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#the latest chapter was so good!
tryingtostaysilly · 3 months
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Made some Nevermore fanarts/redraws finally getting around to posting them now.
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gamgali · 4 months
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I just finished catching up to @sometimesiship 's fic Once more with feeling... AAAAAAAAAAAAAAAA Please go read it. Its just pure genius, emotional roller coaster, beautiful AAAA
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moongothic · 6 months
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You know I was wondering if Crocodile ever did have any kind of involvement with the Revolutionary Army in secret (lest the Government finds out and revokes his Shichibukai status), what kind of involvement would that even have been
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And now, with both the Vegapunk/Ohara flashback and Kuma's flashback, it's being made very clear to us that the Revolutionary Army was broke as hell 22 years ago. Like the fact that this has been brought up twice now in a relatively short span of time is interesting to me, that's usually a sign it's not an unimportant plotpoint
But you know who would have had money to help fund the Army
A funny little warlord who would eventually go and build a fucking casino to run for funsies. A warlord who had to give the Government some of his Pirating Income to keep his warlord-status
Like Crocodile hated the Government anyways so why not help fund the Revolutionary Army in secret, out of spite if for no other reason
Vaguely related, but I keep on remembering this scene (post-Enies Lobby), which at first glance just seems like a basic Lore Dump
But then there's the
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"Yet..."
(Or "however", she says "no ni" in Japanese and you could translate that in many ways, I would probably have gone with "however" but that wouldn't have fit into the speechbubble)
Mind you, the conversation just kind of ends there, next we see Garp realize he probably shouldn't have mentioned Dragon infront of such a massive audience, so wherever that "yet" was going to lead to we will never find out, because Oda conveniently changed the subject before we got to it
And you know. Like yes, Robin could be just expressing her shock over finding out that the leader of the Revolutionary Army had a child with someone
But also, Robin was a part of an organization that was trying to overthrow one of the founding countries of the World Government in an explicit attempt to go against said Government (compared to like, Blackbeard, who currently wants to make Fullalead into a "pirate country" that's a part OF the World Government)
Like you don't have to be a genius to look at Crocodile's ultimate goals and compare that to what Dragon is doing and find a few similarities here and there maybe
(Also like, Crocodile's equivalent in Romancing SaGa 2 is meant to be Wagnas, the queer-coded leader of the Seven Heroes (whom the OG Shichibukai are based on) who "hoped to help the world". You know, an interesting detail and all.)
Not to mention, during the time Robin spent with Baroque Works, if Crocodile was ever in contact with the Revolutionary Army at all, considdering she has the ability to easily spy on people and that she didn't trust Crocodile one bit, it wouldn't be unsurprising if she ever spied on Crocodile and/or just overheard a phone call or knew about Crocodile having secret spending habits or something
(Mind you, I'm not saying "she knew" Crocodile was involved with the Revolutionaries, more that she might've been Suspecting Things, that "yet" being about her connecting the dots while unsure if her conclusion was right or not)
Of course Crocodile's plans can't have been Dragon Approved by any means, especially considdering the Army had been looking for Robin for over 10 years (pre-timeskip)
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Four years of which were with Crocodile. Like if he was FULLY allied with the Army and KNEW they were looking for Robin, surely he would've called Dragon and been like "hey I found the kid from Ohara, wanna come hang out" or something. But no, he had bigger plans and kept Robin a secret from the Revolutionaries and the Government alike
Also like, I have seen people question why the Revolutionaries weren't involved with Alabasta's rebellion at all, and "Oda hadn't come up with the Revolutionaries yet at the time of writing" (/"OP was meant to end at Alabasta at one point so there would've been no reason to introduce the subplot at that point") aside Between Baroque Works being a secret organization working undercover (thus the Army might not have been aware of the civil war being manufactured), the framing of the King making him look bad and very much the type of monarch that deserved to be overthrown in the Army's eyes, and Crocodile maybe lying through his teeth about what was happening in the country... Yeah, the Army's lack of involvement with Alabasta suddenly makes sense
EDIT Minor addition: Just realized that because Crocodile was technically working for the Government, if the Revs ever did send forces to participate in Alabasta's civil army and taking down the throne, the Government could've easily ordered Crocodile to step in to stop the rebellion and take down the Revolutionaries, right? Because he was supposed to be on the Government's side, right? And surely the Army wouldn't have wanted to fight against Crocodile if they were secretly allied (Croc's secret betrayal aside), and if Crocodile refused to fight the Revs the Government could've seen that as a reason to revoke his Shichibukai rights (which wouldn't be great if they wanted to keep Crocodile in a position where he could fund the Army?). So it could've also been a case of it being for the best for everyone's sake to let this one play out "naturally"
But my point is
I'm just deeply intriqued by these little details and wonder if I'm Actually Masterfully Connecting The Dots Like a True Genius or just seeing a pattern where there's none. Like this is far from confirming the theory, I'm just saying, the pieces do kinda fit together do they not
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m-kyunie · 10 months
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Allen Walker
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o0kawaii0o · 2 months
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posterprophecies · 8 months
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idk shitty farcille sketch
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fictionadventurer · 3 months
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I went into Ruth expecting a dreary read. How could a Victorian "fallen woman" story be anything other than dark and depressing? So I was shocked right from the beginning to find a sweet, gentle, romantic story. The dressmaker's apprentice who sits in the coldest, darkest part of the workroom because that's where there's a panel painted with flowers that remind her of her country home? How could I not adopt her as a favorite character? Ruth's innocent, romantic outlook on life gave us some beautiful descriptions of the scenery of both city and countryside, and my imagination went on overdrive to create very vivid images of the story. Even the love story, which we know is going to go very wrong, starts out sweet, with a kind, charming love interest who only shows flashes of just how wrong his character is going to go.
Even after Ruth's fall, the story is so gentle, putting Ruth among kind people who are willing to risk and sacrifice a lot to help her. And then the story gets almost too gentle--after some initial struggles with depression, Ruth resolves to bear her troubles patiently and work toward virtue, and her sweet, too-innocent character gets flattened out into someone who's just Good. Life just goes on, with things generally going well, and every potential turn toward drama results in someone deciding to be reasonable, which can make the story drag.
But, in a story like this, the lack of drama becomes the plot twist! It is refreshing to see characters who don't always jump to the worst conclusion or take the worst action, who pause and consider the whole story and act like decent human beings.
And in the places when the drama does kick in, it's good drama. Painful drama. It's also (especially in the last section of the story) melodrama. There were sections of the book where I was rolling my eyes at the cookie-cutter Victorian path the story was taking--but then there'd be one line or one moment that would just stab me in the chest because of how beautifully specific it was to this story. Just enough to elevate it from something bland to something unique and fascinating.
I often had the thought that this book could be about a third of its length without losing anything--yet it should also be just as long as it was. If the story cut all its repetitive musings about Ruth's regret, and used that space to develop the side characters and and show the plot instead of telling us about it, it would be a much deeper story. I found myself wishing Gaskell had reworked this one later in her career--the way that North and South was a more skillful reworking of the issues explored in Mary Barton. In a way, she sort of did in Wives and Daughters, with the story of Molly the quiet innocent getting tangled up in the intrigues surrounding her headstrong, flirtatious stepsister Cynthia serving as a more layered, personality-flipped version of the story where headstrong, sheltered Jemima gets tangled in the story of quiet, sweet Ruth and her past romantic intrigues. (The doctor at the end of the story also feels like a proto-Mr. Gibson).
Yet I'm still fascinated by the themes specific to this story. Contrary to expectation, this "fallen woman" story isn't about sex, or gender, or how unfairly women are treated (though it does touch on that in the end). It's about sin. It's not questioning why Ruth's behavior is considered a sin or looking to dismantle the society saying that it's a sin. It comes from the Christian perspective of saying that sin is real and harms people--so how are we going to deal with that?
The story shows lots of people struggling with temptation, failing, and dealing with the consequences (or harming others with the consequences). Sin is always a case of either not caring enough to do the more difficult, good thing, or a case of "the ends justify the means", where people rationalize their bad behavior as something necessary in this specific case. It always leads to harm, but some people--and some sins--suffer greater consequences in the eyes of the world, whether or not they deserve it. I wish the story had developed and resolved this theme better in places, but the raw material there is fascinating food for thought.
This book is Gaskell at her preachiest, but also Gaskell at her kindest. It explores deep, difficult issues in a very loving way. As a story, there are ways it could be better, but I'm very glad I read it. Perhaps I'm making a point to be kinder to it because I know it's the type of story that today's readers tend to judge harshly. But amid my issues with the story, there are some lovely images, some great messages, and some wonderful characters that going to be living in my heart for a long time.
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velvetwyrme · 1 year
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DOG DRAGON?! // The Nebular Theory: Chapter 16
A sketchy comic for The Nebular Theory (@theundertalenebulartheory) which has been dominating my thoughts for the last while!!!
Please please PLEASE go read this fic. It's absolutely amazing and delves into some REALLY COOL exploration of timeline shenanigans and has a hella neat way of visualising that!!
I could sit and spout praises about this fic for hours but honestly just go read it, it's SO good.
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missmisnomer · 7 months
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i’ll not ever let anything hurt any of you, ever again.
Who's the real monster haunting the narrative? Find out for yourself: read The Lemonade Leak on AO3.
I believe this delightful little child belongs to you, @turtleinsoup?? 💙
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osameowdazai · 15 days
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Chuuya ♡♡♡♡♡♡♡♡♡
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this-is-mimosa · 9 months
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I am dying for the duality and the transitions... Two men who are very similar but also so opposite to each other... They are presented with different color contrast... One is with the darkness and storm, the other is with the sun and light...
also it is not represented, but we all know one is a cat and the other is a rat.....
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process-analog · 2 months
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reading interpolation made these images pop into my head so vividly
canon compliant, aka black and white, version under the cut
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memen18-m5r3 · 5 months
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a spoiler and a WIP
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reineydraws · 1 year
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“I fight monsters the size of mountains that crawl through an interdimensional crack in the crust of our planet on a regular basis. No. God can eat my whole ass.”
Dark Was the Night by @sayhitoforever
(it's not often that i rec fics that are ongoing but this one has my whole heart--it's been a few months since i caught up and i still think about it. it's a grimmichi pacific rim au and it's full of grief and love and hope and even more love. it's about missing the people you literally share souls with and learning to heal, to reach out again; learning to miss them every day and still moving forward by sharing the burden. also the plot/world- and background-building are very cool and easy to lose yourself in. check it out if u can!)
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0menacingpenguin0 · 1 year
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It's really cute that first things Denji thinks about to cheer Asa up are dogs and cats, and then ice cream (and it worked!)
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felixcosm · 5 hours
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To spread some fanfiction positivity, reblog this post and compliment a fic or an author you've enjoyed recently!
Bonus points if you drop the name or the link so others can check it out.
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