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#the creel murder
plutoswritingplanet · 2 years
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White Rabbit (Peter Ballard x Female!Reader)
PART 2
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a/n: how close can i get to writing monsterfricking before being called a monsterfricker?
Warnings: NON-CON (nothing too explicit, but still, be warned, be safe), bathroom-donging (once again), extensive use of a 80′s rock song as a plot device
Summary: Vecna’s Curse finally comes to take what’s his. Only thing is, he doesn’t look like the monster your friends described. 
Edit: Y'all are actually insane for giving this fic so many notes. There will be part two, most certainly, after the finale comes out. I will tag everyone in notes and in my askbox. With peace and love, what the fuck
There is a clock, ticking inside your head. It's sound filling every crevice of your brain, seeping into every fiber of your being, rattling every bone in your body until you're unable to move. You know what it means, you've seen what comes after it. The mutilated corpses of a cheerleader and that press kid are burned into your consciousness. Then, Max, floating above the graveyard, her blue eyes rolled grotesquely into the back of her head.
You haven't told anyone, as the team runs around Hawkins, looking for any clues that could help them stop Vecna's Curse.
Speaking of which, you are yet to see the abomination causing your imminent demise. It terrifies you to your very core, but under that overbearing feeling, there is another one. Curiosity. Danger feels heavy on your shoulders, and you love it, the thrill it gives you. Besides, shall things go south, you have a recorder by your side, "White Rabbit" by Jefferson's Airplane recorded on a small cassette, ready for trouble. "You can do this", is a mantra you've been telling yourself for hours now, you can survive.
The Wheeler house is lively with worried chatter, parents lamenting over their kids, in trouble again, and with the Hawkins Police nonetheless. You're sitting in the living room, head hanging low, fingers pulling at the hem of your shirt, which is currently covered in stains of various origin. Moss, mud, some blood, although you don't know where it came from. All the fault will undoubtedly fall on your shoulders. Being the only adult on scene, the only one getting caught. You curse under your breath, thinking of your friends, old and new, currently stuck in the Upside Down. Leaving you to handle everything else on the surface.
It has been a hassle, the interrogation. You got put into a stuffy room with Officer Calahan, who was strangely excited at the prospect of potentially locking up a bunch of kids, for whatever reason. It won't happen, obviously, but you're not here to break his bubble. He asks you questions with an aura of sarcastic authority, giving you patronizing nods, whenever you answer. You want to punch him, not only because your friends are currently in mortal danger, and you could do so much more to help them, if he'd just let you out. There is also the sound of a ticking clock, coming from behind his back, and the suspense drives you insane.
And a spider. Fat and dangerous, it traverses the expanse of the man's shoulder, but when you blink, it's gone.
- Can I use the bathroom? - you ask, voice barely containing all the emotions you were feeling.
The Officer looks at you, startled, as you had just interrupted another one of the monologues. He blinks, as you turn your head, and blinks again, processing your words.
- Yeah - he sounds dumbfounded.
Before the man can say anything more, you bolt out of the room, to the corridor basked in warm light of the ornate chandelier. The ticking is louder here, seemingly just a smidge away from your ear, and slowly, as if not to startle the hallucination, you turn your head left. There, on a cream wall, where normally a lovely family photo of the Wheeler's would hang, you find a round face of a grandfather's clock, staring back at you. One hand comes to life, lazily sliding from one minute to the other, a rusty clank of the mechanism filling your ears. There is a sinking feeling in your stomach, as you force your eyes away from the clock.
The world spins around you, as you fall through the bathroom door, closing it behind you. Your hands shake, as you reach for the recorder, fingers fumbling around the headphones you hastily pull over your ears. One click later, and a familiar base enters your brain, the sound of the clock barely recognizable beneath the drums.
- One pill makes you larger - you mutter under your breath, leaning heavily on the sink.
You try to control your breathing, focus on the steady rise and fall of your chest, still muttering the lyrics, like a prayer. The feeling persists, however, and you begin to sway in your place. The mirror shows your disheveled reflection in an almost mocking manner. Hair is sticking to your sweaty face, there are tears framing your eyes, and you're ghastly pale, worryingly so. Unable to focus, you close your eyes, shutting your eyelids tight. trying to block out everything but the music. Specks of light dance beneath your eyelids, and you try to follow their irregular paths, anything to bring you back.
Yet, that ticking sound is persistent, almost impatient. Waiting for the song to end. And with a click of finality, it does. Your heart jumps to your chest, as silence finally engulfs you. Your right hand flies to the Cassette player, fingers immediately finding the rewind button. Your eyes stay shut, as you listen to the whirling of the tape. And the ticking, always the ticking. Finally, it stops. A breath of relief shakes you.
- Don't play it again.
Your eyes fly open, as you give a startled gasp. The bathroom is empty, only your wracked figure reflected in the mirror. But something is wrong, you can feel it at the base of your neck, where the hairs stand up on guard. It doesn't feel like the Upside Down, doesn't look like it too, and yet, you can't shake the ever present sensation of indescribable dread.
Slowly, your fingers skim the play button, the plastic ridges dig into your skin, as you press down.
Then, something catches your hand. Delicately, like it's holding a flower.
You nearly scream, thrashing in the bathroom, turning harshly towards the shower, nails digging into the porcelain edge of the sink. Empty. Nothing.
Your heart stammers out of your chest, blood rushing through your ears in a suffocating display of panic. And the clock keeps ticking.
You're terrified now, properly. Screw all feelings of curiosity from earlier, you're pretty sure you can live without knowing. And so, even more feverishly, you fumble with the recorder, finally hitting the play button so hard, you nearly break your finger. The drums start again, and as the base joins it, you fall to your knees onto the floor, breathing heavily with relief.
- God - you sigh - Why me?
- Why you, indeed...
His voice is barely audible through the music, but you still feel it crushing through your skull. Your body freezes, as you glance up from the floor. There, just centimeters from you, stands a pair of white shoes. At least you think they're white, as the image keeps flickering in and out of existence, like a glitch on a homemade videotape. Your eyes drag up, over slender legs clad in white pants, white shirt tucked into them. Then, you finally see him. An angelic face looking at you from above. Beautiful, blue eyes, sharp features and lovely lips, all surrounded by a halo of blonde waves. An angel, truly.
You blink, and his image shifts out of existence just for a second.
- Who are you? - your voice sounds foreign in your ears, barely recognizable over the music
The man smiles a gentle smile, before kneeling down in front of you. His hands slowly creep towards yours, cradling them in a hold that is so warm and comforting, you want to melt into it without question. His eyes are so incredibly blue, it takes your breath away. And yet, despite the whirlwind of emotions, you can't stop staring into them. The man lifts your joined hands towards his lips. There isn't even a ghost of a breath, fanning your knuckles, as he places a kiss onto the bone. His image shifts again, violently, and a new feeling of slow dread creeps up your spine.
Then, a shadow passes through him, the kind facade falling into something much darker, much more sinister.
- I'm your worst nightmare - he smiles, teeth on full display, sharp and pointy.
You try to free your hands with a  yank, but he holds them close with little to no force, eyes leaving your face in favor of studying the way veins move beneath your skin.
- I have many names - he says, his voice is calm and melodic - Henry - his lips brush the outside of your left wrist - Peter - a swift kiss is placed onto the tips of your finger - One...
He lingers for a bit at the juncture between your thumb and your pointer, and you still feel no breath coming from him.
- Although, the name your friends have given me has a nice ring to it - he looks up, capturing you again with those blue eyes of his.
- Vecna - your voice comes out as a mere whisper, one you can't even hear amongst the song, slowly, but without stopping, coming to an end.
Suddenly, the man stands up, and you feel yourself being pulled up to your feet as well. It's not gentle at all, and you nearly trip, before finding your balance. Faster than you can comprehend, the man turns you around, so you're facing the mirror. You can see him fully now. He's almost a head taller than you, slender and elegant. Not at all the monster you have imagined, not the one Max told you about. He peers at your reflection, towering over you in his clean, white clothes.
- My name means very little to me now - he says again, hand coming up to tuck your hair behind, exposing your neck to him - I am very particular about the names of my victims, however - another smile has you shaking, as his wondering hands press slightly on your pulse.
You can't move, your legs feel heavy, like someone tied them down with rocks. Your heart is beating so fast, you can feel it in your throat, where his fingers drum delicately over your skin, to the beat of the song still keeping you alive.
- Chrissy - he hisses into your hair - Sounds sweet like candy, and in a way, that's how she tasted.
A shiver wrecks your body, as images of the Cheerleader's body flood your mind. Her eyes, sucked into her skull, her limbs in disarray.
- Fred - you can feel his hands on the insides of your arms, fingers dragging over your veins - Intelligent, although slightly tart, like unripe apples.
Your head starts to spin, breaths escaping you in quick puffs. They found Fred in the middle of the road, alone, abandoned, mutilated.
- Patrick - he dips his head into the crook of your shoulder, nose sliding up, towards your ear - Stern, but full of life, reminded me of walnuts.
"When logic and proportion, have fallen sloppy dead" the singer wails, and you know, your time is coming to an end. A small whimper escapes you, as slender arms encircle your frame, pushing your back into his body.
- Max - there is a spark of rage at the mention of your friends name, one, he catches in your reflection with a raised eyebrow - Strong, youthful, like mint. When I heard your name amongst thousands, I knew, you'd taste wonderful.
Your entire body starts to writhe, as the man gives your neck a long lick of his tongue, starting from your shoulder, up to the back of your ear.
- Oooh - he laughs to himself, as you watch him in the mirror, still unable to move - There is some kick to you, I can tell. Like hot peppers.
He dives down again, placing open-mouthed kisses to your feverish skin, teeth just barely scraping your pulse point.
- A name like this should be savored. This guilt you feel should be savored.
"Feed your head" the woman sings, the song swelling in your ears, so close to the end, you start to shake. As if on cue, the man slowly reaches up, his fingers tangling themselves into your hair, as he pushes them under your headphones. It takes one move, for the plastic to fall from your head, clattering to the ground.
Your eyes meet in the mirror as sudden silence engulfs the both of you. There is a victorious smirk playing around on his lips, as his right hands starts to twirl your hair around his finger. He rubs the strands, like he's sampling a fabric, bafore bringing them closer to his nose, and taking a long whiff of air.
- ...Or maybe cinnamon - me sighs, eyebrows scrunching together.
- Are you going to kill me now?
Again, images of broken bones and mutilated corpses fill your mind, you can almost imagine the wet cracking.
The man laughs, stepping away from your trembling body for just an inch, the loss of his body behind you makes you sway in place. There's this weird flickering glitch running over his figure, intensifying for a moment. He takes a long breath, you can see muscles work under any visible sliver of skin, and as he relaxes again, his form stabilizes.
That is when you realize, what you're looking at isn't real. He isn't real. This angelic, terrifying boy is just an illusion, a hallucination, meant to lull you into a false sense of security. And it almost works. Almost, because as you focus more on his eyes, they seem to become less blue, and more milky and veiny. More like a monster.
- Guilt is a fickle thing - his voice is lower, more raspy than before.
His head dips down behind you, and he plants a wet kiss to the base of you neck, teeth scraping against your skin in a way, that wrenches a whine out of your lips.
Your stomach churns with a feeling sitting too close to arousal, as his large hands begin to explore your body further.
- It never leaves, not truly. And you have so much of it. - a hand digs itself into your hip, then slides up, leasing the edge of your shirt.
- Stop.
He doesn't, fingers creeping under the fabric, squeezing the soft tissue there.
- You're supposed to protect your brother, but he keeps getting hurt on your watch. How many bones does he have to break? How many times have you failed him?
Tears spring to life in the corners of your eyes, as you try to turn away from your reflection. He's faster though, and grabs your chin, forcing you to look back to the mirror. Then, he cranes your chin to the side, forcefully, so that your face is closer to him.
- Those kids you've taken under your wing, I will devour them all, and you'll watch - he seems unmoved by your sobs, whispering the words into your wet cheek - Your father, poor father, never had the chance of seeing how much of a disappointment you really are.
His lips are soft as he kisses your tears away, tasting the saltiness with a grin. Like a chef, proud of his most delicious meal.
- I see it all, sweetness - the hand digging into your stomach climbs up, over your ribs, stopping just short of the underside of your breast.
- Please... - a choked sob escapes you, as your body tries to free itself from his iron hold.
- Shhh - he shushes you, you can't feel his breath on your lips, when he gives you a chaste kiss.
For that matter, you can't feel anything, that would suggest you're being held by a living being. There is no rise and fall to his chest, no smell, no heartbeat.
His form starts to flicker yet again, and suddenly, you feel something definitely not human sliding and swirling behind you. A constantly moving mass holds you in place and instinctively, you screw your eyes shut. You don't want to know how he looks like in reality, mind focusing back on the angelic man from before. Now, you can feel him breath, a low rumble starts in his gut everytime he inhales, like a beast ready to pounce.
- It takes - the voice coming from behind you is gruff and monstrous - A considerable amount of strength to keep this image in place.
Slowly, with every word, the man's voice comes back to the normal, melodic tone. The shifting mass on your back seizes its movements, and slowly, you allow yourself to crack an eye open.
Blue eyes, sharp cheekbones and a halo of blonde hair stare back at you in the mirror's reflection. He gives out a small chuckle, shakes his head slightly, and bends down to take another long sniff of your hair.
- There's no need for you to see my real form - he mutters into the crown of your head - After all, it's not your fear I'm after.
His hands move with unexpected speed, as the both slide upwards, under your shirt, to cup roughly at your breasts. The sound you give out is pathetic at best, as this sliver of friction sets your whole body ablaze.
- It's your guilt - he forces out through his teeth, giving your breasts another sharp squeeze.
Before you have the time to actually understand the implications behind his words, you body is being pressed forwards. The ceramic edge of the sing digs painfully into the meat of your thighs, but the feeling is swallowed completely by a slender hand worming it's way into your pants.
Your entire body rocks back and forth, as the man, Peter, Vecna, plunges two long digits into you without warning.
You feel a raw whine climb out of your throat, as you clench around his fingers, hands flailing at your sides, looking for any sort of purchase. He lets you lean on him completely, one hand massaging your breast, before abandoning it in favor of gripping your pulse.
He works you steadily and greedily, pulling sounds out of you, you'd have never imagined were possible. It feels sick, your stomach tightens into a growing coil, as the rythmic pumping shakes you to your bones.
- I...please - your words come out slurred, as your vision swims around your head.
He chuckles, seemingly unaffected, and presses his thumb down on your pulsing bundle of nerves. The sudden jolt of pleasure wrenches a scream out of you, one, he swallows, forcefully craning his neck, and pressing his lips to yours.
The kiss hurts, plain and simple. His lips, despite being pillowy soft, bite into yours with force you've never experienced in your life. Then, teeth appear, raking abused flesh, tongue forcing it's way into your mouth. It's too much, the whole thing starts to feel less like a nightmare, and more like an execution.
Your lungs scream for more oxygen, the tightening in your stomach accompanied by the sharp pain in your chest. And just when you truly think, this is how you are going to die, something entirely unexpected happens.
"One pill makes you larger and one pill makes you small"
The song enters your brain like a dose of adrenaline, waking you from your stupor. Immediately, the hand toying with your insides, retracts, leaving you unfulfilled and disappointed. The emptiness carries, as his mouth detach from yours. You can't open your eyes, you refuse to do so, too overwhelmed to see.
- Remember this - the man says into your ear, his words slowly being drowned out by music - Remember this feeling, when I come for you again.
With that, you're being released, your limp body falling down onto the floor, where you're met with gentle hands of your friends cradling you.
- Jesus, we though you were a goner! - Lucas nearly screams in your face, as you try your best to focus on the kid's features.
- Yeah! You were flying under the ceiling - Dustin shoves a finger up, and your glazed eyes follow, looking at an unidentified spot above your head.
- Why didn't you tell us? - Max is gripping your shoulders so hard, you're sure it will leave a mark.
The kids, your kids, look at you with terrified faces, as you try to stand up, bones heavy, muscles trembling with unresolved tension.
- Didn't want to worry you guys...
It's a weak excuse, and right now you're not even sure if it's true. Dustin mutters something about you being an adult idiot, and in your heart you can't disagree with him.
- Just - Max slowly let's go of your arm - Keep the headphones on.
With that, the gang makes their way out of the bathroom, you following right after them. The coil in your stomach dies down, and with it, new, overbearing feeling arises in your chest.
Guilt. Crushing guilt of wanting something so wrong you can never recover from it.
And beneath the familiar drums, and the voice, and the guitar, you hear a gentle sound of a ticking clock.
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narniangirl1994 · 1 year
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These are characters from live-action shows/movies who choose to kill even when there is another option available to them. They are often - but not always - the villain or antagonist. Even if some are a protagonist or become rehabilitated in the end, they all either killed multiple people unnecessarily and/or enjoyed it in some way. And a bunch of tumblr users love them 😂
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aemiron-main · 8 months
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The Two Heads of HNL: Richard and Martin As The Demogorgon
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So, I think that Brenner is the Demogorgon. Specifically, I think that both Richard and Martin are each meant to represent one of the two heads of the Demogorgon in DND. Hell, Richard Brenner is even literally described as the head of the Narcotics Enforcement Division at HNL.
Keep in mind, the Demogorgon in ST is EXTREMELY different from the Demogorgon in DND. Like. Fundamentally different in almost every way.
Let’s go through some key DND Demogorgon lore that you need to know for this post, and I’ll explain why I think Richard and Martin are meant to represent the Demogorgon.
So, when we look at the Demogorgon from DND, there’s some key things to note:
There’s only one of them. The Demogorgon in DND is not a race of creatures, but instead, is A Guy. A demon, to be specific. And he’s not called “The Demogorgon” so much as he’s just called Demogorgon. Demogorgon is more of a name/title. It’d be like saying “The Steve”.
Demogorgon was the Prince of Demons and has a ton of other titles too, including the Deep Father (staring at Brenner being called “Papa” and literally being deep in the sense of working in the depths of HNL/the lower areas of HNL that we see during NINA), the King of the Deviants (staring at Brenner being a creep/a sexual “deviant”), Tanar’ri Prince and Lord of All that Swims in Darkness (staring at Brenner telling El about her getting lose in the darkness when she goes into the water in the NINA tank and El literally swimming in darkness)
Demogorgon is actually two guys- in one body. The Demogorgon has two heads, each with a distinct personality.
Demogorgon’s two heads are named Aeumal, and Hethradiah. Aeumal, the left head, is the more charismatic and calculating while Hethradiah, the right head, is more impulsive and feral. Each head views the other head as inferior and each believes the other incapable of outsmarting it.
Aameul, the more charismatic and calculating head/ personality, loved deception and wanted to break free from the other head. The more impulsive and feral head/personality, Hethradiah, loved destruction and did not want to be separated.
Demogorgon was a scientist who ran experiments with questionable ethics. The Demogorgon/grey skinned creature in ST gets more compared to a bloodthirsty violent alien creature, whereas Demogorgon in DND is an EXTREMELY intelligent scientist and spellcaster known for his experiments. This is JUST like Brenner- intelligent, cruel scientist who runs experiments with questionable ethics??? That’s Brenner.
Demogorgon conducted multiple experiments. He invented retrievers, ettins, khaastas, and he created the first ever Death Knight. He also invented a plague known as scalepox cloud, a series of clouds of disease mist.
And regarding the fact that the DND Demogorgon created the first ever Death Knight, I talked here about how Kas is namedropped in ST4, and El’s bloody has during NINA vs Kas The Bloody Handed and how Kas The Bloody Handed (the Kas who serves Vecna) was actually a false Kas- specifically, Kas the Bloody Handed was a Death Knight who believed himself to be the real Kas but was not.
And Demogorgon was responsible for the creation of Death Knights, and therefore responsible for the creation of Kas the Bloody Handed/the False Kas, which would track with a.) Brenner having “created” El/being responsible for her existence, and b.) possibly with Brenner having created Edward/being responsible for Edward’s existence, as both El and Henward seem to have Kas references surrounding them.
And regarding the DND Demogorgon inventing a mist/cloud plague, I’m staring DIRECTLY at the lab and the shadow particles and how cloudlike the particles are AND how frequently they’re compared to a virus/disease. Especially considering the parallels between the Russian prison and HNL, and the shadow particles trapped in the Russian prison that get released, I won’t be surprised if HNL/Brenner have released shadow particles before/are responsible for their creation, just like how Demogorgon created created the scalepox cloud.
Now that the DND Demogorgon lore and some of its connections to Richard and Martin is established, let’s dig further into the DND Demogorgon versus the ST Demogorgon.
So, if this grey creature-
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-is SO different from the DND Demogorgon in almost every single way, then why does it get called a Demogorgon?
Well, the only reason why the kids call the grey-skinned creature a “Demogorgon” is because El uses the Demogorgon DND piece to represent whatever took Will and then the party sees the grey-skinned creature in the school in the S1 final ep, and assumes that it’s what took Will, and start calling it The Demogorgon as a result.
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And Will confirms that the “Demogorgon” got him, but he doesn’t confirm that the grey-skinned creature is what he’s referring to/calling a Demogorgon. And it doesn’t make any sense for Will to call that creature a Demogorgon because he a.) wasn’t there when El used a Demogorgon figurine to represent whatever took Will and b.) the ST Demogorgon looks NOTHING like a DND Demogorgon.
Now, like I’ve talked about in another old post somewhere, Vecna does, physically, resemble the DND Demogorgon, with his tentacles vs Demogorgon’s tentacles, although Vecna is still lacking the two heads.
But if Vecna is what Will saw/what would make him think of a Demogorgon, then how can Richard and Martin each be a head of the Demogorgon?
Well, as James @henrysglock and Stav @heroesbyler and I have talked about, there’s evidence to indicate that one of the Brenners may have attempted to merge himself (much like the scientist in The Fly, which is on the S4 board multiple times), with one of the Henwards in one of the timelines (in pursuit of immortality via Henward’s regenerative healing), resulting in Vecna, and explaining all of the weird and constant Brenner-Vecna parallells, and explaining how both Vecna and the Brenners can represent the Demogorgon.
And also, even setting all of that aside, we need to keep in mind that Will himself seems to be referring to the party’s DND game, not to his vanishing, as the Demogorgon “got him”/killed his DND character due to his low roll.
Now, that is NOT me saying that this line doesn’t refer to Will’s vanishing at all- it totally does, the subtext is absolutely there. But what I AM saying is that Will likely isn’t actually saying that “the Demogorgon is what physically picked me up and took me,” and instead is referring to his character in DND.
So, if Will is just referring to his DND character and being taken by the Demogorgon in-game, then that still tracks completely with Will having been taken just by Richard and Martin without any Vecna involvement (with Richard and Martin being the Demogorgon), as Will isn’t actually directly telling us/the party anything about who actually kidnapped him, and instead, is talking about his DND game, and the subtext is there for the audience regarding Will’s actual kidnapping.
And, it’s not that the Duffers don’t understand DND lore- it’s that this is intentional.
The Demogorgon in ST looks nothing like a DND Demogorgon- it doesn’t even have two heads. It also doesn’t act like the DND Demogorgon- it’s not a spellcasting demon scientist with two separate heads and personalities. It’s not even close.
In fact, The ST Demogorgon is actually way way WAY more similar to a Doppelganger from DND, both in terms of appearance and behaviour.
Here’s a comparison of the ST Demogorgon vs the DND Doppelganger in terms of appearance:
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And here’s some information about DND Doppelgangers and how they connect to the ST Demogorgon:
DND Doppelgangers are part of classic DND just like DND Demogorgon- so, while I do actually still think that analyzing more recent additions to DND is 100% valid, Doppelgangers in DND were around during the time period of ST/quite awhile before 1983.
Doppelgangers are shapeshifters, able to shapeshift into whoever they can see at the moment. Which, the ST Demogorgon being more closely inspired by a DND Doppelganger makes sense considering how similar the ST Demogorgon is to “The Thing”/the parallels the ST Demogorgon has to The Thing, and the parallels between “It” and the St Demogorgon/how frequently the ST Demogorgon is referred to as “It,” and also how much general shapeshifter imagery is associated with the ST Demogorgon.
Plus, there’s also the whole Vecnagorgon thing and the fact that we see two different Demogorgons in ST- one of them is a CGI Demogorgon that jumps around rapidly and is thinner, the other is a Demogorgon/the Vecnagorgon who is a.) played by a guy in a costume/suit b.) walks upright slowly on both legs c.) seems to regenerate its foot after getting its foot cut off in the trap at the Byers house and d.) grows strange, brief tumors when shot at the Byers house, something that the other Demogorgon does not do. So, this would all tie into some sort of weird shapeshifter stuff being afoot.
Doppelgangers are quick, vicious and violent, and corner their prey and then use brute force to throw them around- the exact same thing that the ST Demogorgon does.
Doppelgangers can replicate somebody’s clothes and personal items/gear too, which has some VERY interesting implications regarding Will standing in front of the “The Thing” poster in Mike’s basement constantly on the night he vanishes, and what I’ve talked about with two different Wills (Warm Will vs Cool Will) and also with the lab somehow replicating Will’s clothes for his dead body- if they had an exact Doppelganger-esque shapeshifted replica of Will who duplicated his clothes, though, and then they put those clothes onto the fake body… and if that Doppelganger-esuqe shapeshifted replica of Will was either Warm Will or Cool Will…. And if this same Doppelganger creature that replicated Will was was also the Vecnagorgon and was actually just something else replicating the appearance of a ST Demogorgon/the CGI Demogorgon/was replicating the one that isn’t the Vecnagorgon….. and if like I talked about here, the Brenner that we saw in S1 was very, VERY likely Richard Brenner, which leaves Martin Brenner free, and if Martin had some sort of shapeshifting abilities somehow… I’m not sure how it all fits togethers, but there’s SOMETHING HERE!!!
And so, while the ST Demogorgon is not similar to a DND Demogorgon, Richard and Martin are EXTREMELY similar to the DND Demogorgon. Sure, they’re both humans and not a twoheaded monkey demonbeast, but they’re both scientists constantly doing experiments with questionable ethics, just like Demogorgon, and Brenner seems to have this Jekyll and Hyde attitude, where he goes back and forth being openly cruel and uncaring versus being more charming- exactly like the two heads of Demogorgon in DND.
Which, Brenner being the Demogorgon/representing the Demogorgon would point to Richard and Martin being the ones who took Will, at least in one timeline, which tracks with the newspaper about Will’s vanishing from the end of S1 which states that Joyce claimed that Will was a subject at Hawkins Lab:
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The former missing child Will Byers has been found after a week of searching. He is presently in stable condition in Hawkins General Hospital. Byers’ mother, Joyce Byers Alleges that Will was the subject of a secret government program run by the Hawkins National Laboratory. The allegation comes amidst a massive investigation into the hidden organization and its elaborate experimentation in perusal of mind control.
The abuse detailed in the first report includes prolonged psychological duress and psychological interrogation. This government sanctioned torture has sparked outrage amongst the American (NOT VISIBLE). In a statement issues yesterday, Ives mentioned her “disgust” (NOT VISIBLE) the organization, saying “our own American people are being treated like the (NOT VISIBLE) we should be directing our attention to the real targets, the Soviets, not our own daughters and sons.” Under legal advice, Brenner has issued no comment on- CUTS OFF
And this would all also align with what I talked about in this post forever ago, with how the hazmat suit figure (likely Brenner) is paralleled to the Demogorgon.
And again, Richard Brenner is described as literally being the head of the Narcotics Enforcement Division at HNL. This wording is not accidental, especially with the context of all of the similarities between Demogorgon and the Brenners- this wording is a reference to the heads of the Demogorgon, and Richard is literally one of the heads of HNL.
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“The lab and its involved in government lead drug experimentation was first brought to the attention of the Post after documents naming Dr Richard Brenner, head of the Narcotic Enforcement Division from 1954-1971 came to light. These documents, although thoroughly coded, point to a secret organization involved in-“
It’s even worded to specifically put him as the head of the Narcotics Enforcement Division- meaning he’s not just put as the sole head of HNL as he’s just head of one specific division. Which is relevant because it leaves room for a second head, aka Martin. Martin and Richard are the two heads of HNL- and the two heads of the Demogorgon.
Which, this also puts them as the demon, considering that Demogorgon was a demon/the prince of demons.
Which, when we look at Victor and the Creel murders and the talk of a demon lurking in his home, it fits eerily well if we were to think of Brenner as the demon.
Take a look at this line, for example:
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Who do we know that canonically takes children? BRENNER!!! And he’s specifically the guy who took Victor’s child/took Henry!!!! And he probably “took” Alice in the sense of being responsible for her death, especially since we never actually see Alice die, and people just assume that Henward killed her!
And this line:
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Who do we know that takes pleasure in tormenting people and children?
Oh right, BRENNER!!! Brenner, the guy staring down with gross pleasure as he tortures a child:
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And look at Henward during that SAME SCENE- he’s clearly disturbed and upset by 002’s torment:
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Brenner, the guy smirking as he tortures Terry and shocks her:
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Even Ray looks more upset/remorseful/as if he's questioning what he's doing, but Brenner just stands there smirking:
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Brenner, the guy who watched without remorse as El cried about Brenner forcing her to kill a cat:
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Brenner, the guy staring with a smile on his face while El stares back terrified:
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Brenner, the guy standing here just WATCHING Henward get tortured, he doesn’t even have to be there, he’s not even there because he has to do the shocking because the other orderlies are doing it, he’s literally just there to watch and take pleasure in it:
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Brenner canonically takes pleasure in tormenting people.
I’m working on some other big posts about this (and mentioned it in this post about the chessboard imagery in the Creel house, and in this post about Victor’s arrest) but I definitely think that HNL and Martin/Richard were surveying the Creels prior to the murders and messing with them and pushing them around like pieces on a chessboard.
This is also supported by the movie Cabin In The Woods, which is on the S4 board, and the cabin in question has DIRECT parallels to the Creel house, but is secretly being controlled and run by a government lab for the purpose of manipulating the people inside of it and making them act out/act violently/act out of character (like they were literally drugging them through the vents).
Long story short, to sum it all up, I think that:
1.) Richard and Martin are meant to represent the two heads of the DND Demogorgon.
2.) The Brenners, in one timeline at the very LEAST, were responsible for Will’s vanishing.
3.) The Brenners are the ones being paralleled to the demon in ST/that the demon imagery ties most closely to them and they were very, very likely messing with and surveying the Creel family prior to the murders.
4.) The ST “Demogorgon” is far more similar to a DND Doppelganger than it is to a DND Demogorgon.
5.) I'm not saying that Brenner is the grey-skinned monster creature. I'm saying that Richard and Martin Brenner, thematically and lore-wise, are FAR FAR FAR more similar to the DND Demogorgon than the ST Demogorgon/grey creature is, and that the creature in question is only called a Demogorgon in the show because El used the Demogorgon DND piece to represent whoever/whatever took Will- and then the boys see the grey creature and assume that it's what took Will.
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harringroveera · 8 days
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They try to kill each other as foreplay it’s a thing
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finalboybyers · 4 months
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the ahs parallels are off the charts
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rotisseries · 9 months
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i have GOT to stop going and checking out the notes on... that one post.... but it's CRAZY to me that people keep reblogging it very seriously being like "HOW CAN PEOPLE LIKE HENRY HE MURDERED 20 CHILDREN"
you mean the fictional child murder?? you mean the fake fictional child murder?? you mean the fake fictional telekinetic sci fi child murder by fake fictional telekinetic sci fi murder man on fake fictional telekinetic sci fi horror netflix show stranger things??? YOU MEAN THAT FAKE MURDER???
no you're so right there's never once been a history of fandoms liking a guy even if he did a bit of fake fictional murder what an insane concept
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x-winging-it · 2 years
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thestobingirlie · 7 months
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one halloween, only very slightly drunk, tommy and steve get dared to spend the night in the creel house. steve’s long been scared of the dark, and tommy keeps swearing he’s seeing something moving, but it’s not until spiders start falling on their heads that the two boys pussy out and go running (they force carol to help them lie to the others and pretend they managed the whole night. she holds it over their heads to get shit she wants every week lmao).
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reikunrei · 6 months
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let it be henry let it be henry oh please let it open with henry
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v-i-r-i-d-i-a-n · 1 month
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Thinking about them all so much every day all day
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glitchaxolol · 10 days
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Help, I think I have a thing for low-key evil hot (dirty) blondes
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henrysglock · 11 months
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that’s him your honor that’s our [checks notes] 14 going on 15 year old boy?
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vs Raphael, who turned 16 in December
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also 15 years old is a late freshman, especially if the murders happened in March 😭 maybe the word they’re looking for is “underclassman” because hopper at junior/senior at 17-18 💀
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aemiron-main · 1 year
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I FUCKING KNEW IT! THE LAB WAS TOTALLY INVOLVED WITH THE CREEL MURDERS!
WOULD LOVE TO KNOW WHY VICTOR CREEL WAS APPARENTLY FOUND WANDERING ALONG THE HIGHWAY THE MORNING AFTER THE CREEL MURDERS. WOULD LOVE TO KNOW WHY HE DOESNT MENTION THAT. THIS HAS BRENNER AND LAB FUCKERY WRITTEN ALL OVER IT!!!!!!!
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This part of the article, as far as I can tell, reads:
“The bodies were discovered early Sunday morning, after Creel was found wandering aimlessly along the side of Highway 49, south of Hawkins.  Deputy (name here bc i cant quite read it)  from Hawkins police department intercepted Creel and made the discovery upon returning him home.” 
I’m telling you guys- that shot in Henry’s memories that Nancy sees of “victor” holding Henry the EXACT same way that Brenner holds El WAS BRENNER, Henry’s memories have been messed with. And so have Victor’s.
And so, let’s go back to that scene of Victor supposedly getting arrested that night- those “cops” weren’t cops at all. Those were Brenner’s lab employees. Victor was then taken, likely had his memories tampered with, and was released onto the side of the highway. I thought maybe this scene was Victor getting arrested the next morning but a.) it’s dark outside and b.) the newspaper article specifies that a HAWKINS POLICE DEPT officer intercepted Victor- but in the show, we see STATE TROOPERS arresting Victor- “state troopers” who then took him, messed with his memories, and dumped him on the side of the road, where he was later picked up by the cops. And need I remind you of the state troopers who kept interfering with Will’s fake body in S1? The state troopers who are shown here ARRESTING VICTOR? 
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Not only that, but the same article states that both children were found eyeless- which doesn’t make any sense because as we know, Henry didn’t lose his eyes. It was a FAKE BODY found by the Hawkins Police Dept officer the next morning, planted by the lab.  And is it not strange that Victor makes no mention of his arrest- almost as if it’s missing from his memories? And is it not fucking STRANGE that, like I’ve been SAYING, so many shots that play during Victor’s retelling are from HENRY’S POV, through HIS EYES, whereas many shots in Henry’s memory sequence are through VICTOR’S EYES?  It’s almost like their memories got swapped around- swapping places, and all that.  And what’s really weird about this is that Victor claims that Henry slipped into a coma and then died a week later- and yet, Victor was being charged with THREE murders, not two murders and an attempted murder, THREE murders, and again, the article claims that BOTH childrens’ bodies were found eyeless.  How the hell did Victor know about the coma? Well yknow who DID know about the coma? Henry. But then “a week later, he died.” Victor seems to have been under the impression that Henry was alive, and then accepted that he had died- which would explain the fact that the article kept caling Victor “defiant,” and acting as if they weren’t dead. Why would the lab tell Victor that Henry was in a coma and then that Henry died? Because they wanted to sell the idea that Victor was insane. They wanted him to keep denying the murders, even though Henry’s “eyeless body” had already been found, even though somehow, miraculously, evidence photos of a “bloodbath” at the Creel house had been shown. A bloodbath that was staged by Hawkins Lab. 
It’s almost like Henry was put into a medically induced coma by Brenner, like i’ve been saying, but that’s a topic for another time. Brenner was there that night. The lab was involved. The lab planted Henry’s fake body, Brenner killed Virginia and staged her death, just like Benny, Virginia and Henry were fighting with their powers at the table. Alice was killed by Virginia.  This ties into another massive analysis I’m working on, so I have a bunch of proof specifically for the idea of Brenner pushing the Creels around via subtle manipulation, but long story short, but Brenner was pushing the Creels around like pawns on a chessboard too- Virginia was an abusive mother, but this tension between her and Henry was exacerbated by Brenner. 
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And is it not interesting that the lab hides behind “Hawkins Power and Light,” which is the vans they use in S1? 
Yknow. Lights. Like the flickering ones in the Creel house. The exact sort of thing that would be needed to cause tension between Henry and Virginia, wondering who was causing the lights to flicker- the exact sort of thing that would make Virignia “somehow know’/suspect that Henry had powers? 
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kittyphoenix12-xx · 2 years
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i’ve figured it out btw
billy antis don’t know how to think for themselves. the duffer brother call billy their ‘human villain’ and he is the only one to be called so, not brenner not henry, billy.
and it’s actually stupid that billy is their villain. brenner is a manipulative, child abuser (yes he is, to all those people who seem to think he was a good papa) and henry/vecna murdered a bunch of children. but sure, billy’s implied racism and violent tendencies mean he can’t be redeemed.
and the other reason is that brenner/henry are connected to the upside down/scifi aspect immediately, meaning people are viewing them in a scifi/fantasy context (like a lot people point out, the same context that cause people to forgive anakin/loki) but billy isn’t - he’s the human antagonist
and that’s all they’ll ever see
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l0v3c0r3e · 1 year
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henry if starting fights with teens for fun was a crime
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givehimthemedicine · 1 year
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Big(ish) Analysis 4 (it's shorter than the rest I promise)
I have a huge question about gravity, mirrors, and El having seen the Upside Down prior to 1x1
you know how we have some fun in S4 playing with reversed gravity when the gang climbs through Chrissy's gate? I was like "haha, how would they have reconciled the gravity situation if the gang came out through one of the other gates in a wall?" and then I realized - none of the s4 gates were in walls.
Chrissy: ceiling. Fred: ground. Patrick: ground. Max: floor.
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if Max had died in either of the places Vecna tried unsuccessfully to kill her, she still would've made another ceiling or floor gate.
Vecna only makes vertical gates. while all the gates we've ever seen previously - El's and the laser ones - were made in walls and therefore horizontal.
is that important? I think it's potentially world-endingly important.
there's sooo much mirror imagery associated with Henry, and it's no coincidence that gates act like mirrors.
imagine a mirror hanging on a wall, if you could step into it - you could walk in there just fine, the room would look backwards, but gravity would remain the same.
hang a mirror on the ceiling, though, and the room flips upside down, reversing gravity. ditto a mirror on the floor. exactly how Chrissy's gate and water gate work. I'll come back to this.
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we're shown without a doubt that season 4's Upside Down is literally upside down.
but was The Upside Down upside down in 1-3?
we were given a couple of camera-rotating-upside-down shots, like when Hopper and Joyce start walking around in the UD. but there's much stronger evidence the 1-3 UD was not upside down:
when the gang climbs through the Chrissy gate in 4x7, the gravity reverse takes effect before they've even passed all the way through. Once Robin's center mass hits the midway point, she just falls the rest of the way.
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compare to 1x4 and 2x2 when they show us lab guys stepping into the (horizontal) mother gate. if it was upside down in there, we should see both start to fall up before the membrane seals around them. one guy is even attached to a wire that should fly up to the top of the hole as soon as he gravity-flips in there. it never does:
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we also saw El and Nancy go through demogorgon portals with no gravity reversal, and Will looking through the portal in his living room wall was rightside up.
unless someone can point out evidence that those rotating shots are more than symbolic due to the name, I'm pretty ready to say 1-3 UD was not depicted as literally gravity-reversed.
and if that's true, it leaves me with a humongous question:
if the Upside Down wasn't upside down until 1986, why did El describe it as upside down in 1983?
El wasn't the one who named The Upside Down, as I hear so often in fanon. all El said was "upside down." she wasn't saying it as a name. Mike ran with it as a name.
listen to the context of the boys' conversation before she says it. she's not interjecting "fellows, allow me to inform you that the place you're discussing is called The Upside Down™."
she just says "upside down" while they're listing adjectives Will had said (cold, dark, empty). her vocabulary is very limited and very literal. she's adding to the description of the place, not naming it.
if she knows what it looks like, it means she's seen it.
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the only parade-raining-on answer I can think of is if El's remote viewing somehow shows her that stuff in the UD is flipped. but there was no gravity issue shown when she visited Will and Barb in the UD in the void, so I kinda feel like not? and she can't be referring to the '79 gate because she didn't see through it, and doesn't remember that anyway.
either by piggybacking, time fuckery wherein young El saw the future or past, or by the existence of another gate we don't know about... something... this kid has clearly seen more than we know.
maybe the gravity reverse is key to taking over other worlds
Vecna's 4 gates join, making one humongous X shaped gate into this gravity-reversed world. X gate will undoubtedly want to keep spreading like the mother gate did. what happens to two opposite-gravity worlds when the gate connecting them spreads so big that there's not enough separating them? at some point it will all just *CRUNCH*.
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sounds like a great way for one dimension to take over another, no? to absorb it, like Henry absorbing his victims?
Brenner explains it pretty plainly (btw how does he already know this?🤨)
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you know all those floating rocks in the yellow UD wasteland? gravity's screwy in there, apparently. it reminds me of the debris of one shattered planet orbiting another after a collision.
is the yellow UD a serial dimension-eater, and those rocks are the remains of whatever other other world it most recently absorbed?
what if that mirrored double-horizon red hellscape was something to do with those two worlds in the process of colliding? and then the yellow-floating-rocks wasteland is the result? we aren't given much idea of how much time passed in between.
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utterly spitballing here, absolutely not a hill I'm dying on, but:
what if the wasteland/hellscape UD and UD Hawkins are in fact not the same place remodeled, but two (or three?) worlds or dimensions or whatever that both exist concurrently with RU Hawkins (in addition to however many more, theoretically).
if these are all separate places, theoretically that means you could open gates between any or all combinations of them.
what if you could have a gate open between UD and RU Hawkins (mother gate), AND a gate open between yellow UD and RU Hawkins (Rainbow gate), AND a gate open between yellow UD and UD Hawkins (theoretical gate through which the Mind Flayer got from yellow UD to UD Hawkins. I think it could do that; we saw it reach through the gate to try to get El)
and if all three such gates were open at the same time... could dimension 1 sort of reach through dimension 2 and grab dimension 3 and try to pull it through like a crochet hook?
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more about gates and gravity
the 4 UD map must have to wrap around like an Escher drawing to connect gates sandwiching the RU into one single "map" - and I know this is fiction and to a certain degree we just have to play along.
but s4 clearly demonstrated that watergate and Chrissygate connected to the same "map," and so, presumably, did the others. if all these gates lead to the same place, does it make sense to have some gravity flip and others not?
here's all known gates, separated by "batches" to posit that once an initial gate is opened, all the other ones that open at the same time seem to obey the gravity established by it.
Rainbow (Sep 8, '79): horizontal (to be fair, I don't know wtf to call the gravity situation in there.) - Mother (Nov 6, '83 - Nov 5, '84): horizontal. demonstrably rightside up. Classroom (Nov 12, '83): horizontal. probably rightside up. Russia (June 28, '84): horizontal. probably rightside up. - Starcourt (June 28-July 4, '85): horizontal. probably rightside up. - Chrissy (Mar 21, '86): vertical. demonstrably upside down. Fred (whatever. you get it): vertical. probably upside down. Patrick: vertical. demonstrably upside down. Max: vertical. probably upside down.
we haven't been shown normal-gravity and reversed-gravity gates open at the same time.
is this evidence that gravity stays consistent with whichever way the initial gate establishes it? or, evidence of 1-3 UD Hawkins not being the same one as 4 at all? I know some of you think this already and I'd love to hear more evidence on that.
a final crackpot idea to wrap this up - help me on with my straitjacket -
pondering the idea of piggybacking, or time/memory fuckery enabling El to have seen an upside down Upside Down somehow before 1x1.
when have we seen an event in the past that, every other time it happened, created a vertical gate?
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and we know gates leave scars. and I know this ceiling is all cracked by '86 just for disrepair reasons but.. (this shot conveniently doesn't show us the exact spot where Virginia died, or "died", but you see my idea)
and you know how gravity is also screwy in the mind lair version of the Creel house, looking like it's in the process of exploding? almost like a mind-gate is spreading and destroying it outwards. I wonder what the origin point could be?
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anyway the part of this post I'm really interested in is the El part, so please talk to me about that. the end!
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