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#the game so i may as well be dead but i don’t want to die i don’t want to die !!! i just want to start over if i started over i could
hallowxiu · 4 months
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How the Brothers Would Deal with MC's Mortality
Mammon:
You casually brought it up as a joke
Probably something like “i’m here for a good time, not a long time” or “why should i care what happens in 100 years? It’s not like i’ll be around to care”
Would probably confuse Mammon at first as to why you wouldn’t be around, but he would put the pieces together in the middle of the night when trying to sleep.
A whole, eyes snapping wide opening and flinging out of his bed kind of moment.
Mammon would worry himself sick
Yes, he knows humans can die, hell, he used to mock you for being so frail when you first came to the Devildom, but now? 
Well, now things are different. How he feels about you is different
He's spending all his money on ways to keep you kicking longer. 
Anything he can think of that’ll help, he’s buying it. Vegetables, fruits, protein powder, comfortable clothes, a nice pillow, vitamins, shampoos- anything. He has no idea where to start, so he just starts grabbing everything. 
I mean, something will have to help, right? 
If you notice he looks panicked, don’t point it out, it’ll only make it worse. Unless you want to be smothered to death from his affection and worry, then by all means. ;)
Leviathan:
Look, he can barely handle his favorite anime characters dying, so you? Yeah, no, that’s way too much. 
Nothing actually popped up to remind Leviathan of your mortality, it was because of Satan throwing his books all around the house that did it. 
Suddenly, it was all he could think about. How did he not think of this before? 
Leviathan is no Satan though, and he’s certainly not Lucifer. Researching medical documents and trying to think of things to keep you alive longer are a little over his head. That being said, there were some things he could do.
Leviathan dove into his own research that would be within his realm of understanding, studying that humans who have more positive mindsets and who are less exposed to depressing forms of media, may live longer than the average person. This- this was something he could work with. 
Suddenly, you were constantly being invited to his room, Leviathan having a variety of slice-of-life anime for you to watch with him, all of which had happy endings to boot. If an anime was even remotely depressing, he made sure to keep that out of reach. 
Video games? He’s keeping it safe; he’s not risking anything here. If it’s not similar to Stardew Valley, Animal Crossing, Dreamlight Valley, or The Sims (which must be on a good day), you’re just not playing it. Kingdom Hearts if you’re lucky. 
Satan:
Would do an insane amount of research 
Likely overheard the topic on a news segment about the tragically short lifespans of humans before it all clicked together.
Satan, unlike the other brothers, has never experienced death before, so while it sounds silly, he never had reason to think of you dying.
Looks up humans who had long lifespans to see how he can implement those things into your lifestyle.
Books will be littered everywhere (although that’s not really unusual, but what is would be the topic of said books- The Long Lives of Humans, Human Lifestyle for Dummies 101, The Road to Human Immortality, etc. etc.)
This is when Satan learns just how easy it is for a human to kick the bucket.
Heart attacks, brain aneurysms, strokes, seizures, cancer, the list goes on and on and it’s starting to scare him. He didn’t know humans could just drop dead. 
He’s going to start researching curses to increase your lifespan, or at the very least he’s going to make sure you’re careful as hell. 
You won’t even get as much as a cut without him being aware of it; he’s going to hover around and mother hen the absolute shit out of you. 
Try not to get too annoyed with him though, it all stems from good intentions. 
Asmodeus:
He’ll be damned if his shopping partner for life is going to die on him.
Asmo isn’t stupid; if anything he’s pretty emotionally aware. He's known for a long time just how short the lifespan of humans is.
But still, it came in the form of a nightmare. One where he couldn’t save you, despite giving his best efforts. The way you died was tragic, long before your life should have ended. 
This sent Asmo somewhat into a frenzied state trying to find things to keep you alive once he woke up. 
Vitamins, vitamins, vitamins
Humans benefit from vitamins, right? Surely you’d benefit from Devildom vitamins then. If it’ll increase the lifespan of a demon, he sees no reason why it wouldn’t increase your lifespan. 
Of course, it really only gives you nicer nails and shinier hair. 
He’s 10x more intense with your morning and night routines. 
He will be unloading all his facial creams on you, and telling you the benefits of each one and how it might add a few years to your lifespan. 
You want to stay up late at night to finish homework? Maybe watch a movie? Yeah, no, not on Asmo’s watch. 
Your ass is going to bed every night at 10pm, right along with him. You do realize you’ll be getting exactly 8 hours of sleep each night, too, right? 
Beelzebub:
Regarding his trauma with Lilith, it came as no surprise when he started to fret over your well-being. 
Poor Beel saw an article that discussed how tragically easy it is for a human to die. The cherry on top? How they could die from simply overeating. 
Overeating isn’t a concept Beel is overly familiar with (because to him, it’s never overeating), and while he knew most people couldn’t keep up with his eating habits, he didn’t think it could actually cause harm to a human, let alone kill them. 
Grocery trips are now a more anxiety-inducing event. 
He’s suddenly paranoid that any of the Devildom food could and will kill you. Are you allergic to anything? How would you even know? 
What if one day he serves you his favorite boiled dragonhead and you just drop dead at the dinner table?? No, that will never do. 
There’s a list of Devildom foods that he knows for sure you can have without dying, but then comes the issue of portion control. How much is too much for a human? 
Beelzebub swore he would never lose another loved one again, and it’s a promise he intends to keep. From now on, you will only eat what he deems safe. 
You want to try a new food in the Devildom that you’ve never had before? You better get some seriously good convincing skills if you want him to cave in. For someone who only ever thinks with his stomach, he’s surprisingly stubborn. 
Belphegor:
He’s still plagued with nightmares about Lilith, especially since he still thinks it’s his fault. Tack that on to the way he blamed you and the rest of the human race for it? The man is walking trauma. 
 Like Asmodeus, this was brought on by nightmares about you dying. Different from Asmo’s, however, you usually died by his hand. Naturally, considering your tumultuous history. 
Belphegor, unlike his brothers, takes a different approach. He just doesn’t approach you at all. 
What better way to keep your lifespan long than by staying away from you altogether? 
Is it something that he wants? Of course not! But how can he trust himself to never hurt you again? To never kill you again. 
He can’t. 
So, he locks himself away in his room, sleeping most of the day or just avoiding the areas you normally like to lounge. 
On a normal day, almost everyone in the household, including yourself, would notice this behavior change. However, since you’re now being cornered by all the brothers and their concerns about your lifespan, it’s easy for Belphegor’s absence to slip your mind. 
This hurts Belphegor, but at the end of the day, he believes this is for the best.
Lucifer: 
Lucifer didn’t need a reminder of your short lifespan; if anything, it’s something he’s thought plenty about. 
Lucifer has trauma, we all know that much. After Lilith, he’s absolutely terrified of losing another loved one to something outside of his control.
And your lifespan is not something that’s out of his control. At least not how he sees it, anyway. 
If you thought he was overbearing or overprotective before, brace yourself. He’s going to step it up several notches. 
No excess of junk food, no more pulling all-nighters, no more sitting around the house gaming all day, and definitely no more overexerting your use of magic. He’s no fool, he knows the toll your magic could eventually take on your body. 
Honestly? He wasn’t this bad until his brothers started to panic about your mortality, and though Lucifer told himself he was above such nonsense, he quickly found himself taking all the precautions they were taking (and then some). 
Fortunately, if you find yourself becoming overwhelmed, they’ll be more than willing to listen to you (granted you take some of their concerns into account).
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edenmemes · 9 months
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asoiaf: a dance with dragons starters
❝ i fear i make you uneasy. ❞ ❝ knowledge is a weapon. arm yourself well before you ride forth to battle. ❞ ❝ go on. show your steel. give me cause to do the same. ❞ ❝ fear is what keeps a man alive in this world of treachery and deceit. ❞ ❝ these woods are not as empty as you think. ❞ ❝ promise me that you will never turn against me. i could not bear that. promise me. ❞ ❝ the only time a man can be brave is when he is afraid. ❞ ❝ if i must die, i will die with an axe in my hand and a curse upon my lips. ❞ ❝ tales are told of you. i hear them everywhere. people fear you. ❞ ❝ go too far down that road,  and  mistrust  can  poison  you,  make you sour and fearful. ❞ ❝ you mistake me. that was a command, not an offer. ❞ ❝ sorcery is a sword without a hilt. there is no safe way to grasp it. ❞ ❝ prophecy is like a half-trained mule. it looks like it might be useful, but the moment you trust in it, it kicks you in the head. ❞ ❝ it is not the foes who curse you to your face that you must fear, but those who smile when you are looking and sharpen their knives when you turn your back. ❞ ❝ i rose too high, loved too hard, dared too much. i tried to grasp a star, overreached, and fell. ❞ ❝ they think that this will break my pride, that it will make an end to me, but they are wrong. ❞ ❝ tell me of the things that make you happy, the things that make you giggle, all your sweetest memories. remind me that there is still good in the world. ❞ ❝ one war ends, another begins. there is always someone fighting someone somewhere. ❞ ❝ this is what i was made for. the dance, the sweet steel song, a sword in my hand and a foe before me. ❞ ❝ my enemies have told you i am dead. those tales are false, as you can see. ❞ ❝ not all that a man does is done for gain. ❞ ❝ i know that you believe me weak, frightened, feeble. ❞ ❝ it takes a man to rule. kill the boy, and let the man be born. ❞ ❝ do you mean to spend your whole life running away? ❞ ❝ kingdoms are at hazard here. our lives, our names, our honour. this is no game we’re playing for your amusement. ❞ ❝ however gentle the words, there are always darker motives underneath. i do not trust you. ❞ ❝ a good honest face, but you should smile more. ❞ ❝ my throne is made of burned bones, and it rests on quicksand. ❞ ❝ you are so radiant today i fear to look on you. ❞ ❝ prove yourself more trouble than you are worth, and you can go your own way. ❞ ❝ you need not look so pale, i was only playing with you. ❞ ❝ this is not the day i die, i promise you. ❞ ❝ i wanted you from the first time i saw you. ❞ ❝ was i so blind, or  did  i  close  my  eyes  willingly, so i would not see the price of power? ❞ ❝ men should not go wandering in this place. ❞ ❝ hold your tongue and do as you are told, or you will soon wish you had. ❞ ❝ you won’t try. you will obey. ❞ ❝ kneel and live. or go and die. it’s your choice to make. ❞ ❝ are you so blind, or is it that you do not wish to see? ❞ ❝ that is not a place you want to go to. ❞ ❝ i will not go back without doing what i came for, no matter how hopeless it may seem. ❞ ❝ the fairest woman in this world...i am drunk with the sight of you. ❞ ❝ secrets are worth more than silver and sapphires. ❞ ❝ we have come too far to turn back now. ❞ ❝ what have i done to make you hate me so? ❞ ❝ you meet so few men who value friendship over gold these days. ❞ ❝ it is true, i am a bolder man than most. ❞ ❝ i cannot go home. but i dare not stay here much longer. ❞ ❝ foes and false friends are all around me. ❞ ❝ the fewer folk who will know of this, the better. ❞ ❝ all you have i gave you. remember that. ❞ ❝ will you make me say it twice? go and do as i commanded you. ❞ ❝ love is madness, and lust is poison. ❞ ❝ i feel safe when i’m with you. ❞ ❝ have you no smile for me? am i as fearful as all that? ❞ ❝ why did i ever allow myself to be talked into this farce? ❞ ❝ don’t think i don’t see what you’re doing. ❞ ❝ i will tell you nothing. do me the same favor. ❞ ❝ if i look back i am lost. ❞ ❝ a crown should not sit easy on the head. ❞ ❝ we must show a little trust, you and i. ❞ ❝ trust only your companions, and do your best to avoid attracting notice. ❞ ❝ you’re not going to try to kill me again, i hope. ❞ ❝ if you will forgive me for saying so, you look...weary. are you sleeping? ❞ ❝ your clothes are stained with blood. take them off. ❞ ❝ every fool loves to hear that he’s important. ❞ ❝ my father used to tell me that a man must know his enemies. ❞ ❝ you are a harmless creature, to be sure. as innocent as a lamb. ❞ ❝ till then, let us drink and dream. ❞ ❝ you will be tempted to betray me. to run or fight or join our foes. i’ll not hear you deny it. ❞ ❝ soon enough you may have grave need of me. do not refuse my friendship. ❞ ❝ it is best that no man knows that you are here. ❞ ❝ i kill kings, haven’t you heard? ❞ ❝ should any ill befall you, this world would lose its savor. ❞ ❝ some will look at you and see only another doomed pretender. ❞ ❝ i think life is a jape. yours, mine, everyone’s. ❞ ❝ i will forgive those words...once. but never presume to threaten me again. ❞ ❝ your father would be so proud if he could see you. ❞ ❝ just once you might try to give me an answer that would please me. ❞ ❝ they love me well. none would betray me. ❞ ❝ i have sins enough to answer for; i’ll have no part of this one. ❞ ❝ i mean you no harm, you know. ❞ ❝ i do not trust you, but i need you. ❞ ❝ we’ll both sleep, and dream of sweeter days. close your eyes. ❞ ❝ since you ask so nicely, how can i deny you? ❞ ❝ no wine is half so intoxicating as your beauty. ❞ ❝ why should i beg for what is owed me? ❞ ❝ a lord may love the men he commands, but he cannot be a friend to them. ❞ ❝ let them try and trouble us, we’ll show them what we’re made of. ❞ ❝ a leader should be feared, by friend and foe alike. if men think me cruel, so much the better. ❞ ❝ the enemy of my friend is my enemy. ❞ ❝ a book can be as dangerous as a sword in the right hands. ❞ ❝ i am an old man, grown weary of this world and its treacheries. ❞ ❝ these are desperate days, and like to grow more desperate. ❞ ❝ we need to find shelter before nightfall. ❞ ❝ there are footsteps behind us. we are being followed. ❞ ❝ this is no common fog. it stinks of sorcery. ❞ ❝ i am glad you came to me. it is good to see you again, my friend. ❞ ❝ the man who does nothing also takes a risk. ❞ ❝ the women are the strong ones. ❞ ❝ afraid, are you? i would be if i were you. ❞ ❝ tell me a tale. some tale of valor with a happy ending. ❞ ❝ i’ll have a cup of wine as well. to clear my head. ❞ ❝ we may lose our heads, it’s true...but what if we prevail? ❞ ❝ keep your swords sharp. we’ll have us a real fight soon. ❞ ❝ this is going to end badly. ❞ ❝ what are you doing here? how did you get past my guards? ❞ ❝ it is so hard. to be strong. i don’t always know what i should do. ❞ ❝ let us instead speak of love, of dreams and desire. ❞ ❝ you wound me, wandering off like this. have you grown tired of my hospitality so soon? ❞ ❝ with this sword i defend my subjects and destroy those who menace them. ❞ ❝ it is too late for such misgivings. you made your choice. ❞ ❝ in times as confused as these, even men of honor must wonder where their duty lies. ❞ ❝ why? what did i ever do to you? ❞ ❝ we must be certain that we do not choose the losing side. ❞ ❝ dream sweet dreams. there are no monsters here. ❞ ❝ i know who you are. i know what you are. ❞ ❝ a little honest loathing might be refreshing, like a tart wine after too much sweet. ❞ ❝ a bloody sword is a beautiful thing. ❞ ❝ a ruler belongs to their people, not to themself. ❞ ❝ if the ones i killed come haunt me, i will kill them all again. ❞ ❝ you shine so brightly, you will blind every man who dares look upon you. ❞ ❝ a fair bargain leaves both sides unhappy, i’ve heard it said. ❞ ❝ there’s blood on your hands, aye, same as mine. ❞ ❝ i have done wicked things, i know, but i could not bear for you to hate me. ❞ ❝ it is good to see you smiling again. ❞ ❝ i have doubts enough without you throwing oil on the fire of my fear. ❞ ❝ blood pays for blood, a life for a life. ❞ ❝ go home, if that is what you want. i am staying. ❞ ❝ a man’d think there’s no trust between us. ❞ ❝ i would choose freedom over comfort every time. ❞ ❝ you are even lovelier than i was told. ❞ ❝ stay. i do not wish to be alone. ❞ ❝ treachery on treachery. is there no end to it? ❞ ❝ dreams and prophecies. why must they always be in riddles? ❞ ❝ one wrong word, and this could turn to blood in half a heartbeat. ❞ ❝ you lie. i can see the truth in your eyes. ❞ ❝ throw down your steel and stand aside, and no harm need come to you. ❞ ❝ you are supposed to be my friend. why must you mock my hopes? ❞ ❝ it is better to die with honor than to live without it. ❞ ❝ it does no good to brood on lost battles and roads not taken. ❞ ❝ i see you are deaf to sense. ❞ ❝ you are no better than me. we’re just the same. ❞ ❝ a man should never draw his sword unless he means to use it. ❞ ❝ you kill men for the wrongs they have done, not the wrongs that they may do someday. ❞ ❝ close your eyes. close your ears. turn away. you do not need to see this. ❞ ❝ the sooner we are gone from this place, the better. ❞ ❝ i am sorry my actions have displeased you. i did as i thought best. ❞ ❝ you do not need to trust a man to use him. ❞ ❝ if you cannot do this thing, you need only say so. there is no shame in that. ❞ ❝ never wound a foe when you can kill him. dead men don’t claim vengeance. ❞ ❝ this is what i wanted, what i worked for. so why does it taste so much like defeat? ❞ ❝ honest men should never need to hide their faces. ❞ ❝ i am not the trusting fool you take me for. ❞ ❝ men’s lives have meaning, not their deaths. ❞ ❝ he’s dead. he won’t bite. ❞ ❝ if this is the price for peace, i pay it willingly. ❞ ❝ it makes me wonder whose side you are on. ❞ ❝ dreams and prophecies. why must they always be in riddles? ❞ ❝ i will not say that you are welcome. nor will i deny that i have hoped that you might come. ❞ ❝ you have the eyes of a wolf and a taste for blood. ❞ ❝ men are mad and gods are madder. ❞ ❝ one war ends, another begins. there is always someone fighting someone somewhere. ❞ ❝ not all risks lead to ruin. ❞ ❝ is there some place with fewer eyes and ears? ❞ ❝ i need you now as i have never needed you before. ❞ ❝ tell me, is there any fight left in you? ❞ ❝ it was the wind that you heard screaming. ❞ ❝ crying? i was not crying. why would i cry? ❞ ❝ are you some butcher of the battlefield, hacking down every man who stands in your way? ❞ ❝ rain. a storm is coming. ❞ ❝ that was simple. simpler than i dared hope. simpler than it should have been. ❞ ❝ see that you do not speak of this. i’ll not have this tale spread. ❞ ❝ how could i be so blind for so long? ❞ ❝ you had a bad dream, that was all. ❞ ❝ are you prepared to defend that boast with sword or lance? ❞ ❝ i will do it. i said i would. i will. ❞ ❝ think that. believe that. tell yourself it’s true. ❞ ❝ you have more enemies than you know. ❞ ❝ i have no heart. i only have a hole. ❞ ❝ it has been too long since i’ve killed a man. ❞ ❝ words are wind. words cannot harm me. ❞ ❝ have you forgotten who i am? ❞ ❝ too many good men died that day. ❞ ❝ it is so good to see your face, your sweet face. �� ❝ it is still not too late to abandon this folly. ❞ ❝ i will not stay here to be insulted. ❞
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h0rnyauth0r · 1 year
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könig saves you during your first mission working with his team, and you develop a huge crush on him! he likes you too, so you decide to fuck <3 (also i included the name of one character from the game, she's really pretty so i wanted to include her on the side lol)
I NEVER REALIZED THAT I WAS IN LOVE WITH HIM UNTIL NOW AND IT'S BAD.
dni if young pls! <3
word count: 4.3k (i literally want to fuck him so bad. if he and ghost would tag team me i would literally die happy. i'd sell my soul and crawl to the ends of the earth for them to just demolish me. thank you.)
tws: reader with vagina, unprotected sex, pussy eating, fingering, rough sex, choking, cumming inside, idk what else honestly.
you can feel the anxiety coursing through your veins as you step onto the platform, fully dressed and prepared for the plane ride to your mission. you’re new to the kortac team, having worked with calisto a few times but having no other experience with the group.
you know nothing other than everyone’s names, but they seem welcoming enough. that’s the least of your worries, you just don’t want to fuck up and ruin the mission for everyone else.
it’s not long before you’re seated on the plane, strapped in as you prepare for the ride. your orders are to eliminate a terrorist group that has stationed themselves in a rural town. they murdered most of the townsfolk and are planning an attack on the united states.
you’ve been ordered to remain stealthy with these targets, as there are more of them than there are of your group. it would be far too easy to end up dead if not careful, so you’re going to be as slow and quiet as possible.
the base you were stationed at wasn’t too far from the area you’ll be landing at, just an hour long flight. you will be walking and infiltrating from there, hopefully not raising any attention when the plane drops you off.
you’ve tried ignoring your only distraction among these plans, which just so happens to be one of your team members. the large man never spoke to you, but calisto said he suffers from social anxiety so he’s likely going to remain silent around you.
as much as it sucks, you can’t help but find him so intriguing. he’s attractive, even with his face hidden. seeing nothing but his dark eyes staring at you when you first showed up caused a heat to rise in your pants that you’d rather not admit exists.
and so you decided to avoid him, not wanting to do anything that may make him uncomfortable. feeling attracted to him makes you feel guilty, so the mission will be your top priority now.
you decide to occupy yourself by sorting through your pouches, noting that every item you need is there. you nearly forgot your throwing knives back at the base, but luckily you managed to grab them as you were heading out.
everything seems satisfactory as you close up your final pouch resting on your thigh. you can feel someone staring at you, so you look up and notice könig’s eyes on your body.
your eyes meet with his and he looks away, turning his head to the right. your face feels hot as you look down and decide to fiddle around with the straps on your pants.
you feel like a teenager again, taking deep breaths to calm down as you notice the feeling of the plane descending to the ground. as it does so, you finally unstrap your body from the seating and meet up at the front of the plane.
the group is there, listening to the captain remind everyone of the task at hand and what should be done for now. after you’re done here, the government will do cleanup for you. 
your head is finally clear as you grab onto one of the guns at the base of the plane and quickly exit, separating from the large group and breaking off into smaller sections.
the set of buildings is about a 10 minute walk, and you jog forward towards the terrorist area. it’s night, but the place is well-lit. it will be difficult to maintain stealth, but taking out the guards will make it easier.
you opt to do that once you approach, noticing your team take the furthest ones out as you sneak further in and use your knives on the majority of them.
the mission continues rather smoothly as you approach the building you have been assigned to, climbing through one of the windows and stabbing one of the people hidden inside.
you notice there’s a lot of different forms of terroristic propaganda in the room, flags and flyers amongst others. you decide to look around for anything of value to mention to your captain but find nothing, heading out and into one of the many halls.
as you walk down the hall, you can hear talking. panic rises in your chest as you notice several men racing towards you, freezing in place as you try to find anywhere to go.
it’s difficult to see, but a hand grasps onto your wrist and slams you into a gap in the walls. you look up with a panic, calming down once you notice könig looking down at you with a finger pressed against where his mouth likely is.
“quiet.” he whispers, body pressing against you and causing your face to heat up with embarrassment. your head is against his chest as the people walk by, somehow not noticing your bodies pressed together in the small space.
when they pass by, the two of you both throw knives at the same time. two of the men drop, but the others notice and turn towards you. that’s when you decide to go for it and quickly shoot them with your pistol, running down the hallway as other gunshots begin raining out.
the others have begun shooting, meaning that now is the time to quickly take these people out before they call more to the area. you pick up a radio from one of the many bodies left out, listening in for information but not understanding the language being spoken.
you decide to carry on with könig for now, sweeping different rooms and eventually making your way to a different floor. after a lot of work and almost running out of ammo a few times, your radio sounds.
“all clear. head out of the buildings and we can have a meeting once we get back to base.” your captain says, and you send an acknowledgement forward.
you notice that könig hasn’t spoken to you as you both walk out of the building with the others, but you decide to speak up. “thank you. i probably would’ve died if you weren’t there.” your voice is shaky as you talk, feeling a little worried about making him uncomfortable.
he nods his head. “you are welcome.”
your interactions are very rare for a while after that, but he eventually warms up to you more. sometimes you will sit together for meals, and sometimes partner up during missions.
in the back of your mind, that lust for him never quite goes away. it hits you hard when you have a wet dream while staying on a foreign base, hours before an important mission.
your panties soaked through, thighs trembling, and clit unbearably hard. your dream consisted of him fucking you hard on a table in front of everyone, which felt so humiliating but so exhilarating at the same time.
you felt too embarrassed to look at him for a few days, trying so hard to avoid another dream like that. thankfully you don’t, and after a month you manage to move on and continue like before.
the feelings for him never fade, though. you notice it one day during a mission when he gently puts a hand on your back to lead you through a building, butterflies building up in your stomach just from his touch.
it happens a few times here and there, often during missions you notice. he’ll just barely touch you for a moment, and let go seconds later. it flusters you every single time, and makes it very difficult to focus at times.
today is no different, the two of you working together to stop a group of russians from going through with an attack. after the mission has ended, you’re both scaling the building to make sure that there aren’t any escapees or survivors.
after it’s been settled, he gently pulls on your arm while you head out. your eyes look down at where his large hand is and you find your face heating up again. you almost feel like a teenager again with how flustered you become, but you just continue about.
you’ll be staying in a small house with the others, designed to be a place to reconvene and discuss the details of what had gone on. thankfully, you don’t have to share a room tonight.
part of you wants to though, specifically with the austrian man who constantly takes over your thoughts. you shake that thought out of your head as you continue walking into the house, finding the room you were assigned to and deciding to finally change into regular clothing.
after changing, you finally go into the living room area and see others gathered together. you notice how könig has decided to keep his face cover on, which disappoints you mildly but you understand that he probably has his reasons.
you take a seat on a small couch by yourself, noticing the way he decides to take a look at you before slyly meandering his way over to you and sitting beside you. you try your best to not get flustered and listen in on what the others are saying about your assignment.
it’s not long before you zone out, bored of this already. your eyes just barely glance over to könig and you notice the way his large legs are spread out, an elbow placed against his knee as he boredly leans forward with his eyes lidded shut.
he looks so fucking hot right now and you don’t understand why. he’s doing something so simple, but yet it sends shivers down your spine and you can’t find the courage to take your eyes off of him.
you do, though, once his eyes flutter over to yours. you become flustered instantly, deciding to quickly lean away and focus on the window beside you. you nearly jump out of your skin when one of his hands just barely touches your thigh.
you swallow hard, glancing down and seeing the way his hand squeezes on your tight pants. it’s such a small act, but you want to take him into your room and make him fuck you until there’s nothing left in your head other than the thought of his cock.
now you’re trying especially hard to pay attention, wanting nothing more than to make your intentions obvious. just his hand touching your thigh makes you this stupid, you need to pay attention more before something bad may happen.
after a few more minutes of talking, you notice that everyone decides that you can continue discussing in the morning as it’s gotten rather late. calisto mentions that relaxation would be better than working right now, and you can’t help but agree with her words.
however, relaxing is the least of what you want right now. the only thing you want is sitting beside you, watching your every breath and movement. you’re trying your best to play it cool, but you can tell that you’re bad at it.
his hand suddenly leaves you and you’re looking to your left where he’s sat, noticing the way he stands up and stretches the slightest amount. you’re biting down harshly on your bottom lip as your eyes land between his legs. how did you not notice the absolutely massive bulge in his pants before?
you inhale sharply, trying so hard to just push the thoughts of him away. but he makes it rather difficult when he reaches a hand out, and you take it.
“would you like to come with me?” he asks you.
yes, you’re thinking, in more ways than one.
you nod your head thoughtlessly, feeling the small tug as he begins walking you away from your team and down the hallway. your legs already feel like jelly, anticipation bubbling up and causing your breathing to pick up slightly.
you don’t know what’s going to happen, maybe it’s nothing. but you feel your skin become hotter as he leads you to your room, almost sweating as you notice the way he closes and even locks the door.
the way you’re standing there blankly is embarrassing for you, not knowing what to do. your thighs are pressed together tightly, your eyes on his body as he walks up to you. one of his hands reaches out and touches your face, and you can barely breathe as his fingers brush over your lips.
you look into his eyes in that moment, noticing the want that shows in his too. you find yourself reaching out and touching the hood covering his face, beginning to pull it up slowly. his body goes stiff for a moment, before he relaxes and nods at you to continue.
you almost hesitate, but pull it off. you gulp when you notice his features, and just how good looking he really is. his lips look so kissable, a nice jawline, and you can’t help but fall further into the depths of wanting him.
you can feel your body shaking as you look into his eyes, feeling one of his hands reach out and touch your waist. you’re not sure what to do or even say as you look at one another, before he looks away and speaks up softly.
“can i kiss you?”
you use your hand to turn his face toward yours as you nod, leaning closer to his body as your lips finally meet. his lips are so very soft and for a small kiss, it has you dizzy with pleasure and you can feel your clit throbbing in your pants.
when your lips pull away, he’s grabbing onto you and leading you to the bed that’s next to you, pushing your body down onto the bed as he leans over you. his hands are on either side of your head, strong thigh pressed in between your legs and pushing into your core.
he leans down to you and your lips are connected again, this time in a much more heated manner. you groan out against his lips, tongues intertwining as he moves feverishly against you. when his thigh pushes against you again, you squeak into his mouth and your toes curl in the slightest.
you end up unconsciously grinding your hips into his thigh as you kiss, breathing heavily into his mouth before his lips move down to your neck and he bites down hard. the action has you gasping out loudly, quickly covering your mouth with a hand as he looks to you.
“no, don’t do that. i want to hear every little noise you make for me.”
his voice is much deeper than normal, sending shivers down your spine as you move your hand away from your mouth. he begins sucking on your neck, certainly leaving marks that you’ll have to worry about in the morning but you couldn’t care less in the moment.
the way he moves along your throat sends your head back into the pillow, hands fisting the sheets as your eyes shut tightly. you feel his hands touch your tits, squeezing and feeling you up. the feeling sends shocks to your core, biting down on your lip harshly.
he pulls back and begins tugging on your shirt, and you open your eyes and lift your back up so he can take your shirt off. he looks down to your bra and back up to you, quickly unclasping it and tossing it to the side along with your shirt.
as he looks at your body, a hand reaches out and plays with your nipples. you moan quietly, biting down on your lip as you look at him. “schön.” he mutters under his breath, fingers pinching gently before he eventually starts fiddling with the waistband of your pants.
you gaze up at him, “can you take that off?” your voice is quiet as you point to his shirt, and he nods the smallest amount as he does so. your eyes immediately look over his chest, almost bulging out of your head as you admire him.
you knew he’d be muscular, but he’s so much hotter than you ever thought he’d be. with his broad shoulders and all, the sight of his abs and just how toned he is makes you almost drool.
you’re certain that you’re in love with him now.
“you’re hot.” you say, eyes looking back up at his to see him sheepishly smile for a moment. seeing him after so long makes you want him so much more, and you’re not sure how you’ve held back for as long as you have.
he grasps onto your hips for a moment, squeezing harshly as he looks over your naked top half. he decides to tug your pants down and off of your body, leaning you in nothing but your panties now. you feel embarrassed when you look down and see that there’s a very prominent wet patch.
but when his eyes look down and see it, he just brings a finger down and brushes it against you. “you’re so wet for me.” his finger reaches into your panties and pulls them aside, gently rubbing against your clit and making you bite down harshly on your bottom lip.
he moves his body down towards your crotch, finally pulling your panties off of your body as his head dips down and he begins kissing your thighs. you can feel yourself becoming more wet, dripping even, as his lips make their way to your folds.
the way his tongue teases you for a moment makes you anticipate him devouring your pussy more, and when his tongue swipes against your clit you’re crying out desperately.
his lips and tongue move against your clit as a finger pushes against your hole and quickly thrusts into you. as his fingers pick up momentum, his tongue does too, and soon enough your hands are tangled in his hair.
you tug against him, hips grinding against his face for more than he can give. he adds a second finger, thrusting harder and making you moan more and more. you’re ashamed to admit how close you are already, but you whimper out the word ‘close’ and he acknowledges it by moving faster.
the sounds echoing in the room are your moans and the lewd squelching of your pussy, and you’re hoping that nobody can hear the noises through the door or the walls. his fingers amplify the noise as they thrust harder and begin curling up into you.
the feeling of his tongue circling your clit sends you closer to the edge, moans becoming more breathy and toes curling hard- before he pulls back completely.
your eyebrows furrow as you look at him, whining in frustration. “w-why?” your clit almost hurts now, pussy feeling empty and abandoned as your whole orgasm is ruined and taken from you in such a cruel manner. but he just stares down at you smugly, climbing off of the bed to remove his pants and eventually his underwear too.
“i think i’d rather you cum on my cock.” his words make your whole body heat up, noticing the way his cock springs up when he pulls his underwear down. even his cock is hot to you, long and thick and leaking a small amount at the tip.
you bite down on your lip as you stare, wanting so badly to shove his entire cock down your throat until you’re crying and filled with his cum. but you look away, back up to him and notice the way he’s eyeballing your body as well.
he approaches you again, pushing your body down harshly and pulling your thighs to the edge of the bed. he tugs your legs open and his hand reaches for his cock and starts rubbing it against your clit and your soaking folds, sliding up and down before finally pushing the tip in.
your eyes roll back from the feeling, fingernails digging into his wrist that’s been placed beside your body on the bed. he’s barely pushed into you, but you’re already so full and so overwhelmed.
he pushes in slowly, the stretch making you arch your back against him and cry out. as each inch enters you further, you can eventually feel him begin pushing up against your cervix and you notice the way that tears begin to blur your vision.
it hurts how much he’s stretching you, but at the same time your cunt has turned into a complete waterfall with the way his cock hits every single sweet spot inside of you. you feel so full, but somehow even fuller when he bottoms out.
“so tight…” he says quietly, hands grabbing onto your hips as he slowly pulls out and pushes in. you’re crying now, moaning out his name from just the smallest of thrusts. his cock is massive, almost making you cum just from how big he is.
your eyes are clenched shut as he moves slowly, but hard. “please.” you say lowly. you want so much more, you want him to hurt you. all you want is for him to fuck you until you pass out right now, and he’s being far too gentle for you.
“please what?”
you swallow down the embarrassment now. “fuck me. please. hard, fast, i don’t care anymore.” you moan out, tears still streaming down your face as you feel his hips pull back and start moving more harsh against you.
as his hips pick up a more rough, fast pace, your moans are loud. they almost overtake the sound of his hips slamming into you, wet slapping sounds bouncing off of the walls and now absolutely likely to be heard from anyone who walks by.
even the bed starts creaking, his fingernails breaking the flesh of your hips as he thrusts into you. you’re looking at his face, noticing the way his jaw is clenched and sweat is gathering at his forehead. his chest is rising and falling quickly, fucking into you harder and harder.
it feels so good and you can just barely breathe, wanting him to completely ruin you. one of his hands moves up to your tits, squeezing hard as he leans down and sucks on them. he’s leaving dark purple marks on your skin, hips picking up a harder pace as your nails begin scratching against his back.
he leans up more, lips against yours now as he thrusts into you. he’s letting out small groans here and there, and the way he sounds makes you feel like you’re going to explode.
his teeth pull against your bottom lip, sucking in your lip roughly and drawing blood. the feeling makes you cry out against him, nails digging into his skin deeper as he thrusts into you harder.
as your tongues brush together, you feel his hand grasp onto your throat and push down the slightest amount. you feel yourself become dizzy with pleasure, your orgasm approaching at a fast pace with the feeling of his cock fucking into you harder.
“go on, cum on my cock.” his words are what take you off the edge.
your back arches once it finally hits, crying out against his mouth as your cunt clenches against his cock and gushes out more of your juices than before. your fingers cling onto his back as you come down from your high, his thrusts elongating the feeling of your orgasm.
you’re saying his name in a whimper as his grip on your throat tightens, your whole body shaking as tears flow from the overstimulation. his thrusts begin to get more frantic now, his own orgasm finally approaching after so long.
“gonna cum in you.” he says, voice rough with pleasure as you nod your head along with his words. you can barely see or even think straight, but his cum filling you up is something you crave now.
“please, fill me up.” you moan, gasping out in pleasure as his cock twitches and finally fills your cunt up to the rim. his cum is warm as he keeps thrusting, cum starting to leak out of you and make squelching noises from the force of his moving.
he lets out the prettiest moan afterwards, eyes clenched shut as he slowly comes to a stop with his dick sitting inside of you. you try to catch your breath once his hand is removed from your throat, eyes looking up at him with so much adoration.
you wipe away your tears, feeling his cock finally slide out of you and the sound of some of your combined juices dripping onto the floor beneath you. you look at his cock and see that it’s still large even when not erect, and you fall back onto the bed from how tired you are.
“you have no idea how long i’ve wanted that.” you say to him, eyes closing as you move your body so you’re laying down on the bed with your head on the pillow. 
“i’ve seen how you look at me. you’re very obvious with your feelings.” he says, and you hear him shuffling around before feeling something press against your pussy, noticing that he’s helping clean his cum up that’s leaking out.
you look down at him and grin. “really? i had no idea.”
he shakes his head, throwing the item he used to help clean you up into a nearby bin. he notices that you’ve kept yourself naked, shrugging and deciding to join you in the bed. as he lays down beside you, he pulls your body close to his and you rest your head against his chest.
you look up at him, “i quite like you. this isn’t something i only wanted as a one time thing. i’d like to be with you again, in so many different ways.”
he presses a finger to your lips, eyes shutting. “while i feel the same, i would prefer it if we both got some rest. i can guarantee that we will hear an earful in the morning.”
you feel your face turn hot in embarrassment as you nod, eyes shutting as you lean against him and decide to calm down. you feel like a puddle, and you’re really hoping that when morning comes there won’t be too much trouble.
--
taglist: @kovieky
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Hi! Can you write an Ethan Landry thing where reader gets attacked like Tara in Scream Five by Quinn in the apartment scene (she’s the ghostface that scene not Ethan) after he basically begged her not to attack reader of all people. Thank you :)
thank you for requesting! i really enjoy writing for ethan ngl
Not them
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pairing: ethan landry x gn!reader
summary: you get attacked by ghostface, even though, you weren't supposed to be.
warnings: gore, blood, knife violence, attempted murder, fluff, manipulation, some scream vi spoilers.
since no gender had been specified, i will be doing gender neutral reader. plus, no pronouns specified in this anyway. Also I’m sorry if it’s short I’m trying to be as fast as possible
Ordinary evening by yourself. Most of your friends were out partying. Even your crush, Ethan joined them. You could've confessed your feelings but you didn't feel like going.
You could smell your popcorn so you place popcorn in a bowl. You planned on binge watching movies. Not any specific genres. You hum grabbing a can of soda and candy.
Placing your snacks in your living room, You were kind of happy living on your own, instead of getting someone to roommate with. Suddenly, Your Phone rings. You sigh, hoping one of your friends needed a ride.
"Hello?"
"Hello, Y/N. You missed me?"
You had hoped this was some joke but you kind of knew this wasn't. So, you reply nervously,"No."
"You should, I missed you."
You clutch your phone. "What do you want?"
"A game, of course."
You frown. You didn't like his idea of a "game". But you couldn't die now.
"Fine."
"Good, would've been a shame if you made your friends die."
You couldn't believe this was happening, again. "Okay, You simply said.
"Main Character in the Stab Franchise?"
"Um... Sidney Prescott, though she wasn't in Stab 7."
"Correct, You're doing good Y/N."
"Oh Please, anyone knows that."
“You’re right about that. Who is the killer in Stab 1?”
“Easy. Billy Loomis and Stu Macher.”
“You’re doing so well. You may make it out alive.”
“That would be nice.”
“Too bad you’re going to have to die.”
You were so confused and you open your door to find Ghostface who quickly stabbed you right in your abdomen so you were certain you weren’t going to make it.
Ghostface didn’t stop there as he continued following you and stabbing you wherever possible. You were sobbing as you fell on the floor and could feel ghostface drag you by your legs closer so he could kill you.
“I got it right! You sobbed. “Doesn’t matter, Ghostface replies, pulling your hair so your head was up in his grasp.”i want to see what your insides look like.”
You don’t remember much as you passed out to the noise of stabbing which meant you were going to die. That was it. You were officially dead right?
When you woke up, you saw your best friend Ethan, he held you close as he says,”You’re going to be okay, y/n. Ambulance is coming.”
“What.. happened? You say. “Well I found you here, He lied and you knew he was lying but simply hugged as you could in your condition.
It was oddly suspicious that he was even here to begin with but you didn’t care as you were taken away to the hospital.
Ethan roughly hit his sister’s shoulder. “Ow! What did you do that for? Quinn said coming from behind. “For attacking Y/N, He hissed.”I begged you not to, remember?”
“Well it was fun, Quinn smirked.”And besides, it’s all apart of Dad’s Plan. Wait until you see.” Ethan hoped this plan would be worth it. He really did.
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nebulablakemurphy · 1 year
Text
Moves & Countermoves (Part 1)
Haymitch x Fem!Reader
Summary: No one ever wins the games, even fourteen years later, Y/N is still playing.
Prologue
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“Well,” Haymitch grunts, rising from his seat in the bar car, “that’ll do it.”
Y/N knows the drill. Busying herself with the game plan, preparing the devices for her tributes. Loaded with resources to aid in their training.
Haymitch leans down, pressing a kiss to the crown of her head before stumbling away toward their train car.
He won’t even see them, not until it’s absolutely necessary. Haymitch has no desire to make small talk; he doesn’t want to know them. Just makes it harder in the end.
His wife, on the other hand, is either a saint or criminally insane by Haymitch’s account. She insists on knowing them, allowing each to take a little piece of her off into the arena to die.
He used to spite her for it, for her inability to simply stop running herself into the ground trying to save kids who are already dead. He doesn’t anymore. That’s who she is and he learned to love her for it. Still, Haymitch doesn’t want to watch. He was always better at picking up pieces than keeping things in place.
“Y/N Abernathy!” A shrill voice scolds when the set of doors behind the youngest victor open without warning.
“Effie Trinket.” Y/N waves a hand in her direction.
“What are you doing? Where is Haymitch? The two of you are meant to be-”
“Look, you’re new at this. I get it, everything is exciting. Can’t wait to make these kids arena ready in just a few days.” Y/N grumbles, never looking up from her tablet. “But it doesn’t work like that. We’re stuck on this fucking train until tomorrow morning with no weapons to train them and no cameras to wave at. There’s no rush.”
“Language!” Effie gasps at her choice of words, coming to stand in front of Y/N with both hands on her hips. “The tributes are waiting.”
“How many people have you killed?” Y/N asks, turning her eyes up at Effie.
The woman simply balks at her, speechless.
“Have you ever held your intestines in your hands? Or fought your way to the top of an hourglass that was slowly filling with sand?”
Effie narrows her eyes into slits. She’d been warned that Haymitch might be hard to manage, but no one said a thing about her.
“It’s ok, not many people can say yes.”
Ms. Trinket stomps her foot like a petulant child.
“I don’t tell you how to do your job, stop telling me how to do mine.”
————————————————————————
When Y/N is good and ready she makes her way to the dining car, Katniss and Peeta are sat patiently there. The boy’s fingers picking anxiously at the satin blue arm rest of his chair. Y/N takes a deep breath. Here we go again.
The pair of tributes snap their heads in her direction, waiting expectantly.
I can’t save you. Only you can do that.
“I’m Y/N. Good to meet you. Katniss Everdeen, Peeta Mellark.” The woman says, more cool and calculated than Katniss expected. She has a digital pad in hand, jotting down notes with her stylus. Giving one to each of them in turn.
“Oh, uh- thank you.” Peeta accepts his gratefully.
“Beginning at the main screen, let me know if you have any questions, there are diagrams of strategies for attack and defense-”
“Where’s Haymitch?” Katniss asks, tapping at her screen with inexperienced fingers.
“He may join us later if it suits him.”
Katniss visibly recoils. This is not the woman the Capitol shoves down their throats on television. Sweet and demure in nature, with a smile to sugar coat even the darkest of thoughts.
“Contingent upon your strengths and weaknesses, this is a playbook of every effective strategy that I’ve seen, heard of, or performed. With different arenas come different challenges, so you’ll need to do some adjusting to meet your specific goals.
If you are skilled in hand to hand combat, I suggest numbers eight through eleven. If you’re skilled in a long range combat, numbers one through five. If you’re skilled in both, I suggest a combination, otherwise known as numbers six and seven. If you’re skilled in neither, I suggest you do the best you can to prepare yourself. Number twelve is for my non fighters, my hiders, climbers and camouflagers. People tend to overlook that strategy all together, but not me. It buys time, if you’re lucky, it buys enough to wait out the masses.”
Peeta nods, hanging on her every word.
“Which one did you use?” Katniss wonders, trying to digest the harsh angles of the first diagram.
“Seven.”
Six and seven are combination. “I thought you won with a knife?” Katniss was only two at the time, but there is no shortage of recap. From the people who love Y/N and the ones who believe that the Capitol ate her soul.
“I took the last career out hand to hand, my partner covered the distance.” Y/N explains. “Axe to district one’s back, gave me a fighting chance. Allies are invaluable weapons if you pick the right ones.”
————————————————————————
Climbing into bed that night Y/N feels Haymitch stir, tossing a lazy arm around her as he nuzzles against her back.
“Well? What’d you think?” He asks, reeking of whiskey. “They gonna last a couple minutes? Hours?”
Y/N feels her jaw tick. “We owe these kids the same care and preparation as we gave the rest.”
“As you gave the rest.” Haymitch says pointedly. “I’m a shit mentor, you told me that.”
“You did this for a long time by yourself and I,” she breaks off, tapping anxiously at his fingers. “I commend you for that. But I can’t do it alone. I’ve tried, it doesn’t work.”
“That is not on you.” Haymitch says, under his breath. “The kids have been too young, too weak-”
She sighs, “if we don’t try, that is on us. Haymitch, what if they were our kids?”
“If we aren’t careful, it will be our kids.”
“Even if we play our parts; ‘oh’ and ‘ah’ like a couple of good little show animals, they could get reaped anyway.”
“We made them the most beloved children in Panem. Nobody will be lining up to watch them fight to the death.” Haymitch tries to brush it off. He can’t even think about shit like that. From the moment they were conceived, the odds were put in their favor.
“There’s never been a child born of two victors, people are curious.” Y/N feels him tense.
“Someone told you that?”
She nods, “Finnick’s heard it a couple times now.”
“Heard it where?” Haymitch demands.
Y/N lowers her voice, “Haymitch, you know where.”
From his patrons, the ones Snow forces on him. They pay with secrets.
Part 2
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feyre-darling92 · 1 year
Text
Task Force 141
You die during a mission
A/N: I may not update very often but when I do it’s full of angst. Yeah, I think I should worry... Anyways, enjoy this little sad story and please don’t hate me :)
T/W: I think that the word ‘Die’ is enough to explain what’s happening in here so read at your own risks, also bad writing
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You and Simon had been together for a year. To others it might have sounded a short time period but to him it looked like an eternity. One year and you had managed to bring the light back to his life. One year and he felt like you were with him a whole lifetime
At the span of a year he had become unrecognisable. The once broody and scary Lt. Riley was a whole different person when you were on his side
But life plays cruel games, doesn’t it?
You were on a mission, it was supposed to be easy, get in, get the intel and get out. You had even joked that you would be done so soon he would have to take you out for a drink afterwards
And he was planning to. Until these bastards showed up out of nowhere.
“Get out now!” Price shouted through thr com and after exchanging a look with Simon you started making your way out, killing every man standing on your way.
In the beginning he was terrified that you wouldn’t make it out alive, but once you reached the exit door he managed to push away this thought.
Both running to the extract helicopter you didn’t realize the sniper on the roof.
Well, you did, that’s why you pushed Simon inside and took his place, took the bullet for him.
He hadn’t realized it, he thought that you were worried about getting in fast. Until he saw you falling from the corner of his eye.
The exact moment you took the bullet was the moment Simon stopped breathing. 
Picking you up bridal style, not being able to process what had hapenned he took you inside.
“No” he breathed out, “Please” he begged, bringing his hand to your cheek, gently shaking you. He didn’t want to believe it but you knew, you had no chance.
Bringing your hand to his face you gently lifting his mask so you could see him one last time and whispered, “I’m sorry” , tears running down your face and breaths uneven, “I’m so sorry”
“No, no, I’m sorry. I should’ve protected you, I-I should’ve been the one to take the bullet I-” 
“It’s ok, Simon, it’s ok. But promise me that you won’t stop your life because of me ok?” You were fully crying now, sobs shaking your body.
“No, you can’t do this to me” tears also stained his handsome face, “I can’t live without you”
“Try for me ok?” you took his hand from your cheek and kissed it, “I- love you” you left your final breath.
Simon refused to leave your body. He thought that if he let you he’d have to face the fact that you were not there anymore. And he couldn’t do that.
Because when you stopped breathing he stopped breathing too. When you died, he stopped living too. How could he live when the only thing that kept him alive was dead?
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“You own me a drink after this shit is done, McTavish” you chuckled as you walked through the empty corridor, Johnyy behind you.
“If I knew that a shitty mission was all it took to get you to go out with me for drinks I would’ve arranged it sooner, lass” 
You and John were... friends. But you wanted something more. And today was they day you’d tell him! Having waited long enough you had decided that it was now or never.
“Are you coming or not?” his voice interrupted your thoughts.
“Of course” you smiled and stepped into the room only to find it empty. “Shit!”
““What happened?” Ghost’s voice was sounded through the coms.
“Room’s empty” Johnny said, “They must have left”
“Are you sure?” Price was now heard.
You examined the room, not that it was big or something and found nothing. There was only another door you decided to open to see what was on the other side.
Only that this was not a simple door. Soap should’ve seen it but he didn’t, so when you opened it the whole thing exploded, sending you both on the ground.
Johnny was the first one to wake. He didn’t know how this had happened, how long he was unconcious but he knew one thing. It was his fault.
It was his fault that you were on the ground, bleeding and fighting to breathe.
“No” he tried to speak but his throat was sore. He tried to get up but he couldn’t. So weak he was that he couldn’t get up for you. So he crawled. 
“Y/N” he took you in his arms, panicking when he saw your state. “Y/N, I- I should’ve known, I-”
“I love you” you cut him of, the sobs escaping your body putting you in worse pain, “I-I” you gasped for oxygen, “I wanted to te-tell you”
“Shh, I love you too” he kissed the top of your head, silent tears falling. “I love you so much, but don’t do this to me” he tried not to cry for you but he couldn’t hold it. 
He was losing you, the only thing that mattered. And when you left your last breath he couldn’t help but cry. Gripping you tightly, not wanting to let you go, he cried.
When the others finally came and saw him in his knees crying while holding you they knew it was too late. They knew that he would never be the same.
And he wasn’t. There wasn’t a day that he wouldn’t think about you, what you could be, how things would be different if he had realized that there was a bomb sooner. But he hadn’t and that’s why he blamed himself for the rest of his life.
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“What are you most afraid of, Gaz?” you had asked him once, when you had first met.
“I don’t know, maybe” he thought about it for a second “losing someone I love” Losing you he wanted to say but he didn’t. “What about you?”
“Hmm. Maybe, dying alone” you said after a few seconds. “Yeah, that would definitely be my greatest fear”
Back then you had just forgotten it, but this time both happened.
You were on another mission, this time separated when he heard the words he hated, “Soldier down. I repeat, soldier down” 
“Who is it?” he asked Price through the com. 
Dead silence. 
“Captain who is it?” he asked again, his heart skipping a few beats.
“It’s Y/N”
The time stopped. The exact moment he heard your name, his heart stopped. And he did the first thing that came to his mind, he ran. He ran to you before it was too late.
“Where is-” he stopped when he saw you lying on the ground, Ghost’s hands and yours applying pressure to your wound, unsuccesfully trying to stop the bleeding.
No, he thought, this can’t be happening.
“I am sorry” you cried when you saw him, “I am so sorry” you sobbed, only getting worse.
He exchanged position with Ghost, taking you in his arms, “No, no, you can’t do this to me” he rested his forehead against yours, “You can’t do this to me”
“I’m sorry” you said again, voice trembling and hands shaking, already to weak to say something more. “I- I don’t” you tried to breathe, “I don’t want to- to die alone” you sobbed again.
“Shh, I’m here. You’re not alone” He kissed you, “I won’t let you die alone” he held you tighter, “You’re not alone”
And when you died you indeed didn’t die alone. He didn’t let your worst fear come true. But his happened.
He had lost you.
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“John?” you asked through the com.
“Yes, love?”
“Will you marry me? After this is done?” you couldn’t help the smile on your lips.
“Wait, did you just-” Soap spoke but Ghost cut him off, “Shut up”
You waited and after receiving no response you spoke again, “John?”
“I was planning to ask you tomorrow” he chuckled.
“Is that a yes?”
“Absolutely”
“Yes!” You cheered and walked where the man you were looking for was supposed to be. 
Weird, he was not there. Aiming at the door you opened it only to be met with an empty room. “What the-”
Before you could finish your sentence a hand grabbed you from behind and started choking you. Setting yourself free was impossible, but a million thoughts crosed your mind.
The most important one, John.
You tried to talk, alert them that they were here, but you couldn’t. Stepping on his foot with all your strength lossened his grip enough for you to set youself free but before you could grab your gun he aimed his at you.
“C’mon, pretty one. Won’t you tell your team that we’re here?” he laughed at you.
However, the team had heard it all and they were right on their way to find you. Not many minutes later the team appeared, guns aiming at the man.
“It’s very simple. You let her go, we let you live” Price spoke trying to hide his worry and panic.
“How about you let me go and I don’t kill her?” He said, the gun still pointed at you.
“Hell no” You said and you wish you hadn’t. 
“Alright” 
Simon had shot him fast enough but not before he could pull the trigger.
“Y/N!” John run to your side, “No, no, no” he panicked as he took you in his arms, one hand pressing on the wound and the other to your face.
“John” you whispered, “John look at me” you made him look at you. “It’s not your fault”
“I wanted to marry you” he cried kissing your hand. “I wanted to spent my life with you”
“Oh, John” you sobbed, “I wanted that too” you closed your eyes, trying to stop the tears.
“I wanted to grow old with you” he kissed you again, “To live with you”
“I know. I know” you held his hand, “I will see you again, ok? And then I’ll marry you”
He just nodded, and you continued, “We will have all the time in the world”
“Yes, we will” he whispered. “See you then” he said and you closed your eyes, finally resting. You would see him again, he had promised.
And you did see him again. While he was bleeding out on the ground, alone after a mission went wrong, he saw you.
You were so beautiful, wearing white and your best smile. “It’s good to see you again, love”
“I missed you” was all he said as he hugged you again, after so long.
“I missed you too, John” you hugged him back and whispered in his ear, “Now we have all the time”
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dragonrider9905 · 27 days
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Celebrating You!
Hi guys! I’ve been on here for a bit now and while I never had a follower goal, I do appreciate you guys who have decided to follow me! So now I’d like to celebrate you!
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In light of TBB ending, and how much we'll be missing the boys, I thought this was as good as a time as ever!
Here’s the idea! I’m opening a prompt request for the dates of April 5th through May 5th, 2024 (you may start submitting now though!) and choose from the prompts below! You can choose one from each category, or just one category. It’s ok if it is just the prompt or the prompt and a brief idea. If you have a fun idea or prompt not listed, please share!
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Rules: I only write SFW. I typically write for clones; I reserve the right to refuse requests which make me uncomfortable for whatever reason. I have had a few requests in the past that really unsettled me for various reasons. Or if I don't know the character. I'd hate to try to write something then upset the person because it is so ooc that it's cringy. (But if I said I would write your request and haven't yet, I just honestly haven't gotten to it :D I like to do well on the stories you guys entrust to me so it does take me a bit :D)
This is supposed to be fun so lets keep it fun!
You may submit as many requests as you'd like! The more the merrier!
Characters: Star Wars Clone Wars or The Bad Batch (as long as I know them. I know a lot of clones but alas, not all.)
Story genre:
Classic SW! (Pick an era if they exist in more than one if you wish)
AU of choice (modern, western, pirate, mermaid, time traveling, etc if I’m unfamiliar with the genre, I may have to change it or request more details)
Dialogue Prompts:
“Don’t go where I can’t follow.”
“If we’re going to do this we’ll need—“ “A plan?” “No! Code names! Cool ones!”
“I don’t need to be anything to you. I just want my life to mean more to you than my death.”
“You are playing a dangerous game without even a glimpse of the rule book.”
“I’ve never been terrified of death, til he set his sights on you.”
“What the hell are you doing here?” “Yeah, you’re not allowed to ask that in this situation.”
“Where’s your shoe?” “The giant mud puddle in the road demanded a sacrifice.”
“Love at first sight doesn’t exist.” “Then how else do I describe the feeling I got when I first saw you?” “You…love me?” “Apparently not, according to you.”
“A fate worse than death….” “They’re burnt cupcakes.”
“White paint has more color than your face.”
“Why is there a dragon in my fridge?” “It was hot.”
“Touch **, and you’re dead.”
“I am the law.”
“Do that again and I’ll throw you out the window. Wait, what are you doing?” “Checking how high the drop is; seeing if it’s worth it.”
“I’d rather have you hate me than loose you entirely.”
“I have a mission but don’t know what it is.” “Well that sounds incredibly counterproductive.”
“I would like to join you in acknowledging the difficulties in your life.” “You are the worst at this comforting thing.”
“I don’t know if you’re aware of this but I’m quite petite.” “Really? I had no idea in our twelve years of friendship that you’re shorter than I am.”
“But what is power?” “Loyalty.”
“Don’t you sign to me in that tone.”
“I’m with him/her for better or worse.” “It’ll probably be worse.” “I knew that the day I met him/her.”
"I'm sorry I tried to kill you." "It's fine, but next time you should try harder."
"C'mon, like I need an excuse to spend time with you."
"You're not as bad as everyone says you are."
"The only one who gets to kill you is me."
“blood loss”? well it’s not lost. I know exactly where it went. right over there.”
“How the mighty have fallen!” “It’s a dropped chocolate bar, stop being dramatic.”
“Shit, we’re gonna die” “Now I don’t want to hear that negative attitude, look on the bright side!” “Yay! We’re gonna die! Woo!”
“How do you do it?” “How do I do what?” “Pretend you are ok.” “I’m not pretending.” “Yes, you are. Every single day and it breaks my heart.”
“Hey, so I know things are pretty f**** shitty right now but I need you to breathe for me.” “Wha-wh-wh-” “You’re having a panic attack. It’s gonna be ok. Just breathe with me.”
“Please, my arms—I can’t wipe my tears, don’t let them see!”
"Smiles are contagious!" "Don't worry, I'm vaccinated."
"I don't want to get involved, it's too risky." "Please do it for me, you're the only one I can turn to." "It's not worth it. You really want to lose everything? 'cause I don't."
"Do you ever think of anyone other than yourself?" "No"---a long pause---"actually yes, at Christmas time"
"There is a reason I go through that door first, It's to make sure everyone else walks back out"
“I can’t leave you here!” “You can and you will.”
"OH! Are you alright? Are you alright?" "Apart from being trapped under here, and maybe suffering from broken bones and embarrassment beyond what I am capable of handling. . . I'm dandy, why do you ask?"
Oh no, are you alright? You're covered in blood!" "Yes, it's yours, Now will you please let me take you to the hospital?"
"What did love ever do anything for anyone anyway?"
"What the hell were you even thinking?!" "You told me not to think!"
"With love comes loss, that's part of the deal. Sometimes it hurts, but in the end, it was all worth it. There's no greater gift than love."
“'Temporary stitches' all stitches are temporary if you have a pair of scissors and aren’t a coward" "What do you....that better not mean what I think you mean......" "Am I just talking about sewing stitches or sutures too? Maaayyybe?" "NO! Absolutely not!"
"I made the calculations, and boy am I bad at math."
"It'll be over soon, I promise."
"Working together again, just like old times." "Well, not just like old times."
"I am many things but not your enemy."
Action Prompts:
Forehead kisses
Palm/hand kisses
Dramatic rain scene
Touching foreheads
Jealousy
Dancing
Last stand
Christmas/Life Day celebration
mistletoe
Accidental hand touch
First date
First kiss
Spending time with the family
Bad day cheering up scheme
Pranks
Going to a pet shop
Going to the movies
Always go after the girl
soft spoken person has loud, unnerving scream.
Lullabies
Nightmares
injury
amnesia
pretend/mistaken to be married/in a relationship
cooking
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theresattrpgforthat · 4 months
Note
do you have any metafictional ttrpgs? or any ttrpgs about nothing (being about the concept of nothing or literally not having something they're "about")?
Theme: Metafictional TTRPGS / Games About Nothing.
Y’all are really pulling out the stops for these requests, huh? I’m not entirely sure if what I pulled up actually counts as metafiction, or as games about nothing, but I hope you find something close to what you’re looking for here.
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Feedback, by Adira Slattery.
This is a drawing and survey taking game.
You will be expected to draw some chairs.
You will be expected to take some surveys
.Requires the use of a printer for the surveys.
And at the end you gotta email me.
So good luck...
This is a game about drawing a chair. And then taking a survey. And then drawing a chair. And taking a survey. And so on. It’s an exercise that’s meant to be both repetitive and reflective. It’s hard for me to determine what this game is about, because a) I haven’t played it and b) I suspect it’s going to mean something a little different for each person who plays it. It’s possible that for some people who look at this game, it might be about nothing.
Undeath of the Author, by quinntastic.
A meta mini-game designed for Troika.
This is a game in which the author is both dead and not dead - they are undead, and it is up to the group to kill them. The author is the author of the game, and the group is responsible for figuring out how to go about and kill them. (Of course, the author is willing to tell you, the GM how they can be killed, but they don’t want you to tell the players. You can keep a secret, right?)
Beach Episode, by Legendary Vermin.
BEACH EPISODE is a microgame mix-in for your regular table-top RPG group. Players take  their current characters, quickly adapt them for a rules-light session, and commence to run an anime-inspired, beach-themed adventure. All you need to play is at least 3d6 and an established set of characters.
This is a game that is about nothing in the sense that it isn’t really about anything. It follows the style of the anime beach episode, asking you to take recognized characters, probably from an ongoing campaign, and giving them a moment of rest, relaxation, and (probably) nothing plot-relevant. It’s great for encouraging players to delve into who their characters are without feeling worried about the consequences.
Meta Society, by Small Stories.
Meta Society is a game about playing a game of Good Society created for the April Fool's Day Good Society game jam.
This is a game about playing a game - specifically a game of Good Society. When you play, you’ll describe fictional players interacting with a fictional setting, using safety tools and talking about what they did and didn’t like about each session. This requires a copy (as well as experienced knowledge) of how to play Good Society, but I think if you have had the experience of playing Good Society, this might also be something you could adapt to make it a metafictional game about playing a different ttrpg.
DIE: The Roleplaying Game, by Rowan, Rook & Decard.
You’re dragged into a treacherous fantasy world made from your own fears, doubts and desires. There’s only one way to escape - but with limitless adventure within your grasp, would you even want to?
In DIE: The Roleplaying Game, you play a group of authentically flawed people from the real world who gather together to play a game and are trapped in a magical realm. What are they prepared to sacrifice to escape? What are they prepared to sacrifice to stay? This is a TTRPG inspired by a comic book, about people who play games, finding themselves being drawn into a game. Your characters will be interacting with a fantasy world of their own creation, knowing that it is a game and yet being drawn into it deeper than they could have ever imagined. If you want to hear this game in action, My First Dungeon has an excellent season from Mar. 31 - May 26 of 2023.
The Waiting, by J.N. Butler.
A one page GM-less roleplaying game of suspense for 1 or more players.
The Waiting is inspired by the anxiety caused by waiting for the unknown.
In The Waiting you play as a character in a setting where it hasn’t happened yet. It is definitely going to happen, but no one knows when it will happen. Until it happens, there is only The Waiting.
What are you waiting for?
This feels like a game that could be about nothing because the thing that is going to happen will not happen while you play the game. The game is specifically about the time in which the thing has not yet happened - you just know that it will. The game occurs as a series of rounds, over which players describe what their characters are doing. When the event that the table creates happens, you have one final round of play and then the game is over.
This might also be a great tool for dropping into another game, if you’re like me and you like pairing your TTRPGs like cheeses and fine wines.
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physalian · 3 months
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Writing Tone in Fiction (Or, Pacing your Story, Part 2)
See this post all about pacing and as the two go hand-in-hand. If you read that, I may repeat myself a little here. Tone, and how abruptly you change it, how radically you change it, and how you break it whether on purpose or on accident says a lot about your experience as a writer, and how well you planned out your plot.
**Trigger warning for mentions of mature themes**
What is Tone?
“Tone” is the maturity of the work, signaling whether or not your characters have to censor themselves for young readers. It’s also restricted by the genre, whether this is a comedy and what kind – slapstick or gross-out humor – or a scary movie about ghosts, but not graphic body horror. It sets expectations about the amount and degree of romance readers can expect, if the scene will fade to black before anything happens or if you’re in for a raunchy sex scene, or somewhere in the middle. It also helps audiences gauge whether or not characters can die in this universe, and how graphically if they do beyond Disney’s tried and true “villain falling ambiguously from a tall height” deaths.
OSP recently did a piece on Tone Armor, a device similar to but less obvious than Plot Armor where the established tone means that, no matter how dire the circumstances, your hero won’t actually die, the world won’t actually end, and a happily ever after is on the horizon. Red also discussed what happens when you break your established tone with the shocking death or mistreatment of a character, but more on that later.
How to Decide Your Tone
Depending on your genre and intended audience, content for younger readers demand quite a bit of censorship (though can get away with many, many things worse than death). In the US at least, movies go through the MPAA rating system to determine what’s permitted by the rating given – how many swear words, whether you can show blood, topless women, graphic assault, graphic violence, if and how characters can be killed or how gummy and resistant to damage their bodies are.
If you’re writing for children, you both have less freedom to write violent carnage, and more freedom to get really creative within the limits of your tone box. I can expect the kid protagonists of my fantasy adventure to murder countless monsters that dissolve into gold dust, not bloody carcasses. I can expect the villain to perhaps die from a stab wound, but probably not get decapitated, disemboweled, or drawn and quartered, at least, not ‘on screen’.
If you’re writing for adults, adults do still expect a warning for how graphic anything can be, whether that’s sex scenes, fight scenes, murders, assaults, bloody battles, garish injuries, dead pets, dead children, etc.
Unless you’re already planning to break your tone, you need to know fairly early on whereabouts you want to set those expectations. If none of the characters even allude to sex and you write in a graphic assault, your audience is going to be pissed, and horrified. If none of your characters even allude to sex, and you hint that one was assaulted off-screen, you will still upset your audience if you don’t give them time to prepare for the possibility.
You can soften the violence and graphic content you’ve previously established and few might complain about it not being gritty enough, but going the other direction puts you in a very precarious position. Choosing more mature themes will inevitably alienate younger readers, those with triggers, and those that just want to have a lighthearted good time. The trade off? You’ll invite readers with a work that’s exactly what they’re looking for.
Establishing a Tone
I’m writing this post today because I finally sat down to watch Game of Thrones. One can’t avoid spoilers for a series as massive as that, so I was prepared for the graphic violence, all the gratuitous sex, the infamous Red Wedding, murdered kids, horribly bloody battles, and the like. GoT, the TV adaptation at least as I can’t speak to the books, establishes exactly what to expect in the very first scene: Three people happen upon the site of a graphic mass murder, limbs and body parts strewn everywhere, kids among them, who come back to life as ice zombies to kill them.
That episode continues with a beheading, incest, more incest, attempted child murder via defenestration, a brother selling his little sister into marriage, rampant nudity, and… I’m sure I missed something.
**Spoiler Alert for Season 4**
What I was not at all prepared for was the graphic death of Oberyn Martell (Pedro Pascal). It’s quick, it’s violent, it’s graphic and gruesome and incredibly well-acted… it was also far more horrifying than the Red Wedding, at least to me. Murder is murder but the way this character went out almost had me quit watching right then and there. Google at your leisure.
It wasn’t necessarily outside the realm of possibility, but most everyone else died via stabbing, arrows, beheading, burning, falling, eaten by wolves, crushed, etc. This was deeply unsettling, particularly because it’s live action, not a cartoon like Invincible.
It did its job, and it’s the only moment to feature in nightmares and make me lose my appetite, so… well done? In the following Previouslies (correct me on the actual word) they don’t even show it, cutting around the actual moment because it’s just that horrible.
This was four seasons into an eight season show and nothing like it had happened before. In a tone already as dark and explicit as TV can get, poor Oberyn pushed it over the edge entirely. It broke the established tone.
Amazon’s The Boys treads the same very thin line, only these people have superpowers for a whole new level of deeply disturbed body horror.
So, when you’re establishing a tone in the realm of “less graphic than Game of Thrones but still terrible,” you can go one of two ways: Horrify your audience straight out of the gate, or slowly creep up to it with allusions and hints until they’re fully prepared for it when it hits.
If your characters have free reign of every swear in the dictionary, start with the “f*cks” and “sh*ts” as quickly as you can as part of their vocabulary, whether you intend to use the words sparingly or after every other word in their dialogue.
If you’re writing a multi-series work that intends to ramp up the rating as it goes, you don’t have to cold open with a murder, but establishing that characters do at least die in this world is a start. Establish that assault happens in the background, that killing happens, or animal cruelty. Your readers with triggers will thank you for it and read something else.
Unless you intend to shatter the tone and shock your audience with it later.
Breaking Tone via Killing Characters
The most effective tonal breakage I can think of that wasn’t even graphic, just dark and incredibly well done: Disney’s animated Mulan. The movie had been your standard Disney musical complete with grand animation for its sing-along song. Soldiers singing, dancing, laughing as they march off to war, all for a girl worth fighting—
The singing stops. The score stops. Their smiles drop. Cut to the scene before them that has murdered this Disney musical in cold blood and it’s a decimated battlefield, the snow-covered and burned bodies of their far better trained and more competent fellow soldiers, and the love interest’s father.
Mulan only briefly reprises one track in the climax, but otherwise, this happy-go-lucky sing-along has rudely and horrifyingly become a war movie. It’s still Disney, so it doesn’t get violent or graphic, but they shattered the tone in glorious fashion.
Breaking tone happens all the time, for minor events and major character deaths. It doesn’t become an issue of “you just alienated your audience” unless the tonal breakage is the aforementioned sudden graphic assault or other sensitive triggers.
Major character deaths are a whole separate monster to tackle and I’d like to, but for today’s purposes I’m talking about killing major characters when the possibility of any of our heroes dying was never established.
For anyone who never read Lord of the Rings and didn’t know the curse of anyone played by Sean Bean, losing Gandalf to another ambiguous high fall was one thing, but Boromir straight up dies in battle. Sure the story is surrounded by death and darkness but you expect heroes in a world like this to have some pretty hefty plot armor – and Boromir had so much room left to grow. In the grand scheme of the story, though, Boromir’s death was as far from shock value fodder as possible.
Sirius Black is another heartbreaking loss, but not entirely outside the realm of possibility – killing off Ron or Hermione would have been. Any mentor figure is automatically doomed with rare exception, especially ones in fatherly roles.
Bianca di Angelo is a different matter. She’s not the first death mentioned in Percy Jackson but she’s a brand new character and despite all the dangers the heroes have already been through and the warnings from the prophecy, actually killing her off for good broke the tone. Suddenly this war was real and there were lasting consequences.
Game of Thrones’ “Red Wedding” didn’t just shock audiences because a bunch of people died, it was which people that died. Robb Stark, eldest son and heir to Sean Bean (so of course he’s dead) and one of the siblings of the “hero” family had been leading a war effort to rescue and then avenge his father. He gets betrayed and murdered, along with his mother and a fair chunk of his army, caught by surprise at a wedding, because he broke an oath and married for love instead.
I knew of the scene and knew that Catelyn Stark was there just from the one time I’d seen the clip years ago, and as it got closer I worried it was Robb’s wedding, but I still wasn’t prepared for the death of the hero of the show. Jon’s off in the north doing his own thing and so is Danaerys. This was the bright-eyed usurper, the avenger, the never-lost-a-battle upstart. No author would ever kill that hero.
They’d established that anyone can die, similar to the Walking Dead in some ways, but this was a whole new level of boldness, killing off Robb. At the time of this post, I haven’t seen past season 4, but I know more deaths are coming.
Deciding to murder your hero, in any other story, would not go over well with your audience. Killing any major character is a decision that should be made with a deep understanding of the consequences or else you end up like Walking Dead after they killed Carl for shock value and never recovered their audience viewership.
It’s not just dead protagonists, it can be worldly tragedies, the heroes actually losing a battle, or the war, a uniquely horrifying monster or cryptid or villainous act. Or it can be a character beginning to contemplate self-harm and possibly attempting to end their own lives. It can be the reveal of an abusive relative, or an incestuous relationship. It can be mental health problems, sudden and un-curable disease and disability.
It can be less-dire things too, but I’m not much for writing comedy.
Tone, like pacing, doesn’t have to remain consistent throughout the entire story. If it’s a lighthearted comedy, let it stay a lighthearted comedy if you want to. You can change tone progressively, with hints and near-misses, or drop a bomb on your audience with a big reveal. What you do and how you implement it is entirely dependant on the story you’re writing.
Most audiences expect a book that isn’t written for elementary schoolers to mature over time and most genres come with set understandings. But hey, I hear Animorphs can get incredibly dark with a bunch of mature themes.
In general, killing a character just for shock value is rarely worth it in the long run. In general, writing in triggering subjects without warning to an audience that wasn’t prepared for it also isn’t worth it in the long run — save it for a different book.
If fanfiction authors leave author’s notes everywhere warning about the subject matter ahead, published authors can do the same, in my opinion. Content warnings should be a thing and it doesn’t have to spoil the surprise. Include it as a forward to your book, letting potential readers know that such and such work they’re considering spending real money on contains mentions of, or explicit depictions of, any and all mature and sensitive themes. You never know who’s out there picking up your book expecting a good time. Do right by them and give a little heads up and you might gain a fan you wouldn’t have otherwise.
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kel-lance · 26 days
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Jjk headcanons/fan theories/ random thoughts/random facts
I made this in a few months time so its prob repetitive
Tsumiki went into her year and 7 month long coma when megumi was 13-14 years old meaning tsumiki missed her sweet 16 :( (she’s a year older than him)
Toji was a good dad in the end (both times) bc he was already dead and told Gojo to take Megumi as a F u/later fix the alliance’s of the clans and to make sure that Megumi would be protected, fed, housed, and taught sorcery bc toji damn well couldn’t much less protect his kids from curses anyhow.
Noaya (and the men of the Zenin clan) abused Mai and maki bc they’re women (implied SA) noaya hinted at asking to beats em up like he used to (could be implied bc he called them hot & Mai has the same face) but he was also possibly teasing since Mai just 💀 but there’s no way he could have known that
It’s worse to be a male Zenin with no cursed energy bc then you’d be absolutely powerless, useless, worthless, etc. no other clan woman would want you and your fam would never coughed for you much less protect you bc why do they have to you were born a Zenin and yet…
So we know Kokichi Toji Mai n maki all were hit with HR but it was just a double whammy to also be twins? Yes. HR hit Toji so hard bc he was the first to be without cursed energy but then Nanako and Mimiko, bc they’re fraternal twins that that’s possible they’re able to both have CE?
Kenjaku stayed in Iori for so long that his stitches healed I’m guessing he planned it all (or saw hat happened which is why he chose Jin (bc there’s no way that’s random) and killed Jin and went to Geto when it was time (did Ken know about the KFC break up too??)
maki had no CE but still couldn’t get in tune with her full potential is bc Mai was there this the twin HR is f’d but there’s probably more chance one could 💀 the other to become powerful but in this instance it was about sacrifice and distance love. Different paths yet they were “the same person” so that’s only with identical twins?
sukuna loves to eat and is a cannibal and lactates and has 4 arms, 6 mouths or more, 20 fingers, many eyes, 4 legs, 10 toes, 3 heads, hopefully 9ft tall in his monster form…. 
stg toji had his divorced dad rock on religiously (nickel back fan don’t even start w me, weezer son nickleback dad)
nobara gonna be used in some way theres no reason to have her status as unknown of not to edge us istg I’ll even take a cursed spirit piloting her to mess with Yuuji more and she’s part of sukuna or some even worse group they gotta fight after the culling game arc
after chapter 253 are maki and yuta dead?? Hopefully Yuta was eaten but on Yutas birthday gege thats foul (I love it) 🫣🤩
It’s past ch253 and we’re waiting for 3/24 for the next chapter but I heard yuta yelled at Hakari to shut up with cursed speech? Or was that earlier 
Maki Mai and Megumi and Tsumiki met probably around the time tsumiki went into that coma/megs entered jjk no wonder hes so formal//doesn’t know them well he was under gojos protection for so long
some jsckass said mais first love is unknown or megumi are you dumb shes in love with her sister no sister kissed the other to give them a sword cooly and die she literally just wanted to be with her no matter what to go to the ends of the earth it didn’t matter as long n as maki was with her but maki knew Mai’s potential to be better than her so she tried to make herself better, leaving Mai behind in the process and they still never hated each other even after all the time away.
mai likes to take care of cacti/the clan favored her over maki bc she has at least some CE//weve only seen maki being affected by her family's rejection (jjk0 makis mom said shed wished shed never have given birth to her as she was a failure and same girlie but my mom chose any and everyone to compare me to) but Mai either didn’t see herself special in that way and put the blame on maki or dealt with it in her own way (maki vs the fam excluding Mai and Megumi // whereas Mai’s version US against the world)
if choso is yuujis brother and kamo is one of chosos distant family, that would mean Yuuji, Choso, Yuki, Todo, and Kamo are all "Brothers" I love the thought of them being super cool and scary together with their cute yuki & Yuuji golden retrievers in a Doberman family
the same people who ship yuki and choso also ship utahime and gojo or shoko and gojo yall have NO comprehension skills at ALL or cant believe men n women b close like Yuuji & Nobara/Power & Denji/ Sasha & Connie/ Nami & Usopp, Franky, or Luffy) 
Kenny planted the first finger by Geto’s twins to Yuuji’s school. they just had to get the finger to the occult club 
Does Kenny have a witch or oracle or even premeditative powers to know the future or did he just plan this out to a T and what is his damn goal 
Yuuji and Yuta are from the same home town bc gege said it’d be easier for the story but then todo also went to Yuuji’s middle school
Nobara dyes her hair lighter and I wonder how often she talks to Fumi back at home. And her grandmother if she’s like me w low contact
Megumi was alone with gojo for almost 2 years (no tsumiki) no wonder he’s so to himself he was probably always with tsumiki before, who decided everything for them (in a big sis way) and he respected it 
Yutas a pos for forgetting how Rika 💀 then trapping her w him bc of how traumatized he was like bruh you also yelled at her the first time u ever yelled at Rika was over another girl and he doesn’t do much else but manipulate like the Pisces man he is (I kin him/made an oc before I found out about his BITCH ass and he got everything word for word but is a dude I’m losing it) 
As an astrologer, I must say Gege’s planning with the character birthdays and everything else I can read from that is incredibly accurate I’ll give examples in the next points
geto’s mission was to go to remote village, he finds curse and exorcizes it, finds the twins the next dy, he kills everyone, he goes back to his pants to get supplies and kills them (prob no his first choice but once again was probably proven right) and runs has been gone for way too long and gojo doesn’t know what th ehhell happened. which is why he was so mad at kfc and geto just had to accept his new role while gojo was still in the past
Toji and Megumi (Kamo, Nobara, Todo) being cancer moons meaning they care about the heart, (todo has other placements making it seem a lil more “shallow” when he just wants a “straight” answer (lmao Megumi)
Yuta being a Leo moon and (outwardly asked) liking the chest
Yuuji being a libra moon liking butts all this makes sense (libra moons are indecisive, will weight out all the possibilities and still want the peaceful side unless there’s such chaos there’s no way for that to happen… then we snap)
Yuuji and Junpei would’ve been perfect friends we already saw but they both just didn’t ask for any of this and chose their own paths, they’re almost parallels of each other 
Geto’s birthchart shows a lot more of wanting to get humanity to evolve where gojos looks more like a POWERFUL cog in the machine 
Yap: Gege basically made this for women I’m sorry boys but why all the beautiful men & perfectly written women & relationships maybe it’s just a rare case where the mangaka actually knows women (or gege is a woman 🤗) & how all the dudes fit a Yaoi archetype & the women,,, they’re perfect & cute & not sexualized (other than maki in jjk0 & the glasses girl in ep 1 getting groped) but everything else is just hot w/o taking ur clothes off kinda energy & thats INCREDIBLY DIFFICULT w everything else going on 
You think something broke in Meimei when she said she wanted to be comforted and Gojo was like bruh I was joking 🙃 
Kirara and Uranme’s gender is yes 👍🏼 
Geto raising the girls as a 17-18yr old is insane same age as Megumi and gojo so for how long was Geto their dad? Inbetween 10 years but when did the girls realize that that wasn’t their dad anymore? I’m guessing Kenny can remember the vessel he takes overs memory or does something to their brain to replace it w him
I doubt a male mangaka can write good women (mostly bc of the stereotype that they’re shut ins but also from just reading/watching with my own eyes and being a woman myself) and add them in correctly, though the thing is in jjk they’re all just in a world but in Naruto and berserk and stuff she’s the add in into /their/ world where they keep fighting bc they miss each other and she gotta be used and a pillar for them or an excuse like Nobara and shoko weren’t used like that by satsug and itafushi they were their own ppl w their own sh like don’t get me wrong vasca and Sakura also were their own people but they really were given the bottom of the barrel sh bc of the dudes decisions. Shoko and Nobara strictly did what they wanted instead of falter to men
They’re literally all kids it doesn’t matter if some are weaker or useless, imagine a god/demon came here rn like the strongest will survive/fight you have to also apply the “weak characters” to irl bc I bet you they’re still stronger than most of us (miwa, Kamo, idk about momo still but she been w them I can’t doubt her skill just cause they had POWERFUL enemies
Gojo not being able to drink makes sense no drugs to impair his power and eyes (maybe lightweight maybe uncontrollable drunk and no one’s really ready or able to control that) 
Gojo isn’t coming back and he wouldn’t bc he half assed the fight and now he’s with his love and everyone has to fend for themselves now 
I like to think Gojo had Megumi and tsumiki, Geto had Nanako and Mimiko and nanami had Nobara and Yuuji in this preschool/parent AU (tojis gojos ex baby daddy) 
All of them are taller than me other than momo and Nobara. (Im 5’4” so gojos 10 years older and a foot taller 🫣) 
In one of Geges book covers it has Gojo in the winter w pink camellias and those flowers mean ily even after death and that flower is also specifically for the birthday feb3 (Geto’s) AGAIN WHY I THINK GEGES A WOMAN RAHHHHH
Maki, Mai, Toji, Kamo, Kokichi were all raised w no love like at all. Yuta had it good til 11, Miwa, yuuji and megumi never fully had it good, todo, Toge (?), Panda, momo, and nobara were just chillin.
HOW DID NOBARA COME UP WITH HER TECHNIQUE THEYRE ALL EMO BITCHES SHE WAS LITERALLY 16 FOR 2 MONTHS BEFORE HER FACE BLAST
SHE WAS SO YOUNG HOW DID SHE COME UP WITH HAMMERING NAILS INTO HERSELF WHAT
Uranme and Kirara go by (they/them)
Gojo and Geto were soulmates no matter the relationship
Utahime, Shoko, Momo, Mai and Nobara all like girls 
Gojo knew Geto for the short amount of time but thought of him for 5x longer.
Megumi’s been without his sister for 1.5 years so she went into a coma when he was 13, his 2nd-3rd year of junior high)
  Mai and maki didn’t know about Toji and Megumi until that year (2018)
Kenjaku planted the first finger at Yuuji’s school by Nanako and Mimiko (they’re the same age) hence why thanking Satsuki for taking care of his son
The person Rika is gone, her cursed spirit is what remains (an embodiment of her love/the curse yuta placed on her)
Yuta is wrong for using Rika and forgetting about his promise and why she’s even there for 6 YEARS then yelling at her about Maki 
Shoko started smoking in high school and stopped about 5 years ago, but started again when she heard Geto was alive again. 
Sukuna has 6 mouths, 4 arms, 4 legs, many eyes, and lactates. 
Choso, Yuuji, Kamo, Todo, and Yuki are all “brothers” by blood or not idc i love their lil weirdo family.
Toji was a good dad, dealt the worst hand, everything going down so the best way to protect his kids is to give them to people who can kill curses and teach them about sorcery. 
Nobara and Yuuji have the same friendship as Power and Denji, Nami and Franky/Luffy/Usopp
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moonrisecoeur · 4 months
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[about hilda furacao] he seems in his verge of tears like... all the time. very cute. that's how i see leon btw ( 〃..)
I feel like re4!leon and others may cry of pleasure sometimes, but raccon city leon is too sensitive to his own good, on the verge of tears all the time for the most unexpected things, kiss him and hold him he will be pouting and rubbing his eyes already, call him a good boy and play with his hair and he will look away to hold up his tears, tempt him and he will have eyes full of tears begging to be touched, poor him!
(well, i do guess post-raccon city leon have this verge of tears face.... but mostly because he is traumatized... like he will be just fine when you overstimulate or play w/ him, but if you care for him and say "i love you" or praise it's over for him!!! k.o!!!! his eyes are full of tears his mind dying his heart out of control!!!!) (wrote too much .... srry T_T)
re2r leon during raccoon city is very much too tense and focused on not dying for it to really sink in just how horrifying what just happened was, it takes him until a few days after to really be like. huh. i literally could have died. i probably should have died. so i don’t see him really crying!! maybe at the end because he’s so tired and he thinks ada’s dead and whateva, but not like bc of zombs or anything.
but the second he thinks a romantic partner is about to die, maybe he saves you from a zombie or whatever, he cradles your head to his chest and full on sobs. you gotta pull away to hold his face in your heads, wiping the tears off of his cheeks, reassuring him that you’re both safe and alive. he rests his head on your chest now, wanting you to hold him to calm him down. playing with his hair helps, it’s a nice distraction 🥹
however. re4r leon… is actually on the verge of tears at any given time. too traumatized by the years he’s been afraid for his life to be in fight or flight most of the time, but he’s still human and he still freaks out, just more internally. his eyes literally look watery the whole game, but maybe that’s just his character design lmao.
also the thought of him being fine and tough when you do stuff like overstim him, when he should be in discomfort, but completely lose it when you praise him im sorry that’s so cute. he takes your torture like a champ but the moment you hold his face in your hand, pressing a kiss to his jaw, telling him that you’re proud of him, that he works so hard and he deserves to rest, god it would be over him. he’s done for.
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erisenyo · 7 months
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idk if you’ve done this already bc it fits so well but if you haven’t: “you were dead, i saw you die” for jetko?
For this prompt game! (And also this one!)
The attack when it comes descends on Zuko’s carriage from both sides with near-perfect coordination. And from above, judging by the weight landing on the carriage roof, a distinct thump amid the sudden clamor of shouting and weaponry as Zuko whips his dao from beneath the carriage seat, silently cursing the current fashion for floating, flowing layers as he gets his swords into his hands, the familiar hilts welcome and nearly foreign in his grip after so long wielding inkbrush and paper instead and Agni’s tits, has it really been that long since his last real vacation?
Zuko strains his ears, tracking the rapid sounds of the fight, his instinct to hurl himself into battle biting up against Captain Rin Mai’s constant admonishment for Zuko to please stay in one place, Your Majesty, so we can protect you.
Though judging by noise suddenly replacing the woodland quiet of the North Omashu-Chu road—
“Great hit!”
“Get ‘em, Hands!”
—it’s not Zuko who might need protecting today.
Zuko breathes up his inner flame, letting it shiver in his veins and pool in his hands as he hears Private Wang let out a low grunt and drop to the ground. He eyes the carriage door and its flimsy lock, mind flicking between a fire blast or just launching himself bodily through it and holding his fire in reserve, estimating just how much force he could barrel out with if he—
“Aw, fuck,” a clear, high voice suddenly says, “Look at ‘em, these aren’t the right guys!”
“Shit, what?”
“No!”
“The uniforms are all wrong,” the voice grumbles, disgusted. “We’re gonna have to cut them loose and hope they don’t cockroach rat.”
“Are you sure?” someone else asks, doubtful. “It could be a ruse.”
“We can't be positive without an interro—”
“We are not,” a new voice cuts in, low and exasperated like he says it often and tickling the back of Zuko's brain, “Going to interrogate—”
“Because this,” the woman snaps over top as she rips open the carriage door, skipping back when Zuko whips his dao into a ready position and keeping a wary eye on him as she shouts to her companions and Agni's balls this is a girl, Zuko reazlies, looking beneath the dirt and bright streaks of paint, “Is definitely the wrong target.”
“Oh yeah?” that new voice drawls, even more familiar now in a way that has Zuko's adrenaline wanting to spike against well-worn thoughts like ‘betrayal ’ and ‘assassination' even though the context— “What makes you so sure, Greenie. I believe you, but lay it out for the rest of us.”
“Well,” the girl—Greenie?—says, sarcastic, “He is Fire, for start.”
“Oh, well then,” Jet says, stepping around the open carriage door, “You know what we do with Fire around these parts,” he continues, eyes landing on Zuko and flaring wide a bare second before his expression closes into something aloof and watchful and deceptively amused.
Zuko can only gape back, stunned, barely keeping the tips of his dao from sagging and aware his usual court-trained neutrality is nowhere to be found as Jet slowly drags his eyes over Zuko from head to toe. Maybe, Zuko thinks wildly as he takes in the slashing eyebrows and shaggy hair and age-sharpened face, the attack was actually successful and this is all some kind of dream, his mind struggling its way back to consciousness. Or maybe Zuko actually did get assassinated this time, which is going to make things unfortunately difficult for a number of people, but Zuko doesn’t know how to explain the fact that he's seeing a ghost.
“You’re not going to ask?” Jet finally prods, tone low, dangerous, hook swords dangerously easy in his hands, "What we do?"
And Zuko doesn't know that he does want to ask, that he wants to know, but even if he did he doesn't have the words, couldn't speak if he did with how dry his mouth is as his eyes bounce across the familiar breadth of filled-out-now shoulders and the hodge-podge of armor that actually fits and that knowing, would-know-it-anywhere smirk that tils Jet's lips at the silence.
“Tell ‘im, Greenie,” Jet orders, soft, eyes half-lidded and intent and so familiar, too, never wavering from Zuko’s face in a way that makes Zuko's heart trip in his throat and that’s familiar, too, and—
“We tell ‘em,” Greenie says, drawing herself up and clearly imitating Jet’s drawl and slouching ease and somehow managing the bravado to pull it off in her small frame, “That we’ll get a Fire Nation audit set on their ass unless they clear out.”  
Zuko jolts, blinking over at her in surprise, knocked out of his stupor with pure shock and gaping for an entirely different reason now as he stares at the girl, then finally back at Jet.
“We hear around here," Jet says like he was waiting for Zuko's attention, "That the Fire Lord is very strict when it comes to audits and impropriety among his ‘citizens living under Earth Kingdom jurisdiction’ these days." Jet's tone is sarcastic and mocking and laughing, his eyes sharp as they slide pointedly to Zuko’s headpiece.
“You were dead,” Zuko finally manages, shock sending the words tripping out of him, the only ones that currently matter. “I saw you die, you were dead.”
“What?” Jet frowns, taken aback enough to actually show it before he pulls his smirk back into place. “When, you weren’t there,” he says, nearly accusing.
“It was in a play,” Zuko says, numb, struggling with the wherewithal to explain right now that he was there, kind of, just early, or maybe late, depending on how you’re measuring it, “You—you got brainwashed and crushed and—” Zuko cuts off hard, gulping back the rest of the words at the way Jet’s hands tighten around his swords, corded muscle shifting along his forearms, Zuko's eyes flicking down and then catching at the faint patchwork of lines against tan skin, an array that could just be dust and dirt and the scars of living or could be—
“So the Fire Lord is getting his information from musical theater, in the new administration?” Jet finally asks, mockery back in his tone like Zuko can’t see the guarded wariness in his eyes, the ready anger, Jet’s gaze still staying fixed on Zuko even as Greenie jolts, her eyes flying wide, mouth forming a nearly comical oh of realization. "Is that an official policy? Part of the 'new era of peace and cooperation?'"
“It wasn’t—” Zuko snaps, hot and feeling himself flushing as he immediately cuts off, because…there might have been a song or two, actually. And Zuko wouldn’t say that puts the entire work into the musical theater category, but he knows that Earth Kingdom plays are generally so low on lyrical music that Jet might consider—
Jet raises his eyebrows, amused, and Zuko corrals his wayward thoughts as Jet crosses his arms, swords loose again in his hands. “Was I at least hot in it?”
“…Uh,” Zuko says, no part of him prepared to articulate ‘yes but not as hot as the actual you.’
But apparently he doesn’t have to articulate it with the way Jet’s smirk curls wide again, with the way Jet gives Zuko a smoldering, lazy once over that’s exactly the same as nine years ago on that boat in Serpent’s Pass, and Zuko swallows hard as his stomach swoops and flutters in answer like he’s sixteen again with that, too.
“We’re heading to rob a corrupt tax official, you know,” Jet suddenly says, tilting his head toward the line of curious eyes peeking around the carriage door, his eyes laughing when Zuko startles like he knows Zuko is only just noticing them. “Not Fire,” Jet smirks, amused and completely insincere as he adds with a casual wave toward Zuko’s unconscious guards, “Sorry.”
“Oh,” Zuko says, blank, rote. “Okay.” If the official isn’t Fire then Zuko can just…not care about it, for now. It’s Bumi’s problem, or—no, this far north it’s probably Lady Tang’s problem, actually, which under the treaty agreements eventually would make it Zuko's but either way, it’s not Zuko’s right now, and that’s what matters. His mind is currently otherwise occupied.
Mostly with the way Jet is watching him, eyes laughing and familiar and here.
“I hear,” Jet says, tucking a stalk of wheatgrass into his mouth and Agni, the way Zuko's stomach swoops seeing it, like in the nine years since he hasn't— “That the guy’s eating like a king, while the rest of his province has to feed off his scraps.”
Zuko stills. His breath catches, inner flame flaring into the gap in anticipation and then in answer as Jet smirks like he knows it, both of them locking eyes and ignoring the whispering behind the carriage door of, "Wait, I thought it was a lady, not—" "Shut up, idiot, do you want them to—"
“That doesn’t seem fair, does it?” Jet drawls, gazee half-lidded and intent, and Zuko licks his lips, hesitating, because the next line isn’t his. Except Jet seems to know it, too, and also the girls, because Jet nudges her without looking and she obediently, immediately pipes up, “What sort of king is sh—he eating like?”  
“The fat, happy kind,” Jet purrs, like an invitation, like a seduction, like a challenge, and Zuko is suddenly too impatient to wait for the question, exhilaration and a fuck-the-consequences kind of thrill he hasn’t been able to indulge in years flaring in his chest as he grabs the headpiece out of his hair, tucking it into his belt as he shrugs off his impractical outer robes to reveal the black, utilitarian, close-fitting garments underneath.
“I’m in,” Zuko rasps, familiar words and familiar excitement in his chest, and the feral smile on his lips familiar, too, and just like the one curling Jet’s lips in answer.
(If you'd like to imagine a grown-up Jet, my I direct you to this marvel)
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thebnha-auhoard · 5 months
Text
Still not normal about Kudou and I decided that the best way to not be normal about him is obviously making an au where he lives.
Except he’s the only one of the past OFA users that live. No one else gets to live with him. Why? Because All For One loathes that man for stealing away his brother, for being the cause of his brother’s death. He should die but before that he should suffer. Kudou should suffer for taking what was All For One’s.
So when Kudou and All For One’s confrontation happened, All For One decides that death was too kind for him. So he took him away the moment Kudou fell unconscious.
And then when Bruce dies and he wakes up in the Vestige World, he sees a misty Kudou. And Yoichi just asks if Kudou is safe and okay. And then Bruce tells him that the last he saw of Kudou was him telling him to escape while he holds off All For One.
Both of them look at the misty version of Kudou and have a deep seated dread settle in them.
If you know MAG 172 “Strung Out” from The Magnus Archives then just go and slap that on Kudou but make it worse.
If you don’t then picture this:
You’re on a stage, and you’re an actor. Except not really because you don’t really want to be here or act. The director says that you’re the only one for this role and frankly you have no choice. So you’re up on stage and the director tells you that you’re going to be playing the part of “You”. Yes, “You”. The person you are right now. You’re going to be playing as yourself and you’re going to be playing out every single tragedy, disappointment, and loss in your life. You’re going to relive every single moment and as you play out your role, an audience watches on and laughs at you. They laugh at every single fucking miserable thing you go through and no matter how much you tell them to shut up they don’t. In fact they laugh harder. You play out your miserable life and you continue to play it out and the director applauded you for the wonderful performance but it’s never good enough.
So you keep on acting and at some point you lose track of the amount of acts you’ve been in and slowly you start losing who you really are underneath those plays. You think once or twice you played someone else’s miserable life but you don’t remember. You barely remember your name but you cling onto it because if you lose that then you have nothing. You don’t have anything anymore because you’re an actor and your appearance can change at the drop of a hat if the director commands it.
And despite everything, the audience still fucking laughs.
So you know. Kudou isn’t doing well. He’s still (ambiguously) keeping it together but he isn’t doing well.
Then something changes and Kudou blinks and now there's someone else in front of him. The roof of the Theater is actually caved in. That doesn’t matter though. What matters is that someone new is in front of him.
(In hindsight it was a bad idea to test out how many people can be supported on the very shitty building that Kurogiri brought them in. At the same time all of them were bored and Twice came up with a good way to pass the time so sue them. They went and did it and was entertained for a glorious 30 minutes.
Iguchi has to admit though this was a stupid way to entertain themselves. And he can already see Kurogiri berating him on their choices.
Now though he thinks it’s been a good idea to have the game play out. Because there’s a theater down here. And there’s a person here. And they’re in a show that’s been going on for a million acts and they looked pained.)
Vaguely, Kudou recognizes the person in front of him. The Peerless Thief right? Except it’s been Act…something million now. He can’t remember the number anymore. So that must mean he’s dead already right? But he recognizes Oji and he wants to break down and cry and hug him because they may not have gotten along the best but gods this is the first time someone else that wasn’t some mockery or All For One was in front of him.
(Sako lies and reassures the man in front of him.
He lies and he’s being mistaken for the Peerless Thief and in any other moment he would be thrilled. Flattered even. But all he can focus now is the desperation and the fact that he’s holding tight onto Sako and crying and apologizing for incredibly minor things.
He lies and he wants to throw up because he is clearly not the person this man is looking for. And he wishes he was telling the truth instead of telling lies for momentary comforts.
He wants to ask how he knows his great great grandfather but this isn't the time and all he can do is assure the man that everything will be okay.)
And then he blinks and before he knows it he's out. He thinks he's out at least. He thinks he's out. For all he knows this could be a trick. Another tragedy to play out. Another mask to wear.
(When Kurogiri arrived back at the base with groceries, he was expecting a punched in wall at best and a fire at worst.
What he wasn't expecting was the floor being broken and the League looking like they all came out of a fight. He wasn't expecting a man being supported by Magne. He wasn't expecting the man to panic when they asked for his name and start to, quite literally, glitch in and out of appearances, frantically asking himself who he was and frantically asking himself if he still had his own face.
It took them about an hour to calm him down.
He doesn't know what happened but Kurogiri swiftly moved the League and the man to another safe house.)
Kudou probably shouldn't be trusting a group that literally calls themselves "The League of Villains" but they came through the roof and honestly, Kudou is tired.
So he accepts his situation and goes to sleep on the nearest couch.
He dreams of Bruce and Yoichi and for the rest of his dream, he quietly holds their hands.
-<>-
(anterior sneaking in with art for this au :3, enjoy)
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I have enjoyed your blog for a while and wondered if I may get your advice on a dilemma I'm having.
A guy I've been chatting to for quite a while has asked me to be his pet slave. I have told him my limits and boundaries, and he says slaves don't get limits. He wants me to be his slave in and out of the bedroom. The situation is more complicated as we live over 20 miles from each other. I don't have a car, and I also have a young child. I have such anxiety about being his slave out of the bedroom as I have so many responsibilities. I'm scared I will constantly fail him due to attending to my child or my grandmother. I also care for 5 days a week, my household responsibilities, and all the things that come with the above. I also have very severe anxiety, which I take medication for as well as depression and am subject to weekly (almost) migraines and other health conditions. He owns a couple of businesses, and I'm just not sure how this would work. He seems confident it can work, and maybe it's just my anxiety talking, but I'm so scared that I will just fail him and disappoint him, and he'll leave.
Any advice would be greatly appreciated thank you for your time and sorry for going on a bit
Kiddo… wow. I don’t enjoy being this negative about someone you like, but… yikes.
You are not describing a serious man, sweetie.
You’ve been “chatting to [him] for quite a while”. Yet you either haven’t talked before about limitations, or you have talked about them and he bait-n-switched you once you were invested. In the former case, why the fuck is he soliciting you for unbounded sexual submission without even having some sort of preliminary discussion about Shit You Can’t Do, or How Others Will Be Affected? In the latter case, you can see how that makes him a malicious asshole, right?
Based on everything you’re saying, I’m assuming he didn’t ask you about your limits or boundaries. So do me a favor and think about how incurious he’d have to be to not bring it up. This is clearly not a deep thinker. You are a human being, who has accrued a collection of dependencies and responsibilities and passions and fears, all of which need to be addressed in some way when talking about enslaving you. You don’t cease to exist as both entity and necessity for your kid or grandma just ‘cause he says so. You shouldn’t need to ask a weird internet guy what to do… he should be listening to you, and should have already presented his broad-strokes plan for dealing with your concerns. But he hasn’t because he doesn’t care. Perhaps because he’s dumb, perhaps because none of this is real to him, perhaps because he your life doesn’t matter… whatever the case, you’ve got a problem.
If I poke a peanut down Blossom’s throat, there’s a decent chance she’ll die. (Or just wish she were dead.) Assuming I’m not out of my fucking mind, that’s a limit right there. I’m not a fucking faith-healer, and my semen —sadly— cannot cure her allergies… no matter how masterly my masterosity, one peanut = one dead piggy. So slaves not only “get” limits, they often come with them baked into their genes.
He can tell you what he expects of you, but he can’t tell you what “slaves” get. The world is full of service perverts who “get” all kinds of things he either can’t or won’t provide, and if you want any of them, you can have ‘em from someone else. His is not the only game in town, no matter how much he’d prefer you believe otherwise. This rejection of limitation is an aspect of this one man, not of sexual slavery in general.
Men who crave complete control should crave complete understanding. Absolutely nothing you’ve said suggests you feel understood.
I’m now going to give you the one piece of criticism I have to aim directly at you: it is ridiculous that you are so much as considering being someone’s “pet slave” when you have even one immutable, preeminent responsibility… much less two. Because yes, even if he were a thoughtful, empathetic, reasonable man, you’d still end up struggling to make him happy. Your world is busy and complicated, and adding him to the mix will make it dramatically more so… your relationship should be designed to give you lots of opportunities to succeed, but you’re setting yourself up for systemic failure.
It’s not just your anxiety talking. In the most charitable read of the situation, he is startlingly naive.
Stop worrying about him leaving, and start thinking about what it would take to make you stay. You should not involve yourself in all-consuming servitude out of submissive FOMO… you do it because he deserves your absolute devotion, and anything less is unthinkable. You’re nowhere close to that, and I don’t see how he’s even trying to get you there. He’s bringing you greater doubt, not certainty.
At the very least, he needs a reality check. Sit his ass down and insist he use his big-boy words to explain how he’s gonna fit in your world, how he’s gonna help you win, how he’ll use the inevitable losses to teach you lessons, and generally assure you that your very reasonable concerns are being very soberly considered and handled by a qualified adult.
And be careful. People are counting on you.
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fancifulplaguerat · 9 months
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I want to revisit Daniil’s relationship with death now that I’ve pickled my brain in Pathologic because I’m obsessed with it. I know I have to accept that to an extent Daniil’s precise relationship with mortality is ambiguous and left to the player, which I prefer in many ways because it leaves room for multiple characterizations and themes to coexist. That said I’m fascinated by it and especially to what extent Daniil fears death; I’ve always sort of taken that he isn’t, really, or at least not to a maladaptive extent. 
There are only two moments I can think of in the Bachelor Route where fear of death arises directly, and all of it is relatively up to the player. When Peter accuses Daniil of fearing death, the player’s options are “Well, no, I don’t... But go on” or “And you don’t? On the other hand, obsession does indeed eliminate fear.” Which I find quite intriguing because yes, Daniil is referring to Peter’s obsessions, but I find it delightfully mischievous to apply this to Daniil, too, and imagine that he might have smothered his own fear of death through his obsession with defeating it. He also has this dialogue with Lara: 
Lara Ravel: Everyone says that it's impossible to kill death itself, but I can't let go of the hope that someone might eventually succeed.
> Doctors are said to be the people whose very job is to defeat death. *
> It's just an idea to strive for.
Lara Ravel: I've always known that I'd throw everything away and follow the man who achieves that to the ends of the earth. If he wouldn't have me as a partner, I'd serve him. If he wouldn't have me by his side, I'd serve him from the shadows.
> Are you that afraid of death? *
Lara Ravel: Utterly...
> There is no need to fear death.
> I'll try to help you people. I really will.
Here he outright says not to fear death, and I feel this is consistent with this remark from his journal: “If my encounter with death is so inevitable, then I should prepare myself for it. As ludicrous as it may be, the thought sends a chill down my spine.” Daniil seemingly finds it strange that he fears a potential encounter with death; but even if he thinks it’s ridiculous, he is still afraid. Regarding Daniil’s reaction to potential death, I lastly want to bring up Daniil’s dialogue options before being shot by the rouge firing squad. His dialogue options range from desperate, resigned, and defiant:  “But this is absolutely absurd! Wait! I’m not the person you were going to shoot!”, “Fine. But not to the car, take me to the Steppe. I want to have a smoke before I die...” and “I won’t go down without a fight, you lowlives!” To me, the latter two options feel most consistent with Daniil’s actions, but the game still offers the idea here that Daniil is afraid to die. Again, I think this is all left to individual interpretation in the end, but I think Daniil is more defiant than afraid of death. I doubt fear is a primary motivator for him, then, but I think he could be a little more afraid of dying than he lets on or even believes himself to be. 
But returning to that dialogue with Lara, it’s one instance of that contradiction which makes me want to chew my floorboards. Specifically how he tells her that it’s “just an idea to strive for.” He likewise tells Lara that “We’ll all die in due time” and Griff “Everyone  has to die, can’t argue with that.” which. Darling what. What was all that about then. I even wonder if he’s being sardonic or mocking himself, because at this point he’s so completely fucked it’s like some inside joke with himself. But then there’s this dialogue, which I want to properly dissect because it has me in a chokehold: 
Tot: Is it true that they can raise people from the dead in the Capital?
> Who told you such nonsense?* 
> Yes, it is. 
Tot: My dad! He read about you in the papers.
> I just wanted to make it so that people would live longer, really. And preferably, on their own accord. 
Tot: Sounds cool! So they wouldn’t be able to die on someone else’s accord then, right?
> That would be too cool to be true. 
> People will forever keep dying on someone else’s accord.
Again, it’s the player’s choice whether Daniil is a straight-up necromancer or a scientist with a far more modest goal than he claims. Necromancer Daniil is a delightful concept but in-game, I prefer the interpretation that Daniil has made impressive strides in medical science, but nothing to the height of ‘defeating death.’ This conversation feels almost defeatist to me, almost like he’s backing down. After being renowned as this famed fighter of death and claiming death is his enemy, he then professes “I just want...” and those last lines don’t differ; they’re both concessions that immortality is impossible. Daniil even tells Eva, “I can barely understand it myself” about his own goddamn goal, and I think this all fits into his failure to properly understand the Polyhedron; it all circles back again to Daniil being narratively doomed to reinforce the theme of the futility of utopia 
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lulu2992 · 8 months
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From the Inquisitor to the Baptist: The Evolution of John Seed
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So who was John Seed, the Inquisitor? And most importantly, who is John Seed, the Baptist?
All the sources and references indicated by the superscript numbers will be given in the last post.
Part 5: Conclusion
It took more than three years to develop Far Cry 5. A lot can change in three years, and as a matter of fact, when it comes to John Seed, a lot did change.
In terms of his appearance, it seems the idea has always been for him to look stylish. He’s always had a dark beard and slicked-back hair, and although its color has varied, a shirt. Then came his vest, sunglasses, watch, coat, earring, belt, and key, and his outfit steadily evolved to become the one we know today. Many tattoos, for the most part inspired by the seven deadly sins or religion in general, gradually appeared on his hands and arms as well.
Before he became “the Baptist”, his title used to be “the Inquisitor”, and although this term is nowhere to be found in Far Cry 5 (or even in its files, from what I’ve seen), John’s Gate was renamed “The Inquisitor’s Grave” in Far Cry New Dawn. Indeed, canonically, his bunker is his “grave” because John either lost his life right outside of it or trying to reach it.
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But in my opinion, the Inquisitor didn’t die in Far Cry 5; he was already long dead when the game came out, and the most important and meaningful changes John underwent during development were not of a physical nature.
In terms of his personality and morals, he’s always been a violent man, and while he still brutalizes people in Far Cry 5, evidence suggests he went from a threatening, conceited, hypocritical, and primarily sadistic individual to a more polite-looking, subtle, emotional, and tortured person whose ego is clearly not a big and strong as it seems, or as he wants others to believe.
When he was still called the Inquisitor, John seemed self-assured and to always have everything under control, like nothing could affect him or his (high) opinion of himself, and other people’s feelings didn’t matter. Now, as the Baptist, this air of confidence is more of a facade; he’s emotionally immature, tends to easily lose his temper when things don’t go his way, and his sense of self-worth greatly depends on what he believes his brother Joseph’s opinion of him is.
The Inquisitor looked like an insensitive, somewhat stereotypical torturer (and killer) who, although he seemed to have faith in the Project, would often use it as an excuse to cause harm and satisfy his dark urges. He was cruel and selfish, would never accept responsibility for his actions, and was mainly driven by his desire to inflict pain. The Baptist still hurts and mutilates others, and he may still take satisfaction in what he does, but what apparently counts more for him now is the result. He’s convinced himself that his childhood trauma was in fact a positive and freeing experience and that it could benefit other people, so in his own indisputably unhealthy and harmful way, he tries to “save” them.
The Inquisitor would indulge in his luxurious ranch, think some rules didn’t apply to him, and mostly care about himself and his own pleasure. The Baptist is a perfectionist who doesn’t hesitate to put his comfort aside to achieve his goals, refuses to put himself “on a pedestal”, and can work tirelessly to make his brother proud; this is what drives and obsesses him.
At first glance, it may look like John is still the Inquisitor, and I think it’s interesting that most of the things that can help us see him in a different light (Joseph’s eulogy for him⁵⁵, the message at Seed Ranch⁵⁶, the letter to Terry⁵¹, Hudson’s line⁴⁴) are usually found after his death. In his final moments, John looks heartbroken that the Junior Deputy could never “understand”, “believe” in, and “care” about what he thought he was doing all along: saving people... and that included the two of them. His last words? A prayer for their soul.
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It’s only when he’s gone that we’re able to comprehend who John Seed truly was, to see the person behind his carefully crafted image of a self-assured, self-controlled, and strong man. Only when it’s too late can we fully realize that, under the surface and behind the violence, was a deeply flawed individual but also a beautifully complex character, full of contradictions, who knew he wasn’t perfect and spent most of his life trying to meet others’ expectations, or at least what he believed those were, but usually ended up causing much suffering to many people in the process, including himself.
The Inquisitor essentially was a monster without a heart; the Baptist is just a human who never managed to fully open his.
Thank you for reading ♥ Find all sources and references in Part 6!
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