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quartrest73 · 2 years

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20 Up-and-Comers to Watch in the Golf Photographers Industry

You do not even have to obtain out of bed to enjoy the crisp, morning haze declining into the trees at your favorite local course (though you really ought to). Excellent golf photography can carry you to an experience beyond the structure. With the surge of social networks and gorgeous print offered like The Henebrys, golf program pictures are no more limited to shop calendars as well as expensive prints. At the heart of this incredible imagery is the independent golf digital photographer. Capitalizing on the direct-to-consumer model, photographers load your feed with an unlimited stream obviously around the world, from the historical to the obscure. These artists as well as part-time golfers value the melding of nature as well as training course style. They understand and also pay homage to the work done by architects, superintendents, and also the countless employees who get up early to completely manicure waves of hillsides and also grass. Independent photographers highlight huge landscapes, shelter structures, and trademark openings in manner ins which make it hard to think some only take images as a hobby. In the extensive universe of the golf industry, independent golf digital photography is the lens utilized to magnify the globe we actually stroll all over. It takes an unbelievable skill and also mindful eye to record information that participants cruise by daily and transform it into art you wish to be presented on your workplace wall surface. Below are a few of those sharing their vision. Golf training course digital photography can be something brand-new to you as a learning photographer, yet it is a well-explored area by the experts due to the possibilities it supplies. Below are some golf program digital photography pointers that will certainly assist you take specialist shots for your clients with any kind of electronic camera. Use natural light The very early morning and late afternoon time is considered the ideal for recording a wonderful gold program photograph. The sunlight does not radiate bright throughout these times and also can fix the trouble of glow on the photos. Take broad shots The trick to taking an excellent gold training course photo is to get as lots of locations of the training course as possible in your frame. Using a wide-angle lens can help you capture much better landscape photos. See to it that you know the proportion and also equilibrium of taking wide-angle shots, and you can produce some intriguing expert pictures. Attempt drone digital photography Drone photography can be a great service for recording remarkable fairway pictures. Catching pictures from the eagle-eye view can offer you better results to display the golf links's stretch. You can fire an image while maintaining the keep in the facility to reveal the location of the game. Drones are likewise beneficial to capture various other aspects of the golf club, such as the coffee shop, swimming pool, relaxing locations, etc. Find out the make-up While taking photos of charter member enjoying their game, please do not maintain them in the facility of the structure. Rather, keep the subject on one side and open up more space for the trees and also greens behind-the-scenes. You can effectively finish a picture if you can obtain the gamer and the long-distance flag in the very same framework. Regard the program design You can not record satisfying pictures at all if you can not recognize the style of the training course. Discovering the ideal angle to showcase why a training course is useful is the essential to an excellent picture. When they check out, an individual inspecting out your picture needs to be able to learn the positioning of the video game to develop a technique that they can try out. If you cover all the elements of a course, you have actually successfully developed a functional photo. When required, maintain golf photographers out You do not constantly have to consist of individuals as subjects while taking pictures. Most of the times, you ought to like showcasing the charm of the field instead than covering the games of individuals. While you can use a few of the shots where players include value to the structure, it is not something that must be your first priority if you can take better charm shots without them. Golf course photography can be something new to you as a learning photographer, but it is a well-explored area by the specialists due to the possibilities it offers. Right here are some golf program digital photography tips that will help you take professional shots for your customers with any type of cam. The key to taking a good gold course picture is to obtain as numerous areas of the training course as possible in your framework. Drone digital photography can be a fantastic solution for catching outstanding golf training course photos. Capturing photos from the eagle-eye view can offer you better results to showcase the golf course's stretch.

#lone cypress

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trungles · 4 months

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Cross-posting an essay I wrote for my Patreon since the post is free and open to the public.

Hello everyone! I hope you're relaxing as best you can this holiday season. I recently went to see Miyazaki's latest Ghibli movie, The Boy and the Heron, and I had some thoughts about it. If you're into art historical allusions and gently cranky opinions, please enjoy. I've attached a downloadable PDF in the Patreon post if you'd prefer to read it that way. Apologies for the formatting of the endnotes! Patreon's text posting does not allow for superscripts, which means all my notations are in awkward parentheses. Please note that this writing contains some mild spoilers for The Boy and the Heron.

Hayao Miyazaki’s 2023 feature animated film The Boy and the Heron reads as an extended meditation on grief and legacy. The Master of a grand tower seeks a descendant to carry on his maddening duty, balancing toy blocks of magical stone upon which the entire fabric of his little pocket of reality rests. The world’s foundations are frail and fleeting, and can pass away into the cold void of space should he neglect to maintain this task. The Master’s desire to pass the torch undergirds much of the film’s narrative.

(Isle of the Dead. Arnold Böcklin. 1880. Oil on Canvas. Kunstmuseum. Basel, Switzerland.)

Arnold Böcklin, a Swiss Symbolist(1) painter, was born on October 16 in 1827, the same year the Swiss Evangelical Reformed Church bought a plot of land in Florence from the Grand Duke of Tuscany, Leopold II, that had long been used for the burials of Protestants around Florence. It is colloquially known as The English Cemetery, so called because it was the resting place of many Anglophones and Protestants around Tuscany, and Böcklin frequented this cemetery—his workshop was adjacent and his infant daughter Maria was buried there. In 1880, he drew inspiration from the cemetery, a lone plot of Protestant land among a sea of Catholic graveyards, and began to paint what would be the first of six images entitled Isle of the Dead. An oil on canvas piece, it depicts a moody little island mausoleum crowned with a gently swaying grove of cypresses, a type of tree common in European cemeteries and some of which are referred to as arborvitae. A figure on a boat, presumably Charon, ferries a soul toward the island and away from the viewer.

(Photo of The English Cemetery in Florence. Samuli Lintula. 2006.)

The Isle of the Dead paintings varied slightly from version to version, with figures and names added and removed to suit the needs of the time or the commissioner. The painting was glowingly referenced and remained fairly popular throughout the late 19th and early 20th centuries. The painting used to be inescapable in much of European popular culture. Professor Okulicz-Kozaryn, a philologist (someone with a deep interest in the ways language and cultural canons evolve)(2) observed that the painting, like many other works in its time, was itself iterative and became widely reiterated and referenced among its contemporaries. It became something like Romantic kitsch in the eyes of modern art critics, overwrought and excessively Byronic. I imagine Miyazaki might also resent a work of that level of manufactured ubiquity, as Miyazaki famously held Disney animated films in contempt (3). Miyazaki’s films are popularly aspirational to young animators and cartoonists, but gestures at imitation typically fall well short, often reducing Miyazaki’s weighty films to kitschy images of saccharine vibes and a lazy indulgence in a sort of empty magical domestic coziness. Being trapped in a realm of rote sentiment by an uncritical, unthoughtful viewership is its own Isle of Death.

(Still from The Boy and the Heron, 2023. Studio Ghibli.)

The Boy and the Heron follows a familiar narrative arc to many of Miyazaki’s other films: a child must journey through a magical and quietly menacing world in order to rescue their loved ones. This arc is an echo of Satsuki’s journey to find Mei in My Neighbor Totoro (1988) and Chihiro’s journey to rescue her parents Spirited Away (2001). To better understand Miyazaki’s fixation with this particular character journey, it can be instructive to watch Lev Atamanov’s 1957 animated film, The Snow Queen (4)(5), a beautifully realized take on Hans Christian Andersen’s 1844 children’s story (6)(7). Mahito’s journey continues in this tradition, as the boy travels into a painted world to rescue his new stepmother from a mysterious tower.

Throughout the film, Miyazaki visually references Isle of the Dead. Transported to a surreal world, Mahito initially awakens on a little green island with a gated mausoleum crowned with cypress trees. He is accosted by hungry pelicans before being rescued by a fisherwoman named Kiriko. After a day of catching and gutting fish, Mahito wakes up under the fisherwoman’s dining table, surrounded by kokeshi—little wooden dolls—in the shapes of the old women who run Mahito’s family’s rural household. Mahito is told they must not be touched, as the kokeshi are wards set up for his protection. There is a popular urban legend associated with the kokeshi wherein they act as stand-ins for victims of infanticide, though there seems to be very little available writing to support this legend. Still, it’s a neat little trick that Miyazaki pulls, placing a stray reference to a local legend of unverifiable provenance that persists in the popular imagination, like the effect of fairy stories passed on through oral retellings, continually remolded each new iteration.

(Still from The Boy and the Heron, 2023. Studio Ghibli.)

Kiriko’s job in this strange landscape is to catch fish to nourish unborn spirits, the adorable floating warawara, before they can attempt to ascend on a journey into the world of the living. Their journey is thwarted by flocks of supernatural pelicans, who swarm the warawara and devour them. This seems to nod to the association of pelicans with death in mythologies around the world, especially in relationship to children (8). Miyazaki’s pelicans contemplate the passing of their generations as each successive generation seems to regress, their capacity to fulfill their roles steadily diminishing.

(Still from The Boy and the Heron, 2023. Studio Ghibli.)

As Mahito’s adventure continues, we find the landscapes changing away from Böcklin’s Isle of the Dead into more familiar Ghibli territories as we start to see spaces inspired by one of Studio Ghibli’s aesthetic mainstays, Naohisa Inoue and his explorations of the fantasy realms of Iblard. He might be most familiar to Ghibli enthusiasts as the background artists for the more fantastical elements of Whisper of the Heart (1995).

(Naohisa Inoue, for Iblard Jikan, 2007. Studio Ghibli.)

By the time we arrive at the climax of The Boy and the Heron, the fantasy island environment starts to resemble English takes on Italian gardens, the likes of which captivated illustrators and commercial artists of the early 20th century such as Maxfield Parrish. This appears to be a return to one of Böcklin’s later paintings, The Island of Life (1888), a somewhat tongue-in-cheek reaction to the overwhelming presence of Isle of the Dead in his life and career. The Island of Life depicts a little spot of land amid an ocean very like the one on which Isle of the Dead’s somber mausoleum is depicted, except this time the figures are lively and engaged with each other, the vegetation lush and colorful, replete with pink flowers and palm fronds.

(Island of Life. Arnold Böcklin. Oil on canvas. 1888. Kunstmuseum. Basel, Switzerland.)

In 2022, Russia’s State Hermitage Museum in Saint Petersburg acquired the sixth and final Isle of the Dead painting. In the last year of his life, Arnold Böcklin would paint this image in collaboration with his son Carlo Böcklin, himself an artist and an architect. Arnold Böcklin spent three years painting the same image three times over at the site of his infant daughter’s grave, trapped on the Isle of the Dead. By the time of his death in 1901 at age 74, Böcklin would be survived by only five of his fourteen children. That the final Isle of the Dead painting would be a collaboration between father and son seemed a little ironic considering Hayao Miyazaki’s reticence in passing on his own legacy. Like the old Master in The Boy and the Heron, Miyazaki finds himself with no true successors.

The Master of the Tower's beautiful islands of painted glass fade into nothing as Mahito, his only worthy descendant, departs to live his own life, fulfilling the thesis of Genzaburo Yoshino’s 1937 book How Do You Live?, published three years after Carlo Böcklin’s death. In evoking Yoshino and Böcklin’s works, Hayao Miyazaki’s The Boy and the Heron suggests that, like his character the Master, Miyazaki himself must make peace with the notion that he has no heirs to his legacy, and that those whom he wished to follow in his footsteps might be best served by finding their own paths.

(Isle of the Dead. Arnold and Carlo Böcklin. Oil on canvas. 1901. The State Hermitage Museum. Saint Petersburg, Russia.)

INFORMAL ENDNOTES

1 - Symbolists are sort of tough to nail down. They were started as a literary movement to 1 distinguish themselves from the Decadents, but their manifesto was so vague that critics and academics fight about it to this day. The long and the short of it is that the Symbolists made generous use of a lot of metaphorical imagery in their work. They borrow a lot of icons from antiquity, echo the moody aesthetics from the Romantics, maintained an emphasis on figurative imagery more so than the Surrealists, and were only slightly more technically married to the trappings of traditionalist academic painters than Modernists and Impressionists. They're extremely vibes-forward.

2 - Okulicz-Kozaryn, Radosław. Predilection of Modernism for Variations. Ciulionis' Serenity among Different Developments of the Theme of Toteninsel. ACTA Academiae Artium Vilnensis 59. 2010. The article is incredibly cranky and very funny to read in parts. Contains a lot of observations I found to be helpful in placing Isle of the Dead within its context.

3 - "From my perspective, even if they are lightweight in nature, the more popular and common films still must be filled with a purity of emotion. There are few barriers to entry into these films-they will invite anyone in but the barriers to exit must be high and purifying. Films must also not be produced out of idle nervousness or boredom, or be used to recognise, emphasise, or amplify vulgarity. And in that context, I must say that I hate Disney's works. The barrier to both the entry and exit of Disney films is too low and too wide. To me, they show nothing but contempt for the audience." from Miyazaki's own writing in his collection of essays, Starting Point, published in 2014 from VIZ Media.

4 - You can watch the movie here in its original Russian with English closed captions here.

5 If you want to learn more about the making of Atamanoy's The Snow Queen, Animation Obsessive wrote a neat little article about it. It's a good overview, though I have to gently disagree with some of its conclusions about the irony of Miyazaki hating Disney and loving Snow Queen, which draws inspiration from Bambi. Feature film animation as we know it hadonly been around a few decades by 1957, and I find it specious, particularly as a comic artistand author, to see someone conflating an entire form with the character of its content, especially in the relative infancy of the form. But that's just one hot take. The rest of the essay is lovely.

6 - Miyazaki loves this movie. He blurbed it in a Japanese re-release of it in 2007.

7 - Julia Alekseyeva interprets Princess Mononoke as an iteration of Atamanov's The Snow Queen, arguing that San, the wolf princess, is Miyazaki's homage to Atamanoy's little robber girl character.

8 - Hart, George. The Routledge Dictionary of Egyptian Gods And Goddesses. Routledge Dictionaries. Abingdon, United Kingdom: Routledge. 2005.

#hayao miyazaki #the boy and the heron #how do you live #arnold böcklin #carlo böcklin #symbolists #symbolism #animation #the snow queen #lev atamanov #naohisa inoue #the endnotes are very very informal aksjlsksakjd #sorry to actual essayists

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amourdivine · 2 months

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୨ ♡ ୧ WHAT KIND OF PERSON ARE THEY? ઉ PAC

Hello, angels! I hope you're well. I'm bringing in another nosy type of reading. We'll look into who this person really is and if any advice comes up. If you liked this reading, please consider tipping me at @ [email protected] via paypal! xo ♡

› none of the images are mine unless stated otherwise. › personal readings are closed as of march 2024 › navigation ♡ masterlist ♡ payhip (extended readings)

HOW TO CHOOSE YOUR PILE. take a few deep breaths and look at each picture separately. see which one brings you to a feeling, a place or a memory. take your time and feel free to come back to it later!

amourdivine 2021 - 2024 © do not copy, redistribute or edit my content!

୨୧ PILE ONE

who is this person, deep down? two of cups ✧ the hermit ✧ judgement

This is someone who values meaningful, deep, soulful relationships. They do not crave the buzz of parties or endless chatting with strangers. They don't like small talk. Others may describe this person as an old soul, someone introspective and wise. Their friends turn to them for honest and sensible advice; they may be an older sibling, or someone who's seen as a role model in some type of way.

Unfortunately, this wisdom came at a cost. They have endured a thousand inner deaths in life. This person had to start over many, many times, but they always got back up. As strong as they are also loyal, they're mature and still believe in the magic of being surrounded by good people. Strong Virgo and Scorpio energy, given the cards you got.

It's likely they came from poverty or are enduring a financial loss at this moment in time. Since this person is hardworking and independent, I don't think you have anything to worry about - sadly or not, they're more than used to the weight of their shoulders.

Although they're not expressive with their emotions or thoughts, you can count on this person to be sincere. They seem heavily protected by something greater, something bigger. For most of you, this person is spiritual, but not religious. They're very private and you may have a hard time understanding them or figuring them out.

channeled words & songs: black and white, heavy as led, test of time, a drop of water, night of the soul, life path 7, seek solitude, "i'm always okay", read my mind by the killers, runaway horses, small towns.

quotes that remind me of this person

Tell me, Atlas. What is heavier: The world or its people's hearts? — Darshana Suresh.

I am a forest, and a night of dark trees: but he who is not afraid of my darkness, will find banks full of roses under my cypresses. — Friedrich Nietzsche.

Everywhere I go I find a poet has been there before me. — Sigmund Freud.

୨୧ PILE TWO

who is this person, deep down? five of swords ✧ the world ✧ the moon

Accomplished, but lonely. It's how this person feels as I shuffled. They have seen and known so much, but it came at the cost of their morals. This person holds many secrets - even from themselves. Nothing dark, but they do regret their ways at times. With how competitive and aggressive they can be, it's difficult for them to hold onto anything but their success.

They may be famous or well-known in some way. Renowned. A lawyer, a judge. Someone with a fair share of experience and authority in a certain field. But my God, how their words can hurt. Have you ever heard that the pen is mightier than the sword? Yeah, that's this person.

Even when they bask in the glory of being so accomplished, no one really knows this person. Not even themselves, as I said. They're scared of vulnerability, emotions and intimacy. They're scared of the things the Moon tries to show them: their deepest fears, the nightmares and past traumas they've tried to bury deep down.

Interestingly, despite the cards, I get heavy Aries energy. This person may be an Aries Moon, quite a complex placement to have. They're good at being logical and practical, good at the doing, at the speaking, but they don't have the time for people, for emotions... for friendship or family. Given their history, it's likely they shut themselves off from connections out of fear.

I don't think they're happy. They look happy, they look so beautiful, so otherworldly, but inside of them there's this urge for something else. Something more meaningful.

channeled words & songs: ambitchous, aries, sagittarius, "i want it i got it", "let my money talk", chest pains, life path 8 or 9, neon pink, overprotective, oh no! by marina, terrible love by the national, bank account.

quotes that remind me of this person

I live to succeed, not to please you or anyone else. — Marilyn Monroe.

My worst fear - that's anyone's worst fear - is to lose myself and become an empty person. And that happens a lot when you're very ambitious. — Marina Diamandis.

୨୧ PILE THREE

who is this person, deep down? two of pentacles ✧ the sun ✧ four of pentacles

What an interesting contradiction, it seems. The person on your mind is generous, extroverted and.. quite the busy bee. Their outer persona remind me of J-Hope from BTS, very caring and extroverted - someone who's got an infectious laugh, but despite his bubbly appearance, he's actually very caring and protective.

Although they may seen foolish, this person is anything but. They're quite careful and at times, intense. However, I don't think many people get to see this more serious and protective side of them. They seem guarded for the right reasons, because they know their heart is quite precious and too much of a good thing to be given away so easily.

It's possible they come off as brain-scattered or high maintenance to you, but they're genuine and one of their main purposes in life - whether they know it or not - is to bring joy to others. They're so good at it. It's not a party without this person, with or without alcohol, they know how to lighten up the mood and are an amazing team player.

It feels cheeky too. I think they like the dad jokes, the lighthearted atmosphere, but they know when to be serious. If I am to be honest, this person is an amazing partner (in case you're asking about a romantic interest) and an even more amazing friend. Someone who'll cheer you up and stick by your side through thick and thin. A very dear friend.

channeled words & songs: heart-shaped, light up a joint, weed, recreational drugs, easy breezy, life of the party by shawn mendes, 9 to 5, bisexual, lgbt+, rainbow, friend-shaped, dogs, cats, energetic, rap.

quotes that remind me of this person

The greatness of a man is not in how much wealth he acquires, but in his integrity and his ability to affect those around him positively.— Bob Marley.

You're only given a little spark of madness. You mustn't lose it. — Robin Williams.

Everyone you meet is fighting a battle you know nothing about. Be kind. Always. — Unknown.

୨୧ PILE FOUR

who is this person, deep down? ace of cups ✧ ten of swords ✧ seven of cups ✧ the lovers

I feel like whoever you're asking about is in a brand new mode. They seem to be someone who was previously overburdened by their past. This person is in a major transformative phase, both physically and internally. They have endured so much, it's heartbreaking just thinking about it. I don't think they're very open about it though, at least, they weren't before.

Honestly, this person may have suffered from addiction, major losses or betrayal. They're getting back up after a period of darkness. Spirit's referencing their current phase more so than they actually are, because I believe they haven't yet fully come to really be who they are. They're shedding the person they had become, in order to be who they were meant to be.

They seek a new beginning, new friendships, good, better choices. It seems this path they're on has just begun, so they're a bit.. amazed at the options being offered. Still, this person wants to choose well for themselves and the people they love. They've regained a great love for the world. I feel filled with wonder, with enthusiasm for what's to come. Like anything and everything is possible.

Although they may seem immature, they've seen a lot. They've had to fight to survive through their worst and now, they're learning to let joy and love in. They've come to realize their power, the magic in who they are and learning to accept that this too shall pass. However, this person feels peaceful yet determined, broken yet healing, quite balanced in their aspects. A thinker and a feeler.

channeled words & songs: ego, healing, therapy, six of cups, innocence, yet to come by bts, mbti types, dancing in the dark by bruce springsteen, "a do-over", "maybe", shufflemancy, spiritual, 777, 333, psychedelics, hippie, hologram, offline, nature.

quotes that remind me of this person

I go to seek a Great Perhaps. That's why I'm going. So I don't have to wait until I die to start seeking a Great Perhaps. — John Green.

Stay Hungry. Stay Foolish. — Steve Jobs.

I’ll rewrite this whole life and this time there’ll be so much love, you won’t be able to see beyond it. — Warsan Shire.

୨୧ PILE FIVE

who is this person, deep down? two of wands ✧ six of wands ✧ page of cups

A courageous, successful individual. This person has a lot of wanderlust. They are in love with life, in love with themselves, in love with the world. They like to be on the move, to party and be around other people they also admire.

However, they have an impulsive, non-committal side to them that is expressed mainly in the way they approach relationships, especially romantic wise. They have a fear of settling, so they're always on the go, on the search for the next best thing in every way. They may move a lot or have a different crush everyday. Although it isn't inherently bad, I think this person may come off as hard to pin down.

In reality, they're enthusiastic and ready to take on the world. They like the spotlight, they have big dreams too. It gives me Leo energy, in the way they love to be praised, to be adored. Depending on who you're asking, this may be polyamorous or they just enjoy being single and free. Many people describe this person as free-spirited and bold.

At times, their words and behaviors get the best of them. They're not good at keeping secrets and may have quite a temper when angered. They mean well, but there's a diva-like side to this person that can be egocentric or immature, since they've got a bit of a one track mind when it comes to their dreams. They're also very beautiful and they know it. It's also quite the ego boost to be around them - they love to give out compliments and flirt.

channeled words & songs: bisexual, "himbo", bucketlist, pinterest, clean girl era, "i want everything", poetry, interlude: shadow by bts, parallel universe, edm, party girl, wild, erratic, center of attention, instagram, social media influencer, blogger, barbie movie, hungry heart by bruce springsteen, rumors by ross lynch (this song started playing after i finished the section above! very relevant).

quotes that remind me of this person

If neurotic is wanting two mutually exclusive things at one and the same time, then I'm neurotic as hell. I'll be flying back and forth between one mutually exclusive thing and another for the rest of my days. — Sylvia Plath.

I believe in pink. I believe that laughing is the best calorie burner. I believe in kissing, kissing a lot. I believe in being strong when everything seems to be going wrong. I believe that happy girls are the prettiest girls. I believe that tomorrow is another day and I believe in miracles. — Audrey Hepburn.

amourdivine 2021 - 2024 © do not copy, redistribute or edit my content!

DISCLAIMER. tarot is a divination tool, it’s not a substitute for medical and professional advice, nor is it meant to be taken as such. i don’t take responsibility for any choice(s) made by you or others regarding my readings. be mindful ♡

#pick a card #tarotblr #tarot reading #pick a card reading #tarot #pac reading #divination #spirituality #tarot witch #witchblr #cartomancy #pick a pile #pick a pile reading #tarot pick a card #pick a picture #mine.

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davetada · 1 year

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The Lone Cypress

Pebble Beach, CA

#pebble beach #the lone cypress #contax tvs iii #zeiss #compact camera #point and shoot #coast #beach #landscape #35mm #film #analog #ishootfilm #filmisnotdead

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starlightandetherealshadows · 10 months

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☾. DEMO (24k) ☾. CHARACTERS ☾. PLAYLIST

Latest Update: Chapter 1 released on 08/25/2023

Your story starts like any other. Your life was normal, until it wasn’t. Two years after an invasion ravaged the Earth, you’re struggling to find purpose. The lonely life of struggle and survival is not for you. You’d promised yourself that if there was an apocalypse, you’d end it. That was then. That was when hypotheticals existed. Instead of dying, you lived against all odds and continue to do so. Why? You don’t know. You wake up fortunate to be alive. Everything between the sunrise and sunset is white noise. Insignificant. Now, your normal shifts again. You’re surrounded by a group of strangers, their faces unfamiliar except for the exhaustion in their eyes. There's something coming, something worse. It isn't hard to believe. After all, still water is an infested one. For the first time in two years, you aren't sure who is a predator, and who is prey. Caught between a millennia-long war, the human race is but a spoke in the wheel, narrowly avoiding being crushed by powers beyond your comprehension. At the end of the world, there is only one question. Who is running from whom?

☾. FEATURES

Customize your MC. Play as male, female, or nonbinary. You can determine their appearance and personality, updating it (voluntarily and involuntarily) as the story progresses. Are they charming or intimidating? Do they use their fists to solve problems, or their keen mind and deductive reasoning? Can they talk their way out of trouble, or do they avoid it in the first place?

Become an asset to your group. The perfect team has balance. Choose your MC’s strengths and weaknesses; develop them as you see fit. Make decisions that change the lives of your found family, or sit on the sidelines and watch chaos unfold. Do you believe in fate, or will you change your future by force?

Engage in romance, or keep it purely platonic between 5 love interests. There are two options for short term flings, and one poly option available.

Survive. Easier said than done.

☾. ROMANCE OPTIONS

For each of the romanceable characters, there will be options to increase flirtation, friendship, or antagonism.

☾. Ayana Tsosie (F)

Compassionate, intelligent, tactical, and ambitious, you have no doubt that A is a natural born leader. Despite her warm, welcoming demeanor, A is reluctant to pursue close relationships for fear of it interfering with her sense of responsibility to the group. You catch her crying in the early hours of the morning. Whose ring adorns her necklace?

☾. Cecelia/Chase Quinn (F/M)

Always up for a laugh, C isn’t interested in the doom and gloom. That doesn’t mean they lack competence. C is damn good with technology, able to rig up electricity seemingly from their back pocket. They take their friendships seriously, and will be the first to defend you when trouble comes knocking. Still, you wonder why they flinch at any sudden movements.

*C is demisexual; it takes a high friendship for them to reciprocate any romantic/sexual feelings.

☾. Delphine (F)

A succubus alien from the planet Cypress Velo, Delphine has been on Earth long before the Nion 8 invasion. At the end of the world, the seedier clubs and places of indulgence stand; Delphine works as a bartender and dancer at said places. Wealthy, gorgeous, and playful, Delphine can flash her fangs and have the world on it's knees. You can't help but gravitate towards her. Is she using her powers on you, or is her magnetism all natural?

☾. Zero Chevalier (M)

Having been plagued by night terrors since they were teenagers, Z can't close his eyes without hearing things. Seeing things. His parents, friends, and psychiatrists tell them that it's all in his head. Z prefers the shadows to the spotlight; at least the nightmares hold him close.

*Zero is locked in a v-type polyamorous route.

☾. Xa'eks/Xa'veed (F/M)

X never wanted to be in the military; they didn't know that until their species invaded Earth and they realized that others have a choice. Those words: choice, love, want, fear, longing, regret. It is all foreign to them. X knows their people cannot hide forever. The time for war is coming; but what sort of militia would they be if they couldn't see a lost battle a mile away?

*Memento Mori is a 18+ interactive fiction game that is best suited for the genres of sci-fi, romance, and horror. Wrecked and ravaged by an alien invasion, Earth is on the brink of war. War with who? That is yet to be determined, as no one knows who is the predator, and who is the prey.

ﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـ

Thank you all so much for your interest and support. It means the world to me!! ♡ ♡

All my love,

Cheye (she/her) :･ﾟ✧:･.☽˚｡･ﾟ✧:･

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christophermtaylor · 2 years

Photo

Monterey Cypress, California

#cypress #tree #landscapes #landscape photography #cmt photography #original photographers #photographers on tumblr #point lobos #Point Lobos State Reserve #california #Visit California #lone tree #pine #geology #layers #monterey

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cuckoo-on-a-string · 9 months

Text

Promises Five: The Hunt

Dark!Morpheus x (female)reader, fantasy/medieval AU, 18+

Master List

Dream of the Endless had been promised a bride.

A/N: I'll offer song recs to folks who are interested in asks! Still dealing with some mental health issues, but pushing through. HOLY SHIT THE NEXT CHAPTER. 0,0 Liking is sweet, commenting is divine. Talk to the lonely hermit, people. Her dog is tired of her shit.

The hounds sang after the hinds, and their masters followed them under the trees.

In the distance, the high castle sat like a toy house from which all the dolls had escaped, spreading their games and pageantry through the forest with bells and horns to warn away the deer and fox. Huntsmen released other deer, fox, and fowl from prearranged cages out of sight of the king and his swarm of courtiers, so the dolls could play pretend at feats of skill.

The bard kept to the back, holding a tight rein on her grey mare – who didn’t understand why she couldn’t stop and graze if the bard insisted on moving so slowly – in the company of the ladies Alder. Eilwyn, who’d visited the bard’s chamber two nights past, glimmered and glowed, illuminated like a piece of art in the dappled sunlight and the eyes of a few dozen would-be suitors. Officially, no one could pay court until the Endless had his pick. Unofficially, Eilwyn had received six declarations of love, five bad poems about her eyes, one good poem about her hair, and an uninspired puzzle box containing a gaudy necklace without a single gem of value.

Eilwyn loved it all, of course.

But as the younger woman amused herself snaring hearts for her collection, the bard conversed with the Dowager Alder, Eilwyn’s grandmother.

“The city lights are unbearable,” the elder Alder insisted. “My eyes are bad enough as it is, but when every street and tavern glows like the moon, I can hardly make out the planets with my telescope, let alone the fainter stars. With the travel time, I’ll lose whole weeks of work, and gods know if I’ll be alive to note my calculations this time next year.”

Manly shouts and howling dogs suggested something ahead had died, or was about to. The bard wondered how many of these fools in their fine furs would discover the material cost of bloodsport when they couldn’t scrub the stains from their velvets in the morning.

“You say that every year.”

The Elder Alder, on her aged palfrey, squinted at the green canopy shielding her beloved sky and tutted.

“And one year I’ll be right, like I always am in the end.”

The woman was an astronomer, a mathematical magician, and the idea of death hadn’t scared her since the bard first met her as a young maid. The wheel of the heavens moved before her, and it would move after, and that was well enough if she could just understand the damn thing before she shuffled off this mortal coil. She’d written books, and papers, and more books, and the bard wondered if Death would really hold off until the universe held no more mysteries. It wouldn’t be the first time.

“Of course, Lady Alder.”

Arthritis had long-since gnarled the lady’s hands, and they twisted over the saddle pommel and a hank of her horse’s main like knobby cypress knees, straining with the roll and sway of her palfrey’s gait.

“How far is the damned camp?”

Another lady – one of the fools hoping to wed her daughter to the Endless riding very far ahead near the king – seized the reins of her precious child’s horse and passed the odd trio. She did not look to the side. She did not look at anything. She lifted her nose far too high. And she nearly trotted over her own servants in passing.

The bard waved, and the daughter gawked with wide eyes as she was spirited away from poor influences and dangerous words. Really, any damage was already done, and fleeing the scene of battle only showed weakness. What kind of lesson would the girl really learn besides the fact that her mother enjoyed making a spectacle of her piety? Parents really had the strangest ideas about children.

“Grandmother!” Eilwyn exclaimed, clearly delighted.

The bard, equally delighted, couldn’t help herself. “Such language from so fair a lady. Shocking.”

The Dowager shifted in her saddle, face puckered in discomfort. “Hush, the both of you.”

Oh, if only she could. She laughed to imagine how much pain and trouble might’ve been saved. And how many adventures missed. They never would’ve been friends at all if the bard kept her own counsel.

“You expect a bard to hold her tongue?”

“The sun will freeze first.” The Dowager made a point of staring down her granddaughter, though, and her granddaughter made a point of smiling very prettily in reply. A lord several lengths ahead called for Lady Eilwyn’s attention, and she brokered an armistice by riding out of her grandmother’s line of sight entirely, leaving the two old companions to fight their own wars.

“My old bones are not made for riding.”

A jolt of pity seared the bard’s belly like the pain after eating a rotten fish. She’d rather purge it and be done, but the prickling discomfort would only grow with age. There was no course but to swallow it down and imagine it hurt much less than it would in time.

“Why didn’t you take the coach then? It could’ve brought you in comfort.”

Swollen knuckles flexing, the lady scoffed. “With the rest of the invalids? Don’t insult me.”

“But it’s so much fun, old friend.”

“Old,” Lady Alder muttered. “Yes. I am that.”

The bard shifted in her own saddle, wondering if she could stomach any of the inevitable banquet awaiting them.

“That wasn’t the word I’d hoped you’d echo.”

An eye sharper than any hawk’s pinned her from the side, and she felt like a child caught sulking. “If you need reassurance as to that, then you are not half so clever as you make yourself out to be.”

She seized on the opportunity for levity and smiled with all her teeth. “You’ve known me for a fool many years, have you not?”

“Aye, but a clever one.” The lady considered. “Most days.”

“Such praise you give me.”

“You fished for it so often the lake is empty.”

“Unfair but not untrue.”

The lady hummed her affirmation, welcoming in a moment of calm as they road in the wake of the hunt’s chaos.

Ahead, those most eager to prove themselves brought down smaller prey on their way to the day’s camp. Once all had a chance to refresh themselves with wine as their horses grazed, most would sally out again in the name of dead beasts. Dusk would bring them back, and they’d spend the night drinking, feasting, and debauching one another just outside the safe ring of torchlight, pretending to be very daring and wild for fucking someone in a bush. A bit more hunting in the morning for those who could still sit straight in the saddle, and then all would return bloody and victorious to the castle.

The bard struggled to understand those who found the prospect of a royal hunt… thrilling. None worried to go home hungry, and the creatures they met in the wood came hobbled, with teeth filed and tusks blunted.

Rushing down a winding stair risked greater peril.

Bored by the day’s excitement, she let her thoughts spin out in wider and wider passes, circling the crux of the drama.

What did the King of Dreams dream of?

Revenge, she suspected. Vengeance on the king that may boil over on the land he ruled, and she must guide her favorites out of the flood’s path. Those practical answers satisfied the part of her that always craved a direction, a purpose, the next challenge to conquer, but the Dream King’s retribution sat like a wax seal over a longer letter. She would very much like to read that letter, even if it was dangerous, and unwise, and entirely reckless.

The Prince of Stories must have depths unfathomable, millennia upon eon of secrets and experiences carved into his bones. She wanted to dismiss her curiosity as nothing but interest in a vision of her future. Would she be like him in another thousand years? No. She’d still be human, and he was Endless. All the lifetimes of the Earth couldn’t teach her to understand one such as him.

But that didn’t mean she had no desire to try.

From farther up the line, a runner came jogging, peering up at the faces of the mounted company. He looked from one to another, seeking the right address to receive his message. The bard paused, recognizing the Everard house colors on servant’s tabard. Her horse stamped, whickering around the bit as her rider leaned out of the saddle to catch the young man’s eye. He saw her and darted to her side quick as an arrow.

“Is all well?” the bard asked.

“My lady Alis Everard and my lord Tomas Everard request you ride with them.”

The bard looked to Lady Alder. She hardly needed her friend’s permission, and none of the Alders were the sort to cherish grudges over perceived slights. But the bard didn’t want to leave her to ride alone, either. She needed good conversation and someone who cared enough to notice if she swayed on her horse.

“Oh, go tend to your nervous foal.” Lady Alder waved her off. “My own proud filly will see you pass and return to keep me amused. We favor different arts, but she has a sharp enough eye to see trouble riding by.”

“Thank you.” The bard pulled out of the column of riders, careful to avoid the servant at her side. “I’ll see you at the camp.”

Whatever Lady Alder replied was lost to the wind. Finally given her head, the bard’s mare leapt into a canter, her hooves thumping a second heartbeat that rattled up and through her rider. Old loam and the sharp green scent of freshly broken twigs gathered around her like a cloak as she moved just left of the path, removed from the rock and dust of the road.

The bard knew what colors to look for, and she let all definition blur as she moved past lords, ladies, knights, and their scores of attendants. They all looked so strange and out of place in the tunnel of green woods, dressed to stand out in a part of the world where blending in more often preserved life.

Near the front of the cavalcade, she found the Everards. Alis stared with wide eyes as the bard pulled even with her, mare prancing and snorting in frustration as her run came to an end. Her dramatic entrance pulled other eyes, and the king – only a few riders ahead – glanced back with frustrated disgust. Perhaps she should apologize that she wasn’t a stag. For all of the ruckus she’d heard from afar, she saw precious few carcasses dangling from the hunters’ belts.

“Thank you for coming in such haste,” Lord Everard said. Stifled amusement plucked at his lips, trying to lift them into a broad, laughing gale. It would be bad manners to laugh too loudly too near the king over a jest to which he wasn’t party, but Everard clearly struggled.

She answered with the grin he’d tried to school away. “Best way to travel. Now, what is the matter?”

Lord Everard gestured to his daughter, and she in turn tried to sink into the mud of the forest track. She hunched low, like she could melt into her boots. Her complexion had gone pale, despite the flush of embarrassment creeping up her neck, and her gloves creaked as her dainty hands squeezed into fists. The bard let the merriment fade, looking and listening beyond the girl’s silence.

Alis’s doe eyes flicked towards the shadow who rode beside her king, and the bard understood.

Dream of the Endless wore his customary black, with the blood-red ruby shining on his breast like a heart he’d ripped from his prey. His nightmare mount had teeth where it ought to have eyes, and it laughed with a man’s voice. He carried a raven on his shoulder rather than a hawk on his glove, and anyone who hadn’t met his sister may mistake him for an aspect of Death. Or something worse, perhaps.

Lord of Nightmares indeed.

“He frightens me,” Alis whispered, leaning close. “I’ve had nothing but bad dreams since I came to the castle.”

As she should. A glance at her father confirmed he thought the same. Just because he’d been forced to bring his child to this storm didn’t mean he didn’t fear the lightning. He had too much sense for this farce and too big a heart to let the girl suffer. If his wife were not busy running the estate, she’d be here to shelter and comfort their little girl, but in her absence, he must ask the bard to fill the role, and she gladly pulled Alis’s attention from bad dreams to simpler truths.

“And you’ve never had a nightmare before?” She didn’t chide. She reminded. Even in the security of her own bed in her own home, the girl had touched the darker shores of the Dreaming. Its king would not reach out to swallow her now, even though he prowled so near in the Waking. “Alis, believe me, you are safe.”

Alis pulled her spine straight, taking a deep, intentional breath that shuddered on the way in and trembled on the way out.

“Do you promise?”

“I promise that if I’m wrong, I’ll find a convenient sword to fall on, and you can say you told me so. Does that make you feel better?”

“A little.” Realizing what she’d said, Alis blanched and rushed to add, “But only because I know you’d come back!”

This time her father did laugh, and the bard reached to reassure her with an honest to gods giggle, when chaos erupted at the front. The king and his companions came to a dead stop, and without warning or order, those who rode behind struggled to halt in time. Rearing horses and shouts of alarm rolled down the line like a breaker, and in the wave of confusion that followed, the bard once again left the road to circle forward.

They’d reached the camp.

A glory of golden stitching over swaths of emerald, the vast tents might cover an entire town, and smoke rising with the smells of rosemary and stewed venison hinted at the delights within.

The display paled behind the entity waiting at the edge of the woods, however.

Golden eyes like licks of flame from the sun’s heart smiled over ruby lips. Welcoming and menacing and all-too pleased with themselves.

Power perfumed the air, like honeysuckle and ambergris, clashing with the winter-cold snap of Dream’s clear displeasure. The King of Dreams had lost the veneer of humanity, and he set himself against the intruder like the deepest hour of the night resisting the dawn.

Few creatures could stand up to the king’s guest. Even fewer commanded the presence of function beyond personification. The bard did not know who the stranger was, but she knew what they were.

Another fucking Endless.

Every inch screamed of passion, romance, obsession. Golden hair and loose-fit silks that flowed like water into a garment that was neither tunic nor gown inspired sensual curiosities. They rode a unicorn, a bay mount with cloven hooves, a lion’s tail, and a goat’s beard. The russet horn glinted with flecks of gold, like treasure winking through a smear of blood.

The King of Dreams sneered, lip curling as he shared a frigid greeting.

“Sibling.”

The Endless in their path laughed, bright as bells and smooth brandy. It sounded to the bard’s ears like trouble. “I hope you don’t mind if I join in your hunt. Big brother.”

#fic: promises #morpheus x reader #sandman x reader #dream of the endless x reader #morpheus x you #morpheus x oc #female reader #morpheus x original character #dark!morpheus #fantasy!au

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