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#the last one.. does aaron want to kill us bc that was so damn soft and for what
levy-tran · 3 years
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loseyoutoloveme · 4 years
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can you do a rundown/review of every song on folklore like you've done for selena? and what your current top 5 are??
considering this is officially one of my top 3 favourite albums ever i’m v happy to 😌! warning, absolutely every single song will be ranked 10/10
thank for wanting to know my thoughts :( i can’t believe anybody would volunteer to read this JDNSKSDJKDS
first of all, my top 5 is probbbbably gonna change (maybe not tho bc my lover top 5 hasn’t really changed a lot), but for now, i think it’s: august > seven > mad woman > illicit affairs > mirrorball
THE 1:
ngl my very first thought was that it reminded me of same love by macklemore skdjdskjdskjsd but not in a bad way!
literally some of the prettiest lyrics, i knew just from this song that this would top red as her best lyrically (best album in general)
honestly just rly sad and sweet and one of those songs that has such a universal sound i feel?
also the simplest song of the album lyrically (also not in a bad way, just like objectively this is the easiest subject matter on the album with the least opaque lyrics), so a really good opener
best lyrics: “we never painted by the numbers baby but we were making it count/you know the greatest loves of all time are over now” and “we were something don’t you think so/roaring twenties tossing pennies in the pool/and it my wishes came true it would’ve been you”
a cute girl, 10/10
CARDIGAN:
i was surprised by the darkish sound of this one
idk what that like clanking sound in the background is but i find it a lil distracting in the first half of the song - but if i ever find out what it is and it has some symbolic meaning/purpose for being there (i assume it does) i’ll accept it sdjknsd
i love the nostalgia that is so present in like almost every song on this album :(
also the music video is stunning and frames the entire album in the most interesting way, metaphor-wise
best lyrics: “i knew you’d linger like a tattoo kiss/knew you’d haunt all of my what-ifs/the smell of smoke would hang around this long/cause i knew everything when i was young/i knew i’d curse you for the longest time/chasin’ shadows in the grocery line/i knew you’d miss me when the thrill expired/and you’d be standing in my front porch light/and i knew you’d come back to me”
10/10
THE LAST GREAT AMERICAN DYNASTY:
love this one bc it’s like a nice lil exhale in an album filled with angst, like it’s cute and boppy without being aggressive
i’m suddenly absolutely obsessed with rebekah harkness, particularly the “bitch pack” thing and her dyeing someone’s dog green
i love taylor’s storytelling and i love how that’s always been a big part of her approach to songwriting. this is taylor at her best narration, like starlight but so much better. this is a type of songwriting that is so underused these days, esp by mainstream artists and i love so much that she has always used it and been so invested in it
the pronoun change made me screech. sooo goooood
taylor’s obv a deeply autobiographical artist which is why it’s so incredible to hear her tell OTHER people’s stories and somehow make them so her own. like i think it’s mostly the english major in me that just gets so emotional over that...... the way that other people’s stories became our own through the way we tell them......
this song is def the one that is most explicit about the album’s theme of telling stories but ones that tell something about her (and about her listeners too), by switching to personal pronouns at the end. it sets up a pattern for the rest of the album, where each song is about one thing (the actual story she’s telling) but also about a bunch of other things.
a good example of why she’s the greatest songwriter of this generation
best lyrics: “there goes the maddest woman this town has ever seen/she had a marvelous time ruining everything”
10/10
EXILE:
bon iver’s voice was a full shock to the system the first time i listened and idk why sdkjnds it is just so deep and i was not at all expecting it esp after the cuteness of tlgad
anyway these lyrics are GORGEOUS
i love a duet where the 2 singers’ lyrics are meant to be directed at each other. is there a word for that type of duet idk but it always makes a duet infinitely better
the miscommunication exemplified in the bridge...... chef’s kiss heartbreaking
out of all the songs this is the one that makes me feel the most like i am in the middle of a forest in winter. i can already picture myself listening to this song in december with the sound of a crackling fire in the background mmmmmmmm my exact vibe
best lyrics: “you’re not my homeland anymore/so who am i defending now?/you were my town, now i’m in exile seeing you out” and “i’m not your problem anymore/so who am i offending now?”
10/10
MY TEARS RICOCHET:
this chorus BRRROOOOKE ME
writing songs presumably about the masters situation and framing them as breakup songs was absolutely galaxy brain
i feel like the image of tears ricocheting has like a million layers to it and is just suuuuch a smart metaphor
also just such a visually rich song ? so is every song on the album but the metaphors of this song are all just so visual
best lyrics: “i didn’t have it in myself to go with grace/and you’re the hero flying around saving face/and if i’m dead to you why are you at the wake?” and “i can go anywhere i want/anywhere i want, just not home”
10/10
MIRRORBALL:
ok so i did like this one on first listen, i loved absolutely everything on first listen, but it didn’t hit my top 5 until like 8 listens later, so it’s def a big grower and i think could be a huge fan fav by next year
the self-awareness in her writing will never fail to amaze me
the way that life is just performing...... yeah
but it’s crazy to me that a person could be like “i’m a compulsive people pleaser and performer and i’ll do anything to get ppl to like me” and that leads to “i am a disco ball” like ???? her brain is so big. it’s such a gorgeous metaphor.... and the circus imagery AHHHHH
best lyrics: “i’m still on that tightrope/i’m still trying everything to get you laughing at me/i’m still a believer but i don’t know why/i’ve never been a natural, all i do is try try try/i’m still on that trapeze/i’m still trying everything to keep you looking at me” and “i can change everything about me to fit in”
10000/10
SEVEN:
this one simply rips my heart out
at first i was like oh this is so weird and then the chorus just would not leave my head
for me personally, nostalgia is literally 90% of my personality and just for so many personal reasons the thought of childhood ending and all of the growing pains that come along with that have been at the forefront of my psyche for the past year. so it just kills me whenever i find a song like this one and it kills me that taylor specifically has several songs about this topic and this is 100000% the best of them all. like it’s the most beautiful experience to have your thoughts and feelings and fears expressed so perfectly by a total stranger, and that’s rly what art is about and i love taylor for doing that for me and millions of other people
i just feel like this song brings up so many vivid beautiful memories of childhood for so many people, like being outside in the summer and screaming and being free. ugh
the pause after “i hit my peak at seven” before completing the phrase........ OOOOOOOOOF IT HITS TOO HARD
and sound-wise, just so off-beat and cool and unique
best lyrics: “i hit my peek at seven/feet in the swing across the creek” and “are there still beautiful things?” and “love you to the moon and to saturn/passed down like folk songs/the love lasts so long” and “before i learned civility/i used to scream ferociously/any time i wanted”
100000000000/10
AUGUST:
i knew immediately that this would be my favourite tbh like i could sense it the second it began
i wrote my first impression thoughts in my journal and you can tell the exact moment i got to the bridge bc i just started screaming sdnjksdkjsdn
i would 100% get a tattoo that said “to live for the hope of it all”
everything about this song is LITERALLY flawless like i have.......no notes......no thoughts.......it’s just an absolutely perfect song
best lyrics: “back when we were still changing for the better/wanting for was enough/for me it was enough/to live for the hope of it all" and “august sipped away like a bottle of wine/cause you were never mine”
100000000000000000000000000/10
THIS IS ME TRYING:
this song is rly good but i keep forgetting it exists omg :/ once i learn all of the lyrics i’ll appreciate her more
the strings are gorgeous
i was rly surprised that this one was done with jack instead of aaron just bc the bridge of this sounds SOOOO the national
these lyrics could be interpreted in so many different ways depending on the listener’s experiences and that’s beautiful
best lyrics: “i was so ahead of the curve/the curve became a sphere/fell behind all my classmates and i ended up here” and “it’s hard to be at a party when i feel like an open wound/it’s hard to be anywhere these days when all i want is you/you’re a flashback in a film reel on the one screen in my town”
10/10
ILLICIT AFFAIRS:
that soft high note on “down,” “stop,” etc is sooooo nice
i don’t have many thoughts on it, it’s just so soft, SOOOOOO gorgeous instrumentally and lyrically
best lyrics: “it’s born from just one single glance/but it dies and it dies and it dies/a million little times” and “don’t call me kid, don’t call me baby/look at this godforsaken mess that you made me/you showed me colours you know i can’t see with anyone else” and “you taught me a secret language i can’t speak with anyone else/and you know damn well/for you i would ruin myself/a million little times”
100000/10
INVISIBLE STRING:
like i said about tlgad, this is a nice little break from all the angst and pain and anger sdnjksdnskjsd just a sweet little break to remind u there are good things in the world too. so placed really well in the tracklist imo
super super super super cute chorus
so many pretty melodies
absolutely an autumn song btw
best lyrics: “time, mystical time/cutting me open, then healing me fine”
10/10
MAD WOMAN:
i literally lost my mind listening to this for the first time
i have such a thing for scorned women anthems like i will immediately love it whatever it is
the pure rage when she says “cause you took everything from me” gives me full body chills
it is just so eerie and haunting and perfect
best lyrics: “women like hunting witches too/doing your dirtiest work for you/it’s obvious that wanting me dead/has really brought you two together” and “every time you call me crazy i get more crazy/what about that?” and “good wives always know/she should be mad, should be scathing like me/but no one like a man woman”
1000000/10
EPIPHANY:
i find this one so hard to listen to but it’s absolutely beautiful and devastating and so heavily relevant for i think the whole world rn
the heart monitor and the trumpets tying both of the topics in together is so genius and so heartbreaking
i think will be the sygb of folklore where it makes everybody cry so much that it becomes a skip despite being a beautiful song
best lyrics: “something med school did not cover/someone’s daughter, someone’s mother” and “some things you just can’t speak about”
10/10
BETTY:
first of all THE HARMONICA
this made me so happy bc it’s just so debut and so fearless and it made me SOOOOO nostalgic on my first listen, because it really felt to me like i was getting to listen to a song from debut or fearless for the very first time again
it’s just so sweet and cute and simple and yet another very self-aware moment of looking back to her past material/subject matter
best lyrics: “would you have me? would you want me?/would you tell me to go fuck myself/or lead me to the garden?” and “i’m only seventeen, i don’t know anything/but i know i miss you”
10/10
PEACE:
the bass at the beginning is soooooo nice
this miiiiiight be the strongest song on the album lyrics-wise but idk yet
not much to say, it’s just so gorgeous
best lyrics: “i’m a fire and i’ll keep your brittle heart warm/if your cascade ocean wave blues come/all these people think love’s for show/but i would die for you in secret” and “would it be enough if i could never give you peace?” and “i talk shit with my friends, it’s like i’m wasting your honour”
10/10
HOAX:
i have a feeling this one will be underrated/underappreciated bc it’s just simple and dark and the last song, but this is....... a lyrical masterpiece
i feel like i need to be playing this on vinyl with all of the lights off and just a candle burning yknow, like there’s just something so dark and ancient about it
best lyrics: “my winless fight/this has frozen my ground” and “your faithless love’s the only hoax i believe in/don’t want no other shade of blue but you/no other sadness in the world would do” and “you knew it still hurt underneath my scars/from when they pulled me apart/but what you did was just as dark/darling this was just as hard”
10/10
OVERALL: 10000000000/10 literally one of the best albums i have ever heard and (while i wouldn’t put it past her to top it) absolutely the best work of her career. so complex and layered and emotional and painful and genuine and different. not to get ahead of myself but this is/should be considered her blue, her rumours, her abbey road....... god. can’t wait to listen to this album for the rest of my life and play it for my future children and just watch it live on as the greatest work of one of the most important artists of the 21st century
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I have a very specific idea for an Andriel au but I'm too lazy to write it. Instead I'mma just dump it on here and come back to it later.
So.... Fem!Andreil
Neil 'Nathaniel' Josten -> Ania 'Nathania' Josten
Andrew Minyard -> Erin Minyard bc it sounds like Aaron
It's rare for Mary to leave Nathania on her on for long but once when she's about fifteen/sixteen she lets her walk home from school.
Some dudes manage to grab her on the way home. She's held down by three while the other one starts touching her. She's screaming and kicking and fighting but it's useless. She's built small and doesn't actually know how to fight.
Mary is concerned when Nathania doesn't come home so she sets out to find her and finds her baby in the middle of it all.
Needless to say she castrated all four of them and now the only ones they're sleeping with is the fishes
Anyways, her mom refuses to leave her side unless Nathania is at school
The last thing her mom says to her is "-ania" so she takes it as her name.
She moves out to Millport and she's just so dead. Depression hits my bby hard. Exy is the only thing that gives her life meaning.
The captain is a little *ssh*l*
He sees her and he sees how weak she is off the court and how broken she is.
He follows her one day and makes unsuccessful advances on her.
When she rejects him, he takes what he wants.
Ania's flashbacks hit hard and she lets it happen bc dissociation
Hernadez walks in on it one time and is about to get mad for not getting a room but he sees Ania's eyes and knows exactly what's happening.
The captain is kicked off the team and expelled. They can't prosecute bc Ania wont testify.
All of this plus seeing the scars on her when he caught the captain in the act is the reason Hernandez calles Wymack.
Most of the rest of the story is the same but sub in Erin.
Oh, Erin. I'm in love with her
Erin is equally as bad as Andrew but she gets a lot more shit about it bc she's a girl and somehow stereotypes for female sociopaths are worse by a lot. This one isnt even me playing up the drama. It's bad irl
So u know Erin smacks Ania with the racquet. Ania has massive panic attacks bc Wymack and Kevin are very big men and she's on her knees with no escape. Erin picks up on it and makes sure she keeps the men away. She doesn't know Ania but she's heard about the incident with the captain. She'll be damned if she lets anything happen to this girl.
She kicks the men out and faces Ania on her own. She forces herself to think as clearly as she can through the drugged haze and essentially tells Ania that she'll always be no one and nothing, but at least she can be a nothing that plays exy. Erin hates exy but she can tell exy is the only thing this girl wants and this girl is insanely pretty. Erin wants her. She knows she probably can't have her, but she'll make a good toy for the summer. She makes herself promise not to break her too early bc then she wouldn't have anything for the rest of the year. The truth is she's just so smitten by the new girl who just mouthed off to Wymack and, deep down, Erin knows that no amount of drugs is going to stop her from missing that pretty face and dirty mouth.
So she lets Ania sign the contract. They don't get to pull the twin thing because Erin and Aaron are fraternal twins you can't be different genders and be identical but they look exactly the same. Instead, both twins go to pick her up and Erin fakes her high. Ania sees through it because she notices Ania's obvious annoyance at her brother and anger at Nicky for doing something dumb.
Summer goes on the way it does in the book, but drying with Wymack is really hard for Ania. She minimizes her time in his house bc he's big and muscly and covered in tattoos and it just doesn't sit well with her. Wymack tries to make himself small around her and he's never raised a hand at her. He just keeps out of her way.
Ania meets the Foxes and nearly dies when she meets Matt. He'd just so tall. She realizes that he's just a puppy soon enough but her guard is always up around Seth. He's mean and she doesn't like the way he looks at her. Erin only ever intervenes in matters when it's Seth coming at her. She assumed that after a few failed attempts Seth would back off. He doesn't tho so Erin ends up being to teach him a lesson.
Also Erin doesn't drug her. Drugging is something Erin has experienced. Unlike with Matt, she's not going to force Ania to potentially relive this particular trauma. She gets her drunk tho with similar effects
So yeah. Story goes on. Drake happens but he's still a guy.
It causes a lot of problems for Erin in a different way. I feel like Andrew has trouble with his sexuality bc he wonders if his upbringing 'turned' him gay, but Erin wonders the same. Is she gay bc of how men have treated her? She tired to shove those thoughts down but they keep coming back.
She gets sent to therapy. Proust happens.
And then Fem!Riko happens Riko is a female name so I'm keeping it
When Riko threatens Erin, Ania throws hands. She agrees to go to evermore the way Neil does only a much worse fate awaits her
Riko keeps her in the same bedroom as her and will handcuff her to the bed. She uses Ania to get off + cuts her up
Jean knew about the knives but not the rape.
When he finds out, he actually grows a spine and intervenes.
He's punished severely for it, but Riko lets up on Ania.
She comes home only to find out about Proust and she's mad. Ania took all of Riko' s treatment bc she assumed it meant that Erin would be spared the same thing. Instead they were both forced to relive their old trauma and got a new one too.
The "Doesnt mean I wouldn't blow you" scene is a thing but it's 'Doesn't mean I wouldn't eat you out".
They're on the roof during Ania's panic attack.
Erin grabs her face and pulls her close til their foreheads are touching and they sit there staring into each other's eyes. It settles something deep inside Ania and she finally calms down enough to stop crying.
When she does, she asks Erin how she can still have sex after everything
Erin just stares off into the distance bc honestly? She asks herself the same question all the time. She asks Ania if she ever touches herself and Ania says that there are times shes wanted to but she never tried bc she's afraid
Erin explains that if Ania wants to get better, she has to first let herself want. Only then could she ever start to heal.
Ania looks at her like she's crazy but the next time Ania is in the mood she accepts it. She tried for the first time and she focuses incredibly hard on the sound of Erin' s voice bc it keeps all her monsters at bay.
In the short time leading up to Baltimore, Erin teaches Ania to let go of the past and to want things for herself.
Erin preaches a lot of self love to Ania in that time. It always comes off kind of harsh bc it's Erin' s nature, but Ania knows what she means. She understands. Despite how much Erin preaches, she still has a hard time loving/caring about herself. She does all the exercises like standing in front of the mirror and telling herself she's good and taking time off to rest and just self care things, but she's been playing up the monster act for a long time. She doesn't have the outside validation she needs to get herself together. Ania sees this and she starts telling Erin how proud she is of her and how great she is. They aren't just throw away remarks either. Like, she knows not to overdo it, but she starts giving Erin the positive influence she needs.
The rooftop scenes after midnight practice with Kev are still a thing, however, Ania and Erin have also been sharing a room since their return from Easthaven and Evermore. They just do it I'm the roof so no one hears them. Ania always gets sent down first while Erin takes care of herself. She showers before Erin returns, but when she hears the locks click open she always gives Erin a bright smile. Erin just looks at her with empty eyes.
Erin herself is not empty. Ania's been getting to her. Everytime Ania thanks her for something or compliments her it sends a jolt through her body. She always feels a little high for a few hours after Ania's words. She wants to show Ania how much she's worth. She wants to give her everything in the world. Ania doesn't deserve all the things she's faced and it hurts Erin so much to know that she's faced them anyways. Erin is in love with Ania and she knows it. She's not even denying it to herself anymore. But Erin believes that once Ania gets better, she'll move on. She believes that she's just a phase and once Ania's better, she'll finally get to be court and get what she deserves. Erin is absolutely convinced that Ania will marry Kevin and ask her to be the maid of honor. Erin has made up her mind that she'll do it even if it kills her. Of course all of this is just the musings of Erin when she's alone in her car. None of this happens.
Erin really doesn't want Ania to leave her and she's starting to have trouble keeping all the emotion down. The only bits of open affection she shows are when Ania is coming down from her climax. Erin will trace patterns over Ania's ruined skin and press soft kisses to her scars. She's imagined herself telling Ania that she loves her a thousand times, but she can never bring herself to do it. Instead she tries to press every ounce of her love into those kisses and hopes Ania will one day understand.
The other little piece of affection she shows is when she comes back to the dorms at night. Ania is usually sitting on her bed drying her hair. Erin always takes the towel and scrubs Ania's hair for her. She blowdries it and then she carefully does them into a pair of boxer braids. She makes Ania sit in a stool in front of the mirror in their bathroom while she does it because she likes to watch Ania's expression she really likes having her hair played with so braiding works out well for her
Then Baltimore is a thing aamd it goes down exactly as it does in the books
She comes home from it all and sees her Foxes
And then there's Erin. Erin was in pieces after she found out the truth from Kevin. She didn't cry in front of the Foxes but as soon as she'd punched a few walls and kicked a few things, she collapses away from them. Wymack is there for this and for once in her life, Erin lets a man touch her. He pulls her into his arms and she sits there and she sobs hysterically. Wymack had always known what was up. Erin had spent the last year showing up drunk at his house and ranting and raving about Ania to no end. He'd pieced it all together far too quickly for Erin' s comfort but he's always seem through her facade before. Of course he did then too. It takes her a long time to calm down and when she does she shows out of his arms n is pacing the room angrily bc there's nothing else to do now other than wait.
Then there's spring break and it happens the same as the books
The rest of the book is the same honestly, but you see Erin learn to love herself and Ania learn to accept wanting things like sex and cuddles and physical contact in general. They both learn to believe that they deserve love from their new families and that they deserve each other.
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