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lovebecomeshim · 3 years

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hello! your zutara posting today has finally motivated me to ask this question because I came to atla very late(last year, to be specific) and I Love It Very Much but am 1000% out of the loop as far as why what remains of fandom (at least that I've seen among my friends) is so very strongly zutara. I'm not opposed to it per se I just don't really know what has driven it to apparently be such a popular ship? can you help me understand and maybe convert me a little bit?

Hey!! Your ICON! :D I can try but I’m not sure how coherent I’ll be; however I AM sure someone a lot more competent will be willing to add to this. Either way, I’m glad you asked because my plan was to drag down as many people as possible with me.

*smacks the hood of zutara* this baby can fit so much mutual love and support!

This got so long, I’m so sorry. I don’t know how to put it under a cut on mobile and it already got deleted once so I’m scared to mess with it lol. Moving on.

I’m gonna start this with a disclaimer that im on mobile so formatting is tricky and I’m also really new to atla in that I only completed my first watch through in like 2019??? So some of my info is all just based on what I’ve picked up from Discourse 👀 so anyway the sparknotes version: zutara was wildly popular from the beginning. To the point where the atla crew internally disagreed on which ship should be endgame. (Ex. Bryke [showrunners] asked the writers to rewrite The Southern Raiders to make Zuko seem less ideal for Katara than Aang [which failed, depending on who you ask]; the animation team purposefully created a visual parrallel between Oma and Shu in the Cave of Two Lovers and Zuko and Katara in the catacombs under Ba Sing Se in the Crossroads of Destiny; etc.)

The ship was popular enough that Bryke actually chose to display zk fanart at a con for the sole purpose of mocking the fans, but that’s neither here nor there. The entire episode Ember Island Players, while a love letter to/parody of the whole show, was an opportunity to address zutara’s viability as a canon pairing (while, again, mocking zutaras for romanticizing that catacombs scene). Point is! It’s always been popular but with it not being endgame, there’s got to be something that’s given it staying power.

And that’s honestly got to do with three things: their dynamic, thematic cohesion, and potential.

(You know what... you know what, it’s four things. The fourth is they’re so aesthetically pleasing together and individually. Like, they’re just good looking people [specifically when they’re grown but they’re also cute kids] and that absolutely doesn’t hurt) (but it’s not the Point, it’s just nice to point out sometimes)

The dynamic is hard to get into without also looking at the canon pairings, but I think I can do that without unnecessary bashing. It’s just that part of the magic of zutara is really highlighted by what they give to each other that their other relationships don’t.

First off, it’s classic enemies to (would be) lovers. The absolute truest form of it. It’s not too different from how CS started out: a rogue antagonist with a job to do—but no personal vendetta against the future love interest—who is deeply and emotionally invested in his personal storyline (revenge/redemption) with little regard for how it effects other people after his entire life and genuine good nature are marred by suffering, and a fierce warrior girl with a strong moral compass and her own personal investment in stopping him (protect her family and save the world doing it). Obviously frustration and animosity grew between them by the nature of them being on opposing sides, but that just lends itself to the sweetness of their later reconciliation.

The thing is that while they’re wildly different on the surface (he’s a hot-headed prince of a fascist regime who is trying to capture the Avatar to please his father; she’s a nurturing daughter of the chief who is trying to protect and train the Avatar in order to topple his father’s throne) they find out that they have so much more in common both in their experiences and their personalities.

(What follows is an excessive use of the word “both” and I’m sorry about that)(I can edit it. I can do that. That IS an option............)

They both have an innate sense of justice that they are determined to see done (zuko, at the war meeting, sticking up for the Earth Kingdom kid when the guards torment his family, choosing not to steal from the pregnant couple despite his circumstances, abiding by his word to leave the SWT should Aang come willingly, etc.; katara, literally.... at any point). They both have pretty one-track minds at accomplishing certain goals once they’ve put their mind to it, regardless of a lack of support in that endeavor (it goes without saying I guess, but zuko’s entire hunt; katara’s determination to get the earth benders to fight back, her determination to absolutely destroy Pakku until he agrees to teach her, etc.). They both lost their mothers at young ages. Their worlds are war-torn and traumatizing to them both, if in different ways, but that ultimately forces them to grow up too quickly to be wholly independent individuals. They both have issues with their fathers (for WILDLY different reasons, but). They both hold extreme prejudices that they need to learn to overcome (which ties into thematic cohesion)(bit like Lizzie and Darcy in that way but magnified by a million). They’re both extremely emotional and empathetic—which can and often does result in loud outbursts. Katara’s a bit better adjusted and can temper her anger for longer than S1 Zuko can, but they both feel that anger deeply and have no compunctions expressing it (Katara is, usually, more justified, particularly in S1. Again, S1 Zuko is severely maladjusted but at the point when they could’ve feasibly become a couple, he’s so much better off with the way he carries himself). They both struggle with feelings of inferiority in their bending abilities when confronted with prodigal benders like Aang and Azula, but have the work ethic required to double down and become two of the most powerful benders in the three remaining nations. This is a little more minor but it is a parrallel that appeals to some shippers that they both have these alter egos in the Painted Lady (notably fire nation coded) and the Blue Spirit (water tribe coded) that are pretty different from who they are day-to-day and are useful in accomplishing a purpose that they as themselves cannot.

(I’m.... I just realized that this could potentially get very long. Should I have made a slide show with bullet points??????)

Anyway, similar. I know there’s more but there’s literally so much to love about zutara that I’ll drive myself a little crazy trying to compile all the ways they’re similar. (Just gonna say that at this exact moment I went back to add more similarities.... so okay then)

Once they’ve reconciled, we see how all of these things only lend themselves to a deeper intimacy together than they share with literally anyone else. There’s a steady partnership that positions them as the mom/dad of the gaang, while also providing the support necessary to allow the other to not have to carry so much responsibility. A lot of zutaras will point out how zuko is actually depicted doing the more domestic chores that are normally relegated to Katara once he joins the gaang, since the others in the group are two 12-year-olds and sokka. The one that sticks out the most is how he makes tea for the group and then serves them, while Katara is able to just relax with her friends around the fire. Fanon expands upon this a lot to Zuko helping with the laundry or the cooking or whatever else needs doing since he, as a once-refugee, is used to doing his own domestic tasks. Before Zuko joined, Katara was the one mothering everyone, sewing for them, cooking for them, etc. She’s always tending to the needs of the group, and that includes emotionally. She does the emotional labor for the gaang 99% of the time, but when she’s the one falling apart, she’s usually doing it alone and without the comfort that she normally provides for others. Until Zuko. And that’s before they’re even friends.

Which is WHY people romanticize the catacombs of Ba Sing Se so much. Katara is verbally attacking Zuko out of her own righteous anger but also her own prejudice when Zuko, surprisingly, chooses to be vulnerable with her. He’s been on a journey that’s opened his eyes a bit, but he’s never actively chosen to expose the rawest parts of his past to anyone. But for some reason he chooses to do that with Katara of all people. While she’s yelling at him. He sees her humanity, and for once can look past his prejudice and empathize with her. And this time, when she breaks down, she gets to be comforted. Katara normally talks about her mother when she’s trying to explain to someone else that she sees and understands they’re pain, as a form of comfort to them. Here, Zuko uses the exact same tactic. He sees her and he understands. And for zuko? He’s not being shut down. He’s allowed to articulate his pain regarding his mother without being ignored and made to internalize it, and he’s allowed to process how he feels about his scar out loud without being told that he deserved it. And then he lets her touch his scar, something we’ve seen him actively avoid before. He’s completely open to her and she’s completely open to him and all it took was one five minute conversation. She was about to use the little bit of Spirit water that she had, that she was saving for something Important, to heal the scar that still daily causes him pain just because they had, somehow, connected.

Plus there’s the whole parallel to the star-crossed lovers forbidden from one another, a war divides their people—

And then zuko messes up, he regresses, he gets what he wants and he HATES it. And the sense of justice he had as a child has been restored to him against his will and he can’t think of anything he wants to do more than the Right Thing, so he joins team avatar. Before he does that though, we get to see his relationship with Mai, which is where comparison really comes in. And what we see is Zuko, fresh off of his encounter with Katara in the catacombs, trying to be emotionally honest with Mai... and getting shut down and dismissed. Which is just how Mai is and it’s fine, but not for Zuko. Still, he keeps trying, and he keeps getting ignored or scoffed at or yelled at. Which is really a larger symbol for how he doesn’t fit in his old life anymore, but again that’s about thematic cohesion. He tries to articulate his anxieties about returning home, he tries to make romantic gestures, he tries to explain how morally conflicted he’s feeling—and Mai diverts to some kind of physical affection to shut him up and a parting comment that is pretty much always, in essence, “I don’t wanna talk about this.” So they don’t. On the other hand, once zuko and Katara are friends, we see him again emotionally distraught and caught up in his anxieties about facing Iroh, and it’s Katara who comes to him and listens to him and comforts and encourages him.

Similarly, we have Aang clamming up and getting uncomfortable whenever Katara shows any negative emotion, usually resulting in him making excuses or running away. Or, in the case of the Southern Raiders, lecturing her on how she needs to just let go of her anger about her mother’s murder. People have talked this episode to death and usually better than I ever could, so imma... keep it brief. There’s a serious disconnect between Aang and Katara in his ability to empathize with Katara and her needs that has her tamping down her vulnerability and amping up her anger. He tells her that he was able to forgive his people’s genocide and appa’s kidnapping (petnapping? Theft??), which is blatantly not true but also not an entirely equal parrallel to Katara’s situation, and continues making these little remarks throughout the episode. But it’s Zuko that Katara opens up to. It’s with him that she’s able to talk about the most traumatic day of her life, and it’s with him that she’s able to get the closure she needs, cementing their bond as friends and partners. This disagreement between Aang and Katara is then... never resolved. They just never bring it up and hear what the other is saying.

There’s a fic called The Portraits of Ember Island that has a line that so completely sums up the heart of the matter for why people love their dynamic. For context, zuko has woken up early to help Katara with the cooking and they spend the whole time just letting one another talk, and zuko stops to ask why she always just lets him talk. And so she stops to ask why he’s always helping, and it goes as follows:

There’s just... so much mutual support! Trust! Intimacy!! And it just continues like that from the Southern Raiders on, listening to each other, advising each other, watching each other’s backs! And then! Literally saving each other’s lives!! I will never be over the last Agni kai. Not ever. Zuko may have been willing to jump in front of lightning for anyone, but he actually did it for Katara. And in a show, that’s the thing that really matters. It’s a fulfilled trope usually exclusively applied to romantic pairings, and it ended up applying to Zuko and Katara. And then she ran out into the middle of a fight with tunnel vision just to get to him.

Also!! Also Zuko pushing Katara out of the way of the falling rocks at the Western Air Temple!! And Katara catching him as he fell from the war balloon that he fought Azula on!! Before they’re even getting along, they’re the ones reaching for each other. They come to this place of equal ground, as partners, who watch each other’s backs, call each other out but still listen attentively and understand, and provide the support that the other has been sorely lacking up until they knew each other (whether that be from lack of effort or lack of understanding from others, or an unwillingness to accept it for themselves).

Then, trailing along under the surface of this, we see the themes of the show totally embodied by Zuko and Katara as individuals and in their relationship to one another. There’s a YouTuber, sneezyreviews, who has a, like, 2-hour explanation on why she not only loves zutara but also believes that their endgame would’ve actually elevated the writing of atla to new levels particularly because of thematic cohesion and resolved character arcs. It’s the zutara dissertation I never knew I needed, and it’s funny and eloquent and effective, so I’m just going to sum up her section on thematic cohesion to the best of my abilities and then link it for whenever you have the time. And I HIGHLY recommend it, especially if you want a full understanding of what makes zutara so great and gives it such longevity.

Guru pathik has a line that goes something like this: separation is an illusion; things that seem different are just two parts of the same whole. Iroh also tells Zuko something similar: balance and strength are achieved when the different nations come together and influence one another and celebrate what makes them each unique. And this lesson is a massive central arc that both Zuko and Katara go through, moving past a black-and-white, good guys-vs-bad guys, us-vs-them mentality and into a greyer, more nuanced view of the world. Zuko sees the fire nation from an entirely new perspective and while he still loves and hopes for his nations future, he surrenders his blind loyalty to them in exchange for an unflinching loyalty to peace and love. Katara too had to come to terms with the fact that cruel people exist in the earth kingdom and water tribes, while some fire nation citizens are just regular, kind people who also need and deserve to have someone speak on their behalf. And this is honed in directly on how they view each other. They grow in their individual journeys to be open to the humanity in the other and then, once they’ve found that, they’re able to grow more in compassion for others in a beautiful feedback loop. And this is all matched in the symbolism repeatedly and intentionally associated with them in canon: sun and moon, fire and water, yin and yang, Oma and Shu who found love despite their warring nations. Their individual arcs are completed in each other and complement the themes of atla beautifully.

The canon pairs... just don’t. Which, again, is fine. But the very things that give atla longevity and popularity are anchored in zutara. Kat@ang doesn’t accomplish this. They’re... nice. Sweet. Especially when you erase a good portion of their interactions in S3. It could’ve been just a sweet love story. (Personally, the dynamic between toph and aang accomplish the same thing that zutara does, with complementary personalities that fulfill the theme of opposites blending in harmony) M@iko, on the other hand, is less sweet but I think wasn’t even supposed to last. Zuko’s relationship with Mai seems to represent his relationship with his old life as a whole. He can’t be emotionally vulnerable, he’s goaded into abusing his privileges, his agency and opinions aren’t respected. They just don’t have common ground with which to discuss anything that matters, so they don’t. As far as themes, the relationship doesn’t fit with atla. It’s zuko returning to and sticking with what is (on the surface) like him, what’s expected. Fire nation with fire nation. Fluid water bender with the flexible air bender. Like with like, separated from what is different and challenging and complementary.

And all of these things combined of course lead to the potential for the ship. I don’t know how familiar you are with the post-atla canon but... well, miss “I will never turn my back on people who need me”, miss “I don’t want to heal! I want to fight!” ends up living quietly in the SWT as a designated healer who turns a blind eye to the water tribe civil war happening right outside her front door. Which can be fine! People change! Some people just wanna stay inside. I just wanna stay inside! But the potential future for zutara is so much more satisfying, with Katara becoming the most unconventional Fire Lady the uppity old cads who are stuck on the old ways have ever seen. Fanon has her serving as a voice for the other nations within a kingdom at the point of its biggest political upheaval, as a confidante to Zuko who can actually help him while he’s trying to figure out how to move forward and make reparations. They have the opportunity, together, to accomplish what they both have set on their hearts to fight for: positive change that lends itself to harmony and balance. And the steambabies! A popular headcanon is that their firstborn daughter, the crown princess, is actually a waterbender, which causes such an uproar among the people who are adamantly clinging to the old ways. It’s just a future full of potential to be forces for good together, full of trust, intimacy, joy. The exact era of peace and love and balance that zuko announces that he intends to ring in with the start of his reign as Fire Lord is, again, magnified by the very personal zutara relationship. And we love to see it.

tl;dr zutara isn’t for everyone. Some people just don’t vibe with it. Some are nostalgic. Some love the canon they grew up with. Some have been disappointed for years. Some just see themselves in other characters and want their happiness instead. Whatever the reason, that’s fine. But for me, I love the way these two, from the moment they give each other a fair chance, are able to lower their walls and prejudices to see the other for the kindred spirits they are. They see each other’s humanity, and their response is to pour out love and support and compassion. I love that they’re a power couple in battle. I love the symbolism and, honestly, soulmatism that colors their every interaction. I love that they embody the whole storyline of atla in their relationship and how it develops, which is notably why their seasonal arcs always culminate in each finale with how they relate to one another. I love that zuko adopting a waterbending move is what actually saves his life and then katara’s. I love the chemistry! And I love the future they could’ve had, instead of the ones they were given.

So, in conclusion: I just think they’re neat and I hope you do too, at least a little bit. Even if it’s just respectfully from a disinterested distance cause you do you. And now here is the video I mentioned. I’m sorry this post got so long and then I gave you an even longer homework assignment, but I can’t recommend it enough. She says it all better than I can.

youtube

#zutara #atla #zutara rant #like really the way the canon relationships were written throughout s3 #it would’ve been more believable for zutara to happen #or at least be hinted at #all of the major issues presented in those relationship were dug up extensively and then... never resolved #and then they just slapped some kisses on a screen and said ‘there all better’#and we just kinda had to say ‘oh ok guess it’s all better then’#this got long I’m sorry #I wrote it all out and then tumblr ate 2/3 of it #which is why it took so long #and what I’ve written now doesn’t even match what I had before #because there’s too much to say about why I love zutara #and the stuff I left out the first time is what came out this time #rip to my original thoughts but this post is different #anyway that’s why this took so long #and I should’ve just made a PowerPoint...#I can do that too if you’d rather not read all of this lol #I won’t be offended #this is incoherent #Alia rambles uselessly #also hoping this doesn’t end up in any wrong tags because I don’t wanna step on toes lol #it’s not anti!! it’s just critical #in a compare/contrast way #I can pinpoint the moment when I started trying to rewrite my points from memory #because everything gets shorter and more succinct #like... I really said all that??? sounds fake and I don’t remember it anyway so here’s the condensed version #with no!! smooth!!! transitions!!!!#also why am I so lazy with proper grammar over text

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teeth-farie · 3 years

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I'm not sure how you feel about cnc so dw about deleting this if you don't like it. (I personally it's really hot but it needs to be clear that negotiation has occurred and both people know how to stop play at any point)

anyway! For your genderbend om thing, I know petplay is the classic choice for Satan but I wanted to propose a roleplay/cnc scene for her chapter. She reads so much and always imagines her and mc in the situation that the characters are in. She asks mc to act out one of the stories with her where she's a kidnapped princess and you're from an evil rival kingdom. You gag and bind her and cart her off to somewhere in the devildom--or even take her away to the human world. Its so satisfying to make the mighty avatar of wrath into a damsel in distress ♡

I’m fine with more taboo topics when there’s clear discussion and negotiation. (Some fics says it’s cnc but never includes any negotiation so it kinda feels a lil sketch) ahh I might do a different type of role play but I like this a lot!

Satan would love the role of a damsel in distress and kidnapped princess omg. I can imagine her getting really into it and forgetting that she’s supposed to be struggling and fighting back. You have to take a pause to remind her and she’s like ‘oh yeah, sorry’ but it happens a few more times. She can’t help it, she likes it! With gagged scenes you have her hold a little bouncy ball that she can drop when she needs to stop and she squeezes it so tightly it nearly pops. (You have backup bouncy balls just for that)

Oooh of it could be in one of her cursed books that transport you into the scene! Satan gets the role of the princess and wears a pretty satin sleep robe, and you take the role of the evil rival that takes her away in the night. She tries to be quiet and play her part but she gets too giddy and ends up wiggling in your arms and her laughs are muffled from the gag. You take her back to your kingdom to have your way with her, and she’s soaked between the legs by the time she’s tossed onto the bed ♡

#mail #satan #thirsts #spicy #cnc tw

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autumnslance · 3 years

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About Plagiarism

I left a long, planned essay on Twitter tonight. I will copy the meat of it here for y’all, as recently a friend was copied (a rarer ship in the fandom, so very noticeable by the writer and their regular beta reader) and it seems we need a Talk, kids. Links and screenshots and my rambling underway.

------

Apparently we need to discuss what is and isn’t plagiarism. Especially in FanFic where we're interacting with the same characters, settings, ideas. Let’s start with the dictionary and continue the thread from there (I like the word origin/history personally):

Definition of plagiarize

transitive verb : to steal and pass off (the ideas or words of another) as one's own : use (another's production) without crediting the source

intransitive verb : to commit literary theft : present as new and original an idea or product derived from an existing source

The Kidnapping Roots of Plagiarize

If schools wish to impress upon their students how serious an offense plagiarism is, they might start with an explanation of the word’s history. Plagiarize (and plagiarism) comes from the Latin plagiarius “kidnapper.” This word, derived from the Latin plaga (“a net used by hunters to catch game”), extended its meaning in Latin to include a person who stole the words, rather than the children, of another. When plagiarius first entered English in the form plagiary, it kept its original reference to kidnapping, a sense that is now quite obsolete.

“Ideas” is fuzzy in the Merriam-Webster definition. There are story archetypes that exist in many forms. Joseph Campbell’s Monomyth/Hero's Journey outlines many famous stories. And it's popular to say that “Avatar” is “Dances with Wolves” is “Pocahontas” is “The Last Samurai” etc.

But note how while those films have similar plotlines--”Military Guy falls for Native woman, learns to appreciate her Culture, stands up to Evil Bosses”--none of them execute those ideas in the same way. Sully’s story is different from Dunbar’s not just cuz one’s a Science Fiction epic and the other a Western. Disney's “Pocahontas” Very Loosely takes history and uses the same story beats. The Last Samurai uses the Meiji era Westernization. Same ideas, different executions, even beyond settings.

None of these are plagiarizing each other though the ideas are similar. They’re told in their own ways, own language; both in the genres they belong to (Western, Pseudo-History, SciFi, Animated) and how characters interact with each other and settings. Original dialogues (variable quality).

We also see this in books as similar novel plots get published in waves so we end up with bunches of post-apocalypse teen revolutionaries or various vampires or lots of young wizard stories all at once. Sometimes ideas just happen like this; multiple discovery, simultaneous invention, concurrent inspiration, cognitive emergence are all phrases I’ve seen for it. So it happens in original content as well, and legality gets fuzzy (Also why you don't send authors your fanfic ideas).

In existing properties, this gets trickier but even “Elementary”’s Holmes and Watson are nothing like the BBC’s “Sherlock” characters. Who are nothing like other versions of the Detective and his Doctor pal over the decades in various media properties.

FanFic's in a similar position where like Sherlock Holmes we play with the same characters, setting, and storyarcs but give our own spin to them. People can and will have similar ideas about plots. Trick is to use your own words. Take the characters and make the story your own.

I have a good example courtesy of @raelly-writing. We both ship Wolcred. We both wrote soft post-Paglth’an scenes with Thancred and our WoLs. Both features the couples helping each other undress, examining injuries, bathing, bantering. My fic was written soon after 5.5 part 1 came out. Dara’s is much more recent. Yet at no point reading hers did I feel she was copying my words. The PoVs differ. Our characters focus on different things. Mine has a mini-arc concerning the Nutkin.

The links for comparison’s sake (and maybe leave kudos/comments if so inclined please and thanks). Note while the scenes are very similar no phrases are written in the same way. Mine: https://archiveofourown.org/works/25417882/chapters/76059467 Dara’s: https://archiveofourown.org/works/26067565/chapters/81832915

Dara and I both hang out in certain Discords and I know conversations about Thancred and WoL caring for each other post-battle has come up in those channels and we've both participated. It’s a stock FanFic scene to boot. Cuz it's soft and feels warm and snuggly.

I HAVE been copied before, back in WoW. My case is pretty clear cut so here are the images of my old RP Haven profile (1st, old RP website) and the plagiarist’s RSP (2nd, an in game mod to share descriptions and basic info).

This was a decade ago on Shadow Council and I think the character deleted so any Availa’s in WoW now aren’t the same person. I left the names to point out what changed. Just the names and a word or 2 to make sense for the class changes as well. Otherwise lifted directly from my RP profile.

The funny part is how the person got caught. Literally walked into our weekly RP Guild meeting that I was running and asked to join. Folks noticed right away the similar backstory; after all there may have been more Outland-born Azerothians. My initial excitement at a character I could weave into our story turned to gut-twisting rage and grief as I recognized my own exact words though. Words I’d carefully crafted and constantly iterated on to improve over time (before and after this incident, until the site died).

When caught they tried to claim their significant other had leveled the character for them and made up the backstory based on Skyrim. If you know WoW’s Outland story and Skyrim’s plot you know how ridiculous that is. Also tried to lie about other drama I knew about thanks to roommate's characters but hey. I had to be blunt that I’d shared the info with Haven mods and other guild officers Alliance and Horde. That we would not “laugh about this” one day though lucky this was “just” RP not original or academic work. Cuz if it'd been monetized or academic I would've raked them through the coals.

I felt violated. Hurt. Had anxiety attacks. They took MY WORDS and tried to claim them as theirs. Have another character born in Outland trained by Draenei; Awesome! Our characters have an instant connect in similarities and differences of that experience. Don’t steal my characters wholesale!

Then the audacity of trying to come into my guild as if no one would notice. ShC wasn’t a large server by then, still active but not nearly Wyrmrest Accord or Moon Guard big. My character was well known due to my writing and RP. Speaking of how easy it is to get caught in specific spaces...A case of a self-published novelist getting noticed for plagiarizing fanfic was discovered recently (explicit erotica examples through the thread).

One way they got noticed was how much content they put out in only a year, lifted from fandom. The examples in Kokom’s threads show how the material was altered but still recognizable. In some cases, just the names are changed as in my experience. In other passages more has changed but you can still see the bones of the original fic poking through in the descriptions and character interactions, even with adjustments made.

Similar ideas happen. Similar plots exist. Same 'ships with friends are fun! In FanFic we’re working with the same material. It’s possible to write a similar scene differently. To make that scene and characters your own. All we’re asking is not to copy others' words. Others' characters. Others' specific phrases and descriptions used to bring those words, those characters, to life. Use your own. In the end you’ll be happier.

I get wanting to have what the perceived “popular people” have. I get seeing concepts others succeed with and wanting some of that too. We all get a bit jealous now and then for various reasons. Sometimes we don't even realize it, consciously. But do it in your own way. Maybe check to see if you’re getting a bit too close to the “inspiration” you admired, maybe reread often. Don’t hurt your fellow creatives. If you do and get caught don’t try to double down. Have the grace to be abashed at least and work to do better. Eventually you WILL get caught. All it takes is once to throw all else you've done into question. Ao3 doesn’t take kindly to plagiarists. Nor do a lot of fan communities focused on writing and RP. Getting back that trust is hard. The internet doesn’t forget easily, for good or ill.

#writing #blogging #about me #social media #plagiarism #fanfiction #Ao3

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magic-bot · 3 years

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So our journey behind the scenes of creativity is coming to an end. The case for small. More under the cut ↓

The most interesting and creative work is taking place now. Here you give free rein to your creative impulse and complete the content with a beautiful cover and pictures. This time I decided to redo my design, because the previous one was too low-quality.

Then I had to do a bunch of render previews for the post and for the avatars in the game.

Having decided on the small details, I decided that it would be a complex but interesting construction of two geometries. The first geometry is a foot, the second is a nail plate with an extended uv sweep, which will be activated when additional textures are selected. This is my first time using this technique and I think it's interesting. It also solved the problem with the texture of the tattered nail polish, because now a separate geom works in sim-glass mode. This means that you can paint the texture of stripped polish in PNG format without skin color or create stickers on your nails. In this case, the nail plate on the foot geome will show the color of the skin. No more light skin color on tattered nail polish for dark skinned sim’s!

There are three geometries for all types of feet, from flat to tiptoe.

Later I will post a mini tutorial on how you can use this in your creations and how to add geomes to your cc so you can use these transparent nails. But you can also do without them by simply deleting.

More difficult than what I said above is exporting a bunch of material to the studio, because it is a long and monotonous job. 22 blend files for men and women (including the slider version) + 4 files for children and toddlers. Not to mention the 116 nail polish textures and foot overlay textures. Gather yourselves together, guys, I'll have a little sweat, and you wait :D

Most likely I will not be able to finish this month because the workload is too large and I did not want to divide tiptoe and default feet into two posts. So wait for these cc in early May.

The last screenshot shows one of the folders containing working blend files for importing into the game. There is a lot of GB of material for one character's age and gender. I just littered my whole desktop and disk by doing this сс. But after, of course, the excess will be deleted.

I hope it was interesting for you to get involved in the work a little and learn something new for yourself! Have a nice day! (≧∇≦)ﾉ

#ts4 #ts4 cc #wip

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shrinkthisviolet · 2 years

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Definitely! I agree with you. I think they were trying to show that and maybe if/when they release the S4 deleted scenes, there might be more stuff like that included. Because they cut out some really good scenes foreshadowing stuff with Sam in S3. So, I still have hope that we’ll get some better continuations of these storylines.

By the way, do you remember in Avatar Book 2: After Zuco set Appa free and he starts having these visions/nightmares about what road he should take/who he should be? And at one point he looks at his reflection and sees himself as Aang? Like, just think if in CK S5, we got a similar moment with Tory seeing herself as Sam. And her talking about how that nightmare freaked her out, and the deeper roots of why, during one of her therapy sessions.

That would be interesting! Though I think, after S4, that would fit Sam more. It seems like, although Tory definitely has some issues around Sam, it’s not as much the focus. But I also think Sam having nightmares like that would really traumatize her.

So honestly, I’m rooting for them at least going to therapy for their own issues (and Sam having her PTSD outright stated and treated!)

#cobra kai #sam larusso #samantha larusso #tory nichols

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lananiscorner · 2 years

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Writing ask meme - 1, 2, and 3!

Thank for your ask, cerusee!

1. Which of your fics would you keep the basic plot of but rewrite completely?

Ooof, starting out with a tough one... I think it would be a toss up between two of my current published WIPs:

Unsettled: I started writing this one after Darksiders 3 came out, basing the characterizaton of the main character on how he was portrayed in that game... and then the next game came along and contradicted the characterization I had come up with completely lol. I have been suffering from writer's block regarding that fic ever since, and I'm still not entirely sure if/how I'll salvage it. There has been many a day when I played with the idea of just straight up deleting it.

A Ghost Here Amongst The Living: I set out to write a fic that included the side characters surrounding Dimitri more, compared to the almost entirely player-avatar-focused scenes from the game, but then the word count ballooned and it was 4am and I didn't want to write a 14k one-shot monster, so I decided to split it into chapters... with the result that the side characters are barely in chapter 1. What was I thinking?

2. Anything that you’d like to write but feel like you’re unable to?

I have nagging brain worms for a long fic for every single fandom I have ever written for on AO3, each of which I feel unable to write for two reasons. The first reason is shared across all 4 fandoms: I already have 5 published WIPs and several unpublished ones and if I add any more I'll go insane. The second reason is specific to each work/fandom:

A follow up to "Ill Weeds Grow Apace" that introduces Cass to my Batman Arkham: Compendium. I have a plot and characters and ideas! I have also been out of this fandom for years and would probably have to re-read significant chunks of IWGA to remember where the hell I even left off. lol

A chronicle of Fury's time with the humans after Darksiders 3. I'd have to create a shit ton of OCs.

A multi time line fic where Byleth from FE3H starts out going down the path of Crimson Flower, regrets her choice, tries again, ends up going through all 4 routes at least once, and eventually manages to walk an Azure Moon path that lets almost everyone live. This one is 90% fueled by pure spite in sight of the subtle racism and not so subtle sexism and extremely unsubtle canon violations of a certain fic that already exists in this fandom, and I just don't think spite can carry me that far.

A MCU AU set after Avengers: Age of Ultron, in which Wanda, driven by guilt over having allied with Hydra temporarily leaves the Avengers under the guise of needing some time to mourn after the death of her brother, but actually ends up relentlessly pursuing Hydra cells, one of which turns out to be looking for Bucky. She runs into him, they team up, and bond over mutual trauma by Hydra and their struggles with adjusting to post-Hydra life (platonic bonding only). This my blatant desire to see two of my favorite MCU characters interact, and also reconcile the fact that comics Wanda is jewish yet movie Wanda allied with literal nazis, and also to get her out of that awfully boring love plot they put her into with Vision (I love Vision, but these two have zero chemistry, imo). That said, the spark I felt after Winter Soldier and Age of Ultron died a long time ago (and got buried 6 feet under by IW/Endgame), so...

3. How would you describe your writing style?

It's like a beaten path through a misty forest: starts with the misty forest (I sometimes write a thousand words of scenery/mood setting before anyone starts talking), then you get to the path (plot), but the entire thing is overgrown with roots and moss and flowers (characterization!)

#asks #cerusee #writing #fanfic #writing meme #fanfic meme

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the-badger-mole · 4 years

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Hero to Zero

Sit down, kids. I want to have a rap sesh with y’all.

There is no such thing as a perfect show. Even if you think there was a perfect show, it’s rare it holds up to multiple viewings. Still, Avatar: The Last Airbender probably got as close to perfect as any children’s show could hope to. All this to say that ATLA is a good show. A great show, even. But it is not a perfect show. and they missed some pretty big opportunities.

Specifically where Aang was concerned.

So, here are the Top 3 Opportunities ATLA Missed with Aang:

1. Having Aang actually work for his victory.

If you’ve followed me for literally any length of time, you know that I hate,hate, HATE the LionTurtle/Rock of Destiny Deus Ex Double-Team ( ™ © ®) in the last episode. Now, I know some of you think that I- and others like me- just wanted to see Aang kill Ozai. To you I say...

Look, some of my favorite superheros have a no kill policy. I have no problem with the idea of Aang capturing Ozai and having Ozai stand trial. What I have a problem with is the fact that Aang didn’t have to work at finding that solution at all. There were plenty of chances to set up the finale in a way that wouldn’t have made it a complete and utter cop out. It wouldn’t have even taken that much. Aang was confronted by the terrible realities of war all throughout the series. He knew everyone expected him to end the war. He was involved in the deaths a lot of Fire Nation soldiers at the battle in the Northern Water Tribe. At any point, there was room to have Aang face what was expected of him as Avatar and consider what it meant for him as the last Air Nomad.

What I- and others like me- wanted was not for Aang to become a compunctionless killing machine. What I wanted was to see Aang realizing his duty and working to find a solution that would end the war and keep his values in tact. Instead, he waits until the last minute to consider what how he would end the war, snapped at his friends for pushing the obvious, and (until the magic Lion Turtle arrives) best solution to the problem that the world’s been facing for 100 years, and is rewarded for (let me be frank) his absolute laziness and refusal to accept responsibility.

Aang’s whole arc was supposed to show that he had to stop running away from his problems and accept his role as Avatar. The thing is...he didn’t. He had one moment where it looked like he was ready to stop running and do his job (DoBS), but that moment is robbed of any power by the finale. Why didn’t Aang have this moment then? Why wasn’t the rest of the series spent with Aang putting in work towards finding a solution? As the story stands, Aang looks inexcusably stupid, even for a 12 year old who didn’t grow up with a war. Not having Aang actively working towards a solution, freaking out over the solution presented, and then stumbling on the one being in the whole world that could help him undermines his entire journey. Aang was not the Real Hero of the series. Plot convenience was.

2. Having Aang learn more about how the war affected his friends personally.

This kind of ties in to my first point, but Aang never really had a moment where he realized exactly what was at stake. Not just for the world in general, but for his friends. Heck, he never really reckoned with what happened to his own people (but we had time for a nonsense Footloose pastiche???). Had Aang made any effort to understand the war from his friends’ perspectives- particularly Katara, with whom he was allegedly in love- it might have occurred to him sooner what they expected of him.

There’s no real moment of Aang understanding how much Sokka and Katara and even Toph have lost because of the war. He meets war refugees and is there when Katara rescues the earthbenders from the Fire Nation prison ship, but it never sinks in how much damage any of these people have survived. I don’t think I’m asking for that much here. I understand ATLA is a children’s show, but look how they were able to show us the devastation of war and abuse through literally every member of the Gaang except Aang. Even finding out that his mentor had been murdered washed over Aang like a summer squall.

It’s great that he had the perspective of someone who got to live in a world without war, and that he got to be a kid a bit longer than his friends, but at some point it would have been nice to see something stick to him. There were moments where I thought Aang was finally starting to understand the enormity of what the war had done and what it would take to end it (like in DoBS), but then the very next episode would have him goofing off (remember when Aang wanted to take off and play the day after a bunch of people- including the father of two of his “best friends”- sacrificed their lives and freedom for him? Pepperidge Farm remembers.) Nothing seemed to stick to him, which is why his refusal to kill Ozai and lack of preparation with another solution is both infuriating to me and honestly not that surprising at all. Aang is the most static character in ATLA (a show that included Mai, cardboard puppet brought to life by dark magic). He learns nothing. And honestly the fact that he stays the same from the beginning to the end of the series makes him look incredibly unempathetic. Who remains so unmoved by the tragedies of his friends?

3.Having Aang not get Katara and having the hero of a popular TV series handle unrequited love in a mature and realistic way.

Even less secret than my hatred of the Deus Ex Double-Team ( ™ © ®) are my feelings about Kataang. ( Shut up! You knew this was coming. Don’t act brand new). Now, normally, my focus is how bad Kataang was for Katara (the canon did my girl dirty, and I will NEVER forgive or forget), however this time, I want to focus on what the show lost by forcing this pair (Kataang was only developed if you only care about Aang’s feelings. Fight amongst yourselves. My mind is made up on this point).

Avatar: the Last Airbender was amazing in a lot of ways- groundbreaking, even- but it also perpetuates the idiotic myth of the Friend Zone, and those lucky fellas who break out of it. Throughout the whole series, we see that Aang is super into Katara, but the show also drives home pretty clearly that the feeling is not mutual up until that last scene (which makes it clear that the show runners didn’t give a crap about Katara). The showrunners had a golden opportunity here to show a young boy graciously accept that his crush isn’t into him, and remain good friends with her despite the fact that romance is off the table. Instead they chose to push the message that a guy can, through persistence, intimidation (lava fissure anyone?), and a healthy dose of arrogant entitlement, win the girl in the end. It’s not even that this was a terrible relationship for Katara and Aang; it’s that it’s such a boring and typical conclusion for this show to end on. Following through on Aang needing to let go of his unhealthy attachment to Katara would have been a much more powerful move.

That’s not to say he had to stop being her friend. In fact, I think had he actually let Katara off of that pedestal he’d set her up on, they could have formed deeper bond based on mutual understanding and respect. Instead, we got “Hero Gets the Girl, Because...Hero?” Instead we got a pair that upholds the dangerous Fiend Zone myth, which arrested Aang’s development, turned Katara into a hollowed out trophy wife and produced three maladjusted adult children. It would have been a fascinating direction to take the story...if it had been done on purpose.

Anyway, kiddos. I’m done here. If I pissed you off, call my lawyers. You can rebut me if you’d like (I’ll be honest,I probably won’t read it if it’s too long), but if you’re rude in my comments, I will delete and block you. Smooches!

#atla #anti-kataang #anti-aang #aang critical #atla critical #master katara #master Katara deserved better #anti-mai #slightly #I was supposed to dedicate this to the nonnie who was trying to harass me a couple of weeks ago #but i forgot their name and I blocked them #you know who you are though #this is for you #on the off chance you see it

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ghostiepopcorn · 3 years

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Why ‘War of the Worlds’ (2005) is a underrated masterpiece.

‘War of the Worlds’ was released in 2005, it is directed by the film god that is Steven Spielberg (Jaws, E.T.) and written by Josh Friedman (Terminator: Dark Fate, Avatar 2) and David Koepp (Jurassic Park, Mission: Impossible)

Cast: - Tom Cruise as Ray Farrier. - Justin Chatwin as Robbie Farrier. - Dakota Fanning as Rachel Farrier. - Miranda Otto as Mary Ann. -Tim Robbins as Harlan Ogilvy. - Ann Robinson as Grandmother. - Gene Barry as Grandfather.

First lets start with some history of ‘The War of the Worlds’ - The 2005 film is based off the novel of the same name which was written by H.G. Wells between 1895 and 1897, it then was then made into a series by Pearson’s Magazine in 1897 in the UK, Cosmopolitan in the US. Then becoming a hardback novel in 1898, it is one of the earliest written pieces to tell a story of conflict between Martians and man and so its one of the most commented on pieces of science fiction.

It has been adapted and developed several times over many decades in many medias, the ones that come to mind are the famous 1938 dramatic radio reading that was directed and starred Orson Welles that actually caused public panic to those who listened in and didn’t know that the Martian invasion was fiction, its said that up to a million people ran out of their homes in terror. (Source: https://en.wikipedia.org/wiki/The_War_of_the_Worlds_(1938_radio_drama) )

The 1953 ‘The War of the Worlds’ film adaptation, which was produced by George Pal and directed by Byron Haskin. It also starred Gene Barry (who played Dr. Clayton Forrester) and Ann Robinson (who played Sylvia Van Buren) who can also been seen at the end of the 2005 film, they play the grandparents of Robbie and Rachel which I think is a sweet little cameo to see for those who loved the 1953 film. Ann Robinson also revived her role as Sylvia Van Buren in two other films and three episodes of ‘The War of the Worlds’ tv series in 1988.

In 1978 the most well known musical album by Jeff Wayne was produced and based off the story of ‘War of the Worlds’ this album included the voices of Richard Burton and David Essex.

This was then turned into a concert musical which tours annually through out the UK and Europe, the concert includes live performers such as Carrie Hope Fletcher but also a 3D hologram of Liam Neeson. It also includes a mix of computer animation, pyrotechnics and a big mechanical tripod that comes out on stage and lights up and can fire its heat-ray.

(Source: Birmingham Mail.)

There have also been several Tv series, the two newest being the 2019 BBC version staring Poldark’s Eleanor Tomlinson and Full Monty’s Robert Carlyle, that has a Edwardian setting and follows closely to the novel.

The other being the FOX 2019 adaptation that is set in present day Europe but I found this version didn’t really go off the novel, and was frustrated with the lack of the famous Tripods. (Source: https://en.wikipedia.org/wiki/The_War_of_the_Worlds)

As a kid I would watch the 1953 film with my mum all the time as its one of her favourites and I do really like it, but then 2005 rolled around and in comes Steven Spielberg’s version. To be fair it was probably 2006 when I finally saw it, I was nine years old at the time and I remember my dad bringing home the DVD that someone at work had lent him. I don’t remember watching it but I do remember having nightmares for a month after, only for a month though. Many years later when I was half way through high school and getting more and more into film my dad then bought the DVD from Woolworth's before it shut down, the DVD didn’t have a case only a see through CD case so I think it only cost him something like 50p. So I re-watched and again I don’t really remember this but all of a sudden I was hooked, and it climbed to the second spot on my favourite movies list where it still sits today. Honestly if you asked anyone I was friends with at that time they will tell you just how obsessed I was with it.

I have many scenes that I love in this film the first being the rise of the first tripod, but there are two that I geek out over every time.

The first scene being the one in the basement at Robbie and Rachel’s house, the scene starts off with Ray asleep in a chair. He starts to stir when when a blue flash of light on his face, but then jolts up right at a load whooshing noise followed by closely by Robbie shooting up from just below the camera. I love the way that Robbie appears sort of fits with the sound that’s heard, also the whole mood of the scene which is pitch black with this blue flashing light every now and then. The fact that you’re just as clueless as the characters as well, you find out what’s happening when they find out. Also the way that Rachel appears behind the basement stairs, which will appear again near the end of the movie in a much more damaged basement which shows just how much their world has changed in just a short few days. The sound design in this movie as well is something that I love, I love when the sound in a film alone can creep you out. The tripod sound is one of my favourite sounds to exist, like if I heard that from outside I would be so creeped out and scared. At this moment in time Robbie and Rachel have no idea what is hunting them or what Ray has seen, Imagine running from something and seeing something completely destroy the whole of your neighbourhood yet not knowing what it looks like. This is what runs through my mind when I heart Rachel cry “Is it them, Is it them?!” Then the next morning when Ray goes upstairs and see’s that the house is just completely destroyed by an aeroplane that has crashed down in the middle of the the housing estate. This Boeing 747 was a out of use plane and the production crew bought it for $60,000 which then cost them $200,000 to transport, it was then broken into pieces and houses were built around it. Which just shows how far some movie productions will go to make a film look more legit. (We love practical effects in this house.) This scene is still set up at Universal Studios Hollywood and can be seen on the Studio tour.

(Basement and Plane crash scene.)

My second favourite scene, which is one of my all time top favourite scene ever with no surprise is the dock scene. The speeding train that’s on fire is absolute stunning in every sense but for me the scene starts when the music starts. ‘If I ruled the world, everyday would be the first day of spring.’ But i’m really glued to the screen when Rachel starts to follow the birds coming in from the river to in land, she follows them up to the hill where she notices the tree’s on the top are moving weirdly. “The tree’s are funny.” She then reaches out and grabs onto Rays hand who was talking to a friend. Robbie turns to the hill as the camera slowly comes back and shows Robbie also turning to look at where Ray is looking. (Just remembering that this is the first time Robbie and Rachel ever see the tripods.)

The camera then shows us what the family is looking at to reveal a tripod stood on the top of the hill, it then moves one of its legs which crushes a tree and makes everyone else look back. Obviously chaos ensues from this point on, everyone running trying to get onto the ferry to get away from the impending doom, unfortunately we learn that no where, not even on the water is safe. As a tripod comes up from out of the water and attacks the ferry, the family manage to escape and get to land on the other side of the ferry. They stop for a moment to catch their breath as people are being picked out of the water below them, they turn as a old air raid alarm is heard on the other side of the hill and we see tripods coming over another hill that was filled with people and using their head rays to wipe them all out, we also see in the distance a lighting storm indicating more Martions are still coming to earth. The scene is like a depiction of all the stages of the attack. (Dock attack scene.)

I mean all the action scenes in this movie are just so beautiful and amazing, but did we expect any less from Spielberg? And the CGI and practical are all done extremely well and fitted together to make a scene look as real as possible. One of the art directors that worked on this film, Doug J. Meerdink who has also worked on Jurassic Park: III, Cloverfield and Jurassic World.

I was looking up some trivia on IMDB for this movie and found that there was a deleted scene that is called the ‘Camelot’ scene. This scene is supposed to take place between the attack on the ferry and the battle on the hill, it involves Ray, Rachel and Robbie walking through an abandoned housing estate that’s named Camelot, when a pack of tripods start walking near by. One of the tripods breaks off and the family has to take cover behind a SUV, they watch helplessly from behind as the tripod reaches into the house and grabs people from the houses. This scene has never been released but apparently it was fully finished, VFX and all but then taken out a few weeks before post production was wrapped up. There is only one official video from this scene that was in the actual trailer for the film, and it’s only a shot of the family hiding behind the SUV.

The only other shot from the scene is this landscape shot of a CGI tripod.

There are also photos of the set designers setting up the miniature of the housing estate to shoot this scene, the rest are fan arts of how the scene maybe looked/ played out. (Source)

I really hope that one day Steven releases this scene, or for some anniversary adds it into an extended version of the film like we’ve seen for other films. Because I would love that so much! It seems like such an incredible scene, and to see the tripods up this close again would be so cool!

One of the trailers that was released for this film doesn’t have any of the film shots it in, It takes place in a normal neighbourhood where people are just going about their normal nightly routine when suddenly over the hill there are all these brilliant flashing lights, everyone's just coming out of their houses in their pj’s and standing in the street marvelling at this sight in front of them. Then we see explosions and suddenly heat rays are blowing up the tress on the street which then goes into the title. I just love this, a trailer that doesn’t give anything away from the movie but creeps you out enough to be invested. (Trailer.)

All in all it’s just an very visually pleasing film, it feels real enough to give you a sense of fear for the characters and for yourself. I also love that Steven stayed true to the source material,more truer than some of the other adaptations and also added in his own little Easter eggs. The sounds, the aesthetic, the colours just everything comes together so beautifully. I think its a very underrated movie that deserves so much more love.

#war of the worlds #war of the worlds 2005 #robbie farrier #ray farrier #rachel farrier #steven spielberg #movie #film #film talk #tom cruise #dakota fanning #justin chatwin #the war of the worlds #not really a film review #i just wanted to talk about my love for this film

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revchainsaw · 3 years

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Nausicaa and the Valley of the Wind (1984)

Prayers and Salutations Cult Members! I am your mysterious minister Reverend Chainsaw and this is another nights revival service at the Cult Film Tent Revival. I bring you a special word tonight. Tonight's word is about a person who roamed the earth, in a time where people were backward and warlike. A leader emerged into a kingdom full of eschatological expectation. This leader came preaching peace, and was killed for the sins of the world, but was resurrected. In that resurrection a new hope was brought to the planet, and true healing through the power of love in the face of violence is made possible. I am talking of course about Princess Nausicaa from the Valley of the Wind.

The Message

Nausicaa and the Valley of the Wind is the film that put studio Ghibli and Hayoa Miyazaki on the map. No animated feature this grandiose and epic had been achieved by 1984, as much as Disney may beg to differ. The tale may be simple, and it may feel super 80s to us today, but Nausicaa is a masterpiece, and the fact that Howl's Moving Castle is brought up alongside Princess Mononoke and Spirited Away more often than Nausicaa is a farce and a tragedy.

The film takes place on a fantastic planet that seems to have suffered the ravages of an apocalyptic war. A war that involved gigantic warriors with powers so devastating they about made the entire planet inhospitable if not uninhabitable; save for a few areas. The fall out of this ancient war has left the earth in a state of repair, where the natural processes of a planet healing has creating giant toxic jungles.

Beyond these jungles lie two imperialistic factions, they seem almost to be city-states but it's not terribly clear. The Kingdom of Tolmekia, a militaristic proto-fascist society of almost Spartan sensibilities. Tolmekia is governed by the ambitious and cynical Princess Kushana, But I like to call her Furiosa. Just like Furiosa, Kushana is physically missing parts of herself, a visual metaphor for her metaphysical lacking and the parts of her humanity she has cut away. Kushana's world view is one of fear, a fear that can only be quelled by waging a genocidal campaign against her enemies.

Speaking of enemies, the Athens to Tolmekias Sparta would be the Pejite Kingdom. The Pejites might like to view themselves as simply responding to Tolmekian aggression, but the narrative of the film, and the story told quite visibly on the body of Kushana, is quite different. The Pejites are just as bloodthirsty if not more palettable in their approach, but like the Tolmekians, they believe only their own lives have any value. And thus, in this theatre of war, a Giant Warrior from the ages before is unearthed by the Pejite Kingdom, Stolen by the Tolmekians, before the forces of nature themselves, seem to conspire to drop the Giant Warriors "egg" right into the Valley of the Wind.

The Valley of the Wind is populated like the world of Avatar the Last Airbender, that is mostly of children and the elderly. The people of the Valley have been able to remain untouched by the ravages of war and the toxic jungles of the damaged world primarily due to geographic luck that's explained in minor exposition in the film. They are ruled by a King, and they are all deeply enamored by their beloved Princess Nausicaa.

Nausicaa is a gentle soul. She is kind to animals, she is empathetic, unreasonably patient, and bears pain and grief inflicted on her out of cruelty with a saintly understanding. She really is a thinly veiled Christ figure, scratch that. There is no veil. But she's also my favorite Christ figure. She does not preach a message, as much as she tries to save everyone from their own short sighted goals. She is not perfect, she does lash out and do some fantasy sword fight murder, but she regrets her actions so deeply that it seems to have played a part in motivating her to become even more compassionate and patient with the evils of the world.

Nausicaa discovers yet another plot by the Pejites, who are afraid of the possibility of the Tolmekians awakening the Giant Warrior, to use animal cruelty to enrage a group of almost invincible giant insects known as the Ohm. By luring the Ohm into the Valley of the Wind where the Tolmekians have become an occupying force, they hope to completely wipe out everything that threatens them. The Tolmekians DO awaken the Giant Warrior and pure pandemonium ensues. Nausicaa manages to save the Baby Ohm and calm the rage of the bloodthirsty Ohm swarm, and to defeat the warlike tendencies of both the Pejites and the Tolmekians. All the while fulfilling a prophecy fortold about a messianic savior figure called the Man in Blue.

Now that you have heard the Gospel of Nausicaa, please stand to receive The Benediction.

Best Character: Half a Person

Now that I've spent the better part of this review gushing about our Lord and savior Nausicaa. I have to admit, she's at times a bit too perfect, a bit too saccharin. Even her flaw, or her one weakness and her failing to be perfect, just adds to the perfection. I can't even say she never makes mistakes cuz she made one, and that's infuriating. It's even more infuriating that I still think she's a great character. Normally this kind of thing really kills a hero. Most Chosen Ones are the most boring and least likeable characters in their narratives. I don't know how Nausicaa avoids this trap, but she does. I'll have to do some meditating on that.

However, just like in your typical Chosen One fantasy narrative, the hero is a lot less fun than the villain. I'm going to say the best character in Nausicaa is Kushana. I want to be like Nausicaa, but I don't understand her. She's almost alien, even though we learn all about her. Kushana is mysterious, secretive, and enigmatic, yet I understand her. She barely has an arc, she doesn't really change. She's cold and cynical to the bone, but I don't need to see much of her situation to completely understand why she is the way she is. I usually hate totalitarian bad guys, but Kushana I like. Sue Me.

Also fun fact, did you that Nausicaa means 'Sinker of Ships'. That's kinda fun.

Best Scene: Spoiled for Choice

I'm going to be lazy and say take your pick. There is really not a bad seen in this movie. If the action isn't going, then there's intriguing dialogue. If there's no dialogue then you may be about to get hit with a forceful burst of whimsy. There's horror, there's swordfights and aerial dogfights. The only thing in Nausicaa I don't like to see, is the bloody tortured Ohm Baby. It's like a god damned Sarah Mclachlan commercial.

Best Creature: Foxy Shazam!

The Ohm are so simplistic yet so detailed. The number of eyes is alien, but the way they are used is expertly expressive. Who'd think you could get me to love what basically amounts to a silverfish with the intensity that I love a kitten. How did Miyazaki pull an Okja with a creature that should be haunting our dreams? I don't know.

And what about the Giant Warrior! If you are an Evangelion fan then you probably already know that Hideaki Anno designed and animated the melting goopy biomechanical beast. Surely a sight that would make both H.R. Giger and Clive Barker giddy with excitement. Just the image of the silhouettes marching amidst the desolation of the old world is burned into my brain.

So which of these is the best creature from Ghibli's first outing? It's fucking Teto. It was always gonna be Teto you idiot. Just look at Teto, he's adorable. He's too cute to exist. I'm so alone. I need a pet.

Best Character Design: Tolmekian Regalia

I originally included this category to talk some about Kushana, however, at that time I also thought I was going to say Nausicaa was the best character. I thought hard about deleting it, but I think it's a different category and you can't accuse me of playing favorites because my favorite character is clearly Teto. Just to keep it simple. It's the two costume shift from full military regalia in white and gold, to the one metal arm, warrior princess get up. It's a great costume and a great look. Get on this shit cosplay nerds. It's great for Cons in Canada, you have to think about layers, and you can't keep going as Mr. Plow. It's lazy.

Best Excuse to Talk About Patrick Stewart's Character: Lord Yupa

I just realized that I was about to write this whole review without talking about Lord Yupa. Lord Yupa is a sword saint and all around badass I think a lot of entertainment, especially in the west is lacking bad ass old men. Lord Yupa particularly shines in the early half of the film as a warrior and as a wise council to Nausicaa. If she's Jesus then Yupa is John the Baptist. He is also voiced by the elegant and eloquent Patrick Stewart. He also comes with 2 chocobos!

Worst Character: For Whom Asbel Tolls

This might also be the worst actor category as well. Actual Cannibal (haha meme) and actual monster (haha real life) Shia Labeouf doesn't so much act in the role as he read the lines and it was recorded. The good news it doesn't effect the film too much because Asbel is completely forgettable. He is a catalyst to some of the action, but besides that I don't really care for him.

Worst Aspect: To Be Fair ...

It would be unfair to completely ignore anything negative about Nausicaa. I have already mentioned in many places that there are some pretty corny, or pretty predictable tropes to this movie. But what I can't capture in words is exactly why it feels fresh when it's done in this movie. I suppose that's what makes it good. It's just so good that it's weak points are lifted up by it's strengths. Some people may bored of Nausicaa's unyielding goodness, or that she very rarely chooses to take action as much as she chases and pleads with her surroundings, but I mean, she does pay for that eventually. It's a fantasy story and it hits a lot of timeless themes that have been hit in stories for as long as human beings have been telling stories. Some people may feel that it doesn't do enough to stand out.

Summary

I have defined the S tier for myself as "near perfect and personal favorite" films. I like to think that Nausicaa and the Valley of the Wind is near perfect. Some may say that it looks like it might just be a personal favorite. In the case of Nausicaa, I'm having a very hard time telling the difference. I think it would be overly simple to claim that Nausicaa is just an ancient archetypal heroes journey with an 80s anime coat of paint. I think it's doing quite a few new and interesting things with that formula, those things are just playing out all around that narrative as opposed to being at it's center. For a first full length outing by the studio, you can really see Miyazaki's heart and the values he holds close to. I'll repeat myself so that we are completely clear on the matter. I think Nausicaa and the Valley of the Wind is a near perfect movie.

Overall Grade: S

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dreamerwriternstargazer · 4 years

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In Defence of Team Purple Lion

Voltron: Legendary Defender and its final season remains as one of the most poorly received children’s shows in the past decade. The show was a reboot from DreamWorks of the popular Voltron franchise owned by WEP LLC (World Event Productions) who were responsible for the first version of the show Voltron: Defender Of The Universe (1984), an adaptation of the anime show GoLion by Toei Animation. It initially started strong when released in 2016, with a premise that of a typical mech-centric kids’ show; 5 pilots of 5 robot lions coming together to form one big robot (Voltron) to fight against a big bad alien villain in space, however despite the formulaic appearance it proved to be a captivating watch with detailed and beautiful animation as well as surprisingly deep subject matter. The themes and messages of the show touched on darker topics such as racism and genocide with the backdrop of a complex portayal of war while still balancing it with the light-hearted and goofy dynamics of the diverse main characters, played by a diverse cast. Produced by Lauren Montgomery and Joaquim Dos Santos, both of whom had worked on the acclaimed Avatar: The Last Airbender and Legend Of Korra, the story set up promised an equally deep and intricate story for VLD as had been the case for ATLA and LoK, as a result the show attracted a large and varied fan base beyond just children, many fans adults eager to see how the story and darker themes would be resolved as well as how the minority representations would be treated.

The final season released on Dec 14th 2018 came as a great shock to fans, not only were they intensely dissatisfied with the ending, virtually no one from any area or sub fandom was happy with the season as a whole and at the time of this article’s writing it has lower than a 6% rating on Rotten Tomatoes. The show and its producers faced massive criticism over insensitive representations of minorities, an unsympathetic and condemning end for an abuse victim despite redemption for their abusers and a disempowering arc for the main woman of colour character in which she was sidelined and dismissed by her male counterparts up until her sacrifice. The core themes and messages of love, forgiveness and acceptance regardless of race were completely subverted, instead conveying to an impressionable Y-7 and above audience the opposite; heritage and race define a person rather than their own actions. As well as fans, many parents of kids who watched the show expressed unhappiness with the final season due to the toxic and regressive messages it sent. Soon after the season dropped a petition emerged to “free the original season 8 of Voltron” due to the belief that the final season was in fact an edited product of what the creators originally planned. This belief was sparked by visual inconsistencies in the season itself, the audio description not lining up with the action on screen (now fixed), one character not being played by her voice actor but her voice actually another character’s with the pitch turned up as well as comments from the cast and animators, now deleted. The strongest claims of edits were made by Tumblr user Leaking Hate in her initial meta Chasing The Ghosts Of Season 8 and the follow up, a more detailed breakdown, Seek Truth In Darkness in which she presented an alternative story that had been edited and cut down for reasons then unknown, with narrative and visual evidence from the season itself to support her argument. She and a few other fans officially came together in February 2019 to form Team Purple Lion, a team of analysts dedicated to finding the truth behind the disaster of the final season. However, since the fandom had had a poor history of harassing the show’s creators over ships (romantic relationships between characters) most attributed the poor story and resolve to an attempt to keep things neutral romantically between characters in a poor bid to please everyone. As a result the petition and campaign were merely linked to lack of shipping satisfaction for the fandom and dismissed as more toxic fandom behaviour that had been displayed previously by many fans.

Petitions and campaigns like these are not uncommon after a show or film’s ending, similar situations might be the HIMYM backlash in which fans were so unhappy with the ending of the show that there was a petition for an alternative ending, as well as the petition to Warner Bros regarding the Snyder Cut of Justice League. Both of these have actually succeeded with the Snyder cut of Justice League set to release in 2021 and the HIMYM DVD box sets containing the alternative ending, however what makes the Free VLD s8 campaign now led by Team Purple Lion unique is its claim that there’s an original finished product that the creators intended for release but was edited after completion to produce the poor final season that was released on Netflix. Often corporate meddling in creative works is common but it has not been documented before as a post production occurrence changing the finished work, it’s always taken place pre-production as was the case with Disney and Colin Trevorrow’s original script for ep. IX or during production, in the case of Justice League and Zak Snyder.

Since the start of the campaign in Dec 2018 there’s been continuous investigation and action taken by TPL to provide proof for their claims and the movement has evolved into a fight for creators’ rights, still active now a year and a half on. Their investigation early on resulted in discovering the IP holder (those who own the trademark) WEP as the ones with control over the show and therefore responsible for the released edited season 8. They’ve since defended DreamWorks and the showrunners from criticism in favour of requesting WEP and specifically President Robert Koplar, self proclaimed “steward of the property” for the original season 8 by the showrunners that was not released. There’s also been strong advocation from TPL to keep the protest against WEP’s interference with the creative team’s work peaceful to avoid dismissal and belittlement due to prior instances of the VLD fandom’s toxic behaviour that often included harassment of showrunners and toxic fan behaviour ranging from abusive remarks online to death threats, after the final season rumours were flying and the EPs faced abuse from upset fans so there was an active effort to stay civil on TPL’s part.

TPL and the #FreeVLDS8 movement has continuously faced criticism and backlash since its start regardless, the response from fellow fans ranging from supportive to downright disbelief and even the showrunners stating publicly [March 28th 2019 Let’s Voltron podcast] that there’s no “alternate cut of Voltron” branding the idea as a “conspiracy theory”. Claims of harassment have been attributed to TPL and the legitimacy of their allegations questioned, one fan questioning the possibility of the edits’ execution as well as others categorizing them as fans creating a theory based on shipping fulfillment. The controversy and consistent campaign a year and a half on interested me greatly, therefore after being led back to the movement by the very comments discrediting them I approached Team Purple Lion for comment on the aforementioned claims as well as conducting my own research and investigation into them. 3 members of the team, Crystal Rebellion, Dragon Of Yang and Leaking Hate spoke to me openly about their campaign and my own research produced some interesting results as well.

The basis of their argument is set on the show’s final season being an edited product, when I asked about what pushed her to this conclusion and writing her initial meta Leaking Hate explained that a mutual friend of Crystal and her’s drew their attention to it through the story saying:

“It’s interesting, nearly ALL of the episodes had a moment or two in them where Lotor [male villain] COULD have reappeared, and didn’t. Do you think he was written in to be the savior all along, and it was the higher ups that said no, good boy Lance [one of the main characters]? It seems like, given the narrative, and even given this season, it should have been Lotura [Lotor and Allura ship name], and all that wasn’t just feels… off. And not as a Lotura stan, I mean in general.”

“And YES I had. There was a narrative gap where Lotor should have fit, but for some reason wasn’t.” Hate said, “The initial conclusion we jumped to was that Lotor had been removed in the writing stage.”

It wasn’t until another friend mentioned a key scene out of place in the story and she went back to view it that she started to suspect the season had been changed from its original state. The scene in question was one in which Lotor says “Follow me!” at the end of Allura’s dream sequence in s8 ep8 Clear Day, despite his death being established before and after this point in the story. “There was no reason for that Follow Me shot to be there,” Hate explained, “unless the action of the viewer following Lotor had been removed.” Having studied a Fine Art degree and therefore well versed in animation and visual art she was able to recognise scenes that had been edited unusually throughout the season once she actively searched for other visual evidence. The Follow Me scene as well as others she found are displayed in her Ghosts meta, all indicating a different story from the one told in the show, along with the evidence Leaking Hate presented some initial ideas on what the story was (a redemption arc for Lotor and several sub arcs for the main characters that resolved their stories and previously set up story beats).

[Image Description: A close up of Prince Lotor’s face from season 8 on Netflix, staring directly out of the picture at the viewer. There are subtitles showing his speech at the bottom of the image, saying “Follow me!” End ID]

After Team Purple Lion’s formation Leaking Hate went on to publish a part two to her initial Ghosts meta, a 21k word meta entitled Seek Truth In Darkness which contained all visual evidence of edits found in the season as well as an extrapolation of the initial story indicated by said edits. The original story appeared to resolve unfinished narratives and arcs that the released s8 dismissed and the treatment of the representations in the show better, from respect towards minorities to an empowering arc for Allura, the main female character. Despite the original season having a more positive story, negative feedback from fans has been more common than positive. When I questioned the team members on it Leaking Hate mentioned “most people who believe we’re wrong tend to think we’re wrong in our premise” Dragon of Yang confirming that “it’s usually the premise of “VLD was edited after completion” that people disagree with”. However the screenshots they present as visual evidence hint at some truth in their argument, the first screen cap shown below indicative of some poor edits made to the animation since 3 characters are essentially cropped out of the picture.

Likewise this screen cap shows a split screen visually unbalanced with 2 characters at the bottom partially cropped out as well as the character on the left side with a much larger screen space than the other characters.

[Image description: A split screen from season 8 on Netflix, featuring from left to right: top left Shiro, below him is Keith in a larger section and Allura in a small triangular section below and to the right of Keith’s section. In the middle is a section showing Honerva’s mech stabbing the Voltron-Atlas mech with purple lightning shooting out. On the top right is Hunk, below him is Pidge, and below her the top half of Lance’s face. End ID]

Seasons prior to the final had always had visually balanced split screens with each character centred in their frames appropriately, indicating these and other s8 shots like them as an anomaly.

Hate reconstructed both screencaps based on what she believed they were originally:

[Image description: A split-screen from season 8 on Netflix, featuring from left to right: an Altean pilot, Merla, Keith, Hunk’s shoulder, Pidge, the top half of Allura’s face, and the top half of Lance’s face. On the top, right, and bottom of this screencap is dark pink background with the black lines of the split-screen extending to the edges of the colors, marking out where the rest of Hunk, Allura, and Lance should be visible if the view had not been cropped. With the lines extending out, Keith’s portion of the screen is also extended, leaving a completely removed section of the split-screen remaining, which is highlighted purple in this image. End ID]

[Image description: A split-screen from season 8 on Netflix, featuring from left to right: top left Shiro, below him is Keith, below and to the right of Keith is Allura in a small triangle section, the bottom of her face slightly cut off. In the middle is a section showing Honerva’s mech stabbing the Voltron-Atlas mech with purple lightning shooting out. On the top right is Hunk, below him is Pidge, and below her the top half of Lance’s face. On the left, right and bottom of the screencap is a dark pink background with the black lines of the split-screen extending to the edge of the colours, marking out where the rest of Lance and Allura should be visible if the view had not been cropped. Keith’s portion of the screen is smaller and a small dark pink section to the right separates his portion from the middle. Below him where his portion originally extended to is a section coloured dark purple that extends a little further to the left of Allura’s portion. End ID]

Other noticeable examples include scenes with the female lead Allura where her proportions do not match with any prior drawings of herself indicating that she was another character redrawn, Leaking Hate suggested Lotor as his proportions fit each instance.

[Image description: 2 pictures of Allura in the Blue Lion from a front and centre angle side by side. On the left Allura has her eyes closed and her arms stretched out holding onto the controls, the entire cockpit is glowing blue. On the right Allura’s eyes are open with a determined look on her face, she’s slightly hunched with her arms gripping the controls, the cockpit is coloured normally. End ID]

The image on the left is of Allura from s8 ep13 and the one on the right from the same episode a few minutes later, scaled so the interiors (which are unchanging 3D models) are the same size. She is notably taller in the one on the right with her head reaching above the seat and her frame bigger, with wider shoulders and thighs.

These are just a few out of the many examples of edits made that Leaking Hate presents in her metas along with her reconstruction of the original season based on what each edit indicates. While the reconstruction is to some point subjective, the visual inconsistencies are clear and can be easily checked by watching the show at each point said to be edited.

The timeframe and possibility for the edits’ execution, called into question by a fan on a twitter thread (now deleted) stating “it’s not physically possible to make that many edits in 2 months and with leftover budget”, was also addressed by the team and their work. Leaking Hate clarified that “it wasn’t 2 months” that they took place in, “it was 6. The edits began in mid July”, a fact determined by voice actor Jeremy Shada mentioning in an interview released on July 23rd that he had gone in to record new lines at the time. Hate also said, “It’s less of a question of would they have time than it is, well. They did do it. It was nearly impossible. But the fact that it is done shows that they did.” She went on, “I think people misunderstand when we claim it was ‘edited’. They hear “it was reanimated”, but it wasn’t reanimated. There is NO new animation in the edited s8 at all. As far as I can tell, 99% of the edits are composed of tracing, clever cuts and sleight of hand.” This is backed up by all the visual evidence they present as well as their work, claiming absence of animation (making the story disjointed and incoherent in places) rather than new, additional animation changing it.

Crystal Rebellion added, “One thing that strikes us (I feel pretty confident speaking for everyone in this case) is that Studio Mir [responsible for animating the show] is impeccably flawless with their work. Their previous work before Voltron: Legendary Defender, and even Seasons 1-6 and most of 7 are beautifully animated. Stunning. Season 8... is not. Studio Mir also had a viewing party for VLD: S8 - and they reported that they loved the final product; so the animators saw Season 8 after it was completed. The season, however, that aired, was really shoddy animation, rough transitions, music mistakes, and what appear to be alterations to still images - it isn't their usual quality of work, and moreover, the animators have stated that they don't recognize what aired. Often we've been asked something like 'Maybe they just didn't know what scenes they were animating' or 'Didn't know the intended finished product' but in this case, it is documented that they saw the final season and that it's different from what was aired. The poor workmanship in what we see from S8 - all the edits Hate goes through to find and explain, coupled with Mir's disbelief, is indicative that the animation studio had no idea this happened. That means it 1) Happened post-production and 2) It wasn't the Studio that changed anything. Dos Santos mentions in an interview [March 4th ABTV] that they were cut and pasting mouths and moving frames around - no time, no budget, and no staff left. It was all them, after it had been completed - after Mir had seen the original rendition and loved it, that all this happened. The parallel point to that to further support it is, had this been written in the script from the beginning, we would've seen a flawlessly animated season with a painful storyline. We don't see that.”

Although Mir’s reaction to the season they viewed in October (before its official drop) has since been deleted, one animator’s response to the season 8 that was released on Netflix is still online, comparing the show to a house and stating that “every single brick of the last season is very upsetting” but “everything else is good” (translation can be found here), making it clear he was not pleased with the final product. Joaquim Dos Santos does also mention in the interview Crystal references that changes were made to season 8 after season 7 dropped, stating, “You can probably see it in the animation. If you really pay attention it’s like, it’s literally our editor cutting out mouths and puppeting different dialogue.” It’s documented that the epilogue was added to s8 late after s7 dropped however it does not have any dialogue, this statement paired with Shada’s about “still recording on Voltron” begs the question, what change was made besides the epilogue? Hate shows in her Darkness meta that Shada’s character Lance was used to replace Lotor as well as Allura in key scenes, if Shada was still recording lines (unusual since audio recording is done very early in animation production) then it would have been for these moments.

Not all criticism has been based on the editing premise however; the story they present as the original has garnered negative comments as well since it featured Lotor, a divisive character due to his moral ambiguity and previous condemnation as a killer, and predominantly focused on his redemption as well as relationship with Allura. The narrative makes it clear that Lance, the blue paladin and one of the main characters popular with fans, would not have been the focus as he was in the released season and would have been replaced by Lotor as Allura’s partner. When I brought up the claims of bias in their reconstruction Leaking Hate pondered on it.

“Do I love the story because it is Lotura, or do I love Lotura because the story makes me love it?” she mused, “I think it's all the same. I was able to pick out the original story because of my bias in favour of Lotor, Allura, and Lotura. Had I not been invested in those characters, and that ship, I would have had no reason to look. I am not reconstructing based on wish fulfillment, or what I want to see,” she asserted, “but the story I am finding happens to be a story that I love.” In regards to Lance and her analysis on him she stated bluntly, “I HATE Lance. Were I reconstructing based on wish fulfillment I would have him alone and miserable. But that is not a good story. The real story of OGS8 has Lance coming to love himself and to learn to accept Allura's friendship as equally worthy as her romantic affection. It has him grow into a good man, and it has him become Allura's right hand when he helps her save the man she loves. It is an uplifting and wholesome message for little boys and grown men alike. And I think it is equally important that we save S8 for Lance as it is that we save it for Lotor and Allura.” When I mentioned that some would find her dislike of Lance an argument against her she also added that “they are right to.”

“I would not trust someone claiming to have found the 'real' story if I knew they hated Lotor or Allura.” However she admitted, “I don't hate him all the time. I think, if the Lance we get in OGS8 is the Lance I believe is there, then I will find him tolerable, if irritating.”

While it’s true that Hate is critical of Lance and his character, the reconstructed story she presents in Seek Truth does reflect her words, giving him an empowering and sympathetic arc growing from his previous immature and womanising character into a selfless, respectful friend. The team have also put their efforts into creating and realising the story in their reconstruction of the original s8, Rise and Atone, and so far it has stayed true to what they’ve promised, addressing characters and their arcs, the only deviation made being a romance free conclusion in a bid to stay ship-neutral. Dragon of Yang explained the narrative decisions they made with R&A stating clearly, “If this was wish fulfillment, we would have stopped at one detail or another. Every character’s arc was halted and destroyed beyond reconciliation or catharsis. Every character deserves their story to be done justice, and open-endings give that catharsis VLD originally had while remaining respectful to everyone’s shipping preferences. VLD is a story of hope and growth, to deny that a character has grown since day 1 is to deny that there is a story there to be told, and that in turn denies a person out there - who likely identifies with that character - the feeling of being seen. The best thing we can do as scholars and as activists,” she concluded, “is try to recreate the vision the staff had originally made and do so with care and attention to the work they put into every line.”

As for the harassment claims attributed to Team Purple Lion by both fans and The Voltron Store on twitter, there’s not much to support them, and in fact a great deal to disprove them. The team has maintained a level of professionalism in both their work and in their conduct online, consistently citing sources and providing proof for claims as well as campaigning respectfully. Hate commented, “they seem to be conflating our protest with the general hatred being thrown around in the fandom. We've made a point to emphasize polite but firm protest and advocate reaching out through official channels.” While there is a lot of anger and hate from fans towards the show and the producers, none of it has been from Team Purple Lion. Their protest has continuously avoided and often defended the producers and voice actors, who have been regularly attacked by other fans during the show’s airing and since due to the poor conclusion, all of whom TPL have made clear are under NDAs and cannot comment freely (although it’s worth noting, they stopped actively promoting the show on their social media after the season 8 release). Instead their questioning has focused on WEP, the company who own the Voltron trademark, after discovering through a meta analysis of a VLD episode signs that they were meddling with the creators’ vision of the show and ordered them to change it against the producers’ wishes. While it was only a speculative piece, WEP’s quick reaction to the release of said meta by claiming through their Voltron Store twitter that they “do not have any influence over the creative direction of the show” despite ignoring fans for months after the season release suggests some truth to it. Twitter user Eros compiled all evidence of their involvement since then in a Twitter thread and the majority of it is damning, their denial directly contradicting statements from the voice actors and producers prior to and after s8 that confirmed they were the controlling party and had creative input, as well as the creators’ desire to tell a progressive and empowering story however not being able to because of “other controlling parties” outside of DreamWorks. WEP have also made contradictory statements to fans about the season, saying that “nothing was edited” yet agreeing with a fan that a lot was left out and a director��s cut would sell well, as well as mocking another who left a Facebook review (March 16th 2019) complaining of being hung up on, replying to them that an “imposter” answered their phones:

[Image description: A facebook review of The Voltron Store. Text from the top reads as:

Reviewer (name coloured out) doesn’t recommend The Voltron Store.

Review reads: Terrible customer service. They literally hung up on me mid sentence and it was clearly not a case of a call accidentally being dropped. Extremely disappointed by the lack of professionalism!

The Voltron Store’s reply to the reviewer: if you actually talked to us you would find we are very nice people! And we never hang up on anybody EVER - unless they make outrageous claims like Power Rangers is better than Voltron!

The reviewer’s reply: The Voltron Store I did speak to a woman who identified herself Stephanie briefly, but I will never speak to your company again. Thank you for the response but I don't appreciate being called a liar. Please see the attached screenshot for proof of my abruptly ended call back in January. I desire to have no further communication with your company now, I simply decided finally other people deserved to know my personal experience.

Below is a screenshot showing the reviewer called The Voltron Store’s number.

The Voltron Store replied: We do not have a Stephanie here. That must be the issue: you dealt with an imposter! We would review the security cam footage but it does not go back 2 months. End ID.]

In stark contrast to WEP, Team Purple Lion has responded to criticism and addressed it, as well as reaching out to media outlets to clarify and correct poorly sourced claims, however have been faced with no response. Their questioning of WEP and their requests for the original season 8 on social media have been civil; their replies to the Voltron Store posts on Twitter containing no insults or cruel remarks, the harshest only critiques on the company’s lack of tact promoting a show and its merchandise that many considered offensive and toxic due to the last season. “At no point did we set out as some kind of campaign to “attack WEP” or “demand a new season”,” Crystal Rebellion said. “We were a handful of people looking at what amounted to, to use a metaphor, a puzzle that had technically been assembled but most of the pieces didn’t match up properly. We eventually decided to take the pieces that didn’t line up and look at what the picture was supposed to be. There was no ulterior motive - we just wanted the truth. When we realised the truth and it became obvious early on that Mir had seen the original season, we became convinced there was an unedited s8, perhaps in Mir’s backup drives. People saw it, which means it was a completed product, so it became a campaign to ask for it, it’s what the fandom wants, it’s what is profitable.”

In the face of all the negative response and disbelief, Team Purple Lion have gathered an overwhelming amount of evidence to support their case, not only from the show itself but also corroborating statements from the production team and cast as well as WEP’s conduct in response to the campaign. As a result TPL have gained a great amount of support and followers from the Voltron fandom, and are still gaining more a year and a half later. “I gotta give a shout out to Cosmic Royalty,” Leaking Hate said, “a group of Russian fans who reached out to us asking if they could do translations of our work. We host their translations on our website now and there’s apparently a group 500 strong on the Russian social media site VK that supports the work we do together!” Violet Howler on Tumblr has also been a big supporter as well as new fans, recently revealing themselves in the wake of good news, the fight to get the original season seemingly won as Leaking Hate displayed in her most recent meta. In it Hate outlines evidence for the franchise’s ownership changing hands from WEP to DreamWorks and therefore the release of the original season, based on the recent repromotion of the show through articles, new merchandise from the store and the new store designs that all suggest the release, since there would be no other reason to promote a show that was a PR disaster, so universally hated. Regardless of all the opposition and discredit they have faced, confirmation of the truth of Voltron’s original season 8’s fate is expected this summer before the official art book is made available, in the form of the season’s release itself. Whether the fans will be happy with it is another story, however Leaking Hate emphasised firmly that fan satisfaction was not the point, or at least not entirely. “Nothing is perfect, and nothing will please everyone. Especially a show like VLD, with almost 35 years of legacy and fans behind it. There are people who will not like the original season, there are even some who will prefer the edited one - I’m sure the WEP executives are some of them. But it will be the season it was supposed to be, the one that was a labour of love. There is so much love and care poured into every frame of VLD, this was a story that the people working on it wanted to tell; it was more than just a job to them. It was created with love, and it was with love that we fought for it, and when it comes down to it that’s what VLD’s meta narrative was about: love.”

#articles #fandom #fandom culture #team purple lion #voltron #voltron legendary defender #vld fandom #freevlds8 #dreamworks

135 notes · View notes

atlawintersolstice · 3 years

Text

ATLA Winter Solstice 2020

ATLA Winter Solstice Exchange is a fanwork gift exchange for Avatar: The Last Airbender, in the style of Yuletide and similar AO3 exchanges.

You may offer and request fanfic, fanart, fanvids, and/or podfic.

2020 Schedule

All times are in Eastern Time (US and Canada).

October 26-November 2: Nominations are open.

November 2-11: Sign-ups are open.

November 14: All assignments will be sent out no later than this date.

December 7: Deadline to default (withdraw from the exchange).

December 14: Assignments are due.

December 21: Gifts revealed!

Rules

Gifts:

All types of gifts/assignments must be rated with one of the AO3 ratings (G, T, M, or E). Works must be newly created for this exchange, and not dependent on other works to be enjoyed.

Fanfiction gifts must be at least 1000 words. Beta readers are strongly encouraged.

Fanart should be a clean, complete work, not just a sketch. Traditional art is accepted, but should be scanned clearly. Art should include an image description (ID) for accessibility; let the mods know if you need help writing one.

Fanvids must be at least 60 seconds long.

Podfic must be of a fic that is at least 1000 words in length.

Treats (which can be given without signing up) must have a rating, but they can be sketches or below the minimum length requirements.

All creators are encouraged to carefully consider implications of their work with regard to race, culture, sexuality, gender (including trans and gender non-conforming folks), disability, healthy relationships, intersectionality, etc. Fic writers are encouraged to do research and consult beta readers and sensitivity readers; artists are encouraged to do research on whitewashing and invite others to preview their work. At the same time, the burden is not on marginalized groups. Please consult the mods if you have any questions or need assistance.

Content:

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More information:

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Recipients are invited to write Dear Creator Letters, provide optional prompts, and share the tropes, etc. that they enjoy. You are not required to use the optional prompt or include your creator's favorite things besides the character or relationship tags they used to sign up. You ARE required to comply with the recipient's Do Not Want list as provided in the optional details section of their sign-up, along with the "Content" rules for this exchange. Please see the Rules for more details on permissible gifts. If you are writing fic, you are encouraged to use a beta reader. The mods can help refer you to potential beta readers.

Defaulting and Pinch Hits:

If at any point you realize that you are unable to complete your assignment, please click "default" in the AO3 assignments page ASAP. If you default after the deadline to default, but before the assignment deadline, you will be required to post a treat before you can participate in the next Winter Solstice exchange. You are encouraged to default out of caution sooner rather than later. If you default, then it turns out that you are able to create a gift, you can still give it. (Your recipient will receive more than one gift in that case, both your gift and a pinch hit.)

Extensions are granted on a case-by-case basis and are intended to account for last-minute emergencies. Extensions must be requested at least 24 hours before the assignment deadline. If your gift giver defaulted on your gift, and you have been granted an extension, you will not receive a pinch hit until you have completed your assignment.

If you do not submit your gift without communicating with the mods, submit an unfinished work, delete your completed assignment, disrespect other participants, fail to comply with your recipient's DNW list, or fail to comply with the content rules, you will not be allowed to participate in next year's Winter Solstice exchange.

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Treats:

Treats are bonus gifts. You do not need to be signed up for the challenge to give a treat, you just need an AO3 account. You can submit your treat by clicking "Post to Collection." You can find inspiration for treats by looking through the Requests Summary on the challenge page, or if a pinch hit opportunity is sent out. Even if someone else has claimed the pinch hit, you can still create a treat for the pinch hit, or a treat based on a request that is being fulfilled and hasn't gone to pinch hitters. Treats can also be shorter than gifts/assignments; see the "Gifts" section of the Rules.

Gifting

To honor the "surprise!" spirit of this exchange, please do not post snippets, details, sneak peeks, etc. of your work. All gifts will be revealed on the Winter Solstice. Likewise, honor the gift-giving spirit by thanking your gift giver!

Acknowledgements

Credit to Yuletide, Holly Poly, and Mistletoe exchanges for inspiring much of the format, rules, etc.

#atla fic #atla #fic exchange #fanworks exchange

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isazulabaeorwhat · 4 years

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Spill the tea, what's the deal with you and the BSG group (avatar-chang and her squad in particular)?

Ok anon, sorry for taking so long! I wanted to get everything right and honestly collecting the posts took a longass time xD

Anyways, the only ones I have a problem there are avatar-chang, hexful/dykesia/bizukos, catrademption, cardboardseagulls (never seen interacted b4) and bizulas (also never interacted b4).

I’m going to be really transparent about this whole thing so it’s gonna be long as there’s gonna be several links and I’ve included the dates so it’ll be easier to understand. Since I’ll be fully transparent about this, i’ll probably get hate or whatever. Honestly, I just want to put everything out there without being biased or hiding anything. I’m going to disclose everything here.

So, the whole thing between me and avatar-chang started off with this post I made last year on 10 March 2019. Afterwards, she PMed me on the same day and this was the conversation:

After that, I thought the argument was over because she blocked me lmao. The only ones I spoke to about this was nbw and my real life friends (who had nothing to do with ATLA lmao I just ranted to them).

And then the next incident I think was on 16 March 2019 when I made this post about Azula’s abuse of her friends. I was new and 16. I genuinely wanted to know why people labeled Azula as an abuser. It was dykesia who responded to me at the time.

Now, unlike avatar-chang, I had a few conversations with dykesia (who was bizukos then) that was generally civil. I first interacted with her when she made a post calling out Zucest shippers or something?? I was very new. Like fresh newbie baby ATLA tumblr fan new lmao so I thought what she said was too aggressive. I didn’t realize that there were actual Zucest shippers until after some time. And then she PMed me on 13 March 2019, saying that she doesn’t always agree on characters with me but I do write some interesting pieces on Azula— that she’s a huge fan of Azula but she just tends to stay away from her fandom. I apologized about the previous incident of the Zucest thing and it was fine after then. We talked about zuko, the fandom, the comics, Mai etc etc. I thought we were on fine terms.

And then I made a post about the cliff scene in the comics on 16 March 2019. Avatar-Chang made a post that was pretty directed at the post but it seems like she’s deleted it.

On 17 March 2019, I received an anon mail telling me that avatar-chang was talking shit about me behind my back. I censored her name then because I didn’t want to believe without any evidence. No one sent me any screenshots about it so I just dismissed it.

On the same day, avatar-chang answered an anon and talked about the 13 child post theory I made on 9 March.

On 23 April 2019, I received another anon mail about avatar-chang, asking if I’d seen the post she made about Azula. I censored her name again cuz I didn’t want to start any shit over having differing opinions. I’m assuming this is the post the anon was referring to.

On 28 April 2019, dykesia/hexful/bizukos PMed me to ask if I was talking shit about other people behind their backs, and her. I denied this because I hadn’t. This was how the conversation went:

Yes, I didn’t censor any name because as I said, full transparency. I have afp blocked because we’ve clashed several times and he’d still come for my posts last year despite already being blocked. If you’ve followed me long enough, you probably would’ve rmbered that time lmao

Anyways during then, I don’t think I realized that dykesia was actually being passive aggressive. It’d been barely a year since I started the blog and I just didn’t want to full out make enemies. Reading the messages now tho lmao she really was passive aggressive. But yeah then she said this in bsg so I don’t even know why she bothered to ask me if she wasn’t even going to consider believing me.

The 9th of June 2019 was the last time she messaged and it was to ask if I mind her discoursing this Zuko post while ‘hard and drunk’. It was the first time she could apparently agree with me so it was I quote a ‘Yay??’. Afterwards I don’t know when she did it but she blocked me lmao

On 17 July 2019, I received another anon mail telling me that avatar-chang publicly called me a bitch when she was answering an anon about me posting the scans of the EK Chronicles. She mentioned this in bsg again on 19 April 2020 lmao (she’s that petty) it seems:

On November 8 2019, an anon (one of avatar-chang’s friends actually) asked about my thoughts towards the allegations against Aaron Ehasz. I still believe in the system of ‘Innocent before proven guilty’, so I didn’t side with anyone. I tried to be as objective as possible. When I said that I hoped men would also come forward, I said that because I don’t want men to just sit on the sidelines and let the women get the heat if they were telling the truth. At the end of this whole thing, I concluded that Ehasz was a dick of a boss to the girls. Being called an abuser carries more weight than just being a dick. Everyone has been a dick at one point, but being an abuser is something else. Just because Ehasz was a dick doesn’t mean I’m going to stop watching TDP or dismiss his involvement in ATLA.

The next day, BSG brought the issue up despite both avatar-chang having already blocked me by then lmao

On 5 February 2020, after Legacy of the Fire Nation came out, I made a post calling out Iroh’s bs to Azula (guy literally blames Azula for everything that happened to Zuko (something which avatar-chang agrees with apparently, and Iroh even sees Ozai in a better light).

That’s so far what I’ve remembered that involved avatar-chang and dykesia.

Moving on to the next three attackers: catrademption, cardboardseagulls and bizulas.

I’ve seen catrademption around, but I don’t remember if we’ve clashed before. We must have though cuz she’s got me blocked lmao and I mostly only debate back to people when they reply to my posts. For cardboardseagulls and bizulas, I don’t think I’ve ever seen them them before but obviously they’ve seen my blog and misinterpreted everything I’ve written.

But according to them, I’m apparently a Azula apologist, extremist, irrational, toxic, coddles and woobifies Azula, justifies everything she does and invalidates abuse victims.

You can see the posts I’ve made to judge whether I actually am an irrational Azula apologist who blames everything on Zuko. One of the most recent posts I made about Azula’s character is this, and there’s still several more posts like that. Just search #meta or #analysis in my blog search and all of them will just pop up. I can assure you, I have never acted as if Azula has done nothing wrong or did everything right or whatever lies these people are spewing.

If anyone has proof that I’ve talked shit about people in the fandom to other people before, please, present your evidence. I highly think this is impossible because I actually don’t have many friends on Tumblr, nor do I usually initiate conversation because I’m awkward af.

I’ve also tried approaching those I recognized in bsg to find out more about the situation (and at least give my side of the story). Most of them have chosen not to speak to me LMAO but one of them who’s chosen to remain anonymous for their privacy, admitted that dykesia (hexful) forced them to block a blog before (after realizing they were interacting with said blog) and if not, they would be blocked themselves. I can’t post the conversation publicly because they’re afraid their speech mannerism will give away their identity. @space-sword has also shared his experience with avatar-chang on his blog and was pressured to cut off ties with ppb21 just to join the oh so magnificent Ba Sing Gay.

There’s absolutely no reason to judge someone based on their sexual orientation, race, color or age either. They rant about being discriminated against or being generalized or stereotypes but they’re the ones hypocritically committing these actions, and then justify their actions by saying ‘we’re oppressed, they’re not, so it’s not racism or discrimination’. And yet people still wonder why discrimination is still rampant LMAO

I can’t speak for the blogs they victimized in bsg, but I personally don’t agree with talking shit about them on a public server and then criminalizing them as if they’re actually predators. I also don’t agree with involving the blogs’ friends simply because of their association. I also don’t agree with demanding people to block blogs they don’t like because that’s just pure manipulation. That’s wrong and marginalizing people. Unless someone has actually been harassing or literally preying on people, then there’s no reason to actually go around warning blogs about them unless they’re asked about it.

If they feel uncomfortable about something? Then avoid that blog, filter their tags or even block that blog if they’re that uncomfortable—BUT they shouldn’t demand others to do the same just for their own benefit. It’s not up to them to decide what a person can or cannot see or who they can or cannot interact with. They’re not their parents, and they obviously have no right to pressure people into doing things they don’t want to. If they think it tactless that I shared the conversations? Oh honestly, a line was crossed when they spread shit about me so idc. If they actually feel terrible for being called out? GOOD. That’s what they should feel, because in no way was any of what they were doing right or justified. If they’re going to shit on me then expect to be burned because I’m not someone who’ll just shrivel in fear because they have a bigger following.

#ba sing gay #bsg

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