#the classic head vs heart conflict i love it so much

[theresattrpgforthat]

Hi! First of all thanks for running this blog, it's a goldmine. So I've been running Spire and spy fiction is obviously a major touchstone for it but I'd like to know if there are more games that scratch that itch, regardless of setting.

I have a preference for the less "spectacular" kind of spy (more intelligence-gathering and political intrigue than stealthy gadgets and action scenes) but any suggestion is welcomed :)

THEME: Spies & Intrigue

Thank you very much for your sentiments! I feel very good about the options I’ve managed to rustle up for you today.

Uneasy Lies the Head, by Adam Bell.

A cracked throne, an imploded sun, revolution at the gates: disaster looms over the realm as self-serving nobles plot and scheme to shape the world to their liking. When those visions clash, turmoil erupts and the court is thrown into chaos.

Uneasy Lies the Head is a GM-less tabletop RPG where everyone plays a member of a tumultuous royal court. Each player chooses a playbook to define their character, and weaves a web of alliance and animosity with the other players.

This isn’t necessarily a spy game, but it will give you the intrigue you’re looking for, and there are mechanics built-in for a betrayal of some kind. Each player has their own playbook with special moves associated with their role. Using resources such as tokens and dice, players will attempt to fulfill their agendas by bartering resources, making alliances, and forging deals. The game is also setting-flexible, so you could play as a space oligarchy, a feudal monarchy, or a high school lunch table! If you want social intrigue, I recommend Uneasy Lies the Head.

Shot Through The Heart, By Roll for Romance.

Go undercover and get under the covers as you take on a top-secret mission filled with danger, desire, and deception!

Drawing inspiration from sexy spy tropes, Shot Through the Heart is a Caltrop Core game where players are secret agents on a mission and looking for love. With 4 classic agent types, over-the-top code names, and messy interparty romantic entanglements, each agent plays a unique role in the mission. Will you play as a seductive Fatale who charms their way past danger or perhaps a Tech Specialist who has yet to see a code they can't crack? 

Secret Objectives add intrigue and player vs. player dynamics that will leave players wondering if a fellow agent is a mole working to sabotage the mission or just flustered because they're secretly attracted to them.

This game is about literal spies and therefore will expect dramatic heists and stealthy conflict, but it adds a layer of personal entanglements, which will provide obstacles as they attempt to complete their dangerous heists and super-secret missions. The social aspect is highly personal, and threatened the party just as much as enemy agents. You definitely need player buy-in when it comes to the romantic entanglements, but if the players don’t mind wrestling with secret heartaches and heartbreaks, this might be the game for you!

Shadow Protocol, by Club Xero.

An ultra-lite ruleset for running espionage thrillers, Shadow Protocol is designed to fit any setting or era. Character creation is meant to be fast, stateless, and freeform.

The biggest risk in spy games is getting caught, and you’ll be fighting against that throughout an entire game of Shadow Protocol. You’ll have to do your best to avoid suspicion, manage your stress, and stop yourself to do something that brings unwanted trouble or personal harm. How much of the obstacles presented to the party are physical or social depends on both the characters all of the players decide to play, as well as the objectives set out by the GM. If you want to battle the pressure of keeping an operation under wraps, I heavily recommend this game.

The Service, by Rocket Surgeon Games.

It’s the height of the Cold War, and the world is divided into two competing superpowers. On the frontlines of this ideological conflict we find the spies and intelli- gence officers that use information, disinformation and coercion to any sordid ends their masters command. 

The United Kingdom, having lost much of its for- mer influence on the world stage, still actively uses its intelligence agencies to further its national interests, even if the Secret Intelligence Service (SIS) can’t compete with the KGB or the CIA in terms of budget or power.

In The Service, players take on the roles of intelligence officers working for a the UK Secret Intelligence Service. It is meant to emulate the kind of unglamorous, bureaucratic and morally grey spy fiction of Le Carré, Len Deighton or The Sandbaggers.

Your characters in this game are not high-powered, fantastic individuals, but rather special officers doing the best they can in an extremely high-stakes scenario. This game is set in a very specific time period, and uses the Powered by the Apocalypse System to purposefully emulate WWII fiction. 

What I really like about this game is that the playbooks are designed to look like British passports, which immediately helps players understand what kind of game they’re playing, and also helps them immerse themselves in their characters. This game may only be in playtest, but there’s already a lot to love about it.

#asks #game recommendations #tabletop games #indie ttrpgs #spies #espionage #intrigue

[iinryer]

—turn out the lights—

by @gayeddieagenda (signetsealed on ao3)

buck/eddie || 7.9k || s5e17 coda, pre-relationship

[love is picking someone up from the airport. buck drives eddie, chris, and pepa home.]

e is so fucking good at storytelling it blows me to smithereens every time! this fic is canon as far as I’m concerned. buck dealing with the fallout of jonah & taylor, e writes such tasty conflict. but it still feels like a quiet place to land in a whirlpool of emotions. it’s so good. pls enjoy a favorite bit of mine:

“I got it,” Buck said in an undertone, ducking around Eddie to unlock the front door so he didn’t have to dislodge Chris. He held the door open, waiting for Eddie and Chris to get inside before doubling back for the suitcases.

“Pajamas on, teeth brushed. You know the drill,” he heard Eddie say through the wall a minute later. He couldn’t make out Chris’s response, but whatever it was, it made Eddie laugh, a single, loud bark that carried down the hall. Buck couldn’t stop himself from grinning at the sound.

—the stick-around—

by @winchysteria (derryfacts2 on ao3)

buck/eddie || 9.6k || injury, getting together

[buck gets hurt on a call, there are things he’s never said]

barbie is one of those one-in-a-million authors who can literally do it all. she writes devastatingly poetic prose, and then can turn around and give you the funniest, snappiest banter you’ve ever read in your entire life. no one does compelling characterization like her. this shit knocked me out. please read it. here’s one of my favorite bits:

“Come on, Buck,” Diaz says, looking back down. “Come on, Evan. You have to pull through for me. I know I already ask you for too much, all the time, but don’t start saying no to me now.”

It’s anticlimactic, the way a heart stops. It sputters and sprints before the flatline, but you can’t let it get that far: you crawl over the body to tie a pulse back into it with your own bone and muscle. Only the heart is tired. Death is comfortable, and life is like a double-dutch game, that endless whir-thud, whir-thud –the rhythm of the chance to jump back in. You can’t make the heart do anything. You can’t hear it say it’s over, I forfeit my turn. All you can really do is hold the ends of the rope tight and beg.

All the heart can do is wait for you to give up.

Diaz ducks down, pressing his forehead to Buckley’s temple, one hand on the opposite side of his face as if keeping pressure on a wound.

—something to hold onto—

by @eddiediazes (foxwatson on ao3)

buck/eddie || 5.1k || getting together, cuddling

[eddie’s been working on wanting things]

eddie diaz vs his therapy homework my beloved. i tell fox all the time that everything he writes is an instant classic, if you haven’t read every single thing he’s written for the firefighters then i am tasking you to go do that literally asap. also fox writes THE kiss scenes of all time so jot that down. here’s a favorite bit:

“I totally just forgot what I was gonna say,” Buck admits, and Eddie laughs with him.

In fact - Buck laughs hard enough his head tips onto Eddie’s shoulder, and he rolls his forehead back and forth there for a second, his curls brushing against Eddie’s jaw, the warm weight of him just - resting against Eddie’s collarbone.

“Maybe it’ll come back to you,” Eddie tells him quietly.

“Eh, who knows? Probably wasn’t important.” Buck turns so he’s looking out at the room again, but he leaves his head resting against Eddie, tucked there perfectly in the space between neck and shoulder.

#i am here to bestow upon you three fics that i adore written by people I adore even more #fic rec #buddie #911 fic

[valyrfia]

Hello ! For the fic writer asks :

Of the characters you write for, which is your favorite? Has that choice been swayed at all by your followers/readers’ reactions to certain ones?

Which of your fics would you call your wildest ride?

Link your three favorite fics right now please.

Thank you very much !

Thank you anon!

I really enjoy writing Max, I think that's why I tend to prefer to write from his POV. Max is really ruled by his head (vs. Charles who is open about being ruled by his heart) so it makes it super interesting when his logic and his emotions come into conflict, like the logic of all he has to do is win vs. the pesky emotion of wanting to be loved. That being said, Charles is also super fun to write. He's absolutely ruthless on track and I like extrapolating that to what lurks beneath his PR perfect facade, lots of jealousy and unhingedness. These two are probably the most fun I've ever had writing characters in a ship mainly because they're both absolutely deranged and Fucked Up and needing therapy but in wildly different way. For a non-Lestappen character, I'm going to go with a bold choice and say George Russell, the moment I'm done with Lestappen Week and can write about the inherent repression of the English Upper Class it's over for all of you. George Russell love was definitely inspired by the super unexpected but lovely reaction to Grid Dynamics.

My wildest ride isn't even a recent Lestappen fic, it's one I wrote when I was much younger and is a post-Endgame stevetony fic. I wrote this fic in an absolute fever dream out of the theatre the evening after seeing Endgame, with my final end of school exams literally the very next week and even though I don't read/write stevetony anymore, it's still the one I'm the most proud of.

Three favourite fics right now:

melepathic. or something. I literally talked about this in a previous ask but it's just way too good I need to talk about it more. The prose and the writing style is just addictive and Lando and Oscar are pitch-perfect characterisation (as in Lando is dumb and doesn't think and Oscar is a bit confused but also long-suffering).

i'd sing you a morning golden and new It's ABO which I completely get if you're not into that but the Capri scenes in this fic actually have me feral. Even better, there's a companion fic from Charles's POV which is being updated at the same time. I have cried over these two fics more than once.

algorithm This is a classic Lestappen fic I feel like, but is just so so good. A canon compliant San Junipero AU (if that makes ANY sense at all) which made me feel like I'd aged YEARS by the end of it

#anon #and of course leave no space by linearity but that's more of a persistent top 5 fics of all time kinda love #like leave no space changed my brain chemistry forever and these three are what i'm obsessed with at this specific moment in time

[blackbird-brewster]

Hiiiiii Kit I have been thinking more and more about sapphic CM/X-Files crossovers and how much I need some Scully/Lewis in my life. What do you think their ship name would be? And if you were going to write about them, what kind of fic would you write?

Also I’m very glad you came back to writing and that we’ve become such good friends this past year! ❤️❤️❤️

Waaaaaa, I love you Bex!!! Thanks for the ask. I'm so glad we're friends too!!!!

Honestly, ever since you mentioned this the other day I keep thinking about it toooooo. I'm such a slut for old-school OTP ship names vs pormanteau ship names. So might I suggest:

OTP: Two Good Doctors OTP: Tol and Smol (a classic) OTP: Be Gay Solve Crime OTP: Science Lesbians I'm sure we could workshop it. I'd LOVE a crossover where Lewis runs into Scully on the elevator at Quantico and they have a cute chat. Tara asks where Scully works and she's like 'Uhhh, in the basement' (presses basement button on elevator) Tara legit thinks this woman is doing a 'bit', because she's only been at Quantico a short time, and she's fairly sure no one works in the basement. (In this situation, Tara is an FBI psychologist -- non-BAU).

Time goes on, she has an appointment with a pair of agents who can't get along with each other. Honestly, she's s forensic psychologist, yet here she is being a middle-school counceler having to tell trained FBI agents to 'play nice'. And in walks elevator woman and some guy who looks like he hasn't slept in five years. (Remember how CM did the Mulder/Scully joke when the BAU was reassigned during the Barnes arc!?!?!? I've always wanted this fic) Tara learns the woman is name Dana Scully, Dr Dana Scully. The man is Fox Mulder. And turns out, they really do work in the basement.

Tara does her best to help them get through their conflict, apparently Mulder is kind of a loose canon, and Scully seems very level-headed. Tara ultimately asks 'why wouldn't you just transfer or get a new partner?' and Mulder/Scully laugh at the concept. Afterwards, Tara has Scully stay for a minute and she's like 'Look, I won't put it on the report but are you and him....together?" Scully gets instantly defensive about it, says something like, "We always have each other's backs." Tara shakes her head and says, "Yeah, but are you....dating...him??" "Why do you care?" Scully is absolutely missing the point here. "Because, I was hoping you were single...." Tara says. "Oh." "yeah." "Oh, right... well, yes, I'm single," Scully says. (With that cute little half-smile she gives Mulder when she thinks he's being annoyingly endearing) They'd be impossibly cute together with that nine inch height difference. I'd sob. Two very amazing badass FBI women, ugh, my heart!!!!! My two fave characters of all time, this is so overly specific to me.

BONUS MATERIAL: and old Emily/Scully crossover I wrote in 2016 [X]

Ghosts of the Past

When Scully went missing her mom had a head stone made. Which lead me to come up with the best AU/cross over ever…

For shits and gigs, Mulder had the head stone placed in the cemetery . (Because face it, he’s a child) Scully objected at first but secretly goes and visits once a year because it gives her some sort of inner peace.

Fast forward to 2012. Scully is on the metro on the way to visit her head stone for it’s 18th birthday (she brings a pile of scratch offs because it is now old enough to gamble.)

She strikes up conversation to the woman next to her. Scully feels like she’s seen the woman before but can’t quite place where. 

Scully’s stop comes up and she’s surprised when the other woman stands to leave as well. They continue their conversation during the short walk to the cemetery. 

The woman chuckles, “I guess we have more in common than we thought.”

Scully, panics, she definitely doesn’t want to admit to this attractive stranger that she is morbidly visiting her own grave. So she fakes a phone call and waves good bye to the other woman. 

Once the coast is clear, Dana goes to her grave and does her yearly moment of silence to think about how her life has changed in those many years since the X-Files. She’s peacefully reflecting when a hand taps her on the shoulder. 

“Sorry, I’m not follow you…it’s just…I never caught your name.” the smiling woman said.

Scully now had two options, either lie about her name and forgo the potential of getting to know this woman or telling the truth and hoping the woman wouldn’t notice the head stone she was sitting by.

“Dana,” she stuttered. “Dana Scully.”

The woman shook Scully’s hand happily and began to reply when she noticed the headstone. She read it aloud, “Dana Katherine Scully. 1964-1994…”

Scully sighed, expecting the woman to run screaming. (She knew Mulder would get a kick out of the who fiasco when she relayed the event later) But instead, the brunette burst into laughter. 

“Come here,” she chuckled as she pulled Dana off the ground and lead her a few rows over. 

The brunette pointed at the head stone in front of them, while wiping tears from her eyes from laughter. 

“Emily Prentiss?” Dana read from the stone.

Emily held her hand out, “Nice to meet you.”

Emily explained that she worked for the FBI and had faked her own death but had been adamant about keeping the head stone. Scully doubled over with laughter and explained she too, was an FBI agent who had been prematurely marked as dead.

After that day the two became best friends and ended up dating.

#bex #reply post #my writing #tara lewis #dana scully #cm headcanon #crossover #anniversary asks

[thegardenchronicles]

Astrology Observations 2

Thanks for the overwhelming response on the last astrology observations ! Love y'all !!

Disclaimer: All of these are only personal observations based on people I know in my life. It is not necessary for these to relate to you, they are mostly subjective. Also, the energy of all of the placements mentioned can change depending on their entire chart.

Please do not copy/plagiarize my work and do not repost without my permission.

🍓 Those born with Sun opposition Moon are constantly conflicted between everything. These individuals tend to be extremely indecisive. Head vs Heart always. It can also represent conflict or tension between the parents of the individual.

🍓 Neptune in Sagittarius. Your mind is...wow. This generation is honestly not given enough credit. They truly experience expansion through their minds. If you want advice, go to them, they really know what they're doing.

🍓 Mercury in Leo is soo good at comebacks? They're honestly quite witty which I don't think a lot of people give them credit for. Especially if it's for protecting their loved ones, they can be cut-throat.

🍓 In my opinion, while reading a solar return chart, the most important placements are the ascendant, the sun, and any stelliums. That being said, the whole chart is important.

🍓 This is veryy personal but I have such a hard time with the Taurus placements in my life. Like they'd ask me for advice but they'll still follow their own feelings they're just so stubborn lmfao. But I absolutely love my Taurus friends. They keep me grounded. God knows I need it.

🍓 Libra Risings are so funny!!! Like, idk about y'all, but my Libra rising friends have a weird humor, but it's so cute. They love laughing and they have such nice laughs too. Such positivity.

🍓 Gemini mercury. Go sleep lol. I know you guys think too much. I have this placement and like, if I'm thinking to myself, I'll ask myself a question and I'll already answer the question to myself before I've even completed thinking the question? Like does that happen to y'all too? Our minds move too fast lol.

🍓 Earth mercuries talk and text very slow, but that's just because they like to think things through before they say anything.

🍓 The mothers of Moon-Pluto aspect individuals are extremely significant in their lives. There is always a significant connection between their mother and them, whether it is positive or negative. Their mother leaves an impact on them and I truly feel that the individual also leaves an impact on their mother. It's like a classic "can't live with, can't live without."

🍓 Speaking of Pluto, this planet when in the 4th house, nowhere ever truly feels like home. They may change their homes and move around a lot but there always seems to be something missing.

🍓 Everyone knows that Leo Risings are associated with hair. Many expect that they have to have a thick, full head of hair, but it can also be that it doesn't really have to be thick, but it just has to catch your attention somehow. Whether it's dyed, or a really unique hairstyle, or a dramatic change, there's always something about the hair.

🍓 I feel like there is a lot of Cancer mars slander in this community. Two important people in my life have a Cancer mars and they both live with me. It is difficult to understand them especially since they suffer from constant mood swings and you never really know when they'll explode. They also get angry very fast and its like you never even know what you did wrong. I just think that they have so much anger and they themselves can't communicate their feelings effectively and so they can't help where their anger flows. They just need someone to help understand their feelings. You need a lot of patience to understand them, but they aren't ever truly trying to hurt you. That being said, they must be held accountable for their actions.

That's it for today! Thanks for reading! Leave your thoughts :)

love, crystal 💮

GO TO MASTERLIST

picture sources: pinterest

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#astro notes #astro observations #spirituality #astrology #astro community #cancer #aquarius #gemini #capricorn #sagittarius #tgc astro #tgc astro obs

[rahleeyah]

Hi! I want to tell you I am in awe of your writing. It’s powerful and moving and so true to characters. I’m always curious…what is your writing “process?” If you don’t mind me asking!

Oh this is a great question!!! We haven't had a writing question in a while.

My process is not something I usually think about; when I first saw this question I was about to say something like mostly what I do is I just sit very still and let the words come out. And that's true but not fair; that's only one piece of the puzzle.

The first piece is routine. I write at the same time every day. Weekdays it's first thing when I come home from work, weekends it's first thing when I wake up. Always the same time, always sitting in the same place - on my porch, away from distractions, with fresh air and a glass of water and some smokes. That last part is not recommended.

It is hard to write if I miss a few days. One day is fine, but if I go more than 2-3 (which I don't think I've done since Christmas) I'll be out of step and it'll take a while to get back in the groove. So that's the practical part, is I've got a time and space set aside to write and that makes it easier.

The next piece I guess is where the ideas come from. I rewatch a lot. I find watching helps me keep the character voices, but it also helps me make new connections or find new moments to explore. I'll post thoughts here or share them with friends and the back and forth helps flesh things a lot. Most of the time an idea for a story is like a lightning strike; it feels as if it's come out of nowhere. But it isn't completely organic; I spend a lot of time thinking about ideas. In the shower, in the car, before bed, in snippets on tumblr. You have to cultivate the idea generating part of your brain. Sometimes I'll play with a story in my head for weeks and it won't go anywhere; sometimes the whole thing just appears fully formed in my brain like Jesus air dropped it to me. But you gotta be open to the spirit before the spirit can move you, you know?

So we have a place to write and we have an idea, how do we make a story?

A story is like a road. It is going from point A to point B and we gotta lay the pavers to get there. A story like hov is easy; it's set in canon so there's episodes to draw from, and there's a clear linear progression from not pregnant to pregnant to baby. There's a time frame and there's built in milestones. Something like let's take long way down, madam Jean, for example, is gonna be totally different, bc it isn't set in canon and there is no roadmap to get from strangers to happily ever after.

A lot of the time I don't look at the big picture bc it's overwhelming. It feels insurmountable, if I think about how many chapters it'll take and how much time it'll take. I'm eating this elephant one bite at a time, just like my mama said. So we write the first scene. The first paver that goes down is the Problem.

Not to be all freshman English class but every story is centered on conflict. Those conflicts can be anything; it doesn't have to be a "fight", an actual literally good guy vs bad guy. It just has to be an issue. Liv is pregnant but Elliot is her partner and they're not supposed to sleep together. Lucien works for the police but he's intrigued by the local madam. Eli doesn't know who Liv is and he's worried about his dad. Bernie Stabler shows up unannounced. All of these are Problems.

Once we have a Problem, we can start working on the Solution. We do this one step at a time. We do not rush.

So every day, I read over the last chapter I wrote. Where are we, what's happened, what are the Conflicts, what is the next logical step? How do we address it in one scene?

Lucien saw the madam, and she asked him to look after a pregnant girl. Ok now he has to go back to the brothel in the next chapter. That moves the timeline forward and moves us closer to the end goal, bc while Lucien is looking after the girl he talks to Jean, and we plant the seeds of them falling in love. It also gives us one piece of action to work on, one moment in time to write. I sit down, I write Lucien going to the brothel, I write him examining the girl and talking to Jean, boom there's one scene we're done. We tie those two things together; logical progression of Plot events, and the emotional undercurrent. I like it best when a chapter has both.

Themes come out naturally most of the time. Matrilineal, for example, was just me sitting down to write about Bernie and I used Amanda bc I love an outside pov. But as I was writing I'm thinking you know, Amanda has a complicated relationship with her mom. Shit, so does Liv. And they're both mothers now. And so is Bernie. And the emotional threads come out naturally as a result of who these people are. The piece wasn't gonna be about mothers but then it became obvious that it had to be.

Motifs appear the same way. The first chapter of bury my heart, I used this is love. That wasn't originally intentional, but when I did it the second time I thought there it is, and kept using it, and that's where the gut punch of the final line comes from; the meaning has changed from joy to sorrow and it is only impactful bc of the repetition and our previous connection to it.

I use a lot of imagery, and a lot of it tends to be religious - Jean is very Catholic, and so is Elliot, so for both Blake and svu there's room to play with it there. I like similes, I like metaphors, I like synecdoche - there's a fun one. I like to play with putting words together in different ways but that stuff doesn't happen in the car, or the shower, or on my lunch break; that usually only happens when I'm writing. I have to sit down and be still and let my brain go.

Conflict, themes, motifs, images, characters, these are the ingredients that make a story. And the more you work with them the easier they come. It just takes practice. But one of the best ways to improve is to read. See what's possible. See how other people have put words together. Someone commented once about how sometimes I say a lot with very few words; that is something I picked up from two very different places. Stephen King is great about short, simple, powerful sentences that knock your socks off. And there's a recurring line in my favorite series, the Belgariad, where when things are bad the man character goes to his aunt, who has raised him since he was a baby and is essentially his mother, and she holds him, and everything was all right again. It is a simple, repeated phrase about love, and comfort, and how no matter how terrifying the world can be, love brings healing and hope. There are quotes scattered throughout my work. Olivia quotes Heraclitus to herself in bury my heart; yes I am a classics major but my connection to that quote comes from the film the emperor's club. Inspiration is everywhere; draw on all of it.

This is. Probably more information than you were looking for but once I got started I couldn't stop.

#anonymous

[paranaturalpop]

I rate your pnat ships by how well they work as foils

I’m Professor Pops, welcome to Literature 405: comparing and contrasting in pnat ships. Love is in the air but all that really matters is narrative symmetry!

Mina and Agent Day (submitted by @anxanhh)

two women on missions who need a confidante. 

Mina is a calculating woman of science with a tender, vulnerable heart deep down that she guards. Day is a fun, giggly love goddess but beneath the surface she is just as calculating.  

They are both focused on their prospective goals to the point of subterfuge. 

They have similar missions, to solve the many mysteries of Mayview, but they’re at odds instead of working together. Will these lone wolves learn to let their walls down and work towards a common goal? 

Their spectral energies are complementary colors!!!!!!!!!!!! 

9/10 so different yet so alike. They should kiss and also develop as people.

Spendcia

Where's that post about paranatural having what my hero academia wants?

These two had interacted in cannon only once before we found out they were dating, power move on Zack’s part

The cousinhood and the consortium seem to have bad blood…. Enemies to lovers????

As teachers, Garcia is tired and phoning it in while spender is energetic and committed. But when it comes to mystery solving Spender is burning himself out while Garcia keeps him grounded.

Garcia does things like pack spender lunches with little hearts drawn on the bag but was surprised to be called his boyfriend. He acts chill but inside he is deeply invested in spender but also knows about spender’s isolating tendencies. 

8/10 there's a reason these two have been off and on again for 6ish years, they’re walking a tightrope of vulnerability.

Imaax (submitted by Rubyya)

The Destiel of Paranatural. No I will not elaborate.

Here’s a pnat history lesson, the original ship name was Maxaac, but Zack weighed in on twitter with a much better alternative: Imaax. Also sometimes called Team Lightning Rod. 

Black and blue colors, just like the emotional bruises they leave on the people around them. 

Isaac wants to be seen as heroic and Max wants to be seen as aloof. It presents in different ways but deep down they both really care what other people think.

They both fear sincerity. Isaac protects himself with theatrics and Max with sarcasm. 

Isaac puts on a big show of having strong ethics but he’s a little mean on instinct. Max puts on a big show of cutting people down with his snark and devil-may-care attitude, but when push comes to shove he’s kind and cares how other people feel. 

Max immediately insults every person he meets and they still want to be best friends with him, while Issac tries so hard to be cool and nice but people just can’t stand him. 

The meta tension between Isaac, who wants so badly to be the protagonist, and Max “magnetic personally” Puckett who is exhausted with being the protagonist, is delicious. 

There’s a reason official art tends to portray them together. They bring out the best in each other. Isaac brakes through Max’s performative pessimism and Max brings Isaac down to earth. 

10/10 these two were written as a pair and it shows.

Suzabel (submitted by Rubyya)

One of my fav tropes is ‘enemies to friends’ where the enemy part is completely one-sided. Isabel probably thinks she and Suzy get along great. 

Both the heads of their respective clubs, but with very different leadership styles. 

Isabel only studies her grandfather's spectral style to please him and is a near master of it, while Suzy is incredibly self-motivated even though her actual skills are lacking. 

Isabel is at a crucial time in her life where she’s learning to distance herself from adult authority figures in order to take on more personal responsibility. Suzy is already blazing with independence and could help her adjust. 

Inversely, Isabel could teach Suzy a thing or two about treating your club members with respect and doing the emotional labor necessary to prevent future conflict. 

Red and pink! Valentines colors! 

Isabel could kill you but would never, Suzy would actually try to kill you. 

Investigative reporter/person living mysterious double life is a great dynamic.

Back when Izzy had Eightfold they had the ship name ‘Paper Girls’ which is awesome

7/10 Don’t ask me how I know this but they would kill at karaoke together. And they’re ok foils.

Bullymagnet

Max ‘too cool for clubs’ vs a boy who defines himself by his tight knit group. 

Max is learning to be less passive aggressive and johnny is learning to be less aggressive aggressive. 

Max’s entry to spectral life was when he injured Johnny and saw a shade of a doctopi on him, and Johnny's first shade was Max's doctopi after the hit ball game. 

Johnny refuses to commit to not bullying max anymore even though he really likes him, and max is working on being nicer but he’s still gonna be snarky with people even though they’re his friends. Old habits die hard. 

If he hadn't seen that shade, Max might have joined Johnny's gang. He has the style, the stunts, the snark. 

8/10 Just two bros whose lives are changing forever.

Isaac and Dimitri (submitted by Rubyya)

Here’s my pitch for a ship name: Brainstorm

Orange and blue are complementary colors. 

Isaac hurt Dimitri accidentally somehow. Hurting others accidentally is the central theme of chapter 5. 

Idealist/pragmatist is a classic dynamic

They both have relationships with their spirit partners that are rooted in fear. 

Dimitri’s self concept is overly dependent on his sense of intellectual superiority, and Isaac’s on ethical superiority. 

7/10 have not directly interacted in the comic yet but the narrative symmetry is there

Johnny and Isabel (submitted by Rubyya)

Burnhound Vs Shockadile

These two are natural leaders who know how to treat their friends with respect.

These jocks are both lethal weapons, but while Isabel is a master martial artist, Johnny is a passionate but blunt instrument.

They’re both going through similar identity crises.

Isabel is struggling to reconcile her violent and disciplined upbringing with a good, gentle heart and Johnny is trying to reconcile his violent and self-centered lifestyle with a developing respect and empathy for other people.

Johnny dies his hair red, so he would think it’s cool how Izzy emits a fiery red aura when excited.

8/10 there's a reason these two were the team leaders in the hit ball arch.

Violet and Lisa (submitted by Rubyya)

People have been theorizing about what kind of cryptid Lisa is since day one meanwhile Violet gives off big normie energy.

Lisa is very plugged into all the Mayview weirdness as the queen of the school underground, while Violet was the only person who thought to go get a teacher during the hit ball arch. Lisa was also the only one who really spoke openly about how something was clearly very wrong with Jeff, everyone else talked around it and played by the so called ‘rules’. Lisa’s secret brokering Vs. Violet’s ‘sunlight is the best disinfectant’ attitude presents two different approaches to trying to survive in a school run by a mysterious shadow organization within a town that contains several other mysterious shadow organizations.

“If you were, I’d have to be jealous too.” just two middle schoolers pinning over their crushes.

7/10 two girls against the world.

Isaac and Johnny

ship name: Firestorm?

Just 2 fiery redheaded mediums with anger management issues that command primal forces and wanna be best friends with max

Johnny chooses to have red spiky hair, Issac has had red spiky hair thrust upon him.

Both met Maxwell Pucket and decided they needed to change for the better.

I’ve said this before but Johnny and Issac have equal and opposite philosophies. Johnny doesn't care about the greater good, he just cares about a small group of people who he loves. Issac cares about the greater good, but can’t connect with individuals and ends up hurting them. Together they form one GoodTM boy.

Both their spirit partners want revenge on Spender. This spells trouble.

If there’s anyone to teach Isaac about unconditional friendship, it’s Johnny

Isaac has sworn off violence and Johnny worships at the altar of it.

9/10 they’ve only interacted in canon once so far but I’ve think we’ve got a big storm coming.

Suzy and Collin (submitted by Rubyya)

The Bakudeku of pnat. I will continue to not elaborate.

Suzy once stole Collin's phone which prompted Collin to try to cut her hair which prompted Suzy to stab Collin and at no point did either of them think to move to a different bus seat. As different as they are they are also very much the same.

Collin is the definition of mouth service (constantly disapproving of suzy’s antics but going along with it anyway.) while suzy is all action.

Despite their different attitudes they both seem genuinely passionate about the journalism club.

Fashion icons. Suzy’s sunglasses and legwarmers, Collins sweater vests and wrist bands, this duo could walk for Paris fashion week: middle school edition.

We’ve gotten an indication that Collin cares a lot about what Suzy thinks of him (taking off his wrist bands when she made fun of Max's) but we haven't gotten any sign yet that the feelings are mutual.

5/10 I think their story is yet to be told and we’ll get to know more about how they compare/contrast to each other in the future. Maybe brought on by Dimitri's betrayal?????

Cody and Isabel (Submitted by @a-bitchtm)

Cody is gay by WOG but that doesn't matter here since we are evaluating thematic compatibility, not romantic compatibility.

Red Vs. Blue

Izzy’s arch about stepping into her role as leader through communication and honesty contrasts Cody’s role as the secret class president. Izzy finally told Isaac the truth about the consortium, while Cody blatantly lied to max about being president.

Both seem to have generally good motivations and the skills/talent to back those motivations up.

Isabel is in the process of unlearning the ‘firm hand’ philosophy that she learned from her grandpa and Cody’s dad straight up tried to mind control him into murdering a toddler.

They were both taught to fall back on their capacity for violence and intimidation but those teachings conflict with the people they really want to be.

6/10 just two kids who are being led astray by authority figures trying to learn to be themselves.

Cody and Collin (Submitted by @gatortavern)

They both like vests.

Both beholden to blood thirsty predators

Collin is a journalist, Cody is a vampire/leader of the shadow government. It’s a huge power move on Cody’s part to hang out with Collin.

Cody’s support of his friends is enthusiastic while Collin would have you believe Suzy has kidnapped him.

4/10 they hang out for a reason but those reasons have yet to be fully developed

Isabel and Max (submitted by @Paranatural-goofiness)

They’re both people who have learned to put up walls to keep people out. Isabel through violence and intimidation, max through sarcasm and mockery. T

he other side of this is their mutual journey to let their walls down and connect with other people more genuinely, starting with each other.

Their search for acceptance and identity has led them both to become incredible athletes. Spectral fist martial arts = shred eagle stunts

As we saw in the hit ball game, Izzy faces things head on while Max is all about evasion. However we’ve seen how Izzy has actually learned to be evasive and guarded about her feelings while Max is a little more forthcoming.

8/10  Never has there been faster friends.

Isaac and Cody (submitted by Rubyya)

Drama kings

Isaac wants the likability Cody has.

Parallels of power: Isaac with power he didn't choose and cant control vs. Cody who also didn’t choose to have his power (elected), but wields it like an instrument.

Involuntary anime hair and involuntary glowing monster eyes

These two definitely both fall under the category of “lawful”.

I can see these two ending up on opposite sides of a conflict because they both have such rigid personal codes and an intense sense of duty.

I know I’ve been approaching almost all of these platonically but Isaac probably really wants a cool vampire boyfriend deep down

 7/10 Unstoppable force, meet immovable object. You two should watch anime together.

Hijack and PJ (submitted by @gatortavern)

They both wanna join the activity club so bad

Both have immature ideas about heroism and villainy. 

Both aspire to heroism while at the same time understanding that they aren't that yet and maybe never will be. 

They both, like many people in this comic, wanna be friends with max.  

5/10 Two supernatural babies who should play wii sports together

Stephen and Isaac (@Gatortavern)

Two boys who are easily overwhelmed

Lawful vs. chaotic

Isaac has enough secrets to give Stephen his conspiracy fix for a long time. 

In their own ways they both just want everything out in the open. 

Isaac is Stephen's dream, someone actually living a secret double life, and Stephen is Issac's dream, someone with a cool scar who would think he’s actually very interesting. 

5/10 these two are both very intense in their own way.

Johnny and Ed (Submitted by @theevilbrainman)

Two souls lost in the wind

Two people for whom friendship and loyalty is central to their character, and they’re both struggling with personal growth because of it. Johnny is afraid to change because his friends have always liked the person he already is, and Ed is struggling to even define himself outside of Isabel, the person he cares about the most. 

Both impulsive and uninhibited. 

They both live lives free from expectation. Johnny’s wild bully persona means no one is surprised by his antics or cruelty, while Grandpa Guerra doesn't really care if Ed takes up phantom fist like Isabel. He actually calls him a freeloader. Not having much expected of you can feel free but it’s also lonely and can warp your self-perception. 

6/10 these two crossed paths at exactly the right time.

I didn't cover every submission because even though only 9 people submitted you sent in 34 ships between you. Pnat’s fanbase is small but very dedicated. 

Honorable mentions: 

Johnny and clear sinuses, submitted by @gaul-the-unmitigated

Isaac and therapy, submitted by both @squidgeons and @somethingfishysgoingon

PJ and Johnny, submitted by @gatortavern, who seems to be under the impression that Johnny Would protect PJ and not destroy him just by breathing near him.

Day and Scabs, submitted by @gatortavern, because funny.

Special thanks to everyone who sent in ship between people who have never interacted in cannon, which was a lot of you. My eyes are opened now, so many possibilities.

#paranatural #pnat #q #ships #valentines #dr. zarei/agent day #imaax #spendcia #suzabel #bullymagnet #shipping #pnat spoilers

[toffee-hammer]

Jumbled predictions for Arcane season 2

So, Jayce has to survive Jinx’s ult, right? Mel too if what I’m hearing about her becoming a champion in the game is correct. I’d love for Mrs Kiramman to make it out okay but I’ve got a bad feeling. Everybody else in that room is probably a goner.

I feel like there are two ways any of them might survive. The first is Jayce having his hextech hammer on him and using its shield ability. The second is dependent on that moment where Mel’s golden tattoos gleam before the missile hits actually meaning something more than just a cool trick of the moonlight. Does girl have superpowers she’s been keeping on the down low? Some kind of weird magic that might let her shield the rest of the councilors? If she’s going to be a champion then she has to have something to let her fight the rest of them, right?

Anyway, I wouldn’t be surprised if whoever survives ends up spending a big chunk of the season comatose. If Mel ends up out of commission for a while her mother’s going to be pissed which will definitely escalate the Noxus situation in the city and make the incoming Piltover vs Zaun war that much messier. Maybe with most of Piltover’s leadership possibly dead Noxus will even take the opportunity to try and take control of the city themselves. Sounds like classic them.

Kind of conflicted about this one but I’m getting a feeling Vi and Caitlyn might spend the first part of the season apart. Cait will want to go back to Piltover to make sure her mother is okay and Vi will want to go after Jinx. It might even lead to an argument about Vi’s refusal to accept that her sister is beyond saving. On the one hand, some solo Caitlyn might make for some good development regarding her becoming the new sheriff (and also I’m a sucker for a reunion scene) but on the other, I kinda want Vi to be with her for all that.

LOTS of people are going to want Jinx’s head. Sevika for Silco’s death. Ambessa for harming her daughter. Maybe even Caitlyn if her mother dies which will obviously lead to a complicated situation with Vi. I can see “the hunt for Jinx” being one of the biggest things going on in season 2 and if it is then perhaps we might even see Camille at some point (and how cool would a Camille fight scene animated by Fortiche be).

The little scene with Sevika in Silco’s office right at the end makes me think she might take his place and try to organize his people for whatever Piltover ends up doing in retaliation for Jinx’s actions. I can see her and Vi having one more fight only neither of their hearts will be in it. The reasons they had for fighting before are kind of...not there anymore. Silco is dead, Powder is gone and there’ll definitely be more important things to do than killing eachother over grudges. I’m hoping this means Sevika and Vi will end up in a “okay I still kinda hate you but I also kinda respect you” sort of relationship. Maybe if we’re lucky we’ll even get a bit where they fight alongside eachother.

I have no idea how Warwick/Vander is going to fit into any of this. Perhaps that’ll be what brings Vi and Jinx together again even if only briefly. Depending on what happens it might even lead to Jinx getting some kind of closure.

I’m not really sure where Victor’s story is going either tbh. Perhaps the Hex Core being super evil and the magic apocalypse Heimerdinger warned of will be what forces Piltover and Zaun to stop fighting and work together if they want to survive it. 

I’m guessing Heimerdinger will end up taking Zaun’s side in whatever conflict arises. It won’t be long before we get to see him all goggled up.

Ekko has to build his time gadget, right? Not really sure what will prompt him to do it or when he’ll have time what with the imminent war and all but they can’t just not have him get his rewind powers can they?

I’m not sure whether season 2 will be the final season or if they have plans for more but I’m guessing the whole thing will end with Vi and Jinx having a big fight which Jinx will win but she won’t be able to bring herself to kill Vi. She’ll run off and leave Vi convinced that her sister still isn’t beyond saving. Perhaps she’ll even save Vi’s life from something or other before disappearing.

I’m doubtful Vi will become “the Piltover enforcer” or anything like that but I’m thinking she’ll probably agree to keep working with Caitlyn because a) it’ll be the best way she can help Zaun and it’s people, b) she’ll decide the topsiders need a Zaunite around up there to keep them honest/prevent them from falling back into old habits and c) her girlfriend asked her to move in with her. She’ll swear to save her sister someday but also see it as her responsibility to stop Jinx from hurting anyone else in the meantime. Seems a neat enough way to let the story lead into the game.

‘Here Comes Vi’ plays at some point (please).

#arcane #arcane spoilers #league of legends

[dappercritter]

RANDOM THOUGHTS ON THE GVK TRAILER, BOYEEE:

OHOHOHfgghlghakdhglkjgfdlkhLFKCJDSogflHSGFOIHRSFKHGHHEHEHHEEHEHEHEHEHEHEEEEEEEEEEE

Right, so I’m excited

Well, starting with Godzilla since I am a huge Godzilla fanboy (a little known fact which I’m sure my follower base has been largely unaware up until now, I’m sure) I am both anxious and excited at the prospect of Godzilla taking on an antagonistic role, although I’m sure that’s only part of the story.

As many kaiju fans have pointed out, there are some definite Gamera 3 parallels where the once heroic guardian kaiju seemingly turning against humanity, likely because of an imbalance in nature and then another group in oppostion to him summons an old rival kaiju in an attempt to stop him. Fascinating. (Also watch Shusuke Kaneko’s Gamera trilogy, it slaps.)

Also, an antagonistic Monsterverse Godzilla who’s got it out for humanity is another concept we kaiju fans have long been waiting for, including me. But I’m very much wary of just where this will go. I’m hoping they don’t outright villify him just for the sake of justifying his conflict with Kong. (That and between Shin-Godzilla and the Godzilla Earth trilogy I feel like we got a decent antagonist godzilla fix.)

(Well maybe not decent in the Earth trilogy’s case.)

Although Mechagodzilla or not, I can definitely understand his reasons for going after humanity. (The COVID disaster, the ever present dangers of pollution, rampant corruption and amorality on every level of society, writing in hollywood these days, youtube ads...)

Now for Kong, I’m actually pleasantly surprised! Quite plesantly surprised! I love how much heart they’re putting into his portrayal and all the updates they’ve given him to stand a chance against Godzilla. Sure the ancient kaiju ax is cool, but I’m quite delighted by his new child friend/adoptive daughter. A welcome change of pace from kidnapping women that warms the heart.

I love the entire set-up of the aircraft carrier fight. The whole thing feels like it’s made of hype and it even feel surprisingly plausible. Everything from the sight of Kong in chains to how Godzilla’s whole entrance tips you off to something being wrong (e.g. him cutting through a ship with his plates, as opposed to casually dodging it). Also I know it’s supposed to be a reference to King Kong vs Godzilla (1962), but is anyone else reminded of Godzilla vs Mothra (1993)?

Kong making a dramatic jump off an aircraft carrier lives in my head rent free.

I admit, was actually critical of the whole concept of pitting Godzilla and Kong against each other in the first place. Even if their first fight was an awesome monster movie on it’s own, I always felt like Godzilla and Kong came from two different worlds. But here they not only feel like a worthy match for each other, but they feel even more like they belong in the same universe than before! There’s a greater sense of rivalry and mythology between those two that I absolutely dig.

I can’t see what’s inside that exploding mountain--MECHAGODZILLA?! IS THAT YOU??? HAVE YOU FINALLY COME TO PUT US OUT OF OUR MISERY?!

Where’s Mothra and Rodan? Just asking.

Actually where’s Behemoth, Scylla, and Methuselah? Again, just asking.

Loving that the human story involves kids getting stuff done. Seriously looking forward to Kong’s pal/daughter, Jia, and Madison and Firebrand Josh playing Godzilla’s advocate Godzilla 2000 style.

I don’t if that Japanese guy in the shadowy blue lab with Mechagodzilla? blueprints is Serizawa’s kid or not but if his own son is out to smear Godzilla’s name or worse, the possibilities are endless. Does he resent Godzilla for taking up most of his father’s time? Did he misunderstand his sacrifice? Does he oppose his father’s views of the beast--seeing him as a bigger threat than a protector? Or is he just an egotistical jerk with daddy issues? An easy puzzle to solve on day one?

I want to say more about the other human characters, but I feel like I don’t know enough to say much about them. Although I do look forward to how they handle conflicting organizations and debates on kaiju.

Hollow Earth. HOLLOW EARTH. HOLLOW EARTH! HOLLOW E

I love the warbats and the fight Kong’s going to have with them but why are they called that, especially when there’s actual bats in there?

Was I seeing things or was that the Super X over Kong’s shoulder when he touched the handprint?

On the cinematography:

Seriously though, as someone who thought KOTM looked fine as it was, I adore the new direction. Adam Wingard is doing us all a huge favour with daytime colours and vibrant colour palettes without colour correction.

Hearing the Space Odyssey music from the first Godzilla 2014 trailer gave me chills.

I did not expect to hear another rap song in a Godzilla trailer so soon nor did I expect it to work as well as it did. (Although it does pale in comparison to G2014′s cinematic homage, KOTM’s classical music, or anything Shin did.)

All in all, I’m quite excited to see what WB and Legendary has to offer us now that they got their release dates and such in order at long last. Even if it means this is the last of the Monsterverse films and my favourite kaiju might bite the dust.

#godzilla vs kong trailer #godzilla #king kong #godzilla vs kong #gvk #gvk 2021 #kaiju #giant monsters #movie monsters #monster movies #warner bros #ramblings of the critter #TEAM GODZILLA #just in case you were wondering

[unironicduncanstan]

@alenoah and @icedancerhell did this and ik im definitely going to be cancelled for my taste but explanations below

prince of egypt: oh my gfucking god . bro the music. the ANIMATION. the story too like obviously its based on a religious tale but i mean the way its portrayed and interpreted and how it all comes across was so on point. and did i mention THE FUCKGIN MUSIC dude i would try to sing every song when i was a kid and i think attempting that literally improved my range growing up

shrek: ok when ur a kid literally all u want is to feel mature and cool. shrek was that in an hour and 30 minutes. all the adult humor. and even the shit that would fly over your head somehow still always registered as so funny. every line is burned into my brain bc i watched it so much it was so fuckgin funny and entertaining and the storyline was so depthful and important. shrek for president

sinbad: oh yeah he makes me wanna sin. Bad

rise of the guardians: oooohhg the plot was so cool and intriguing,,, the designs were so unique,,,, also i actually used to. cosplay jack frost when i was a teen osfkjskjfhksdjf i might have like One picture around here somewhere,

over the hedge: every character is perfectly designed and perfectly voiced and the humor was so good. me at like 8 years old watching hammy the squirrel drink coffee and frolic around in a slowed down world was the peak of comedy

madagascar: its just such a classic. another movie where every line is burned into my cerebellum bc i had it on dvd. id say out of this whole list this close to number one. idk where to even begin with how stupidly hilarious it was to me

httyd: lbr who didnt just do a full [lisa simpson face] when you got to the end and hiccup had lost part of a leg. the whole movie had this aura that it was like not tethered down somehow while still being great family friendly media. also im ace sexual and UHH big dragon

--

antz: unironically i think it deserves so much more than it gets. the anti war messages are great the designs are cool and it goes back into the shrek maturity territory where they get to say CUSS WORDS. p much my only qualm is that woody allen had to be there 😔😔😔  

shark tale: ok dont cancel me but i really love the plot actually. i mostly love the mafia shark boy that dresses as a dolphin but even the will smith fish crash-and-burn fame hubris thing while annoying at times was rly intriguing. and the designs are the kind of thing that as a kid i loved but as an adult i do. struggle , w ith, a bit, but overall funny and entertaining story

el dorado: the music slaps so fuckgin hard thats another example of me tryna sing cartoon music to an embarrassing degree. also the Colorse . the designs . and the humor osjfsjdf the only downside is just a personal vibe bc the best friend conflict storylines make me anxious sometimes lol

flushed away: oh my god dont at me. some of the characters are so fuckgin annoying and some of the humor is just so much but i rly did like the worldbuilding and storyline. stupid posh ass rat was rly cool actually. also yet another mafia/gang violence plot in childrens media why is that so funny when ur a kid god

spirit: GREAT MUSIC GREAT STORY! i think the way the story goes like, its Better to be told with regular horses and narration rather than talking horses,,,, but my dumb whimsical child ass just didnt latch onto that style as much as the talking animal movies

shrek 2: rly good tbh all the new characters introduced are interesting and entertaining to watch, but i mostly remember it for i need a hero and human shrek. didnt rly hit the same mark as the first :/

httyd 2: another great movie with another great twist but it almost felt like too much at once for my little brain to handle. overloaded me with gay emotion 

--

megamind: i love everything it stands for i just never saw it until like a year ago so its not that dear to my heart

kung fu panda: not my style of humor, i saw it once and can hardly remember it but i feel like the plot was wholesome and cute

the croods: so funny and good, ive seen it many times actually. but some of the humor just isnt my thing (its, well, crude, which also took me like 5 yrs to get that joke,)

bee movie: was pleasantly surprised the first time i watched it??? it was pretty good and it did kinda make fun of itself so idk why its so cringe to ppl. barry b benson entertained me unironically

chicken run: i saw it once when i was very young and it just didnt resonate with me also claymation most of my childhood terrified me

wallace and gromit: same as chicken run

--

entire never saw it tier: dotn hate me i just dont have a lot of time on my hands. i know i will be oppressed into watching peabody and sherman within the week and i accept the charges

--

monsters vs. aliens: someone got it for me on dvd and i hated it so much. its not even that bad its just a me thing like for some reason the part where the lady becomes a giant during her wedding or w/e was just like. the worst nightmare i could imagine i hated it and it made me scared to get married bc i thought that could happen to me. also none of the main cast is charming to me one of thems a bug and i have a bug phobia so i could never rly get thru it im sorry but i coudltn do it

madagascar 2: alex backstory was kinda good but the rest was forgettable for me

madagascar 3: visually kinda cool but. :/// felt really off compared to the previous movies, like an obvious cash grab. i mean who could forget the constant polka dot afro circus song advertisements

shrek 3: again mostly just remember it for the frog dad dying ,,,

shrek 4: i only saw it like 5 months ago for the first time. fiona being a warrior in an alternate timeline or w/e (if that was real and not a fever dream) was the only semi tolerable part for me

penguins of madagascar: the first few minutes with them as babies was cute the rest i physically could not keep my attention on. i dont remember anything else im sorry

#long post/ / #very long #original

[hecallsmehischild]

Recent Media Consumed

Books

A Knot in the Grain and Other Stories by Robin McKinley. Not bad for a fantasy short story compilation, but as I read the stories I felt like too many questions went unanswered, or the answer wasn’t clear enough. I know there’s an art to not answering questions and making that intentional, but I didn’t pick up the feeling of the author being intentionally vague. It was still fun to read. I’m really just in a fantasy binge mode.

Fire and Water by Robin McKinley and Peter Dickinson. Both books are collections of short stories based on elemental spirits. Eh…. they were okay. Didn’t like them as much as the others.

Crime and Punishment by Fyodor Dostoevsky. Hard book to get through. There’s so much monologuing and it doesn’t all make sense to me. People seem to be talking trite nonsense half the time and then being unbearably deep the other half. It is an interesting look at morbid aspects of the human heart. Might be that it’s a bit over my head to appreciate fully, but I’d like to read at least one more by this author. Maybe The Brothers Karamazov.

Movies

Hello Dolly. (mini liveblogging of reactions) There are way too many musicals I have not gotten around to seeing, simply because I have old favorites and sometimes it’s hard to get out of a rut. I am two minutes and four seconds in and CLEARLY not watching this before now was a failure on my part. I am in awe of the opening sequence that is just a series of legs and feet, but they are all moving to the music and they tell a dozen different stories that are very easy to understand even without seeing anybody’s top half, this is EXCELLENT framing and shooting and I feel like I’m in for a real treat. (In the middle of “It takes a woman”) I cannot tell you how much I missed over the top satire. This very much has the feel of My Fair Lady’s “With A Little Bit of Luck”. But then it’s taken up by the protagonist with an entirely different tone and WHAM the feels hit. I’m not enjoying all of the musical numbers, but there’s this one bit in the middle of the song about dancing where Dolly accepts a dance invitation from the grizzled old groundskeeper, and seeing this high-class looking widow take his invitation without a shred of irony, and to see him take her dancing in such a way that shows he’s clearly done this for many years and may be a widower himself, it’s just this strange sweet kind of moment that’s meant to be savored. And then again WHAM this high class widow, whenever she has a musical number in private, just NAILS you with her song and performance and all her emotions. Barbara Streisand was incredible, absolutely incredible. A lot of the other characters don’t really feel real, they feel like Musical People. She slips on the clothes of a Musical Person but then she drops the facade and shows you how hard all this is for her and it’s incredible. The movie is worth it just to watch HER. Even if it is very stressful watching her manipulate conversations and move people around like pawns. I have to say I do not, for the life of me, understand why she wants a relationship with Mr. Horace Vandergelder, or why he agrees. They look like they’ll make each other miserable for life.

Honest Thief. I went in with low “dumb robbery movie” expectations and was pleasantly surprised. I think I was most surprised by the fantastic chemistry of the couple and pretty much everyone’s acting. Aside from the acting it wasn’t anything remarkable, but everyone took it up to the next level. Nice flick. Also it tickles me to hear the voice of Aslan talking about how he carried out perfect robberies.

Nezha. Holy. Cow. Okay it doesn’t make total sense to me, not all the way through, but I chalk that up to missing cultural/lit knowledge and translation issues. Setting that aside, animation was gorgeous. Story was fun, but also compelling. There was some gross-out humor, but I’ve seen worse. And the climactic fight scene? Man. It went SO LONG but I didn’t even care. Some fight scenes drag on, but this one could have been twice as long and I would have been fine with that. The creators of this film really went all out with creativity and variety all throughout the film. I don’t totally understand the ending but I would love to see more (as the credits scenes hinted that there might be more). Oh wait, there is more and it’s called Jiang Ziya…

The Mitchells vs The Machines. This movie was so full of heart and also so full of complete over the top dumb goofiness. It kind of reminded me of Despicable Me in that way. Definitely brought a smile to my face.

Shows

Star vs the Forces of Evil. I had to re-watch through Eclipsa’s and Meteora’s arc because I’d seen that much before, but too long ago to remember. I re-watched it, then settled in for the last season which I hadn’t seen before. Watching through the new content and… I’m… disappointed. Story seems to be all over the place. The conflict is so forced it hurts. People are flatter than flat. And they’re all idiots. I feel like the show is trying to reach for a moral and don’t even know what that is from episode to episode. Wow. And as I go into the final arc, it just gets worse. Ham-fisted with zero focus and twists out of the bloody blue that make zero sense. You know… this series was hard to get into because characters were annoying and gross at the start. But then it added depth to each character and made me care about them as it went along. But everything after Eclipsa became queen has flushed all of that down the toilet as fast as possible and it is maddening to see that story-trust wasted. Nothing means anything in this story, that’s the conclusion I end up coming to. Nothing means anything and there is nobody worth caring about. I am radically disappointed. And kind of angry at the sheer number of levels at which the storytelling became terrible.

Games

Legend of Zelda: Link’s Awakening. I wasn’t sure how I’d handle another controller-based game after getting so accustomed to Breath of the Wild (I’m on a second re-play of that, I play it whenever my brain is on the fritz so badly that I can’t do anything else). But it turned out to be pretty easy to get into. The hardest part is getting stuck about how to solve certain puzzles and trying to figure it out over and over. Sometimes I figure it out, but sometimes I need to look up a hint online. I’m almost at the end of the game and I’ve enjoyed it quite a bit. I want to play more Zelda games...

Katamari Re-Roll. This is so stupid. I mean, SO VERY STUPID. And so much fun. You start off as this tiny little person just rolling a ball around and you can pick up anything smaller than you (thumbtacks, coins, caramel candies) and as your ball gets bigger, your options open up (mice, carrots, eggs, crabs) and open up (shoes, toys, cats, dogs) and open up (humans, food carts, cows). I hear you get to roll up houses at some point. I’m looking forward to that. For now I’m at the level where I’m rolling up a lot of people. They’re all wiggly and shrieky. It’s funny. There’s a time limit on each level, and you have to reach a certain size by the time limit, which is the only really annoying thing about it. But I’m still having a lot of fun.

World of Warcraft: Classic. Of all the games I never thought I’d play, this is probably toward the top of the list. I don’t like the concept of grinding. I like story. But after playing Breath of the Wild, I also found out that I love exploration/open world type games. My husband helped me build a character and we ran around doing quests and levelling up. Now I’m a level 17 Dwarf hunter who does skinning and leatherworking. I have a pet wolf named Chompers. I’m having a lot of fun. Probably not obsessive levels of fun, but enough fun that I’m happy to sink a couple several-hour sessions a week into playing.

#Child loves books #child loves movies #child loves shows #n00b gamer child #recent media consumed

[ash-etherwood]

Top 5: writing memories, songs, characters that are not blank rune, runes, food

♡

Linda I love you but are you trying to kill me … that’s so many Top 5’s! But alright, I’ll do my best! (Answers will probably switch between German and English RIP to every non-German-speaker who follows me and wants to read this for some reason I swear I’m normal)

WRITING MEMORIES

5.) The entire time I spent finishing my first (second?) longer writing project It was the year 2012 and it was a cyberpunk story about my friends’ and my edgy self inserts riding dinosaurs, fighting aliens and being badass. The plot twist in the end was that my character was secretly evil and wanted to kill everyone. (Things to show your therapist) The final boss fight made zero sense and also everything was incredibly weird and stupid. But sometimes I still think about those times when I sat in my grandma’s living room at night, eating chips and listening to Vocaloid covers while thinking this story was the coolest shit ever. Truly simpler times.

4.) Researching something about universities in Texas for OvF on a rainy Saturday afternoon I have no idea why this memory is still sticking with me to this day (I think it was around 2016 or something?), but I remember that it was just a really nice day and I felt really at peace at that moment?

3.) The entire writing process of Bathroom Blues It was such a spontaneous project and I still have no idea how I managed to power though it in just a little under two months! Also it was just incredibly fun seeing you getting excited over new drafts and I loved coming up with new plot points and Halloween costumes for everyone with you. :-D Truly a summer worth remembering.

2.) FINALLY uploading the prologue and intro chapter of WWBL Not really a writing memory, but that moment was … so sexy and magical. Seriously, you have no idea how long I had been waiting to finally start that story, waiting for the Steckbriefe to roll in and see people react to the prologue and generally the idea … I even made one of those countdown graphic thingies for the designated upload date! 8D At that point I had planned that story for about six months and just … yeah, that felt powerful to me.

1.) Writing the prologue for WWBL When I first started the draft for that prologue I was sitting at the window in my favourite hotel in Winterberg, Sauerland, wore my dark green flannel, had the window wide open breathing in the cool mountain air and allowed myself to listen to my WWBL playlist for the very first time. God, that felt so amazing. I even have a photo of it (which somehow makes it look like I have the biggest football shoulders in the universe) my sister took that night. God I miss Sauerland. )’:

- - - - -

SONGS

My apologies to every favourite song of mine that I forgot about, I have a whole playlist of them, but I think these are some of my oldest faves … (Honorable mentions for Don’t Mess With Me and Not That Big by Temposhark, Goodbye by Apparat, Me And The Devil by Soap&Skin, Heart Heart Head by Meg Myers, Pain and Animal I Have Become by Three Days Grace, Beautiful Crime by Tamer, Gravity Of Love by Enigma, In Flames by Digital Daggers [thanks Phi u_u] and Murder Cries by Snow Ghosts AHHH FUCK IT I could’ve just made a playlist,,,)

5.) Vater Unser by E Nomine Starting off with some weird shit, won’t we? I’ve been in love with this song since fifth or sixth grade, when I was just starting to develop an actual music taste and although I have many favourite songs by E Nomine, this one has to be my absolute fave. Every time I can relate it to a character it makes me love said character even more. (Also I think about it every time my mom forces me to go to church for Christmas so … yay? I’m pretty sure I wouldn’t even be able to remember the Vater Unser if it wasn’t for this song. 8D)

4.) Wires by The Neighbourhood I think this is the newest all-time fave on this list, I found it in … 2015? Thank you, Youtube AMVs. Yeah man, this one is just … on so many playlists it’s not even funny anymore.

3.) Heathens by Twenty One Pilots An edgelord classic but like … it’s on EVERY playlist of mine. Every single one. It’s just so good. The first time I heard it was on the radio tho, when I was having breakfast with Jessie and I forced her to shazam it because it immediately stuck with me,,,

2.) Imaginary by Evanescence My first Evanescence song ever and the first step towards becoming who I am today I think. This song has like … such a big history for me, man. It single-handedly turned me goth in 2008 and I have never really thanked it for that.

1.) Eternal by Evanescence Might be my favourite song of all time. The number of dramatic RP scenes I have written with this in the background … man. Oh, also this song is the reason for one of my oldest internet nicknames, ‘eternala’, which subsequently shortened into Etschuh and then Tschuh, my main nickname until 2017, when I came out as trans and finally found an actual name for myself I was comfortable with!

- - - - -

NON BLANK RUNE CHARACTERS

I know this was probably supposed to be about fandom characters but I can literally not come up with a single character right now that I love with a special burning passion and that is not my or one of my friends’ OCs so you’re getting OCs now. u_u And boy do I have a lot of those.

5.) Jackson Tracey from atroCITY (mine) This little piece of shit kept me company for a pretty long time and is still very close to my heart for some reason, although I haven’t drawn him or really thought about him in detail for a while now. My favourite thing is how I only realized what a horrible person he was after I stopped regularly working with him but honestly good for me. 8D His storyline and personality is kinda convoluted and tbh I’m not really sure how much of it is canon anyway (atrc was always a little weird about canon rip) but yeah. He’s an obsessive stalker piece of shit who pities himself way too much and he is also a semi-immortal demigod who likes knives. I hate him but he also helped me a lot with some gender and sexuality stuff so thanks I guess.

4.) Mayoko Imai from Century Riders DXPrototype (Maus’ and mine) Mayoko is a magical girl protagonist with a cool cyborg arm prosthetic and her main character trait was that she was basically a reverse weeaboo, a Japanese girl who was obsessed with American media, culture and comic book heroes! I actually love her concept a lot and she also had a pretty cool character arc in her story (which Maus and I wrote together and actually finished btw!), although it could use a lot more … polishing from today’s point of view. But I love her anyway. She always wanted to do the right thing and be a hero and got broken pretty cruelly and her ending is kinda bittersweet I guess? Ahh there’s just so much nuance to it … anyways, CR3 also stuck with me for a very long time and I enjoyed the time with her a lot. :3 (Her name had a cameo in Another Incident btw heehee)

3.) Tessa *insert extremely long chain of unnecessary first names here* von Lean from Nobody Is Perfect and Infernal Temptation (belongs to one of my old school friends) Tessa is just … a hand full. I love to hate her. She is badly written and developed and just OOZES mentally ill teenage girl’s idealized self-insert power fantasy, but she just … man, she was a big part of one of my most drama-filled high school friendships which I love looking back at so much. Tessa has fucked so many of my characters … good for her tbh! There are actually two versions of her, one is just a ‘normal’ teenage girl and one can shapeshift into a cheetah, but both of them are very close to my heart. I should really adopt and redesign her some day.

2.) Judy Khayat from Original vs. Final (mine) Look, I love all my OvF-characters and every single one of them is special to me in their own way, but Judy is just … the most complex of them all I think? Man, she went through so much … she is actually one of my oldest (semi)-active characters (I created her in 2009) and her latest version is from 2016 but I should really, REALLY revise her again tbh. She has a very complicated backstory that I didn’t handle as carefully as I should have, and anger issues and religious conflict and depression and PTSD and then Vance of all people becomes obsessed with her for no reason and decides to traumatize her even more … yeah. God I really love her but I seriously need to work on her. A LOT. I should also finally rename her tbh … let’s just see where she takes me next.

1.) Okami (I don’t even remember if she has a proper last name rn lol) from Split Realm (mine) Yeah, that bitch is just my favourite OC. She’s also very old, probably from around 2009, and initially was a magical girl with fire powers who I played in an RP with my friend Flauch but boy did she grow up! Holy fuck. Okami is a horrible person but I love her so much. She is so violent and full of anger and pain and sadness and treats everyone around her like shit and she is in love and she is a demon but also apparently the personification of the concept of Chaos but she just wants to be a teenager again and run away with the love of her life and ahhh it’s all so hopeless for her … also she turned out gnc af with time passing and pretty much went through a gender/sexuality crisis in real time with me, her creator, which is always fun. :^D I haven’t drawn her in a while tbh. Should really do that.

- - - - -

RUNES IN BLANK RUNE

I’m just gonna go with the arcs here, okay? Also this entire answer might look completely different if you asked me again tomorrow, you know how indecisive I am with Blank Rune shit ahha,,,

5.) Jera Look. I know I’m boring and stupid. But I just love Tave and Liam having their disgusting little foreshadowing talk, okay? I can read it over and over. I just love my horrible little shit crime boys. Also Rhy and Phillip are there. (’:

4.) Isa This one is here because it was the first arc I witnessed in real time which gives it a very special place in my heart and it also … hit pretty hard at the time. But having read Fehu it’s become even better now! It’s just such a wonderful, tragic romance between two horrible, ruthless boys and I … I’m not immune to Rhy, sadly. :-/ Just like Phillip.

3.) Wunjo We still haven’t seen everything that leads up to Wunjo yet, but we DO know more than we did initially (wow shocker) and it’s just always a fucking blast. Also, it has the first mention of Ash’s real name … the first Rhy POV (which what the fuck!! I always feel like we had one before but we didn’t!! Wild) and it has crazy blood-soaked murder Tave, my beloved. :///3

2.) Eiwaz You guys have heard me fanboy about Eiwaz so many times already. Eiwaz-OT3 (and Kain) my beloved!!! It’s just SUCH an amazing starting point and there are so, so many things that tie back to it and every time we find out about a new one my heart makes a little jump … und es beginnt von Neuem indeed.

1.) Gebo One of the most painful but also the most beautiful arcs yet in my opinion. It’s been hyped up for so long and boy did it deliver. God, my heart still hurts when I think about that last scene. Also all the dialogue … the golden lines we got … and it’s an arc without Rhy! Crazy!! :-D I just love the relationship between Ash, Astrid and Jakob so much. God fuck I want what they have. Just maybe without the murder suicide,,,

- - - - -

FOOD

5.) Diese Sonntagsbrötchen wo die Verpackung so plopp macht, wenn man die Folie abzieht Better than normale Brötchen for some reason. Most of the time. See 2.) Look man, I just really love a good breakfast …

4.) Chocolate cupcakes with cream cheese topping One of the first things from a certain baking book I tried when I was getting into baking back in 2019. God they are so tasty. I don’t make them often so I don’t get used to them too much and eating them still feels special but ahhhh I love them so much!

3.) Grünkohl mit Kartoffelbrei und Mettendchen One of my favourite things about autumn/winter and one of my biggest comfort foods. God I love this shit so much. I just put … mountains of Grünkohl and Kartoffelbrei on my plate every time and I will just warm it up for four days straight until there’s no more left. It turns me into a fucking caveman. I’m not even big on eating meat but … yeah. Everything is different when there’s Grünkohl.

2.) Normales Brötchen mit Butter und Scheibenkäse aber ich bin beim Frühstücksbuffet im Hotel Oddly specific but that’s just how it is. Sorry. Nichts geht über Brötchen mit Käse.

1.) Chilli-Knoblauch-Nudelauflauf My beloved. My comfort food. I eat it literally every second day. At least one hour in the kitchen every time. Fresh ingredients. My only vegetable intake. And I’ve been doing that for three years. I just love it so much, man. I cook it for everyone who visits me. Chilli-Knoblauch-Auflauf cured my depression.

#ask #crimsondaisy #2.4k works of me talking about myself under the cut rip #thank you tho!!!

[ranma-rewatch]

Episode 24: Cool Runnings! The Race of the Snowmen

I cannot believe it’s here. Welcome back to the Ranma Rewatch, and it’s time to finish the Phoenix Pill story arc with this episode. I think. I’m pretty sure. I...do not remember this episode at all, really. Like I said last week, most of what I can recall is from the mockery of a YouTuber I used to follow. But I am unshackled from his opinion! I watch this episode with new eyes! Let us see what sights I shall witness!

...

I should have listened.

I wasn’t prepared for this.

So, here’s the plot. They’re on a snowy mountain. Why? No clue, I guess they just wanted to go skiing. Ranma isn’t skiing, Cologne shows up, they start to fight a little, and she reveals that there’s some competition going on, and the winner gets a date with Shampoo and if Ranma wins he gets the Phoenix Pill.

Everyone gets made because of the date with Shampoo part, even though...like, it’s really obvious that he’s just doing it for the pill. There’s a lot of forced conflict over that, and it ends up being just Cologne vs Ranma. It looks like he’s winning, she offers to make this all about their duel. If he wins, he gets the pill, if she loses, he has to marry Shampoo.

When Ranma accepts those terms, she immediately starts wiping the floor with him, and nothing he does makes a difference. In the end, the only way to win is to get Shampoo’s help. She turns into her cat form, which terrifies Ranma until he starts using Cat-Fu. That is actually able to kick Cologne’s butt, and eventually she gives up and hands over the pill. Ranma turns back to his uncursed state, happy to be cured, but he did it in a women’s bath so he looks like a pervert. THE END.

I’m...going to start by talking about the few things I liked here. I think having Cat-Fu being the way to defeat Cologne is a pretty cool idea, especially since it was that story that began this arc. Little bit of a full-circle thing.

There was a decent smattering of cute Akane stuff, and I like that she once again is the one who can immediately calm down the raging Cat Ranma. Not only that, but the Shampoo stuff wasn’t bad. The episode showed off her more scheming side, as she was happy to use Cologne’s plan as a way to steal Ranma’s affections and get a date from him, but in the end she was also happy to work against that plan just to help Ranma out. Plus, Ranma purposefully playing on her love for him was a pretty classic Ranma thing to do.

That’s all my niceness.

This was, by my estimation, one of the biggest drops in animation quality I’ve ever seen. That episode of Gurren Lagann where everyone is super off model? That looks like that show at its best compared to this episode. There’s just...so little animation, and what we do have is frequently full of errors. It’s an action-heavy episode, too, and none of it looks good.

It was bad-funny at first, but after a while...it just became hard to watch. So much reused animation, so many errors, so much still shots. I am not an animation person! I normally don’t care about any of this! But is actively made watching this more difficult.

It’s also just...an underwhelming way to end the arc. They’re just randomly in the mountains, no reason why. Cologne bets everything on a fight against Ranma, he finds a way to win, here’s the pill. Some of the ideas could have worked, I think, if given proper backing. But there’s just nothing here.

Not only that, but wow the dub was bad here. Not only was this a case where, because I preferred Cologne’s Japanese actress and she was in it a lot it was better, but also because the translation for the dub was terrible. There’s one line change that is so baffling, it turns a kind of okay line into something incomprehensible. I was looking forward to my watch on the sub, if only so I could figure out what had just happened.

Hey, why not, the arc is done, let’s talk about Cologne. Neither of her voice actresses are incredibly well known, but at least her Japanese voice actress, Miyoko Aso, has also been Pinako Rockbell in Fullmetal Alchemist and Shoga from Inuyasha. (She also passed away in 2018, after living quite a long life. Rest in peace.) The english voice actress, Elan Ross Gibson, is also fairly unknown, with her biggest work being as Baba in one of the Dragon Ball Z dubs.

As I mentioned before, they do play the character differently. They’re both going for “wizened old woman”, but Gibson’s Cologne is a lot more...toothless? She mostly sounds tired and bored. Aso gave the character a lot more life, more energy, and it’s that performance that’s working much better for me so far.

As a character, Cologne is...okay. She’s a very old Amazon warrior, the first character to appear who is, flat out, far stronger than Ranma. She serves as both an obstacle, what with the whole pressure point scenario, and a mentor, teaching him his signature move. There’s a sense that as much as she is trying to get one particular thing for him, namely marrying Shampoo, she’s also interested in seeing how he’ll develop, she’s impressed by his potential to grow stronger.

That said, she’s not even close to being among my favorite characters. She’s useful for dispensing exposition or teaching techniques, but her plots to get Ranma to marry Shampoo just...feel kind of boring to me. That’s genuinely all I have to say about her, at least for now. But who knows? Maybe one day my tune will change with this rewatch.

Y’all, I think it’s obvious, but I didn’t like this episode. I have no hesitation saying it was worse that Dr. Tofu’s mom’s episode. But the real question is: is it worse than the clip show? One was basically nothing, the other the active presence of bad. How you weigh one versus the other is a matter of personal preference, but for me, I’m going to say this episode was worse. At the very least, the season 1 finale had the animation from good episodes to show us.

Episode 7: Enter Ryoga, the Eternal ‘Lost Boy’  

Episode 12: A Woman's Love is War! The Martial Arts Rhythmic Gymnastics Challenge!

Episode 15: Enter Shampoo, the Gung-Ho Girl! I Put My Life in Your Hands

Episode 9: True Confessions! A Girl's Hair is Her Life!

Episode 2: School is No Place for Horsing Around

Episode 19: Clash of the Delivery Girls! The Martial Arts Takeout Race

Episode 6: Akane's Lost Love... These Things Happen, You Know

Episode 13: A Tear in a Girl-Delinquent's Eye? The End of the Martial Arts Rhythmic Gymnastics Challenge!

Episode 23: Enter Mousse! The Fist of the White Swan

Episode 17: I Love You, Ranma! Please Don’t Say Goodbye

Episode 20: You Really Do Hate Cats!

Episode 16: Shampoo's Revenge! The Shiatsu Technique That Steals Heart and Soul

Episode 8: School is a Battlefield! Ranma vs. Ryoga

Episode 11: Ranma Meets Love Head-On! Enter the Delinquent Juvenile Gymnast!

Episode 4: Ranma and...Ranma? If It’s Not One Thing, It’s Another

Episode 5: Love Me to the Bone! The Compound Fracture of Akane's Heart

Episode 1: Here’s Ranma

Episode 22: Behold! The 'Chestnuts Roasting on an Open Fire' Technique

Episode 3: A Sudden Storm of Love

Episode 21: This Ol' Gal's the Leader of the Amazon Tribe!

Episode 10: P-P-P-Chan! He's Good For Nothin'

Episode 14: Pelvic Fortune-Telling? Ranma is the No. One Bride in Japan

Episode 18: I Am a Man! Ranma's Going Back to China!?

Episode 24: Cool Runnings! The Race of the Snowmen

But that’s it! The story arc is done, and next week...I can’t believe it. I’m so happy! With next week’s “The Abduction of P-Chan”, we’re starting a little arc I’ve been dying to revisit for ages! If you’re watching it on the Hulu order, then you’ve already seen it, but I’ll talk more about that next time! See you then!

#episode 24 #Cool Runnings! The Race of the Snowmen #ranma 1/2 #ranma saotome #akane tendo #shampoo #Cologne #anime analysis #anime rewatch

[linkspooky]

Zenin Maki: Family or Strength

Zenin Maki is one of the most complex characters in the story of Jujutsu Kaisen, she’s also one whose motivations we know a great deal about already due to her being featured in the prequel, and her continued development in the main series. In her character she represents one of the main themes of the series, the conflict between defining yourself individually (by who you are and what standards you set) or by defining yourself by the people around you (conforming or going with the expectations of other people). Maki’s struggles to be an indivudual in a world that has already written her off as a failure is pretty central to the themes of the story. MORE UNDER THE CUT. 

Maki is caught in a pretty classic Want/Need conflict. All stories are rooted in a character’s conflict. Maki’s conflict is with herself as much as it is with the Zenin clan. 

 A want is at its simplest, the Thing Your Characters Wants is the plot goal.  [...] Whereas the Want is a direct equivalent of the plot goal, the Thing the Character Needs is a direct correlative of the thematic value. Whatever Truth your story is positing about reality, that is the ultimate Thing the Character Needs.  [x]. 

A want is oftentimes something the character defines for themself. It’s what motivates them to move forward. Whereas, the need is what the story itself says they need in order to grow. 

You don’t make a character change by giving them exactly what they want, which is why the want and need are often in conflict with one another. In most cases a character grows over the course of the story to realize their need in the end. The want motivates them, the need is their resolution. 

What Maki wants is to be recognized as an individual. She wants to prove her family wrong. Her family has already defined her as a failure. Just like how Getou sees her, because she has no natural talent for jujutsu sorcery her own family has denied that she’s even a person. She’s constantly dehumanized by them. If she’s not useful for Jujutsu Sorcery, then she’s nothing at all. For Maki, being her own person, and living for herself, her own amibtions, is an act of rebellion against her family who want to deny her everything. 

Maki’s want is an almost childish sense of revenge. An “I Told You So”. She wants to prove the people that dismissed her wrong, by proving she’s better than them. She wants to make the Zenin clan bow their heads to her. 

Wants are not bad things. They are what motivates the character to move forward. Maki’s spiteful amibtion, the fact that what she wants is basically no better than revenge, is neither a good nor bad thing in the context of the story. It’s her driving force. Maki is allwoed to be spiteful and angry at the way herfamily treated her. Yuta, who is basically one of the most soft-hearted and understanding characters in the prequel completely approves of her ambitions. 

The fact that she’s selfishly motivated. The fact that she wants to do all these things for herself. Her strong sense of individuality are not bad things. They are just the things that make Maki, Maki. In fact rebelling is basically the only way Maki can be an individual. Her urge to destroy her family is not presented to us as a bad thing, but rather something necessary for Maki to truly grow and be herself. 

However, once again a want is not the entire answer. You don’t make characters change by giving them what they want. 

Moron, this only works if I’m doing it by myself. 

Maki wanting to be stronger than anyone in her family. Her focus on individual strength above all else. None of these are bad, however it’s not entirely what she needs either. Look at what she says don’t go feeling like you got accepted. 

It’s almost like some part of Maki is afraid of those feelings of acceptance. She feels like family is something she has to throw away in order to be strong. 

I do not mean in a sense that Maki will not work with people on her team. She clearly has the ability to form connections with people as friends, get along with others, and even cooperate owith them as a team and care for her comrades. However, she never lets her feelings go any deeper than that. She’s gone so long without unconditional love and acceptance that she feels like she has to destroy her own need for such a thing. 

1. Maki vs Mai

Maki has two significant foils in the series who share this same conflict, choosing between your individual development and strength, and also your need to be accepted by the people around you. 

Mai is presented to us first as someone who looks down on Maki like the rest of her family. This makes sense because at the time the story was telling it from Maki’s perspective mainly. Maki tends to see her whole family, even her own twin sister, as the other. 

However, we’re presented with two different narratives. That of Maki who left the family and began to develop as her own person. That of Mai who stayed behind with the family, and had to continue living inside of an abusive household. The narrative becomes one of not Maki or Mai being the better sibling, but rather two siblings reacting to an abusive household in different ways. 

Mai has never once thought her sister was weak. She’s just parroting what the rest of the clan says about Maki in order to get Maki’s attention after Maki left her. Mai has always thought Maki was the stronger one between the two of them, but the thing is Mai doesn’t care about strength at all.

What Mai wanted was a personal connection with her sister. That’s why she mentions not telling her who her first crush is. In order to become her own person Maki has distanced herself from everyone, but that also means as a consequence Maki has shut Mai out. 

It’s clear Mai reads Maki’s declaration and decision to leave the family, to leave her behind in an absuive household to also mean that she’s rejecting her sister, the one family member who loves her for her. 

Once again neither sister is wrong. Maki wanting to run away from an abusive household when she’s a teenager and can’t really take care of her sister, or maybe even did not have the ability to bring her sister with her is not something that should bee expected fo a cihld. Mai turning against Maki for bieng left behind in an abusive environment, and not knowing a healthy way to reach out to her sister is also what’s to be expected fo a child. It’s not Mai and Maki who started this conflict, it’s the adults that pitted them against each other.

Mai is not trying to put Maki down because she sees herself as superior or anything like that, she literally has always thought Maki was much better than her. It’s a pretty basic cry for attention. 

Both sisters want and chose different things. Maki wanted to be herself, Mai wanted a family. Neiter of their desires are wrong or better than the other. Mai is not wrong for wanting a normal life, Maki is not wrong for wanting to be a Jujutsu Sorcerer.

However, because Maki has to draw such a clear line between herself and other people. She can’t accept or understand Mai’s feelings. The conflict between the two of them goes completely unresolved. Because, Maki doesn’t have to leave those connections of unconditional love and acceptance behind to be an individual, she just thinks she does. That is the point where her want clashes with her need. 

2. Maki vs Toji

Maki and Fushigoro Toji were both born into the Zenin clan, and both suffer from the same inability to see cursed spirits. While at first the comparison may look like a positive one for Maki, Maki is choosing to stay inside the system and work to prove herself better than what her family told her she was then going completely rogue and living as a mercenary for money like Toji did. 

However, eseentially both of them made the same choice. They chose power, and their own personal ambitions over their family. The first thing we learn about Toji in story is that he left his son behind, and practically forgot about him. 

While Maki is not responsible for her twin sister the same way that Toji is responsible for his son, they still both believe they have to throw away those kind of family connections in order to survive as an individual. They don’t allow themselves to feel that connection. 

Toji seems to live entirely for himself, and to prove others wrong about him. He has the same want as as Maki, to be stronger that the Jujutsu Sorcerers who dismissed him. They just chose different paths, Maki works from inside, whereas Megumi this late in his life has gone completely outside of the system. 

Toji s a lot more spiteful than Maki towards talented people. Maki’s more self directed and doesn’t blame everybody around her for her circumstances, so much. She’s a lot more focused on herself and her own sense of self improvement. However, both of them have an extreme amount of self awareness and use that to push themselves to develop their bodies to their absolute limit.

Toji is someone who is incredibly aware of his own limits, and rather than that making him unmotivated it causes him to be an extremely strategic thinker, and also push his body beyond even what most Jujutsu sorcerers are capable of. He makes excuses for his own violent behavior because he’s nothing but a reject and a monkey, but he doesn’t let other people’s talents be an excuse for him to be weak. When he sees Gojou fighting him at full power, he doesn’t hesitate or run away, he literally approaches the situation with an extreme amount of determination that believing he can overcome it. 

As a person he’s practically a disaster, always eating fast food, gambling, leaving his son behind, and acting immature and irresponsible with his business partner. Whereas Maki is much more cold and composed. However, this behavior stems from the fact that Toji, like Maki, has focused his entire life around fighting and therefore everywhere else he’s underdeveloped as a person. He’s the extreme result of Maki’s belief that if she’s stronger than her family, that will somehow fix what is missing inside of her. 

Toji even says he believed the only way to go against his family and continue being himself, was to twist his personality like this. That he had no choice but to become this way in order to deny what his family said about him. 

However, what Toji regrets as he’s dying is not that he wasn’t strong enough. He doesn’t even regret becoming a crimminal, or rebelling against the Jujutsu world. What he regrets is that he threw away his family in the process. 

What he wanted was to be strong. What he needed was a family. Maki and Toji are not exactly the same, but Toji is a cautionary tale that shows us that Maki’s choice to reject understanding and acceptance is unhealthy behavior. It’s what she wants and not what she needs. And these things are not mutually exclusive, Maki can both pursue her own individual strength and at the same time accept others around her. The manga has always advocated finding a balance, and a reconciliation between the two, rather than one as being more important than the other. Just like her conflict with her sister, beating her sister in a fight proves nothing. What Maki needs is reconciliation, the ability to understand her sister’s feelings and also have her sister be able to understand her own. 

She needs those connections to be an individual. We are defined by ourselves, we are defined by the people around us. It’s not either or, it’s both at the same time. Maki’s choice isn’t even a choice she necessarily needs to make, she’s allowed to choose both. 

#jjk meta #zenin maki #maki zenin #toji fushigoro #fushigoro toji #zenin mai #jujutsu kaisen #jujutsu kaisen theory #jujutsu kaisen meta #meta

[mego42]

1x07 Discussion Questions

My b! My b! I usually try to do these when the episode is fresh but instead I went to sleep, I am at peace with my priorities, tbh. As always, many thanks to @pynkhues​ for her time and energy putting these together and shout out to @foxmagpie​ for the assist. 

1. What was your favourite scene of the episode? Tell us why!

Lot of contenders, tbh. I really love the scene with Mary Pat when she puts together the (extremely transparent) bullshit that is the whole secret shopper scheme (I mean come on y’all, did you even try????), I love Ruby and Stan’s date (high five to Stan for coming through with my parks & rec reference, it’s nice to know there is one (1) man I can count on). The Annie and Greg bit is REALLY SWEET LEAVE ME ALONE. The god tier brio content, specifically The Grab Heard Round The World My Living Room and the Give Me A Name bit. Some classic Rio nonsense (do you think if we asked him to point to an egg he’d point to an apple?) Tyler and his “reeeeeeally fill out the surveys?” was, obvs, the best moment on the entire show. Anyway, one of those for sure.

2. Was there any scene that missed the mark for you? And if so, how?

The Boomer setting up Annie stuff always falls flat to me and idk exactly why? Like, individual pieces of it are great, Mae does EXCELLENT work post police station and when getting arrested in the first place but ultimately I find it fairly forgettable in the grand scheme of things.

3. Let’s talk about the secret shopper scheme! What do you think were the strengths of it? The flaws? Do you think it had longterm potential? Or was it always going to crash and burn?

I said this during the rewatch but I straight up blocked out the fact that all of the shoppers are hitting the same store on the same day (waving around upwards of $5k in cash???? no less???????) because my brain cannot comprehend how three women we’re supposed to believe are reasonably intelligent didn’t realize this was the stupidest, most transparently obvious, most short-sighted scheme in the entire world. 

I struggled with the sustainability of it a bit when I thought they were spreading their efforts around (they roped in A Lot of people, there are only so many Costcos in the Detroit metro area and waving around that much cash and then returning it all, again for cash, is uh, already p memorable) but I could deal with it when I thought they were spreading it around. Short-sighted, immediate solutions are a cornerstone of Beth’s brand, after all, but all of them at the same store at the same day???? Too much. I cannot. 

4. The girls spent their money in very different ways! Ruby on romancing Stan, Annie on clothes for her son, and Beth on jewellery for herself. What do you think this tells us about them and their arcs? Particularly coming off the back of Ruby’s conflict with Stan, Ben’s issues at school with clothes, and Beth leaving Rio her pearls?

Love these connects. The show’s got a pretty clearly defined and consistent visual/character motifs (this may or may not be the word I’m looking for, shut up) when it comes to depicting the girls priorities and motivations. You also see it reflected and reinforced with their repeated coping mechanisms throughout the show. Whenever bad stuff happens, Ruby goes home to Stan, Annie crawls into bed with Ben and we usually close with Beth either alone (ouch david) or connecting with Rio in some way (exhibit a: the aforementioned pearls). 

In all of the instances it comes back to the heart of their priorities:

Stan is Ruby’s number one, (which isn’t to say her kids aren’t a part of that, I think Stan is both himself in this sense while also representing her whole Hill family unit—TV is all about visual shorthand kids—but also it serves to illustrate that Ruby has something Beth and Annie do not: a true partner). 

Ben is at the root of everything Annie does, she makes choices based on not only his. well-being, but how he sees her and he has the most influence over how she sees herself and what actions she takes as a result of that.

Beth, on the other hand, is at a contrasting point. She’s done the devoted partner and mother thing (lowkey implied by the little bits and pieces we get of her and Annie’s childhoods to some degree more or less for her entire life) and is now putting herself first, her needs, her wants. Which isn’t to say she doesn’t give a fuck about her family, she waits until she’s got a fat stack of cash and they’re taken care of before splurging on a thing, but as a symbol I think the necklace pretty clearly illuminates that for whatever Beth tells herself, she’s building an empire for herself, bc she wants it, needing it is secondary.

5. Eddie’s arrest is arguably what sets us on a collision course with the finale! Do you think Eddie was loyal to Rio until the end? How much do you think he told Turner? And what sort of loyalty do you think Rio inspires in his boys? And why doesn’t it translate with the girls?

OF COURSE EDDIE WAS LOYAL TO THE END HE HAS CLEARLY DEMONSTRATED HE HAS SOME KIND OF CODE OF HONOR HOW DARE YOU SLANDER MY BOY LIKE THAT.

Tbh idk how to answer the loyalty question without more information from canon because the gang and how they operate, how they all came together, etc is pretty well shrouded in not-central-narrative-focus, though I think it’s been implied somewhat heavily that what’s going on with the girls is not standard operating procedure.

My personal headcanon for Eddie is tied up in my personal backstory for Rio and Mick that I started for my (lmao first) Mick POV fic. I gave Rio and Mick a friends since we were kids backstory and decided Eddie was a kid in their neighborhood, slightly younger then them, and always looked up to them/followed them around/thought they were cool. He ultimately got involved in crime because they did and they looked out for him and brought him up with them (which, you know, makes how it all turns out that much more tragic). Obvs, this is all just me and my tendency to imprint on random side characters and give them backstories. Let me live.

6. This episode introduces us to Mary Pat, who’s probably one of this show’s most complicated antagonists! What do you think of her generally? And could you have predicted her arc with Boomer and Turner?

I love her and I’m done lying to myself about it.

LISTEN, first off, Allison Tolman is great. Her line delivery is fantastic, she has a knack for subtly adding SO MUCH to every scene she’s in and uses her face and inflection and pauses exquisitely. Top notch comedic timing. Truly a gem.

Second, on a character level, the lady is in a bad spot and the girls basically gift-wrapped the circumstances and handed them to her like here is a present!!!!!!!!!!!! What was a struggling girl to do besides accept what was offered to her??????!!!!!!???

7. This episode features a very pivotal scene in terms of the Beth, Ruby and Annie dynamic. What starts as tension between Annie and Beth quickly pivots when Ruby criticises Beth and Annie leaps to her sister’s defence. What do you think this tells us about the dynamic between the girls as pairs and as a trio?

I am so!!!! curious!!!!!!! about the backstory that exists in the writers’ heads for Ruby and Annie (all three of them, really, but the bff and little sister having an independent friendship is of particular interest to me bc it isn’t something you, or I guess I, run into a lot) and how much of it was defined at this point vs how much it’s evolved/fluctuated as the show goes on. This fight pretty clearly illuminated that when it really comes down to it, it’s Beth and Annie vs Ruby which a) breaks my heart and b) isn’t totally a dynamic I think the show ultimately stuck with? Or maybe intentionally fluctuates? Idk this is a half-baked thought. Ask again later. 

8. Greg is the one who kisses Annie! Who do you think left who in that relationship, and/or what were the biggest issues in that relationship?

I feel like there’s pretty much no way Annie wasn’t the one that called things off with Greg. Not just because of how it plays out this time but because he’s got a kind of persistent yet also go with the flow attitude that makes me think he would absorb a lot in the name of making it work whereas Annie seems to have a pretty established history of cutting her losses and bailing when she hits her limit. Based on how fond they are of each other and how much affection they clearly still hold, I tend to assume they just grew apart as they grew up which makes it almost more complicated and tragic because it leaves all of the good stuff and just mixes it with the knowledge that it wasn’t enough. 

9. What did you think of Ruby’s sauce story? And what do you think it meant as a turning point for her arc?

I HATE THIS STORY SO MUCH USED BAND AIDS ARE GROSS ENOUGH ON THEIR OWN WITHOUT MIXING IN FOOD SERVICE AND MONTHS, MONTHS, OF MARINATION. I REFUSE TO TALK ABOUT IT. GET OUT OF MY HOUSE.

10. Knowing that Beth, Ruby and Annie’s system of paying Mary Pat off doesn’t work, do you think there was a way they could’ve handled her on their own that would’ve worked? Or do you think Rio’s intimidation (and potential murder) tactic was the only way out?

Idk maybe I’m just cynical, but I take trust no bitch to heart, they pretty well screwed themselves into a corner by being idiots. 

#rewatching this ep taught me a lot about my feelings on the secret shopper scheme #gg rewatch #gg 1x07 #gg related #shut up meg

[charliejrogers]

Miracle on 34th Street (1947) - Review & Analysis

What a weird, wonderful movie. Miracle on 34th Street is quite possibly the oddest Christmas movie I’ve ever seen. In part this is due to the fact that some stuff just doesn’t age well. How many old, strange men are you willing to let your seven-year-old daughter hang out alone with, Ms. Doris Walker?! But also it’s weird because because despite its typical Christmas-movie themes of faith/belief, true love, family, etc… it’s a wholly unique film that doubles as a legal drama!

This was my first viewing of the perennial classic, a film which started as a story by Valentine Davies and was adapted for the screen and then subsequently directed by George Seaton. Though baptized a Roman Catholic, Seaton himself grew up in a Jewish neighborhood of Detroit. He even had a bar mitzvah. I wonder how much of Seaton’s upbringing affected the final product we see. The central theme of holding faith in something that doesn’t make sense to those around you probably resonated strongly for the director who as a kid who became interested in a religion that was foreign to both of his Swedish immigrant parents.

From a direction standpoint, it’s fairly by the books and of its time, with a few notable exceptions, one being the opening credits sequence which shows a lone man walking slowly about the NYC streets from behind. He’s dressed in all black and we have no idea who he could be. He could literally be anyone in the world. Then all of a sudden, like magic, his face is revealed: the man we’re following is Santa Claus! Or, at least it looks a whole lot like him. What is Santa Claus doing in New York? Is this even Santa Claus?

These are questions that end up being central to the movie and just straight up never get answered. I loved that writing choice. The writing is the first of the film’s three big stars. This film won the Oscar for both best story and best adapted screenplay and it deserves every ounce of those awards. The story is so sublimely clever. Put shortly, the movie is about a man who claims to be Santa Claus and due to his uncanny resemblance to the jolly holiday figure, his natural aptitude for talking to children, and his almost savant-like knowledge of toy stores in Manhattan, he gets hired to be the mall Santa for Macy’s flagship Manhattan store. However, not everyone is as convinced that he is the real Kris Kringle. Certainly the Macy’s company psychologist does not. An uptight and unpleasant man, he (like others) thinks Kringle is utterly delusional but (unlike others) he also thinks these delusions presage future violence whenever inevitably others may challenge Kringle on this delusion. The psychologist thus schemes to get Mr. Kringle committed to *cue thunderclaps* Bellevue!

What ensues is a legal battle. I can’t imagine any other Christmas movie whose climax ends in a courtroom but it’s an incredibly satisfying thing to watch. We have the idealistic lawyer, Mr. Fred Gailey, who believes that Kringle, while clearly delusional, poses no actual threat to the community and actually does the community a great service in spreading kindness. Nevertheless, has to prove that Mr. Kringle is legally THE Mr. Kringle lest Kringle spend the rest of his life in the looney bin. Note… I have a very healthy and “modern” view of mental health, and would never use the term “looney bin” to describe today’s mental health hospital… but I use the term here because the images we get in the film of Bellevue’s inpatient psych ward are of sedated men in all-white clothing… in other words the movie certainly thinks of being in a psych ward as a looney bin, which adds a bit of dramatic tension to the story.

There’s certainly some not-so-subtle condemnation of psychology going on this movie (at least of the kind practiced by the Macy’s psychologist, Mr. Sawyer (a snivelling Porter Hall)). This was coming at a time when increasingly science was taking the place of religion, so it makes sense that psychology would be an enemy in a movie about faith and clinging to things that don’t make sense. The trial over the existence of Santa Claus almost serves as an inverse Scopes Monkey trial; Kringle even ironically compares his lawyer to Clarence Darrow, the lawyer on behalf of science.

What this movie nails so absolutely perfectly is that honestly… I don’t know if Kringle really isn’t Santa Claus. I’m not claiming that Santa exists in the real world, but in the world of this film, it’s really not obvious whether the film leans one way or another. That’s an ambiguity that tends to make art shine when it’s present. We see through Gailey’ legal maneuvering that the legal defense for Santa Claus’ existence is tenuous at best. At one point he calls the prosecutor’s child to the witness stand to argue that Santa Claus must be real since that is what his Dad (the prosecutor) has always told him. Therefore it seems like the film’s psychological explanations are probably the most likely. Yet at the same time… when a little Dutch girl comes to see Santa at Macy’s because she can “just tell” he’s the real Santa… why else would Kringle know Dutch songs about Santa off the top of his head? Why does an old man who lives in an old folk’s home on Long Island know so much about Manhattan’s toy stores?

And then there’s the more practical questions about Santa lore. Why is Santa in New York? He says he was born in the North Pole… so why did he leave? If he’s real, then why does he need to direct parents on where to buy the best toys? Is it merely that the world has outgrown him?

There’s also a whole economic piece of the script that I won’t even fully touch on. But basically Kringle in attempt to do right by parents, doesn’t merely recommend toys from the Macy’s toy department, but lets them know about better deals on toys that are located in stores elsewhere in Manhattan, including those that are rivals of Macy’s! This policy is such a hit with customers, it ushers in a revolution in department store policy, with department stores across the nation vying to extend more goodwill to customers. As I said, there’s something in there about the power of the free market and how capitalism doesn’t have to be evil... but I’ll leave it there and return to the central questions of the film. Like... does Santa Claus exist?

I don’t know! But the film raises really interesting questions and just leaves them there for us to sit with. Everything that the film tells us points us to the common sense conclusion that this man is NOT the genuine Jolly fellow… yet we want to believe there’s something more and that’s what makes this film so special. We literally as the audience go through the same mental charades as the characters in the film.

Thus far, I’ve attributed this brilliance to the plot, but there’s another absolutely vital element: the performance by Edmund Gwenn as Kris Kringle. This guy deserves every ounce of his Oscar for his performance. There’s not a second that he’s on screen that he doesn’t ooze charisma and charm. This whole movie would fall apart were it not for him, good plotting be damned, since we need to believe, even for mere fits and flitters, that this man is Santa Claus.

Never is he more convincing than when he interacts with children. There’s the absolutely magical scene with the little Dutch girl I mentioned above, but it’s when Kringle chats with little Susan Walker (played to heart-melting perfection by nine-year-old actor Natalie Wood whose got a stink face that never ceased to make me chuckle) that this movie achieves greatness. Though the trial scenes put the theme of faith vs. psychology at the forefront, the real heart of this movie is the conflict of faith vs. practicality. Little Susan is raised by her mother (and her Black nanny/house-caretaker who gets depressingly little credit… or screentime), and her mother Doris Walker (Maureen O’Hara) is a thoroughly practical women. She’s a high-up exec at Macy’s, and seemingly one of the only women to be in such a position. As such, she’s a unique character for her time. Rigidly pragmatic, she eschews any and all attempts at fun and imagination for her daughter (as well as for herself). We get the sense that a different film, a different story, might dive deep into Walker’s struggles as a single mother in the 1940’s trying to be taken seriously in the business world. In a sense, she’s a forerunner to Faye Dunaway’s character in Network. She was clearly hurt by romance in the past (she and her husband divorced, which I imagine was rather scandalous at the time), and this fear of getting hurt by romance is what compels her to teach her daughter to avoid the stuff completely.

Clearly, there’s some cool gendered stuff going on here. Imagination, romance, faith: these are all things that are stereotypically more female-coded, while business, pragmatism are more male-coded. You inherit your father’s name but your mother’s religion as the old tradition went. And in our society at least, the latter (pragmatism/business) is supposed to make you successful and get you places… the former (faith/romance) does not. Yet in this movie, we have idealism and romance of our male lawyer Fred Gailey (John Payne) and the pragmatism of our female businesswoman Doris Walker. It’s a fun play on typical gender norms, but more interesting is to see how this duality plays out in the development of little Susan under the dual influences of her mother and the combination of Misters Gailey & Kringle.

Natalie Wood goes down in the pantheon of all-time great child actors, up there with the kid from Kramer vs. Kramer. She’s precocious but not in a way that’s off-putting. The way she evaluates the Macy’s Thanksgiving Day parade in such a matter-of-fact way is hilarious, and as I mentioned the stink eye she gives Kringle when he tries to tell her that he’s Santa is nothing short of perfect. Over the course of the film, we see her more harsh nature melt away and she becomes a kid. It’s a beautiful reminder of that childhood only comes once in a lifetime. If this movie shows us nothing, it’s how hard it is to maintain a sense of levity once one becomes an adult. We have to start worrying about what our bosses might think, what the press/public might think, what voters(!) might think. Never again will it be fully OK to have your heads in the clouds and believe in nonsense, so why take that away from children.

As much as this is a perfect film, I could have done without the romance plot. Mostly because it seems unnecessary. Doris seems to change in her attitudes towards Kringle and towards raising her daughter that constitute enough character growth thata having her all of a sudden fall head over heels for Gailey just seems forced. For that matter… Gailey’s a weird dude. This movie romanticizes a weird, creepy type of romance where Gailey spends time with a small girl just to get time with that girl’s mother. Walker and Gailey are such opposites and share no on-screen chemistry, that I just didn’t buy the plot.

But that’s OK. It’s a small blemish on an otherwise wonderful film. It hits different emotions than, say, It’s A Wonderful Life, but it’s magical all that same, and one that I can actually imagine children wanting to watch. It’s unceasingly clever plot, matched by a once-in-a-lifetime performance by Edmund Gween as Kris Kringle and a great child actor performance from Wood make this a must-see movie for any holiday movie fan.

***/ (Three and a half out of four stars)

#miracle on 34th street #edmund gwenn #maureen o'hara #john payne #natalie wood #george seaton #christmas movies