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#the doctor has never had that with a companion
jqnehr · 2 days
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dr ratio x fem!reader. it is currently 1:13am so that explains the very poor quality of this drabble. thank you and good night.
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Dr Veritas Ratio is an idiot.
Of course, he would rather fling himself off the highest floor of The Reverie Hotel than sooner admit the truth. And it’s even worse when that bozo is the one to point it out.
“Never would’ve thought you had a romantic bone in your body,” Aventurine remarked, that same signature, permanently flirtatious tone of his grating on the Doctor’s frayed nerves even more. The blond man casually flipped a gold coin in the air over and over and over, shooting his companion a devilish smirk. “Seems like a certain young woman has finally proven that theory wrong, huh, doc? Shall I call you an ‘idiot in lo—’”
A stick of chalk smacked into the wall mere millimetres away from the sly merchant’s forehead beside him—and the sheer force of the throw was evident. If it had his its mark—which was right between Aventurine’s eyes—he would be a very dead man.
Aventurine coolly glanced at the cracked, utterly splintered hole in the wall beside him where the piece of chalk only just stuck out of, and then set his unruffled gaze on his friend, lips curled up into a wily smirk. “Thank you for proving my point, buddy.”
“Leave,” Vertias ordered, voice low, almost a growl. “I won’t miss next time.”
Aventurine rolled his eyes and leaned forward, elbows on his knees, staring up at the doctor on the other side of the room over the top of his expensive shades. “Oh, you’re an idiot in love, alright. What’s keeping you, the oh-so-handsome-and-brilliant star scholar of the Intelligensia Guild from sweeping her off her feet and whisking her away, off into the sunset? Scared of a little rejection?”
Veritas had another piece of chalk ready to throw at Aventurine in his hand, but it had long crumbled to white dust within his taut, knuckled hold, veins bulging up along his strong forearm. Aventurine regarded the physical, silent reaction with a lifted brow. Dr Ratio threw a murderous glare over his shoulder at the man on the couch, sitting there like he owned the damn place, and unclenched his jaw to say, “I will drag you by the hair out if you don’t leave yourself.”
Aventurine shrugged, hands up in a surrendering fashion, his eyes closed and mouth up into a languid, knowing, and mock-innocent smile. “You never liked admitting to things, Vertias, have you? I wonder what you would do if I happened to tell a particular young lady that the Doctor of Idiots eagerly awaited her presence so late at night…”
“You will do no such thing! I swear to the Aeons, Aventurine, if you pull any kind of trick or tactic around that woman, so help me, I will—”
“Beat me into a pulp with your book—yes, yes.” He feigned a long suffering sigh. “But, really, Veritas—what do you expect to happen when neither of you will make a move? I’ve no choice but to act as your wingman and hitch you both up by proxy. Isn’t that what friends do?”
Ratio muttered something unintelligible under his breath, but Aventurine caught something along the lines of “no fool who gambles his day away is a friend of mine” before the doctor dumped the crushed chalk into a bin beside the sofa he had jumped up from in a rage. “Get off my back about it. She’s way out of my league, anyway. I am much too eccentric, intelligent, extraordinary and handsome for such a dull woman as her.”
Aventurine was silenced, merely staring at the mauve-haired man before him with a look of utter repugnance, unable to believe his ears. Then he went back to flipping his coin. “Ah, yes, because women just love vain men who always patronise and snub them. Because men making women feel inferior is the standard, isn’t it, Veritas?”
“Oh—don’t give me that. You know I didn’t mean it that way.”
“Right, because calling the woman you obviously love ‘dull’ is the key to sweeping her off her feet.”
“Would it kill you to quit being sarcastic for once, Aventurine?” Veritas was getting quite ready to dump a pillar on him. “If you’re going to continue to be a bother, get out! As if you know what you’re talking about. You’ve never been in love! All you care about is money, and women are just tools to you!”
Aventurine opened his mouth to protest, but Veritas was on a roll—and when he got yapping, he really got yapping. “At least I don’t consider her as an asset to use and discard at will! For she is—despite all her clear and rather mortifying faults—is a woman of valour and poise! Her company is much more edifying than the one of a greedy man who never stops flipping a damn coin! I just cannot believe—”
“There you have it, Veritas.” Satisfied, Aventurine finally stood to his feet, shoving his hands into his pockets, making his way to the door, giving his friend a finger gun on his way by. “Congrats. You’ve finally admitted it out loud. Just wife her up already.”
The door clicked shut. Veritas was left alone. Left alone with the harrowing realisation that he does want to marry you, for you’re the only one he has discovered he can suffer—and who can bear with him—and that he’s deeply, madly in love, and that’s not something even his precious alabaster mask can hide.
I am done for. With a groan, Veritas flopped onto the couch and stared up at the ceiling, pondering Aventurine’s words despite his distaste.
And when he saw you again the next day, sipping away peacefully at a cup of coffee, he was suddenly quite happy to admit to it.
Doctor Vertias Ratio was, well and truly, an idiot in love.
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i have recently caught up w hsr and let me TELL you. the CHOKEHOLD this man has had me in since day 1 😭 he won’t leave me ALONE so here we are.
and aventurine <3
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basmathgirl · 2 days
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I feel bad for Donna that she is stuck with the sad old weasel version of the Doctor. The way she looked at Fifteen!!! Overall Fifteen is probably the most conventionally attractive, the most outright sexy and fit Doctor (ever?). Not saying the others weren’t attractive at all, but back then they portrayed the Doctor more in the nerdy/ geeky-attractive kinda way. I think considering Fifteen’s charm, charisma, humour and looks, after his run he might end up as “The Sexy Doctor”. I know Donna would agree. In general the new TARDIS-Team with Millie Gibson, Varada Sethu and of course Ncuti Gatwa is ridiculously good looking. I guess New New Who doesn’t allow “ugly”/ normal looking people any longer. 😂
Hello kind Anon
I get the feeling that you are a great deal younger than I am (and rather ageist), because I know the "sad old weasel version of the Doctor"
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will be only a temporary situation. Soon, he'll be back to his cheerful, pre-bigeneration self. Look at how delighted he was to be reuninited with Donna
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And Donna doesn't seem to mind at all with being 'stuck' with him.
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especially when her old best friend ocassionally looks at her like this:
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Even the Not-Thing!Doctor knew how he felt about her.
I totally agree that the Fifteenth Doctor is a very attractive man/being. His good looks, kindness, intelligence and charm won us all over instantly upon his emergence.
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Oh yes, he knows what he's doing to us.
But as for "the most outright sexy and fit Doctor (ever?)" well... I was around for the anouncement of Peter Davison as the Fifth Doctor; and Paul McGann as the Eighth Doctor. Both were generally considered very fine specimens of manhood, back in the day! And truth be told, I still get a thrill out of seeing them in anything. Sexiness is a matter of personal taste, after all. Plus, while I appreciate Ncuti Gatwa visually (among other things), I feel he is rather too young for me. I'm more likely to pat his cheek and try to feed him up.
Grandmothers, eh?! What are we like.
We've only had one episode of RTD's latest Season 1 run (if we ignore the 60th anniversary specials) so as far as "I guess New New Who doesn’t allow “ugly”/ normal looking people any longer. 😂" is concerned, it's a bit hard to tell how influential the move to Disney+ has over the general casting. Especially when you try to dodge any spoilers. Not that Moffat was immune to casting based on looks rather than talent, but I am expecting to see more conventially attractive people to appear in the coming episodes.
Of course, I'm hoping that the old trend of hiring decent actors rather than model/actors will be maintained, but you never know how that extra streaming coinage will be. The casting of attractive companions like Millie Gibson and Varada Sethu was no surprise at all. *mentally beats the 'something for the dads' thinking to a pulp* In fact, it's refreshing when that doesn't happen.
Personally, I want RTD to create those DW spinoffs he jokingly referred to when the Disney+ announcement was made. Those tend to be pretty good and/or interesting.
In conclusion, while I really love the new, Fifteenth Doctor and look forward to seeing his adventures.
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Donna certainly appreciated his physique and good looks, but I could never turn my back on the Fourteenth Doctor. I mean... Just look at him
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He needs our special love. Especially because he loves and adores Donna. In the way she deserves to be.
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slaymitchabernathy · 19 hours
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The Smallest Man Who Ever Lived
| this story was inspired by the songs "How Did It End?" & "The Smallest Man Who Ever Lived" by Taylor Swift |
| a companion to 'Pretty' |
Coriolanus holds the single rose in his hand with such vice that the stem has gone limp.
He’s been to enough funerals to know how this goes, what’s expected of him. He attended his little sister’s funeral.
“I’m going to see your sister.”
Those words play over and over in his head while the officiant drones on and on about what an exemplary citizen Soarynn Snow was. 
Was any of it true? Any of the time they spent together?
He thinks about all the time he spent with Soarynn. Seven years of life with her. He remembers the day he found out she was ticklish. He tickled her just to hear her laugh, to hear genuine happiness from her. She always seemed so miserable with him even though he’d given her everything she could ever dream of. 
Coriolanus thought he had a good grasp on grief. He lived through the war, after all, the Dark Days, and even managed to come out on top. He had the name, the wife, the child. Now two of those are gone.
He had found it extremely difficult to fathom the loss of his own child, his firstborn son. It just didn't seem like something that could happen to him, not when he was on top of the world. Not when they had the nursery all ready, the baby clothes hanging in the closet, the stuffed animals lining the shelves. Soarynn had thrown herself into preparing their son's nursery and transformed the empty space into a warm, loving environment.
They had been so close. So close. But there was a complication, undetected until it was too late and suddenly Coriolanus was receiving phone calls left and right telling him that his wife was found unconscious on their library floor in a pool of her own blood.
Why didn't she call him?
It was a question that plagued his mind as the doctor asked him who they should attempt to save, his son, or his wife.
He chose his wife of course.
Being a father of a dead child was bad enough, but to be a widowed man at such a young age? No. Coriolanus couldn't afford that. He knew their son wouldn't make it into the world alive and if he did then it wouldn't be a pretty sight. Another thing he couldn't afford was having a son who would undoubtedly be the laughingstock of Panem. With the possibility of disfigurements and mental lapses, it was easy for Coriolanus to make the call.
He knew it would devastate Soarynn beyond belief. As much as it terrified her, he knew she wanted to be a mother. She got pregnant rather quickly after their wedding, allowing Coriolanus to confirm once again that Soarynn was of value to him and their family.
He stood out in the hospital hall as they attempted to save his wife. He only caught a small glimpse of them cutting her open before he looked away. He couldn't watch. Then, his son was born.
He didn't make a sound. Stillborns don't cry.
They stitched her up and that was that. One dead child, and one grieving wife.
Coriolanus hadn't known what to do, what to say. Sure, he could be comforting when he needed to be, like when Soarynn had one of her little breakdowns after they had sex. But he was always prepared for those.
How do you prepare for the death of your firstborn child?
So he hadn't said anything, left her to talk with the doctor, and watched the nurses wheel in their dead child in his bassinet for Soarynn to hold for the first and last time. In a way, he was impressed that she even had the strength to do so. He never wanted to hold their son, to see a painful reminder of what could have been.
His curiosity had gotten the best of him once he joined Soarynn's side again, once he saw the pain and sorrow in her eyes. How empty her gaze was.
"What did he look like?" He had asked her, resting a hand on her head.
"He looked like a Snow," she had answered.
And that had been good enough for him.
꧁ ꧂
Coriolanus had however been prepared for the aftermath of their son's death. Only because he knew what it was like, to lose an infant due to unforeseen circumstances. When his baby sister died, his parents were quick to move past it. He felt it was better that way, no need to linger in the past when there was a bright future ahead of them. They could have another child. He'd confirmed that with the doctor before they left. Soarynn wasn't left barren and unable to give him more children and she certainly would give him children in due time.
They'd arrange a small funeral, grieve privately, and more forward publicly. Simple as that. He knew his wife could get sentimental, especially over stupid, little things like books and things of that nature. But he didn't need her to get caught up on what could have been.
He expected them to move on.
He didn't expect Soarynn to make a scene in front of their close family and friends before storming out of the penthouse, leaving without so much as a goodbye. Coriolanus had been furious, absolutely furious with her behavior. He wasn't the one who lost their child. He did everything right, everything by the books and still they lost him. It. They lost it.
Then she lost it.
Coriolanus knew where to go, to find her. She went home. He could give her whatever she wanted, fill their penthouse with all her favorite things but it still wouldn't be enough for Soarynn.
Glen had been upset, and understandably so. Coriolanus couldn't imagine the state that Soarynn showed up in and without their child on top of all that. But he was quick to smooth things over, win Glen over once again, and promised to come back in two days to collect Soarynn.
He got a phone call the next morning. He'd been surrounded by family and friends, namely the Creeds and Clemensia who all watched silently as Coriolanus was delivered the news that bore the death of his wife.
"Drowned in the bathtub."
That's what Glen mumbled before hanging up.
Coriolanus didn't know what to say, what to do. How do you drown in the bathtub? He knew enough to know that it had to be done on purpose. This was no accident. Soarynn killed herself.
He got a wide array of reactions when he shared the news. Most were filled with tears and condolences. It felt so strange to him to know that Soarynn wasn't in their room, curled up under the covers with her cat and a book.
She wasn't in the library, sitting in his favorite chair while she looked through old photo albums.
She was gone. How strange to be gone. To end your own life.
He had two funerals to plan now.
He'd only said a few words before disappearing into his room, "We'll tell no one except all of our friends." As far as everyone else was concerned, she died during the miscarriage. Women die all the time giving birth. What makes Soarynn so special?
But she had been special. Hadn't she? She'd been kind, and caring, she would've been a good mother. He'd never know how it would've ended.
But he couldn’t help himself from wondering how it all ended.
Were there signs? Had she cried out for help?
He tore their bedroom apart looking for clues, for something to hold onto, to tie him to her. After hours of endless searching, he finally came across a book he had never seen before, tucked away in their closet in an old shoe box. He’d held the small book in his hands, simply staring at it before he finally gained the courage to open it. 
Her diary. 
He hung me on his wall. Not literally but it felt like it. It always feels like I’m some animal pelt when he makes me take those pills. Sometimes I wish I were an animal pelt. At least I’d be dead. 
It was no wonder she kept this so hidden from him. He would’ve been livid if he found this when she was still alive. How strange to think that Soarynn wasn’t alive anymore. He would never be able to smell the sweet scent of vanilla again without thinking of the girl who sat in front of him in class that year. Little did she know that choosing that seat would cost her life. 
He kept reading. There were so many entries, all devastating in their own way. 
I wish I could run away. But I can’t, he trapped me. We’re having a baby in eight months. Coriolanus thinks it’ll be a boy, I hope so too for his sake. I don’t think he’d like a girl. Everyone has been congratulating me on the news but they do that a lot. Congratulate me. On the wedding, on the penthouse, on our relationship. If only they knew. He shows me off, loves to do it. I hate it. I hate it here.
He flipped to the end of the diary, not in the mood for her whining and nagging. The last entry was so short, but the way it was written made Coriolanus feel as if his throat was tightening up. It was like she knew he’d find her diary, would read it, would go to the last entry. She sounded so angry. 
Were you sent by someone who wanted me dead? Did you sleep with a gun underneath our bed?  In fifty years will this be declassified? And you’ll confess why you did it. And I’ll say, “Good riddance.”  Cause it wasn’t sexy once it wasn’t forbidden.  I would’ve died for your sins instead i just died inside. And you deserve prison, but you won’t get time.  You kicked out my stage lights, but you’re still performing.  In plain sight you hit. But you are what you did.  And I’ll forget you but I’ll never forgive. The smallest man who ever lived. 
At six-foot-two and at the top of the world, Coriolanus Snow had never felt so small. And for the first time in a very long time, much like his wife, he broke down. 
꧁ ꧂
"If anyone would like to share a memory or a few kind words, please do so now," the officiant says, somberly looking into the massive crowd of Capitol elites who have gathered to honor and mourn the death of Soarynn Snow and her stillborn child.
Coriolanus stares down at the ground, at her coffin. It's black and sleek with roses engraved around it. The proper casket for the wife of a Snow. A smaller one sits next to hers. Their sons.
Coriolanus squeezes the white rose in his hand a little tighter as someone walks up to the front, stepping onto the podium.
"Miss Soarynn was a fine Capitol lady."
Coriolanus looks up to see the doorman to their apartment standing at the microphone, "She always greeted me with a smile, asked how my day was going. She even brought me cookies one day, it...it was my birthday. She was a kind woman and my heart goes out to you Mr. Snow, your wife was a lovely lady."
Coriolanus manages to give the doorman a tight-lipped smile. It's hard to smile with that letter playing over and over in his head, those words haunting him now. Were they all watching him now?
His wife, his son, his sister, his mother-in-law?
He wasn't given much notice once the letter arrived on his doorstep. Glen Nightingale all but stormed into the penthouse, collecting every memory of Soarynn, including the cat. The look Glen had given him was all Coriioanus needed to know that Soarynn had told him everything. Or at least something.
He could feel the hatred radiating off of Glen as they stood next to each other.
"Soarynn Nightingale was too good for this world."
Coriolanus doesn't need to look up to know that Sejanus Plinth has taken to the microphone. "She was too gentle, too kind and trusting and that trust was taken advantage of over and over again by someone she blindly trusted. I hope that she and her son can find rest in the afterlife."
A few more people go up to speak, all noting how kind Soarynn was, how beautiful and gentle that girl was.
Was, was, was.
Eventually, Coriolanus is ushered to the podium. He knows he has to give out somewhat of a statement, he can see all the news outlets at the back of the crowd, eager to hear about the tragic events that have suddenly befallen the Snow family.
He clears his throat before speaking, "My gratitude extends to each and every one of you who has attended the funeral of my wife and son today. My wife was loved by many, my son never got the chance to be loved."
He knows that's not true. Soarynn loved their son before he was born.
"We were blind to unforeseen circumstances. My wife's pregnancy was complicated and in the end, led to a tragic and fatal miscarriage that took the lives of the two people who meant the most to me in the world."
Whispers can be heard throughout the crowd. Some people believe him. Coriolanus has always been good at playing for the cameras, telling people what they want to hear. Other whispers are doubtful of his love for Soarynn and their son.
And he has Glen Nightingale to thank for that. Three days after her death, it came out that Sorynn had filed for divorce. Claiming that she was the victim of domestic abuse, sexual violence, and coercion, and numerous amounts of other accusations that did nothing but taint his reputation.
As if her death wasn't hard enough, Coriolanus now has people coming at him left and right, questioning him and his marriage. His father advised him to keep his head down, to deny such claims, and to continue to share his love and adoration for Soarynn.
He just doesn't know if he has any to give.
"I loved my wife. She was kind and generous, she was a devoted woman who was loyal to her family and her country. She would want us to celebrate her life and our sons, not mourn it."
There, he's told people what they want to hear, and now, he's ready to hear what he wants to hear.
꧁ ꧂
The reception dinner is quiet for the most part, only small conversations take place. Many people have come up to Glen to give their condolences. One wife and one daughter gone. Coriolanus fears that he can now relate to Glen on that level and he so badly wishes that he didn't.
"Do you think you'll ever remarry?"
Coriolanus looks to his left to find Livia Cardew addressing him, her eyes pinning him down. A bit of an inappropriate question to ask at a funeral, especially his wife's funeral but Coriolanus will be damned if he comes off as unpolite by ignoring her question.
"I think right now I need to focus on putting the pieces back together," he answers, ignoring the glare that Glen sends his way.
Livia hums and turns back to her dinner leaving them in another uncomfortable silence. Soarynn certainly left a mess behind for him to clean up. Not only her death but now legal issues as well. What a selfish thing to do.
꧁ ꧂
They opted to leave the casket open for those who wanted a moment alone with Soarynn before they buried her six feet in the ground. Coriolanus had declined to do the same with his son. No one would ever know what he looked like, what he could have looked like. What could have been.
Many people go up to Soarynn, he watches them whisper words they probably don't mean. He doubts most people really knew her. He barely did himself it seems. Eventually, he gathers the courage to see his wife one last time. At least her death wasn't horrendous and she didn't slip her wrists open along with her face. She looks like she's sleeping.
But she'll never wake up.
He leans down until it's just the two of them, not a word between them. She smells like vanilla. Her skin is pale, it lacks the normal tan hue she always had.
"You left me," he whispers, "left me to deal with this mess."
Soarynn doesn't respond.
"You know, I keep going over it in my head. What if I never noticed you? Never took interest in you? Would my life be this fucked if we never met? Do you know Soarynn? Do you know how different things would've been for the both of us? if you're listening from Heaven do me a favor and ask someone up there if they can see, if they can see what it would look like if our paths never crossed. And if they can find something, somewhere where you never ruined my fucking life, you ask them something for me, okay?"
Coriolanus has to force himself to take a deep breath as he whispers to his wife, berating her from the grave.
"How did it end?"
He straightens up, giving Soarynn one last look. She was fun, quiet, and obedient for the most part. She tried to be good for him, and he had to give her credit for that.
Her hair has been done in curls, her makeup is light and her lips are a soft pink even though he knows that under all that makeup she's pale and her lips are blue.
She looks so pretty.
| Final Part |
| tumblr oneshot/drabble |
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therealslimshady · 5 months
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what I really want in doctor who is for the doctor to get a companion who he gets along with like a house on fire - they're interested in the same stuff, they're both really smart about stupid things, they're both the same level of deranged - but who is an otherwise completely normal companion, only for the doctor (and us) to discover episodes and episodes and maybe even seasons later that SIKE it's been the master this entire time
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if graham thought the used to be a man thing was just joking and like 5 minutes earlier she said she used to live in the outback for 123 years, he also definitely doesnt have ANY idea how old she is does he
#oh the fun they'll have in support group trying to figure out the doctor's age#graham sitting there just staring for the first 10 minutes like 'oh IMMORTAL immortal. like immortal? like. okay. uh huh. thats. okay.'#thats gotta rewrite like at least half your idea of a person right#im not convinced he or ryan really have an idea of what regeneration means#i think yaz a little more#but not like. really#and yaz was also so taken aback meeting ace and tegan like#other companions get that 'oh youve had lots of people like me' usually kinda early on#get their little jealousy moment#but they NEVER had that#like meeting all these old companions first already must be a bit of a........like rearrangement in your brain#like 'oh but if youre me. and you did this 40 YEARS ago. then uhhhh. the doctor is older than she looks'#and then someone drops a 'yeah when i knew them they said they were 700' and youre OH. OKAY.#like you thought you were travelling with just sort of a weird fucked up guy but then it turns out it's a weird fucked up guy#who has been doing this for longer than your country exists#12 voice: im old enough to be your messiah#fgkjghjkgh#like thats your bud! dfgkjhgjk thats just your fucked up little pal who cant drive what do you mEAN TWO THOUSAND#two THOUSAND years and you still drive THIS badly???#i hope clara comes to the support group some time#she could blow at least the fam's minds a little i think#she knew the last one!#she can provide CONTEXT#between missy and 12 she can provide some GREAT context#also bill i think bill + yaz would be FUN#like hoo boy#bill can fill them in on the master too#feel like missy definitely gets wind of it 'ive been up and down your timeline' and drops by. a couple of times#trying to pass herself off as a companion#doesnt work for super long mostly bc shes just there to Cause Problems On Purpose but it does work for a Bit
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wayward-wren · 1 month
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Classic Who explores ideas, New Who explores morals
classic who is like 'i see this trend, lets explore what might happen if that trend continues and let the audience figure out what it's talking about and come to their own conclusions.'
new who is like 'this trend is BAD and i'm going to PREACH A SPEECH about why it's going to RUIN EVERYTHING' and it's so much more exhausting
#wren rambles#doctor who#this brought on by me watching orphan 55#which had SUCH a fun concept#and then absolutely FACEPLANTED with the doctor moralizing at the end#like yes doctor who has ALWAYS explored topical and political issues#but never is there a definitive I Am Telling You This Is Right message#whereas now I just had to sit here and watch 13 preaching at me?#ughghg#explore the idea but don't shove it down my throat#classic who had an episode (Ice Warriors) exploring climate change as one aspect of the story#talking about how all the plants were removed and that messed with the atmosphere etc.#but that was just a SMALL PART of the whole episode and it was never outright condemned (it was made clear it was BAD and the root problems#but that was never the BIG ISSUE the Doctor Lectured His Companions about) (not that victoria or jamie could do anything lol)#plus this feeds into my issues with 13's run (which started during 12's somewhat but less so)#where the Doctor is painted as the Narratively Right one#where when she says something that's what the narrative wants you to BELIEVE#which coming from Two and Three's run is WILD#because Two is chaotic and murderous when he thinks he's right#and he's manipulative and deceptive at times#and Three is selfish and pouty and rude#and don't get me wrong Thirteen has her issues and I lvoe them#HOWEVER. she's pretty much always RIGHT she's the Word Of God when it comes to moral things#and this more than anything is my biggest issues with Modern Who#mostly 12 and 13's eras#so i hope we move out of that somewhat in the new era but i'm not super holding up hopes (especially after star beast)#maybe one day i'll write a proper full article about it but GOSH#i don't watch this show to be preached at. I watch it for a fun/tragic scifi romp and also to see interesting ideas explored#and reflect the climate of the world and how society influences media#explore the idea of climate change turning the world into a post apocalypse! that's such a fun idea and topical!
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canisonicscrewyou · 1 year
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she’s insane she’s a wet cat of a human being she’s got daddy and mommy issues up to here she’s pathetic she’s everything she’s a breakthrough case she’s in hiding she’s forever mourning she’s a mom she’s got trauma she doesn’t even know how to find a therapist for she loves her friends and she secretly loves attention and if one things for certain she’s never stepping foot inside of the TARDIS ever again (a lie)
#rehashing a cringey self insert OC from 2014 but making her cringe in all new ways#unsure if I’m ever going to properly write anything w her again (to share w anyone at least bc a bitch has been writing)#but at the very least it’s been fun rehashing this OC. Molly Archer you were never stable enough to be a normal companion <33#but yet you keep getting dragged back in#she does eventually get a therapist for the Issues arising from the Everything (not related to why she had one before of course)#she just finds a fantastical allegory to let her therapist wrap their head around a fantastical situation#that eventually ends with ‘yeah so I think one of my soulmates died but immediately came back as a close friend who rightfully#denied my (obviously unrequited) feelings. we had a kid. she’s kind of fucked up medically because of it. he found out and tried to hate me#about it. life moves on I guess lmao lmao’#it’s also okay bc her kid grows up fine-ish and then gets dragged into her own alien fuckshit for being A Special I guess#do adore that her kid is like a Top Ten Doctor Hater. not an enemy she just hates his guts and mostly grew out of it after her teenage years#passed#is anyone still reading this bc it’s half incomprehensible#if I write anything it’s going to be so self indulgent#but for now I just have. playlists.#if you read all or most of the tags you’re so so strong. and also should hit me up(earnest) if you want to listen to me ramble more about#this. brainworms in my head
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lesbiten · 1 year
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you knwo whats insane to me (neutral). the whole 3 seasons thirteen was never emotionally vulnerable to anyone ever. and then in lotsd she finally has that "i want to tell you everything" moment with yaz and youre like Okay this is it. and then in potd shes right back to ignoring the problem. and everyone is telling her "hey doctor youre being closed off again" and shes like "im busy. oh well." and then instead of trying to at all have her work through that one final time we instead see it get passed down to yaz in her final Doctorification moment where shes flying the tardis while also refusing to explain anything shes doing or needs to do to the other people on board
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itsmetheabnormalone · 2 years
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Am I the only one who doesn’t have a favorite Doctor? I always say 11 is my doctor, as in he’s the one who brought me into DW (first face this face saw 💜), but I couldn’t rank them if I tried. In the end, they all blow me away with their own interpretation of the character and their own quirks.
#I always start out being sceptical#and sometimes it takes a while for a doctor to grow on me#like 12. I needed a season. but now I every once in a while I watch his regeneration scene to feel sth lol#bc I absolutely love his principles. I even have the 'hate is always foolish and love is always kind' written on a light on my desk#I love this whole 'am I a good man' storyline#with 11 I loved the exploration of his arrogant and dangerous side#that man wanted his name to be heard all over the universe. he wasn’t as smiley and bubbly as everyone makes him out to be/ as he pretends#in german I’d say größenwahnsinnig#9 being this light and fighting his way back to optimism while holding so much darkness within#he was the least toxic imo. he never would’ve hurt his companions (which the others have. we must admit they’re kind of an ass at times)#13s biggest battle being the script and not getting enough characterization imo is kinda iconic bc she still managed to give us a doctor#she’s cute and bubbly but reckless/careless#she does things that get people/aliens killed or hurt and just goes on as if nothing happened#she’s closed off and cold. to her companions. to the people she saves. the one’s she fights.#don’t get me wrong yes she’s nice and funny with them all but that’s it. she can’t let anyone in and seems to be just running#and while I usually am not a fan of romance#Tenrose has my heart#the whole found family thing he had. the 'i need people or I become a monster'#the way they all found a different way to portray his anger and how he’s dangerous#9 was full of hate when he was angry#10 was like a fire burning to hot and that fire never really stopped burning not even in his calm moments imo#the flame just became smaller#11 was arrogant and cocky. he hit way below the belt and at times didn’t even care who he hit.#12 just wanted to be anything else than actually angry.#sure he was grumpy but actual anger only came out when he was forced by the ziogons or Me#only when lifes were at stake. no arrogance or similar.#doctor who
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WARNING: DOCTOR WHO SPOILERS EXPLAINING REGENERATION SHENANIGANS
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okay so I was kind of not on board with the concept of bi-regeneration, mainly because of how it seemed like all of the Sad and the Trauma that the Doctor had undergone got kind of handwaved away? i'm all for ncuti's Doctor being sort of a fresh start/jumping on point for new viewers, but i didn't get how that could work if like, literally 40 minutes ago he was David Tennant being a sad wet puppy dog of a man
however, after rewatching it, i've realized what i think happened there, and it goes all the way back to something introduced with the 4th doctor's regeneration that was never explained: the Watcher
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^this spooky guy
so, for those that don't know (or haven't seen every episode of a show that is over half a century old), the Fourth Doctor regenerates at the end of a story called Logopolis (he falls off a satellite dish, but that's not important right now). all throughout the episode, this weird figure, The Watcher, stands off in the distance, and even intervenes slightly by saving the Fourth Doctor's companion. there's not much given in the way of an explanation until the Fourth Doctor regenerates, saying "it's the end. but the moment has been prepared for..."
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the watcher walks up, and gets absorbed in a super rad 1980's digital effect (never change doctor who), while his companion just gives us the not-super-helpful-for-lore statement "He was the Doctor all the time!"
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then, in a crossfade, the Doctor goes from Four to weird-powder-man to Five
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canonically, the Watcher is explained as a future version of the doctor that comes about in sort of a weird overlapping thing with the doctor's timeline, it's very wibbly-wobbly timey-wimey.
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SO what does this have to do with biregeneration and satisfying character arcs/moving on from trauma?
Well, remember, Fifteen said this, about Time Lords doing rehab out of order:
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so, here's the thing: Fifteen is the Doctor AFTER Fourteen (duh, I know?) But to be clear...Fourteen lives out an entire lifetime with Donna and family, gets to a ripe old age, and then, when his lifetime of healing is over, he gets yeeted back through his own timestream just to zoot himself out of David Tennant's chest.
Remember, his first words to Fourteen (after popping out of his chest) are "So good to see you! So good!", not the RTD classic "what?". He greets himself like he's almost expecting this, he then says "does anyone want to tell me what the hell is going on here?" which only makes sense if he's coming from a different point in his own timestream (remember, when two doctors interact, memory gets really weird, 10 and the War Doctor don't remember the events of Day of the Doctor until they live through them as 11).
SO TO BE CLEAR: Ncuti Gatwa is playing the Doctor AFTER he has spent years healing from his traumas. His Doctor is fine because Fourteen takes the time to rest and work on himself.
tl;dr: I didn't like biregeneration at first because I thought it looked like this:
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In actuality, it looks more like this:
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Alright, I'll say it: Jack Harkness and the Doctor's relationship is possibly the most fleshed out/complicated dynamic in Doctor Who and that is INCLUDING the master/doctor relationship. Seriously, think about it:
the fact that when they meet jack is presented as sleazy con man and the doctor makes him brave- makes him good
but that they are both willing to die for rose as long as she is safe
and then she comes back and dooms them both to live (even though jack has already died for her and the doctor WILL die for her)
(ninerosejack is canon and you cannot convince me otherwise)
but then the doctor sees jack as immortal as someone he COULD spend the rest of his life with
and instead of embracing it like you'd think he would because he is so wrecked by people leaving him/being left by him the doctor RUNS bc the Doctor is so scared of jack of what he means of what he is
jack ends up abandoned in dalek dust goes back in time to find the doctor suffers a hundred years alone/being tortured but STILL WAITS
(screw amy being the girl who waited or rory being the boy who waited- Jack Harkness is the boy who waited and he did it FIRST)
Jack finds out that he was abandoned. that the man that he loves HATES the sight of him. that the doctor would rather have a genocidal murderer than have him
and so Jack gets the hell out of dodge to go to a man who DOES love him
and don't get me wrong Jack loves Ianto and Jack DOES remember Ianto until he dies as the Face of Boe don't forget that (protecting Novice Hame from the virus as he couldn't Ianto
BUT AFTER EVERYTHING THE DOCTOR HAS DONE TO JACK JACK STILL LOVES THEM
Jack still considers five billion years cursed to never die to be BETTER than the alternative: dying a young time-agent-turned-con-man
Jack has more reason than any other companion save maybe Amy to hate the Doctor & yet spends 20 years in jail to rescue Thirteen still LOVES HER
AND AFTER FIVE BILLION YEARS HE ORGANIZES THAT FIRST MEETING ON SATELLITE FIVE HE ORGANIZES 9/ROSE'S FIRST DATE
jack harkness is a living ghost a reminder of the doctor's failures a physical fixed point and yet he still loves the girl who cursed him and the time lord that turned him into the kind of person that would give his dying breaths to protect the last of humanity in a dying city and tell the doctor that he is not alone
because fuck it, YANA was a warning but also a reminder a final gift
jack had been there all along, a ghost an echo a PROMISE
there is no more human character than jack harkness
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neil-gaiman · 5 days
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Hi Neil.
I know you are flooded with asks and this somehow became extremely long. Too long. “Why am I suddenly telling this poor man my life story?” too long. “I think I’d rather he work on the GO3 script than read this wild beast” too long. “He’s going to think you’re criminally dangerously insane” too long. If you never get to it, I’m good with never seeing a response from you. Maybe it’s better that way? Maybe an anon would have been nice here. But, it’s 2024, so I say “we ball.” It’s a privilege to be able to send this to you at all. You get a lot to this effect and I hope they give you good feels, so maybe what’s the harm, yeah? Because this is not an ask. This is a thank you letter.
First, thanks for reblogging my therapist post, I hope it amused you. I nearly sent you “How am i supposed to explain this to my therapist?!” But refrained. At that time.
So, therapy. What is therapy really? Well…
Things have been really rotten for as long as I can remember. Bad health, bad doctors, bad relationships, bad coping mechanisms, bad all kinds of things. (Yeah, bad is a weak and unhelpful word, my therapist reminds me, but we’re doing this.)
Well, things got even more really really rotten and BAD these last few years. Health declined further, coping mechanisms declined further and more intensely, packed up my life, applied for disability, moved back in with my parents across the country.
Then 4 years ago last week I watched my fiance die of a sudden heart attack. I was 29. Two years later my best friend died. Then last summer I sauntered vaguely into a cancer scare. Not long before an operation my cat who has been my companion through so much garbage died as well. I’m not entirely in the clear on the cancer scare front. All my attempts at going back to work, volunteering, going to grad school - they collapsed on me because I couldn’t get through this STUFF.
(Sometimes when I talk about this, when I tell people, I think “they are going to think you are a raging pathological liar.” Because I’m not sure I would believe someone if they told me all of this happened to them. In such a short time period. All before they were 35. And hell if that hasn’t been isolating. You know how it sounds? Lonely. And it is.)
I did the hypervigilant and sensation/experience chasing stage of PTSD. It got me in a lot of trouble in all kinds of ways. I had to do a lot of medical and psych advocating because things kept getting worse. That was exhausting. Then that peaked. I went into the thick of the “I feel absolutely nothing” stage for a long time. I didn’t feel fatigue or hunger or thirst. Not people, feelings, a reason. Not hope.
But of course, like seems be for a lot of us, I somehow found Good Omens at just the right time. I was a very “I’m so cool and intellectual I mostly consume non-fiction media” person for too long. Like, what? How is that even a real thing? And it wasn’t real. It was just part of this curated autism mask that I don’t think anyone really bought anyway.
I think I got to a point where I’d just had too much reality. I needed fantasy. I didn’t realize I always needed it. But I denied myself for too many odd and painful reasons. Maybe I thought it was an escape I didn’t deserve.
But as it turns out, it wasn’t an escape. I watched both seasons last fall, and then this light came on. I watched it again and again.
I came to tumblr because I needed more. I found this fandom. I stepped into this beautiful world of fanart and fanfiction and brain flexing meta writing and a sense of community and wonder that you and Terry created - that everyone involved in the show inflated - exploded in the right way - like fireworks if fireworks were some kind of autocatalytic reaction - a self perpetuating force.
It’s not a “saved my life” feeling. Not a “getting my life back” feeling. It’s been a “maybe it’s time for you to have the life you’ve always been denied - that you’ve denied yourself” feeling.
I’m creating. I’m not “great” yet. Not terribly “good” at all. Maybe “behind” as far as the “proper” timeline for starting. I know there isn’t one, not really, but boy does that society machine make ya feel like there is. And sure, I started and stopped a lot in the past. But the second it got hard I always gave up. I felt like if I didn’t get it “right” to begin with, then I just didn’t have it in me at all. But for once I’m really in it. I’m writing and trying to draw things that look less like fever dream five year old drawings. (Not that there’s anything wrong with those, is there? 🙃) I’m eating better. I’m sleeping better. I reach out to old friends more. I’ve made new friends who share this love of Good Omens.
My therapist has been floored by the change in me. After that first funny mini flop, he has been so encouraging about it. I saw him this week and I said “Maybe this is helping me get prepared to start living again. Maybe it’s a springboard.” And he honest to god said “But You ARE living. This is YOU LIVING. Why does it have to be a springboard? Why do you have to turn this into ‘work?’ Just let yourself have this for once in your life.”
But there were two more added elements that made it all work. And I can’t help but think this whole brainrot thing wouldn’t have happened without them. So many things just happened all at just the right time - a proper coincidence.
In all of the madness of the last few years I finally got the memo that I'm autistic. i figured I was for a while. But it finally sunk in for me and my docs and my people. So I’d been working on unpacking that. Grieving the life that could have been entirely different, shedding the mask. I let myself hyperfixate openly instead of hiding it and hating myself for “spiralling” or “obsessing” like others -!like ‘I’ always punished myself for before we knew that it was a trait and not a personality flaw.
Then over the last few months my therapist and I started trying this new exercise. One session he stopped me and said “in the last 20 minutes you have responded to what I’ve said with 9 ‘I knows.’” My response to that? “Ugh, I know.” So we started this “I know” swear jar type situation. Really, I’ve been afraid of not knowing. I couldn’t let myself “not know.” Because it meant I was “dumb.” I was just drowning for so long in guilt and self loathing for the “I knew better and screwed up anyway.” Or “I should’ve known better - I should know that by now.”
As it turns out, there’s a lot of things I don’t know. That I didn’t know. Things I will never know. And refusing to admit all of that kept me from learning a damn thing. Kept me from asking questions. Kept me from trying new things because it was scary to do something new - something unknown - and I "knew" how it would all turn out anyway. Kept me from connecting with people because it was painful or embarrassing when they knew things I didn’t and it seemed like I already should have. Kept me from getting better at making art, music, writing. Kept me from forgiving myself. Kept me from growing. And kept me from moving forward. Maybe not on. I don’t know if we ever “move on” from things. But we can move forward as we carry them. And as we do, the weight gets less. We’re able to carry it better. But only if we can admit that we don’t know how. Only if we don’t treat ourselves like this is something we do know or should know and we’re just failing because we’re less than. Not good enough. Not strong enough. Not deserving. We have to be able to say “I don’t know how to do this.” And then we can start looking for the answers. We can ask. We can learn.
I thought about the apple. Being able to tell the difference between good and evil. Aziraphale’s years and years of watching what he “knows” to be true be proven wrong. Crowley’s need to ask questions…
The simple and enormous gift of “Knowledge.” The “Knowledge” of the difference between Good and Evil. The “Knowledge” that can only be gained by realizing, accepting, admitting that there are things we don’t know. Asking the questions. Sometimes we get answers we don’t like. Sometimes the consequences of asking hurt us. And unless you want to stay in that painful place that painful knowledge got you, well, you’ve got to let yourself learn how to get out.
So all of this good? I never expected this. I never thought I deserved it. Joy and belonging and this sense that “Yeah, maybe things can get better. Maybe things can be good.” Because I said those things, not truly believing them, to the people I thought needed to hear it. But it couldn’t save them. It was hollow. The proof for us wasn’t really in our orbit or on our radar at the time. And now they’re gone.
People always say “it’s never too late.”
One of the people I lost said “it’s later than you think.”
I jokingly would respond “it’s already too late.”
It was for him in the end. For them. For some people I guess it really is. But maybe a lot of the “too late” people are there because they think “they know” that things will never be good for them. So they stop looking, they stop asking, stop finding. And eventually they just stop.
Then there came Crowley’s “It’s always too late.” The first time I heard it I thought “For sure, Crowley-cakes, I KNOW.”
But then…I just needed to rewatch the whole thing. And lines like that…familiar things…familiar themes…I was suddenly identifying with these characters. I suddenly saw myself. And the realization hit - I connected with something! Something new. And I FELT THAT. And that tiny little crack that made in the wall was just enough to start breaking it down. Yeah, when you start letting yourself feel after not feeling for so long, opening up to the good feelings means opening up to feelings and then the bad ones come out too. But when there IS good … it helps you balance. You can deal with the bad a little better because you’ve got the good thing to lean against when it gets too much. And now you’ve got feelings. You’ve got good and bad. You’ve got sticky foggy grey. You’ve got life.
Whew.
So, TLDR, thank you. From the bottom of my slowly healing heart, thank you.
And to sign off with some shits and giggles… I couldn’t find this in existence as a sticker so I had to custom order. Perhaps this will spread misery and panic among the humans of my city - or at least a malignant and creepy sense of unease.
Or maybe they’ll say “wtf” and go home and google it and they’ll fall into the Good Omens hole they never knew they needed too.
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Thank you for this. I never quite know what to say to messages like this apart from I am really glad that it helps. (It becomes the weird extra piece that I worry about when writing season 3 -- hoping that it will be that thing again. Not just a story, but something that helps people feel and helps with healing and helps with love.)
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sinizade · 27 days
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B'ella, the Pale Child (Dark Urges Redeemed)
Class: Warlock (Barbarian subclass)
Romance: Bae'Zel
Besties: Scratch / Owlbear / Wyll / Gale / Karlach
One extra egg among all those eggs wouldn't make a difference, nor would they complain about having two extra hands to fight for the "glory" of their queen. This way, the hatching of this egg surprised the elders of that Creche a little, a child as pale as the moon and with eyes as red as blood that possessed a fury worthy of a demon, certainly that child had something inside it, but the Githyanki wouldn't get rid of a healthy child just because of surpestitions based on one of the babies' appearance... But should they?
B'ella was obedient, precise, deadly, her teachers could see and feel the almost insane pleasure she felt every time she beat her opponents in training, every time she made them bleed and beg... Something so... Sadistic... Even for a Githyanki child, it was unusual to have such an appreciation for death and the ways of killing, but then again, they weren't going to get rid of such a dedicated and useful fighter like her just out of superstition.
Her adulthood was only accompanied by an insatiable hunger, B'ella could have had her uses in combat, an animal, a monster, but when her abilities began to affect other Githyanki they finally realized that having her there was no longer safe or suitable for Creche, so in a clear desperate act they tried to contain B'ella, they tried to tame the monster inside her... The Slayer, but that obviously didn't go as they expected and her sadistic, cruel and psychotic fury spread to everyone in that Creche. Every teacher, every warrior, doctor, student, child, egg, all murdered, torn apart in a bloody dance that spread throughout each hall and that was when she heard a voice, a small creature that praised her... A praise that she never found she was going to receive, told her that there was a place where she could be who she really was, where she could know what it was like to have a family that truly admired her for what she did...
That male human, that Enver Gortash, intelligent man. Tasting Gortash, subduing him to her whims was satisfying, but her devotion was only to her creator, to her god, to her father, Bhaal... But everything had been thrown into the trash with the betrayal of that insolent child, that damned and jealous changeling who took her rightful place.
Waking up on a ghaik ship with no memories left her disconcerted, but her focus now was to get out of there and return to her people and achieve purification. Having someone as adept in battle as Lae'Zel made it easier since the rest of her companions with the exception of Karlach left the pale gith with disgust in her mouth regarding combat.
It wasn't so bad being around that bunch of big noses, they entertained her, they seemed to care about her dark desires, not just for them, but also for her? This was new, not even she remembered the last time she received any kind of help (literally)
Lae'Zel... Zhak vo'n'fynh duj... B'ella could barely understand what she felt, she could barely know what she felt, she didn't know or remember that feeling, but with Lae'Zel everything was clear. .. She was her world, her sword, her flame, the source of her joy...
Finding out that she wasn't a child of Gith broke her, even if she managed to hide it well, it destroyed her completely inside, knowing that the years she spent in her Creche, that her "egg", that her life, was a fake life designed by her "father". That wasn't for her, even if it once had been, now it wasn't... B'ella would no longer be a Bhaalspawn, now she would be a child of Gith and follow Orpheus and her beloved Lae'zel into battle against Vlaakith's tyranny
Some extra information about B'ella
Her memory was "reset" to her times at Creche as soon as she lost her memories, before her dark impulses took over.
She has a strange habit of keeping a lock of her enemies' hair for no reason, she just likes to have a memory of good battles, but when the enemy wasn't good enough she just crushes its head (She has a lock of hair with her from the hair of Minthara/ Ketheric/ Raphael)
Even though she appears to be reserved and cold, B'ella is considered TOO romantic when she is with Lae'Zel and only Lae'Zel, only her source of joy can see B'ella that way
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what i noticed on this rewatch is how much graham is acting like the doctor this episode. the doctor says "if you kill tim shaw, i cant have you travel with me" and graham is like "i know, i still intend to". he effectively gives up the role of companion (part of which is to be a good example to the doctor) because of pain about someone he lost. and for the rest of the episode hes just with ryan and ryan sort of becomes the companion to his doctor, trying to make him do the right thing instead of the emotional thing:
RYAN: And what about the rest of us, me, Yaz and the Doctor? I thought we were a team. Don't wreck what we've got because you're still angry. GRAHAM: I am not a...! Look. We did not get rid of that thing properly, right? And now look what's happened.
rationalising his emotional drive by taking on the responsibility for not handling the problem properly (while at the same time in another room in another conversation, the doctor is adamantly (and rightly of course) refusing the responsibility that tim shaw is trying to put on her for making him go on this revenge quest)
GRAHAM: Take it easy, all right. Here you go. Ryan! Get them out of here! RYAN: I will not leave you behind. GRAHAM: I've got to stay here to time the detonator, to stop them coming after us. I'll be right behind you. RYAN: Promise? GRAHAM: Yeah, yeah, I promise. Go. Go! Go on!
get to safety while risk myself to slow the bad guys down and use that as an excuse to do something i dont want you to see and you dont want me to do
GRAHAM: No. (powers down weapon) I'm the better man.
listens to his companion
RYAN: Hey, you shot him! GRAHAM: Yeah, but just the foot. Just it. Just in the foot. Just to shut him up.
foot, door, if it can be rebuilt. and then he turns back into a companion upon telling the doctor what they did
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fanonical · 19 days
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look people who've been around here for a while know exactly how i feel about the early doctor who serial edge of destruction but i rewatched it recently and i have feelings
so edge of destruction is the third ever serial of doctor who, right? it's an unearthly child, the daleks, then edge of destruction. and it's also kind of a bottle episode. edge of destruction is a two-parter, and is set entirely on the tardis featuring only the main cast
the plot is weird. everyone wakes up in the tardis with confusion and memory loss, not knowing what's going on. the tardis isn't safe, and strange things are happening. the ship seems to be malfunctioning, but there's nothing notably wrong with it. everyone's freaking out and accusing each other of sabotaging the tardis or hurting each other
now, as i said, this is early doctor who. companions barbara and ian had been kidnapped by the doctor and susan so they don't tell anyone that time travel is real, and at this point they don't trust the doctor and the doctor doesn't trust them. the doctor immediately starts accusing barbara and ian of sabotaging the ship to force him to take them home, which they angrily refute. they've spent the last two stories saving the doctor and susan from whatever's trying to kill them
barbara has a speech here which is brilliant and i can quote verbatim. 'do you realise, you stupid old man, that you'd have died in the cave of skulls if ian hadn't made fire for you? and what about what we went through against the daleks? not just for us, but for you and susan too. and all because you tricked us into going down to the city. accuse us? you ought to go down on your hands and knees and thank us! but gratitude's the last thing you'll ever have, or any sort of common sense either'
and the doctor spends the whole two episodes either accusing ian and barbara of being evil or being wholly unhelpful. (he straight up drugs everyone with a sedative at one point!) yeah, turns out the tardis is trying to tell them what's wrong via cryptic clues, and barbara's putting the pieces together. and the doctor still doesn't listen to her! she's so close to figuring it out and saving them all - they're all gonna die in about ten minutes and the doctor's basically given up, but barbara's trying to solve the problem
and in the end, they have the eureka moment and get out of trouble, but barbara's still understandably pissed. that is, until the doctor takes the time to apologise to her and tell her that yeah, she was right and he's sorry he didn't listen to her and he's going to do better to respect her opinions in future. they go into the next serial as friends, a first for the series to that point
so why do i love this weird little two-parter so much? because it is the moral centre of modern doctor who. this is the start of the characterisation of the doctor that we know and love. before this, the doctor is ruthless! he tries to kill a guy with a rock! he sabotages the tardis to satisfy his curiosity and lands everyone in danger from the daleks! he drugs them just because he doesn't trust them! he thinks he's smarter, better, and more important than the people he travels with
but then barbara stands up to him. she tells him that, no, she and ian are important too. and no, they're worth listening to. and yes, they can help and are worth something. and that's important, because barbara and ian are way more compassionate than the doctor is at this point. they want to help people they come across even if it means putting their own lives in danger.
sound familiar? yeah, the doctor's whole thing of helping everyone they come across and compassion towards everyone starts here. this is one of the most enduring things about the doctor and it would never have happened without barbara telling the doctor he's full of shit
and it's all because he listened to an ordinary woman
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txttletale · 4 months
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how would you recommend watching doctor who? there are so many different guys idk how it works.
so the thing about doctor who is that there's two shows -- classic who (1963-1989, doctors 1-7) and new who (2005-2023, doctors 9-14). due to a renumber of the seasons and a change in production company, i think it's fair to call the upcoming version of who (2023-??, doctors 15-??) its own, third show. the reason it's been able to run for so long is that when the show's lead actor, (william hartnell as the titular doctor) had to step down in 1966 due to failing health, they made up some sci-fi bullshit: the doctor's species can 'regenerate' instead of dying, instantly healing but changing their appearance and some of their personality. this means that every time a lead actor has walked away (or, in one unfortuante case, been fired) the show's just recast the doctor and moved on, often with notable changes in tone and format.
the easiest option if you don't want to backwatch anything is to start with this year's christmas special, the church on ruby road (2023). it's an obvious jumping on point to the series, introduces you to all the basic stuff (the doctor, the TARDIS, the fact that it's a silly sci-fi show about fighting weird rubber prop critters), and presumably sets up the upcoming season 1 of the disney-bad wolf version of the show that's gonna come out in may 2024.
if you do want to backwatch, you have to decide if you want to start with new who or classic who. i personally would recommend starting with new who, because there's less of it, it's got higher production values, and (imo this is the biggest obstacle to getting into classic who) it's paced in a way that makes much more sense to a modern TV viewer (self-contained 45-minute episodes). also once you're invested in the show, its main character, and some of its classic elements, you get to soyjak at the screen whenever you're watching classic who and you get to see the oirign of a monster you already recognize. you can also skip classic who entirely and never watch it, they don't bring up anything from it in the new series without giving it a new explanation, but if you do this you hate fun.
anyway, starting points for nuwho: the most obvious one is rose (2005). it's the pilot episode for the new show and imo it holds up brilliantly -- it introduces all the most basic concepts of the show, but ultimately it's really all about billie piper and cristopher eccleston's performances and they deliver. the special effects are gonna be pretty terrible for a while because it's early 2000s cg. there's no jumping on point like it for the whole of RTD's run of the show (imo, the best run of nuwho) so if you want to watch seasons 1-4 you've gotta start on rose.
another episode that's written as a jumping on-point is (heavy sigh) the eleventh hour (2011). as well as introducing matt smith's doctor and his companion amy, this also does the whole rigamarole of introducing the show's core elements, giving a nutshell recap of its history in the form of the doctor's rooftop speech, and also signal what the oncoming moffat era is going to be like (whimsical, full of complex time travel plots, way more misogynist). i'm biased -- i'm a hater, one of this episode's central plot conceits sucks real bad and i also hate the eleventh doctor's whole run. but it is meant to be a jumping on point.
there won't be another one of those in nuwho until the pilot (2017). this begins moffat's final season with which he made the odd but extremely welcome decision to jettison all his convoluted continuity shit from the last five seasons and refocus the show with the doctor being a professor at bristol university with a mysterious secret. i think season 10 is a hidden gem and if you find starting from rose daunting this is the next best place to pick up. capaldi's doctor is a delightful abrasive eccentric with a heart of gold at this point in his run & the stories are wall-to-wall bangers with only a couple misses.
finally, you could start on the woman who fell to earth (2018), the first episode to feature jodie whittaker's 13th doctor and head writer chris chibnall. i'd recommend this even less than the eleventh hour, because while i actually like it more, i think it's a much worse preview of what the upcoming era is going to be like than that one. if you watch the woman who fell to earth and keep watching from the start of whittaker's run on the show off the back of it, you're going to be severely disappointed as most of the more promising aspects of the episode get instantly abandoned.
so, summary, if you're starting with nuwho, there's five jumping on points, which i'd rank:
rose > the pilot > the church on ruby road > the eleventh hour > the woman who fell to earth
but i want to start with classic who because i'm a contrarian
alright. classic who also has a few jumping off points -- before i mentioned them, let me just talk about that format thing i mentioned earlier. classic who doesn't have self-contained episodes for the most part, but rather for most of its run told each of its episodic narratives across between two and seven 20-minute episodes. this leads to a lot of weird pacing, forced cliffhangers, and infamously a lot of filler shots of the doctor running up and down identical corridors. so obvsies i'm recommending entire stories here nad not individual episodes. that said, let's look at where you could jump on:
an unearthly child (1963). this is, like, the start of the show. that said i don't recommend it as a place to start (funnily enough), for a couple reasons. firstly, because of dreadful fucking archiving by the BBC, a lot of episodes from the show's first six seasons are straight up missing. some of them have been animated by the BBC from surviving audio recordings, but some of them are just straight up lost -- due to the format, this means there's very few full complete stories, which makes this whole era really hard to navigate. if you don't mind that and really want to start in the black and white era, i'd still recommend the tomb of the cybermen (1967) instead -- hartnell's portrayal of the doctor as a haughty, slightly impish old professor is great, but troughton basically defined the character's core traits for the next sixty years.
spearhead from space (1970) is a pretty big format upheaval for the show and so serves as a pretty great classic jumping-on point. it's the first episode to be in colour, and sets up a new status quo for the doctor as being trapped on earth and working for an elite paramlitary organization called UNIT that operates out of a ratty office. it's an interesting premise that the show gets some great stories out of. the special effects are bad in the best way. pertwee has instant charm in the role and it's all around a banger by classic standards.
if you want to jump right to the one all the boomers are nostalgic for, you can also start with robot (1974). i wouldn't recommend it, though--tom baker is electric in the role from the start, but the episode itself kind of assumes a lot of the context of the third doctor's setup and supporting cast which you're not gonna have.
i wouldn't recommend anyone start at any point during the fifth or sixth doctors runs because i want them to actually like the show, so i guess the last jumping on point i could really recommend after robot would be, like, dragonfire (1987), which heralds the show's short-lived renaissance with the seventh doctor and his best companion, ace. but although you'd be watching some of the absolute best the classic show ever gets, it feels like it would be a weird and disorienting place to start.
finally, you could watch tales of the tardis (2023), a limited series produced to celebrate the show's 60th anniversary. each episode follows the same format: through a vaguely handwaved Palace of Memories plot, two much-aged characters from the classic series meet up and fondly remember one of the adventures they shared. the bookends with the original actors are mostly shameless fanservice, but the episodes they're reminiscing about are superbly edited down into a much more watchable format -- it works as a good 'sample platter' for most eras of the show (although, weirdly, there wasn't anything from tom baker's run!) and i think it honestly wouldn't be a bad shout to just start from tales of the tardis and then keep watching from whichever of the stories featured in it you liked most. that all said, if you want to start with classic who, i'd rank these jumping on points as follows:
spearhead from space > tales of the tardis > tomb of the cybermen > dragonfire > robot > an unearthly child
all that shit said it's fundamentally a very episodic show with very few exceptions like trial of a time lord and whatever moffat was doing seasons 6-7 so in the end you can basically just start with any episode and more or less get some of the idea. have fun and make sure to do the most important job of a doctor who fan, update the tardis wiki page for penis whenever one is mentioned
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