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#the last two panels are now one of the best things i have ever drawn. i cant stop thinking about that
yawneneteyam · 10 months
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ALL THINGS CONNECTED | j. flatters chapter one — what's the dream?
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summary: growing up on the set of avatar: the way of water was a dream. your friends had become your family, all except for one. jamie was the one person you always found yourself drawn to, in ways more complex than the title of 'best friends' [1.7k].
pairing: fem!reader x jamie flatters
notes: based on jamie flatters documentary: all things connected. co-stars/friends to lovers. inspired by @cacapeepee. minor mentions of anxiety, foetus jamie.
masterlist ⎸ chapter two
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2016.
THEY MUST HAVE LIKED you right? otherwise you wouldn't be back here again, for a chemistry test no other. yeah.. if they didn't like your audition, you wouldn't be sitting here again. yeah, that was it.
the air had gotten stale while you sat in the green room of some office building, on a floor number way too high with windows bigger than they needed to be.
it was your third time being here. your initial reading, the callback and now a chemistry test.
your agent hadn't given you much more information other than that. you knew you would be meeting the boy that could be playing your love interest, and that was intimidating to any fifteen year old. this was the first time you had ever been called in for a chemistry test for any project, you knew it was because it was a huge franchise, but it didn't make it any less daunting; if anything, it only made you feel worse.
you knew you couldn't sit there alone for too much longer before your anxious thoughts consumed you. everything was feeling wrong, your hair too tight and the plastic chair too uncomfortable. it was just nerves, but they had you on the cusp of trembling in your seat. the feeling of waiting was becoming overwhelming and if you weren't out of this room, you were sure you would-
"y/n l/n?" oh thank god.
you stood up quicker than you wanted to, almost tripping yourself in the process. with a mumbled 'hi', you were told to come into the audition room. when the casting assistant turned away you had to restrain yourself from screaming at yourself. what a fucking day.
you tried to brush it off and take a deep breath before you actually entered the room, your heartbeat was still beating at the same quickens pace regardless.
"hi y/n" your eyes scanned the panel before landing on the man who was speaking to you. james cameron sat at a small table across from where you were standing on your mark, with four other people, all casting directors and assistants.
"hi," faking your confidence was better than showing you didn't have any, "nice to meet you all," you tried to ignore the fact that the man who was responsible for making 'titanic' was a few metres away from you, but it was getting increasingly hard when he was watching your every move.
he hadn't been at your other auditions. trying to take this as another good sign, you swallowed the nerves bubbling in your chest.
"alright," another woman spoke up, "we're just gonna run through your sides from your last audition, and then we'll get started with the chemistry read. sound good?"
you nodded without speaking, silently thanking your agent for telling you to go over your old lines from your first two auditions. she always was right, you just would never tell her.
"okay," james quickly pulled a few pieces of paper from the pile in front of him before looking back up at you, "whenever you're ready,"
you took a few seconds, looking at the ground before starting your scene.
"where are you going?" i asked panicked, my breaths heavy.
one of the casting assistants read the lines in reply, not giving you anything to work with. "no where you need to worry about". the point of reading sides is to see how you work with a monotone scene-partner. they want to see what you can give on your own.
"I know you're going to see them," you reach your arm out, "norm," grabbing nothing and stopping in your tracks. "I know you're going to see jake" you whisper.
"sai'ak I can't talk-"
"take me" you plead.
"you know that-"
"norm, please" you move your arm, showing norm has shrugged off your hold, "please, I need to see him". Moving and using the space around you, you were there, in pandora, with norm.. not in some room with james cameron.
"your parents will never allow it"
"they don't need to know," the urgency in your voice was cut-throat, pained.
"I am not taking you away from your clan, you are the next tsahik." you close your eyes at their words, "I'm not going to be the one held accountable for taking you away from your clan, even for a little while"
"norm, I want to go," you start to feel your throat closing up as tears well in your eyes, "max, please" you whisper.
"I'm sorry kid, but you can't come" you let go of the breath you were holding on to, envisioning them walking away from you.
You hesitate to respond, looking around the room in panic. the reality that you might not get to go with them settling in. "he is all I have," you cry, the first tear fell, then another, and another. "please" you swallow the lump in my throat, "please take me with you".
"alright, thank you" the voice of the casting assistant brings you back and out of the scene. you quickly wipe your tears and make your way back to the mark on the ground.
"now," james looks around the table bringing another piece of paper from his pile, "let's start on the chemistry read.. jamie?"
you had failed to notice the entire time that there was a boy sitting in the corner of the room, a script in his hand. he looked around your age, quite tall and well built. his hair was brown and from far away you could see the blue in his eyes. "jamie is playing neteyam" james told you as you watched him walk over to you.
"nice to meet you," he stuck out his hand for you to shake.. he was british.
"you too," you were too concerned with how the panel thought your scene went to give him a full smile. jamie could tell that you were nervous, he felt your hand shaking slightly when yours met his.
"you alright? he asked quietly as he turned onto his mark.
you hesitated before nodding quickly, "yeah," you whispered, "just freaking out,"
"you'll be right," jamie reassured you softly with the nod of his head, "your last scene was great, you'll smash this."
you felt your chest become a little less tight with his words, "thanks."
"okay, so this scene is very vulnerable for these two. it's set in the start of the film where we really get to see a more child-like side to these two characters, who always have to be the strong, mature ones" james spoke. "it's one of my favourite's honestly," he confessed, "so, we'll go from the top- try and make it feel as natural as possible" he explained to you. nodding in response, you checked your mark before smiling up at jamie.
"whenever you're ready"
"skxawng," you spat at jamie, pulling him closer by his ear. jamie worked with you well, moving his head so you didn't have to actually pull him toward you. he hissed in response.
"that hurts," he winced. jamie hadn't adopted a na'vi accent like you had chosen too. you felt a little insecure about your attempt now that you knew he wasn't doing the same.
"good," you didn't change it though, you kept going with what you thought was right for sai'ak. "that is point," I crossed my arms, backing away from jamie. "what do you think you were doing, huh? you are a spotter neteyam, you don't belong on the ground."
"I know!" he stressed, "but I wasn't going to let un'su go down there alone, you know how he is"
"you cannot keep following your brother into danger," you shook your head, "we're kids! you know that right? we are not warriors, we are children"
Jamie's expression softened, "sai'ak," he sighed reaching out for you.
"no," you shrug him off, "I am tired," you admitted. "I know you have responsibilities, neteyam" you met his eyes, "but, we are just kids. you are not the leader of this clan yet, you do not need to act like it all of the time, yes?"
Jamie's eyes met the floor for a while before meeting yours again. "yes," he nodded, "I am sorry,"
"you do not need to apologise to me," you take a step closer to jamie. before you had the chance to think about it too much, you sigh and rest a hand on Jamie's cheek. he shakes his head whilst looking at the ground, leaning into your touch slightly. "you do not need to a mighty warrior all the time.. you know that?" before jamie could say his line, you cut him off with one that felt right, "you can just be neteyam." you smile at him softly.
jamie exhales through his nose as a laugh, "not everyone sees it that way". you were both completely off script now, but it felt natural, so you kept going.
"I see it that way," you tilted your head with a watery smile, tears glazing over your eyes. "I see.. who are you are, neteyam" jamie looks at you like he knew what you were going to say to him, he takes this and runs with it.
he hesitates before speaking, "I see you, sai'ak."
I laugh softly, taking your hands away from his face. "you must have hit your head very hard," you go back to a line from later on in the script.
"yes," jamie chuckles, "but I know what I am saying,"
you stop in your tracks, jamie towering over you. you look up at him and he holds your gaze. "I see you, ma' neteyam" I whisper. jamie smiles, resting his forehead against yours. you close your eyes, allowing your characters to drink in their moment together.
"alright, thanks guys," you and jamie quickly broke apart from each other, claiming your own space once again. "really good," one of the casting directors nodded, "y/n, thanks so much for coming in. we'll be in touch with you over the next week or so regarding the part," you nodded with a smile.
"thanks so much," you exhaled a big breath, feeling a weight fall from your shoulders now that you had finished. "nice to meet you all," you looked from the panel to jamie, who was smiling at you. he nodded and let out a small 'you too' before you left the room.
"she was good," James kept his eyes on the door, where you had just closed it.
"yeah, I liked that one" one of the women on the panel agreed.
"how did that feel jamie?" James asked him, looking up at the young boy.
"good," he nodded, "really good. she was great"
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taglist. @littlexscarletxwitch, @thexplosivegirl, @lagoonabluebabe, @rexorangecouny, @ilovejakesullysdick @rhiannonhippiegirl @leelumenaura @playboykenz @couragemydearheart @graysonshaven @m-1234 @coconut-dreamz 
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celaenaeiln · 3 months
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I remember seeing a panel of Bruce and Barbara(?) talking how Dick's feelings for Starfire(?) Is just a phase and Babs(?), and thought about if Bruce had ever pushed/or try to direct Dick to date a girl he (Bruce) liked/preffered Dick to date? I mean I don't think Bruce will forcibly do so, but he clearly has preferences (cough titans is Nono to him cough).
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Batman: Gotham Knights Issue #43
This one!
Even though he said this to Barbara, Bruce has drawn a line in overtly interfering with Dick's love life. Actually he makes it very clear that he's not going to interfere with Dick's love life after bringing up the topic.
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Nightwing (1999) Issue #14
Which is....what just happened? Was he saying he disapproves? Clearly not because he says he believes in Dick and that sounds genuine. But then does that mean he approves? Then why didn't he give a clear answer, actually why did he even bring it up because Dick wasn't even talking about that in the first place.
He's openly supportive of Tim's choices so why doesn't he just say what he thinks about Dick? I guess it doesn't help that Dick reacts like a cat in hot water when it comes to Bruce's involvement in his life so this is probably that Bruce doesn't know what to say. I don't know if he doesn't want Dick to date anyone, which tracks from his thoughts on Dick's relationships with people in general, or if he has a particular inclination toward someone but he's afraid of saying it because he doesn't want it to blow up in his face.
Obviously the Titans are a no way. Like the Titans aren't even on the table for Bruce when it comes to acceptable Dick Grayson dating choices. They're probably in the neighbor's trash can lol.
He's against civilians in general, even for himself, so that wouldn't fly with him. Anyone from the league or heroes are just as bad as the Titans for Bruce because he's terrified of Dick leaving him and has canonical attachment issues to him. So it would have to be someone in Gotham or in direct attachment to the batfamily so he can gatekeep Dick Grayson.
That only leaves two available choices - Barbara and Helena - that Bruce would ever be okay with Dick dating. You know how sometimes people compromise or say things like "I love you and would do anything for you but in the end it's up to you and I respect that", yeah...Bruce just leaves off the last part indefinitely.
Although this comic issue is older, it shows that he's not particularly keen on Barbara either,
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Detective Comics (1937) Issue #369
But that was then when it was just Dick, Barbara, and Bruce. Now there are more players in the game than just Barbara so compared to how much Dick would pull away if he dated or married one of them, Barbara looks like a shining star of a choice because all of Bruce's actions are inherently selfish although he tries his best not to be.
I think the issue with Bruce and Dick's dating life is the problem he has with Dick's life in general. He clearly wants to interfere, but he's worried about the backlash he's going to get.
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Nightwing (2016) Issue #38
Because Dick loves to help others but he hates receiving help much to the despair of literally the entire rest of the hero community. But he's particularily sensitive about Bruce's involvement in his life because he only became Nightwing to prove to Bruce he can take care of himself. Since then, Bruce's relationship in term of helping Dick or giving him his opinions has been a series of "Can I-should I-" thoughts.
So although he'll never tell Dick his opinions because he's scared of the backlash, but he definitely has opinions.
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ikroah · 2 years
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Wherever I have gone, wherever I've been and gone, wherever I have gone, the blues are all the same —“Blues Run the Game,” Jackson C. Frank (1965)
It Keeps Right On a-Hurtin’ #23 - Ring-a-Ding-Ding II
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Read IKROAH on Archive of Our Own
Notes / Original Pencils / Transcript:
Notes:
Let’s talk about two things.
The first thing is burnout. It’s hilarious in retrospect that the notes on the previous issue open with an apology that it’s been three months since the preceding issue, which given that this current hiatus lasted six months, lmao. As I’ve mentioned before and elsewhere, shortly after completing the previous issue of IKROAH, the toll of working on it and other projects so industrially for two years finally caught up with me, and by May I basically had a kind of flip turn where suddenly, I could not stand my own art. More than that, I was repulsed by the very act of drawing, of making. Too many self-imposed deadlines, too many long nights churning comics out in as few sessions of work as possible, too many other things that I wasn’t giving myself enough time for. Something had to give, and when it did, I could barely hold a pencil for months without just getting really angry. I wish that I could say that there was something specific that I did to overcome this feeling, but there wasn’t: I can only attribute wanting to draw again to spending a long time not drawing at all, a time in which I tried to basically forget through disuse all of the bad habits that I’d ingrained about making myself make art. Art is an important hobby and creative outlet to me, but sometimes, you really just need to step away from something for a relatively long time so that you can come back to it with a much healthier mindset. And that’s what I’ve done. Thank you all for being so patient with me during IKROAH’s first real hiatus. There have been “hiatuses” in the past but, for example, one thing that I definitely had to strip out of myself was the anxiety and the guilt that I would feel when IKROAH would go on “hiatus” because more than three weeks or so passed between issues. I had myself on an absolutely insane production schedule for no reason except believing that getting every issue out as fast as possible was paramount. When I first began this comic with issue #1, I thought I could do one issue every two weeks. This was colossally stupid and going in as naive as I did with this mindset was like ingesting a slow-acting poison. IKROAH issues come out whenever they come out and that’s that from now on, and I feel silly because no reader of the comic has ever acted entitled to anything but that anyway.
The second thing I want to talk about is my art itself. My burnout had a point, especially with IKROAH, which is that there are some things about my art that is very frustrating. Did you know that the reason that IKROAH pages are the size that they are (1080 x 1678 px) is because I draw them two-per-sheet-of-paper at 13cm x 21cm each, and 1080 pixels is twice the width of the (possibly outdated) maximum display width of an inline image on the dashboard, and a height of 1678 pixels matches the aspect ratio of the best way that I could digitize my images at the time, which was by taking a picture of my art the best that I could with my phone in good lighting? This was the standard that I set for myself in summer of 2020 and for some reason I decided that it was etched in stone. I made some small improvements over time, such as finally buying a scanner sometime around IKROAH #12, and then changing IKROAH’s dialogue font and switching to digital paneling in #22, but this is going to be the final issue that abides by that old, absurdly small page size. I have finally reached my breaking point in this issue with how it completely prevents me from drawing fine or distant detail, so this is the final issue that is going to be at this size. Were it not for the fact that pre-burnout I hadn’t already drawn the first two pages of this issue and had formatted the paneling and lettering already for this specific size, I probably would have gone bigger already!
IKROAH has been, for the most part, an artistic playground where I’ve honed my skills and experimented with the comic book form gleefully. Compare the art from the first few issues with the more recent ones to see that development in action. But for all of this development and experimentation, why have I felt like page size is unassailable? I can’t tell you for sure what the “new” page size is going to be, because while I have a larger size in mind, it’s another experiment, not a promise of consistency. I used to think that it was easier and faster to work small because smaller art meant less art, but I’m finally sure that it’s more trouble than it’s worth. Now, I’m extremely excited for what a much larger canvas will mean for the look of the comic, and for the rest of Volume 2, I’m sure that you’ll be able to see me experimenting artistically in some way with every issue.
Original Pencils
Unfortunately, due to the way in which this issue was inked, I don’t have the complete original pencils to share with you! I would draw and ink panels one-by-one instead of penciling the whole page first. This is because I my burnout was actually triggered, essentially, by fucking up the inks on the first page after penciling it and feeling sure that I would have to redraw it, and that making me so mad that I couldn’t bear to reapproach my art at all. I didn’t want to make that mistake again, so I went through the rest of the pages with a lot more caution. Still, I can show you some scans.
One major thing that made working on all but the first two pages was finally investing in real non-copy blue pencils instead of blue colored pencils. Real non-copy blue pencils lack the waxiness of colored pencils, making them draw much lighter, erase much cleaner, and generally behave much more like regular pencils that just happen to be blue. It’s been a godsend for my ability to ink more expressively, and I’m experimenting with inking and coloring styles are going to be my favorite part of the rest of Volume 2, because I think that that is something that I want to overhaul the most.
Also, one funny thing: if there was a significant reason why I made Benny’s suite number 1007, I have forgotten it. Just like how I must have forgotten in the writing and penciling of this issue that Benny’s suite is canonically on the thirteenth floor. Oops! Well, not in this canon it’s not.
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I do have one complete pencil sketch to show you: IKROAH’s first ever two-page spread! Bang!
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Transcript
EXT. THE TOPS CASINO, NEW VEGAS. The Tops’ signature sign shines brightly outside the entrance, brightly even for Vegas.
INT. THE TOPS CASINO, NEW VEGAS. Casino guests hustle and bustle around the main floor, checking in, heading to and from the cashier on the second floor, and mingling. Leaning against a rail overlooking the slightly sunken gaming area is AGNES SANDS. She stares intently and furiously toward the back of the room, where an older man is laughing with a younger man. The younger man is drinking a martini, wears a black-and-white checked suit jacket, and is oblivious to her presence.
AGNES thinks to herself as she watches him.
Hello, Benny.
Her eye narrows.
You’d think that getting shot in the head would be the worst thing to ever happen to somebody, but at this point in my life, I’m genuinely not sure.
On the casino floor, a RED-HAIRED WOMAN seems to accidentally bump into BENNY from behind, knocking his drink out of his hand. It shatters on the ground, and he turns angrily to face her.
When I was six years old, my father died from a bad fall. He was a caravaneer, so they never shipped his body home.
ROSE OF SHARON CASSIDY stands in front of Benny, clutching a nearly empty glass of whiskey. She raises her hand up to her faced, shocked and embarrassed. BENNY is just as surprised, and even more so when CASS takes his face in one hand and suggests that he come with her to refill her glass.
My mom was our town’s doctor, so after that, she decided to apprentice me as her nurse. I was still just a kid.
She was right to do it. It takes a long time to learn medicine, and it’s a useful skill. She knew it’d do me good.
CASS hurriedly leads BENNY by the hand toward the casino bar. As the pair brush past AGNES, she pickpockets BENNY’s key, and holds it up to glean the room number from its tag: 1007. Satisfied, she drops the key on the ground, and heads for the elevators. Just behind her, CASS points out that BENNY seems to have dropped his keys, and he reacts with relief.
But she was hard, as a teacher. Maybe even more so as a mother. Maybe she had to be.
AGNES’ elevator slowly ascends. First floor to the tenth.
Maybe I wouldn’t have started messing around with locks if I didn’t get it in my head to act so damn rebellious later on. I broke in somewhere I shouldn’t have. Found something I shouldn’t have. I was thirteen.
I had to put my own face back together right there on the concrete floor. Held it in place with duct tape, and two-hundred year old bandages. Pre-war.*
*As depicted in IKROAH #7 and the IKROAH Vol. 1 Special Delivery companion story, “Scar Tissue.”
Ding! The elevator arrives and the door opens.
I still can’t even shave without getting a cold sweat.
Back on the casino floor, CASS and BENNY have it it off. They’re smiling and laughing at the bar, several drinks deep.
Meanwhile, AGNES stalks toward Room 1007.
My mom was happy I was alive, but didn’t care whether I was okay, if that makes sense. She was always like that.
It’s why we fought when she found out about...me, when the changes from the hormones I’d been sneaking got...unignorable.
The lock is easy to pick for practiced hands. It opens with a CLICK. The door swings open and AGNES stands in the doorway, assessing the area.
I wonder what your mother would think of this. What she must have been like. Whether she’s even alive now. I wonder if she loved you, her baby boy, a killer in cold blood.
Eventually, we fought. Physically, I mean. It was a long time coming. I hit her hard, once, and that was it. It was over.
I don’t think I’ll ever forget what that felt like. Maybe I’m not one to talk.
Time passes.
BENNY returns to his suite and puts his keys in the lock.
I ran away to the NCR after that. I was an adult now, and had to start over. And I needed skills that my mom couldn’t have taught me. I thought I’d be a combat medic, out in the field. But no. No, no. Of course not.
BENNY opens his door, looking exhausted and covered in kiss marks. Looks like somebody really wore him out. He shuffles over to his bedroom.
They shipped me to some do-nothing recon station way up north in California, near Gecko. And from the minute I set foot there, my C.O. fucking hated me.
He abused me, berated me, blamed me, because I took his old friend’s position or something. Stupid petty bullshit like that.
I think that he was sabotaging my medical supplies. Messing with my work, trying to get me discharged.
There’s no other way he could have found my estrogen from home.
BENNY undresses in his bedroom, and then flops onto his bed.
Just another thing for him to scream at me about. Or it would have been.
AGNES enters the bedroom.
Never got any military police after me when I attacked him with a scalpel that night and ran.
Maybe he couldn’t cover up his own bullshit well enough, so he just kept his mouth shut. Doesn’t matter. Lucky me.
AGNES rifles through BENNY’s jacket, which he hung on a coatrack near the door.
I ran to New Reno. I’d deserted. The only job I could get was at a charity clinic run by one of the crime families there, and it was dismal. I couldn’t afford to live.
So I started picking locks again. Pockets, too. Got real good at it, too. You’d know.
AGNES’ eyes fixate on something. She’s pulled it out of his coat.
I was stealing to survive. Same dance, different song. Nevermind my hormones, I needed food and shelter. I’d never felt lower.
The Platium Chip.
I was casing one of the casinos there when I saw a man get glassed. I was still a doctor. Still had that oath. So I went to work, and saved the man’s life right there. His name was Yancy Bishop and he made my life a living hell for six long years.*
*IKROAH #12.
Until I killed him.
Something else catches AGNES’ attention in BENNY’s bedroom. Something on his nightstand. A gun.
He came to me helpless in surgery and I ripped him apart from the inside out, thrilled, exhilarated, terrified of myself.
AGNES approaches the nightstand. She picks up the gun.
And after that...I ran away again. Ran until I got to the Mojave. Ran until I fumbled into being a courier. Making deliveries, always running, but not a doctor anymore, not stealing to survive, just some stability in my life for once. For once. And then:
It’s the same gun that BENNY shot her with.
She turns to face BENNY.
You.
AGNES removes the 9mm bullet that she has been wearing around her neck since she left Goodsprings; a bullet made partly from the lead that was fished out of her own skull.
You are not special.
She loads the gun. As quietly as she can.
I’ve been dealing with people like you my entire life. My mother. My C.O. The Bishops...
...your Khans, McLafferty, the Van Graffs...have I killed more people in the last week than you have in your whole...
AGNES approaches BENNY’s bed. She gets one shot.
...was I the only one, Benny? And you couldn’t even do it right. I clawed out. An ugly life, too ugly to kill, even with a gun to my head. Your gun. This gun.
She raises the gun. She aims with both hands. Bodies are easier to hit than bottles.
Rigged from the start—is that what you’d said? You piece of shit. You look like you have everything, have been given everything. So you just had to rub it in, that night. Didn’t you.
AGNES scowls. Her brow furrows with rage.
Always been too big of a target. Too tall, too wide, too mannish. Never been beautiful. Never even got to be handsome, like you. Then you shoot my eye out, butcher me even more—and all for what? A mail-order tchotchke!?
The gun gleams in the sparse light.
I’m going to fucking kill you.
AGNES’ expression shifts.
I’ve killed so many people to get to you.
Her hands start to shake. The gun is heavy in them.
And...and now I’m going to kill you.
Sweat is beading on her face.
Because of what you did to me. Because I can’t sleep at night. Because of you. I don’t sleep, most nights, because of you.
AGNES grimaces as her whole body trembles.
So I’ll kill you, with the fucking gun you killed me with, then I won’t be so...
The gun. The gun. The gun--
I’ll...I’m—
Her eye is wide with terror.
Oh God.
AGNES stands alone in the dark in the bedroom of the man that she has planned to kill. The gun is in her hands. Tears stream down her face, frozen in grief. The gun is in her hands.
BENNY is awake. He has been awake. He is sitting up in his bed. He is staring at her staring at him.
The gun is in her hands.
AGNES fires the gun.
SFX: BANG
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rays-of-fire-and-ice · 8 months
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BLEACH: The Thousand Year Blood War Ep 18 & 19 Reactions and Thoughts
Overall reaction:
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First up, I didn't write anything for episode 18 last week because when I sat down to do it, all I could think to talk about was Renji's bankai reveal, which was epic, but didn't have much more to say beyond that. I loved the whole thing though, they made Renji look like such a badass throughout. And the reveal itself was *chef's kiss*
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As for this week...WOW. JUST WOW. INCREDIBLE, AMAZING, WOW. There's one main highlight and you all know what it is. Just...look at her:
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This is one of the most stunning things I've ever seen coming out of this show, that includes the original series. Hell, this is one of the most stunning bits of animation I've ever seen. How did they make her bankai more pretty and elegant than it already was in the manga?! I just love that her collar and sleeves are transparent, and the little details like the snowflake pattern that constantly moves over her clothes.
The visuals for this episode were so amazing, and as you can tell, I can't reblogging gifs of it. I loved every second from a visual standpoint, everything was beautifully drawn and coloured, whether it was make Rukia look fierce or terrified or beautiful, or to make As Nodt more creepy and hellish than he already is. I mean, just look at this creep:
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I loved this design in the manga, and I am LOVING it here now! Paired with church bells and music, this was a fantastic reveal.
As this adaption continues to show, when it comes to the fights of this arc, it's 10/10. Whether it's added content, hearing these characters say the lines, or just finally seeing these panels animated, it's reminding me of why I was so desperate to see this arc adapted into an anime. The moment I saw As Nodt's hand graze Rukia's, and she flinches and tries to find him, I got hyped. The moment he transformed into his Vollstandig, I was screaming. And then Rukia unleashes her bankai, and I was rolling in my chair. If As Nodt vs Rukia doesn't go down as one of the best anime fights from this year, I'll be shocked.
For one, while it goes without saying at this point, I cannot emphasis enough how GOOD the animation is:
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I also loved the call back to decaying characters and the flies and how they were used for Rukia's greatest fear. It's a connection to Byakuya, an experience they can say they've both shared now, and it adds to the scenes that come next when he tells her he's proud of her and he helps her defrost.
Speaking of that scene, it was already a great moment in the manga, but see it not only animated but voiced, I teared up a little. I looked forward to seeing the dub version of the scene too, I have no doubt Michelle Ruff and Dan Woren will do great here. It's a small, emotional moment for the two them, and it's more or less a conclusion their brother-sister arc. We've come a long way since the beginning, huh?
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While we're on voice acting, can we give As Nodt actor absolute praise. He made him so gosh dark creepy throughout. This is the kind of voice I would hear while reading the manga, and the way he was able to morph his voice from quiet monotony to raging growls was just amazing. He was a standout in the episode for me honestly.
If I had two nit-picks about the animation, one is that As Nodt's eyeball monsters looked a little weird and out of place, but it's so small it didn't take away from the fight for me. The other is the weird video filter they used over Rukia's flashbacks; not sure why they used that filter? Is it trying to say the original show is that old now? Were they trying to be creative? Regardless, it jarred me a little, but again, it's a nit pick in what is otherwise a fantastic episode.
Overall, it was an amazing episode that will likely be in my top fifteen of the arc of the show. Next week, I'm preparing for two shikai reveals and maybe a few tears ;_;
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suesylvesterf · 3 years
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What was going to an all girls school like, if you don't mind me asking? :)
OK anon im so sorry this is so long and so convuluted I actually got so carried away jdbKJBGKSDBGH. i'm not even sure i properly answered your question i just got overwhelmed with Love for my same-sex schooling DHGKJSDFBHG anyway, if there's anything more you want to know lmk and I will try to be concise next time 💀
Essentially, my own experience at a single-sex secondary school was fantastic—however, I know my experience isn’t universal, especially since my school was a little bit different to most, I think.
That being said, I still think that sending your daughters to female-only secondary schools is something every parent should strive to do if they can. No other learning environment will ever be as good for girls as a same-sex school.
In terms of school staff, mine was about 95% female, and 5% male. The few male teachers we had were genuinely competent men and decent teachers, they were also watched like hawks. Our principal was female, all leadership positions in the school (such as House Leaders, Year Level Co-Ordinators, Department Heads, even the chaplain) were held by women. Our school psychologists, our nurses, our library technicians, our café ladies, our career advisors, our tutors—all were women. Our school houses (think like Harry Potter houses) were named after important women in our country’s history.
I went to a co-ed primary school. And whilst at twelve you might not have the words to describe it, graduating from a co-ed space, into an all-female space is really a giant weight off of your shoulders. You don’t realise how suffocating co-education is until you’re no longer having to bear it. It feels so much more natural, so much more free! You are welcomed as you are. You can be loud and unashamed of it. We joked frequently with each other and our teachers, laughed loudly and cared not whether our laughs were ‘ugly’. I found that teachers were far more supportive than they were in my co-ed school. For example, in a co-ed school I had been told frequently to ‘pipe down’ or to ‘reel it in’ from teachers, and more vexingly to ‘shut up’ from boys due to my boisterous personality. In high school? My teachers encouraged me to audition for the play because I had ‘great projection’. In every school programme (more on those later) that I was involved in, I was the one asked to give speeches about them at assembly. I was asked to be the lead of our house chants during our sports festivals. I was asked to join the debate team because of my passionate nature, which in primary school, had me known as ‘difficult’.
Likewise, I had a friend who was by nature quiet, and loved to draw. In primary school she’d doodled on the back of a work booklet, and when her teacher returned it, she’d taken off two points and had written a comment saying something about teachers in high school not accepting work that was drawn on.
Do you know what happened when she got to high school? Our English teacher had seen the eye she’d drawn on the back of our Romeo and Juliet test and had written, ‘beautiful!’ above it. The next test, she drew a two-headed cat with witches’ hats on both heads (I remember the left head was called Turpentine and the right head was called Esmeralda). Our teacher wrote, ‘wonderful!’ above it, with a smiley face.
The next day she got an email from our art teacher that had a PDF flyer of information on both in-school and local art competitions.
Anyway, she had questions and that teacher answered every single one of them. She also personally helped her select the works she wanted to submit. She ended up having two pieces shown in the school gallery, along forty pieces made by other girls. About five years later for our final year, on that art teacher’s recommendation (and tutelage!) she took all of the visual art subjects on offer. When she graduated, her final piece was shown at a public exhibition in our state’s capital city, that honoured the best pieces done by select graduating students in the state.
So yeah. Our teachers were pretty amazing. Of course, there was the odd teacher or two you would butt heads with but that’s just a universal school experience. Our humanities classes, like history, for example, often had a unit that would focus on the female experience of a certain time period. For example, when learning about WW2, we did projects on female resistance fighters et cetera.
We had health classes that were actually focused on female health. We learnt about female anatomy (even the clitoris! Though we were all about thirteen/fourteen at this time so we found it incredibly awkward to talk about), as well as symptoms of PCOS during our menstrual unit. We learnt about contraceptive methods and devices (however, as a Catholic school they did have to tell us that whilst these methods are available, the church-sanctioned method is of course, abstinence).
Whilst the majority of the girls shaved their legs and wore makeup, as someone who did neither of those things I rarely felt judgement about it (albeit, I think there was a little for my lack of makeup, but this only lasted the first two years). A good portion of our staff also did not wear makeup, I don’t recall this ever being commented on. And, by the time we’d reached about our third year, a good portion of my year level and the ones above did not wear makeup on a daily basis. Leg hair was not looked down upon by any of us I don’t think by this year either. In fact, if you were particularly hairy often your hairless friends asked to rub your legs!
We were never short of female role-models, our staff made sure of that. We had multiple days per year when guest speakers would come and talk to us, mostly these were women who were experts in their fields—whether that be neuroscience or computer science, linguistics and literature or mathematics, politics, et cetera. The only times we really had male guest speakers was when police officers (one male one female) came to give us an assembly about sexual peer-pressure and laws around sharing nudes that was basically, “these are common (male) manipulation tactics used to pressure you into doing something you don’t want to do, don’t fall for them”.
We were encouraged to take STEM subjects, and those of us that had taken interest in computer programming were sent to coding programmes in the city during school hours! That’s how keen our teachers were to get more women into the field! This was the same with the girls interested in politics, who got to go to Model UN events, as well as mock parliaments in the country’s capitol.
We had a lot of programmes generally. A few overseas ones for girls who were in LOTE (languages other than English) classes. A few interstate ones, too. And of course, local programmes and excursions. Most of them (aside from the LOTE ones which focused on immersion) were volunteer programmes aimed at helping women and girls. The rest were about furthering our own skills or learning new ones. Majority of these were year-level based, but a few depended on the clubs/groups/classes you were in. For example, I was part of the Writer’s Club, and we took an excursion to the state Writer’s Festival and listened to female writers as well as feminist panels. We also had self-defence programmes every year.
In terms of peers I generally found everyone to be quite amiable by the time we’d reached our third/fourth year. There’s a common myth about all girls schools being filled with ‘catty’ girls who are constantly bitching about one another, but I really did not find that to ring true. There were a few fights and arguments in the earlier years, I was part of quite a lot lol but that’s honestly… just something that happens at school, at any school. Largely, we were good to each other. If someone was crying there was always someone who’d ask her what was wrong. If you missed the notes on the slide, there was always a girl willing to share her notes with you.
I think going to an all-girl’s school, and not having that much interaction with the opposite sex generally for that six-year period truly does something, I think, to your psyche. We are socialised to look down on our fellow woman, socialised to look down upon ourselves. But actually being constantly surrounded by women, and almost ONLY women, really helps to undo that. Even now I could not describe the fierce love I have for all those women and girls I came in contact with during my time there—even the ones I bickered with. Each and every single woman I met there enriched my life in some way or another. I think that is the effect of consistently spending time in any female-only space: developing a true appreciation for women. It is the only reasonable conclusion to come to.
I have been out of high school for two years, and in university for one. Among the many men I have met since, none of them have even been able to hold a candle to the any women and girls I know.
Anyway. TLDR: it slapped, send your daughters to same-sex schools!!
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makeste · 3 years
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but I just feel too tired to be fighting
this is a follow-up post to what I said in my recap the other day about this arc being the Deku Angst arc, as opposed to the Villain Hunt arc or the Deku SIXQUIRKS Exhibition arc. I feel like the fandom discussion tends to focus on the flashier parts of the chapters -- the sexy villains and the new quirk reveals and the Shindous -- each week, and so the quieter emotional beats sometimes get overlooked, especially since the character arc here is playing out in little bits and pieces over time rather than all at once.
this has always been a very reactionary fandom, and there’s a tendency to judge the chapters week to week without ever going back to look at how they all fit into the big picture. so I figured I would try to attempt that, and basically go chapter by chapter here to look at what exactly Horikoshi is setting up and how it all fits together.
so let’s start with the end of chapter 306, which is when the arc officially kicks off. specifically with the very last page:
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this is imo one of the best pages Horikoshi has ever drawn. I got the sense that this was a scene he’d had in his mind’s eye for quite a long time, and that he was excited to finally get to this part of the story. it’s extremely effective as both a chapter-ender, and an arc-opener. like, look at this:
it establishes the initial premise of the new arc -- the world is in chaos, and Deku is now seemingly on his own
it leaves the readers with a number of questions. why did Deku leave U.A.?? is he really on his own now?? why does he look so beat-up and exhausted?? what is he up to?? what is the world like now that all these villains have been unleashed and the heroes have been decimated?? and most importantly of all, what the fuck is going to happen next??
it pays homage to some of Horikoshi’s comic book influences -- Batman in particular
it dramatically hits us with that “THE FINAL ACT BEGINS” and lets us know that shit is getting real now
that’s some good shit. so much so that I think people tended to overlook the other notable thing about this page amidst all of the initial excitement and discussion and speculation about where the series was headed. and that is the fact that the final panel in this chapter is NOT the panel of Deku standing above the city. the very last panel, the one that this chapter actually ends on, is instead the close-up of Deku’s face. his face, which is covered in shadow; and his eyes, which have dark circles under them and are prominently missing the usual flecks of light that give him his signature “sunny optimistic shounen protagonist” look.
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not to mention this last line here, which is a call back to the very first time we saw the 14-year-old Deku way back in chapter one.
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I don’t think it’s a coincidence that Horikoshi chose to throw this reference in. nor is it a coincidence that THIS is the scene he actually chose to end the chapter on. what this does is show us the drastic shift in Deku’s emotional state of mind, and his attitude towards being a hero. he’s gone from being thrilled and excited to being jaded and exhausted. he’s matured, but at a great cost. it’s always been his dream to be a hero, but “be careful what you wish for” is a popular adage for a reason. and right now he looks the furthest thing from happy.
and this is the emotional beat that Horikoshi chooses to end the chapter on. this is the panel that closes out the War arc, and begins the final act. to me the message could not be clearer -- this arc will be about the exploration of Deku’s character, and his struggle as he tries to live up to the expectations that have been placed on him as the Last Holder of OFA and quite possibly the World’s Only Hope.
it’s a character arc that builds on a lot of the things we’ve already learned about Deku over the course of the series, such as the fact that he is reckless, and that he focuses on others often at the expense of himself. but more importantly, it’s an arc that finally expands on the dark side of what has up until now been a net positive for Deku -- the power of OFA. up until this point, despite its ups and downs, it’s been a boon for Deku overall and has allowed him to pursue his dream. but now we’re finally reaching the point where the monkey’s paw part of the OFA blessing/curse finally starts to come into play. OFA gives Deku more power than he could have ever dreamed of, but it also comes with a built-in destiny that he can’t opt out of whether he likes it or not. AFO is on the loose and out there trying to destroy the world. and now everyone has pinned their hopes on this sixteen-year-old kid, and the question of whether or not the sixteen-year-old kid is ready is apparently not one that anyone feels inclined to ask (possibly because they’re afraid that the answer might be “no”).
he doesn’t have a choice in the matter. he has to do it, because there’s no one else who can. that’s the kind of pressure that is on Deku now.
and on that note, we begin the Deku Angst arc.
chapter 307
this in hindsight was mostly just a set-up chapter to better establish the current state of the BnHA world at large (spoilers: it’s not good), while also providing an answer for one of the big initial questions of the arc -- namely, “what happened to all of those villains that AFO released from Tartarus?” these are important things to touch on, but the pacing could definitely have been better, and the bulk of the chapter was dedicated to providing fanservice to all of the Shindou fans who spammed the most recent popularity poll (which, whatever lol). anyway, so this was the sole chapter thus far with absolutely no Deku development. thankfully the arc picks up from there.
chapter 308
on to the next one! this was the one and only chapter thus far which I think actually qualifies as an “exhibition fight.” this was definitely all about showing off Deku’s current powerset, as well as introducing us to another of the SIXQUIRKS. however, there was Deku development here as well, most notably in this scene:
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this is the scene that got a lot of people speculating that this arc was going to focus on Deku hunting down all of the old villains. but I think people got so caught up in that speculation that they overlooked what this scene tells us about Deku’s mindset. and yes, there is new information being revealed here, and it’s not just a rehash of the stuff we already knew. like yes, we know that Deku was shaken up by the recent encounters with Dabi and Tomura, and we know that made him start questioning why villains become villains in the first place, and all that good stuff, and that’s great. however, there are two additional important things that this scene helps establish for us.
the upcoming battle with TomurAFO is weighing heavily on Deku’s mind. this is something that will become a recurring theme in this arc. Deku is thinking about this constantly. the question of what to do when he finally encounters TomurAFO again is knocking incessantly at the back of his mind, and this won’t be the last time it comes up.
Deku is using these villain encounters as test runs. can Tomura be redeemed?? is he just being stupid and naïve?? or is this really something worth attempting?? the interesting thing about this is that Deku’s resolve to save people is usually so strong and unwavering that it’s more than enough to overcome any doubts that he might have. but this time it seems like the repeated objections posed by the Vestiges and Gran Torino have really gotten to him. it’s possible I’m just reading way too much into things, but to me it really feels like Deku’s recent attempts at Talk no Jutsu were meant to do more than just show his growing awareness that the line between heroes and villains is thinner than he once imagined. they’re also serving as trial runs for the real test, when it finally comes. if he can “save” even a villain like Muscular, there’s hope for him being able to save Tomura as well. and so that moment when Muscular rejects him out of hand is all the more disappointing to him, even if it wasn’t really unexpected. basically it wasn’t the answer that he had been hoping for.
aside from those little notes though, like I said, this was unquestionably an exhibition fight first and foremost. which is fine; we needed to establish where Deku is currently in terms of strength, and it was also just fun to see him kick some ass, ngl. in terms of story purpose this chapter was similar to 219, which showed us how Shouto and Katsuki had powered up after getting their provisional licenses. people who don’t care about those characters might argue that these fights weren’t necessary, but as someone who stans all three characters hard, I would disagree! but anyways, moving on.
chapter 309
in contrast to the previous chapter, this chapter focuses more on establishing Deku’s current mental state, as opposed to his physical state. and this is what we learn:
(1) Deku is ~technically~ being shadowed/accompanied by All Might and the Hawksquad (but in practice he’s avoiding them).
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(2) it was Deku’s own decision to leave U.A., and he did it because he didn’t want anyone else getting hurt in order to protect him.
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and finally, (3) Deku’s game plan is to stop Tomura and All for One before they reach full power.
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this last part is very important, because it means there’s a countdown in effect. as far as Deku is concerned, there’s only a finite amount of time before TomurAFO becomes unstoppable. which means that he’s not only under “gotta get stronger” pressure, but time pressure as well. he doesn’t have the luxury of taking his time and training in safety. he’s being rushed now; this is do-or-die.
this chapter is also the first in this arc in which we get to see Deku’s expressions without the hood covering up his face, and what we see is very telling. as previously stated, the light is gone from Deku’s eyes. he keeps his expressions very neutral, and the only time we even see a hint of a smile is when he hugs his mom in the flashback, and it’s clear from the dialogue (“it’s okay, I’ll come home to you”) that he’s doing it for her sake in order to comfort her.
but aside from that, this is very much not the Deku we’ve grown accustomed to. this is the chapter that really establishes his current mental state imo. above all else, he’s afraid that more people will get hurt because of him, and so he’s distancing himself from everyone around him. and he’s also morbidly preoccupied with the inevitability of having to face TomurAFO again, and soon. the chapter ends on the flashback of Gran giving him his cape, and telling Deku that “killing can be another way to save someone.” there’s a lot on this kid’s mind, to say the least.
chapter 310
this chapter opens with a gang of civilians who are trying to open fire on a nice fox lady whose only crime was walking around in the rain at night. Deku intervenes to save her, and it’s the first time in this arc that we see anything close to the “old” Deku, who just wanted to save people with a smile.
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but it’s bittersweet, because all the lady can talk about is how scared she was, and how horrible everything is right now. and so Deku, who feels responsible in a lot of ways for everything that’s happened, just feels that much more pressure to somehow make things right again.
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there’s also this extra throwaway line which is especially heartbreaking:
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“I can’t afford to be around anyone.” fucking ouch. just reinforcing once more how incredibly isolated Deku is right now -- not by choice, but because he feels like it’s not safe to let anyone else get close to him. and so he’s out here running around this dystopian cityscape in the middle of the night in the pouring rain all on his own, and neglecting himself to the point where All Might practically has to force a bento on him.
but does he complain? of course not. because his focus is never on himself. instead, when he settles down to eat, his thoughts immediately drift back to, guess who...
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it’s that time pressure once again. “unless I draw out One for All’s full power, I can’t stop any of this.” it’s just nonstop, I have to get stronger, I’m running out of time, I have to do better, and constantly thinking about that inevitable confrontation.
Deku is a thinker, you guys. and when left to his own devices he will overthink, every time. his mind will run in endless loops while he mentally works his way through all of the possibilities. and that’s one of his greatest strengths, don’t get me wrong, but at a time like this it’s also one of his greatest weaknesses. it’s just so fucking easy for him to get stuck in his own head, in his endless rambling thoughts and analyses. and without anyone else there to help distract him, or help him focus, he’s become fixated on his mission, and it’s slowly consuming him.
this, incidentally, is also the chapter in which we finally see Two and Three’s faces, and learn why Two in particular is so reluctant to lend his power to Deku. he appears to be the lone holdout at this point, so stay tuned on that, because I don’t doubt this will wind up being crucial to Deku’s future development, however it winds up playing out.
chapter 311
this chapter flips back to the Hawksquad for the first half, so we get a brief respite from the ongoing Dekuangst. right before we switch back though, we do get confirmation of something we had pretty much already guessed:
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like, that much was already apparent based on what we’d seen (the bags under his eyes; the fact that he refused to sit still in any one place for very long even at night), but it’s always nice to get the official confirmation so that people can’t dispute it lol. so yeah, Deku isn’t sleeping much. and not eating much either, if all he’s getting is the occasional bento from Dadmight. so basically not taking care of himself at all, huge shocker there. but this is something that’s important enough to the story that Horikoshi took the time to point it out in the dialogue, in addition to all of the visual clues we’d already gotten.
and just in case we needed to drive that point in any further, this chapter ends with the appearance of Lady Nagant! like yeah, no shit Deku isn’t getting much sleep, what with him having to fend off racist civilians and hired assassins every five fucking minutes. smdh. can he live??
chapter 312
so this is the chapter that properly introduces Lady Nagant, who maaaay or may not be one of the primary antagonists of this arc?? like, it’s really unclear right now tbh, but she gets hyped up by Hawks and AFO, and has a flashback and a mysterious past and a weird trump card (where did you go, Overhaul) and all that good shit, so yeah? one can hope at any rate.
but anyway. so to his credit, Deku’s first thought is to retreat, but he quickly abandons that plan once he figures out Nagant’s location. this is played off like a logical strategic decision at first, but the subsequent chapter quickly makes it clear that Deku’s decision to take the fight to Nagant is less rational than he might have you think.
chapter 313
so yeah. last but not least, the most recent chapter, in which Deku’s real reason for targeting Lady soon becomes apparent:
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what’s more, it quickly becomes clear that he miscalculated and probably would have been better off following Hawks’s advice, seeing as he promptly gets himself shot, and subsequently realizes that AFO gave Nagant an extra quirk, something he hadn’t taken into account. but instead of cutting his losses and running at this point, he doubles down instead and not only breaks out Smokescreen, but also the Third’s quirk which he has never even used before.
it’s worth noting that both En and the Third start telling him to chill at this point, and warn him that what he’s attempting is too dangerous. but tbh if they were expecting him to listen, they haven’t been reading the same arc I’ve been reading. once again, Horikoshi makes it clear that Deku has one thing and one thing only on his mind right now.
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of course. once again it all comes back to this. hunt down AFO. it doesn’t matter that he’s exhausted. it doesn’t matter that he’s just been shot twice. it doesn’t matter that Hawks, despite knowing what Deku was capable of with his OFA abilities, specifically warned him away from this one person only. it doesn’t matter that even the Vestiges are trying to tell him you’re going too fast and you’re trying to do too much and it’s too dangerous.
he just doesn’t care. long story short, the only thing that matters to Deku right now is tracking down and defeating TomurAFO. and as the person who knows him best once so aptly put it, “he doesn’t take himself into account.” and therein lies the major challenge of this arc.
and so this is where we’re currently at now. and this has been a very long post, but if nothing else, I hope I was able to get this one point across: there is absolutely no way that Deku will be able to defeat TomurAFO as he is now. not a chance in hell. somehow he’s managed the uncommon feat of waging a war of attrition against himself, which is really quite an accomplishment. he’s not taking care of himself, and he’s refusing to listen to sound advice from the people surrounding him, and is trying to skip ahead to the final boss battle before he’s ready, because the guilt and pressure from feeling responsible for the current situation are eating him up. the only way that the world can go back to normal is if he can defeat AFO; therefore he has to do it as soon as possible, because time is running out and everyone is counting on him. this is who Deku is. and this is what inevitably happens when his saving mentality is taken to extremes, and left unchecked.
anyway so to wrap up this post now, I do think this arc is a lot more cohesive than it’s gotten credit for thus far, and Deku is the glue holding it all together. I for one am loving the exploration of his character and all the subtle little angsty touches as we build up to the big moment, whenever it finally comes. just keep in mind though that if his decisions right now seem reckless and short-sighted, it’s because they’re supposed to seem that way, because Deku is not in a good mental state right now. the cracks are finally showing in our perfect protagonist, just like everyone has been wanting this whole time. he is just a kid. he is doing his best. he is trying far too hard to do his best, and it is hurting him so badly, but he doesn’t even realize. this arc is not an endorsement of the Angsty Nomad Hero lifestyle, lol. it’s the exact fucking opposite, and I think it’s being wildly misinterpreted with all of the emphasis on “oh look at that, he mastered another quirk with no effort”, as opposed to “oh look at that, he is shutting down emotionally and is a few more missed nights of sleep away from a complete and total breakdown.”
tl;dr the overarching storyline of this arc is all about Deku slowly falling apart due to his trauma from Jakku, and the subsequent pressure that was put on him by the Vestiges with their whole “GUESS WHAT, YOU’RE THE LAST USER OF OFA, THAT’S RIGHT, IT’S ALL ON YOU BUDDY” pep talk. and mark my words, things are not going to go according to plan. something is going to go terribly wrong here. whether it’s something happening to All Might, or AFO setting up a trap for him, either way Deku is being set up to fail in a major way. unless of course, someone (or a group of someones) manages to intervene first, and possibly stage an intervention or something. it’s what he needs right now, but idk if Horikoshi is going to make it that easy.
anyway, but in other words, the point of this arc is not to show how much stronger Deku has gotten and how he doesn’t even need his friends anymore. it’s the exact opposite -- the point of this arc is to show that Deku needs his friends now more than ever. that in spite of OFA and all of its mystical trappings and fancy SIXQUIRKS, Deku can’t do this alone. he needs his friends. that’s the core message. and right now, we are at the “I can get by on my own” part of the story. and the part we are all waiting for, but which is coming -- I guarantee it is coming, you guys -- is “the thing is, you don’t have to.”
and that shit is going to slap hard you guys. and I for one can’t wait. but until then, enjoy the angst.
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pumpkinpot · 3 years
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MHA at a CON or FEST
Hi, so over the last couple day I have been going to the local Fan-con in my state and I was curious while there what some of the MHA characters would be like as panel or meet and greet guests and you as a vendor. 
Hawks- He is a fan favorite. For him I’d imagine the tickets to meet him would sell out almost immediately and if someone was lucky to catch one late, it would likely be from a peddler outside the stadium. He is so good with his fans very professional in his hero costume, taking pictures and signing things. (he kind of has to be.) As sort of a subliminal messaging thing, he’d keep some of your merch just strewn on his table, like it was just left there and would send feathers to you periodically throughout the day to let you know he’s thinking about you, or has some major tea about a crazed fan. You’ll know which depending on the frantic-ness of the delivery. 
Mirkou- She is so unashamed about her nerdiness. You cannot convince me you two don’t ren and, "women with swords" is her aesthetic. So don’t expect her in her hero costume. Not the one she actually works in at least. Her meet and greet costume is a modified knight-core version with chainmail and leather. She had a special bit of her armor etched with a little symbol of your two’s design. like a crest of your love... lol... nerds.... Preferably she can see your table from where she is, so she can point you out as her (royal title). “for I am their knight, and they are my Queen/King” is what she says all Stokely. Don’t expect to much professionalism from her, she’s too excited.  
Aizawa- How TF someone got him to do a meet and greet is beyond me, but he’s not happy about it. Its too loud, too crowded and he’s often asking himself why this big of an event is important to hero work and if its safe to have so many heroes in one place. (its a pretty big target.) But he’s amiable enough. He does it mostly because some of his students are there and so are you. At first he’s rather fitful, but when a little kid hands him a picture of a kitten drawn by them he softens. Its a complete coincidence he became the children's favorite. Parents wondering why their child chose a homely gremlin over Hawks. When he has any time free he’s watching you wow people with your own products just in awe of your passion, but behind that is a small excitement building for the epic sleep that yall are having tonight after such an involved day. 
Bakugou- You cannot convince me he isn’t into this. For a couple reasons. One he gets to show off a little bit. I feel like the Bakugou that would get big enough to have a meet and greet is not the “I’m better than everyone,” guy we’re used to, but he does like the idea of seeing what kinds of people flock to him. It’s def not what he expected. Book nerds, and introverts. If you’d have told him that was his fan base, he’d have laughed in your face, but now that he’s seeing it with his own eyes the pieces start to click. its very “every Hufflepuff needs a Slytherin” vibe. (though I don’t think Bakugou is a Slytherin, different post different time.) He actually begins to enjoy the time. Its not as loud as the other panels despite the doubled mass at his stand. When he has any time away from the greet table he’s with you, checking out the food truck district. of course their is a radius so he’s not swarmed, but he does tip the staff really really well.
Midoryia- Despite going to so many cons for Allmight stuff when faced with his own booth, and seeing his own fan art, Midoryia becomes very, very overwhelmed. This results in a lot of check ins with you and sloppy smiled pictures. It’s not that he tries to be awkward, but people constantly telling him how much they love him makes him wonder if he ever became so overbearing to his mentor. After a while you make some arrangements to move your booth into veiw of his and after that, his demeanor completely changes. Not having to stare at the art booth with only his face in various mediums staring back at him, but you with your passion sprawled out across a table and your friendly smile. It gives him courage to relax a little. Overall he’ll only do those kinds of events if you are there. If you’re not public with your relationship, how long will it take the public to realize you’re always so close?
Ochako- Baby girl is eating it up! Not because of the crowd per say, but because of the smiles. She’s had to use her quirk to save lives so many times, I could see her floating peoples hair and floating up to make funny faces behind people in photos. Her and some of the other hero's decided to get in on a corner of the meet and greets together so they can interact with fans together. (photobombing each others pics and such.) When she has the time she’ll sneak off to you with a churro in each hand with a social battery check in and a mandatory water check. If you’re feeling drained she’ll ask one of her assistants to watch your booth while she floats you both somewhere to watch the crowd from above.  
Mina- She is too hype for the occasion. Her and Ochako def got a space near each other. She goes above and beyond for her fans, decorating her whole booth in flower vines and twinkle lights. she did it for the gram for sure. She is great with her people and loves to ask them actual questions when they meet her. “how are you really babydoll?”, “tell me about your day.” and is the queen of complements. when she’s on break she’s with you hyping up your booth to anyone within hearing distance. “hey! have you all seen how amazing my love is?!” she def is out here to do the most in the best way.
Kirishima- Baby boy is nervous. He’ll never admit it if not forced, but he’s never been to an event like this, as a guest or greeter and the sheer magnitude of it all is.. daunting. It isn’t until he sits down and actually people watches the line of fans ready to meet him does he calm down. specifically a little boy with foam hands of his signature fist to fist in hardened mode. (Like the Thanos gauntlet you can buy at walmart) The kid was so excited to meet his favorite “shark” and it was that day that Kiri saw how far that comparison (him to a shark) actually went. He overall realizes his fan base is mostly made up of people like him. People who didn’t feel like they had the right bits in their bones to fit into society. He loved being that oddball for them. At lunch he sneaks away with you to eat junky foods hidden in an empty stage room or somewhere secluded. He’s got so many stories about so many cool people and keeps a copy of the pictures of his favorite fans for himself. to remind him why he does what he does. 
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rhysismydaddy · 3 years
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Prisoner's Game Pt. 1 (Rowaelin)
Synopsis: Aelin Galathynius never thought of herself as a vengeful woman. Until her boyfriend not only testifies, but leads a case against her that lands her in prison for the rest of her life. Post I-Love-You's. He didn't believe her, and she's about to show him that not only is she innocent, he made the worst mistake of his life betting against her. To a woman with nothing but time, life's just a game, after all.
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The cinderblock wall dug into her back uncomfortably as she reclined against it, the air in the room was stale, and she hadn't showered in two days. By any measurement, Aelin Galathynius was far from her best.
And yet she somehow managed to look perfectly at ease--happy even--as she lounged in her cell, toying with the ends of her too-long hair.
It was a ruse, of course, just a little trick to piss off the man currently stomping into her space. By the flare of Rowan Whitehorn's eyes, it worked.
"Hello, Rowan," she greeted pleasantly, giving him a little smile and acting like it wasn't taking everything in her not to use the makeshift knife under her pillow to gut him like the spineless coward he was.
She could tell, even across her 8x12 cell, that he was gritting his teeth and fighting a similar action.
The heel of his expensive Italian loafers clicked as he walked across the space to the small table and took a seat at the steel chair in front of it. He tried to push it out further, but stopped when he realized it was bolted to the floor.
"Aelin," he said back, none of the so-obvious anger he was feeling present in his voice. "Been a long time."
Eight years, six months, three weeks, two days, and thirteen hours.
Not that she was counting or anything.
She nodded her agreement, reclining further on the bed and crossing her legs as if she was in the finest dress she owned, not a faded orange jumpsuit.
"What brings you to my side of town, Rowan? Here to finally switch sides and represent me?"
Dressed in a two-thousand dollar suit and tie, hair perfectly gelled back, he looked like he was successful a lawyer meeting with a wealthy client, but they both knew the last thing he'd ever do was work for her.
"You know why I'm here."
She did indeed, but she still said, "I must be exceptionally smart to know why you've come all the way here-"
"Cut the shit," he snapped, finally losing a bit of his cool. He regained it quickly, though, and continued, "I want to know how you did it."
She frowned at her split ends. "Did what?"
Rowan waited until she looked at him to respond. "You know what."
Sighing so deeply it should've rattled the walls, she said, "I can't believe I've spent the last eight years thinking you underestimated my intelligence. You clearly think I'm some sort of oracle genius."
Rowan mimicked her sigh, and she bit her lip to stifle a laugh.
Probably trying to stall, he spent a moment looking at her cell, at the completely bare walls and lack of photographs. All she had was the tally marks drawn in pencil on one wall and a dusty chess set sitting on the table.
When he'd taken inventory of those two things, he sat and just looked at her.
It was clear she wouldn't admit to knowing exactly why he sat in front of her, and he was simply putting off being the one to fold.
Predictable, proud little man.
Eventually, he took his loss and said, "I want to know how you managed to rob me from inside the most secure prison in Rifthold."
She smiled, a full, undulated smile she hadn't used in a long time.
She'd been planning this moment since the day the bars had locked behind her, and it felt damn good to finally see it come to fruition.
According to what she'd heard, definitely not what she knew from personal experience, the private vault in Rowan's apartment had been broken into. Apparently, only one thing was missing: an antique dagger that had been handed down in the family and was now worth over a million bucks.
"Why do you think it was me?" she asked, still smiling.
He gritted his teeth some more, and she internally snickered at the idea he'd have permanent tooth damage because of her. Something else to remember her by.
Green eyes spitting flames at her, he growled, "You left a goddamn business card."
Aelin forced her eyes up to the empty bed above her head, trying her hardest not to laugh. "Maybe I'm being framed?"
"Your fingerprints were on it."
She did laugh then, then laughed some more when his eyes narrowed. He looked like he was about to strangle her. "Rowan, in case you haven't noticed, I'm incarcerated."
She gestured around them to her cell to prove her point.
The bastard just smiled.
Of course he knows that, she thought bitterly, forcing her hand back to her lap and away from where it'd started to creep toward the pillow.
"So how would I rob you?" she asked, getting her mind back on track.
"That's what you're going to tell me," he demanded angrily. "I want to know how you got out of here, got all the way across Rifthold, broke into my apartment, and stole from me without any surveillance camera picking it up."
Aelin ran a hand through her hair, fluffing it just right. When she caught sight of the impatience on his face, she fluffed it some more and readjusted the thin jacket on her shoulders.
It was always too damn cold in this place. She hadn't been warm in almost nine years.
Because of him.
Just for that, she fluffed her hair some more.
Then she said simply, "I didn't."
"Stop lying!" he shouted at her, eyes flashing.
She wasn't, but that was besides the point.
"Fine." She rolled her eyes like he'd won. "I got my cousin to-"
"Aedion spent the night in Wendlyn. His travel is verified, and there are at least a hundred eye witnesses that witnessed him singing karaoke all night. Stop. Fucking. Lying."
Once again, she wasn't lying.
Aedion sure as hell hadn't been in Wendlyn last night. She'd just wanted to make sure his alibi was air-tight as planned.
Sighing again, she asked, "Rowan, even if I did do it, why the hell would I tell you about it?"
His jaw worked for a moment, and she could tell whatever he was about to say was difficult for him. "I'll get time off your sentence if you tell me what you've done with it."
She tried not to laugh, but she couldn't help it.
It burst out of her, full and uncontrollable, and she flopped over on the dirty mattress and howled for a good few minutes.
He glared at her, looking for all the world like he was experiencing a portion of the rage she was made of, but regardless of the threat in his eyes, she took her time composing herself.
"I'm serving ten consecutive life sentences, you idiot."
One for each and every one of her "victims."
"I'll make it nine," he offered generously.
"Even if I was a cat, that'd still leave me dying in a prison cell. Offer me something else."
He just glared at her, unwilling to give her anything she could actually use or want. Just like she'd expected.
"That's what I thought. So no, Rowan Whitehorn, I'm not accepting your little deal. You can think I robbed you all you want; hell, you can even know, in your famous gut, that I did it." She tilted her head, a cruel smile filling her lips. "But it isn't about what you believe, it's about what you can prove. Isn't that right?"
His eyes shuttered at the words, and just like that, they were sucked into the memory of all those years ago.
~Eight years ago~
~Rowan~
Rowan rolled over, edging away from the woman next to him carefully as to not wake her.
Her hair was spread out on his chest, her soft hand was on his stomach, and her leg was draped over his. By all accounts, she was all over him.
And it felt so fucking good.
He'd never met anyone like Aelin before. Anyone so full of life, so hilariously open.
It was like she was constantly on fire, flitting from one place to the next with endless energy and jabs about him being too old and slow.
"What are you going?" she murmured, nails digging in slightly to keep him where he was.
"To get some water. Go back to sleep."
He leaned down and kissed her brow, and she sighed happily and rolled over. Like a total cliché, he watched her sleep for a moment, trying to get his feelings under control.
They'd been seeing each other for less than a year, but he couldn't imagine his life without her. He was in love with her, and if the way she acted and smiled around him was any indication, she loved him, too.
He ran a thumb over her cheekbone, smiling when she tilted her face into his touch.
He was whipped, and he didn't even care.
Rowan shook his head at himself, pulled on a pair of boxers, padded to the kitchen, and held a glass under the faucet.
Then frowned as it sputtered.
He figured he'd at least make himself useful, knowing damn well she would never agree to call the plumber when she could "figure out how to fix it herself on Youtube."
So he knelt down in her kitchen and opened the cabinet door, trying to see what the problem with the pipe was.
Except he never got that far.
His eyes got stuck on the piece of paper sticking out under a false piece of wood covering the back panel.
Knowing it was wrong to pry but somehow unable to stop himself, he tugged the paper loose.
Then fell backwards to his ass, heart hammering and brain spinning as he read it over and over again.
The list of names wasn't long, but all ten of the people on it were highly distinguished members of society.
And they were all dead.
He wouldn't know that, since the death of the last person on the list wasn't even public record yet, but he was the attorney working with the police to find the killer.
Why did she have this list?
And what did the numbers next to the names mean?
One way or another, he knew he had to find out. He also knew he couldn't ask her. He was in too deep, too unbiased to know whether or not she was lying.
He didn't trust himself with her, so he'd have to go the traditional route.
He took a picture of the paper quickly, tucking it back where he'd found it. He snuck back in the room to get dressed, leaving her a note he had to go to work.
He thought he was going to be sick as he left her apartment, a feeling suspiciously similar to dread coiling in his stomach.
There was only one way she could know that last name, only one explanation that made sense.
But he had to know for sure. Had to know if he'd been an idiot this past year; an idiot who'd spent almost every night sleeping next to the killer he'd been searching for.
So he started investigating his girlfriend.
Six days later, he found the security deposit boxes and the murder weapons inside, still covered in dried blood that would be matched to the victims. All with Aelin's prints on them.
Two days after that, the woman he'd thought was the love of his life was arrested on ten counts of murder.
Despite the tears she shed, despite the promises she made to him, despite the love she claimed to have for him, Rowan told the cops everything.
Even though he couldn't imagine her killing anyone.
"It doesn't matter what I believe, it matters what I can prove."
That was the last thing he'd said to her, right as she was being dragged out of the court room and yelling at him to believe her.
The truth of the matter was that when it came down to it, he didn't trust her enough. The facts were against her, everyone on the jury had been against her, and in the end, Rowan was too.
~Present~
~Aelin~
Rowan shook his head, almost like he needed to clear it from the memory they'd obviously both been immersed in, and she smiled.
She hoped what happened all those years ago still haunted him, hoped he went to sleep at night thinking about her and the betrayal he'd served to her on a silver platter.
The first year of her sentence, she was so lost in emotion--in the rage and confusion and deep, deep hurt--that she couldn't bring herself to do anything.
He hadn't even bothered to ask her first. That's what had hurt the worst.
He'd seen that stupid, stupid list and had jumped to the first conclusion possible.
She knew it had looked bad, had looked like she was guilty, but she'd thought that if the worst happened, he'd at least ask her to explain before slapping the cuffs on her.
But he hadn't. She'd gone to prison, and his career had exploded into stardom from the success of the case.
"See, Rowan, when you refused to accept any other explanation other than the easy one, you made a mistake. Because I didn't kill those people."
He rolled his eyes. "Aelin-"
"And I'm not only going to prove it," she continued as if he hadn't spoken, "I'm going to ruin your precious little life while I do it. Just like you did mine."
She stood, put a hand on the steel table, and leaned over him.
"If you want it to stop, all you have to do is drop these bullshit murder charges and issue a public apology for locking me up in the first place."
He stood too, so close his loafers brushed the toe of her dusty, prison issued sneakers.
"That's never going to happen," he promised, voice uncompromising and angry.
Aelin smiled, having predicted his reaction down to the facial expression.
His pride, she'd decided, would be the first thing to go.
She reached around him to slide the pawn on the chess board forward, leaned in even further, and whispered, "Let the game begin, then."
~~~~~~~~~~
Part 2
@perseusannabeth @cursebreaker29 @a-bit-of-a-cactus @elriel4life @girl-who-reads-the-books @aelinfeyreeleven945tbln @live-the-fangirl-life @ireallyshouldsleeprn @highqueenofelfhame @gracie-rosee @rowaelinismyotp @nahthanks @ghostlyrose2 @lovemollywho @inardour @tillyrubes10 @claralady @tswaney17 @rowanisahunk @superspiritfestival @thegoddessofyou @awesomelena555 @booksofthemoon @greerlunna @jlinez @studyliketate @over300books @justgiu12 @maastrash @aesthetics-11 @bamchickawowow @b00kworm @sleeping-and-books @musicmaam @hizqueen4life @maybekindasortaace
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twentytarot · 3 years
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wow, it’s been a while, hasn’t it? sorry that i kinda dropped off the map there, but you know how it is. life calls when it does. anyway, today we’re doing a reading on your next five years. for this reading in particular, if you’re drawn to more than one group then i’d suggest you read them both, because 5 years is a long time and it’s definitely possible for bits and pieces of your prediction to be scattered around this reading. devise a strategy that works for you even, for example, if i’m drawn to pile 1 first and then 4, maybe the beginning of pile 1 is more relevant to me but the end of pile 4 will resonate more. enough of my rambling, on to the reading!
*year 1 means from now till year from now, year 2 1-2 years from now, and etc.
PILE ONE: GLASS PANELS
overall, the next five years has you waiting for the right moment to begin living. currently you are stuck in a place where you’ve been hurt and betrayed— yet you cannot leave yet. you’re probably trying to plan a way out, but perhaps, surrounded by the unbreakable glass panels in your life, you’ve come to the same conclusion as me: it’s not going to be any time soon. for the next two years, you will have no way out. however, you will become much more resilient so that 3 years from now, you have the power and strength to break out of your current situation and build your dream life. it seems that there will be a lot of movement leading up to this event; perhaps you will be moving house and leaving most of the people around you now behind. whatever the case, in year 3, you will be building a new foundation for yourself. if there are responsibilities and duties you cannot fully leave behind from your past, you will learn to balance them in year 4. in year 5, you’re building up your finances, having found your footing at home and at work. finally, five years from now, you will finally feel like you are in a place where you can feel stable and secure financially and emotionally.
in other words, the main message for you is “one step at a time”. you will have the life you want, but it will take a while. for now, you will have to heal your inner wounds and learn to brave the coldest of storms on your own. then, the next step will be to gain the courage to forge ahead and create a foundation that will allow you to build your life the way you want, away from the toxic people that you have had to rely on. once you have found your own independent footing, then the next step will be to go after you want, especially in career and life purpose. don’t be afraid if things start coming down, almost no one goes through their 20s and 30s without having to destroy something fundamental. finally, once you have learned to juggle all of this alone, the final piece will fall into place, and that is the rest of the world. friends, a new family, and days that make you so excited you want to sleep early so that the sun rises faster tomorrow. this is a long journey, but i’m confident it’s worth it. you got this! :)
PILE TWO: APPLE PASTRIES
for the next five years, you will ride a wave that brings you to the top of the world, and then you’ll prepare for the next chapter in life. we start off in year 1 with you being a little unsure of what it is you want to do long-term— perhaps you’re aware that it’s about time you start settling on a path with how responsibilities are piling up, but you’re also rather reluctant to let go of all your ideas and inspiration. that’s alright, you don’t have to decide just yet. in year 2, things get a little more exciting in the personal department: you might meet your future spouse, get engaged, get married, or even have a kid, depending on where you are in personal life right now. i’m leaning towards you being pretty young and just beginning to entertain the idea of marrying your special someone. whether it’s navigating a new relationship or wedding planning, you’ll be pretty caught up in it in year 2, and your work life will naturally fall into the background. not for long, though, because someone enters your life in year 3 and they don’t have your best interests in mind. they’re not out to get you, but they also don’t care if they had to step on you to get higher. this person brings you a whole lot of clarity on your life purpose and career, though, and so you transform your life quite rapidly, especially in view of the fact that you’re getting older and it can’t be helped, you’re going to have to start making some commitments. the transition is very successful and in year 4 you reap all the benefits. you are like water, you balance the push and pull effortlessly like the waves, you bring energy wherever you go, you complete the cycle and finish what you start. you’re in a position to give advice now, and people begin to look up to you. life’s... well, it’s actually pretty good.
year 5 is whole new chapter, likely on patience. the bliss of making it through one chapter in life never lasts long enough, and it is time for your life to move on. take care of yourself and always be open to growth. take the people that will betray you as lessons on how to better watch out for and protect yourself. wield the sword of clarity with conviction. before you know it, everything else will follow.
PILE THREE: FLAT WHITE
your next five years is about breaking free. you are often harshly judged by the people around you, and it’s like you can never catch a break. you wished for a peaceful getaway, and your wish is only partially granted. let me stop for a second and explain. for example, if you’re harshly judged at work, you might be able to get out of working with the particular team that makes your life difficult, but you won’t be able to leave the company entirely. something like that. you’ll have to do more than what you’re doing right now to truly get out of this situation. thankfully, towards the end of year 2, your heart hardens. enough is enough, you decide, and with your sharpened sword, you go after what you want.
the battle in year 3 is ugly. you say things you wish you didn’t have to, you do things in ways that keep you up at night. sometimes we don’t have a choice, though, because it was the only way you would be able to take what is yours and run. just in time, too, because in year 4, you will realise the stability you thought you were being offered was as strong as a house of cards. by defying expectations and going out on your own, you have nudged this house and cause it to topple. you get to watch from somewhere a little further away, but it’s still hard to deal with the questioning, the anxiety, the wondering whether you shouldn’t have left in the first place. no, darling, of course you should have left. year 5 is a year filled with so much more stability and happiness, it’s like you can’t recognise the person you used to be, the world you used to live in. if you thought that you will never truly make it out of there, my cards are here to tell you that there is a day where you will stop wanting to cry before you go to sleep, there is a day where the demons will shut up for good. so don’t give up! you’ll make it out of there if it’s the last thing you do, because that’s you: strong, persistent, and forever optimistic in your heart. and this personality of yours is what makes you lucky. when you want something with all of your heart, the universe can’t help but want to give it to you.
PILE FOUR: NIGHT
pile four, your reading is all about finding love! things are about to slow down for you now, and it looks like it will continue to be slow for awhile. and honestly, for you i don’t think that’s a bad thing at all, seeing as you are just coming out of having had to make difficult choices and work hard for what you want. for the next year or so, you’ll simply be continuing what you’ve started and letting the payoff roll in. in year 2, however, you’ll begin to look around at your life again and find out what is it you want next. at that point, perhaps you will come to the conclusion that it is love you’re looking for. or maybe it’s just excitement, since you’re pretty collected yourself. you’re the kind to meditate and sleep on things before you decide, and the person you meet in year 3 is decisively... not that kind of person. they’re hardworking, smart, funny and honest, but they’re also rather blunt and impatient. they’ll jump from one thing to the next without thought; they’ll argue with you through the walls of your room is it means they’ll win. you may wonder if this person is going to force you become their parent. well, no. this person has entered your life to show you that the world has so much more to offer if your just take the leap and jump. this person is here to show you that sometimes, you don’t sleep on decisions. you just go for it. once you begin to see the charm of this person, they will light up your life as a friend, a listening ear, then a worthy partner, then a worthy opponent, and then finally, in year 4... a worthy soulmate. and you will realise that taking risks is actually not as scary as it seemed, because this person is right next to you, and will be there to help you pick up the pieces should you fall. this might be a new feeling for you, because you come from a background of having to watch your own back all the time. being able to take calculated risks is what pushes one up from being a prince to a king. it pushes you and your life purpose to its full potential, and even if the ride of taking risks and forging ahead is rocky with this person in year 5, you will come out hardships closer than ever, stronger than ever.
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asturlavi · 3 years
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oh boy, do i have wonderful beast oda/odazai info for you all since this may just be my favorite chapter in all of beast. it clarified a lot about oda's state in this au, and how sad it truly is, especially with all that dazai has done to ensure that oda's safety is certain
before i start, this was initially intended to be a quirky little twitter thread that’s supposed to be kicked off with a badly drawn doodle of something meme. the thread was supposed to be about how wonderfully dumb odasaku can be and how annoyingly frustrating dazai is in the latest beast chapter... and then it slowly devolved into a crudely written essay about small discoveries i’ve made that most likely haven’t been pointed out before, so i recommend that anyone interested in either oda or odazai to check this out 
so i finally got around to reading the new beast chapter and seeing how odasaku constantly devalues himself and finds that he's lesser than the average person is… sad. its been said that him and ranpo are the stars of the ada, every mission trivial with their cooperation, and yet he doesn't see any of that. thinks he struck luck when it came to his entrance exam, which he specifies that it wasn't as a result of his own skills. his inferiority complex is embedded so deep that despite his achievements, he doesn't at all believe he has any worth as a human.
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i'm just a tired, ordinary man like you could find anywhere. a third-rate detective, as unexceptional as a fallen cigarette butt on the road.
and his entrance exam was just like dazai's: the azure messenger case, which we all know wasn't at all a walk in the park. one mistake, and it would spell disaster for the city that the ada was trying to protect. no--not just the city, it would also mean the end of the ada as we know it. despite it all, he resolved it much to his own surprise, and it was all thanks to an "unexpected" gift. and that gift? who would it be other than from dazai himself? 
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beast light novel ch. 3
(also, this is a shaky claim at best but I feel as if oda fully holds the capabilities to solve the case alone, but dazai knew that with odasaku's persistent feelings of self-doubt, along with his lack of some of the vivacity that dazai held to weasel his way through to information, the outcome of success wouldn’t be guaranteed. and so, dazai lent him something to ensure his success)
and yet, oda is blind to see truly how much intellect and skill he possesses. he doesn't realize how integral he was to the quest of the azure messenger, doesn't acknowledge that without him these orphans would have either slipped into a life of crime, gone to a downtrodden orphanage, or simply passed away, and he doesn't know that despite it all, he's one of the purest characters in the story, even with the darkness that will forever cling to him, a reminder of the violence that marred his past.
not to mention that oda, in one way or another, effectively analyzed the current situation that they're stuck in. he noted that if things currently go the way they're going, no matter what akutagawa achieves, him and his sister are doomed. so, oda brilliantly decided to go after the port mafia itself to prepare for this possibility, and it's nothing short of genius. and dazai plays along with this… because it is oda, after all. 
and everything dazai did, everything he sacrificed, it was all for oda.
now to the underlying tragedy of this chapter. take a look at this panel: 
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ever since then, i've been making a living by solving requests that come to the detective agency.
i provide for the orphans
i drink coffee.
i gamble a bit on days off.
at night, i write a novel in the kitchen. 
that's my life.
nothing unusual, right? you'd think that odasaku was satisfied with life, since he has everything he had ever wished for. but in all actuality, he still lacks one important thing.
and that's friendship.
his words sounded so… empty. achieving ones dreams is but one aspect of life that brings one gratification, but doesn't necessarily mean it would guarantee lasting happiness. (think of famous actors or celebrities that spiral into depression even after they've achieved their dreams).
in that panel, he says he cares for the orphans, gambles, and writes alone in his spare time, but not a word of spending time with friends… something he had in the root universe, something that was lost to him in this one.
and he says this all with his face blacked out, as if he's somewhat implicitly dissatisfied (while the kid's faces are present, not at all concealed).
with dazai, he found peace in a place where peace is rare to find. They both completely put their guard down with each other around, and dazai can relax his overly speculative mind with oda. and they understood each other, a level of understanding rare to come by. dazai with his dark jokes easily flies past oda's ears because that's what they are, harmless jokes. and oda with his blunt honesty, which dazai cherishes and never prods him for it.
dazai also saw things in oda that oda was blind to. dazai saw a world of beauty in oda, the ray of light beneath a cloudy sky. he saw both intelligence and wisdom, kindness and generosity. and most of all, he trusted oda, despite dazai’s natural inclination to distrust.
and what oda saw in dazai was vulnerability. despite the front that dazai puts, he can be kind, even empathetic, when the situation calls for it. dazai once gave akutagawa a decision to turn his back against dazai’s offer to join the port mafia, when logic points to the fact that he didn't have to, but wanted to.
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dazai also consistently gives atsushi words of advice and shows understanding when dazai was under no obligation to, such as atsushi facing the loss of his previous caretaker. dazai gave atsushi genuine advice, not laced with any malice or ill intent. dazai had even left atsushi to grieve alone, fully understanding that atsushi needed to pour his emotions out in private. there’s more than enough instances of dazai showing this side of himself in both the light novels and manga, but it seems to sometimes be brushed aside. even though the main cast of characters always dismissed this side of dazai, oda has always known that this side of dazai was his truest self.
oda and dazai also talked endlessly about trivial things, calling each other daily for two hours for no reason other than that they each enjoy one another's company. it's pure, wholesome love. they had a mutual trust and understanding between one another, which ango, another friend of theirs, severely lacked in his friendship with them.
oda's dream was to write, gone unfulfilled in the root universe, but he died happily knowing that the one he cares for is living in the path of light. dazai's was to find a reason to live, which he found in oda, and continues to use this as motivation long after oda passed.
in beast, dazai's dream was cut short, ultimately leading to his demise at the end. after all, his one reason to live is now robbed from him. however, oda's dreams have become a reality, but can one really say he achieved happiness? he has the orphans, his children, but they will never understand him like dazai had. he has peace, but is it the form of peace he wanted? spending time alone, on things like gambling, while endlessly mulling how he has no one to spend this time with?
and writing, his one true wish that dazai made absolutely sure to make a reality. but was it worth it, at the cost of a friend who brought happiness and reprieve when everyone else failed to?
i thought of this tale as a matter of equivalent exchange, you lose one life in exchange for another. the scales do remain somewhat balanced, but not over a matter of lives. it's over a matter of personal sacrifices, ones only known to us readers.
and i say "somewhat" because in the root universe, dazai remembered oda when he was alive, so well that dazai can recall memories to near perfection. but oda had completely forgotten dazai in beast, chasing after absent memories and deluding himself into thinking his life is perfect, while numbing himself from the aching hole of loneliness that consumes him inside.
also, oda is surely happy spending time with the children, but what about his lonesome hours? who is he going to spend that time with, in a world without dazai, the only person who understood him and his oddities?
ah, and remember this moment in the root universe? 
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now, take a look at this again. no, look closer 
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odasaku wasn’t merely gambling for the sake of it, he was gambling on a horse race. and before dazai was arrested in the root universe, he was seen doing just that. 
now, why would odasaku do this? he surely doesn’t seem the type to gamble away his money on something as silly as horse races, because what does someone gain while they pour their money into something so senseless? 
and the only reason i could arrive to is that dazai must have dragged him along to one. dazai is a port mafia executive, with more money than he knows what to do with and a boatload of depression. money probably disinterests him as much as life does, and he used gambling to kill two birds with one stone: ridding of money he doesn’t need, and distracting him from his boredom (and depression). 
and it doesn’t end there. remember when dazai in dead apple had visited bar lupin to pay his regards to odasaku, while reliving a pleasant memory dazai had with him? and he did this because he was preparing for a quest that may result in with the loss of his life, psyching himself up for what’s to come. this is probably bordering on speculation, but i believe that that’s precisely what he did once again in the horse races. dazai paid a visit to a place that oda and him had frequented, to prepare for another dangerous quest. 
also, note that immediately after exiting bar lupin in dead apple, dazai was confronted by ango, which kicked off the start of dazai’s plans. a similar thing happens in the manga, dazai spending time in a place that he and oda had gone to, this time the horse races, and his plan whirls into motion as jono arrests him. i think these similarities are deliberate, in order to establish their significance to dazai and oda. 
this long winded explanation’s purpose was only for me to go back to this panel once again, and say that everything oda spoke about doing, from spending time with his kids, to brewing coffee, to betting on horse races, and to writing in the kitchen, were all moments he had with dazai. 
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and see that he has an extra chair that sits unused in the kitchen? at first, i thought it was there for the sake of being there. then, it slowly dawned on me that odasaku and dazai had noted in the dark era light novel that they made a habit of visiting each other, so it wouldn’t be illogical to conclude that it was a chair meant for dazai. a place where he can spend some private moments together with oda underneath the dimly lit kitchen, drinking in the scent of odasaku’s coffee and talking about things that distracts them from their troubles while odasaku whittles away at his manuscript. 
and one last thing before i end this out of sheer laziness, take a look at this photograph of oda from the final moments of the beast light novel.
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as oda stated in the manga and light novel, he worked on his manuscript alone in the kitchen... but in the photograph, he wasn’t alone. he’s posing for a picture. relaxed, poised, as if entertaining the one taking the photo. and besides, wasn’t it dazai who insisted on taking photographs in bar lupin with ango and oda in dark era? he must have done the same in that very moment in the beast universe, but this time in anticipation of oda forgetting him. 
in the end, it seems oda and dazai left each other in similar ways, foolishly believing they've sacrificed their lives for each other to better the other's life, but all they did was create worlds where the feeling of happiness will be lost to both respective parties, while also resigning each other to a life of loneliness.
they've forgotten about their one happiness that stems from just being around one another, listening to the soothing tune of jazz playing softly as they talk into the night, the world lost to them as they're absorbed in one another's presence.
it seems like their story is a tragedy of what happens when you love someone too much, to the point that you delude yourself into thinking you're but a tool for their happiness, and with you gone, nothing will change.
but things did change, didn't they?
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wisehq · 3 years
Text
Mission Debrief: Chapter Forty-nine
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...It smells like a goddamn come-back!
Okay, jokes about my inevitable return aside, can we all agree that Steve Jobs look-alike is creepy as sin? The discord sever has passed their judgement; the dude’s definitely a freak- kudos to Endo for making the first character I outright despise, I guess? Anyway, after missing out on the last chapter I’m ready to go full steam ahead on this week’s update!
It was a short chapter thankfully and definitely back-loaded, but there’s still plenty to talk about as always. I’m making triple sure to save my draft as I go this time and I’ve got alcohol at the ready, so let’s fricken do this!
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I’m not going to talk much about the assassins; they are all bad men and they are all up to bad things, and that’s...pretty much all we got lol. Evil Franky is probably the most interesting of the bunch to me, but even he didn’t do much this chapter. They were glossed over mostly, so instead I wanna focus on my favorite panels.
Poor Loid, honestly. Don’t get me wrong, I’m reveling in all his misery- it’s just that at this point in the story even I have to relent and say I feel bad how stuck in the middle of everything he is. Anya’s manipulating him (hilariously) and he just can’t catch a break, and on top of all that he still has to play dad like the good little spy he is. That face of his will forever be a mood, and I resonate wholly with his done-ness (also just pointing out that Anya is adorable as ever- SHE’S SO LITTLE!)
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Okay, Zeb and Olka...I’ll captain this dam ship myself if I have to. Honestly, this whole development we got out of them came out of nowhere, but I’m not complaining at all. I could see how someone might ship them in earlier chapters, courtesy of  the old tried and true method of “boy + girl + being in general close proximity = love” that we see all the time, but Zeb coming out and being (mostly) outright with his feelings took my completely by surprise. I wasn’t expecting anything between these two, aside from perhaps a friendship born from being forced to escape with one another. I would have been fine with that, but this takes it to a much more interesting level-
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-especially when framed within the context of the war, and it’s after-math. On top of the cute moment we got with Zeb and Olka, we got to learn a bit more about how the world was after the fighting stopped. @tare-chan​​ and I discussed a bit about how criminal organizations such as the mafia have historically offered help in times of hardship, and it’s interesting that this is the route Endo took with things (Shopkeeper’s comments about Olka’s family being an honorable criminal organization certainly make more sense now, at least). We also have confirmation that it’s been roughly a decade since the war ended, something that’s touched on a bit more as McMahon returns to rendezvous with the others.
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He’s such an enigmatic character. I want to know more about his past and his relationship with Garden. It’s also very interesting how he frames himself and Yor; they’re soldiers, just like Yuri. Whether it’s for the government or shadow government, they fight and die for the sake of Ostania. He truly believes in his cause, and he wholly expects the same out of Yor.
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McMahon is cold and calculated. Yor, meanwhile, is soft and earnest. She is wholly outside her wheelhouse; nothing about this mission is like anything she’s ever done before. Personally, as an outsider looking in, I think she’s doing a fantastic job so far. Not only has she kept multiple assassins at bay while protecting three people, she hasn’t drawn any attention to herself in the process. She’s damn good at what she does, but for McMahon that’s not good enough- or rather, it’s not good enough for the mission. She needs to be perfect. She needs to be cold, calculated, and lethal, just like McMahon. She needs to be ready to die to protect Olka and the baby. She needs to be Thorn Princess...and Yor Forger is in the way of that. McMahon sees that, and he warns her; throw everything away, or it’ll all be taken away. Permanently.
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Yor’s not dumb. She’s very self-aware, enough so to re-evaluate herself and her performance as of late. She knows that she’s lost her edge, and it’s all because she’s afraid now. Afraid of getting hurt. Afraid of getting found out. Afraid of losing her family. She’s not an emotionless robot anymore, not like the empty-eyed woman we saw her to be in the initial few chapters. Yor has things she wants to protect, things to fight for. In many situations and stories, one would assume that to be a boon- but here it’s not. Her job involves kill or be killed, and worldly ties will only hold you back. It’s a frame of thought that’s kept her among the living all this time...
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...but as I said, Yor’s not dumb. She’s thinking, enough to where she’s starting to question why she’s even risking everything in the first place. What’s in it for her? How does her risking her life day in and day out benefit her? She already has everything she could want; people who care for her, and people who she cares for in return. In that sense, being an assassin is- in actuality- a distraction from what she truly desires...but at the same time, she’s too far in. At least at the moment. No amount of fondness she has for her family will get her out of the situation she’s in right now. So then, what to do?
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I’ll go ahead and predict that Olka, being wide-awake as she is, will likely give her another pep-talk. She’s no stranger to difficult choices. Likewise, matters of friends and family, and choosing between them an duty, will likely be subjects she knows a thing or two about. At least I hope, anyway. I want more interaction between them, and I also want Yor to come to a deeper understanding of her current state. Deep down she knows what she wants, but she’s forcing herself to comply with everyone else’s whim. Hopefully sometime soon it’ll coming a point where she stops thinking about what others want out of her, and instead focus on what’s best for her- and by extension, the people she cares about.
Here’s hoping we get at least a peak of that next chapter.
In the meantime, though- BONUS!
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I’d like to hang this on my wall and title it, “My constant state of mind”
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sumsebien · 3 years
Text
by design pt.1//Prince Friedrich
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prologue // series masterlist
summary: the journey from london to sanssouci is long. what will y/n and friedrich do with all this free time?
word count: 3.4k
warnings: none
a/n: hello i am sorry for being so late with this one. the next ones will also be a little further apart than you’ve come to expect from my last series but i think this quality-wise will be improved (hopefully)
The carriage was spacious enough so that Friedrich could sit without bumping his knees against whoever sat in front of him. Right now, that was you. Heinrich was next to Friedrich, briefing him about the itinerary for the day. And Friedrich tried to pay attention. He really did but his eyes kept landing on you every couple of seconds. 
You sat quietly. Your face turned away from them as you gazed out of the windows. But then, he heard the faintest of sniffles. He turned to Heinrich. His valet stopped talking. 
And then, he heard it again. This time, Heinrich heard it as well, laying the map down in his lap. Their eyes directed towards you. 
You were crying. 
The two men gave each other a look. 
Friedrich hadn’t a clue what to do. He could not recall the last time he had had to comfort someone in distress. He figured it was because a Prince was not the most ideal person for people to confide in. 
Heinrich, on the other hand, had three little sisters. Therefore, he was way more knowledgeable. He nudged the Prince’s shoulder, tipping his head towards your figure and mouthed ‘Do something!’
Friedrich shrugged. ‘What?’
‘Just do something!’ 
The silent conversation and stern looks Heinrich threw him forced a few words out of his mouth. All of them formed without any forethought. “My lady, would you like a handkerchief?”
His voice startled you. You quickly wiped the back of your hand under your eyes and shook your head. “I’m alright. Just something in my eyes,” you said, a weak smile on your face. 
“Are you sure?”
You nodded, a little bit too quickly for someone who was actually telling the truth. “It’s just been a long day. That’s all.” 
You thought they didn’t notice or perhaps at the least would ignore it if they did. You obviously thought wrong. How you wish you could swing the window open and flap away. 
It was a completely normal thing that all girls must go through at one point. You should be thinking of yourself as lucky even. The ladies of the ton would happily die to be you right now, moving to Prussia with your husband, the Prince. That was what you kept telling yourself.
Tears began to prick at your eyes again as you thought about a life that was foreign in every sense of the word. 
Maybe life in London was not all that bad. Sure there was a certain face you had to keep up at all times but at least there was your best friend Olivia. You never thought you could ever miss the horrible balls and tea parties, the cruel gossip and the contemptuous looks. But as London disappeared behind you, the thought of never returning frightened you. 
You inhaled a shallow breath, afraid of alarming the Prince and his valet. They probably thought you weak and pitiful now. 
“Shall I get you a blanket? We still have quite the journey,” said the Prince. 
You shook your head, not even dreaming of requesting anything from him. “I will just admire the countryside for now. Don’t worry about me.”
You promised yourself that you would stay awake. One of the things your mother managed to say to you in the carriage ride to the abbey was to not fall asleep as “it might put your husband off” in her exact words. She always made it a point to tell you just how ungraceful you looked when you were sleeping. And perhaps you should take her advice. The last thing you would want is for your husband to find you ungraceful just after your wedding ceremony. 
Of course, not long after that, you fell asleep. 
When you woke up, everything was pitch black. The last thing you remembered was trying to keep your eyes open. But the repetitive sights and the quiet droning of the Prince’s valet made it too difficult to resist giving in to the heaviness weighing on your eyelids. 
As you blinked and regained your vision, you noticed that you were alone in the carriage. The blinds had been drawn on all windows. You felt yourself panic. Was something wrong? Where was everyone? 
As you began to think up millions of ways the trip could have gone wrong, the possibility of a raid came up.
You drew a shaky breath and moved. That was when you realized that you had someone’s coat covering you this whole time. You held it up to the little sliver of light peaking through the curtains and recognized the navy blue color. It was the Prince’s. 
Just as you were holding the coat, the door was opened. You nearly froze when you saw Heinrich on the other side. 
“Your Highness,” he bowed, “you’re awake.”
The title threw you in a bit of a loop in your drowsy state. It took you a moment longer to realize that he was referring to you. It was going to take a while to adjust. 
You masked the initial shock by clearing your throat. “Yes. What time is it?”
“It’s 9 pm, ma’am. Would you like to board the ship now?”
You nodded, picking up your skirt and making your way down the steps. He took the coat for you and held your hand to help you. 
“You should wear this, your Highness. It’s a little bit cold.” 
The night breeze sent goosebumps up your arms and you carefully draped his coat back on, now noticing the citrusy scent clinging onto it. You held onto the lapels of the coat and followed Heinrich. 
The sailing ship was anchored just by the dock, a couple of steps away from where the carriages stopped. It was an absolute beast with towering sails for wings, a strong body made of wood and a long pointy bow spirit as a fearsome horn. The sails flapped in the wind, wanting to stretch free of its frames and fly off into the night sky.
As you and Heinrich made your way up the stairs to the main deck, you could hear the commotion happening before you could see it. Thumping footsteps, shouts and grunts as the crew got ready to set sail. 
They did not care that you were here and you liked that. Being invisible was nice. Heinrich, however, did not enjoy it as much. He seemed a bit anxious to have you witness all of this and quickly led you away from all the noises down one flight of stairs. You could still hear heavy footsteps but they were muffled, less prominent than before now that you were one floor below. 
The air heavy with moisture and salt filled your lungs as you made your way down a lengthy and narrow hallway. Not too far away stood two ladies. Heinrich confirmed that it was in fact your room. 
“These are your lady’s maids-Lea and Ilse. Should you need anything, they shall help you.”The girls curtsied at the sight of you and each nodded at the mention of their names. 
You studied their faces, trying to cling to certain features so that you would not forget their names. Both of them had perfectly combed blonde hair, although instead of just a simple bun, Ilse’s hairdo was a little more intricate with the way she wrapped her hair. Lea was a little taller and seemed a little tougher than Ilse with her strong eyebrows and tall gait. Ilse, on the other hand, was bright-eyed and more youthful, reminding you of Olivia. 
“Thank you, Heinrich.”
He nodded and bowed his head. But before he could walk away, you called him, prompting him to spin around again. 
“May I ask where the Prince is?”
“His Royal Highness is speaking to the captain of the ship, ma’am. Should you like me to call for him?”
You shook your head firmly. “No, thank you.”
When he was out of sight, you suddenly remembered you were still wearing the Prince’s coat. But he had gone too far for you to call him back again now. 
You sighed quietly, turning to face the door. Reaching out your hand, you were just about grab the doorknob but found that Lea was already there too. 
“Oh, I’m sorry!” you held your hands up to your chest, allowing her to open the door. 
“It’s alright, your Highness,” she said with a smile. 
You took a moment to admire the room before you. Almost everything was made from walnut wood-the walls, the floors, the furniture, covering the whole room in a rich chocolate brown color. The candles washed the room in a soft orange glow, accentuating the warm earthy tones and setting a completely different mood from the shivering wet deck. 
You wandered inside, running your hand along the wall panels, delighting in the little crevices on the surface. 
“I hope you don’t mind. We’ve drawn you a bath, your Highness,” Ilse said. 
You shook your head. “No, of course not. Thank you.”
“Would you like us to assist you with your dress, ma’am?”
You shook your head. “I shall be quite fine. You can take your break now, ladies.” 
You expected the two of them to leave right away. After all, it had been a very lengthy day and even though you intended on getting to know the both of them, now was simply not the time for sharing childhood tales. But they lingered on by the door, prompting a “Yes?” from you. 
“Would you like supper brought to you, ma’am?” Lea asked. 
“I can do that?”
Both of them nodded, probably finding you the oddest lady they had ever served. 
“Well, if it is not too much trouble, I’d love it.” 
The girls curtsied and left the room. 
Now completely alone, you let out a long, tired sigh. It was a terrible habit of yours and you were well aware. You always thought too much whenever amd wherever you could, especially when you were left on your own. Your mind instantly ran over every little detail, picking out anything that might have left a bad impression on your new husband and staff members. 
There were simply too many. 
With a sigh, you shrugged the coat off of your shoulders, carefully placing it on the bed. If you must admit, you missed the comforting weight of it on your shoulders and the faint smell of orange and cinnamon. You then thought of him. The Prince. 
For reasons unknown, you felt intimidated by him. So far he had been nothing but kind and he had done nothing that could warrant such a feeling. 
Something inside you just wished you would not disappoint him like you did your parents. It was difficult because you had no idea what his expectations were of you. All you knew was that Miss Bridgerton was who he really wanted. And if that was the goal, you found yourself far from ever reaching it. You might have been born into a higher born family but you lacked the charm that she had. She was always the older ladies’ favorite when they were small. Even now, she had the favor of everyone she met. 
You prepared different conversational topics for when he would come into the room eventually. There was nothing less attractive than a tone-deaf lady and you made sure political icebreakers were left far far away for the night. Maybe you could talk about the weather or music. They seemed to be perfectly proper matters of discussion for a lady. Far better than overly formal issues currently happening.
The bath you took wasn’t as relaxing as you had hoped for. Not even the slight sear of the water and the faint lavender scent could rid your mind of thoughts. You decided not to sit for long, your legs growing a bit restless in the water. Just as you finished tying your dress robes, you heard a knock and a voice from behind the door. 
“Your Highness! We’ve brought you supper!” 
“Yes. Come in!” you called. 
At the sound of approval, your maids brought in a tray with silver dish covers on top. They opened the covers for you, revealing a piece of steaming roasted salmon and pudding. You then realized that you were starving. The piece of bread you managed to shove into your mouth earlier today was definitely long gone. 
“Would you like some wine, your Highness?” Lea asked. 
You shook your head. All you wanted was to sit down and eat everything. And as helpful as they had been, their questions at this moment was not. “No thank you. This shall be perfect.”
“Should we bring you more food?” Ilse added. 
“No. I am happy with this. Thank you.” 
They finally left. But you had barely sit down when there came another knock on the door. You groaned to yourself. Again? 
“What?” you poked your head out, expecting your maids and more questions. But the last time you saw them they didn’t wear blue and there were certainly two of them. 
Oh crap. 
 It was the Prince of Prussia. 
Blush crept onto your cheeks as you became aware of your curtness. “Your Highness!” 
He had his brows raised at the curious sight of you poking only your head out, leaning against the door rather inelegantly. He stepped away almost immediately. “Oh, am I interrupting you? I apologize-“ 
“No! I apologize, your Highness. Would-would you like to come in?” You stood up straight, opening the door a little wider. Your heart thumped loudly in your chest, wishing to break free from your ribcage.
He shook his head. “I am just here to ask you if everything was alright.” 
He didn’t want to come in?
“I am alright. Thank you for asking, your Highness.”
He cleared his voice. “Good. Well, it’s been a long day for you. You should get some rest. There will be a lot more traveling for tomorrow.” 
“Oh thank you. So should you. Oh-and before I forget.”
You disappeared into the room. In the meantime, Friedrich managed to catch a quick glimpse of your room. He had assigned the largest one to you, his was half the size. But it did not matter where he was. After all, he wanted the best for his bride, no matter who she was. 
You appeared again moments later, thanking him for lending the coat to you. He held his coat in the crook of his elbow. “Good night.”
You leaned against the door, your back landing on the surface with a dull thump. You were relieved that he didn’t come in because you were not ready at all. Yet, you could not help but feel the clouds of dread forming over you. Was he being thoughtful or did he want nothing to do with you? 
...
The next morning when Lea and Ilse came into the room, you could practically hear their thoughts. 
Lea was a bit better at hiding her surprise while Ilse had to look away, turning to the curtains for an escape. As they got you ready, they distracted you with their millions of questions about what you would like for your hair, your dress and your food. But what all three of you were thinking about was the reason why you were alone on your wedding night. 
“Do you know where the Prince is?” you asked, finally tired of dancing around the topic. 
Ilse gasped, no longer brushing your hair. “Your Highness, was he not here?” 
“Ilse, I mean no offense but you are a terrible liar.” 
Your comment made Lea choke back a laugh. Meanwhile, Ilse’s face grew bright red as she began to comb your hair again, laughing quietly. “I apologize, your Highness. I just cannot see why he wasn’t here with you. You’re beautiful!” 
“Well, I don’t think he likes me very much.”  
“I don’t think that is the case, your Highness. Maybe you just don’t know each other,” Lea added, putting on a diamond necklace for you. “You still have plenty of time for that until you arrive at the palace.” 
Perhaps she was right. But whether right or wrong, you felt some weight lifted off your shoulders. You felt that way with Olivia too, back in London. It gave us great comfort to know that at the very least you and your lady’s maids would get along perfectly fine.
“Will you two be with me then?” 
“Of course!” Ilse assured you, placing the comb down, happy with how your hair looked. “Right, Lea?”
“Yes and there will be another lady too. Your chief of staff.” 
You had finished getting ready but your appearance was the last thing on your mind right now. You turned in your chair, curious as to how the Prussian court worked. “Oh?” 
Ilse was more than glad to pass around the gossip. “Rumors have it that the King had someone in mind for you. But we left before he made the decision. I bet Heinrich knows.” 
...
It was definitely not a good time to ask questions. 
When you and your maids got off of the ship onto French soil by noon, there were new carriages that awaited you. Just as you were marveling at the beautiful paintings on the side of the carriages and the gold ornate trims on the wheels, your attention was quickly drawn to the people standing next to the largest carriage at the front. 
It was the Prince and Heinrich.
They were in quite a heated discussion when they noticed you looking and promptly paused their conversation. 
“Your Highness,” Heinrich bowed. 
You looked between the two of them, sensing the tension but did not dare ask for the reason. The Prince offered his hand and helped you into the carriage wordlessly. 
Outside of the window, Heinrich got on horse, charging away before your carriage even began to move. It was awfully curious. 
“Did you sleep well?”
You tore your eyes away from the window, deciding to focus on him instead. Inside of the carriage, the Prince was a completely different person than he was a mere second ago. He was sighing, his brows knitted, his hands waving about as he spoke to his valet about very important matters surely. But now, he had a friendly grin on his lips, his gaze soft as he engaged in small talk with you. 
“Yes. Thank you for asking, your Highness.”
That made him laugh. You did not know just what it was that he should be laughing about though. “You know, you do not have to call me that.”
“I-I don’t?”
He shook his head. “Call me Friedrich. We are husband and wife, after all.”
You nodded. “Well, then, please call me Y/N.”
“We have a deal.” 
Silence fell on the two of you after that. 
Friedrich looked out of the window, observing the French countryside in the distance, the sound of waves crashing ashore was mere memories now.
You had always been a little impatient in these awkward pauses, never quite sure what to do. You had been rehearsing for this moment in the bathroom yesterday. But perhaps going by a first-name basis gave you the boost of confidence you needed to be the one to break the silence, without the help of scripted conversations.
“Is Heinrich not joining us?” 
Friedrich shook his head. “He will meet us at the train station. There was just a little something that needed to be checked.” 
As soon as he said it, he regretted it. 
“Is there anything wrong?” 
“Just a mix-up with the train schedules. No need to worry though. We will just have to switch the rooms around a bit.”
That was a lie. And you’d find out the truth eventually when you got to the train station. Heinrich seemed pale as a ghost when he saw you and Friedrich emerge from the carriages, rushing towards the both of you. He did not seem to mind that you were there to listen, frantically speaking. “Your Highness, the state train is not coming.” 
“When did this happen?”
“I just checked. Apparently, they cancelled it from Potsdam.”
You had no idea what was happening but from the sigh leaving Friedrich’s lips you knew it was not good news at all. 
“So we’ll take the standard then?”
“I am afraid so, sir.”
It was exactly what he had feared. 
His father was mad and now that they were about to enter Prussia, there was no escaping his wrath. Friedrich did not mind, in particular. He was quite used to his father’s tantrums by now.  
Whenever his father lost, he would make sure no one could win. 
When Friedrich made the decision to marry you in England, he had prepared himself to face the King once they arrived at the Berlin Palace. He just felt bad for you having to get the wrong end of the stick because of him. 
“I apologize,” he said, “I am afraid there is no other way.” 
You waved your hand. “It is fine. I don’t think it is a big deal at all. I shall be good with anything.”
“Heinrich, see to it that you book her highness the room. I’ll sit where ever.”
You held up your hand. “Wait, excuse me?”
“There is only one room on the standard train, ma’am.” 
“I-I will sit with my maids. I can’t-”
Heinrich looked to the Prince who was looking at you, his lips parted. 
He shook his head furiously. “You are the Princess of Prussia. I will not allow you to sit in the back.” 
There was only one solution. 
Simple and straightforward to all of your current troubles. Friedrich did not want to suggest, he knew you were forced into this mess as much as he was. He was not going to make you do anything. And he was quite ready to sit with his staff, giving you your privacy when out of the blue...
“Then-then we’ll share the room.” 
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cosmicjoke · 3 years
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Alright, on to chapter 126 of AoT!  
I’ve been waiting to get to this chapter and talk about it a bit!
It’s, in a lot of ways, kind of the climax of the development we’ve seen between Levi’s and Hange’s character’s since the start of the time skip, and really since Hange took over as Commander of the SC.
One thing I want to talk about is Hange’s reaction at the start of the chapter, after they shoot that one soldier dead.  They’re crying, and while obviously this is in part because of the pain of having to turn against one of their own, the pain of having to choose, and pick one life over the other, this being Levi’s life over the soldiers pursuing them, when I first read this chapter some months back, my initial impression was that Hange was crying, also, because of the tragedy of the entire situation, in which both they and Levi, two veteran members of the SC, who had dedicated everything they had, from the beginning, to the salvation of humanity, were now being hunted by the very people they’d tried so hard to protect.  It’s an incredibly powerful image of Hange, their expression one of hardened determination, while a tear slides down their cheek, and it’s the next two panels, Hange going back to Levi, and telling him “There’s no one after us now.  Levi...” which really gave me the impression that their tears were for him too, for the helpless, vulnerable state Levi is in, for him being at deaths door, for the tragedy of their being betrayed by their own people, and how it’s led to this.  It strikes me as particularly heartbreaking, that Levi and Hange both were the most dedicated and selfless of soldiers for the Survey Corps, the two that in many ways most embodied the ideals of that group, to fight for and protect humanity, no matter the sacrifice to themselves.  Levi especially never expressed or conveyed any desire for himself, not even something as simple as curiosity, but fought only for the hope of one day giving humanity back it’s freedom.  I think Hange’s tears are shed here because of that, because they have to look at Levi like this now, broken, almost dead, ravaged and betrayed by the very people he fought and risked his life for again and again and again, unable to fight back as those same people now come to kill him.  That Hange had to kill two of those very people in order to protect Levi’s life is what, I think, is so tragic to them, what brings them to tears.  
Hange’s entire dialog in the forest, when they think Levi is unconscious still, reveals a lot too, I think.  They talk about how they’ll be on the run for the rest of their lives in the Yaegerist’s take control of the island, how they’ve now become “enemies of the state”, and that reflects, again, the tragedy I think Hange feels over their situation.  How it’s them specifically, them and Levi, who are now being hunted, all their previous contributions and dedication to humanity’s cause forgotten and thrown in the trash.  It’s reflected too in how we see the Yaegerist’s take up the chant of “Dedicate your hearts” twisting it to fit their own, deluded views and beliefs, perverting it until it loses all of his previous meaning.  “Dedicate your hearts” was what the members of the Survery Corps cried out in service to humanity, in service to humanity’s survival, it’s hope and freedom.  And now, the Yaegerist’s are using it as a cry for the destruction of humanity, for the eradication of everyone but themselves.  What Levi and Hange both fought for in their military service was to save humanity, they both represented that ideal in pureness and conviction, never wavering or straying from it, and so the Yaegerist’s specific persecution of them really highlights just how corrupted and perverted their own driving philosophy is.  That they wish to destroy the two soldiers who most encompassed in themselves the genuine ideal of the Survey Corps, the salvation of humanity, the desire to make a better world, a better future, a hopeful future, for the most people possible.  The Yeagerist’s want to stamp that out, and Levi and Hange are like the last, real bastions of that ideal in living, tangible form.  
I think that’s only emphasized in how neither Hange nor Levi ever consider for even a moment the possibility of giving up and letting Eren have his way.  Every other member of the SC, Armin, Mikasa, Jean, Connie, at some point, contemplated and even for a brief moment, accepted, that there was nothing they could do, and were going to stay on the island and just let the Rumbling happen.  They give up, even if only for a moment, and try to logically excuse that decision.  But Levi asks Hange in that forest, “If we keep running and hiding, what will that get us?”, and reminds Hange that he knows them too well to buy that they were ever genuinely thinking of staying there and doing nothing.  It isn’t an option, for either of them.  Inaction has never been something either of them could abide.  Levi specifically was drawn to Erwin because of his refusal to do nothing, to have the guts to make a decision, no matter the outcome, and Levi himself has always strived to act, to do the same and make a choice, and to commit to that choice fully, and accept the consequences.  So neither of them were ever going to give up, were ever going to just sit there and let the Rumbling happen.  Both Levi and Hange really affirm beyond doubt in this moment how deeply they embody the ideals and goals of the Survey Corps, to dedicate your heart, body and soul, for the sake of humanity.  To sacrifice your own hopes and dreams, even your very life, for that ideal.  It’s never even a question for them.  And them being the last two surviving members of the SC veterans, it only feels appropriate.  They were there before everything changed, when it really was just a pure and simple attempt to defeat the Titans and win humanity back their freedom, and there they remain, even after everything has changed, the circumstances, the stakes, the enemy, still fighting for that same goal, to save humanity.
I also just want to point out the look of total despair on Levi’s face when Hange asks him what happened with Zeke, and later on in the chapter, when they’re talking to Pieck and Magath.  I think Levi is burdened by a deep sense of regret here, which is something he always tries his best not to be, and it’s because he allowed Zeke to escape, which led to him making contact with Eren and setting this entire disaster off.  Levi chastises himself, saying “I screwed up.  I wasn’t able to figure out if he was truly ready to die... I let him get away again.”.  I think Levi is blaming himself for what’s happening, even though it’s really not his fault, it’s Zeke’s and Eren’s.  But Levi’s almost obsession with making choices without regret is born from, I think, a deep struggle to hold to that philosophy.  He tries so hard to believe in it, to live it, But I think Levi struggles with believing in it, with making a firm and unyielding choice, and pushing past whatever the consequences are to keep moving forward.  He’s someone who’s experienced so much pain and loss in his life, and because of that, because of those experiences and that grief, just over and over again having everything he’s ever loved and cared for ripped away from him, its made it only more of a struggle for him to carry on and not regret.  For all of Levi’s seemingly stoic, harsh exterior, it’s plain, I think, that inside, he’s in actuality the most deeply feeling, sensitive and compassionate character in SnK, and the most deeply affected character when it comes to the suffering and pain of others.  He understands it, and empathizes with it, more than anyone.  In some ways, Levi strikes me as almost brittle inside, so easily hurt, so easily moved to compassion and understanding.  He has a terribly soft and vulnerable heart. It’s why he’s so non-judgmental, too, I think, when he sees someone else struggling with their own choices, why he refuses to ever try and force others to agree with him, or convince them that he’s right and they’re wrong.  Why he tries, in his awkward but kind way, to comfort them.  Why he says again and again that he doesn’t know what is or isn’t the right choice.  Because he knows how hard it is.  Because for Levi, despite refusing inaction, and despite striving to always act and not regret his choices, he still has to live with and carry the weight of those actions consequences, the outcomes of his decisions, and he isn’t ever able to divorce himself from that, from the feelings of pain and sadness and heartbreak that comes with each loss, each defeat, each failure.  He feels too much, and too deeply, and he’ll always struggle to continue on, even as he refuses not to, even as he dedicates himself to it.  It’s precisely BECAUSE it’s hard for Levi to not regret, to keep fighting and acting, and push through his pain, that makes him so heroic.  He never succumbs to what I think are obviously real, probably at times overwhelming feelings of depression and despair.  He always keeps fighting, even as he’s drowning.  I think Levi is drowning all throughout this final arc, the waves of his sadness and struggle against feelings of hopelessness always threatening to drag him under.  But he never lets them.  He never stops swimming, never stops pushing towards the shore.  And that’s Levi’s true strength.  That refusal to give up, even when he’s filled with despair and regret.
One last thing.  I’ve never seen anyone else mention how Levi saved himself from dying when Zeke detonated the thunder spear by shielding himself with his own blade.  Levi tucked himself up against it and braced for the impact of the explosion.  If he hadn’t thought and acted quickly enough to do that, he probably would have died.  Well, just another example of Levi’s refusal to give in to hopelessness.  Anyone else probably would have.
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woeisme-iamwoe · 3 years
Text
an absolutely massive Haikyuu!! fic rec pt. 1
I went through my entire ao3 history because I’m insane, AND here’s my favorites. (There’s not a lot of aus because I’m not a huge fan of them, and there’s no sad endings. I’m a hopeless romantic leave me alone. There is angst though! Lots) 
Beginning with SakuAtsu (I’m a hoe for Atsumu): 
Hide and seek, by badreputation (10k. E. canonverse) 
It sure is a good thing Atsumu doesn't have a latex allergy 
It’s just a fleeting infatuation. As long as he pushes through it he’ll manage. So what if nowadays there isn’t a night where he doesn’t dream of Sakusa pinning him down on his own bed, in the shower or make Atsumu go down on his knees in the hallway? Those are just pesky details.
Some Memories, We May Keep, by mika60 (31k. T. canonverse) 
This is canon, fight me on it. 
The missing panels, the missing games, the missing moments.
The them we never saw.
*Now complete! :)*
 every action has an equal and opposite reaction, by akanemnida (10k. T. canonverse) 
Miya Atsumu gets a modeling contract with Calvin Klein, which sets Kiyoomi's heart in motion.
(Or: Sakusa Kiyoomi realizes that the rules governing the universe are absolute rubbish at explaining matters of the heart.)
 Ass-fingering as a prelude to relations of the emotional kind: a case study, by neverwere (2k. E. canonverse) 
Fucking hilarious, the imagery is absolutely hilarious. 
"Marry me, he thinks, as he comes around Sakusa's fingers and all over himself.
This. This is exactly why you don't let strangers or very attractive teammates finger you out of the blue.
Everyone knows that the ass is the shortest way to the heart."
Or
When it comes to sex, Atsumu has rules. Guidelines! SOPs! He swears they work, they've always worked.
Until they don't.
 parallax error: angle of inclination, by min_mintobe (10k. T. canonverse)
But now there's the one person Atsumu'd promised himself never to touch. His eyes leave Atsumu breathless with guilt at seventeen, and he spends the next six years safe in the satisfaction of making things right.
Feelings, of the physical kind, and one kiss.
ft. competitive spirit, childishness, and late night conversations.
Atsumu POV.
 autumn ends, but we remain, by wolfsbvne (5k. T. canonverse)
Author says in their ending notes that they're not an ‘author’, but methinks they should write more and pursue that career path because this was wonderful.  
atsumu stares at his ceiling at 2am. he stares until he can make out designs in his popcorn ceiling. a cat there, an onigiri here, and then something that suspiciously looks like a mop of hair, triangle eyebrows, and oh those two bumps are moles right above what atsumu just mapped out as an eye.
(or, atsumu is in kind of in love. sakusa is maybe in like.)
I left a taste in your mouth, by emso (26k. E. bodyguard au)
Because obviously 
Sakusa fixes him with a vague expression of something like distaste. There's a scathing edge to his tone when he speaks. "Contrary to what you seem to believe, not everyone who meets you is instantly dying to get into your pants, Miya."
"Lucky I don't really care right now what 'everyone' wants to do, then." Atsumu swivels his mug around on the tabletop a few times, and then brings it to his mouth to drain the last few dregs of his latte. Over the rim of his mug, he adds casually, "Just you."
Whoa hey Bodyguard Omi, I think Spoiled Rich Kid Tsumu might possibly have a teensy crush on you. 
 How do you know you're in love?, by spiritscript (12k. T. canonverse)
Pure art
“So, how did you know you were in love? How did it feel?” Atsumu felt nervous asking this, a slight wiggling in the pit of his stomach, unable to look at the man beside him who rolled his shoulders in an attempt to reset his posture. “I mean, you didn’t resonate with what I said, so, what is love to you Omi-kun?”
Atsumu thinks he must be in love with Hinata Shouyou and so asks the best person he knows to help him understand his feelings
 san'yo expressway, 6:17 pm, by yamabota (13k. T. canonverse)
Of violent forethoughts, and handheld car vacuums. 
Atsumu tilts his head to watch a slice of orange light bend over the impassive planes of Sakusa’s face. He is absolutely, ruthlessly beautiful. It makes Atsumu want to punch something—put his foot through the windshield—scream, maybe.
Kiss him again, maybe.
They have 344 kilometers to figure this one out. 
Different Kinds of Dysfunctional, by DeathBelle (Series, 5 works. T-E. Canonverse)
Honestly, I think this one is kind of famous amongst Sakuatsu readers but I can’t not include it. If I recall correctly, this is the fic that got me into Sakuastu, so thanks, DeathBelle. The characters are portrayed really well (i.e. Sakusa is disgusted and confused, and Atsumu is a little shit). You’ve got a good balance between conversations and descriptive thoughts and all-in-all it’s just a really good read. 
 Atsumu said into the heavy silence, “You can’t say you’ve never thought about it.”
"Thought about what?" said Sakusa.
Atsumu smiled to himself, smug. "You know."
"No, I don't."
"You know. Of course you’ve thought about it. There’s no reason to be ashamed, Omi-kun. I’m a real catch.”
Sakusa was appalled. "You're disgusting."
"You flatter me. I'm not judging you. I can't lie and say I haven't thought about it, too."
Sakusa shifted, slowly, to peer over his shoulder. He wasn’t scowling, but his expression was unreadable. “Please tell me you’re joking.”
Atsumu wasn't joking, and he was about to get more than he bargained for.
i'll do anything you say (if you say it with your hands), by liliapocalypse (7k words. T. canonverse):
Oh, god. This one was so cute. Super fluffy. Loved the metaphors and symbolism. Sometimes you just can’t say things out loud. 
When a bad injury shocks the whole V. League, Sakusa finds himself paired with Atsumu for more rigorous assisted stretches before every training. Atsumu then finds himself writing random letters on Sakusa’s skin to soothe the spiker, forcing Sakusa to reevaluate how his touch aversion became an irresistible yearning for more, and how the boy with the annoying hair somehow brought that hunger to life.
Or, the fic where Atsumu mindlessly writes a confession on Sakusa’s back when he thought Sakusa wasn't paying attention. Sakusa always did.
 mortality is found is the flesh of your sins, by novrik (10k. M. canonverse)
This is literally my favorite fic of all time. Not just of Sakuatsu, not even of the Haikyuu fandom. Ever. Favorite fic ever. Listen, I’m an atheist, but this fic took me on a religious experience that I haven't come down from yet. The symbolism had me actually shivering, and I had to put my phone down quite a few times. Just, oh wow, just read it. I’d like to share my favorite line; ‘And if Sakusa is Eve, if he takes a bite, what then? Perhaps, he is a little afraid of the knowledge he will gain’. My god, author, if you ever see this, this is not only a plea for you to continue writing, but also an offer of marriage. Your hand, author?
 dickhead one, sakusa kiyoomi. dickhead two, miya atsumu. neither understand how to communicate.
Pray tell, why are you drawn to him?
Are you drawn to him in the way he looks beautiful even when crying?
When his eyes are red, shiny tears streaking down, lips quivering, is he beautiful?
 sakuatsu domesticity simulator, by pseudoanalytics (75 words. T. canonverse)
75 words because it's actually a digital art simulator. An interactive fic! How frickin’ cool is that? The art is so beautiful and I love the plotline and ugh, just everything. Please read, or watch, or click around, yes. Good. 
Update: artist created another interactive fic and of course it is wonderful. SunaOsa this time! https://newttxt.itch.io/cheesecake honestly just check out @newttxt their work is amazing and I love everything they do. 
a vaguely interactive mixture of fic, art, and html, where you too can experience the inherent romance of a big fat jerk and a too-blunt jerk attempting intimacy
***
(this is the result of letting the sakuatsu brainworms really get to you...)
 Pas De Deux, by hatsuna (19k words. T. Ballet/college au)
There's just something about prim, proper ballet Sakusa and human-benign-tumor Atsumu that makes my heart burst. Seriously gorgeous writing style, loved every second. By the same author who wrote ‘liminal spaces’ (which is also just perfect) so that should give you a good idea of the style. 
The mystery athlete gives Kiyoomi a once over in the mirror. “Yer pretty tall,” he observes. The twang of an accent rasps low in his throat. His brazen eyes drift to Kiyoomi’s legs, and something like exhilaration glints gold in his gaze. “Good quads, too. Ya ever played volleyball?”
 Ah. So it’s volleyball.
“I’m a dancer. Ballet and contemporary, mostly.”
 the affective presence of our black and white reruns, by kozumess (19k. E. canonverse)
Beautiful, classic misunderstandings, my heart actually physically ached at that one scene (you’ll know the scene when you come to it). Kiyoomi is so refreshingly relaxed(? Is that the right word to use? We all know Omi never truly relaxes). 
but the want, it's always there, constant like the static playing on every television channel, present even when the station disconnects.
 cut the conversation, just open your mouth, by meeksoo (E. 16k. canonverse)
Absolutely filthy...BUT WITH FEELINGS! Completely nails the Sakuatsu dynamic, and protective ‘Tsumu? Love it. 
Sakusa opens the door. He always does.
 They’re teammates first, barely even friends. But they hook up on the regular and it works. It’s simple, easy. But then a fan gets too close, Sakusa reacts, and Atsumu is swept up in how quickly things can get complicated.
__
As Atsumu palms himself over his briefs, still feeling off, he realizes it’s because he still wants it. Him. Sakusa. Even after already having him earlier.
He should probably feel self-conscious, mildly ashamed even, that he’s panting ‘Omi Omi’ into the dark beneath the steady thrum of the AC unit when Sakusa’s right down the hall, probably good for it if Atsumu ended up back at his door. Instead, he lays there, writhing and sweaty, alone in his hotel room bed thinking about Sakusa and touching himself.
Afterward, as cum begins to cool on his chest, Atsumu really can’t help but face the fact that things may be getting complicated.
 the hands that beckon me to come, by Ellieb3an (4k. E. canonverse)
So hot, what the fuck! 
The toss, the run, the spike-serve at the end of it all—Sakusa sees it happen in perfect clarity as if time has slowed and his vision narrows to the center where just Miya exists, all powerful muscle and extraordinary skill and that air of confidence.
Sakusa isn’t one of the best receivers in the league for no reason, so his body moves on muscle memory, forearms absorbing the sting of the hit. It’s not enough. But his eyes are still on Miya—on the way his shorts ride up his muscular thighs as he lands, on the bead of sweat dripping down his forehead, on the clench of his fist thrust into the air—when the ball ricochets out of bounds.
***
Atsumu stays late at practices to work on his new third serve, even when his frustration with it starts throwing off the rest of his game. Sakusa notices and starts hanging back to secretly watch him from the gym doors. He’s fascinated with Atsumu's determination... and more than a little turned on by it, too.
 you're the flame i use (when it gets dark), by starkartifices (55k. M. canonverse. Ongoing)
Everything is the same except the Sakusas are super rich. 
“Oh, if you want dear, you could bring a plus one. Though, I doubt you have a partner yet.”
“I do actually.”
“What was that, dear?”
"I do have a partner, I mean."
alt title: crazy rich sakusas 
 the inherent romance of classical conditioning (or; the fine art of emotional recognition), by pseudoanalytics (13k. E. canonverse)
Ah, yes. A Pavloved sex life. A Pavloved LOVE life?? 
It's stupid. Atsumu isn't a romantic, no matter how many times he's imagined laying Sakusa out and finally really touching him.
So there's no explanation for why Atsumu is constantly stuck thinking about brushing his fingertips against the meat of Sakusa's palms or the prominent tendons in his freaky wrists.
There's no explanation for why doing dishes sets off a warm burn in his ribcage, or why when he smells disinfectant he inhales like he's walking past a bakery.
Yer doin' this to me, he thinks furiously, as Sakusa derails his thoughts with kisses that come more and more frequently now. Yer conditionin' me, and I can't stop it.
 flutterbird (a collection of sakuatsu oneshots), by wordstruck (5 works. T-E. canonverse)
Works 1-3, I think follow a linear story, whereas the last two don't. 
All sakuatsu works are just the angstiest, most miscommunication filled pieces of absolute gold and this one is no exception. Wow. These men are assholes and they bring out the worst in each other, but I’ll be damned if they’re not soulmates. 
Collection of SakuAtsu fics. Several fics are loosely set in the same storyverse. Not necessarily directly connected and can all be read as standalones.
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everythingsinred · 3 years
Text
Let's Talk About NatsuMikan: Natsume (pt. 5)
I'm back on my bullshit. I decided I'd post these, once a day, four days a week. Then I'll go on breaks for the weekend to let interested readers catch up while also further writing more entries. At the time I'm posting this, for example, I'm in the process of analyzing Chapter 39. That way, it's easier for everyone to enjoy this essay. Which I hope people do.
Anyway, this can finally truly be called a ship essay, because one of our key players has FINALLY developed feelings! Going forward, Natsume's behavior will heavily feature his growing affections for Mikan. We'll be analyzing Natsume's self-preserving hesitation as well as his immediate instinct to give up any chance he has from the get-go.
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Chapter Seventeen
Natsume next shows up to walk into Class B during a commotion of Mikan’s retelling of the Reo incident. The kids all gather around him now too to ask questions and press about his condition. One kid even asks if he should teach Mikan a lesson for bragging about his rescue. Mikan smiles at him, under the assumption that their shared trauma has brought them closer and maybe even made them friends, but Natsume’s response is to simply turn away and ignore her.
He’s still Natsume after all. This is the first girl he’s ever liked, and she used to be somebody he despised, so the change in feelings is probably very strange to him. He’s confused and possibly embarrassed. He doesn’t know what to say or how to act.
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Can't have her getting any ideas that he's completely changed his mind about her or anything.
Most of the people that Natsume likes at the school (although that is just Ruka and Youichi… so… you know) know that he likes them. He spends time with them, is gentle with them, does things for them, and can openly say kind things to and about them. Mikan is different. He used to be her number one enemy, so all of a sudden switching gears and becoming her friend would be quite odd.
Over time, Natsume will find ways to be gentle and sweet to Mikan, but for now his crush is brand new and he doesn’t know how to act quite yet. He’d rather avoid her entirely, or pretend like nothing happened, than openly approach his new feelings.
Furthermore his behavior is always and under all circumstances inseparable from his status as Persona’s favorite and as the Black Cat. He may have some loved ones, but he keeps the number low and tries to avoid getting close to people for a reason. Naturally, nobody could ever really understand his experiences so there will always be a divide between him and the rest of his peers, but even more than that is that considering people precious turns them into targets.
Natsume has probably learned the hard way that displaying closeness and affection for his friends can have dangerous effects, so he might now think of showing that kind of affection as selfish or even cruel. Why subject somebody to something like that, merely because he has feelings for them? It’s not fair.
In either case, it’s really not that Natsume is naturally mean and cold. He just doesn’t trust his situation enough to properly act. It’s safer in every way to just pretend like nothing changed. It’s too much to deal with otherwise. But sooner rather than later, the hard thing will be staying away. Eventually, maintaining coldness with her will be almost impossible.
Chapter Eighteen
This chapter further touches on Natsume’s new-found crush and its consequences.
Class B is used to being in an environment where Natsume hates Mikan and is bothered by everything she does. He gives in to her slightly, in small ways, and it shocks his classmates. Now, it’s understandable that, even if he hadn’t developed a crush on her, he might still be softer to a girl who risked her life to save him, but it’s still odd.
Mikan recalls asking Natsume for help training her alice. She needs an offensive alice to nullify, so Iinchou or Hotaru’s would be ineffectual in training. Natsume is really the best person to ask, and, to everyone’s surprise, he actually agrees to help.
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Natsume doesn't need any convincing to help her, but what did she think practicing with a fire alice would entail?
And yes it does seem like he’s only doing it to torture her, because his alice is capable of genuine bodily harm and his admirers snicker with amusement at his antics, but I can’t help but assume there’s more to it.
He doesn’t really hesitate to help. He doesn’t need convincing at all. In some ways I think he did genuinely want to help. Her alice helped save his life, after all. Why not repay the favor by using his alice to help her train? To him, there's a lot of value in her alice, so training it is beneficial in his perspective as well.
And later still, Mikan spots Natsume sitting amongst the principal students. He stands out, as an elementary student next to upperclassmen. This moment is a good introduction to the arc. His crush on Mikan only grows stronger as the festival goes on, but there’s something looming over him too--he’s different from the rest of them. He stands out so much during the festival. He’s a dangerous ability type who’s not allowed to participate while also being a principal who has to sit on the stage for the opening ceremony. That's horribly ironic, but also shows just how singled out and under the spotlight he is. It’s a huge part of why he acts the way he does, so cold and mean and distant despite his growing affections. It’s all he can do.
He may see potential for a future, but he’d be foolish to think he should be able to acquire it, because his current circumstances have not changed at all.
The chapter ends with Natsume being asked by Koko if he wants to try out the special ability class event. He’s looking towards the special ability area, and we can tell the next chapter will be fun.
Chapter Nineteen
And how!
Natsume is here to see Ruka, his best friend, but he’s also here to catch a glimpse of the girl he has a crush on.
Sumire is also there, and it’s interesting to see that Natsume hasn’t changed in his attitude around her either, even though she also helped save him. She tries to embrace him and he dodges her.
This catches some people’s attention and they start to whisper about his presence.
In the anime, this moment is a bit more potent, hearing the murmurs and seeing a darkness over the gossiping kids, but the manga still establishes that the people waiting in line are by-and-large unhappy to see him. They whisper amongst themselves, rudely asking why he’d bother to come here, but that gloom only lasts for a moment (one singular panel and then Natsume’s responding bitterness) before Mikan appears jumping over the wall, calling his name and even smiling.
It’s almost like she was waiting for him to show up, running off from her post the second she heard Natsume was there. The dark looming screentones are replaced with flowery ones, and it’s hard not to think of this as his perspective: all is gloomy and then there is Mikan. All of a sudden, after hating her for so long, he thinks of her as bright sunshine, and he must have showed up just to see her and feel nice for a change.
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It's Natsume seeing Mikan through floral-filter lenses for me...
Of course, he ruins the mood. It feels almost as if he does it solely because he knows it will upset her. She was so excited to see him, and he manages to completely turn her mood from eager to angry, just the opposite of how she was able to unwittingly turn his mood from gloomy to... as close to content as he can get.
He’s okay now. He doesn’t want her getting any ideas.
Now, in my opinion, his method of bothering her could be anything and the plot would remain the same. What matters is that he wants to piss her off, and this just so happens to be the way he does it, partially because it’s intended to be funny. Mikan has to get angry at him for this chapter to progress the way it does, but his actions could have been replaced by any other irritating action and it could’ve gone the same way.
Tsubasa then appears, drawn to the sound of a loud commotion. He sees Natsume and vaguely wonders why he’s there. Everyone knows Natsume, at all grade levels, because he’s famous. For Tsubasa, whose only real knowledge of Mikan’s relationship with the kid is that he causes trouble in Class B, it would be strange to see him at the RPG.
Natsume, meanwhile, has no idea who Tsubasa is. Seeing Mikan crawl all over her senpai, seeing him easily comfort her, is something that bugs Natsume. He glares at Tsubasa, somebody whose name he doesn’t even know, and then starts leaving with Ruka.
At first, Tsubasa is confused to be treated like this, until he hugs Mikan tighter and sees both Natsume and Ruka turn in jealousy. Tsubasa gets it immediately. Thus begins a strange and tumultuous frenemy relationship between Tsubasa and Natsume, where they both begrudgingly understand each other while also irritating each other beyond belief.
Natsume is not interested in playing the game, insulting it and wondering how anyone could get hooked on it. Ultimately, it’s not even Mikan who convinces him to give it a shot; it’s Tsubasa taunting him, “then you should be able to win, no problem, right?”
Tsubasa will come to regret saying this, because the answer is yes.
The RPG is designed to be tough. Nobody has won the whole game yet. Beating one or two students is one thing, but being able to outsmart or outmaneuver the entire special ability class is a difficult feat.
Natsume agrees to play, and gets a robot cockroach as a weapon.
Tsubasa is hugging Mikan as Natsume is about to enter, and that pisses him off even more. He decides that Tsubasa will be his slave, his motive being get your hands off her. This is silly considering that just a short time ago, Natsume hated Mikan. His feelings really did a 180.
The challenges pick up in difficulty as he goes on. The first one is effortless. He doesn’t even move from where he’s standing. The mirror-alice girl just freaks out about the cockroach and sends him on his way after two seconds.
The next one is trickier, and Natsume will need to put in more effort than just standing and waiting for the cockroach to do its job. But not that much effort. He sits next to Megane, lights a fire, and waits. It’s a scorching flame, and although Megane tries to tough it out, he gives in with two seconds to spare. Natsume, a smartass, quips sarcastically that he’s sorry--he really can’t tell how hot it is. (This is not actually important or anything, it’s just interesting that Natsume is not affected by his own flames and can’t feel the heat of them. I might end up referring to this a couple times.)
With the exception of the first and last challenges, Natsume uses his alice to beat the maze; either by heating Megane up so his soul goes back into his body, or by writing with fire instead of chalk. The next challenge is the one Natsume has been waiting for and he’ll use his alice here too.
Tsubasa is shocked to find Natsume has progressed so quickly, but he proceeds with the challenge: Natsume has to touch him in thirty seconds, but it’ll be tricky ‘cause he’s held in place by his shadows. He toys with Natsume’s shadows a bit, which really pisses Natsume off. Tsubasa even apologizes nervously, even though he’s the one in control. Or he is, until Natsume uses his alice again and gets rid of the shadows.
Natsume’s anger towards Tsubasa all stems from jealousy. It’s not just that Tsubasa was hugging and comforting Mikan, it’s that he can. Natsume needs to distance himself from Mikan in order to keep her safe, and he’s aware of that right from the start, but there’s more to it. He’s busy establishing himself as an enemy to Mikan, doing things to bother her to make her angry with him, but nobody rushes to their bully for comfort, and Natsume knows this. It’s not just that Tsubasa was hugging Mikan; it’s that he feels like he will never get the chance.
And so the next and final challenge is where he gets to be selfish.
Mikan is aggravated to see him, obviously not thrilled that he was able to make it in such a short time. Her task is that he has to get her off the carpet in thirty seconds. He can’t hurt her or force her off the carpet, and because of their alice training together, he can’t use his alice on her either. (They’d apparently practiced so much that she was able to sharpen her skills significantly. Before, her alice was a wildcard and she struggled with using it, but now she’s able to use it with relative ease. That’s a lot of training in a short time, and I’m sure Natsume wasn’t upset at all the time they had to spend together as a result.)
Natsume must feel relief regarding Mikan's nullification alice. She's nullified his alice in pretty big ways already, one time to save his life. The girl he's crushing on is capable of turning off the thing that decreases his lifespan. She really is a breath of fresh air, in more ways than one, and his appreciation for her alice, even if he doesn't voice it, will only grow. This is important, but I'll talk way more about this in the other POV.
He tries the cockroach, but she’s a country girl and unaffected.
Natsume is genuinely stumped by her challenge, admitting to himself that it’s a tough one. He then comes up with a risky idea, no doubt influenced by her rescue of him when they were kidnapped by Reo. He plays sick. This act only works if Mikan falls for it and is concerned enough to jump off the carpet, but he’s a good actor on account of all the sick experience he has and she does fall for it in no time. Her being concerned was a given.
She jumps off, meaning he’s won the game, but that’s not enough of a victory for him. He acts sick until she’s closer, so he can grab her and put his arm around her. Yes, he calls her an idiot, but this is the closest he can get to a hug… for now. It doesn’t matter that she’s annoyed and dismayed that he won. All he cares about is that he got to touch her.
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She jumped down. He won already, but it's not enough! (Also sorry about two pictures. If it ruins the format, oh well.)
Natsume was jealous that Tsubasa got to do something he thinks he'll never be able to, and so he got a taste of what he wanted some other, convoluted way. He gets angry that Tsubasa is so touchy, but that's only because he wishes he could be touchy too. Natsume will get bolder and bolder with his physical affection, because he will want more and more to show it. When he starts being honest about this affection, she will be more eager to return it.
Natsume is the first winner, and Tsubasa admits it was never expected for somebody to be able to pass all the challenges. Part of the appeal is that it’s an unbeatable game, but Natsume’s feelings of jealousy and spite were enough to get him over the finish line. Though perhaps knowing it's beatable but only one person could is also appealing. It's possible to pass, but very rare for somebody to be able to, so they can draw in crowds by capitalizing on kids who want to the next person to beat the game.
He gets to choose a lamp, but he has no idea which one is whose. He cheats by asking Koko to tell him which one is the right one, but he ends up picking Mikan’s, because Koko assumed that’s the one he wanted. After all--Natsume was thinking about her. Natsume is lucky that Mikan was too anguished at being a slave to care about Natsume thinking about her, but it’s interesting to know that even when he’s supposed to be angry at Tsubasa, he was only thinking of Mikan.
Chapter Twenty
This chapter’s premise is pretty simple and light: Natsume can’t think of any use for Mikan other than to follow him and Ruka around the festival and carry their stuff. They navigate the technical ability class area and even encounter Hotaru, though only for a short time because she’s quite busy.
Most importantly, their time in the technical area makes Mikan insecure. Everyone in the tech class seems to know what they want to do with their lives, with their alices being perfect for research or creation. I’ll go into more detail with this during Mikan’s essay, but it’s important to note that Mikan asks the people around her if they’re prepared for their future only to see that they all are. Hotaru, Sumire, and even Ruka all have dreams for the future, even if Ruka won’t share his. Natsume has decided to leave the conversation and we don’t hear what his dream is, which makes sense because he doesn’t have one. Natsume doesn’t think he’ll live long enough to graduate, so why even bother wasting his own time and getting his hopes up for something unattainable?
It’s then revealed that Ruka is also a triple, and Mikan can’t tell, but the mood has been soured for Ruka. His triple-star status is a touchy subject that he’s unhappy with. His star rank is representative of Natsume’s suffering and he doesn’t like talking about it. He only says that he didn’t mention it because he didn’t get it on his own talent or effort before Natsume forces Mikan to walk in another direction, claiming to be hungry.
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This is literally just a scan of the TokyoPop version, which is better than the other version I see floating around.
He can tell Ruka is uncomfortable and is ready to step in so that his friend can feel better.
As a result, they end up at the cafe where Anna is working (after all, Mikan has been perfecting her puppy-dog eyes routine and I think both Ruka and Natsume are affected, even if the latter would never admit it).
Natsume takes the first bite of Anna’s hell pie, just to see a rot demon (or whatever that thing is) taunt him about the trouble his stomach will be in soon. He really doesn’t have a choice but to throw the tea over the pie. Ruka is grateful, but Mikan is outraged at how rude Natsume is acting, and even angrier when Natsume explains that the pie was horrible. She demands he apologize but Natsume simply walks away, content to be the bad guy because he saved his friends from getting food poisoning while also sparing Anna’s feelings and reputation at her cafe.
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"Your stomach will writhe" is such a potent threat. I feel sick just looking at that demon/scoundrel/rot thing.
This scene has more substance than in the anime. In the episode, Natsume sees the rotten scoundrel (or WHATEVER IT IS) before he can take a bite. He tosses the tea for all their sakes and ultimately nobody is hurt. But here, in the manga, Natsume has already taken a bite. We see the missing part of the pie, the residue on the fork. Natsume is already screwed. He's going to have food poisoning from Anna's pie, and he still puts her feelings before his own. He'd rather say that the pie is terrible according to his own tastes than to let everyone around know that she made such a health-risking mistake. He drenches the pie so that Mikan and Ruka don't get food poisoning, even if it's too late for him. Natsume leaves, knowing he will look like an asshole, AND with stomach problems on top of that, but at least he's the only one who will be seriously hurt.
This is a pretty insignificant example of a trait that we have seen before with Natsume but haven't really fully explored. It's going to play a major role for the rest of the manga, because Natsume has something of a martyr complex, where he is quick to sacrifice himself because he sees little to no value in his own happiness. This is a small example, and I'm not saying it's not kind of him, but there are consequences with his line of thinking. He's fine with looking like an asshole to protect people, or giving up things he wants so someone else can have it, or blowing himself up so two girls can escape safely. Whenever there's a chance to sacrifice himself, Natsume will take it every single time.
This may seem noble or romantic or admirable but it's not healthy at all. The way he was raised (no shade to Papa Hyuuga and Kaoru but also.... tentatively side-eyeing them for putting so much responsibility on him) and the way he is now tortured by the school has put him in a position where his self esteem is horribly low. This complex of his results in suicidal tendencies, even after he falls in love with Mikan (and even exacerbated by that love). For Natsume, love is sacrifice. He simply cannot love without feeling like he has to give something up. Ideally, he would grow out of this and maybe start seriously choosing himself sometimes. It's not evil to want yourself to be happy and to choose your own well-being, even if it occasionally makes others sad or upset.
In the context of the actual story though, we have yet another glimpse of a complex that will cause a LOT of trouble down the road for Natsume and Mikan.
Conclusion
Natsume has new feelings for Mikan and is having trouble navigating them. They will cause even more trouble in the next essay. We also touched more on Natsume's self-sacrificing tendencies and how devastating they will turn out to be. These tendencies will be consistent and persistent throughout the manga in regards to NatsuMikan's relationship, and cause more problems. These problems will pop up a bit in the next part, so stay tuned!
Also, small note: I call him Ruka and not Luca because I got used to it after watching the anime and through scans and fanfics. I heard his name pronounced that way and at first thought it was a Japanese name so I simply copied the pronunciation. When I found out it was supposed to be Luca, I'd already been using Ruka for a while. I don't really want to switch to using Luca most of the time because I know people in real life named Luca/Luka and I talk enough about GA on the daily where it might feel strange to me. I use Luca sometimes when I'm talking to others who prefer it, but Ruka is what I'm used to. I hope this isn't frustrating, but understand that I pronounce Killua's name (from HxH) like "Ki-ru-a" as well and in my head "Gakuen Alice" is pronounced "Gakuen Arisu" because I pronounce things based on what I hear when watching the anime ;-; These are things I have no real desire to change because they sound right to me. I'm sorry. (Nobody has said anything or complained, and this is not a vague or anything like that! I just wanted to say that I know it's supposed to be Luca and it's not my intention to be disrespectful when I pronounce/spell it Ruka. I am fucking crazy, but I am free.)
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