even before Stolas cheated, how she feels about him. So as soon as Stolas can he jumps at the chance to say “HEY EVERYONE SOMEONE DOES LIKE ME! HE HAD SEX WITH ME AND EVERYTHING”and yelling out “THE ONLY MAN WHO CAN FUCK ME”. Flirting with Blitzø in front a crowd of people. He desperately wants to be publicly desired, to know he’s loved and for others to know he’s loved too.
I don’t think it matters to Stolas at all that who he cheated with was below him in terms of social hierarchy, or that people know about it, and he hasn’t ever indicated visually or with words that Blitzø being an imp was the root of those issues for him. Stella brings it up because she’s obsessed with status and EVERYONE KNOWS that her husband fucked an imp and is now divorcing her. Asmodeus brings it up because the entire Lust song at Ozzie’s is to distract the audience from his very real love affair with Fizz and maintain the public fiction that what he and Fizz have is just physical.
The whole social hierarchy issue is a deflection, and a misdirection.
This is further emphasized by the fact that Fizz and Asmodeus fucking isn’t even really an issue? People seemed to know they were fucking, like them being walked in on at breakfast and loudly declaring “ we are just banging, we are not in love”. The social hierarchy conflict as an external factor kind of falls apart on that alone but let’s move on. It’s not 100% clear if people outside of the household knew about Fizz and Asmodeus so we can maybe assume the public at large did not. But higher level demons being in a relationship with lower level ones doesn’t appear to be an issue? Like most of the powerful demons we see are actually in relationships with someone from a lower class. Even Mammon surrounds himself with imps and relies on one for his business.
Blitzø sure as fuck brings it up as a justification for why he’s not good enough. But Stolas doesn’t.
He’s even been shown visually and deliberately as forgetting that it’s even a factor, starting with his bowing to Blitzø as a baby owl and then again as an adult. So the comparison of these two moments as being about shame regarding social status for Stolas doesn’t make any sense to me. I don’t think it’s about social status at all really. I think that’s the excuse Blitzø uses to push people away and that’s just as much about social status as it is their fame. I’m not saying it’s not a larger theme of the show, but I think in this instance and for Stolitz it’s a distraction from the larger issues Blitzø has.
Stolas doesn’t need to publicly declare their relationship for an audience to solve their relationship issues because he already did, and I think we’ll see that the reason it’s such a huge plot point for Asmodeus and Fizz (beyond it being tied to their specific roles in Hell as the King of Lust and a public figure) is that it needled to be removed as an obstacle in BLITZØ’S mind.
Blitzø was the one present to witness the public declaration between Asmodeus and Fizz at the competition, not Stolas. If the comparison was between Stolas’s behavior and Asmodeus’s he would BE there, we, the audience, would have him there to connect that conflict in our mind as being rooted in Stolas. But he isn’t, because that conflict is 100% Blitzø. He won’t be able to use the imp versus demon thing as an excuse anymore as there is a very public example of someone even higher than Stolas loving an imp that he personally knows. Not only that but we see no indication in the episodes after Ozzie’s that there was ANY fallout for Stolas or Blitzø having their relationship outted so publicly. We see a big press todo about Stolas going to the hospital but not a single scene of like press asking Blitzø or Stolas about their relationship or the scene at Ozzie’s. Because no one but Blitzø actually cares? Scenes in media show us what’s important and if it was actually important to the larger world of Helluva Boss we’d have scenes to show that. There is no press coverage after the Not Divorced party, none after the Harvest Festival and none after Stolas officially makes moves to divorce Stella. He has assassins follow him around but not press. We DO get those press scenes when Fizzarolli and Asmodeus come out as being in love, because they are big public figures, but the only people who even mention Stolas and Blitzø are contained to Ozzie’s alone, and really it’s just Wally, Fizz and Asmodeus. The rest of the club is just interested in the spectacle.
The point of the hiding Stolas’s face behind the menu was not to tell audience he was ashamed of Blitzø, or that his being with Blitzø is a problem for him socially, but to reinforce Blitzø’s excuses to himself that it is, and highlight Blitzø’s self worth issues. This is further confirmed when Stolas reaches out to him across the table even though they are still in public and then later when he verbally expresses to Blitzø that he’d like to spend time with him without sex, tells him he enjoyed spending time with him outside of the arrangement, makes himself physically uncomfortable in the van just to spend more time with him. All of which Blitzø refuses to believe and dismisses. All of their interactions are shown as Stolas being the one to put himself out there, sometimes to a desperate cringe inducing degree, and Blitzø shutting it down and only expressing that his external protestations are not his true feelings by his avoidant looks, stumbling over his words and excuses, and his “protesting too much”. We as the audience see he’s full of shit through the reactions of others, Millie and Moxxie and Fizz specifically calling Stolas his boyfriend or being skeptical of the bullshit Blitzø spews to diminish the relationship.
For Stolas the song at Ozzie’s was a reminder that he had done something that fucked up his family and frankly his life as he knew it, tarnishing his image as a husband and father, and that fuck up has nothing to do with Blitzø being an imp, everyone knew that already for the most part from the very first time they had sex, but because Blitzø was the catalyst for the risk he took. He used to have the image of his family and his Princely appearance to hide behind and now we’ve shone a spotlight on who he really is, a lonely, soon to be divorcee, on a date with a demon who has acted completely dismissive of him, even outright ignoring him and ghosting at times.
A good way to highlight this issue with image is when Stolas nervously giggles and tries to over the top declare “we are having a perfectly normal date!” to the waitress by playing it off as being okay and trying desperately to get Blitzø to participate. He’s being publicly humiliated again and he tries to play it off and cover it up.
We see it again in his text messages from after Ozzie’s, he is so desperately trying to show Blitzø that it didn’t bother him, but that if it bothered Blitzø he’d like to talk about it. He tries to front it as “I don’t mind jokes about myself, it was pretty funny hahaha” but we as the audience see it for the pathetic attempt at faking it is. Laughing it off and pretending it doesn’t bother him is what Stolas does but he still made an attempt, he still tried. Stolas is from what we see extremely comfortable expressing his feelings, loudly and at length. It when he gets rejected for them that he pretends it’s not how he feels. And once again, he reaches out to Blitzø, gets shut down after putting himself out there and then acts as if everything is fine.
During the song at Ozzie’s , when the spotlight comes to Stolas, Asmodeus starts reminding him he “destroyed” his life, his family, and his image for a dude who does not outwardly appear to return his feelings, who is in fact just fucking him, and not even because he is interested in Stolas, but because he is using Stolas for the book. Every time Stolas tries for more he gets slapped back. He threw everything away for more of what he already had, a loveless business arrangement. He’s not shamed by the fact that Blitzø is an imp but that he ripped apart his picture perfect life for a guy who was acting distracted and ignoring him, who at times is completely turned away from him, and who is sitting across from him visibly uncomfortable at being called out as being on a date with him, and who he cannot get to agree to anything more despite his desperately trying.
Stolas’s part of the Ozzie’s episode opens with Gabriela yelling “Why won’t you LOVE ME ALEJANDRO” and then the man puts a streak in his hair to call back to it and people are still thinking it’s about status for him?
He just watched Blitzø stand up for Moxxie and Millie but when the focus turns to Stolas Blitzø cringes and makes himself small.
Lets break down what actually happens on screen because it is ALL in the visual choices made by the artists and what the song is actually about, lust being more acceptable than love because love is embarrassing and Blitzø hates to be embarrassed:
Moxxie starts singing, and after he sings “I loooove you” the shot jumps to Blitzø who CRINGES and shrinks a bit behind his menu. Publicly declaring your love for someone in public like that? Fucking Yikes. Bro.
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Blitzø stands up and defends Moxxie and Millie but not necessarily to support their love, but their sexual relationship. This says a lot about which one Blitzø thinks of as being publicly acceptable.
Fizz turns his attention to Blitzø and the entire call out is about his bad love life, not his social status, and not even necessarily his level of fame but his failures as a romantic partner and the state of his relationships. It’s interesting that the song turns to this lack of love since just a few verses previously they act as though a romantic relationship is anthema to what they are all about. As soon as Fizz starts talking about his LOVE life Blitzø looks nervously at Stolas out of the corner of his eye.
Stolas is shocked as the song starts in on Blitzø but he doesn’t leave or shrink away immediately, he makes this absolutely hysterical face when Verosika is singing.
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Blitzø does NOT like that Verosika is singing about their relationship. He crosses his arms and gets very sour pussed.
Then when Verosika starts getting more predatory, and going in on Blitzø physically, Stolas STANDS UP and looks as though he’s going to intervene.
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The Wally Whackford yells “Are you sleeping with an Imp?” And Stolas remains standing, in the spotlight for several seconds. He doesn’t even start to move away to get out of it until Asmodeus comes up into his space and the scrutiny is all on him. He still doesn’t hide his face nor does it look necessarily shamed, it looks surprised and scared with where this is going and to have the attention on him but he does not look shamed. In fact, he doesn’t react to the imp comment at all, he is just as shocked and surprised as before Wally yelled as he is after. He keeps making this same shocked and scared face the whole time. We continue to see the crowd throughout all this and the scene is from a wide shot. It’s from the main POV, which is largely Blitzø’s.
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The POV then switches to ONLY Stolas’s, we are seeing THROUGH his eyes and what HE sees is his family turning away from him and then they shove Blitzø in a chair, make him the center of Stolas’s vision and he’s left with Blitzø’s embarrassed, cringing face. The crowd, the club, everything else is painted out. From Stolas’s POV he doesn’t see or register the public, he sees and registers his family and Blitzø. They are center of his vision and the club and its patrons aren’t even present in the shot. If the issue was the social status we would have no need to remind the audience of Stella and Octavia by projecting their images and then having a sequence where they turn, walk away and burst into flames. Wally’s comment would be enough to establish it. The crowd would be visible because they would be what matters to Stolas. But it isn’t, we have to dive into Stolas’s POV, get a visual reminder of his family and see how Blitzo looks from Stolas’s POV.
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We pull back to the outside POV and Stolas sits and stares for an entire beat after the POV shift (a technique used to tell the audience THIS was how Stolas saw the situation, now we’re back to the main POV), Blitzø is still shrinking away from him and THEN after Asmodeus says “you sold your life for a thrust” is when he hides his face. Yes, I did slow down the animation to actually see the sequence shot for shot and yes, it is a sign I have lost my mind.
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But it’s important! This technique is really common in literature and media, you introduce one character’s conflict or flaw and then, to show that it contrasts with another character’s situation you jump into their POV, this is to remind the audience that there is a difference between them, that they are seeing this situation from two different places. The shots are wide for the social status implication that speaks to Blitzø’s issues with public declarations and his own self worth and we jump into Stolas’s just to remind the audience HEY, THIS IS ISNT WHAT STOLAS IS THINKING IN CASE YOU FORGOT ABOUT THE MAIN REASON THEY ARE NOT ON THE SAME PAGE, and then we just jump back to wide shots and bringing Blitzø back as the character whose flaw is being depicted.
The rest of the shots are from main POV and show Blitzo reacting to that. A deliberate contrast is set between what Stolas perceived and what Blitzø did. They present this direct visual contrast using a POV switch to show it. From Stolas’s POV he is being shamed not by the public, who didn’t factor into his POV at all, but by the loss or strain of his familial relationships and by Blitzø presenting himself completely differently when the focus is on HIS relationship with Stolas versus how he reacted to Moxxie/Millie and even Verosika.
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From Stolas’s perspective and the audiences Blitzø was relatively okay up until Verosika pushed him, then we see Stolas’s reaction to that. That’s when Blitzø’s entire demeanor changes. He wilts, he shrinks, he makes himself small. Before that he winced a little but mostly he seemed annoyed. Until it gets turned on his date with Stolas. And we see this confirmed through Stolas’s POV, that we are seeing Blitzø how Stolas is seeing him looking sheepish and unhappy right in the center of the shot.
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You sold your life for a thrust” is so important in this sequence, Blitzo just basically confirmed from his contrasting reactions and body language throughout the song that what they have is just sex, and we know from Stolas asking Asmodeus about the crystal and following up on it that he is really focusing on the transactional aspect of it and the situation he put an unwilling (at least in his mind) Blitzø in. This is just another bad arrangement like his marriage.
We don’t have onscreen confirmation, so this is more speculation but I imagine Stolas is probably comparing himself to Paimon a bit. His father purchased an unwilling imp to play with him as a child, the imp pretended to be into him to use him for the family treasure and now he’s essentially purchasing the same imp and that same imp appears to once again just be tolerating him for material gain.
Anyway, enough thoughts that depress the fuck out of me.
When we switch back to Blitzø after M&M finish their song we see the public again through their clapping and see his reaction. Now the issue at large is firmly back to the inferiority complex. Blitzø started shrinking and cringing away as soon as the famousness of his date was revealed, as soon as the crowd does exactly what he fears, comparing him to his partner and finding him lacking. Then we have Stolas reaching out, with no regard for the crowd who is back around them in the shots until the hand close up, and Blitzø shuts him down. Again. Once more we have Stolas visibly reaching out and trying to give Blitzø what Blitzø is outwardly projecting he wants (just like Stolas does with the dirty talk), and Blitzø being the one to say something annoyed or dismiss it. There is literally nothing Stolas can do to resolve this, because it’s an internal issue for Blitzø. Stolas externally declaring to every realm in hell won’t fix Blitzø needing to believe it and declare it for himself.
The conversation at Stolas’s house after reinforces everything, that Stolas is trying to do what Blitzø is projecting he wants. Blitzø appears to have an issue with their relationship being just about sex, the same person who goes out of his way to force all his non-familial relationships to be just about sex (even Moxxie and Millie, and when he turns a heartfelt reconciliation sexual with Fizz by asking to make out) and Stolas offers him multiple options for more of a romantic or comforting evening, because it’s what he wants as well, and Blitzø ignores that entirely, just outright refuses to acknowledge it. In the hospital we see Stolas tried AGAIN after Ozzie’s via text to work it out, and talk it out, but when Blitzø shuts it down again and when his initial approach didn’t work, Stolas tries just brushing it off and putting up that happy EVERYTHING IS OKAY image again.
So all this billion words and unhinged analysis to say that Stolas is not Asmodeus, he isn’t the one who needs to make the declaration, that won’t actually solve Blitzø’s problem and he already has put himself out there multiple times. Stolas is Fizz, obsessed with putting on a show.
Blitzø’s issues are internal and multiple people have tried to show him in external ways they love him and he either relates it back to sex, dismisses it entirely or physically removes himself from their lives. This is understandable considering when he does put himself out there he gets rejected, (circus audience, Barbie, his various gigs before I.M.P, Loona sometimes) or people act incredulous that someone could be with him. So the only way for him to complete this character journey is to internally reconcile and externally express.
Stolas is much more external about his issues, he tries putting on a happy face, laughing things off, trying to have a perfect day at LooLoo Land with a disinterested daughter, flirting outrageously with a disinterested partner, he wants the external situation to reflect what he feels inside but those around him don’t give that to him. He tries to have a perfect marriage, he gets a partner who throws obnoxious parties for what appears to be the chance to ridicule him publicly. He tries to have a perfect day at LooLoo Land to recapture happier times and accidentally alienates his daughter. He talks about how much he wants to bone Blitzø because that’s how Blitzø approached him and what he seems to be into in his relationships and is the only way he allows Stolas into his life at all, and in return he gets annoyed looks and insults.
“Or Is it Me?” In Look My Way makes me tear up every goddamn time because Stolas believes there is some internal problem within himself, that he cannot give Blitzø what he needs because he’s BEEN TRYING to be what Blitzø seems to want and gets nothing back no matter what approach he takes. No one will externally acknowledge him. Stolas doesn’t have an internal problem accepting his feelings and who they are for, regardless of status or consequences, he clearly says this in Look My Way and shows it before that with his over the top behavior, he needs someone from outside himself to acknowledge and reciprocate it.
So yeah, I disagree with the idea that Blitzø is the one who needs a public declaration. He might need a private one to take away his excuses but I don’t think he needs Stolas to do what Asmodeus did. What Blitzø seems to need is to be brave enough to declare his feelings for once and not shy away from the attention that comes with that. To accept himself as he is, like Stolas accepts him, and that realize he is just as worthy of love as the other people in his life. Stolas needs a declaration to validate his internal feelings, ease some of his loneliness with confirmed reciprocity and to have outwardly what he wants inwardly.
Thanks for reading if you did. I am sorry for being the way I am.
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dorkynerd23 · 6 months
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Yeah, I'm not gonna say much at all especially since I'll just be repeating myself..I'm also just so done with her, her cult fanbase and Vivienne as a whole. But, Viv is honestly the LAST person to be saying any of this especially since there's so much damn proof of how awful she is, she's proven that she's unprofessional, childish and is a horrible boss + an abuser and mistreats her staff and harassed those who were past members of the Spindlehorse Team who were abused and mistreated by Viv and it's so damn sad, she's the last person to be saying this especially for how she's acted lately and in general.
(SCREENSHOTS CREDIT GOES TO: @chaifootsteps)
(You can read the full thing over on their blog as they uploaded the full conversation, yesterday.)
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And most especially as there was proof of her gaslighting someone on patron (who was needing money FOR FOOD) and I know it was in 2017 but it still shows Viv's awful and disgusting behavior and she clearly HASN'T changed and even after this came out, her damn fans are STILL defending and babying her ass and using the excuse on how it was years ago and it's just so sad...it's sad how so delusional a lot of these fans truly are and how Viv will probably never be held accountable and face the consequences of her actions and she'll continue getting away with what she does. I seriously wish people would realize and see that Viv is human and makes mistakes and shouldn't be seen as this perfect individual who could do no wrong. It's very unhealthy behavior, especially to be so obsessed with the creator and their work to the point you're willing to harass and target anyone who DARES to say anything negative..many fans won't admit it, (especially the diehard fans) but a lot of you have an unhealthy obsessive behavior with Viv and her work and act like you know her personally and I honestly think this fandom will just get worse and worse especially with the arrival of HH soon. Nothing is going to improve or get better, especially since the creator herself always sits back and allows her crew and fans to harass anyone who says anything bad about her or her work. I know the creators can't do much once their projects get popular and have a large audience but the LEAST Viv could do is at least tell her fandom to stop bullying others and do better, (Gooseworx (The Creator Of The Amazing Digital Circus) did this and her show has gotten very very popular, and she tries doing whatever she can to try and control the fans and tell them to not be awful, ect) BUT NOPE, she seems to encourage this behavior and likes tweets that are either kissing her ass and babying her or are attacking other people, It's so damn sad and immature.
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(SCREENSHOTS CREDIT GOES TO: @uninformedartist)
(You can read and see all the screenshots over on their blog as it shows all the screenshots and proof.)
[https://www.tumblr.com/uninformedartist/732789673037086720/for-my-own-documentation-cos-these-things-do-get]
It's also awful and terrible for how fans treated Salem (Who Used To Work For SH + Did Work On HB) as they were making fun, harassing and ignoring the abuse that happened to them and it's just fucking sad, unforgivable and appalling behavior, and just overall disgusting..and it just shows these fans clearly don't give a shit who's been hurt and mistreated and just care about their demon shows. HB/HH is seriously an awful and toxic community and it's only going to get worse once HH comes out.
I love HH and it'll always hold a place in my heart (it's comforting to me and helped me during a hard time, but I'm someone who separates are from the artist) but this behavior is unacceptable and for those in the community like myself who aren't interactive or as talkative with the large part of the fandom (or if you plan to be) please stay far away and just be in your own circle or just stay careful overall. ❤�� Because people aren't kidding and playing around when they say this fandom is like a cult..because it is. And it is truly one of the worst fanbases I've seen and I've been in many shitty and horrible fandoms but the HB/HH community takes the cake and I think it's one of the worst fandoms out there, although there's many terrible fandoms out there.
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