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rosscountyhistoricalsociety · 1 year

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In honor of Black History Month, we're highlighting the accomplishments of some remarkable Black Chillicotheans.

The early details of William H. Dupree's life seem to be a bit in question. Some sources say he was born into slavery in Virginia on March 13, 1839. Others say he was born here in Chillicothe. If he was enslaved, it's unknown how he secured his freedom. He may have been educated in Chillicothe schools, which he's said to have left after the death of his father when Dupree was 19.

Dupree worked as a plasterer and played baritone in a brass band. He married Maria Elizabeth Isaacs, who was the daughter of a woman who'd been an enslaved cook at Thomas Jefferson's estate Monticello. (Dupree was the uncle of another famous Chillicothe man James Monroe Trotter.)

When the Civil War broke out, Dupree wanted to enlist, but was unable until after the Emancipation Proclamation was issued in 1863 and Black regiments were created. Ohio didn't form any, so Dupree had to go to Massachusetts to enlist. He was one of the 5,092 Black Ohioans who joined regiments formed in other states so they could serve.

In 1863, Dupree enlisted in Co. H, 55th Massachusetts Infantry, where he oversaw the regimental band. He achieved the rank of 2nd lieutenant, but was only officially awarded the rank in 1865 when his unit was mustered out, reportedly because the white officers refused to serve with Black officers.

He returned to Chillicothe after the war, but eventually moved to Boston where he became one of the first Black men to be employed by the city's post office. He worked there for several decades and became quite prosperous.

In 1903, he and a few other investors purchased the Colored Co-operative Publishing Company and its journal, the "Colored American Magazine." It was one of the more prominent Black publications. Through its work, he tried to model Booker T. Washington's ideas of achieving equal rights by demonstrating Black people could excel at any occupation.

Dupree was also a member of the New York City Opera Company, the G.A.R, and the chairman of the Firefighter's Relief Fund. In 1888, he became a member of a committee to convince Boston to erect a statue to Crispus Atticus, the Black civilian who was killed at the Boston Massacre.

He died in June, 1934.

#black history month #55th Massachusetts #william dupree #Colored American Magazine

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principles-of · 6 months

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I see many comments of the article IG post about nepotism, losing her childhood, overall negativity that the article even exists. But I find it as a great piece of pop culture journalism.

The opening line "In a climate that venerates celebrity and configures fame as power, North West is the inheritor of a complicated crown" recognizes the kind of society we live in. Celebrities are pseudo royalties and North West is the inheritor of America's (debatably) most famous mother, Kim Kardashian and talented, yet divisive artist Kanye.

What does a 10 year old want to say when you've grown up knowing you're on millions of peoples phone screens?

She. Loves. It.

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I thought the styling and photography was lovely too. In her interview she mentions that she looks up to her parents a lot. So BAM, image of North waddling around in her parent's oversized clothing.

And then there's that single color image that stands out from the rest of the BW studio photography. My focus was first on the red ballon.

Photography Willy Vanderperre; Fashion Alastair McKimm

The Red Balloon. A 1956 French short film of a child on a Parish adventure with a balloon. I wasn't around for its original release to feel its culture impact, but it was the first film I watched that made me really feel color. It feels like a B&W movie that used cool tricks to make color stand out. But it's all in color with very intentional monochromatic scenes and characters. To me that was a revolutionary film that I consider made waves in culture.

Is this article and everything that it stands for a cultural parallel? Is North making waves in culture?

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This article further supported that I love journalism and photography. There is a story here, but it's not what you're reading. The story is passed the written lines leading me into a pathless direction. What I've said here is where I arrived. There is no discrete path past this article and everyone can end up somewhere different. Where did y'all end up? Also, I've been digging around to find the author of this piece, but can't find anything outside "I_D Staff." Does anybody know?

#photography #I_D #magazine #journalism #the red balloon #fashion #culture #color theory #composition #Willy Vanderperre #Alastair McKimm #film #french #american #royalty #british royalty #celebrity

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artistportfoliomagazine · 1 year

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Larry Richardson | Featured Artist Issue 51

Larry Richardson Valencia, CA [email protected] As an Artist I have always wanted to express the beauty of our African heritage. My paintings are an extension of the classic form of figurative painting using people of color. Most of my paintings make statements on culture and the human condition. My challenges in creativity continue to evolve, the reason for this is evident in the…

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wandamaximoffsbadgirl · 2 months

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Let's Talk About That Chapter 1

Psychiatrist!Avenger!Fem!Reader × Wanda Maximoff

Summary: You are the young psychiatrist for the Avengers, and you take your job very seriously, but what happens when Wanda joins the team, turning your life upside down?

Word count: 1.7k

Warnings: legal age gap r is 19 w is 25, talks of death and grief, a bit of angst, therapy sessions

A/N: I had this idea for a while and wrote it a while ago, but spruced it up for publishing. I hope you enjoy it!

May 7th-10th 2015

The only sounds to be heard were the scratches of your pen against paper as you wrote down notes the old fashioned way and the hum of the AC unit installed in your office. Tony let you have a nice corner of the tower where there was sunlight and windows. You had gone with a soft gray for the walls, an L-shaped mahogany desk that had both a desktop computer and your laptop. Across from your desk was two couches and a coffee table between them with an assortment of fidget toys, a succulent, a handful of magazines, and a box of tissues.

Everyone had been away on an important mission and normally you’d go with, but you'd been recovering from a previous injury, you still are when you hear a knock on your door,

"Open." You let them know and just from their aura you can tell it's Tasha, but she's with someone else, an aura you don't recognize. You look up to find a girl with chestnut colored hair, and a dark aura around her. "Hey Tash. I'm glad you're all home safe. I'm assuming we'll restart our sessions?" You ask the red head.

"Yes. We can resume them. Tomorrow. Today I need you to have a talk with this one." Tasha helps her into the room and gestures for her to sit down, Tasha walks over and hands you a large file. "She came from HYDRA, they had a lot of info on her, she had joined us in the fight against Ultron." Tasha tells you before lowering her voice, "She lost her twin brother during the battle. So maybe you can get her to talk." You smile at Tasha and then look past the red head.

"Yeah of course we shouldn't have any issues Tash. Leave it to me." You tell her as I adjust your glasses, quickly looking over her file as Tasha exits, closing the door behind her, "Wanda Maximoff, 25, born in Sokovia." You say out loud as you walk around your desk to the other couch across from where she's sitting criss-cross. You take notice she's taken her shoes off and smile, taking note of the fact that she’s comfortable enough to do something like that. "I'm Dr. Y/N Y/L/N. I'm 19. I'm also an Avenger. I have a power that allows me to see auras and emotions. I can also influence people's emotions and use my voice to influence others around me." You tell her a little about yourself first to help make her comfortable with talking about herself.

"You're 19? How are you a doctor?" She finally talks and you can hear her thick Sokovian accent which is like music to your ears.

"I'm very smart. Graduated high school at 12 finished my Doctorate last year for psychiatry and Tony took me in as the Avengers Psychiatrist shortly after that. Everyone here needs a little bit of help and that is what I'm here to provide for you." You smile at her as you open a fresh notebook for her, choosing a red covered one noticing that she was wearing Tasha’s red leather jacket. "So tell me a little about yourself. Anything you want." You ask as you jot down her basic info on the first page.

"I love American sitcoms." she tells you first. You smile and look at her over your glasses.

"Why is that?" You ask as you jot down her words.

"We used to watch them as a family every night so we could learn English." She tells you making a smile appear on your face.

"When you say we who does that entail?" You question the Sokovian wanting to get to the root of her problems.

"My Mama, Papa, and Pietro..." She tells you solemnly.

"Who is Pietro?" You inquire, looking up from your notebook.

"He is...was...my twin brother." You jot down everything she says during your session and she does open up a little bit with some persuasion on your part, but that isn't unusual for your sessions.

"Well Wanda thank you for opening up to me. Your aura is looking a little warmer from when you first walked in. How about you come back in three days for another session?" You tilt your head as you grab a little card for her.

"Why three days?" She asks nervously, tugging at her sleeves attempting to cover her hands, but the jacket doesn't budge. She starts picking at her nails as an alternative, chipping the black nail polish further.

"I like to have frequent sessions the first month. Then we'll have them weekly just like the others." You let her know and she nods her head as you write the date and time for her to show up on the card for three days from now. Standing up with her, "I offer a high fives, hand shakes, fist bumps, or a hug at the end of sessions. Which would you like?" You ask and she's thrown off a bit by the statement at first but then answers.

"Hug. I could use a hug right now." You open up your arms and let her come to you. She ends up crying in your arms as you sooth her, letting her know it is okay to cry.

"I'll always be here for you Wanda. I'm always on your side." You whisper to her and she holds you tighter at the words.

You sat back down at your desk after Wanda left, feeling a mix of emotions swirling within you. Empathy for Wanda's pain, determination to help her heal, and a lingering sense of dread about what HYDRA had done to her. But you pushed those feelings aside, focusing on the task at hand.

As the Avengers' psychiatrist, it was your responsibility to help your teammates navigate the mental and emotional toll of their work. Sometimes that meant delving into painful memories or difficult emotions, but it was a role you took on willingly. After all, you had your own share of struggles, and if you could use your powers to help others, then it was worth it.

You glanced at the clock and realized it was almost time for lunch. You decided to take a break and head to the common area, where you found Tony tinkering with one of his suits.

"Hey, Y/N," he greeted you with a grin. "How's it going?"

"Good," you replied, sinking into a nearby chair. "Just had a session with Wanda. She's been through a lot."

Tony nodded solemnly. "Yeah, losing her brother and all that HYDRA stuff... it's rough."

You sighed, running a hand through your Y/H/C hair. "Yeah, but she's strong. I think she'll come through it."

Tony gave you a reassuring smile before returning to his work, and you took a moment to appreciate the camaraderie of the team. Despite your differences and the challenges you guys faced, you were a family, bound together by our shared experiences and our commitment to protecting the world.

After a quick lunch, you headed back to your office to prepare for your next session. As you reviewed your notes from Wanda's session, you couldn't shake the feeling that there was something more to her story, something hidden beneath the surface. But for now, all you could do was continue to offer her support and hope that she would find the strength to confront her demons and emerge stronger on the other side.

With that thought in mind, you square your shoulders and prepare to face whatever challenges lay ahead. As an Avenger, a psychiatrist, and a friend, you were ready to do whatever it took to help your teammates and protect the world from whatever threats may come our way.

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Three days passed in a blur of meetings, training sessions, and the occasional emergency mission. But today, you were back in your office, eagerly awaiting Wanda's return for your second session. As you sat at your desk, reviewing your notes from your previous meeting, you couldn't help but feel a surge of empathy for her. Losing a loved one in battle was something you could relate to all too well.

Before you could dwell too much on your own past, there was a soft knock on your door, and Wanda stepped into the room. Her aura seemed a bit brighter today, though still tinged with sadness. "Hey, Wanda," you greeted her with a warm smile, motioning for her to take a seat. "How are you feeling today?"

Wanda hesitated for a moment before answering, "Better, I think. Thank you for... everything last time."

You nodded, understandingly. "Of course. It's what I'm here for." You gestured toward the notebook on the table. "Shall we pick up where we left off?"

For the next hour, the two of you delved deeper into Wanda's past, her memories of Sokovia, her time with HYDRA, and her experiences with her brother, Pietro. With each word she spoke, you could feel her emotions swirling around you, and you did your best to guide her through them, offering comfort and support where you could.

As your session came to a close, Wanda seemed visibly lighter, a hint of a smile playing at the corners of her lips. "Thank you, Y/N," she said softly, wiping away a stray tear. "I didn't realize how much I needed this."

You smiled back, feeling a sense of fulfillment wash over you. "Anytime, Wanda. Remember, I'm always here for you."

Before she left, Wanda surprises you by reaching out and giving you a tight hug. "Thank you," she repeated, her voice thick with emotion.

As you watched her leave your office, you couldn't help but feel grateful for the opportunity to help someone in need, to make a difference in their life, even if it was just one session at a time. And as you glanced down at the Power Stone embedded in your chest, you couldn't help but wonder if perhaps this was the true source of your ability to connect with others on such a deep level. But for now, all that mattered was that you were making a difference, one session at a time.

#ley speaks #wanda maximoff x reader #wanda maximoff #natasha romanoff #natasha romanoff x reader #natasha x reader #wanda maximoff smut #wanda maximoff angst #wanda maximoff fluff #ley writes #wanda x reader #wanda x you

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kingofooo · 10 months

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standee design by writer/storyboard artist Hanna K. Nyström

design cleanup by color supervisor Carolyn Ramirez

ADVENTURE TIME at SAN DIEGO COMIC-CON 2023!

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WARNER BROS. TELEVISION SCREENINGS

WEDNESDAY, JULY 19th at 6:00pm – 9:30pm

Ballroom 20

Comic-Con and Warner Bros. Television proudly continue our annual Preview Night tradition featuring the world premiere of the highly anticipated series Adventure Time: Fionna and Cake, alongside all-new episodes of Riverdale and Teen Titans Go!, and screenings of Mrs. Davis and Superpowered: The DC Story.

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MAX ORIGINAL ANIMATION

THURSDAY, JULY 20th at 11:00am – 12:30pm

Ballroom 20

Max Original Animation celebrates new and returning animated series' including an expansion in the Adventure Time universe, Adventure Time: Fionna & Cake; a new animated series, Young Love, based on the characters from Matthew A. Cherry and Sony Pictures Animation’s Oscar-winning animated short, Hair Love; and a preview of the upcoming fourth season for the fan-favorite Harley Quinn. The panel will feature exclusive sneak peeks, surprise panelists, and more. Moderated by Damian Holbrook (TV Guide magazine).

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SUPERSONIC: The 15th Annual Behind-The-Music Panel

THURSDAY, JULY 20th at 10:00am – 11:00am

Room 25ABC

Get a behind-the-scenes look at what goes into creating the scores and sounds to some of today's most popular TV series and films. Panelists include Phil McGowan (score mixer, Star Trek: Picard), Amanda Jones (composer, American Horror Stories, ADVENTURE TIME: FIONNA & CAKE), Chris Bacon (composer, Wednesday), Sherri Chung (composer, Gremlins: Secrets of the Mogwai), Kurt Farquhar (composer, The Proud Family: Louder and Prouder), and Michael Yezerski (composer, Cabinet of Curiosities).

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#Adventure Time #adventure time: fionna & cake #comiccon #Amanda Jones #Hanna K Nyström #Carolyn Ramirez #sdcc #sdcc2023

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books · 4 months

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Writer Spotlight: Jamie Beck

Jamie Beck is a photographer residing in Provence, France. Her Tumblr blog, From Me To You, became immensely successful shortly after launching in 2009. Soon after, Jamie, along with her partner Kevin Burg, pioneered the use of Cinemagraphs in creative storytelling for brands. Since then, she has produced marketing and advertising campaigns for companies like Google, Samsung, Netflix, Disney, Microsoft, Nike, Volvo, and MTV, and was included in Adweek Magazine’s “Creative 100” among the industry’s top Visual Artists. In 2022, she released her first book, An American in Provence, which became a NYT Bestseller and Amazon #1 book in multiple categories, and featured in publications such as Vogue, goop, Who What Wear, and Forbes. Flowers of Provence is Jamie’s second book.

Can you tell us about how The Flowers of Provence came to be?

I refer to Provence often as ‘The Garden of Eden’ for her harmonious seasons that bring an ever-changing floral bounty through the landscape. My greatest joy in life is telling her story of flowers through photography so that we may all enjoy them, their beauty, their symbolism, and their contribution to the harmony of this land just a bit longer.

(Photograph: Jamie Beck)

How do your photography and writing work together? Do you write as part of your practice?

I constantly write small notations, which usually occur when I am alone in nature with the intention of creating a photograph or in my studio working alone on a still life. I write as I think in my head, so I have made it a very strict practice that when a thought or idea comes up, I stop and quickly write the text in the notes app on my phone or in a pocket journal I keep with me most of the time. If I don’t stop and write it down at that moment, I find it is gone forever. It is also the same practice for shooting flowers, especially in a place as seasonal as Provence. If I see something, I must capture it right away because it could be gone tomorrow.

(Photograph: Jamie Beck)

You got your start in commercial photography. What’s something you learned in those fields that has served you well in your current creative direction?

I think my understanding of bridging art and commerce came from my commercial photography background. I can make beautiful photographs of flowers all day long, but how to make a living off your art is a completely different skill that I am fortunate enough to have learned by working with so many different creative brands and products in the past.

(Photograph: Jamie Beck)

Do you remember your first photograph?

Absolutely! I was 13 years old. My mother gave me her old Pentax 35mm film camera to play with. When I looked through the viewfinder, it was as if the imaginary world in my head could finally come to life! I gave my best friend a makeover, put her in an evening gown in the backyard of my parents’ house in Texas, and made my first photograph, which I thought was so glamorous! So Vogue!

You situate your photographic work with an introduction that charts the seasons in Provence through flowers. Are there any authors from the fields of nature writing and writing place that inspire you?

I absolutely adore Monty Don! His writing, his shoes, and his ease with nature and flowers—that’s a world in which I want to live. I also love Floret Flowers, especially on social media, as a way to learn the science behind flowers and how to grow them.

How did you decide on the order of the images within The Flowers of Provence?

Something I didn’t anticipate with a book deal is that I would actually be the one doing the layouts! I assumed I would hand over a folder of images, and an art director would decide the order. At first, it was overwhelming to sort through it all because the work is so personal, and I’m so visual. But in the end, it had to be me. It had to be my story and flow to be truly authentic. I tried to move through the seasons and colors of the landscape in a harmonious way that felt a bit magical, just as discovering Provence has felt to me.

(Photograph: Jamie Beck)

How do you practice self-care when juggling work and life commitments alongside the creative process?

The creative process is typically a result that comes out of taking time for self-care. I get some of my best ideas for photographic projects or writing when I am in a bath or shower or go for a long (and restorative) walk in nature. Doing things for myself, such as how I dress or do my hair and makeup, is another form of creative expression that is satisfying.

What’s a place or motif you’d like to photograph that you haven’t had a chance to yet?

I am really interested in discovering more formal gardens in France. I like the idea of garden portraiture, trying to really capture the essence and spirit of places where man and nature intertwine.

Which artists do you return to for inspiration?

I’m absolutely obsessed with Édouard Manet—his color pallet and subject matter.

What are three things you can’t live without as an artist?

My camera, the French light, and flowers, of course.

What’s your favorite flower to photograph, and why?

I love roses. They remind me of my grandmother, who always grew roses and was my first teacher of nature. The perfume of roses and the vast variety of colors, names, and styles all make me totally crazy. I just love them. They simply bring me joy the same way seeing a rainbow in the sky does.

(Photograph: Jamie Beck)

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kolajmag · 1 year

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COLLAGE ON VIEW

The Woods Women & Other Works

Saya Woolfalk at Leslie Tonkonow Artwork + Projects in New York, New York, USA through 23 November 2022. Saya Woolfalk creates works of art that combine elements of her African American, Japanese, and European heritage, with allusions to anthropology, feminist theory, science fiction, and Eastern religions. In this exhibition, Woolfalk introduces “The Woods Women”, a secret society that predates her Empathic Universe. The exhibition includes the artist’s newest works on paper, inspired by her study of the renowned Hudson River School and herbarium collections at The Newark Museum of Art where she was the Artist-in-Residence in 2019. MORE

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Kolaj Magazine, a full color, print magazine, exists to show how the world of collage is rich, layered, and thick with complexity. By remixing history and culture, collage artists forge new thinking. To understand collage is to reshape one's thinking of art history and redefine the canon of visual culture that informs the present.

SUBSCRIBE | CURRENT ISSUE | GET A COPY

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dragoneyes618 · 2 months

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"In a recent Harvard-Harris poll, 53 percent of Americans between 18-24 said that October 7 was justified by Israel's wrongs torward the Palestinians.

Those most likely to say so were also the most likely to know nothing about the history of Israeli-Palestinian conflict: e.g. that Gaza has not been occupied since 2005; that it is Hamas, not Israel, that limits the import of food and medical supplies; that far from committing genocide against Palestinians, the Palestinian population grew rapidly under Israeli rule, with life expectancy skyrocketing and infant mortality plummeting; that the Palestinians have been repeatedly offered a state since the original UN Partition in 1948; that far from being colonizers, Jews are indigenous to Israel, and purchased, not conquered, all the land on which Israel was originally founded; that at the time of the Second Aliyah of Jews, the land was desolate and largely unpopulated, and only when the Jews had drained the swamps and caused the deserts to bloom was a large Arab population attracted to live there; and that most of Israel's Jewish population today is descended from Jews of color ethnically cleansed from Arab lands."

-Yonoson Rosenblum, Mishpacha Magazine, Issue 993, page 38, January 3, 2024

#antisemitism #october 7 #israel hamas war #pro israel #israeli history #history #ignorance

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edgarvaskanyan · 2 years

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This is my drawing “City Park, Composition Number 3” Medium: Pencil, Permanent Markers, Watercolor on Paper #park #art #artist #artgallery #architecture #artmagazine #abstractart #americana #american #cubism #contemporaryart #contemporary #design #style #gallery #magazine #cityscape #color #pencil #watercolor #marker #sketch #drawing #popart #massachusetts #americanartist #ink #acrylic #oil (at Springfield, Massachusetts) https://www.instagram.com/p/CeRBio_Od87/?igshid=NGJjMDIxMWI=

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unprettyg1rl · 1 year

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I’m reading a book on the history of invention and how our cultural views of masculinity vs femininity affect our progress and holy shit if women’s needs and preferences were taken seriously we would’ve been using electric cars since the late 1800s instead of just starting to use them now.

In “Att uppfinna världen” (Mother of Invention in the English translation) by Katrine Marçal there is a chapter dedicated to the process of inventing the modern automobile, where I read that there were multiple ways of constructing a car when the invention was relatively recent, as the field was still open to experimentation. Petrol wasn’t an obvious choice for fuelling the engine – in fact, around the year 1900 a third of all cars in Europe were electric cars, and the percentage was even bigger in America. Electrically powered cars were superior to petrol-fuelled ones in many ways: they were quieter, didn’t expel smelly gas, much safer and more reliable, and easy to start and control from the driver’s seat. Cars fuelled by petrol, on the other hand, were loud, more unreliable and required a lot more maintenance, and to start the engine one had to do some serious manual labour involving a crank – which would often leave you sweaty and with oil stains on your clothes, plus a constant risk of causing an explosion if you weren’t careful enough. Naturally, women preferred the former, being more convenient and comfortable and thus more suited to their travel needs, whereas the petrol-fuelled car was marketed as the more adventurous, macho choice for men.

The one downside to electric cars was that the battery didn’t last for longer journeys, which in the case for women wasn’t that much of a problem since the majority mainly just made trips within the city or town. This was also an issue that could’ve been fixed, and there were many plans to do so, mainly infrastructure-related ones like battery-switching stations and developing better battery solutions. There were even plans for a net of rentable electric cars for anyone to use, and electric trains, trams, and taxis for public transport (seems very ahead of its time, doesn’t it? A much more environmentally conscious system than our good ol’ “everyone has one or multiple cars that individually expel copious amounts of greenhouse gasses” method). However, investments were too few since the male-dominated society deemed these “women’s cars”. After all, a real man isn’t soft, safe and comfortable – he cranks his own car to life and makes a lot of noise as he travels. A report from 1916 by the magazine Electric Vehicle stated that “The thing that is effeminate, or that has that reputation, does not find favor with the American man. Whether or not he is ‘red-blooded’ or ‘virile’ in the ordinary physical sense, at least his ideals are. The fact that anything from a car to a color is the delight of the ladies is enough to change his interest to mere amused tolerance.”

Like, it’s insane that values such as comfort, safety and convenience were seen as “feminine” and thus dismissed, leading to petrol-fuelled cars completely taking over the market in the end. Imagine what the world would’ve looked like if women were the standard instead of men. It really pains me to think how much damage we’ve done to the planet just because of men’s stubborn macho ideals.

(a lot of this research is quoted from The Electric Vehicle: Technology and Expectations in the Automobile Age by Gijs Mom, a book I’m now very interested in reading in full)

#feminism #radical feminism #climate change #environment #radfem #electric cars #fun fact is that eventually some of these aspects (such as comfort) were developed in petrol cars as well #but by then they were already dominating the market and there was no chance people would make the switch back to electric

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