#the death of michel stewart

[reasoningdaily]

Jean-Michel Basquiat is too often under-curated. Consider the bland, context-less survey on view earlier this year at the Brant Foundation’s New York space, a private museum project of President Trump’s childhood friend Peter Brant, or the Brooklyn Museum’s 2018 “One Basquiat,” an “exhibition” consisting of a single $110.5-million-dollar painting. An easy reliance on the aura of this famous black artist with a high market value and a fatal heroin addiction often takes the place of any insightful narration. His name is enough to draw in hordes.

“Basquiat’s ‘Defacement’: The Untold Story,” an exhibition on view at the Solomon R. Guggenheim Museum in New York through November 6, centers on the artist’s 1983 painting Defacement (The Death of Michael Stewart), which depicts an instance of police violence that occurred in September of that year. After allegedly tagging a wall in the East Village’s First Avenue subway station, Michael Stewart, a twenty-five-year-old black artist from Brooklyn, was beaten by the New York City Transit Police, put into a chokehold, and handcuffed to his bed while comatose at Bellevue Hospital in Manhattan. He died thirteen days later from cardiac arrest. The specifics of the attack are contested—Did Stewart attempt to flee? Did he become violent?—but to me, they don’t matter. Stewart is still dead. Stewart will always be dead. That matters.

And such mattering matters to the occasion of the exhibition itself. Chaédria LaBouvier, the show’s guest curator, is the first black person to single-handedly organize an exhibition at the Guggenheim, which was founded in 1939. There is no way the show would have been possible without Black Lives Matter, and the discussions around state violence and blackness that the movement mainstreamed. “Basquiat’s ‘Defacement’” could be seen as an attempt on the part of the Guggenheim to reach outside its spiral shell and address issues of racial injustice, or it could suggest opportunism and politicking.

In addition to the title painting, the impeccably researched exhibition features works by other artists, including David Hammons, Keith Haring, Lyle Ashton Harris, and Andy Warhol, that deal with Stewart’s death; archival materials like buttons, a protest flyer made by David Wojnarowicz, and posters for benefit performances and parties raising money for Stewart’s family to pursue legal action following his death and the officers’ acquittal; and paintings that Basquiat created in the years prior to the 1983 incident, including Irony of a Negro Policeman (1981), La Hara (1981), Untitled (Sheriff), 1981, and CPRKR (1982), that share themes concerning oppression and the violence engendered by racism and capitalism. The assortment of works on view makes the exhibition seem larger than its two rooms, but the focus and political angle feel so tight that the effect is almost suffocating.

There are two main reasons to step into this claustrophobic space, each compelling in its own right: The Death of Michael Stewart and the art of Michael Stewart. Soon after Stewart’s death, Basquiat, using acrylic paint and marker, made The Death of Michael Stewart on a wall of Haring’s studio. After Basquiat died, of an overdose at the age of twenty-seven, Haring cut the painting out of the wall, had it placed in an ornate frame, and hung it over his bed, where it remained until he died from AIDS complications in 1990. Depicting two baton-wielding pink-faced cops flanking a limbless black figure, the work is devoid of the signature Basquiat symbols that have been used for tattoos a million times over: the crowns, the African masks. Instead, we get the scrawled term ¿DEFACIMENTO©?—a questioning of the police account of Stewart’s death—and a deluge of white space, which make the painting feel all the more urgent. A small collection of Stewart’s own line-obsessed abstract sketches, of which no photographs are allowed, is encased in a glass vitrine. Would the art of Michael Stewart come to us without the death of Michael Stewart? Would his work be exhibited if it weren’t for the spectacle of his suffering and for his memorialization by Basquiat?

The Death of Michael Stewart was not originally meant to be viewed by the public. But Basquiat arguably always kept some sense of an audience in mind, even when he was working in relative anonymity at the start of his career, spray-painting buildings in downtown Manhattan with poetic lines using the tag SAMO©. By the time he created The Death of Michael Stewart, he must have known that, given his success, most of his work would eventually circulate. Perhaps he also knew that everyone loves a dead black man.

Jean-Michel Basquiat is too often under-curated. Consider the bland, context-less survey on view earlier this year at the Brant Foundation’s New York space, a private museum project of President Trump’s childhood friend Peter Brant, or the Brooklyn Museum’s 2018 “One Basquiat,” an “exhibition” consisting of a single $110.5-million-dollar painting. An easy reliance on the aura of this famous black artist with a high market value and a fatal heroin addiction often takes the place of any insightful narration. His name is enough to draw in hordes.

“Basquiat’s ‘Defacement’: The Untold Story,” an exhibition on view at the Solomon R. Guggenheim Museum in New York through November 6, centers on the artist’s 1983 painting Defacement (The Death of Michael Stewart), which depicts an instance of police violence that occurred in September of that year. After allegedly tagging a wall in the East Village’s First Avenue subway station, Michael Stewart, a twenty-five-year-old black artist from Brooklyn, was beaten by the New York City Transit Police, put into a chokehold, and handcuffed to his bed while comatose at Bellevue Hospital in Manhattan. He died thirteen days later from cardiac arrest. The specifics of the attack are contested—Did Stewart attempt to flee? Did he become violent?—but to me, they don’t matter. Stewart is still dead. Stewart will always be dead. That matters.

And such mattering matters to the occasion of the exhibition itself. Chaédria LaBouvier, the show’s guest curator, is the first black person to single-handedly organize an exhibition at the Guggenheim, which was founded in 1939. There is no way the show would have been possible without Black Lives Matter, and the discussions around state violence and blackness that the movement mainstreamed. “Basquiat’s ‘Defacement’” could be seen as an attempt on the part of the Guggenheim to reach outside its spiral shell and address issues of racial injustice, or it could suggest opportunism and politicking.

In addition to the title painting, the impeccably researched exhibition features works by other artists, including David Hammons, Keith Haring, Lyle Ashton Harris, and Andy Warhol, that deal with Stewart’s death; archival materials like buttons, a protest flyer made by David Wojnarowicz, and posters for benefit performances and parties raising money for Stewart’s family to pursue legal action following his death and the officers’ acquittal; and paintings that Basquiat created in the years prior to the 1983 incident, including Irony of a Negro Policeman (1981), La Hara (1981), Untitled (Sheriff), 1981, and CPRKR (1982), that share themes concerning oppression and the violence engendered by racism and capitalism. The assortment of works on view makes the exhibition seem larger than its two rooms, but the focus and political angle feel so tight that the effect is almost suffocating.

There are two main reasons to step into this claustrophobic space, each compelling in its own right: The Death of Michael Stewart and the art of Michael Stewart. Soon after Stewart’s death, Basquiat, using acrylic paint and marker, made The Death of Michael Stewart on a wall of Haring’s studio. After Basquiat died, of an overdose at the age of twenty-seven, Haring cut the painting out of the wall, had it placed in an ornate frame, and hung it over his bed, where it remained until he died from AIDS complications in 1990. Depicting two baton-wielding pink-faced cops flanking a limbless black figure, the work is devoid of the signature Basquiat symbols that have been used for tattoos a million times over: the crowns, the African masks. Instead, we get the scrawled term ¿DEFACIMENTO©?—a questioning of the police account of Stewart’s death—and a deluge of white space, which make the painting feel all the more urgent. A small collection of Stewart’s own line-obsessed abstract sketches, of which no photographs are allowed, is encased in a glass vitrine. Would the art of Michael Stewart come to us without the death of Michael Stewart? Would his work be exhibited if it weren’t for the spectacle of his suffering and for his memorialization by Basquiat?

The Death of Michael Stewart was not originally meant to be viewed by the public. But Basquiat arguably always kept some sense of an audience in mind, even when he was working in relative anonymity at the start of his career, spray-painting buildings in downtown Manhattan with poetic lines using the tag SAMO©. By the time he created The Death of Michael Stewart, he must have known that, given his success, most of his work would eventually circulate. Perhaps he also knew that everyone loves a dead black man.

#Black Ghosts: Basquiat’s “Defacement” at the Guggenheim #Defacement #Basquiat #Jean Michel Basquiat #Michael Stewart #cops #nyctc #nyc #ed koch #fuck koch #street Artists #Graffiti #The Death of Michael Stewart was not originally meant to be viewed by the public. But Basquiat arguably always kept some sense of an audien #spray-painting buildings in downtown Manhattan with poetic lines using the tag SAMO©. By the time he created The Death of Michael Stewart #most of his work would eventually circulate. Perhaps he also knew that everyone loves a dead black man.

[northwindow]

where the heart is

a domestic syllabus [x]

"lecture on the history of the house" by claire schwartz

poem by american poet claire schwartz, published in poetry magazine and her 2022 collection civil service.

"the house. from cellar to garret. the significance of the hut" by gaston bachelard

the opening chapter to bachelard's seminal work the poetics of space. bachelard theorizes that the house's role as a site of reverie lends it a profound influence on the psyche. coining his own term, topoanalysis, to explore this influence; he surveys different poetic images of houses as representations of mind and soul.

the bedroom: an intimate history by michelle perrot, trans. by lauren elkin

french historian michelle perrot's history of the western bedroom as the site of birth, sex, illness, and death; from the ancient greek kamára to the postmodern bedrooms of today. perrot traces developments in the bedrooms of royalty, families, laborers, women, children, recluses, monks, and travelers. see also "black in bed" by art historian ella ray on the legacy of black bed art and "the bedroom of things" by caitlin blanchfield and farzin lotfi-jam for a discussion of private space through digital images.

rooms by rohan mcdonald

animated short film by illustrator rohan mcdonald featuring interviews with participants about their rooms and homes.

never home alone: from microbes to millipedes, camel crickets, and honeybees, the natural history of where we live by rob dunn

book by biologist rob dunn about the nearly 200,000 other species that live in our homes, from welcome pets to reviled pests. dunn's work researching the ecosystems of houses has illuminated the sheer scope of creatures that thrive there, often unbeknownst to both inhabitants and scientists, as well as the benefits of a biodiverse household.

"human stains" by heather havrilesky

author and "ask polly" columnist heather havrilesky on the endlessness of housework and "the strange gift that laundry brings to our lives."

the midcentury kitchen: america's favorite room from workspace to dreamscape, 1940s-1970s by sarah archer

a visual history of american kitchens, using examples of advertising and deisgn photography to show the evolution of their aesthetics, technology, and cultural ideals. see also sarah archer's episode of you're wrong about on martha stewart.

"full spectrum" and "if these walls could talk, listen, and record" by emily anthes

excerpts from the great indoors by science journalist emily anthes, which investigates the intersections of health and design in indoor spaces. "full spectrum" (republished by next city as "everyone has a basic right to good design") follows an apartment complex designed for autistic adults. "if these walls could talk, listen, and record" (republished by slate as "senior care homes are becoming high-tech medical devices") reports on the promise and limitations of smart home technology for the elderly.

"inside out, or interior space" by rebecca solnit

essay from rebecca solnit's collection of work on place, the encyclopedia of trouble and spaciousness. solnit discusses the pursuit of the "dream home" through decoration and renovation, examining our desire to craft the perfect nest.

windowswap by sonali ranjit and vaishnav balasubramaniam

a collaborative online database of user-submitted videos shot from windows around the world. conceived as a way to "travel" during early phases of the covid-19 pandemic, visitors can shuffle through videos to experience the views from homes in a plethora of different environments.

#syllabi #this is another one that could have gone on and on! #cover image is unmade bed by eugene delacroix

[cadmusfly]

Got any cool facts about dead frenchies to share today. ( I'm very bored).

I’m not actually an expert on dead Frenchmen, I’m just a fanboy! And also I am also bored so-

Here’s some fun facts about other dead French general fans, or general fans of marshals who themselves may not be generally French:

Ernest Hemingway was fond of a statue of Michel Ney and called the statue “Mike”. The idea of "Mike" as a nickname for Ney very much amuses me.

Peter Stewart Ney is definitely not Michel Ney but he still fascinates me! I can't find the article that I read it in, but the author of that article was bringing up the question that Peter did have the scars, physique and skills that showed that he was a veteran of the Napoleonic Wars and that he most likely had his own story that he didn't need to overshadow - did he truly believe that he was Ney, or if he didn't, then why did he spend so long claiming it if it didn't bring him fame or anything?

One of Murat's descendants wrote a book about people who believe they are Napoleon

George Patton wrote a poem claiming in one of his previous reincarnated lives claiming he "galloped with Murat"

And still later as a General Have I galloped with Murat When we laughed at death and numbers Trusting in the Emperor's Star. Till at last our star faded, And we shouted to our doom Where the sunken road of Ohein Closed us in it's quivering gloom.

a french artist crochet-bombed the statue of Jean Lannes in 2012 and gave him a nice shawl

#cadmus rambles #napoleon's marshals #cad answers an ask

[mask131]

Fantasy read-list: A-3.5

After an article about “Greco-Roman fantasy” or Antique fantasy, I also have found an article evoking the role and importance of the Arthurian myth in fantasy (well, two articles actually). 

The first one is an article by Sara Doke, who offers her own chronology of the Arthurian literature. You will be able to compare it with my original Arthuriana post, and see the slight differences.

1) For Sara Doke, the beginning of it all, the foundation of the Arthurian literature, the first works of the Arthurian world as we understand it today, would be Geoffrey of Monmouth’s works: The Prophecies of Merlin, The History of the Kings of Britain, and the Life of Merlin. (You will often hear these orks referred to by their Latin names, such as Vita Merlini or Prophetiae Merlini).

2) Then, there was the “spark” that actually ignited and gave life to the Arthurian legend and literature. This “spark” was a set of two authors, who used the work of Monmouth as a basis for their work. On one side, Robert Wace with his Roman de Brut, followed by his Roman de Rou (not to be confused by Layamon’s own Roman de Brut, an English rewrite of the original French epic). On the other side, the author I heavily talked about in my original post: Chrétien de Troyes, the “father of the matter of Britain”, and the shaper of the Arthurian myth as we know it today - with his five novels, Erec and Enide, Cliges, Yvain the Knight of the Lion, Lancelot the Knight of the Cart, and Perceval the Story of the Grail. 

3) The third step of the Arthurian evolution was a series of works that slowly shifted the focus of the plot and stories away from the knights of the Round Table themselves, away from their individual and personal adventures, to rather follow the quest of the Grail, which became the main “end-goal” of the Arthuriana. This was the time of Robert of Robon who, through his cycle of works (Joseph d’Arimathie, Merlin, and others lost to time), opened the way for the Vulgate Cycle (or “Lancelot-Grail”), with its History of Merlin, Lancelot Proper, Quest for the Holy Grail, Death of King Arthur... The Vulgate Cycle was then followed by the Post-Vulgate Cycle, which took back the material, books and stories of the Vulgate, but fused them with another very popular literary work of the time: the Prose Tristan. 

4) After the Post-Vulgate Cycle, Sara Doke notes that there was a disinterest in the matter of Britain and the Arthuriana throughout the 14th and 15th centuries. We will have to wait until sir Thomas Malory’s work, Le Morte d’Arthur, for a new Arthurian boom/Arthurian wave. By gathering together the versions of the Vulgate, of the Post-Vulgate and of the Chrétien novels, sir Thomas Mallory created a work that would become THE defining story of the Arthurian legend, and the main reference for all posterior Arthurian authors. Lord Tennyson’s Idylls of the King, T. H. White’s The Once and Future King (later adapted into the famous Disney movie The Sword in the Stone), Mark Twain’s A Connecticut Yankee in King Arthur’s Court, Stenbeck’s The Acts of King Arthur and His Noble Knights... They all were inspired by and taking their Arthurian vision from Le Morte d’Arthur. 

5) Sara Doke concludes her chronology by a handful of more modern works, that truly turn the Arthurian myth into moder “fantasy”. Marion Zimmer Bradley’s The Mists of Avalon. Mary Stewart’s Arthurian novels (The Crystal Cave, The Hollow Hills, The Last Enchantment, The Wicked Day). Bernard Cornwell’s The Warlord Chronicles. Lawhead’s The Pendragon Cycle. Doke also mentions French authors that English-speaker might not be accustomed to: René Barjavel with his L’Enchanteur (The Enchanter), Michel Rio with his Merlin et Morgane, Jean Markale with his Le Cycle du Graal, Jean-Louis Fetjaine with his Le Pas de Merlin followed by Brocéliande... 

To conclude this post, we leave Sara Doke for another article, this time written by P.J.G. Mergey, who is rather focused on movies based on the Arthurian myth. He does mention a non-movie piece, Wagner’s opera Parsifal, to prove that the Arthurian texts have always been producing visual entertainment. In terms of actual movies, Mergey mentions 2004′s King Arthur, John Boorman’s Excalibur, 2007′s The Last Legion and 1995′s The First Knight.  As he speaks of The Last Legion, he mentions that the mystery of the “missing legion” was notably brought to the public by Rosemary Sutcliff’s The Eagle of the Ninth, a historical novel that was adapted two times nto a movies - in 2011, by the same name, and in 2010 as “Centurion”. 

Two last mentions. Talking about the character of Mebd/Mabd, Mergey mentions an old Irish epic I am not sure I talked about before: Tain Bo Cuailnge, The Cattle Raid of Cooley, of which Mebd/Mabd is one of the main characters.

And finally - since this is a French article talking about king Arthur, one work HAD to be evoked. Kaamelott. The British have their Arthurian parody in the shape of Monty Python’s Holy Grail, we have Kaamelott. Kaamelott started out in 2005 as a humoristic shortcom depicting the daily life of king Arthur and the characters of the Arthurian legend, who are either completely logical and reasonable characters faced with the inherent craziness and absurdity of the Arthuriana, or actually incompetent, flawed and caricatural characters a far cry from their original fictional selves. On top of deconstructing the myth itself, the humor of the series was also historical, since it replaces the king’s life in the context of the crumbling of the Roman Empire and the invasions of the barbarians from the north. This series’ massive success led to it having six full seasons, that slowly went from short comedy skits to actual full, serious, dramatic television episodes - and its fame hasn’t stopped, since very recently a trilogy of movies meant to conclude the series was announced, with the first movie being released in 2021. 

#fantasy read-list #fantasy watch-list #watch list #movies #fantasy literature #arthurian literature #arthuriana #arthurian movie #arthurian legend #arthurian myth #read-list

[pocketwish]

on being bea ☆ﾟ*･｡*

poems

“suibhne is wounded, and confesses” — seán hewitt

“arrhythmia” — hailey leithauser

“work, sometimes” — mary oliver

“in praise of mystery: a poem for europa” — ada limón

“love for other things” — tom hennen

“forest” — carol ann duffy

“orpheus in spring” — jenny george

“tit for tat” — christopher morley

books – treasury

realm of the elderlings — robin hobb

the winternight trilogy — katherine arden

the orphan’s tales — catherynne m. valente

the forgotten beasts of eld — patricia a. mckillip

stardust — neil gaiman

song of the lioness — tamora pierce

books – formative

fablehaven — brandon mull

artemis fowl — eoin colfer

the graveyard book — neil gaiman

the mysterious benedict society — trenton lee stewart

leviathan — scott westerfield

underland chronicles — suzanne collins

artworks

‘froschkonzert’ (frog concert), der guckkasten — paul lothar müller

'cat, fiddle', the latch key of my bookhouse — olive beaupré miller

from owl at home — arnold lobel

'cloud men' — kyoko imazu and damon kowarsky

'i don't know where i'm going but i'm on my way' — antique postcard, unknown

from jenny and the cat club — esther averill

from 'trim. the investigator' — todd fuller

movies

treasure planet (2002)

the secret of nimh (1982)

pooh’s grand adventure: the search for christopher robin (1997)

james and the giant peach (1996)

sinbad: legend of the seven seas (2003)

the sword in the stone (1963)

music

“northern downpour” — panic! at the disco

"our retired explorer (dines with michel foucault in paris, 1961)" — the weakerthans

“i’m still here (jim’s theme)” — from treasure planet, john rzeznik

“different names for the same thing” — death cab for cutie

“on the wing” — owl city

#i saw feytouched's post and thought i'd try my version !! #bea's thoughts #about #homesick for familiar trees

[rearte2]

Jean-Michel Basquiat - Death of Michael Stewart, 1983

#Jean-Michel Basquiat

[explosionshark]

Okay as promised here's my more thoughts to follow in the Buffy update, A+ series had a great time. "Innocence", "Passion", "I Only Have Eyes For You" and "Becoming" so great, Buffy gets so much good everything for all the big Angel fallout Sarah Michelle Gellar is just always nailing it. Also actually warmed up to Cordyxander wasn't expecting that. Gonna admit wasn't super into Spike at first but I'll tell you into the second half once he was in the wheelchair loved that guy, dunno just wasn't really buying the hype they tried but after taking him down a few notches my kinda guy. RIP Jenny but she got a lot of great stuff loved her, RIP Kendra kinda wish she'd got a bit more for her death. Also I remember back in What's My Line I thought oh a cop who just starts blasting in a school of course she's an assassin but then they do the same thing in Becoming just as regular cops incredible. Also wow they went real hard on the queer coding with Buffy coming out to Joyce in Becoming (this was also a great scene), also a hard unsympathetic turn for Joyce especially in 3x01 with her blaming Giles for Buffy following Joyce's ultimatum, wasn't expecting it so much. Giles also, lotta great stuff, shocker Anthony Stewart Head does good work I know but he was so good in Passion and I Only Have Eyes For You. I didn't think I'd get so into the whole AngelxBuffy romance considering y'know I already knew how it goes but nah its still real good even with that foreknowledge. Also shout out to Willow just having to double as a teacher for the latter half of the series since Jenny died incredible stuff, and good for her getting into the witch phase which is what I mostly knew about her from second hand knowledge, besides that finding out she was gay in the evil mirror verse was part of how she found out she was gay herself.

Also I forgot about that joke about how David Boreanaz can't do an Irish accent and man he can really not do an Irish accent, I remember an episode of Angel where his pre Vampire memories took over or something and they just had him do the American accent, shout out also to Angel being dead and still in the opening credits for series 3 (I've watched one episode so far) really selling me that he's dead forever guys. Also gotta say despite I Only Have Eyes For You being real good, kinda sketchy the whole I dunno if the student being in a relationship with his teacher was handled particularly well. Like I get it yeah for the comparison between Angel and Buffy but directly bringing that in makes that a bit sketch as well, like I'm not gonna complain about age differences with vampire/human romances because its a staple, you can't get away from it they're vampires but if you're directly bringing in the comparisons y'know.

Also glad you mostly enjoyed the song recs, I've been listening to Rise Against since you said The Weight of my Pride is like them meets Fightstar (who I will also get to but I am incapable of checking out music in a way that isn't listening to they're entire discography in a row before trying out another one), they're so good I haven't clicked this hard with a band since I got into Dio and REO Speedwagon, its just banger after banger.

Also gonna go read HerInsectReflections' essays on series 2 like you recced. Will read your Common Ground fic when I get to around about Faith's heel turn I think.

Final last second thought the theme song seems a bit different for series 3? Dunno if I like it as much I'm sure it'll grow on me

Yeah! Definitely read the @herinsectreflection essays, they're really incredible. In particular I think you might enjoy skipping straight to the one she wrote for "I Only Have Eyes for You" since I think it does a really good job dissecting and contextualizing the teacher/student and age gap stuff in that episode while still acknowledging what sucks about it.

I know I've said before that my favorite episodes of Buffy are the ones that are really about other episodes of Buffy but I really mean it and I think you probably know exactly what I mean about that by now. As such, I'm really excited for you to get further into s3 and start getting to the Faith stuff. Very enmeshed with the Angel/Angelus arc.

Anyway fully agree re: Kendra. The show really did her dirty. It's got to be acknowledge that the one way Buffy fails egregiously and repeatedly throughout all 7 seasons in with race. Characters of color and black characters in particular are rarely seen, usually only fulfilling temporary roles, lack the depth and interiority of white characters and are usually victims of some sort of stereotyping. It's a bummer and I wish I could say it gets better but it really doesn't. Huge L!

Re: Spike - honestly yeah, for me he's best when he's kinda just being the buttmonkey.

I think the season 3 theme might be where they ditch the scream? I prefer the scream tbh. But when I watch with my best friend she does it for me, which is very sweet.

Thanks for checking in again! Love your updates! Glad you're having a good time!

#replies #Anonymous

[whileiamdying]

Tina Turner Dead at 83: Full Recap

The legendary singer died at her home in Switzerland on Wednesday, May 24

By Zoey Lyttle and  Maria Mercedes Lara Updated on May 24, 2023 07:04PM EDT

Tina Turner, the iconic singer who was dubbed the "Queen of Rock'n Roll," died on Wednesday, May 24, at the age of 83. Her publicist Bernard Doherty confirmed to PEOPLE that she died in her home near Zurich, Switzerland. 

"Tina Turner, the "Queen of Rock'n Roll" has died peacefully today at the age of 83 after a long illness in her home in Küsnacht near Zurich, Switzerland. With her, the world loses a music legend and a role model," Doherty said in a statement. "There will be a private funeral ceremony attended by close friends and family. Please respect the privacy of her family at this difficult time."

As the front-woman for the Ike & Tina Turner Revue, Turner's performance prowess made her and her then-husband Ike Turner one of the most electrifying acts of the 1960s, serving up high octane covers of "Proud Mary," "Come Together," and "I Want to Take You Higher." Turner eventually struck out on her own as a solo artist in the '70s and became a star in the MTV age with hits like "What's Love Got to Do with It," "The Best," and "Private Dancer."

We'll be documenting live updates as celebrity tributes flood in and the world remembers the legendary performer.

Cher Remembers Tina Turner

Cher joined MSNBC to speak about her relationship with the late Queen of Rock. The "Believe" singer revealed that she was previously aware of Turner's illness and made an effort to "put in the time" for their friendship in her final years.

"We were perfect friends for each other, truly," Cher added. "I swore like a sailor and she never did."

Bryan Adams Remembers Tina Turner

Bryan Adams, who toured with Turner several times and recorded the hit duet "It's Only Love" alongside the powerhouse musician, shared a photo of them together via Instagram. "RIP @tinaturner I'll be forever grateful for you bringing me on tour with you, going in the studio together and being your friend," he captioned the post. "Thank you for being the inspiration to millions of people around the world for speaking your truth and giving us the gift of your voice. My condolences to Erwin and Tina's family. It's Only Love...and that's all."

Magic Johnson Remembers Tina Turner

Basketball legend Earvin "Magic" Johnson shared a photo of himself with Turner and Elizabeth Taylor to Twitter and wrote, "Rest in peace to one of my favorite artists of all time, the legendary queen of rock n’ roll Tina Turner. I’ve seen her many many times and hands down, she gave one of the best live shows I’ve ever seen. She always gave you your moneys worth."

Tina Turner's Daughter-in-Law Pays Tribute

Afida Turner, who's married to Tina's late son Ronnie, posted a photo to Instagram alongside the caption: "I WAS JUST TALKING ABOUT YOU 5 MINUTES BEFORE WHEN I ARRIVED IN NICE. HOW MUCH SHE LOVE SOUTH FRANCE : REST IN PEACE MOTHER IN LAW."

Michelle Williams Remembers Tina Turner

Michelle Williams of Destiny's Child shared her thoughts in the comments underneath the Instagram post confirming news of Turner's death. "You’ve meant so much to us!!" Williams wrote. "Your courage, strength, resilience, and uniqueness have been some of the main ingredients of your blueprint!! Rest well!!!"

Rod Stewart Remembers Tina Turner

"I’m devastated, what a women!" said Stewart in an Instagram tribute. "A friend and mentor - ‘It takes two’ - but there was only one Tina Turner 💛

Bill Clinton Remembers Tina Turner

Bill Clinton tweeted a fond memory of Turner following the news of her death.

"I loved Tina Turner and will never forget meeting her when she came to Little Rock for a concert after releasing Private Dancer in 1984. We met again on her 67th birthday in St. Petersburg, where she and Elton John sang for a charity event," the former president shared. "She still had it--talent, style, energy, and authenticity--a priceless gift to music lovers everywhere. May she rest in peace."

Ringo Starr Remembers Tina Turner

The Beatles drummer shared his condolences on Twitter: "God bless Tina turner, peace and love to all her family," he wrote, signing off, "Ringo, peace and love."

Diana Ross Remembers Tina Turner

Diana Ross responded to the death of her friend on Twitter.

"Shocked. Saddened. Sending condolences to Tina Turner’s family and loved ones," she wrote.

Ann Wilson Remembers Tina Turner

“Miss Tina lived an amazing life, full of drama and pain and in later years anchored by Buddhism," said singer Ann Wilson in a statement. "She showed what courage was and danced through her life on those mighty legs as an inspiration to us all. Rock on Angel!!”

Angela Bassett Remembers Tina Turner

Angela Bassett is remembering Tina Turner's legacy.

The actress portrayed the rock 'n' roll icon in the 1993 film What's Love Got to Do with It opposite Laurence Fishburne as Ike Turner. After news of Turner's death at 83 on Wednesday, Bassett wrote on Instagram, "How do we say farewell to a woman who owned her pain and trauma and used it as a means to help change the world?"

"Her final words to me — for me — were, 'You never mimicked me. Instead, you reached deep into your soul, found your inner Tina, and showed her to the world.' I shall hold these words close to my heart for the rest of my days. I am honored to have known Tina Turner," she said.

Gayle King Remembers Tina Turner

"Who did not love TINA TURNER?!" King captioned an Instagram photo of her and the late star. "What a honor to get to know her, and love her up close. Simply the best is not cliche when talking about Tina... Time to grieve & celebrate her life...

Priscilla Presley Remembers Tina Turner

In an exclusive statement to PEOPLE, Priscilla Presley shared Turner's meaning in her life and her late husband's.

"Tina Turner was one of Elvis’ favorite performers. When she took the stage, it was pure magic," she said. "I remember how she held an audience with an energy that was undeniably pure Tina! She has left a remarkable legacy and will be sorely missed by all.”

Dionne Warwick Pays Tribute to Tina Turner

"Another long time friend has made her transition. Not only will I miss that eternal ball of energy named Tina Turner, but the entire world will also find this void in their lives," Warwick said in a statement. "My condolences to her husband and other members of her family. Rest in Peace my friend!"

Roberta Flack Remembers Tina Turner

The singer reflected on her memories with Turner in response to the news of her death.

"We went to Ghana together in 1971 for the Soul to Soul Tour. Her meteoric energy on stage was in such contrast to her gentle, kind and quiet demeanor off stage," said Flack. "My friend, Tina, thank you for inspiring us to always be everything we were meant to be–regardless of life’s challenges. A woman without limits. You will always be my hero."

Mariah Carey Remembers Tina Turner

Mariah Carey posted a photo of Turner on Instagram to celebrate the late legend's life.

"The words legendary, iconic, diva, and superstar are often overused and yet Tina Turner embodies them all and so many more - an incredible performer, musician and trailblazer," Carey wrote. "To me, she will always be a survivor and an inspiration to women everywhere. Her music will continue to inspire generations to come. Rest in Peace, Queen ❤️."

Inside Tina Turner's 37-Year Romance with Erwin Bach

Tina Turner found her king when she met her future second husband Erwin Bach at an airport nearly 40 years ago. The music legend opened up about her romance with Bach, now 67, in her 2021 HBO documentary Tina.

"He was [16 years] younger [than me]. He was 30 years old at the time and had the prettiest face. I mean, you cannot [describe] it. It was like insane. [I thought], 'Where did he come from?' He was really so good-looking. My heart [was beating fast] and it means that a soul has met, and my hands were shaking," Turner recalled in the film.

Inside Tina Turner's Health Struggles

Throughout her longstanding 60-year career, the Queen of Rock was often vocal about her health struggles, which date back to 1978 when she was diagnosed with hypertension.

She detailed the experience in an interview with the European Health Kidney Alliance explaining, "I can’t remember ever getting an explanation about what high blood pressure means or how it affects the body. I considered high blood pressure my normal. Hence, I didn’t really try to control it."

With her condition left untreated, Turner suffered a stroke in 2013 just three weeks after she wed her husband, Erwin Bach. Her health took a turn for the worse again in 2016 when she was diagnosed with intestinal cancer.

After experiencing unpleasant side effects from her initial treatment, Turner turned to homeopathic remedies, which only worsened her condition and led her to have total kidney failure. She received a largely successful kidney donation operation from Bach in April 2017, though Turner still experienced mild symptoms. 

Martha Stewart Remembers Tina Turner

Martha Stewart is remembering the good times with Tina Turner, who died on May 24.

Following the news of Turner's death, Stewart shared a sweet shot of the two legends. In the picture, the musical icon and lifestyle expert are tucked under the covers and smiling widely, looking like close friends having a slumber party.

“We loved Tina Turner. Goddess, Performer, Wonder Woman ! We will miss her so much!!!!!!!!!” Stewart wrote in the caption. 

Mick Jagger Remembers Tina Turner

Mick Jagger mourned the loss of his “wonderful friend” on Instagram, where he shared throwback photos of Turner and himself on stage.

“I’m so saddened by the passing of my wonderful friend Tina Turner,” the Rolling Stones rocker captioned his post. “She was truly an enormously talented performer and singer. She was inspiring, warm, funny and generous. She helped me so much when I was young and I will never forget her.”

Ronnie Wood Remembers Tina Turner

Jagger’s bandmate Ronnie Wood also shared some words and snapshots in Turner’s honor. 

“God bless you Tina, the Queen Of Rock And Soul and a dear friend to our family. Love and prayers to all of Tina’s family, friends and loved ones,” Wood wrote alongside a carousel of pictures with the late singer. Two of the photos saw Turner with Wood’s twin 6-year-old daughters, Gracie Jane and Alice Rose, during their toddler years.

Tina Turner's Manager, Roger Davies, Pays Tribute

Turner’s longtime manager, Roger Davies, paid tribute to the late Queen of Rock in a statement to PEOPLE. 

“Tina was a unique and remarkable force of nature with her strength, incredible energy and immense talent,” the music producer said. “From the first day I met her in 1980 she believed in herself completely when few others did at that time.” 

He continued: “It was a privilege and an honour to have been a close friend as well as her manager for more than 30 years. I will miss her deeply.”

Elton John Remembers Tina Turner

"We have lost one of the word’s most exciting and electric performers. A total legend on record and on stage," Elton John wrote on Instagram. "She was untouchable. Condolences to Erwin and her family. The saddest news."

#Tina Turner #Elton John #Roger Davies #Ronnie Wood #Mick Jagger #Martha Stewart #Erwin Bach #Mariah Carey #Roberta Flack #Dionne Warwick #Priscilla Presley #Gayle King #Angela Bassett #Ann Wilson #Diana Ross #Ringo Starr #Bill Clinton #Rod Stewart #Michelle Williams #Afida Turner #Magic Johnson #Bryan Adams #Cher #People #People Magazine #Instagram

[kimyoonmiauthor]

Tracking down the “High Stakes Narrative” feature of conflict-filled 3-act.

This turned out to be trickier than I thought. I thought I would outline why.

What I forgot about when I was listening to “You’re Wrong About” podcast was how paranoid people became in the 1970′s. There was the push towards sellable domesticity, like Martha Stewart, there was the whole, “Satanic Panic”. And there was a F3AR of pornography, centered around Deep Throat. And there was the anti-drug campaigns at the same time.

Given the atmosphere after the 1960′s, to push back specifically from the same adults on the 1960′s, this is my best guess for when the high stakes comes in. You see, Syd Field didn’t put in a high stakes narrative because his model for his story structure is flat. It’s a flat line. The peaks and mountains is Kenneth Rowe stealing from two other people from them and not giving them credit.

So it’s a question of who bred the two models together and didn’t give the proper credit? It has to be in the 1980′s where the attributions went sideways.

I’ve found a piece to suggest that: Our next figure is https://www.theatredatabase.com/20th_century/bertolt_brecht_001.html

Bertolt Brecht probably passed everyone’s notice within his lifetime, but his son was a theater critic in the US. Brecht was a poet, critic, and author of novels, so you can see it traveled. He was also against what he saw as Aristolean theater. 

Andrew Lloyd Webber, however, from the UK was a big fan of Brecht’s work and used it to structure his musicals. As outlined by the Youtube Channel “Waiting in the Wings” https://www.youtube.com/watch?v=or51TrNMV4w

12:21-12:51

Brecht argued for a character low--the worst thing that could happen to the character happens to them. I should note in the 2000′s this lost favor. But from what I’ve read, the “High stakes” coining doesn’t come from Brecht, but it is one more puzzle piece on the way to Brecht. And this only became popular in the 1980′s after importation and maybe with the help of his son.

To me, that’s wild.

So if you’re following along, Freytag creates his pyramid with the story driver being emotion-->1921, Percy Lubbock argues for conflict narrative (and also Death of the Author)-->Kenneth Rowe plagiarizes works (Selden Lincoln Whitcomb and Joseph Joseph Berg Esenwein) that go against Percy Lubbock’s writings to argue in favor of Percy Lubbock to put down Gertrude Stein-->Lajos Egri, who refuted Rowe’s understanding of Shakespeare in the equivalent of a subtweet and added character analysis by psychology in there-->This leads to Syd Field, who creates the three-act, but there is no mention of high stakes narrative with the worst thing ever happening to the character in his work or the inciting incident.-->The coming of French Critics in the 1970′s-1980′s, Roland Barthes, Vladimir Propp, Joseph Campbell, and Northrop Frye. Michel Foucault and Jacques Derrida.--> Bertolt Brecht then got folded in, which I kind of think is an irony, since he hated Aristotle, but then all of this is attributed later to Aristotle. TT 

Don’t you feel bad yet? Some people who don’t want to be here, are folded to be here Whitcomb, especially. I rather liked his nuanced look at novels, and out of everyone mentioned I kinda like him the most.

So we’re missing two figures: High Stakes Narrative (likely white male, considering how thing are going.) and the “inciting incident” coining. (I read the French philosophers and they aren’t it.) And Syd Field isn’t our person. The dregs of it are around, but not named. I do think it’s likely either Brecht (Whom I haven’t gotten to read in full yet) or some other script maker.

Oh and I found out that Ben Jonson likely compiled the First Folio for William Shakespeare. He makes the dedication in the front of the Folio for him. He’s also a likely candidate (no, not to be William Shakespeare), but to have imposed the act structure on the plays. The circumstantial evidence is there. He had a poor understanding of Latin and Greek languages, loved the classics, translated them POORLY (Most famously Horace, but also other Greek plays.) and had a HUGE ego. I mean the man wrote a play that got him jailed and didn’t care and still continued to write raunchy plays. He insisted that his name be spelled Ben Jonson without the H in his lifetime to be pedantic, even though his father spelled it with the h. The man had ego to spare. And he made the dedication in the front of the Folio. Since he loved Greek plays and the classics, I think he’s likely the one that reformatted Shakespeare’s plays to the Five Act structure, which only became popular after Shakespeare’s death. (If we’re establishing, from a bad translation of Aelius Donatus.) I think we need to put him in consideration for structuring the plays like that. And yes, I do have the counter story of what was happening with women and minorities during the same time period with story structure. Mostly they followed Virginia Woolf’s example with saying it can’t be described and might be individual.

#story structure

[ulkaralakbarova]

With the Griffins stuck again at home during a blackout, Peter tells the story of “Star Wars Episode VI: Return of the Jedi.” Credits: TheMovieDb. Film Cast: Peter Griffin as Han Solo / Stewie Griffin as Darth Vader / Brian Griffin as Chewbacca / Glenn Quagmire as C-3PO / Carter Pewterschmidt as Emperor Palpatine / Roger as Moff Jerjerrod / Tim the Bear as Wickett / Live Studio Ostrich / Pee-wee Herman (voice): Seth MacFarlane Lois Griffin as Princess Leia / Sy Snootles / Asian Woman / ET Announcer / Hot Girl’s Mother (voice): Alex Borstein Chris Griffin as Luke Skywalker (voice): Seth Green Meg Griffin (voice): Mila Kunis Angela as Mon Mothma (voice): Carrie Fisher Carl as Yoda (voice) (as Jon Benjamin): H. Jon Benjamin Cleveland Brown as R2-D2 / John Herbert as Obi-Wan Kenobi / Rallo Tubbs as Nien Nunb / Consuela as Gatekeeper Droid (voice): Mike Henry Joe Swanson as Jabba the Hutt (voice): Patrick Warburton Klaus Heissler as Admiral Ackbar (voice): Dee Bradley Baker Mayor Adam West as Grand Moff Tarkin (voice): Adam West Mort Goldman as Lando Calrissian (voice) (as Johnny Brennan): John G. Brennan Opie as a Small Amphibious Alien (voice): Mark Hentemann Captain Jean-Luc Picard (voice): Patrick Stewart Flick / Jeremy (voice): Colin Ford Herself (voice): Mary Hart Hot Blonde (voice): Anne Hathaway Imperial Controller (voice): Steve Callaghan Rush Limbaugh as The Rancor (voice): Rush Limbaugh John Williams (voice): Bruce McGill Lieutenant Worf (voice): Michael Dorn Little Girl (voice): Yara Shahidi TV Announcer / Singer / Osama Bin Laden / Imperial Shuttle Pilot (voice): John Viener Will Robinson (voice): Max Burkholder Imperial Shuttle Guard #1 / Man #2 (voice): Alec Sulkin (voice): Chris Cox (voice): Chris Edgerly Shuttle Tyderium (voice): Chris Sheridan Imperial Shuttle Guard #1 / Live Ostrich (voice): Danny Smith (voice): Ralph Garman Puppeteer (uncredited): Robin Walsh Judge Elihu Smails (archive footage) (uncredited): Ted Knight Conway Twitty as Darth Twitty (archive footage) (uncredited): Conway Twitty Film Crew: Creator: Seth MacFarlane Storyboard: Pete Michels Writer: David A. Goodman Producer: John Viener Storyboard: Kurt Dumas Storyboard: Mark Garcia Director: Peter Shin Producer: Kara Vallow Producer: Patrick Meighan Writer: Cherry Chevapravatdumrong Producer: Shannon Smith Storyboard: Joe Vaux Background Designer: Ken Yi Character Designer: Ed Acosta Character Designer: Sharon Ross Storyboard: Rick Del Carmen Storyboard: Steve Fonti Compositors: Andy Jolliff Production Office Assistant: Fitzgerald Gonzalez Storyboard: Mark Covell Storyboard: Young Lee Storyboard: Jeff Stewart Background Designer: Kip Noschese Storyboard: Erik Moxcey Storyboard: David Boudreau Storyboard: Annemarie Brown Storyboard: Jonathan Gebhart Storyboard: Shawn Palmer Storyboard: Dave Sherburne Animation Production Assistant: Scott Hill Editor: Mike Elias Movie Reviews: RODZILLA2626: Very funny animated cartoon movie, probably more to come, it was nice to get a few laugh’s out of this while I was in work :p In this spectacular and offensively uproarious final chapter, Luke Skywalker (Chris) and Princess Leia (Lois) must travel to Tatooine to free Han Solo (Peter) by infiltrating the wretched stronghold of Jabba the Hutt (Joe), the galaxy’s most loathsome and dreadful gangster. Once reunited, the Rebels team up with a tribe of Ewoks to combat the Imperial forces on the forest moon of Endor. Meanwhile the Emperor (Carter Pewterschmidt) and Darth Vader (Stewie) conspire to turn Luke to the dark side, and young Skywalker is determined to rekindle the spirit of the Jedi within his father. The Galactic Civil War has never been more outrageous, as the Rebel forces gather to attack the seemingly defenseless and incomplete second Death Star in the battle that will determine the fate of the galaxy.” ‑ Manu Gino

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#combat #disco ball #fictional war #sequel #space war #sword fight #talking fish #Top Rated Movies

[tempi-dispari]

New Post has been published on https://www.tempi-dispari.it/2023/07/10/fil-di-ferro-torino-fucina-metallica/

Fil di Ferro: Torino fucina metallica

Contesto

Il 1979 è un anno denso di avvenimenti come lo sono pochi altri. Avvenimenti quasi tutti di pesante impatto globale e gravidi di conseguenze per il periodo a venire. Già il 1° gennaio, il riconoscimento della Cina comunista da parte degli Stati Uniti, lo scambio di ambasciatori tra Whashington e Pechino.

Cambia tutto tra le due sponde del Pacifico. Il 7 gennaio cade in Cambogia il regime di Pol Pot, uno dei più sanguinari della storia recente. Un poco più a Ovest, in Iran, il giorno 17 prende invece il potere un leader religioso rientrato da un lungo esilio a Parigi, Ruhollah Khomeini.

In Italia

In Italia il 1979 avviene l’assassinio del giornalista Mino Pecorelli, che ha voluto mettere il naso nei segreti di certe banche e della massoneria. L’incriminazione del governatore della Banca d’Italia Paolo Baffi e l’arresto del direttore generale Mario Sarcinelli per interesse privato in atti d’ufficio (accusa che poi cadrà).

Il delitto dell’avvocato Giorgio Ambrosoli liquidatore della banca di Michele Sindona. Arresto dei brigatisti Valerio Morucci e Adriana Faranda coinvolti nel caso Moro. Morte in un incidente aereo a Forlì del re dei cereali Serafino Ferruzzi. La fine del sequestro di Fabrizio De André e Dori Ghezzi, rapiti in Sardegna quattro mesi prima.

Per ricordare un fatto che ha tenuto a lungo le prime pagine dei giornali e che avrà echi negli anni successivi si deve tornare al 7 aprile. Un magistrato di Padova, Pietro Calogero, lancia una grande offensiva giudiziaria contro Autonomia operaia.

Tra gli arrestati figurano docenti universitari, intellettuali, giornalisti. Spicca il nome del professor Antonio Negri, Toni Negri. Gli inquisiti sono centinaia.

Nel 13 marzo nasce lo Sme, Sistema monetario europeo, antenato della valuta unica di oggi. Margareth Thatcher si prepara alla elezione del suo primo parlamento.

In questo contesto nascono i Fil di ferro

Storia del gruppo

I Fil di ferro sono un gruppo heavy metal italiano, formatosi a Torino nel 1979 per iniziativa del bassista Bruno Gallo Balma e del batterista Michele De Rosa.

La band è considerata, insieme a Vanadium, Strana Officina, Death SS e Bulldozer, una delle prime ad aver portato la musica metal in Italia, nonché una delle più importanti dello stesso.

Michele De Rosa e Bruno Gallo hanno formato il gruppo con il chitarrista Danilo Ghiglieri e il cantante Leonardo Fiore. Nel 1986 (dopo un demo tape del 1984 e numerosi concerti che danno una certa notorietà al gruppo) esce il primo album, Hurricanes, pubblicato da Il Discotto Records. Questo album viene registrato con il nuovo cantante Sergio Zara e il nuovo chitarrista Claudio De Vecchi.

Il titolo Hurricanes proviene dal nome del gruppo biker di cui facevano parte sia Michele De Rosa sia Bruno Gallo. Il disco è stato registrato da Beppe Crovella (tastierista degli Arti e Mestieri).

Nel 1987 per l’etichetta dischi Noi, con la produzione esecutiva di Mariano Schiavolini (ex membro del gruppo rock progressivo Celeste), i Fil di ferro registrano il loro secondo album, omonimo, che vede l’entrata del nuovo chitarrista Miky Fiorito, autore di tutti i brani del disco, arrangiati con il resto del gruppo.

Le registrazioni vengono effettuate in Cornovaglia con Guy Bidmead, ingegnere del suono di Rod Stewart e Motörhead. I Fil di ferro tengono anche un concerto presso l’Hammersmith Apollo di Londra, trasmesso dalla televisione italiana su Italia 1 nel programma Rock a mezzanotte.

La performance viene registrata e inclusa nella compilation Italian rock invasion.

Nel 1991 Sergio Zara è uscito dai Fil di ferro, lasciando il posto alla voce femminile di Giordy (Elisabetta Di Giorgio), con la quale la band ha registrato la ballata Give me your hand e girato un video clip per il mercato russo.

Nel 1992 per l’etichetta Axis Records è uscito il terzo album, Rock Rock Rock che vede la partecipazione del chitarrista russo Victor Zinchuk e di Roberta Bacciolo delle Funky Lips in veste di ospiti. In esso è stato ripreso Give me your hand registrata precedentemente da Giordy come singolo.

L’album ha presentato caratteristiche più hard rock/blues rispetto ai primi due lavori e vede Miky Fiorito anche nel ruolo di cantante. Nello stesso anno si è verificata la fine della collaborazione, durata quasi un anno, con Giordy.

Nel 1997 è entrato nel gruppo Piero Leporale alla voce, mentre il 1998 è tempo dell’ingresso di Francesco Barbierato al basso.

Nel 2004 esce a distanza di dodici anni dal lavoro precedente il quarto album, It Will Be Passion. Il disco è un rifacimento di vecchi brani e nuovi inediti.

Nel 2008 il gruppo cambia ancora formazione: escono dalla formazione Fiorito, Leporale e Barbierato, sostituiti da Gianni Castellino al basso, Alex Verando alla chitarra e Phil Arancio alla voce. Nel 2009 entrano in formazione Gianluca “Yes” Uccheddu alla chitarra al posto di Alex e Elvis Taberna al posto di Phil Arancio.

Con questa nuova formazione il gruppo ha abbandonato l’hard rock blues del terzo e quarto album ritornando ad un più duro heavy metal di stampo Saxon/Judas Priest che ha caratterizzato la band nei primi due album.

Nel settembre del 2012 è uscito It’s Always time, album contenente il rifacimento di Hurricanes con la nuova formazione, tre inediti e dodici brani tratti dai dischi più significativi.

In occasione del festival Acciaio italiano 2015, tenutosi a Modena il 31 gennaio 2015, si è verificato il ritorno alla voce di Phil in sostituzione di Elvis Taberna, che ha dovuto abbandonare il gruppo per motivi di salute. Elvis è rimasto nel giro Fil di ferro con mansioni amministrative.

Dopo pochi mesi nuovo cambio di formazione riguardante la voce: entra Paola Goitre al posto di Phil, con la quale sono in programma vari lavori live e in studio.

A inizio 2017 ritorna in formazione il chitarrista Miky Fiorito, il quale si mette subito al lavoro per comporre le canzoni che faranno parte del sesto album del gruppo. I riff di chitarra questa volta hanno un piglio epico ed è a seguito di queste nuove sonorità che nasce l’idea del concept album intitolato Wolfblood, che narra della mitologia nordica del RagnaRock, anche per via dei testi a tema ideati da Paola Goitre. Il nuovo lavoro viene pubblicato a ottobre del 2019.

Discografia Hurricanes (1986) Fil di Ferro (1988) Rock Rock Rock (1992) It Will Be Passion (2004) It’s Always Time (2012)

#fil di ferro #fil di ferro band

[docrotten]

THE CHANGELING (1980) – Episode 225 – Decades Of Horror 1980s

“That house is not fit to live in. No one’s been able to live in it. It doesn’t want people.” That sounds like a challenge. Join your faithful Grue-Crew – Chad Hunt, Bill Mulligan, Crystal Cleveland, and Jeff Mohr – as they discuss The Changeling (1980), the ghost story held in high regard by no less than Martin Scorsese (who named it one of the scariest movies of all time) and Guillermo del Toro.

Decades of Horror 1980s Episode 225 – The Changeling (1980)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

After the death of his wife and daughter in a car crash, a music professor staying at a long-vacant Seattle mansion is dragged into a decades-old mystery by an inexplicable presence in the mansion’s attic.

  Director: Peter Medak

Writers: (screenplay by) William Gray & Diana Maddox; (story by) Russell Hunter

Music: Rick Wilkins

Cinematographer: John Coquillon (director of photography)

Production Design: Trevor Williams

Selected Cast:

George C. Scott as John Russell

Trish Van Devere as Claire Norman

Melvyn Douglas as Sen. Joseph Carmichael

John Colicos as DeWitt

Jean Marsh as Joanna Russell

Barry Morse as Doctor Pemberton

Madeleine Sherwood as Mrs. Norman

Helen Burns as Leah Harmon

Frances Hyland as Mrs. Grey

Eric Christmas as Albert Harmon

Roberta Maxwell as Eva Lingstrom

Bernard Behrens as Robert Lingstrom

James B. Douglas as Eugene Carmichael

J. Kenneth Campbell as Colin

Janne Mortil as Linda Grey

Terence Kelly as Sgt. Durban

Michelle Martin as Kathy Russell

Antonia Rey as Estancia

Louis Zorich as Stewart Adler

Voldi Way as Joseph’s Ghost

The Grue-Crew settle in to tackle a slick, confident – and criminally overlooked – haunted house feature from 1980, The Changeling. The film earns its respect as a classic film and its place as a cult favorite capturing the very first Genie Award for Best Canadian Film from the Academy of Canadian Cinema & Television. The film’s stars, George C. Scott and Trish Van Devere claim Best Foreign Actor and Best Foreign Actress respectively as The Changeling sweeps five additional awards during the inaugural presentation. Yet, many are unaware of the film and its influence on horror movies and Canadian film. In this episode, the Grue-Crew share their opinions and appreciation for Peter Medak’s best work. 

Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Bill, will be The Company of Wolves (1984), directed by Neil Jordan and starring Sarah Patterson, Angela Lansbury, and David Warner. 

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans – so leave them a message or comment on the gruesome Magazine Youtube channel, on the website, or email the Decades of Horror 1980s podcast hosts at [email protected].

Check out this episode!

[creepypod]

Turnpike Mary Answers Prayers & The Mother of Sands

Turnpike Mary Answers Prayers

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Written by: Trisha J. Wooldridge and Narrated by: Michelle Kane

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Content Warning: Death of loved ones; miscarriage

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The Mother of Sands

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Written by: Stewart C. Baker and Narrated by: Rissa Montanez

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Check out our reward tiers at patreon.com/creepypod

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Title music by Alex Aldea

[bananango]

Unsolved wiki johnny lee wilson

UNSOLVED WIKI JOHNNY LEE WILSON SERIAL

Pratt, Erik Jan Hanussen, Faith Hedgepeth homicide, February 2007 Salvadoran congressmen killings, Fereydoun Farrokhzad, Fidan Doğan, Florence Broadhurst, Gareth Jones (journalist), Gary DeVore, Gerald Bull, Gerard Davison, Geylang Bahru Family Murders, Giangiacomo Feltrinelli, Godard family disappearance, Gottlieb Fluhmann, Halsman murder case, Harry Dudkin, Harvey and Jeannette Crewe, Henryk Siwiak homicide, Herbert Chitepo, Huang Yuanyong, Isdal Woman, Ita Martadinata Haryono, Jackie Coulter (loyalist), Jam Master Jay, Jane Thurgood-Dove, Janet Smith case, Jay Ferdinand Towner, Joachim Peiper, John Kituyi, Johnny Lee Wilson case, Jonathan Luna, Joseph Barboza, Josslyn Hay, 22nd Earl of Erroll, Judy Smith homicide, Keddie murders, Kerry Babies case, Lake Bodom murders, Lava Lake murders, Lead Masks Case, List of murder convictions without a body, List of people who disappeared mysteriously, List of solved missing persons cases, Lists of murders, Louis Allen, Malcolm Caldwell, Marcel Francisci, Marcia Moore, Mark Moran (criminal), Martin DeFoor, Mary Rogers, Matsukawa derailment, Michele Sindona, Mineral, Washington murders, Murder of Atcel Olmedo, Murder of Betsy Aardsma, Murder of Betty Shanks, Murder of Carol Cole, Murder of Carolyn Wasilewski, Murder of Catherine Cesnik, Murder of David Reed, Murder of David Stack, Murder of Harry and Harriette Moore, Murder of Jaclyn Dowaliby, Murder of Joe Cole, Murder of Lindsay Buziak, Murder of Marcia King, Murder of Margaret Martin, Murder of Melanie Carpenter, Murder of Michael Nigg, Murder of Michelle Garvey, Murder of Miranda Fenner, Murder of Pamela Werner, Murder of Raonaid Murray, Murder of Robert Eric Wone, Murder of Seth Rich, Murder of Simon Dale, Murder of Stephanie Crowe, Murder of Susan Poupart, Murder of the Grimes sisters, Murder of The Notorious B.I.G., Murder of Tupac Shakur, Murder of Udin, Murders of Abigail Williams and Liberty German, Murders of Kerry Graham and Francine Trimble, Murders of Margaret and Seana Tapp, Murders of Sally McNelly and Shane Stewart, Muzafar Bhutto, My Favorite Murder, Natalie Wood, National Airlines Flight 2511, Oklahoma Girl Scout murders, Paul Cunniffe, Paula Hounslea, Paxton Boys, Peggy Hettrick murder case, Peter Bergmann Case, Pike County, Ohio, shootings, Piotr Jaroszewicz, Raymond Washington, Reşat Amet, Redhead murders, Richard Lancelyn Green, Robert Donati, Robert Johnson, Robison family murders, Rodney Marks, Ryan W. , Death of Manon Dubé, Death of Mitrice Richardson, Death of Nicole van den Hurk, Death Valley Germans, Deaths of John and Joyce Sheridan, Deaths of Kris Kremers and Lisanne Froon, Dino Bravo, Dolores Della Penna, Dursun Aksoy, Edwin T. ġ98 relations: Adolph Dubs, Aerolinee Itavia Flight 870, Alas Chiricanas Flight 901, Albert DeSalvo, Alberto Nisman, Allen Dorfman, Alphonse Gangitano, Arnold Schuster, Arthur Brennan, Assassination of Haim Arlosoroff, Assassination of Mahmoud Al-Mabhouh, Ötzi, Babes in the Wood murders (Stanley Park), Bain family murders, Bashir Ahmed Qureshi, Battersea Mystery, Bisoye Tejuoso, Black Dahlia, Black Donnellys, Blackfriars Massacre, Bogle–Chandler case, Bola Ige, Boris Berezovsky (businessman), Bowraville murders, Brian Spencer, Burger Chef murders, Canadian Pacific Air Lines Flight 21, Carlos Muniz Varela, Chandra Levy, Chinx, Clarence 13X, Counter-Guerrilla, Crawford family murder, Cyprus Airways Flight 284, Dacer–Corbito double murder case, Dardeen family homicides, Death and state funeral of Muhammad Zia-ul-Haq, Death of Alberto Nisman, Death of Alexander the Great, Death of Ambrose Ball, Death of Andrew Sadek, Death of Barbara Precht, Death of Caylee Anthony, Death of Corryn Rayney, Death of Dave Walker, Death of Gareth Williams, Death of Jeremiah Duggan, Death of Joan Robinson Hill, Death of Katrien De Cuyper, Death of Kendrick Johnson.

UNSOLVED WIKI JOHNNY LEE WILSON SERIAL

This list of unsolved deaths includes notable cases where victims have been murdered or have died under unsolved circumstances, including murders committed by unknown serial killers.

#Unsolved wiki johnny lee wilson

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Defacement; The Death of Micheal Stewart Jean-Michel Basquiat Page 16

#Page 16 #Basquiat

[artschoolglasses]

Jean-Michel Basquiat, Defacement (The Death of Michael Stewart), 1983

#jean michel basquiat #jean-michel basquiat #basquiat #defacement #the death of michel stewart #1983 #1980s #20th century #art #painting #art history