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#the go between
pygartheangel · 11 months
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The Go-Between (1971)
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deadpoetsmusings · 1 year
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The Go-Between (2015) dir. Pete Travis
“There’s no spell or curse except an unloving heart.”
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crows-with-ink · 3 months
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A couple gouache sketches inspired by the novel The Go-Between. It’s a great book!
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imsosocold · 11 months
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  I need more fan created works inspired by classical literature.      
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thehappyscavenger · 1 year
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The past is a foreign country: they do things differently there.
The Go-Between, L. P. Hartley
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wolfie-wolfgang · 1 year
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the past is another country. they do things differently there. not so sure about that. well, maybe the shell suit, lol. it was a tracksuit. Sure it was.
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katieroo28 · 1 year
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Decided to start doing this thing where I do a weekly recap on here of what I’ve watched, read, and listened to all week. Let’s see how long it takes me to give up on this endeavor.
I’m not including anything I’ve rewatched or reread.
BEST MOVIES OF THE WEEK: Black Panther: Wakanda Forever (2022) and The Go-Between (2015)
BEST TV OF THE WEEK: Paranoia Agent (2004), Interview with the Vampire, the season premiere of Family Karma, the only episode of Documentary Now I’ve gotten to watch this season, and of course The Real Housewives of Salt Lake City
CURRENTLY READING: House of Hollow by Krystal Sutherland and Project Hail Mary by Andy Weir
LISTENING TO ON REPEAT: A far l’amore comincia tu by Raffaella Carrà
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atalana · 1 month
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the curse of adhd:
i will remember with absolute clarity, when the thought strikes me that i have a text to send someone, that this is the fourth time in three days i've attempted to send this specific text
i will forget, in the time it takes me to pick up my phone, that i picked it up intending to send a text
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keets-writing-corner · 3 months
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Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??
As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue
the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD
He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.
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like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...
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The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"
and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it
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does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING
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like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow
For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat
Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation
Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with
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Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)
But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time
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Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell
Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch
idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room
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hattersarts · 8 months
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drew some book!husbands. they feel like they've taken more traits from each other than the show.
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biboocat · 5 months
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L. P. Hartley’s The Go Between, 1953. Leo Colston in his 60s reconstructs memories of his adolescent experiences in the summer of 1900 when he visited his classmate at his grand country house near Norwich. They are memories he had apparently repressed, and there is both an appreciation of one’s youthful innocence and a brooding and elegiac tone. I’m enjoying it so far, and I’m reminded stylistically and thematically of works by John Banville and Ian McEwan.
Update: The novel illustrates how the inequities of class and the abusive power of adults over children can have life long devastating consequences. It was also interesting to see Leo’s perspectives both as an innocent pre-adolescent and as a man in late middle age who eventually gains a complete picture of what happened that summer and how his understanding of Marian Maudsley, once the object of his devotion, evolved. I recommend this book with a rating of 4/5.
Memorable quotes and excerpts:
The past is a foreign country: they do things differently there.
Grown-ups didn’t seem to realize that for me, as for most other school boys, it was easier to keep silent than to speak. I was a natural oyster.”
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deadpoetsmusings · 1 year
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A heartbreaking and beautiful little book. Glad to have found a new favourite so early in the year
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ashleyloob · 14 days
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every time I see non Asians go by Asian names online I get whiplash bc I'm like o shit another one of me!! then I find out they are a white weeb from Arkansas going by Haru that can't name more than 3 countries in Asia
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pixelpolls · 5 months
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Vamps vs Werewolfs like its 2010!
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thehappyscavenger · 1 year
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Books Read in February 2023
Another high-volume month!
The Midnight Library by Matt Haig
Well this was whelming. I don’t remember why I requested this but apparently it’s a super popular book and I can see why. A super digestible novel about a 35 year old woman who is depressed and feels she has nothing going for her and decides to try to kill herself and ends up in the titular library which is full of possible lives she might have lived. From here on out it gets super predictable. She tries out a supposedly “great” life, it turns out their are pitfalls, she leaves and tries another life. 
Fine enough but not really exciting in any way. 
To Paradise by Hanya Yanagihara
I heard so many mixed reviews for this one but the thing that convinced me to give it a shot was so many people describing it as a flawed masterpiece. I loved it! It’s less a novel than three repeating stories told roughly 100 years apart with characters with the same names (but different characteristics). It focuses on grandparents whose children have, through death or incompetence, failed to raise their own children leaving it to the grandparents to raise their grandkids. There’s background stuff about pandemics, states becoming more fascistic but I found the repeated grandparent/grandchild recurring motif the most fascinating. I can see why some people don’t like this or find it “messy” but to me Yanagihara seemed totally in control of her prose and I loved it.  
The Go-Between by L.P. Hartley
While this had some real bangers in terms of writing I found this mostly to be a slog. It’s about a man reflecting back on the summer of 1900 when he sort of “lost his innocence” as a child and got entangled giving messages between his friend’s older sister and her lover, a local farmer. Set up is slooooow and the ending is rushed. Will say that while reading this I thought there was no way Ian McEwan wasn’t inspired by this for the first part of Atonement and he’s said so in interviews so I was right! I really like McEwan’s re-interpretation of events over this book.
The Actual Star by Monica Byrne
Mixed feelings about this one. This was a bit harder scifi then I’m used to and fell into the typical hard scifi trap of interesting ideas with terrible writing. 
Set at time periods 1000 years apart and heavily based on Mayan culture the novel follows a set of twin siblings, a young Minnesotan teen, and a group of genetically modified humans living in a post-climate catastrophe timeline as they each grapple with significant events in their lives. Byrne put a lot of research into this and I can tell she was trying, as white woman, to be careful about being respectful of past and present Mayan culture but she’s a Catholic and in some respects that really shows in her writing and ideas. 
I did appreciate that by the last 150 or so pages I knew how the story was going to end up and it was a pleasure watching Byrne tie all the knots together. An interesting book. 
The Absolution of Roberto Acestes Laing by Nicholas Rombes
This was popular on Tumblr when it came out circa 2014 and it’s taken until then for me to read it. A very slim novel set in Ohio the book follows an unnamed narrator who works for an obscure cinema revue who travels to a motel to visit Roberto Laing, a film prof who burned a number of obscure works by famous directors but can recount them in detail. All the films involve loss, mystery, persecution etc. The book reads like a trippy film noir and is more mood than plot. Recommend for people who describe themselves as “cinephiles”.
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fictionadventurer · 5 months
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Personally, it's always a bit wild to me to see commentators interact with the Hunger Games franchise as if Collins were writing science fiction stories instead of essays with faces. She's just not that interested in fleshing out side characters or digging into the details of the worldbuilding. These characters are concepts and symbols before they're people. There's an almost mathematical precision to who and what she explores and how deeply she does it. This is a step or two away from pure allegory. If she were writing a couple of centuries ago, she'd have named her characters things like Innocence and Anger and Watch-Carefully-Your-Soul-Lest-Ye-Be-Damned, but since she's writing for modern audiences, she has to settle for puns and allusions. If she has another essay to write, she'll assign some faces to it; she's not going to look into backstories or other eras just for the sake of storytelling, and it's not a failing as a writer that she doesn't.
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