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#the dawn is coming
as-pioume · 2 years
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stuckinapril · 2 months
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i don't think people really understand what's happening in gaza. with each passing day that sees more and more palestinians dead, it's becoming easier and easier for those in the west to perceive them as nothing more than a statistic. they might engage w the occasional palestine post, sure, but it's just as easy to scroll right past that moments later w no real outrage for the genocide retained.
it's vital to stay reminded that palestinians who are with us today won't be with us tomorrow. it's happening every second of every minute of every hour, and it's relentless. somewhere in gaza a little girl is losing her mother, a little boy is watching his siblings bleed to death, elderly people are infirm with starvation and illness, palestinian women and girls are being sexually assaulted and kept in cages, fathers are leaving tents to find food for their families and not coming back. this is all happening right now, and it's a direct result of the west's complacency. it's a direct result of their not seeing arabs as people worth saving.
it might be hard to compute as a westerner, but this is real. don't let your privilege blind you to your humanity.
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cryptotheism · 7 months
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Y'all, saying that cartomancy is a "closed Romani practice" is like saying money lending is a "closed Jewish practice." Cartomancy was a practice that Romani people were forced into due to discrimination.
Ettellia said he learned tarot from Romani people who brought tarot from Egypt. He was lying to make tarot sound more exotic. Europe was in the middle of egyptomania. There is literally no historical evidence that this supposed origin is even slightly true. Europe has had cartomancy since the Roman Empire.
Around the time that tarot divination was being invented, tarocci decks were fairly new. If there was a "traditional romani cartomancy" method, (which even Romani oral histories do not support) it almost definitely would have been based on the massively more popular Belgian-Genoese pattern deck, not the tarocci deck.
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zorobae · 8 months
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fact-dogsarehappiness · 6 months
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Something something “what if tomorrow comes to break the dawn and there’s no one to stay” and “is this the eternal dark without the dawn”
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norrisleclercf1 · 14 days
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I can’t be doing this, I can’t be developing a crush on Logan, a man from Florida.
Yes you can baby, come to the dark side we have pretty frat boy who radiates golden retriever vibes
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jangmi-latte · 7 months
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is he the knight of dawn or silver? who knows.
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assiraphales · 5 months
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still love that itty bitty scene in syrup village where luffy and zoro tag team a joke and convince the usopp pirates that they’re cannibals who ate usopp while nami is like GUYS…… makes u wonder how many other bits and inside jokes they’ve been running through the years
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dawntrailing · 4 months
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He who held out hope for Azem's return longer than any.
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trashart00 · 5 days
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Less than 12 hours until the release of “The Tortured Poets Department”!
Hence, I present to you, “The Tortured Catboy Department”
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Track List:
SIDE A: Deux Semaines (feat Ladybug) / The Tortured Catboy Department / My Lady Abandons Only Her Favourite Partners / Down Bad
SIDE B: So Long, London / But Daddy I Love Her / Fresh Out the Slammer / Akuma !!! (feat Monarch)
SIDE C: Guilty As Sin? / Who’s Afraid of Little Old Me / Even Ladybug Can’t Fix This / loml
SIDE D: I Can Do It With a Broken Heart / The Smallest Man Who Ever Lived / The Cataclysm / Adrien Agreste
Bonus Tracks: The Black Cat / Solitude / Doppelgänger / Tell-Tail Heart
(Love how so many of the original track names still work)
My takes of what each song is about/inspired by under cut (but, if you feel like it, tell me yours :D)
I’m picturing all of these to be from Adrien’s perspective so they reflect mostly his version of the situations rather than the objective reality (especially the Laybug centered ones)
Deux Semaines (feat Ladybug): This one would focus on the sequence in Multiplication where Monarch doesn’t attack and how LadyNoir’s relationship recovers from the events of Season 4.
TTCD: Kept the “Catboy” singular because while there are multiple Catboy identities, there is only one boy underneath them all. Hence while I think it would be about him just stating his issues with everything, it would also focus on loneliness and how his department is understaffed :(
MLAOHFP: All of the Season 4 LadyNoir separation arc angst, with the “Favourite” being a callback to Risk (and kinda a jab at Rena because he thinks that she’s really her favourite, but y’ know, she didn’t abandon her so Rena can’t be her actual favourite)
Down Bad: Mainly about how Chat’s love for LB makes him excuse her behaviors, but also makes him act out (maybe a reference to Elation).
SL,L: About the whole arc of Gabriel sending Adrien to London and all of the memories he would have surrounding this ordeal - key point, not “So Long, Paris” because he didn’t want to leave, and in the end he comes back to a changed world.
BDILH: This one’s either about the Chat Blanc breakup or Gabriel’s dislike of Marinette in Season 5 (or both, with maybe a line about how he feels like this has happened before)
FOTS: Adrien realizing his father is a Bad Person.
Akuma !!! (feat Monarch): This one would be like a song about his daily life and then the chorus would start with a shout of “Akuma!!!” and it would switch to him as Chat Noir. I feel like it would start out with normal life being boring/hero life being fun but as it goes on he grows exhausted. Monarch has a rap verse.
Guilty As Sin?: Chat Blanc centeric - would ask who is to blame for the destruction of the world, like is it Chat because he lost control or Hawkmoth because he took advantage of his son’s emotion?
WAoLOM: Chat Blanc centric at first (like a villain song) but ends with Adrien reflecting on the events of Evolution-Destruction-Multiplication-PS night
ELCFT: I think it would be about his relaction ship with his father and how he wishes there was something he could do to go back to how they were when Emilie was alive but there’s no easy fix and his father keeps on getting worse and worse after any attempt.
loml: A song for Marinette with a bittersweet air - she’s the love of his life but he can’t tell her everything, and she can’t tell him everything either
ICDIWaBH: CatWalker centric - him going back to Ladybug in Kuroneko.
TSMWEL: I actually have three for this one - 1. About Gabriel and his need to domineer because he feels small and powerless. 2. About Adrien feeling small and insignificant. 3.About Plagg because he’s a smol boi (it would be like a lighthearted, cheeky song, like when you sing to your pet about how adorable they are)
The Cataclysm: Literally about how he cataclysmed Monarch, but also about how the event impacted his perception of self.
Adrien Agreste: Ending the album with a song that’s his own name :o.
Now for the variants:
The Black Cat: This one has Chat on the cover and the song is mostly about his bad luck. ‘I Love You It’s Ruining My Life” works both directed at Ladybug and his father.
Solitude: With Chat Blanc on the cover, this one’s about his mother. I think the “You Don’t Get To Tell Me About Sad” is pretty self-explanatory.
Doppelgänger: CatWalker is on this one, his song would be about how he may literally be the same person but he doesn’t fully feel like himself. He had to repress a lot of himself to be CatWalker hence I thought “Am I Allowed To Cry?” fit him really well (especially with Plagg not giving him the time to fully recover before he had to jump back in). Please note the crossed out name (unlike Chat Blanc) because he’s reinventing himself.
Tell-Tail Heart: This one has Ladybug on the cover - wait she’s not a Catboy?? The song is titled “Tell-Tail Heart” as a reference to Edgar Allan Poe’s “Tell Tale Heart” and would explore Chat’s perspective of Ladybug’s guilt for keeping secrets, how any excuse she makes is ultimately unimportant because she would do it either way. The fact that this is the only song title with a pun references how Chat tries to lighten the mood and avoid serious conversations, and the “Tail” is supposed to refer to Rena Rouge. The flowers she’s holding are meant to be foxgloves which symbolise secrets and insincerity (they’re also poisonous and damage the heart :)). I also really liked the “Old Habits Die Screaming” for her as it could mean both Chat Noir’s love for her being an old habit that he cannot get rid of, but also her habit of keeping things from him (especially with how she does it again at the end of season 5) being something she can’t stop. It is also him being able to see that, despite what she tells him, her “Heart” is tells him otherwise.
(also would like to point out that he wouldn’t mention Rena by name, he’s upset, not evil)
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goryhorroor · 4 months
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good (and maybe questionable) boys & girls of horror cinema
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INTERVIEW WITH THE VAMPIRE Louis + Florence
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fuckmeyer · 8 months
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if smeyer wasn't a coward vamp!Bella would have immediately eaten her daughter Rensesmem whole-hog like Saturn Devouring His Son
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inoreuct · 4 months
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thinking about zoro being the crew's main protector.
it’s quite literally his role amongst the straw hats; luffy's captain, usopp's their sniper, sanji cooks, nami navigates, chopper's their doctor, franky's their shipwright, jinbei's their helmsman and brook's their musician but zoro? zoro's their swordsman. zoro’s their guardian. his job is to be the first line of defense and protect everybody else so they can focus on doing their own thing and sure, none of them really need protecting— but they don't have to worry about defending themselves, either, because whoever they can't or don't want to handle zoro will finish up (if he hasn't gotten to them first).
like imagine a bunch of idiots cornering one of the crew (bad idea.) and picking nami because she's the woman without a devil fruit, as opposed to robin (BAD idea.). they've got her surrounded in the dead end of an alleyway and have somehow neutralised her clima-tact and she’s not worried, she’s not.
but against twelve men and with her weapon essentially now just a regular staff, she might be panicking. just a little. she’s gotten a couple of them good enough that they’re down for the count before a chain wrapped around her ankle trips her. it pulls at enough memories, faded but never forgotten, to bring up a sickening wave of fear and anger— and nami decides that she’s had enough of the bullshit.
she takes a deep breath and screams. “ZORO!”
the silence afterwards is deafening. the wind shifts, gently lifting the pieces of hair stuck to her sweaty face, and the men laugh uneasily. one of them yanks hard on the chain and she spits at him, heels scrabbling against the dusty ground even as he starts reeling her in like a fish on a hook. “he can’t hear you, little missy,” he snickers, grin widening the longer nobody shows up.
it’s still on his face when his head slides right off his neck.
blood sprays right before his body crumples like a doll. it takes a second for the others to realise and then the screaming starts— none of them get any farther than three steps before zoro’s cutting them down, swift swings of his sword and almost surgically precise slices rendering them incapacitated if not plain dead.
“sorry i’m late, witch.” the swordsman’s breathing hard, gore dripping off his blades even as he arcs one down and snaps the chain off nami’s leg with a growl. “did they hurt you?”
“no. no, i’m fine,” nami breathes, her smile quivering just a little— not because she’s shaken, no. because she’s pissed.
zoro’s voice is gruff as always, but his hands are careful if not outright gentle as he kneels to inspect her ankle before pulling her to her feet. “stay close,” he mutters, making sure that she’s nodded before cutting them a path through the fray. they bump into chopper next, and the doctor’s out cold over zoro’s shoulder in his regular form by the time sanji joins them to guard their flank. nami’s taken to just using her clima-tact as a bat for now, and it’s admittedly efficient.
she knew zoro would come. he always does. for all that they bicker and snip at each other, zoro has always protected his crew— even when said crew was just three people on what could barely be called a boat. he’d fought for her at arlong park and he fights for her now, his sword slicing over her head at an enemy she can’t see as she ducks low to jam her staff into another’s stomach.
they’ve moved closer to their ship when they find jinbei, then robin, then usopp, then brook and franky, and then zoro’s yelling luff, time to go! and their captain’s launching them all back onto the Sunny with a gleeful cackle that makes nami wheeze a laugh as they land in a mildly painful pile of limbs. somebody’s elbow digs into her ribs and she’s pretty sure that’s sanji’s bony kneecap pressed into her lower back. the swordsman swears as he sets about trying to pry them all apart and luffy seems to be actively fighting him, based on how his cursing’s getting more and more colourful.
behind them, their enemies burn, sliced to pieces. they debrief in the galley and zoro refuses to come away from the door until nami drags him by the ear and sanji threatens to personally shove dessert down his throat. they both know it’s because zoro’s still guarding them from a threat that doesn’t exist anymore.
they know he pretends not to care as much as he does. they know he keeps his words blunt and his swords sharp, but zoro lets luffy hang off him, unfazed, and makes a marginal effort to stick to nami’s budget even when he’s getting booze, and he eats his dessert. every last bit. he lets usopp fire moving targets to slice through so they can both practice. he keeps collateral damage when sparring with sanji to a minimum. he stitches whoever needs it up himself when chopper’s a little too tired.
and when his crew calls, he answers.
(now with a part from nami’s pov!)
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canisalbus · 4 months
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To me, Machete kind of has the energy of a secondary villain/coldhearted side character in someone else's story that a lot of fans latch onto, moreso than the protagonist. Question is, would he be the villain in anyone's story?
Why, thank you! I'm actually glad to hear he gives off that vibe. I don't think he set out to become a villain but a lot of people certainly view him as one.
#in the 16th century canon he starts out as an introverted but sincerely well meaning guy that never quite manages to find his social niche#he was a sensitive kid and when subjected to enough pressure#his insecurity fearfulness and powerlessness mutate into distrust resentment aggression suffocating repression and self-restraint#I don't think he's a bad person in fact he consistently tries very hard to do the right thing#do his job properly avoid letting people down and get through life with a sense of dignity#but he is supposed to come across kind of cold impersonable and difficult to be around if you don't know him personally (and very few do)#people can sense there's something wrong with him and are put off by it#Vatican is a nest of vipers and as the stakes rise he retreats deeper into his coldblooded untouchable work persona#he has no choice but to start lying scheming blackmailing and eliminating his enemies#in order to maintain his position keep Vasco safe their relationship under wraps and his own head above water#essentially playing by the same rules everyone else in the holy see has been playing with for centuries#eventually he loses his spot as the secretary of state and is manipulated/forced to take on a role in the roman inquisition#and if people were sort of iffy about him before being the authority overseeing trials torture excommunications and executions doesn't help#and since he has so few allies and such an infamous reputation he's an easy target for scapegoating whenever necessary#towards the end it dawns on him that he's become the kind of twisted cruel corrupt person he used to fear and despise#and the guilt moral injury and abject self-loathing had largely sapped him of his will to live by the time the final assassin gets him#answered#anonymous#Machete#Vaschete lore#he thought his dream of priesthood would make him a better person more worthy of admiration safety and love but he climbed too high#and got roped up in the dangerous games that take place under god's nose and slowly got strangled to death
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Aventurine really is the Tragedy to Sampo's classic Comedy and that's why I'm so obsessed with both of them
Please I want my faves to meet and bankrupt a casino together. It would be such a great bonding activity
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