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#the dinghy
elinekeit-artstuff · 3 months
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Let the years we're here be kind, be kind Let our hearts, like doors, open wide, open wide Settle our bones like wood over time, over time Give us bread, give us salt, give us wine
🎶 Lyrics from North by Sleeping At Last 🎶
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mossiistars · 11 months
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hc that jon just. can't do quick kisses bc he's such an intense person
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cirrus-grey · 2 months
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Sorry just thinking about how Jon starts off episode 22 by asking "Martin, are you sure about this?" and it sounds like a bit of a dickish question but then you remember he took Naomi Herne's statement two months before and he's still having nightmares about it.
And he tries to tell himself they're not real. They can't be real, it's just his subconscious mind throwing this disturbing conversation back in his face every night. But part of him knows Naomi is dreaming this too, part of him knows that they're real, part of him knows.
And he doesn't want to inflict that on Martin. He doesn't want to inflict it on himself, seeing Martin in his dreams every night. But Martin insists, so he takes his statement.
The sheer relief he must feel that night when there are no worms in his dreams. The release of tension, the realization that what happened with Naomi was just a one-off. He's still seeing her, of course, but his nightmares are blessedly Martin-free.
Sasha, he just asks if she wants to wait. He's not worried about giving her nightmares, now.
And then Melanie comes in. And he takes her statement. And when he closes his eyes that night, he finds himself in the halls of an old, crumbling hospital, watching the ghost hunter hold her camera up to the crack in a door, and peer inside.
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This is literally just Martin in The Magnus Archives
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saintbleeding · 1 year
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[ID: A six-panel digital comic portraying Jon and Martin from TMA as stick figures, with Jon in green and Martin in blue.
Panel one: text at the top says “safehouse probably”. Martin sneaks up behind Jon who is reading. Text above Martin says “mischief” and text above Jon says “oblivious”.
Panel two: Martin has one of Jon’s arms held in both hands, biting it with very pointy teeth. Jon says “Martin.” and he grunts in response. Jon says “Martin why are you biting me.”
Panel three: Martin smiles with a halo above his head and says “Because I love you”. Jon blushes, looking down, and says “oh ok”.
Panel four: Jon sneaks up behind Martin who is washing dishes and whistling. Text above Jon says “taking this extremely seriously”.
Panel five: Jon is biting Martin’s arm. Blushing, Martin says “oh my god Jon what the fu—”
Panel six: Jon is still biting, and Martin has leaned over to kiss him on the forehead. Text next to Jon says “got a good grade in biting boyfriend” with an arrow pointing at him.
End ID.]
the affection and intimacy inherent in Just Fucking Biting Someone™
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bloodbot-brian · 3 months
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‘We make toasts with / acetaminophen bought in bulk. Kiss in the airport / terminal through surgical masks.“
-sick4sick, torrin a. greathouse
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[ID: A digital drawing of Jon and Martin standing next to and looking lovingly to each other. Jon is a fat, shorter, Bengali, transfemine person with a beard and moustache and long wavy hair that is dark brown and greying. She is very hairy all over, and has scars on her neck, arm, hand, finger, chest, stomach, and leg. She has a bit of top growth, and no signs of bottom surgery. She wears a purple lace, cropped singlet with glasses hanging from the neckline, black feminine underwear, and blue slippers. She is holding a wooden tray with two mugs, a slip of pills, and an orange pill bottle. An ng tube goes into her left nostril, with the iv stand and bag behind her and Martin.
Martin is a fat, taller, Colombian-Polish, transmasculine man with a beard and moustache and mid-length wavy hair that is dark brown, white and greying. He has vitiligo, with patches of pale skin and white hair, pink and red rashes from lupus, and is hairy all over. He wears a grey, fading Garfield shirt, long, fading blue and white striped pyjama pants, and pink and white socks. And square glasses. He is holding a purple bound and his black cane.
In the background the poem ‘sick4sick’ by Torrin a. Greathouse is written in running writing. ID END.]
Read ‘Toasts with Acetaminophen’ here
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ishipgenfics · 7 months
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Let Us Answer The Question Once and For All...
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photographss-world · 1 year
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Ya o, Muallâ’yı sandala atıp,
Ruhumda hicranın’ı söyletme hikâyesi...
Orhan Veli...
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eboyloser · 2 years
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if Martin is still alive that implicates the fears are too..
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guess what I’ve been re listening to 😬👀
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seraph5 · 1 year
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SPOILERS FOR MAG 159
Originally I imagined after John finds Martin in the lonely and they both escaped that they would go somewhere and crash. I thought it was possible that they would go to Martin’s apartment and being absolutely exhausted as they were that they would both agree to get a few hours sleep before figuring out what the next move would be.
John would offer to sleep on the couch but Martin would already be falling into bed and telling him not to worry about it and to help himself to some of his clothes to sleep in.
“Besides” John would hear Martin say so quietly he isn’t entirely sure if he meant John to hear “I don’t really want to sleep alone”
John would then return flopping onto the bed with a hint of dramatic flair that makes Martin snicker. They fall sleep almost instantly and deeply.
When John wakes up the next morning he is surrounded by a warm, loving embrace. The experience is at once uncommon and exactly right.
He pushes back the thoughts of all that needs to be done and instead turns over to watch Martin’s peaceful slumber.
****
Image ID: there are three images making up a loose comic configuration. The first image is John and Martin sleeping peacefully, Martin spooning John. John is wearing an oversized T-shirt and tracksuit pants. Martin is wearing a t-shirt and plain pyjama pants. There is a striped doona cover half covering their sleeping form. On their arms scars from the many encounters they’ve had can be seen.
The second image is a close up of John’s face as he blearily begins to wake up. The third is a bird’s eye view of Martin’s double bed with John and Martin lying in it, John having turned over to look at Martin. He’s brought a hand up to rest on Martins arm. The other is resting on his own stomach. His expression is a gentle loving smile.
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elinekeit-artstuff · 11 months
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A silly comic about the horror of being perceived by your boyfriend and his phone when you have low self-esteem.
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mossiistars · 11 months
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the sillies
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cirrus-grey · 29 days
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Thinking about Martin, in season 4, finally snapping and deciding he needs to drive Jon away from him, permanently. He can't keep chasing Martin down: Martin doesn't have it in him to push him away, time and time again. It needs to be one final break, a desperate moment where Jon finally gives up on Martin and realizes that he's beyond saving.
Except, the way Martin chooses to do this is to grab Jon by the lapels in the middle of a conversation, shove him into the wall, and kiss him. It's an assault, right? No way Jon will want to see him again after Martin forces himself on him like that.
From Jon's perspective, the guy he's been pining over for ages has finally given in to the romantic tension between them and swept him off his feet in a breathtaking kiss that'll live on in his memory forever.
Martin steps back from the kiss expecting to see Jon horrified and running away from him. Instead, he sees Jon dazed and love-struck, reaching out to kiss him again.
Jon follows him around twice as much after that. Martin is suffering.
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babiejeeves · 2 years
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excuse my absence I turned 20
have a beach episode with the kiddos, and don’t forget to wear sunscreen
bonus:
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saintbleeding · 1 year
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[ID: Five panel comic of Jon Sims and Martin Blackwood set during MAG 159-160. Jon is thin and bearded with long, curly hair and scars visible across his face, neck, arms, and hands. He wears a baggy t-shirt. Martin is fat and shirtless with wavy hair and stretch marks visible on his shoulders and hips. The whole comic is in muted purple, with their figures darker than the background, and there are faint orange highlights from an unseen window.
Panel one: they are both asleep in bed, Jon’s arms around Martin’s shoulders and Martin’s face buried in Jon’s shoulder.
Panel two: Both awake, they gaze at one another with sleepy smiles.
Panel three: they kiss.
Panel four: Jon beams at Martin who has his eyes closed with a shy smile.
Panel five: they are asleep again, but rather than looking tense, Jon’s expression is peaceful.
End ID.]
i wanted to draw my hc for their first safehouse kiss which, given, you know, last time, needed the just-woke-up haze to occur.
also did u know drawing jom smiling is like, really good for u, and i highly recommend it, bc i was also smiling the whole time i did it. something something enrichment
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