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#the force is strong with this post
aromanticduck · 8 months
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itsnautica · 12 days
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honestly the amount of courage it must've taken arthur to admit that merlin might not even be alive anymore is rlly something.
gaius walks into the room and asks "where's merlin?" - we're talking about gaius, someone arthur respects and values the opinion of greatly, but more importantly merlin's guardian, his father figure. sure, "he's alive" is his first answer - the hopeful, optimistic, reassuring answer. the 'don't worry, i've got everything under control and it'll all be fine' answer. but then maybe he realises that could be a lie. he doesn't know if that's true, and maybe lying to gaius' face about it is worse than admitting his failure.
so he continues to look gaius in the eye and tell him merlin (who he lost, in the middle of the forest, injured, weak, unwell, surrounded by bandits) was still alive, last he saw of him. he's saying 'i don't know if he's alive anymore, i dont know how he is, where he is, if he's ok'.
it probably makes him sick to his stomach saying it out loud, but he has to state it plain and true. he has to tell gaius that his ward (read: son) may no longer be alive. that takes guts.
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clotpolesonly · 1 month
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Call Down The Hawk ch 34 // Greywaren ch 42
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bottombaron · 7 months
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there is no way that Guillermo’s pussy wouldn’t drive Nandor absolutely mad with power
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give-grian-rights · 5 months
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shoutout to star vs the forces of evil for being objectively SUCH a strong show that was fun, had some coool lore, nice soundtrack. and then fucked itself up beyond repair to the point that i dont know WHO could actually rewatch or finish the whole series
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swordsandsadness · 2 years
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Task force z really said Jason is strong AND smart we love an intellectual strongman
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triptychgardener · 1 year
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In regards to that harleycrockerbert post, there’s something about how homestucks first real flash is there to describe the weirdly desolate, isolating feeling of the suburbs, with the audio of wind whipping down the street with chimes. I feel like that was meant to be a bigger theme somehow but got dropped
YES, EXACTLY! Like, that flash is the literal title card for Homestuck! It's notable that, whenever we see June/Jane's neighborhood, there's almost no one around. Just row upon row of near-identical houses, and besides from one possible neighbor, there is absolutely no "community" that exists there. All the kids, to one degree or another, grow up in a place of physical isolation. Dave being stuck on the top floor of a huge apartment complex, Rose being sequestered out in the middle of the woods, Jade on her island, but June's isolation is that particular American Suburban Desolation that's captured perfectly: a neighborhood, ostensibly for people to live in, but completely devoid of life. Even small details allude to this particular interpretation: why the hell does Dad Egbert have to constantly take his car to get more baking supplies? It doesn't take him that long to get back, but it's clear that a car is necessary for getting around in the suburban sprawl. The sort of archetypal nature of the tire swing, attached to a single, scrappy tree in the front yard. The continuing use of "can hardly be considered to be a proper [] at all!" applied to what would be considered normal for a Proper American Suburban Family. I could go on! And this is a much bigger discussion, but isn't it interesting that the game "Sburb" mainly functions through building up an endless, tumorous growth of the same housing, over and over again? One might even say that the goal of the game is to create a Sburban Sprawl so overwhelming that it makes a whole new universe, which certainly has... implications for the world beyond. I'd need to do a thorough reading of like, the Epilogues to see if that's actually conveyed/dealt with, but these continuing motifs of the suburbs never really leave homestuck even as it becomes more fantastical. I do kind of wish there was more textual stuff in the comic that dealt with that, but I think Egbert (and a lot of the kids) in Homestuck proper lack the necessary context and introspection at the time to grapple with the world that came before.
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laniemae · 6 days
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Not gonna get into danganronpa another spoilers because this whole scene is something else that I’m still processing but I absolutely love this line. Like to bring up milgram I think this is an idea which can reflect on lots of the characters as well. The idea of basing your entire existence off of a certain thing/person/ideology and then for something to happen that completely destroys that. Your entire person has been stripped away and just what’s left? You can’t comprehend your own existence or meaning without that specific attachment and you start to question all of your actions based off that…
I can only really think of John, Kotoko, and Es here (and possibly Amane and Mikoto to an extent). And John bases his life off of Mikoto, Kotoko upholding justice, and Es being the warden.
John’s idea of his whole existence and reason for being is Mikoto. It’s the only reason he believes he exists and if he were to fulfill his role he’d “disappear” as he would be completely worthless without him. John tries to repress and ignore his humanity and reduce himself as a tool to protect Mikoto and that’s all he can see himself as. But now Mikoto’s starting to not deny his existence and feels pure hatred for everything about him. And what will happen to John, when the person he’s dedicated his entire life to and desperately wants praise from, denies his existence? What will he be but some worthless existence that is only a burden, to him.
Kotoko. An ideology of upholding justice and punishing evil that has completely overtaken her. She has pushed herself into a role of a “fang” for justice, protecting the weak and persecuting evil. But even so matter how much she tries, she knows her goals are unreachable. She denies relationships and attachments to other people based on this ideology. Kotoko admits that she does feel attachment to the prisoners, but has to deny them in order to fulfill the role as a tool. And believes that pain and violence is necessary to achieving a greater good. Trying to deny any regret because wouldn’t it be easier to believe you’re entirely in the right? She latched onto Es, believing them to be similar as the warden who carries out judgement on wether the prisoners are forgivable or not. But now, Es has denied her whole ideology, her whole existence due to the pain she’s caused. Kotoko wants to believe that what she did was right and that Es, another enforcer of justice would accept her, because that’s how it is.
And Es… they’re the warden of the prison. There’s nothing more to them than that they believe. Es has no memories of their identity or past before Milgram and immediately latched onto the identity given to them, of being the guard. Es took this role as their entire identity, an extension of the milgram system in order to interrogate and judge prisoners. I think Muu put this best.
“Warden-san, we call you "warden" because that's what you are, right? And I was assigned the role of prisoner, but that doesn't mean I'm now nothing but a prisoner at heart, too. After all, I'm still me.”
Es has an unstable sense of identity, to the point they latched on to the first thing they were given in order to give themselves a purpose and a meaning for existence. And Kotoko calling them “imperfect caused them to question their identity. But as the story progresses Es will probably begin to learn about the audiences control and the truth behind what they assumed to be their verdicts. That their will never was 100% their own. Who knows what Es’ past was, but eventually they’ll likely have to tackle it and their whole identity, the warden, the arms of milgram, is gone.
gonna think about Mikoto and Amane here as well. Mikoto, although may not seem to be as first, focuses his entire identity around other people. He’s the friendly sociable guy who’s easy to chat with. But that’s all he believes he should be, I guess. As perhaps this mindset is upheld by an inherent fear of other people rejecting him, so he focuses all his attention and identity on being a social person. He’s never truly friends with people, as perhaps that would be “too close” and open up the possibility for danger. He doesn’t completely deny his identity like the others, but he molds and shapes it in a way that is acceptable to others. He likes what everyone else likes and does what everyone else does so the fear of being rejected for being different won’t hurt him. But now he’s stopped denying John’s existence and his DID, believing himself to be crazy, and to be completely rejected from other people, his entire sense of identity to an extent. And especially with John scaring other people off with the mindset that will help Mikoto, he has now been completely distanced from everyone else and now has to come to terms with himself, but not the ideal persona he put on to be acceptable to other people.
Amane is a more different case as she in a way has rejected that idea, but not completely. Growing up in a cult it’s very likely that she was always conditioned that she was just a servant for god. That all the good things she did were actually god blessing her and all the bad things a fault of her humanity, herself as a person. She is in a unstable relationship with the whole submitting her personhood to her religion, as she sacrificed her ideologies in order to help a cat. But at the core, that wasn’t about herself and her identity, rather a focus on the cat’s life. Amane’s murder was her will. Rejecting everything and fighting for her life in direct opposition to what she has been taught her entire life and how her identity should be, a rejection of that and a glance into “herself”. But once again, this murder wasn’t entirely self motivated. She’s still broken enough that she can’t fully grasp herself as a person besides god and religion. And a large cause of her murder was out of the death of the cat, rather than simply protecting herself. Amane still slips back into the belief that her personhood is entirely dedicated to god. As she tried to convince herself and Es that the only reason she killed is because they deserved religious punishment and she is in the right for carrying out god’s will, once again denying her personal reason for doing so. Reducing herself to “we” on behalf of her religion, that this isn’t herself anymore. Amane is in a limbo between rejecting her personhood for god, but at the same time rejecting the suffering she’s been through in order to save “herself”. Amane’s case is so interesting, as there’s no clear answer of what she believes in here, and it is truly fascinating.
#milgram#Milgram theory#milgram analysis#amane momose#mikoto kayano#john kayano#john milgram#kotoko yuzuriha#es milgram#uhhhh this was meant to be a quick analysis how did this turn into an exploration of the identities of 5 characters#And comparing it to a scene from dra which focused a lot around the loss of someone’s beliefs completely destroying their identity?#May analyse that scene directly because the whole philosophical and psychological concepts coming into play there is just soooo cool#and man I was kinda figuring out stuff as I was writing this but like I said it’s so interesting how Amane isn’t completely dedicated to go#Like the other characters I mentioned who have dedicated their whole identities to something#And Amane’s at the struggling between her true self and her perfect religious self#But perhaps she doesn’t entirely realise this conflict going on within#Which is interesting as a realisation of their identities would probably cause the other characters to lose it#But Amane it’s coming to her in a different way#She’s so strong uahhhahhajajshshshs#Tw cults#Ok now thinking about this more I’m starting to see this whole ideology apply to other dra characters as well#Man this is just so interesting#Like Kinji although having nowhere near as bad of a situation of amane was in a way forced to repress his emotions his entire life#Due to religious reasons and to devote his life to god and reject personhood#Surprisingly he’s actually not a bad person but still is very stoic and avoids other people due to being taught those values#And kinji’s a whole parallel to Tsurugi so this would be really interesting#I would talk about Tsurugi here but this is primarily a milgram post so for everything he’s like kotoko with a dedication to justice#But handles it in a very different way#His story is just way to long to analyse now#But hey this is an invitation to play (or watch bc downloading the game is hard technically) danganronpa another
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simcardiac-arrested · 5 months
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what’s up lately with all these snobbish posts about how found family isnt This it’s That and found families don’t have dads or siblings or anyrhing Stop Pushing Your Nuclear Agenda
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aromanticduck · 6 months
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Saw this interaction and immediately thought of them.
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thatgirl4815 · 8 months
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Characterization & Relationships (Ep1)
Since we (finally!) have a reasonable look at each of the characters in ep1, I thought I'd try to sort out what's driving them and where the majority of their conflicts will stem from.
Up first:
Ray
What a disaster. The promotional material has done an excellent job of catering to the facet of Ray's personality that he would like others to see: rich, popular, suave, sexy...essentially someone whose got it all put together. But the Only Friends PR is as much a guise as this "rich Ray" personality. In actuality, he's drunk for 99% of the episode, he's sassy, and he's pitifully jealous of Top's relationship with Mew. I'd also wager that his apparent alcoholism extends beyond a "college kid who likes to party too much." Whether or not this becomes a major talking point in the series remains to be seen; not to get into theorizing territory too much, but I suspect part of Ray’s conflict with Sand will be that Sand exposes Ray’s flaws a lot (namely, just how much attention he needs). We already saw that a bit with episode one. But hopefully in drawing out this trait, Ray will change for the better.
All in all, it's clear that Ray is drowning. I think what Ray wants most is company. He might delude himself into thinking he only wants someone of a certain "caliber," given his own wealth and supposed status, but as Khao said, he's someone who needs love. (I also have thoughts on why Ray would have a crush on Mew in particular that might be best-suited for a different post, which—if you’re interested—you can find here!)
I have to admit too that I was honestly expecting to hate Ray, especially in episode one. He was certainly arrogant (for example: automatically assuming that Sand must have slept with him when he was drunk). But all in all, my thoughts on Ray were a mixture of pity and humor. Whereas Boston is shameless in his pursuit of Top (screwing over Mew in the process), Ray spends the episode chaotically pining after Mew, squabbling with Sand, and puking on floors.
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^I do know that I want to protect him from whatever it is that's making him sob like this (unless, of course, it's his own asshole-ish behavior towards Sand, in which case it's probably deserved).
*Side Note: I'm wondering at what point Ray's friend group will make mention of his bad drinking habits as a sign of some greater mental issues...I'd expect Mew to bring it up at greater length soon, but maybe he thinks Ray will get defensive. Food for thought.
Sand
Oh Sand. Starting beef in the bathroom right off the bat (pun intended). He’s headstrong and—as I assume is the point—seems to have his life together where Ray does not. He also alludes to his unfortunate financial situation and seems to dislike Ray immediately because of it (perhaps without meaning to).
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Sand’s conflict, as far as I can tell, is all physical—financial. But Ray’s is inside. I’d argue that Sand realizes that on some level. I think he’s fascinated by Ray. Once he gets over his annoyance, there’s a hint of curiosity there, maybe even pity.
From Sand’s standpoint, it’s easy to get mad at people like Ray. But we see he’s also forgiving (he states that he doesn’t like to hold grudges), sincere, and helpful. Rather than let Ray attempt to drive home alone (or fall asleep in the bar parking lot), he takes him back to his place, pats his back while he vomits in the toilet, gives him a place to sleep on the couch with new clothes, etc. So really what I’m saying is that Sand is the perfect boyfriend.
At least as far as Ray and Sand are concerned—I’m ready to fight for either one of them. They’re different enough that I think their dynamic will be one to progress slower than the other couples, but in a very meaningful way.
Top
In my opinion, Top is the most difficult character to read. As opposed to Ray's chaotic arrogance, his is dripping with composure. He gives an air of maturity that the other characters lack, and it's the perfect cover for his supposedly dishonest sleeping habits. I think the opening verse in "Let's Try" speaks to him well--he doesn't seek out other men for love. I don't think he's fully committed to being in a relationship with Mew at this point, but his curiosity has been piqued enough to give it a chance. To put it bluntly: he's challenging himself to see just how long it takes to get into Mew's pants. (Part of that challenge might have to do with Boston, to prove that he can make Mew more than a one night stand.)
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I wonder if Top gets frustrated by his lack of (physical) intimacy with Mew and that's what drives him back to Boston. He rejected Boston pretty hard in ep1, but I'm curious to know how long that will last. I'd say the earlier the better when it comes to salvaging Top and Mew's relationship.
I'm not sure what I was expecting from TopMew's relationship to start with, but it's taking off at a relatively fast pace status-wise. By the end of the first episode we have Top asking Mew to be his boyfriend, which will surely stir up drama and will likely send both Ray and Boston stumbling into Sand and Nick's arms.
Mew
Mew has been regarded in the fandom as a bit more than he seems. But besides the end-credits clip of him sitting alone, I'm not getting any mysteriousness (yet) from his character. From his interactions, we can tell he has strong values, an intuitive mind, and a distinct sense of self. He knows who he is. (Again, I think these traits connect directly to why Ray is so interested in him.)
I see Mew and Namchueam as the anchors of the friend group. While Ray and Boston are chaotic and self-centered, these two are both looking out for everyone. I also have to admire Mew's conviction when saying no to Top--he isn't going to cave and have a one night stand with a hot, popular guy just because his friends tell him to.
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All of these attributes point to one hell of a revenge plot when Top inevitably wrongs him. But despite how reserved and composed Mew seems now, I wonder if that will be what pushes him over the edge and scares away his "nice boy" persona. Mew's composure now could lead him to have the biggest spiral later.
Boston
To put it bluntly: Boston is exactly the kind of playboy dick-face I thought he would be. Neo plays him perfectly. He's arrogant, confident, self-centered, and attention-seeking.
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If Top is "the top of the top" (again, pun intended) as far as FWBs go, then Boston can't stand the thought of Top settling for someone he views as lesser-than. Boston's inflated ego is like a blinding light in this episode. While Ray is jealous of Mew and clearly wants to drive Mew away from Top, Boston evidently has no problem directly sabotaging the relationship. The last scene between Boston and Top in the bathroom is proof--if Top had initiated anything, Boston would have had no problem sleeping with him and talking to Mew later as if nothing had happened.
Nick
Nick seems to be unfortunate collateral in Boston's egotistical destruction. At the moment, it’s a beneficial relationship for both of them. There's a spark between them, plus Boston needs another buddy to keep his mind off of his failing pursuits with Top. We haven't seen much of Nick yet besides his *ahem* blatant interest in Boston, so I can't say much beyond that. But from what we saw of his character in the tech store, he seems a little absent-minded, helpful, and generally friendly. I'm interested to see what more of him we will see.
Namchueam
Maybe it's because we haven't seen much of her background yet, but she seems to be the most put-together out of the friend group (with the exception of maybe Mew, but he has his own problems too). It's clear she looks out for her friends and wants what's best for them. Seeing her hyping Mew up about Top was endearing, because it's clear she truly wants him to be happy and live on the edge a little more. I want to know how she's going to get wrapped up in all this mess.
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~ X ~
Ok, that's my basic analysis of the characters and core relationships from Ep1. I think everything is developing at a quick pace with a lot of drama already in the works. Excited to see where it goes from here and what everybody else's thoughts are on this mess/+ of a plot, lol.
P.S. me after every new episode of OF:
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antianakin · 3 months
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In your opinion, could Merrin become a Jedi or is she better off as the only good Nightsister?
I'm honestly unclear as to whether we'd consider Merrin and the nightsisters "Force sensitive" or not. Like, I know that their magic is supposedly using the Force to some degree, but it's also pretty clearly demonstrably different from regular Force usage. I'm not certain if Merrin could use the Force the way a regular Jedi could, the way we know Ventress can, or if she's completely limited to "nightsister magic." I'm inclined to say that if she can't use the Force the way a Jedi can, she can't be a Jedi. Being a Jedi relies on being able to feel that connection and use it as a central aspect of their entire philosophy towards life. If Merrin doesn't have it, I find it difficult to believe she could truly acclimate to the Jedi way of life.
But let's set all of that aside and assume that magic IS Force sensitivity and Merrin could do all the things Cal can do (aside from psychometry) and is just choosing not to because she prefers magic. I think this is what you're actually asking me anyway, which is whether Merrin's PERSONALITY would make her suitable to being a good Jedi or not.
In general, I think she'd be okay. She certain seems to have the letting go aspect down by Survivor, something she was obviously struggling with more in Fallen Order. She's intentionally traveling around the galaxy so she can learn more about other people and cultures and learn to appreciate them. She sees Cal start to go dark and recognizes that this ISN'T HIM and that she WILL lose him to it if he keeps going this way. She works as a support for him for most of the rest of the game when he's struggling with that, reminding him of who he is and what their goal is. She clearly isn't overly attached to the people she loves because she's willing to leave Cal to work on what SHE needs for a while and she doesn't go ballistic when the Hidden Path is attacked. She works alongside the Hidden Path, helping get refugees to safety and working on finding a place everyone can live together in safety from the Empire. She'd probably have a fairly macabre sense of humor for a Jedi given how long she spent with the nightsisters and the abilities that her magic affords her, but in general I think she'd probably make a perfectly fine Jedi so long as we assume she's Force sensitive.
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tibli · 10 months
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im so sick of the way being a "picky eater" is treated. stop forcing kids to eat foods they can't stand- all it does is ensure that they'll likely NEVER try that food as an adult. its not being a spoiled brat, its having an aversion to certain sensations, and witholding food until they eat what you want them to is fucked up. would you want someone to force you to eat something you didn't like?
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tenebsolis · 3 months
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dudebro fandoms like bloodborne obviously have a huge problem with misogyny but im really sick of seeing people genuinely hate imposter iosefka when they praise the male characters who did so much more shit than she did. have you considered jumping off a bridge. do it for me. if your male blorbo has done the same or even worse than the female character you love to hate bc she’s just so bad and manipulative and hes so sensitive and clever reconsider. look inside or go to the bridge
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beevean · 5 months
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A random headcanon I have is that Dracula gifted Hector that big golden belt he wears:
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His pants are so tight that he doesn't need a belt, but it looks elegant, and by the way it's skewed it's easy to see that it's not for support anyway. It's purely ornamental, which is odd as Hector doesn't seem to be concerned with being elegant.
In PtR, he apparently owns it from the get-go, although we can't see it under the uniform. Isaac doesn't have an equivalent of this.
And apparently, it's valuable enough that Rosaly doesn't dare taking it in fear of judgment from other people:
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"The unspent ferry fare for the Nether Rivers... to make up for it…"
"Worn-out and shiny? Thank you for the thought, but they'll think I stole it... I wonder if you don't know the world..."
I believe it was Dracula's gift, an unusual act of generosity. I don't know if he also was the one who pierced Hector's ears (I have multiple ideas for those piercings lol), but this one was him. I can see him trying to pretty his boy up :) giving him such a valuable gift to make him feel loved and special :) distinguishing him from Isaac who has to wear a proper uniform without embellishments :)
And since it would be covered by Hector's full uniform, not many people would see it... only those who would take that uniform off :) or Isaac, if the two lived close :)
There is also something to be said about how Hector is treating this gift, which in this theory symbolizes Dracula's favoritism and fondness, things that Hector used to hold dear but have been now poisoned, as Charon's obol, expecting perhaps to be buried with it (he threw away the vest with the Devil Forgemaster crest, but not this...); and then how he planned to use it to pay Rosaly for her kindness, so unused he is to being loved without recompense. A gift from someone who only saw Hector as a tool, to someone who sees him as a person worthy of love. It's beautiful 💖
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