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#the doc makes gifs
expelliarmus · 4 months
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caelanglang · 11 months
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Post-Mission Celebration: Movie Night Afternoon (things that happen when you’re all working the night shift…)
if you squint you’ll see them breathing
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doortotomorrow · 10 months
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THE NINTH DOCTOR - Walking & Brooding
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braverytattoos · 11 months
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(#^.^")
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deimcs · 6 months
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BALDUR'S GATE III › ORIGINAL CHARACTERS 1/?
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talesfromthecrypts · 1 year
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We realized why Deborah and I have such extraordinary telepathy and why people treat us and look at us the way they do. It is because we are mad. We are both stark raving mad!
Heavenly Creatures (1994) dir. Peter Jackson
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Will the teasing of the fire be followed by the thud? [x]
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delicatepointofview · 11 months
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The Scala concert in 2020 being a turning point for Louis when it comes to his confidence in performances
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Red vs. Blue: Revelation episode 7 "And Don't Call Me Shirley"
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3416 · 1 month
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pre-overtime yapping | 02.15.24
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those--strange--trees · 8 months
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"... do try not to sulk."
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collinnmckinley · 1 month
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Rainbow Six Siege: Year 9 Cinematic Trailer (×)
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birdybirdnerd · 9 months
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👀 bifrost incident stage play????
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youve opened pandoras box my friend. get ready
okay so i had this idea back in 2019 when i first got into the mechs and specifically first heard tbi. im a theater kid and have chronic amv/animatic brain where i visualize things real easy, so when i first listened to this album i was SLAMMED with the realization that, actually, tbi is PERFECT for a stage adaptation
imagine, if you will:
inspector lyf, at his desk side-stage and in front of the curtains. stalking across the stage, talking direct to the audience as he waves the black box, setting the stage and the story ahead and theorizing as to whats going on
the first chords of odins launch speech are heard, and the curtains open wide on the exterior of the train, odin at a podium, and a crowd listening intently
during each of lyfs speaking parts (cold case/person of interest/etc), he walks across the stage and explains things, as the set changes behind him. new characters arrive, spotlights shining as lyf wonders what theyre doing there, if they were the one that sabotaged the train
in the style of kabuki theater, the stagehands are dressed all in black, silently moving the set around the actors, changing things and completely invisible, the audience accustomed to ignoring them at this point
lokis song comes, and the whole time she sings, she is beset by these stagehands, dragging her around like another set piece, harassing her, interacting with her but still invisible to everyone else. sigyn tries to get her attention during her song, tries to pull her into their wedding dance- but the stagehands keep pulling loki into dances of their own, all while sigyn has no idea why her wife wont so much as look at her
losing track, lyf is losing track and the suspects are lined up onstage, singing, taunting as lyf stalks among them, grabbing their arms and faces and demanding answers. as he loses his mind, falling into despair, they turn to him and grab him back, pull him down, yell the only words they have left at him as he despairs.
the live band is dressed in theme, all steampunk-ed up, on a mini stage off opposite lyf with minimal lighting on them, until- expert testimony comes by, lyf bemoans having to go to the imprisoned bandits that annoy him so, as he crosses the stage, only for the lights to rise on the band and guess who theyve been the whole time!
red signal. lyf stands center stage, frozen in place as he chants, summoning that squamous something from beyond the veil, as those stagehands, all-black, all-invisible, shift and change before the audiences eyes, pulling out rainbow scarves, makeup once hidden shining bright and vivid in sudden black light. they dash off the stage as the rip between worlds widens, run amok the audience, slamming through doors and screeching as lyf voice raises higher, higher, until-
intermission
and when the audience comes back, the stage is... wrong
more black light, the set has warped and twisted. rainbow lights shimmer brighter on the backdrop, splashing in pools on the stage and the actors faces. the stagehands run free now, the monsters from behind the veil, the unholy things now attacking the actors directly, tearing them apart as the train falls into chaos
thor confronts the all-mother, transformed; she stands at the top of a podium now, the top of a platform while her costume has expanded around her, grandiose robes melting into a massive, writhing puppet manned by the stagehands, a bright and staring eye projected behind her head, staring at the audience, watching. thor fights off the hands, loses, and finally throws his hammer at the eye- replaced with a bright, white crack as the stars claim them both
loki and sigyn share a final tender moment in the engine room, they get their dance in before sigyn slips the line into her wifes arm. they share a final kiss as the curtains close on them, leaving...
lyf, standing center-stage. bottle in hand, exhausted, terrified. he bids the audience good luck, laughs wryly about the bandits disappearing - at some point, the live band quietly disappeared from their side-stage - and slips behind the curtain
terminus
the radio static fizzes, and as we hear the panic spread across the galaxy, the curtains part for bows. the bell tolls, flashing that bright, staring eye back as all other lights go off, plummeting everyone into dark and stark relief
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so yeah, ive thought of this a normal amount
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expelliarmus · 1 year
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knickynoo · 1 month
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Back to the Future Part III (1990)
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falmerbrook · 15 days
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Snow Elf culture?
*pulls up a chair*
Perhaps...
A wee disclaimer that I'm not particularly good or creative with developing cultures or societies, but my brain has just latched on to the snow elves in a way where I can't stop myself. But anyway
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I developed a lot of this because of a big ass draft for a fic I've been writing on and off about Gelebor and Vyrthur, so a lot of my headcanons are religion heavy. I'll start there:
Gelebor seems to place Auri-El and the Chantry of Auri-El as having significant importance to the Snow Elves over the other gods/temples. He's probably got a bit of bias in that regard since he's devoted his life to Auri-El, but in order to differentiate their religion from the other elven ones I like to think that their religion in general worshipped Auri-El as not even just as the figure head of their pantheon, but almost monotheistical, while the other gods (Trinimac, Syrabane, Jephre and Phynaster according to Gelebor) were like minor divine figures or just legendary heroes even more than in Altmer myth, depending on the interpretation. My idea is that if their culture had been allowed to continue on, it would've eventually become monotheistic, but by the arrival of the Nords they were in a bit of an awkward transition period with it.
I also like to lean into the sun motif with Auri-El that they established in Dawnguard and with Auriel's Bow, partially because it's another thing to make their depiction of him more unique, and in part because it makes some very juicy irony for Vyrthur. Some ideas include:
- The more religious folk tend to pray at noon when the sun is at it's highest. - The two biggest snow elf festivals happen on the summer and winter solstices. As far north as they are, the summer solstice is during a time of year where the sun barely sets and the winter one is during a time of year where it barely rises. The summer one is more jovial and celebratory, with a grand feast. With almost 24 hours of daylight, the festivities last up to three days straight, with folks commonly staying awake for over 24 hours. Most of it is spent outside, with the celebration being focused on making the most of the weather and daylight hours to spend as much time in the sun and the light of Auri-El as possible. The winter festival is as large scale but lasts longer and is lower-key. It also involves a feast but features more winter foods and meat and alcohol. It is more pensive. At this point in the year, there is no full daylight, and so this season is seen as a test of one’s faith and mental fortitude. This festival acts as a break from this trying time, taking time to relax, build community (a strong community will allow them to make it through the winter and strengthen their minds), and bond with family and friends. It is about a weeklong break, where leading up to the festival everyone works harder to prepare for it and allow themselves to have the break. There are activities and festivities, but they remain indoors for the most part and are smaller. - I've referenced this before, but with long winters with little sunlight (due to harsh weather and short days), they see that time of year as a reflective test of will and faith.
Due to their proximity to dragons, it was hard to miss the connection between Auri-El (/Akatosh) and dragons, and so their depiction of Auri-El is either much more influenced by the iconography of dragons, or is a dragon (although their depiction of dragon Auri-El is much more benevolent than the Nord/Atmoran one). I got the idea for this one from this Reddit post (i know I dog on Reddit a lot but this one has got some fun stuff in it, even if it's a bit out there)
^On that note, later in the timeline (post Dragon War (the timeline is very fuzzy on when this and the Night of Tear happens. They are both sometime vaguely in the late Merethic Era I believe, but it's unclear which happens first or how long each conflict is)) some Snow Elves see a sort of unreturned, unofficial comradery with dragons, seeing themselves as both on the receiving end of the Nord's/Atmoran's brutality (disregarding whether it was warranted or not in the context of the Dragon War).
Ok here's some more general cultural ones:
I mentioned my reasoning for this in this post, but I like to think their general settlements were not as permanent, with a larger focus on wood and building into the sides of hills (good for warmth), while their temples tended to be made of stone and much more permanent. This is why there are so few identifiable Snow Elf ruins across Skyrim. Their cities and towns were easy to wipe out, scavenged for resources, or were in good places for Nordic cities (perhaps Bromjunaar was originally the site of a Snow Elf city?), and their temples were either very hidden (e.g. the Chantry of Auri-El) or eventually converted to Nordic temples.
I love this journal in general for gleaning ideas for Snow Elf headcanons for, but one interesting this is the use of "Old Ones" and "Young One". They're treated like established titles. From that I like to think they place a lot of emphasis on the respect of those older than you. The social hierarchy and whose opinions are most valued is heavily influenced by age. Folks call anyone older or more revered “Old Ones” as a term of respect, and anyone younger than them “Young Ones”. Old One is almost never used in a demeaning way, but Young One can be (not always). Typically, “Old Ones” is used in the third person (e.g. you wouldn’t refer to someone directly as “old one”) whole “Young One(s)” can be used as an epithet for someone directly or in third person.
When thinking about death/"burial" customs (needed for some scenes in the fic I'm planning), you have to consider that there probably wasn't a lot of land in a place like Skyrim where someone can be buried. Nords intern their dead in crypts or burn them to get around this, and I like to think Snow Elves participated in something akin to sky burials (at least sometimes). After preparation, the departed's body is left outside on a ledge, cliff, or the temple balcony to be scavenged by birds. This is seen as a metaphorical return to Aetherius, while their soul literally returns to it. They do this even in poor weather or deep winter. If it doesn’t thaw and rot/be scavenged until months later, so be it. The length it takes to rot is considered indicative of how long it takes for the spirit to let go and move on (not in a bad way though. It’s interpreted more in the way of the soul or body grieving). It's seen as if they may wish to wait until spring to finally rot if they want to experience one more warm, sunny day.
Food (I mostly wrote this in my notes in the context of the Forgotten Vale and Chantry of Auri-El, but I think it could work elsewhere as well to an extent): Plant-based food is grown in gardens in the spring and summer, and that that is able to be stored is carefully preserved through the fall and winter. Winter foods include some nuts, dried vegetables, and dried and preserved/fermented grains (like wheat, barely). These foods must be eaten slowly throughout the winter to last, and winter diets are more meat based. Summer foods include apples, cabbage/lettuce, leeks, tomatoes etc. Snowberries can be found in the wild out of season of most other fruits, and provide fruit in very early spring. Occasionally, fungus from caves is harvested, but this is seen as a delicacy (foreshadowing).
Ok, that's it for now. I gotta go to bed. Thanks for the ask!!!! :D
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