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#the lyrics may seem simple at first but they are so much more when you take the time to truly listen to them
maeby-cursed · 5 months
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SOMETIMES I'M NOT MYSELF, I LOOK FOR A BETTER DISGUISE…
𓂃 DANCING TILL THE POWER GOES OUT.
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a/n: following with my songfic series, this one is inspired by valiente by vetusta morla (the original lyrics are "a veces no soy yo, busco un disfraz mejor / bailando hasta el apagón") ! this is also an angst fic but the vibe in this one is a bit more pungent. i apologize for making toji like this, i will get back to my soft!toji program soon ♡ (this one is vv weird, btw, and i wrote it while suffering from a headache, enjoy)
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✧ synopsis: you met toji seven months ago and since then, the only thing you've both agreed on is how much you cannot stand each other. now it's time to go; even if it means giving up trying, and leaving a familiar warmth behind.
✧ pairings: toji fushiguro x fem!reader
✧ wc: 1.6k
✧ rating: angst ! pure angst, discounted and at a good price ! angst and pain; two for the price of one ! of the richest quality and endless suffering !!
✧ cw: toxic relationship, toji suffers from toxic masculinity, a bit of an age gap (toji is early 30s, reader is implied to be early 20s), mentions of toji's shitty ass economy, heavy cursing.
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There’s a storm inside your house and it is made of cries locked within the walls of your lover’s apartment.
You and Toji have been arguing for six months out of the seven you’ve known him.
Apparently, May flowers brought November showers (or better said, downpours), as well as a thick darkness, because since last week, Toji's entire street has been without light, water or electricity. 
A desert in the middle of a flood, seems almost biblical.
Both of you are in the kitchen – distressingly narrow and painted in a gloom shade of indigo –, in the midst of your fifth discussion this week. The fridge door is open while you talk, but neither of you cares, all of its contents are already wasted, anyways. The light doesn’t even flicker.
You don't know exactly how this particular fight started.
Toji had arrived at his apartment – his, exclusively – late, with a bag of fast food in hand. An individual order. When he’d arrived, he’d looked at you and asked you what you were doing there, and everything had gotten out of hand from that point on.
After six months of waiting for him in the same place, in the same position, in the same corner of his grimy sofa, you'd thought he might remember you, might remember that you are a constant in his life.
Not the case.
The fight escalates to such an extent that you find yourself shouting and gesticulating aggressively.
What starts badly ends worse, your grandmother used to say.
(And yet, it ends).
So now you stand barefoot, in your white slip, looking at him with all the fire you can fan into your eyes. 
"I have no fucking idea what is it that you want, Toji Fushiguro, but you need to stop looking for it in me. Either take me as I am or leave me, it's as simple as that."
He looks back at you, his gaze shallow. He always stares at you like this, as if instead of seeing you, he were trying to evaluate you; like you’re nothing but a mere statue to him and he’s looking for a spot where the artist could’ve slipped his chisel. 
But you don’t cower before him. Although his height seemed imposing when you first met him, he now seems ridiculous to you. A child hidden behind a brick wall.
"Could you stop talking in code for two fucking minutes?"
"I want you to stop treating me like shit. You caught on now?"
He laughs unfunnily.
"I think I treat you pretty well, girl."
"Really?" you smile. There's a part of you that cringes at the gesture; he's been souring you since you met. Now you're fed up, but you know you'll never be able to return all of the blows he’s knocked you out with. "You think coming home and taking me to your bedroom for five minutes of grunts and sweat is treating me well?"
"Our bedroom."
That does make you laugh.
"Fuck, Toji, I don't live here! You never asked me to move in with you. And I've waited for you but I'm..... I don't even know what I am. Disappointed, maybe?" Your mood begins to shift as you search for him with your stare. You want to see some sort of reaction, something that isn’t a performance, something that doesn’t act as a mirror. 
Something that tells you he cares about you.
"I thought I was dating an adult,” you continue, softly now. “That we could talk about it but... God, you're exactly like all the men I've been trying to avoid. All savages, the lot of you; too barbaric to be able to say you feel anything, even if it’s pure lust."
He raises a brow, closing the refrigerator door with a slam and leaning against the countertop with a click of his tongue.
"You want me to tell you that you make me horny?" he asks, with an ironic smirk.
"I want you to tell me that there's something that goes with the sex. Something that can last."
He doesn't say anything, just exhales loudly, huffing with annoyance.
And for some reason, the gesture takes you back two decades ago, when your father used to do that to you. A puff of air like cigarette smoke whenever you wanted something he didn't feel like giving you; mostly his time.
You don't know where the memory comes from, but it hurts. It burns and coats your throat with bile.
"There’s nothing," he whispers, at last. 
Now you really have to make an effort not to vomit.
Silly girl, you say to yourself, you already knew that. But it's no use.
"And I had to dig that out of you with a spoon, baby," you tell him, dripping with sarcasm.
He doesn't notice how you pale, how you grab the skirt of your dress and bite the inside of your cheek. He doesn't smell your despair, nor the copper drops emanating from the wound you've caused yourself by biting on your skin.
Toji's not a bloodhound, no matter how much he resembles one. He's just an asshole.
Your words make him frown and stick out his jaw. You recognize his hint – you’d recognize him by taste alone –, it's the gesture he makes before he fights.
"And what the fuck did you expect? For me to telepathically figure out whatever shit you’re thinking?"
"No, Toji. I just wanted an answer." That’s it, you suppose.
You sigh, unclenching your fists without relaxing your shoulders, and head for the bedroom. Except for your cell phone and a pair of nightgowns, you have almost nothing here. Let him keep the panties, if he gave them back to you, you'd burn them anyway. 
He follows when you pass him by on your way out of the kitchen, and, for once, he looks incredulous.
"What? You think we’re done chatting?"
"I don't even feel like looking at that asshole face of yours anymore."
Every word that comes out of your mouth stabs him in the spleen. He's never seen you like this.
You have nothing left to care for, nothing left to protect from the storm, nothing to hope and pray to see bloom. Your land is infertile and all you feel is frustration, so there's no more measuring yourself.
To hell with all this.
"Yesterday it was all about cuddling and today you're leaving,” he says. “What did you expect?" At that, he smiles with malice, one that, unfortunately, is not unfamiliar to you. "That we were going to fall madly in love? That this was about more than sex? Oh, but you're just a little girl. I've been with a hundred of the likes of you."
He's lying. You know he's lying. 
This man has never loved a woman in his life – you pity his mother – but he's not a manwhore either. He wears things out until he’s outgrown them.
It's funny — he’s always looked too big on you.
Your head turns around, but you stay frozen where you are, kneeling in front of the bottom drawer of his nightstand. On your knees, you almost look like you're praying, but your eyes condemn a truth that hurts him. It burns and coats his throat with bile.
"I never expected you to fall in love with me, Toji. I'm not that stupid," you look at the drawer again, taking clothes and shoving them carelessly into your bag. "I'm just young."
“I may be young, but give me time.” Those words, the ones you told him when he met you, a little over half a year ago, ring in his ears. “I can take a hundred men like you.”'
He remembers them now, gall climbing up to his uvula. Your smile back then clashes with your current tears. You have aged seven years in seven months.
He can see it in your posture, in the expensive fabric of your dress and the way you tie your hair back. He can see it in the depth of your cupid's bow, in the care with which you hold your hands.
You know how to handle dynamite now, but you can't stop gunpowder from blowing up.
Toji is speechless. He doesn't want you to leave, but he's already worn you out, you've already woken up from your reverie. He hasn’t outgrown you yet.
When you get up, your cheeks are covered with tears. You wipe them away carefully; you would’ve never done that back when he met you.
You were free then; of wild smiles and clumsy hands, of loud cries and smell of freesias. Young with bravado, a shell of the sea.
Seeing you like this, knowing you're going away, turns his stomach. This is the last time, and you don't smell like freesia anymore. You're all orange and lavender, unmistakable and silent.
Toji raises a hand and brings it up to you. For a split second of madness you think he's going to slap you, but he simply catches a strand of your hair; only instead of tucking it behind your ear, he lets it curl around your cheek.
His hand falls to his side – he wasn't raised to be like this. He wasn’t raised to get you to stay.
"Get out," he murmurs, the timbre of his voice low and plangent.
You close your eyes for a moment, just to find his image behind your eyelids; smiling and defiant, with a glass of champagne in his hand and kohl-stained eyes.
The tide inside washes away everything else.
"You don't have to tell me twice."
What starts badly ends worse, you think. 
(And yet, it ends).
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© 2023, MAEBY-CURSED — do not copy/repost/edit.
(reblogs are appreciated !!)
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yuurei20 · 6 months
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Glorious Masquerade Dialogue Comparison
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Originally Rollo refers to Trein as “Mozus-sensei,” using Trein’s first name, but this was changed in the English-language adaptation to “Professor Trein” instead.
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Both Sebek and Malleus had the word “humans” removed from their dialogue in two different places, changed to “people” for Sebek and dropped from Malleus’ dialogue entirely.
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The English-language adaptation has a history of removing the word “egg” from the game.
Rather than dropping it completely (as in the main story) it was changed to “fledgling" here, much like Spectral Soiree. (More here: The EN Server's Missing Eggs)
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While EN has technically localized the in-game currency "madol" into “thaumarks,” with the Port Fest event EN received an all-new form of currency that doesn’t exist in the original game: sorcents!
They returned in Glorious Masquerade (More here: Port Fest Dialogue Comparison)
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Malleus never refers to the prefect as a friend, which may be significant, as the word seems to be of some importance at NRC.
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If you were curious if Idia really did refer to Riddle as “Tiny Titan” in the original game, he did!
He also used his nickname for Riddle, which EN will sometimes translate as “Instructor” and sometimes as “Taskmaster,” but this time it was dropped.
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Rollo’s Unique Magic
Pronunciation: Dark Fire Meaning: Smoldering Desire EN: Darkfire
(More here: Unique Magic (Signature Spell) Compilation: Pronunciation vs. Meaning vs. EN Adaptation)
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Idia generally talks with a stutter in the original game, which was removed from the English-language adaptation of Glorious Masquerade.
I thought this might just be a language limitation, but his stutter has been accurately recreated on EN in other places.
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This resulted in lines like “Blue handkerchiefs…ah, ah, th-th-the glass movies seem to be less simple than these…” becoming “Plain blue handkerchiefs? Um, no offense, but these look way more basic than those glass mobiles…” and “B-b-b-but then…” becoming “Okay, but, like…,” making the EN adaptation of Idia maybe sound more assertive than the original?
I have recently seen theories that English-language translation for the game might be separated into multiple teams, which seems logical.
It is possible that the localization team assigned to events like Glorious Masquerade is different from the team that did Idia’s vignettes, which would explain the inconsistency in his speech patterns.
It would also explain what happened to Deuce’s unique magic:
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In the original game Azul recites the exact same spell Deuce did in Book 5 in order to summon Deuce's magic, but the spell used by EN- Deuce is not the same as the one used by EN-Azul.
The meaning is the same—there is no big difference between “It’s payback time” and “It’s time to pay up!”—it is just different phrasing, which makes sense if the translation team assigned to Book 5 of the main story is different from the team who did Glorious Masquerade.
If the teams are separated by vignettes / events / main story it would also explain why the egg references are getting removed from the main story while being translated into “fledgling” in Halloween events.
But this is all just conjecture based on the curious continuity :>
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An interesting language hurdle arose at the end of the game when Malleus addressed the gathered visitors at the ball by the “omae” form of “you”.
The audience responds with discomfort and Jamil explains, “Ordinary students don’t address peers they are meeting for the first time as ‘omae-tachi’…”
(Being sensitive to social situations is a part of Jamil’s character, explained in more depth in his third birthday vignette).
Since the English language doesn’t have varying forms of “you,” this comment was removed.
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Much like how the lyrics to the song “Piece of My World” were removed from Book 5, the lyrics to Malleus’ song “Wish Resound” were also removed from the English-adaptation of the game.
But whereas Book 5 is voiced Glorious Masquerade is not, so removing the text box entirely would have resulted in Malleus simply standing and staring in silence.
To compensate, EN has put “*singing*” in the text box.
While likely a licensing issue and therefore inevitable, it is kind of unfortunate as, during the song, there are repeated cuts back to Rollo’s reactions (Lyric translation can be very complex, this is just one possible interpretation of what the lyrics might sound like in English!)
And Malleus makes a point of commenting on the importance of the lyrics (that EN cannot see) that seem to be resonating with Rollo.
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bilbao-song · 6 months
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(all credit for the original idea [and a significant portion of this text] goes to @quiet-beatle​!)
ho ho ho, classic rock fans! Christmas is coming and so is The Secret Rocker Santa project! if you are looking for an opportunity to make new friends who love classic rock, or just want to make someone happy, this is your chance!
** if you don’t want to see posts about this anymore: filter the tags #secret rocker santa and/or #srs23 — click here for an explanation of how to filter tags **
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What is Secret Rocker Santa?
Secret Rocker Santa is a tumblr-wide “match-maker” in which you will anonymously send asks to (and hopefully befriend!) a tumblr user who is assigned to you. you will also be assigned to someone else, who will send anonymous asks to you. the event will run from december 1st through december 25th. while this might seem complicated, it’s actually quite simple, and you will only need to answer a minimum of two questions to sign up.
How it works:
you must read these instructions!
the deadline to sign up is november 28th. there are two ways that you can sign up: the first option is to sign up via google forms. the second option is to send me a submission (or an ask) with your completed questionnaire (found here). while the first two questions are required, you can otherwise provide as much or as little information as you want.
please reblog this post! (this isn’t a strict requirement, but it would be greatly appreciated and helps to ensure that enough people will participate!)
your ask box must be open to anyone! this means that anon asks will have to be enabled. if you want, you can wait until the first day of the project (december 1st) to change this setting, but please make sure you remember!
your blog doesn’t have to be classic rock-related, you just need to be a fan. (we will also be using a very broad definition of “classic rock,” so nearly any music from 1950s-1990s counts.)
(those are the main things you need to know, but more details + some helpful tips are below the cut!!)
shortly after signing up you will be assigned a number — you probably won't need it for anything, but it's a backup way for me to keep track of who is who in case we run into any problems :)
during the last days of november, i will be assigning people to their Secret Rocker Santas. you will receive a message from me telling you who you have been assigned to, either in the form of an ask or direct message.
you will start messaging the person assigned to you ANONYMOUSLY on the 1st of december and continue until Christmas (december 25th), which is when you will reveal your identity and (hopefully) have made a new friend!
you can send your partner whatever you want (as long as you do not reveal your identity). your job is to make your partner feel happier! (some ideas: send lyrics, pictures, or facts; play games, chat, and of course do things that are not only associated with classic rock).
be careful - make sure you are messaging your assigned partner anonymously.
please tag messages that you receive from your secret santa and any other related posts as #SRS23, so your santa will be able to find your answers more easily.
EXTRA REMINDERS:
some people might get more than one santa or will be assigned to more than one person, depending on how many people participate and how many suitable matches i have for certain people. if you are certain you will not be able to be a secret santa for two people, please mention this when you submit your form (you can also let me know if you would prefer to be a santa for two or more people! anyone who volunteers for this will get first pick if the need arises)
if you’re not committed to sending asks to your partner and/or responding to your santa at least a few (2-3) times a week, please do not sign up.
while the primary focus of this project is classic rock, any additional interests you list may be used as a secondary way of helping to find a good match for you. with that in mind, don’t hesitate to list any interests and hobbies you might have, whether they relate to classic rock or not! this will especially come in handy if there are many applicants who like a particular band, or if i am having trouble finding a match for you based on your favorite bands.
if your santa has not contacted you in over a week, message me and i will gently remind them or find you another one.
as a general rule, be nice! anyone who is rude to the another participant will be removed from the project.
make sure to answer all of your santa’s messages! you don’t have to answer right away, but don’t ignore them.
please let me know if you experience any problems at all (for example, if i have made a mistake, or you are having problems with either your own santa or the person you are assigned to)
if you are not already following your partner’s blog, you probably shouldn’t do it right away, because they might guess that you are their santa.
it’s useful to have an easy-to-find “about me” page or pinned post so that your santa will have a better chance of finding something to talk to you about!
please try to keep a note of who you’ve been assigned to, as well as your assigned number!
IF YOU CHANGE YOUR URL AT ANY TIME DURING THE PROJECT PLEASE LET ME KNOW. if you don’t let me know about your new URL (or otherwise make it clear that you have moved), i will not be able to assign matches for you.
please be patient! i will assign matches and answer questions as quickly as possible, but please keep in mind that i have other responsibilities too!
you don’t need to be following me, but i will be sharing updates here, so it would be a good idea to at least keep an eye on that page/tag.
please don’t hesitate to participate! this is supposed to be a fun, lighthearted, seasonal activity, and if you do encounter any issues, i will help you :)
ALL RELEVANT LINKS:
google forms sign-up
copy the questionnaire here (to sign up if you don't wish to use google forms)
paste questionnaire, fill out, and submit here
FAQ page
all future updates will be posted in this tag!
lastly, if you have any questions or want to ask for advice, do not hesitate to message me or send an ask!
please spread the word if possible! :)
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jmdbjk · 6 months
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Golden
Kookie had a runny nose. He said when he's just hanging out with nothing to do he's fine but as soon as things start ramping up and getting hectic, the cold that won't go away comes back. Jimin was on to something when he said he was concerned about Jungkook staying healthy with such a busy schedule.
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As usual he has stayed true to himself and I admire that a person of his age can be so honest about himself.
He was trying to keep it real and said things to lower everyone's expectations: About writing songs, he said he can't really write songs. He said he just doesn't have it in him. He said when he tries it always ends up being about Army.
He wondered if it was because he was so simple. This is what makes me love him as just a human being: he says things about himself that WE might not agree with but that he feels about himself. He's just so honest and unpretentious, and he doesn't even try to be that, he just is himself.
He said he thinks he doesn't have the intellect and that he doesn't have anything to write about, and if he HAD things to write about, he couldn't say them prettily and that there are so many other talented creators that he would just fall short. He mentioned RM, Yoongi, Hobi... they are so talented.
It is understandable that Kookie, being last, he saw what the other members did, and truly, it had to be intimidating. He may never feel confident enough but I bet if he gives it a try he’ll do great.
All of what he said adds another nuance as to why he said “something amazing" is coming when he did that live back in March and Set Me Free Pt 2 was about to drop. He saw how hard Jimin worked through that process and the end result WAS amazing. Intimidating indeed.
Perhaps he still needs to live some life before he can have enough emotional baggage to pour out some lyrics (lol). Give it time, Kookie, life will throw some shit at you. Or maybe expressing whatever is inside of him will never come out in words to a song. And its ok. Not everyone is a songwriter or poet.
I can accept this album as "this is where he is in his life right now". He said they worked fast. That's a lot to accomplish in the amount of time from start to finish.
My thoughts on the songs...
The lyrics to several of these songs are a little ... meh..., sort of disconnected. THAT BEING SAID... I can see some lyrics that probably did resonate with him.
But I am not going to focus so much on the lyrics but more on JK's vocal work and think about how he was trying to sing and pronounce well. THAT is what he was trying to do. He said lyrics are lyrics and images are images... they are not meant to be autobiographical so the lyrics will be secondary to the vocal production for me.
Jungkook explained that the pronunciation was a challenge. The producers each had their own idea of how the lyrics should be delivered to achieve the color of the song. English not being JK's first language, he was coached on what to do in the studio. He said especially pronouncing the "EEE" sound was a challenge.
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I recognize some sounds that seem trendy. Some of the songs remind me of other songs I've heard in the past by other artists.
Closer has that flute and Afro beat that reminds me of another song but I just can't remember it right now.
Standing Next to You is giving me Michael Jackson Rock With You from his Off the Wall album or Remember the Time off his Dangerous album. A rockin' groove... "... when it's deep like DNA..." and "leave your body golden like the sun and the moon..." yes, those lyrics definitely resonate.
Yes or No, I can definitely hear the Ed Sheeran throughout that song. A nice song about that first thrill of love. Ed Sheeran is a great song writer. I've always liked his work.
Please Don't Change would probably be the song that comes closest to expressing how Jungkook feels about his fans. Though his life has been spent on camera, things might change and if he's no longer on camera, he'll still be the same but he hopes we please don't change. This song also has the same little flute sound as Closer.
Hate You. This is the Shawn Mendes song. It is one of those angsty relationship songs that are popular now like what Olivia Rodrigo and her ilk does. If Jungkook had not gotten this song, I could see it easily going to a female artist. It's quite painful. Kookie does a great job expressing the tragic drama of it all with his vocals.
Somebody is where he really lets loose with his range. Its a sad song. Like many, his opening lines had me doing a double take. I don't think we've ever heard Jungkook sing in this tone before? Very nice.
Too Sad To Dance. This is the kind of song I think Jungkook could write. It is simple and straightforward. The song is cute and poignant at the same time. He was able to keep his tone simple to match the vibe, he didn’t try to make it over the top… I love this song especially the very last line: "...you don't need no one to dance..." Stand on your own and be yourself, just like Kookie is doing.
Shot Glass Full of Tears is the best song on the album. There, I said it. He really reached down and brought JUST enough edge into his voice to pull it off. I could actually get emotional over this song. I will repeat, this is the best song on the album.
Well done, Jungkook.
Overall, Kookie is relieved the pressure is off. Now he can get out there and do what he’s knows he can do and that’s performing
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And then he said it again: BTS is the most important thing to him.
Kookie knew he had to do this album. And now he's done it and ready to move forward.
When he finally realized Tae had commented:
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The panic over his house not being clean hahahahahah!
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Because he wasn't sure what kind of chaos they were going to bring to his house, Kookie ended the live in a stress-clean panic.
My, what a turn of events... not long ago he was laying in bed naked causing mayhem trying to convince Jimin to let him come over and take a shower and now here they come to his house bringing trouble LMAO!
I hope they had a great evening together. I loved seeing Tae and Jimin out and about, it really hits a spot in my heart.
A little while ago, I picked up a copy of Golden at Target, I don't know which photo card is the Target exclusive but this is what I got:
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It's a nice package with a hard cover photo book and a case it slides into. The stickers are nice. Jungkook was wearing an earring with the that motif so I suppose it will show up as merch on the Weverse shop soon.
Anyway, that's my review of Golden.
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1moreff-creator · 8 months
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How the LGI MV proves MonoTVid is both canon and a doomed ship
In this totally serious analysis post, I will show you, with 100% irrefutable evidence, that MonoTVid (the common ship name for MonoTV x David) is destined to be both canon and a doomed ship. This is in honor of them recently winning that one poll in The Website Formerly Known As Twitter, a poll which I do not entirely understand but one which I will respect regardless.
I will not accept any criticism on this post. I am objectively correct. If you find mistakes in this post, then what you’ve found is a mistake in your brain.
Obviously a TV, Obviously a Ship
Observe.
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Now, do you understand?
If you don’t, let me spell it out for you. We have what is “obviously a TV” with terrorist iconography, which obviously represents MonoTV, nearby several elements which clearly represent David. The hair clips, the megaphone, the dummy. You’ll see “dummies” is plural, because David is a dummy. This is the first clue to the tsundenderish nature of David, as he is literally calling himself a “baka”, perhaps even of the sussy variety. If he calls himself “baka”, could he use the same word to describe someone else?
But the true indication of this ship is the lemon on top of the TV. See, the lemon in the story “Lemon” by the man who wrote the story “Lemon”, whoever he was, is a lemon which represents, despite being a lemon, a person’s will to live. If you want further context on this lemon, read the background text near the lemon when the lyric “make a lemon bomb” shows up on screen, near the lemon. You think I’m gonna post an image of the lemon text near the lemon? No. You should know the lemon text near the lemon by heart.
Anyways, this lemon is obviously on top of the TV to represent that MonoTV is David’s reason to live. There are no other possible interpretations.
But you may also see those dandelions, labeled “weeds”. Weed is what I’m taking to make this post. Not cannabis, I am sniffing dandelions. This is besides the point.
Now, you’ll realize that since dandelions represent happiness, and even hope, the point the video tries to make with them is that David sees these things as annoying weeds. This shows MonoTV and David both hate hope. They are clearly lovers.
But what you didn’t notice, and I know you didn’t notice for I am in your walls, is footnote 18: “A/N: soz not very good at drawing flowers lol!!!”. See, David is the author of these notes, which is obvious from things like footnote 11, the “I am an only child” one. What this footnote means is that David gave these flowers to MonoTV, but he’s embarrassed about it, because he doesn’t think any gift can match the divine splendor of MonoTV. David is just that sweet. That much of a cinnamon roll who can do no wrong. A skrunkly. A blorbo. What other words can I use to brainwash Tumblr users.
Now, look at these.
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Look at the balloon and the Monokuma plushie. Does my inconsistent coloring of “the” bother you? I am very evil. You’ll see the balloon is labeled “stupid kid’s toy”, while the plushie is “a popular toy”.
Now, you might think this is another indication that David sees anything related to hope, like balloons, as inherently childish and stupid. Meanwhile, he sees anything related to despair, like Monokuma, as more grounded.
You are wrong.
You seem, MonoTV has stated Monokuma is its dad. So this being in the video means that MonoTV is David’s daddy and his toy. I’ll explain when you’re older. Just kidding, I won’t. Fuck that.
Not convinced?
Why? I am always right, so you shouldn’t doubt me.
But okay, I guess:
I Will Bring Up Color Theory For The Thousandth Post In A Row
I am not linking the accirax post for the fiftieth time. Look it up yourself.
Look:
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Yellow for David, cyan for MonoTV. Many have tried to come up with an answer for what “original” means, but it’s actually really simple.
See, David has an I. You wanna know who else has an I? Dark blue, which may be J. And J is the mastermind. Here’s the source for that, it’s somewhere in that video, you just have to find it.
So, J, who is the mastermind and thus essentially MonoTV, has the same letter as David. This clearly shows David and MonoTV are lovers.
Here’s another case of a cyan I.
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Boom. Theorizing’s easy.
Then, look.
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David has game in yellow, then MonoTV has game in cyan. They’re lovers. Do you find another explanation? No, no you don’t. You will not think critically about this post. You are not immune to MonoTVid propaganda.
But, alas, the ship is not to last.
David is a Cat
At the beginning of the video:
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David calls himself a cat, then MonoTV shows up to remind us it’s a dog. You might think it doesn’t mean much, but there actually is meaning behind David being a cat. See, it’s related to the archaic Japanese pronoun “wagahai”, referenced-
Nah, you don’t care about that. David’s a cat, source just trust me bro.
That’s what the black and white cat sitting next to David actually represents: David, tied by color scheme to MonoTV. I’m writing this on my phone and don’t feel like waiting to get to a computer to get past the 10 image limit, so we’re out of visuals.
Why is this important? Well, if you take into account the Romeo and Juliet quote that footnote 8 is attached to (here’s a screenshot), it’s clear the MV is trying to convey a story of two people in love separated by fate. This is clearly about David and MonoTV, which is further represented by David being represented by a cat when MonoTV is obviously a dog. Truly sad. Can I get an amen?
Are you not convinced yet? Crazy. Well, one last thing then.
It’s All Democratic
“To be or not to be? Who knows? Let’s decide! Democratic-ly”
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You see how the rules for class trials are on the same image as democratic-ly? Well, this is a clear reference to the poll on The Website Formerly Known As Twitter. Since MonoTVid was chosen as the winner of said poll, it was chosen “democratically”, and will thus become a canon doomed ship. You might wonder if this means the dev has the ability to see the future. But we are not to speculate on the dev’s identity, so while we can’t theorize they are clairvoyant, we also can’t speculate they aren’t. Checkmate.
In fact, The Website Formerly Known As Twitter is now sometimes referred to as “X”, an obvious reference to the X on this screen. Because surely no one would be so absolutely idiotic as to just name the website “X” for no reason.
But hold on, isn’t this X actually Roman numeral 10 for Min?
Well, obviously. We never saw Min’s corpse in her execution, which means she survived and is the second mastermind alongside J. Min is still alive. Min is still alive. Min is still alive. Min is still-
Am I a Whit Young kinnie, but specifically for Min? No, obviously. Because Min isn’t like Whit’s mom, because Min is still alive.
The point is, Min is related back to MonoTV through her mastermind-y nature, and MonoTV to MonoTVid, I’m too lazy to actually continue writing this post.
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Did you actually read this all the way to end? Are you okay? Do you need a hug? Because this is insane. I don’t know why I made this. Take care!
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deejadabbles · 1 year
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Songs in the Kitchen (Bad Batch fluff)
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Summary: You're appalled when you find out about your new team's lack of nutrition and...well, what fun is cooking without a little dancing? Hunter x GN Reader and (platonic) Omega and Reader. No warnings, just cute domestic fluff.
A.N: Got this idea while making dinner last night and listening to Temuera Morrison's cover of Can't Take My Eyes off You. So, you have Clone Daddy to thank for this XD Also!! I have a bone to pick with this song! All my life I thought the lyrics were "I would walk 500 miles" but it's not?? It's "roll"??? My whole life is a lie. Anyway, I hope you guys like this, reblogs and comments are much appreciated!
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"If they ever upgrade this ship, you'll help me convince them to invest in an actual kitchen, right?"
For possibly the fifth time you had rammed your foot into Gonky as he, you, and Omega shuffled around the pitiful table that the soldiers insisted was 'fine enough' for food provisions.
Omega chuckled as she climbed onto said droid to give you some more room. "You got it! I think cooking will be really fun in a real kitchen!"
You smiled down at her, the light in her eyes instantly alleviating any annoyance your stubbed foot may have caused you. You still couldn't believe that you only just discovered last week that Omega, nor any of her clone siblings, had ever learned the basics of cooking. Wrecker insisted that shooting wildlife and spit-roasting them counted...you did not. There was a difference between survival hunting and actual cooking!
In fact, the batch had been quite unphased when you observed the fact that they only ever seemed to eat ration bars and whatever slop they got from local cantinas. That caused a whole uproar on your part, scolding all of them for not caring more about their health. Yes, eating ration bars during the war was...unfortunate, but a harsh necessity. Eating them while away on whatever job they took was...acceptable, you supposed. But when they spent days on a reasonable planet with plenty of resources?! You couldn't believe they thought it was rational to still only eat those dry, tasteless bricks!
So now, here you were carving out the tiniest space available on the ship in an effort to cook your friends a somewhat decent home-cooked meal. Omega, always the bright-eyed wonderer, was eager to help while her brothers were in town for supplies.
Right now 'helping' was mostly just learning, since there honestly wasn't much room for her to do much. But you appreciated the company.
You rummaged through a box of things Tech had gathered for you; things he said were 'adequate cooking substitutes' in lieu of actual utensils, searching for a pear knife. You managed to dig up a serrated vibro dagger....alright, good enough.
While you chopped away at a strange local fruit, and Omega looked on with rapt interest, you couldn't help but smile. Despite the odd circumstances, the whole setting was quite domestic, and you thought of how happy it made you, that Omega was getting her own version of such an experience. Omega, who, like her brothers, had never had parents to dote on them and teach them, to have simple, warm moments like this with.
You hadn't noticed that you were humming until your hips started moving to the melody in your head. It was such an old song, but one that always made you feel so, whimsical, perhaps?
After scooping the first fruit into the bowl you moved on to the next item, one that Hunter had mentioned trying in the market the other day.
Hunter.
The thought of him made some heat fill your cheeks. You wondered- or rather, hoped, that he would like the meal you were making. The night after you had made such a fuss over their eating, Hunter had mentioned something to you, a far-off look in his eye like usual, as if he had a million things on his mind and that was just the one floating to the surface.
"Meal times weren't exactly a good time for us," he'd mused, not even looking at you, "even during downtime on Kamino, it was just another reminder that we didn't belong, even among clones."
That confession, along with an off-handed comment Omega had once made about no one but her sitting with them in the mess hall made your heartache.
Well, this will just be your chance to make mealtime a good memory for them!
Even more determination swelled in your chest as you moved about the small space, you'd have each of them smiling over your food if it killed you!
In fact, with each in mind, you started portioning off Hunter's plate when it came time to add the seasoning. Couldn't have his enhanced senses going mad with too much spice.
That old melody came floating back to you again, as you thought of the handsome sergeant.
"Pardon the way that I stare There's nothin' else to compare The sight of you leaves me weak There are no words left to speak"
The lyrics came easily as you worked, they were words of something pure, innocent; a rarity in this galaxy. A silly little dance even weaved its way into your movements.
"But if you feel like I feel Please let me know that it's real You're just too good to be true Can't take my eyes off of you"
"What are you doing?"
Omega's sudden question snapped you out of your daze- just in time to ram your foot into Gonky again.
After shaking the limb out with a curse you looked up at the child with a brow raised, "Uh?"
"What was that? That strange talking?"
You tilted your head, "Um... you mean my singing?" Come on, you knew you weren't a concert vocalist or anything, but did she really think you were that bad?
Omega's eyes went wide with excitement, "Oh! That's what singing is?"
"You've never heard singing before?!"
Unabashed, the girl just shook her head, "No, I mean, I've heard music before. Every once in a while Nala Se would play some Kaminoian music while she worked, but it was just sounds, no voices."
You stood there stunned for a moment, unable to think of anything to reply with. Just what else had this poor girl been deprived of in her childhood? Now that you thought about it, you'd never heard the boys play any music either. Maker, you hoped they had at least heard singing before.
"Omega," you started after a moment, "would you like to hear some of my music collection while we cook?"
You honestly had not thought it possible for her eyes to sparkle more, but the little one managed it.
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"So you think we got enough?" Wrecker groaned, shifting the crate on his shoulder.
Tech didn't look away from his data pad as he answered, "We acquired everything on the list we were given, I can't fathom there would be any reason for complaint. Even with our friend's sudden, irrational concern for our eating habits."
"Don't mock it like that," Echo chimed in, "I think the change in pace is nice. You can't tell me you actually like those ration bars day in and day out."
"I fail to see how 'like' is of any consequence," was all Tech huffed in response.
Hunter, who was walking ahead of them all, let out a sigh. He wanted to tell them to pick up the pace, but bit back the urge. You had insisted that you could scrape together the first meal with what you had on the ship already, but, if their haul from the market could make your task easier, he wanted to get it to you sooner rather than later.
All of this was just so...sweet of you to begin with. Hunter never wanted to complain about anything regarding their life style, not during the war, not now, it was what it was, and he accepted that. You could have done the same, but instead, you went out of your way to improve things.
Hell, you could have just balked at their lifestyle, and made your own, separate from them, made your own food to eat in your own part of the ship. Instead, you had decided to include them all in your efforts, even putting up with their grumbles and gripes with that cute, bossy attitude you got when you were determined.
Hunter found the whole thing incredibly endearing.
Not to mention your inclusion of Omega. You were giving the little one an experience, a memory that she would carry with her always. The sergeant felt his lips curl up at the thought. You were a good companion for Omega...you were a good companion for all of them.
Unfortunately, his happy little musings were brought to a screeching halt as his hearing picked up on something. His enhanced senses did that a lot, noticing things before his brain could really register them. They were nearing the ship and, had the voices sounded distressed, he would have been on high alert. Instead, they sounded...was that, singing?
"When I go out, yeah I know I'm gonna be I'm gonna be the man who goes along with you When I get drunk, well I know I'm gonna be I'm gonna be the man who gets drunk next to you!"
The sound was almost foreign to Hunter's ears, your's and Omega's voices sounded quite different, but it was definitely your vocals crooning over what he now realized was music.
"What is that sound?" Tech asked behind him. They had gotten close enough now that even his brothers could hear it. Hunter could just imagine the shrugs and confused looks they were giving each other as he opened the door at the top of the loading ramp.
"And I would roll 500 miles And I would roll 500 more Just to be the man who rolls a thousand miles To fall down at your door"
In all the years he'd been aboard the Marauder with his team, he'd never seen something quite like this. Your music blared through the ship's speakers while you and Omega danced in the small space he'd cleared for your make-shift kitchen.
"When I'm working, yes I know I'm gonna be I'm gonna be the man who's working hard for you!"
You threw something into the sizzling pan atop the would-be hotplate Echo had improvised for you, before leaning down and taking Omega's hands in a silly little jig of a dance.
"And when the money, comes in for the work I do I'll pass almost every penny on to you"
"Hey hey!" Wrecker cheered, dropping the crate in the doorway, "A dance party!" and just like that he joined the happy fray.
Your eyes lit up upon seeing them, and if he'd thought you would stop, he was wrong.
"When I come home(When I come home), well I know I'm gonna be I'm gonna be the man who comes back home to you!"
Your dance turned into some jabbing motions, aimed at them to go along with the apt lyrics. Hunter was glad you didn't stop, with the delighted look on your face and the squeal of delight from Omega as Wrecker lifted her atop his shoulders, his soft smile was back tenfold.
"Well," Tech began, the smallest traces of amusement in his voice, "things are certainly lively with them around."
Lively indeed, because when the song's chorus picked up again, no one was safe from the infectious, joyous mood. Wrecker lunged forward, leaving Omega to grab hold of both Tech and Echo and drag them to the proverbial dance floor.
In turn, Hunter felt a warm hand grab his, and you pulled him into a bouncing dance that would have been right at home around a bonfire.
His face felt a little hot despite himself, but he looked down at you, a fondness in his eye he didn't even know he was capable of as you sang along with the song.
"When I'm lonely, well I know I'm gonna be I'm gonna be the one who's lonely without you"
Hunter couldn't help himself, he tuned out the actual song, focusing wholly on your voice as it wrapped around the words. And, for just a little while, Hunter imagined that you were singing them to him and him alone.
"And when I'm dreaming, well I know I'm gonna dream I'm gonna Dream about the time when I'm with you"
Maybe someday you would sing for him, but for now, he was content with this.
"When I go out, well I know I'm gonna be I'm gonna be the one who goes along with you"
He took a chance, and pulled you in just a little closer as he tried to keep up with your silly dance.
"And when I come home, yes I know I'm gonna be I'm gonna be the one who comes back home with you"
Yeah, he was more than content with this, for now.
"I'm gonna be the man who's coming home with you"
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boxx-sama · 7 months
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The Usage of a Rotary Telephone in Ai Nan Desu Yo
This was just something I happened to notice when rewatching the MV!
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As pictured here, we can see Mahiru using a rotary telephone to communicate with her boyfriend. It may not be of much significance to some, but there is/could be a deeper meaning to this specific phone being used, rather than a modern one!
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This specific one happens to be a vintage telephone. The development of rotary telephones dates back to the late 19th century, which is all the way back in the 1800s!
The concept of a rotary dial for selecting numbers on a telephone was first proposed by inventors and engineers in the 1870s. Almon Strowger, an undertaker from Kansas City, is often credited with inventing the first practical rotary dial telephone system in the late 19th century. His system aimed to eliminate the need for human operators to manually connect calls.
As amazing as the invention itself is, however, it did have flaws, especially considering the time period this was invented in! There wasn't modern technology, so using this phone had some issues.
Error-Prone: Rotary dialing was EXTREMELY susceptible to dialing errors! Users could miscount the number of digits, skip a digit accidentally, or make other mistakes while dialing.
Mechanical Complexity: Rotary phones were mechanical devices with many moving parts, which made them more prone to wear and tear. This complexity also meant that maintenance and repairs could be more challenging compared to modern electronic phones.
Lack of Advanced Features: Rotary telephones were designed primarily for basic voice communication! They lacked many of the advanced features that modern phones offer, such as caller ID, call waiting, voicemail, and speed dial.
Considering some of these, it is rather odd, isn't it? Mahiru is clearly pictured to be taking inspiration from modern blogs and such for her perfect journey of love.
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So how is this particularly standout in any way?
Well, it's simple! Rotary telephones had many communication issues. They were difficult to handle, very slow, and had to be used in specific ways. (Dialing certain numbers, etc.)
I think that the usage of a rotary telephone in such a modern world that Ai Nan Desu Yo portrays might just be Mahiru's lack of communication with her boyfriend when it came to more serious matters!
This also may be a stretch on my part, but even the lyrics at this part of the MV kind of add to my small theory here.
Ring ring, I’m calling you in the middle of the night Forcing you to wake up, and I say “Good Morning!” But I fall asleep before you, I really feel bad you know? We can both feel lonely sometimes, but wonder if you’ll get angry soon I’m going to start relying on you if you’re kind to me, so please forgive me, thanks!
It just feels like there's some sort of communication issue here, if that makes sense. Mahiru is being a biiiiit over-reliant and wishing for forgiveness from her boyfriend due to her clear needs, and it's unsure whether they were actually met or not. Daisuki kind of paints a clearer picture on this with the whole cake feeding metaphor, but that may be a theory for another time.
It can also be noted that Mahiru is not happy at all when she uses the telephone, implying that she is also stressed, despite sharing the feeling of love with her boyfriend.
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But, to her, it wasn't a big issue at all! Because in the end, all of this is love in of itself. And even if their communication is flimsy, surely love will power through.
Again, using the lyrics to support this:
If you don’t hug me, even our hearts will start drifting apart
This is a claim of responsibility from the two of us with matching love
We fought sometimes, I was happy to get hurt Let’s have matching pain, this sickness is pretty bad?
Mahiru seems to idealize love and the idea of being together to an unhealthy point, believing that if she can experience all of love's ups and downs and remain with her S/O, then everything is all okay in the end! That being said, I do NOT see her as completely naive, and she definitely had some awareness in the situation.
I guess that's all for my little theory! Let me know what you guys thought of it.
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lefluoritesys · 6 months
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So I, as an alter in a semiverbal system and therefore sermiverbal myself, will! :D
Welcome to ways our system communicates that are not voices!
@dei-rising
Music. One of the first ways we learned to communicate was through music, songs, and beats! Sometimes certain melodies and lyrics help us communicate what we feel better than words do. Obvious enough, but when it comes to communicating through music, it's a bit more complicated than that. We have music channels with everybody who we talk to so we could "call each other out" or send songs to each other that we think others might relate to, which is our way of saying "we hear and see you." Our alters also associate with songs, and sometimes, when one of them is coming over, we can hear the song play in our head. Or sometimes even whole backstories and memories can be explained in songs and work the same! Our robots are, by far, the most interesting. Our co-host, also an alexithymia holder, has a feature "installed" in them that plays songs that explain their emotions since they can't do it on their own. Not out loud, only they can hear it, but it's effective and helpful for them to identify what they feel. We express whole stories and personalities through music.
Feelings. Easy one, or so it seems, but still needs to be explained to a lot of people as we figured it out. For us, it feels like feelings are being passed on, and as though you got the opportunity to, say... touch a ball with something inside, but there's a capsule that doesn't let you touch it or feel it on your hands. We're dissociated from the feeling and would forget it when it's taken away, but we won't forget the understanding that we got as to what it is. Sometimes, that capsule breaks, and we're covered in sticky emotions that are not ours, and it's hard to get it all off, especially since it breaks in so many pieces. Like pieces of slime that you keep finding all over the apartment and clothes after you drop it. Some of it may never go away, hidden in the darkest corners of your mind, but there nonetheless. A lot of the times, the feelings we get from other alters help us identify who's coming. Some of their energies feel cold, dark, and low for some reason, some are completely different. Those same energies, but mixed with feelings of excitement and satisfaction come when we're scrolling through same Tumblr and see something that alter likes. They basically go, "Reblog this! Save this one for me!!"
Images. The amount of times I was talking to someone in the system or outside of it and had images shoved into my head for one reason or another... I can't express just how much lmao. Whether it be memories or images of inner world places... sometimes, when one alter fronts, they ask for memories of what happened before they fronted and have them shoved in their head by the previous fronter. We don't communicate via images much. But there are definitely times when it's easier to just shove something in another alter's head than have to explain it, especially if you already explained it once.
Videogames. Don't even get me started on how much we used FNaF as a way to communicate and understand the world around us. It wasn't even about making others understand it as much as it was for us to understand ourselves. Explain the world around us to ourselves when nobody else seemed to be able to. We always felt different from others and had a different langauge than others, our favorite games, especially FNaF, became that language that helped us describe to ourselves the things we couldn't describe verbally. All those "silly made-up storylines" that typical people would enjoy as a show and move on, but that we would put in our own small world (which we now know as our language and our inner world).
Inner world sign language. Or just simple inner world language that is inaudible or impossible to translate to the outer world. We have our own sign language and regular made-up languages, and for both, we don't hear voices! Actually for the most part, we feel emotions, since our main inner world langauge is very much emotion-based. We can't hear what another alter is saying, but we understand them perfectly clear. It's an amazing way to communicate emotions. Same with sign-language, except we also have movements that we also may not see but understand. Many times, when I was mute in literally every way possible, somebody else would watch me sign and translate it for others around me. Some inner world (including ours) also have telepathy, which technically counts as voices since the perosn is making their voice known in your head, but some may count it as nonverbal communication.
Looks and body language. You know those action movies or books where the main character and their sidekick give each other those "special looks" and silently understand each other? Some of us who have spent a very long time around each other in the inner world do the same! It's probably only happening because we share a head, but it's really effective when you're talking to someone outside the system. I (host) could give our co-host The Look,a nd they'd know exactly what I want from or want to say to them.
Co-consciousness/co-fronting. The co-con feeling of sharing memories, feelings, and emotions (and others). That passive influence that you get from another perosn in co. That's also, at least for us, nonverbal communication! Cause when it does come to talking to someone outside the system, or even isnide, you may sometimes need to know the other person's boundaries or limits or memories. What best way to find that out than to aks that person to step in co and feel waht they're feeling or remember what they remember and better understand how to go about the situation or what to say, amr?
Continue if you have any more ideas!! I'd love to hear other's methods of communication that are not voices!! /g
-host
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king-paimon · 7 months
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Houseki no Kuni Chapter 104 Thoughts: "My Way" By Frank Sinatra
Hello everyone! I hope your month had gone by well. Mine had been...eventful, to say the least, though I suppose things could have turned out much worse.
Anyways, that's not what this is about. I just finished going through the latest chapter and... wow. That last image. Many fans have pointed out the signs, and I think it's safe to say that those last few pages confirm how this long saga is finally going to end...
BUT before I get into that, as always, I'll share some of my thoughts in this post. This will be long and ramble-y as usual (I truly meant to keep it short this time, I swear! It just kept getting longer and longer...) and I may come back to update some things. And as always, please feel free to share your own thoughts!
BTW: After reading this chapter a few more times and struggling with a title for the post, "My Way" by Frank Sinatra kept popping up in my head. It's honestly pretty fitting. That's why it's my title now. Please look up the song and lyrics when you get the chance and you'll hopefully see what I mean.
View of Humanity Through Untainted Eyes (Or lack thereof...)
Like the last couple of chapters, this chapter was dialogue heavy and it was admittedly hard to pick which parts I liked the most. Eyeball's (Or should I address him as "Brother"?... I'm sticking with "Eyeball") dramatic performance at the beginning was very funny and informative. It really showed how much he not only hated humanity and yet valued the professor during her final moments. And his talk with Phos at the end of the chapter was engrossing. But for this section, I'll mostly focus on Phos's interactions with the pebbles; I'll focus more on the first pebble in the following section.
Phos has truly become a teacher/mentor-like figure ( and dare I say even parental figure) for these pebbles, especially because of how they spoke to them. Phos literally reminded me of a thoughtful pre-school teacher with how patient they are with each of the pebbles and giving them the chance to express their differing opinions and giving what I think were appropriate responses. In some ways, Phos's mannerisms in this chapter reminded me of Adamant, though Phos's approach with these pebbles seems more gently, at least to me.
Hmm...You know what's funny? As I was writing this portion, a little thought popped into my head claiming that Phos may have inadvertently adopted more of Adamant's habits than I first realized. I'll try to explain more on this in the next portion.
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But let me first go back to another thing that I liked about Phos's interaction with the pebbles: their individual responses. It could have been so easy to have the pebbles all be likeminded after hearing the history of humans, but that's not what we got. Each pebble had their own opinion; some were curious, some were scared, some were right in the middle, and a few seemingly blasé. I don't know why but I like how these varying responses further emphasize that the pebbles individuality goes deeper than their varying appearances and mannerisms. And I'm also thankful that Phos and Eyeball weren't seemingly perturbed by their responses... at least Eyeball wasn't.
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"I want everyone to be happy": Naivety or Profound Point of View?
Now let's focus on the main pebble, because of course, out of all the responses, their response to Phos and Eyeball had the most weight despite how simple it sounds on the surface.
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You can argue that the pebble's response was due to their naiveté, but I think this pebble has repeatedly shown that their nuanced view of the world around them is sophisticated and mindful. After being told by Phos and Eyeball about how fascinating and yet awful humans were and even acknowledging humanities good and bad qualities, the pebble still believed that everyone deserves happiness, even those considered "bad".
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I couldn't agree more with Eyeball and Phos on this page:
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At first, I thought that these innocent and yet wise responses reminded me of old Phos, but the more I thought about it, this couldn't be further from the truth. While Phos was also very naïve at the beginning of the story, I think they were to lost in their own heads to truly think outside of their own unrealized desires, even when they claim their actions were to help everyone. So if you were to tell old Phos the stories of humanity and ask them the same questions, I don't think we would have gotten the same answers the pebble gave. And the more I think about, I doubt Phos would have ever made the same conclusion at any point in their story. There's nothing wrong with that, but that just has me thinking... It's interesting how this small pebbles seem more empathy for others than the previous human descendants, from the Lunarians, Admirabilis, and the even the Lustrous, even though they looked more human.
Tell me what you think! This was weird character analysis tangent and I'm curious to know if anyone has feels similarly or differently. But speaking of Phos's character... Onto the next section!
Friend to Closed Off Guardian: The barrier between Phos and the pebbles
While I was typing the paragraph that focused on Phos's mentor-like persona, I made a small realization. Is it just me or doesn't Phos's interactions with the pebbles feel different now? Yes, I pointed out that Phos is acting like a kind teacher in this chapter and I could be overanalyzing this, but while this interaction is cute on the surface, I can't help but feel there is more to this interaction. This is why I brought up Adamant, for Phos's interactions with the pebbles in this chapter reminded me of a certain aspect of Adamant's old relationship with the Lustrous.
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As you may recall, Adamant assumed a leader/guardian role with the Lustrous over time. He had many reasons of doing so, including for their protection, but assuming this role came at a price; Adamant ended up keeping the Lustrous at an emotion distance. With the exception of Antarctictite and eventually Phos and Euclase, Adamant closed himself off from forming true close relationships to the gems, for their sake and his, effectively creating a barrier between them. This barrier only became obsolete after Adamant finally relented and opened up to the Earth gems after Phos's first attack on them, and even if it were just for a short time, Adamant and the Lustrous interacted on a somewhat equal footing.
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Now lets go back to how Phos initially interacted with the pebbles. Not long after Phos found the first pebble, they didn't interact like how Adamant used to with the Lustrous. The two talked freely and sang together without a care in the world. Though Phos and this pebble are vastly different in many ways, it was clear that Phos saw them as a friend. An equal. And Phos was happy.
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But now look at how Phos interacts with the pebbles now. I don't see Phos's interaction with the first pebble or any of the pebbles the same way anymore. Yes, Phos encourages the pebbles to speak freely, but to me, it feels like the same can't be said about Phos now. Phos isn't speaking as freely as they did before. They are selective in how they address the pebbles, kind of like Adamant. Phos is acting more like their guardian rather than their friend... like Adamant used to. Phos is fully embodying Adamants old role now and it's a little sad the more I think about.
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After being alone for so long in more ways than one, Phos had finally found beings who treated them like a real friend. But because something in them changed, Phos is now slowly but surely assuming their role as the pebbles guardian and in doing so, that friendship connection is being replaced by a similar barrier that Adamant once donned.
Like I said, I'm probably overthinking this and giving Haruko Ichikawa more credit than what's due, but I just can't help but think about the parallels here. What do you think?
Acceptance: The End is Near
The last thing I'll touch on are the last few pages because...wow.
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If I remember correctly from posts made by some keen eyed fans, the story had been hinting that the main sun is about to die. And one of the final stages of a star's death is that it would expand into either a red giant or a red super-giant, which was being depicted in that last image.
And if I'm interpreting those last few pages correctly, it seems that both Phos and Eyeball are aware that the sun will eventually consume the Earth. It will take a couple more thousand of years, but as we've seen here and in the previous chapters, time doesn't matter. The real end of everything is coming and those two are accepting it.
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Yup. It looks like we have true confirmation for how this saga is going to finally end. And just like those two, I'm ready for it. Not out hatred or anything truly negative towards this series... I just feel like I'm ready for that final curtain call for this unique, thought provoking, and strenuous story.
I just hope the end will be a worthy end.
WHEW. This post ended up being even longer than I originally intended! Sorry about that. Regardless, I hope you liked it. Please don't hesitate to share your thoughts, even if you don't agree with me!
Until next time!
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caitmeetsworldsstuff · 6 months
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𝐃𝐞𝐚𝐫 𝐃𝐢𝐚𝐫𝐲,
Music has become my sanctuary, my refuge amidst the chaotic storm that is my life. I never imagined that this simple hobby would have such a profound impact on my journey. You see, it all started when I was diagnosed with bipolar disorder. The weight of the world felt unbearable, and my mind was a constant battleground of emotions.
In those dark moments, I found solace in the keys of a piano. The gentle touch of my fingers, the melodies that flowed through me, became a balm for my troubled soul. Music became my therapy, my way of easing the turbulence within. Sometimes I play guitar and drums also. I may not be the best singer, but the act of singing, of pouring my heart out through the lyrics, became a cathartic release.
Through music, I could express the depths of my emotions, the turmoil that seemed to have no words. It became a language of its own, allowing me to communicate the unspoken, to share my innermost struggles and triumphs. With each note played and each lyric sung, I felt a sense of liberation, as if I could finally make sense of the chaos inside my mind.
Growing up, I always had a deep appreciation for different genres of music. But it wasn't until my bipolar diagnosis that I truly embraced playing and singing. Music became a lifeline during my bipolar episodes, soothing the edges of my depression and channeling the intensity of my manic episodes. It was a constant companion, guiding me through the highs and lows of my journey.
At first, I only used to sing for Mickey, my partner and confidant. It was our intimate connection, a way for me to share my vulnerability with someone who understood me. But as time went on, I began to sing more openly, even in the presence of others. It was a gradual process, shedding the self-consciousness and embracing the joy of making music.
Sure, I may not be the greatest singer or the most skilled instrumentalist, but that no longer matters. What matters is the healing power of music, the way it has become intertwined with my very existence. It's no longer just a hobby; it's become an essential part of who I am.
Music has taught me empathy and understanding. It has opened my eyes to different perspectives and allowed me to connect with the world on a deeper level. It has shown me that even in the darkest moments, there is beauty to be found, melodies to be sung.
So, I continue to play the piano, to strum the guitar, to beat the drumsticks on my drums, and to sing with all my heart. Music has become my sanctuary, my way of navigating the complexities of life with bipolar disorder, and so much more. And for that, I am eternally grateful.
𝐒𝐢𝐧𝐜𝐞𝐫𝐞𝐥𝐲, 𝓘𝓪𝓷 𝓒𝓵𝓪𝔂𝓽𝓸𝓷 𝓖𝓪𝓵𝓵𝓪𝓰𝓱𝓮𝓻
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Tags: @milky-m-milky @gallavichgeek
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selpide · 5 months
Text
a long, confusing, existential introduction
i have noticed there's a proportion of us humans who seem to have a tendency to look for the essence of things
an obsession, some would say
(some would be right)
minimalism, others will state
(other will be wrong)
(there's nothing small about this search)
i am a number of this proportion, you see
everything i do, i try to undress it to the bones
find the skeleton
trace the carcass
what's the closest i can get to one truth before it burns my skin alive?
that's where i like it
that's where i live
a nomad in the borderland of skulls
there's some holy serenity in being able to go the distance
that distance
i went that distance yesterday
i have trouble putting into words what i do
and what i do is who i am
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so i spend an unhealthy (what is healthy anyways?) amount of time in this so-called minimalist search for the most precise arrangement of letters to make other people understand what my ego claims as hers
i am a writer
that is without a doubt
the first thing i have ever been
the last thing i will ever be
let's set aside the clearness and focus on the blurry lines
i am a singer
(i make songs)
am i a singer?
i am a cinematographer
(i am an audiovisual communication graduate)
am i a cinematographer?
do i deserve to claim myself as part of these guilds, these collectives, these ideas, these concepts, these communities, these archetypes, these
words
do i deserve to be called by any of these perfect words?
when you are called by your name
even if you know you are not your name
(you are not some letters nor their sound
you are flesh and blood and bones and maybe, if we are all lucky, a soul
however
when this name is called upon)
you answer
as if you were synonyms
as if meaning and symbol became lost within each other until becoming one and the same
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so when someone says
"writer"
and i turn my head
when i jump at the sound
when my brain has already done the job — and i cannot escape my fate — the fate my brain has woven for myself — when someone calls for a writer and i raise my hand
do meaning and symbol get mixed up just the same?
this is where it got heavy for me
do i deserve to claim the same name as every single person who came before me, and whom i admire, and whom i respect, and whom i couldn't dare to offend (them nor the rest of the world) by suggesting we may belong to a somewhat similar category?
but then again
names
words
why should anyone be worthy of a title? surnames are given. they come to us by birth. like it or not, they're part of our identity — they give information on who we are — be it by acceptance or denial — be it by proximity or self-made walls — opposite or mirror — we don't need to deserve our surnames. they are us and we are them.
am i a singer?
yes
am i a cinematographer?
yes
i first was a songwriter — a writer of songs. then i discovered i could sing them. badly. but they were sung. less badly. and they kept on being sung. less less badly. and then i discovered i could put my own music into them. i once met kim yerim on the streets of madrid. i handed her a piece of paper with the lyrics of my song written on them. and she spoke these words: "so you are a producer? you are a composer?". and it was a conversation, and she was looking at me in the eyes, and so i answered. i said: "yes". and it was as simple as that. because it is true. i produce songs. i compose songs.
i am a producer.
sunghyuk said i already am a producer.
and it is as simple as that.
so i write songs. and i sing them. and i produce them. and that's all too long to fit a social media bio, isn't it?
so what am i?
a music maker
i am a music maker
i first was a scriptwriter — a writer of scripts. then i discovered writing scripts was too boring for me. there is only so much you can control about a story with a script. movies have so much more to them. movies move. so i started editing videos. turns out i have an eye for that. rhythm. that's all it is, really. i have an inner metronome. i can sense patterns. i can repeat them. i am a little clock pedaling backwards and onwards and to whichever direction has the beat that pulses the brightest. but you can't edit a blank screen — you need images. and there is only so much you can control about a story when images aren't yours. so i got myself a camera. a little green sony point and shoot, y2k excellency, all digital grain and untreated saturation and pixelated zoom. then another camera. a little red sony handycam that, as i write this, is on the cabinet under the tv of this apartment in the middle of another continent that i moved to three months ago
(i got this camera when i was 14)
(i think it might be my favorite camera)
then another one
then another one
then you know how it goes
i became a videographer
but these cameras could take pictures too, right?
pictures are so beautiful
i became a photographer
this kind of motion got be so obsessed i could not picture myself doing anything in this life that didn't rely on its cadence
so i got into college and i majored in film
(it's not film)
(you can't major in film in spain)
(not in university)
(so i got into audiovisual communication)
(you can major in audiovisual communication in spain)
(in university)
(i specialized in film)
(i wrote a film script as my final degree thesis)
(i ended up working as a scriptwriter)
(i am, as of today, a scripwriter)
(i miss my red sony handicam)
(i miss the colors)
i miss the motion
i direct my own music videos
i keep a record of my own life
i can't escape live photographs nor still movement
there's so many information in there
how can you shorten that up for a social media bio?
a filmmaker?
but does that sum up everything?
i don't think so
so what am i?
an image maker
i am an image maker
let's get back to words
because i am a writer
that's the only one i savor between my teeth
every letter is mine to say, mine to keep, mine to pray, mine for me
a writer
but what does a writer do?
letters are the smallest piece of a writer's craft
but we are not letter makers
same happens with words
we work with them
we don't create them
(not all the time)
(not as a summary of our duty and routine)
(words are not the word)
it's sentences
i guess that's it
that's just how minimalist it can get
so what am i?
a sentence maker
i am a sentence maker
i am a music, image and sentence maker
but what is music?
what are images?
what are sentences?
art
i am an artist
yes,
but
but
(always a but)
aren't they all languages?
i am a translator
aren't they all symbols?
i am a speaker of metaphors
aren't they all unexplainable ?
i am a magician
aren't they all but a beautiful attempt to capture, to portray, to preserve, to understand, to celebrate, to blame, to share
life
itself?
i am a life curator
(it's funny
i have a song about this
i scrambled some of its lyrics around
i love clues and riddles and the silly breadcrumbs some humans leave for others to find in hopes of making their everyday a little more adventurous
i hope someone someday finds this funny
i hope someone someday
thinks of this
as an adventure)
this is me
sélpide
life curator, writer and magician
welcome to the museum
i hope you find yourself inside here
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cervicrazed · 5 days
Note
da WHOLE HOG for bambi + whichever of your newer ocs pairs best with her ;]
Hell yeah, let's do it!!
I can already tell this'll be a long one so have a page break to save yourself some dash space
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^This is Bambi! ^This is Jak L!
✨- How did you come up with the OC’s name?
Bambi -> you actually gave Bambi her name if I remember right!! I think the logic was Wilton Rader (deer motif) + Walt (Disney) = Bambi
It was funny & fit so well that I didn't bother looking for any other names after that
Jak L. -> When I was making her originally all I knew was that I wanted a pitch black head & red eyes - the tall ears were a last minute addition that made her look like Anubis to me so....well, i just couldn't resist the pull of the pun
🌼 - How old are they? (Or approximate age range)
Bambi -> It kinds depends? I jump around her timeline a lot when i draw her so here's a good rule a thumb; if her hair is in pigtails, she's meant to be no older than 10, long ponytail caps at 16, and her shorter, shoulder length cut means she's 17-19
Jak L. -> Around 18 or 19 - a little older than Bambi to up her 'cool factor' in her eyes. They meet during Bambi's first attempt to go to (Human) school
🌺- Do they have any love interest(s)?
Bambi -> Crushing hard on Jak but trying to play it cool. She's the poster child for a rebellious teen and Bambi is mesmerized by her confidence and defiance
Jak L. -> Not too keen on relationships after getting cursed by her ex during a messy breakup (she doesn't like to talk about it) Bambi's adoration is not lost on her, but she worries the curse may intervene if she gets too close
🍕 - What is their favorite food?
Bambi -> She absolutely loooovees Lake Trout. There's an abundance of them near her childhood home, so her dads cooked it for dinner often. She used to get sick of it but on long trips it's nice to be reminded of home.
Jak L. -> It used to be a lemon butter chicken thighs, but Jak's curse won't let her eat 'anything that bleeds.' She's found Chicken of the Woods to be a decent replacement, but it's just not the same.
💼 - What do they do for a living?
Bambi -> Money isn't really used outside of Human settlements, but Bambi will run errands for her uncle Warren in exchange for magical items she can sell or use. Due to the nature of his work, the 'simple errands' have a habit of becoming day long quests instead.
Jak L. -> Works part time as a babysitter for human/monster couples. Part of this job includes helping deliver the child to the other parent's home, as neither is allowed to live in the other's community. The journey can be dangerous, but she knows the trail like the back of her hand - meaning her fare can cost as much as she likes.
🎹 - Do they have any hobbies?
Bambi -> Loves wrestling and will never say no if challenged. The scruffier the struggle the more fun she has ((she also enjoys a bit of whittling due to her dad's influence but will never admit that to him))
Jak L. -> Secretly enjoys climbing up trees to write poetry. She feels her poems are too soft and melancholic for the mysterious punk rebel persona she's trying to sculpt, so no one's ever read em :(
🎯 -What do they do best?
Bambi -> Despite wrestling being her favorite pastime, Bambi is best at parkour! The Jek taught her how to take advantage of her digitigrade legs to give her a better boost in agility
Jak L. -> Jak is convinced she's the best at everything she does, but her true passion lies in lyrical prose.
🥊 -What do they love to do? What do they hate to do?
Bambi -> Other than wrestling, Bambi loves to fish! She doesn't use a rod or bait, preferring to catch them with her own hands and teeth (not always a successful method, but it's endlessly fun for her)
She hates feeling caged in or restricted, something she and Wilton argue about often.
Jak L. -> Despite how she makes it seem, Jak loves teaching and watching over the children she's put in charge of. She likes giving them the time to explore, vent, and whatever else they want but rarely have the freedom to do.
She hates authority in all it's forms, holding a strong belief that anyone in a position of power will abuse it. It's just a matter of when.
❤️ - What is one of your OC’s best memories?
Bambi -> She'd been around 12 years old, on a visit with Wilton into a human settlement so they could sell his carvings. She caught one of the older boys trying to set fire to their stand and tackled him. She walked away with a few scratches while he limped away with a broken nose. Her father was displeased sure, but that was nothing compared to the pride she felt at winning her first brawl.
Jak L. -> A month or two after meeting Bambi, she had introduced her to her uncle; a necromancer. Jak had always wanted to learn magic but had never found a teacher patient enough to show her. It took the whole day to master but the Lich Doctor taught her how to heal minor cuts and scrapes. It may have only been a simple spell but it meant the world to her.
✂️ - What is one of your OC’s worst memories?
Bambi -> Wilton had gotten sick and stayed worryingly ill for weeks; it didn't seem like he'd get any better. Bambi offered to get the Lich Doctor to help but he was adamantly against it, resulting in a nasty argument and Bambi leaving anyway. By the time she returned, her dad had already passed. Sure, her uncle assured her that he could reincarnate him, but it didn't change the fact that her last words to him had been "I hate you"
Jak L. -> Jak had hidden herself in her favorite tree, happily writing poems no one would ever see. Her ex didn't like the thought of her keeping secrets from them, leading to a shouting match and a frenzied fight over the pages. Once read, he misinterpreted her poems as an admission to cheating; burning her work and cursing her to never be loved again. She's been looking for a way to break it ever since.
🧊 - Is their current design the first one?
Bambi -> Not at all really. The only thing left over from her first design is her yellow flannel - it's her signature character color! she looks weird without it now!!
Jak L. -> Yeah, I made Jak in January so there hasn't been a lot of (if any) evolution in her design (yet)
🍀 - What originally inspired the OC?
Bambi -> Originally I wanted to make a non-canon fankid for Wilton & Walt / The Jek to explore what they'd be like as parents. I based her personality off a little girl I saw aggressively splashing in rain puddles and laughing evilly. the rest is history
Jak L. -> Design practice! She wasn't going to be an OC at first, just an exercise in character design but when I finished I liked the potential too much for her to just be a one off.
🌂 - What genre do they belong in?
Bambi -> YA fantasy but preferably one that has more fucked up freaky little creatures ((like the spiderwick chronicles))
Jak L. -> Whatever genre Rebel Without a Cause was ((add in a fantasy or horror element so she can keep her face))
💚 - What is your OC’s gender identity and sexuality?
Bambi -> Demigirl + Lesbian! ❤️🧡🤍🩷💜
Jak L. -> Transfemme + Bisexual! ❤️💜💙
🙌 - How many sibling does your OC have?
Bambi -> she tried really hard to get her dads to grow a new sibling but Wilton wouldn't have it (Bambi suspects Walt planted one anyway, but has no proof)
Jak L. -> She's unsure if she has any siblings. Maybe she does, maybe she doesn't. Jak doesn't know and doesn't care to find out.
🍎 - What is the OC’s relationship w/their parents like?
Bambi -> Loving but a bit strained. Her parents' over-protectiveness kept her from exploring anything beyond the river mill for years and their secrecy prevented her from learning anything about their pasts. She wishes they'd respect her autonomy and not keep so many secrets from her
Jak L. -> Cold and distant. All she knows about them is that they left her behind and disappeared. She doesn't know if they died, but she wouldn't be upset if they did. As far as she's concerned, her father is the sun and her mother the moon
🧠 - What do you like most about the OC?
Bambi -> all the potential pathways I could take her character! Her storyline isn't set in stone like some of my other OCs so I have a lot of fun putting her in Situations™
Jak L. -> her design for sure. She's incredibly fun to draw, especially her locs & baggy t-shirt
✏️ - How often do you draw/write about the OC?
Bambi -> Getting back in the habit of drawing her again now that I've gotten over my second-hand embarrassed ab sharing my stuff. I've definitely got more notes about her than I do drawings
Jak L. -> Only very recently started fleshing her out via notes/short stories. It's been fun getting to know what her personality is going to be like
💎 - Do you ever see yourself killing off the OC?
Bambi -> I don't think I've ever thought ab killing Bambi off, not even in an angsty one-off. She's got too much of a story to tell to cut it short like that
Jak L. -> kinda? But not really dedicated to it just yet. She's too new for me to want to get rid of so quickly.
💀 - Does your OC have any phobias?
Bambi -> She'll claim she doesn't, but she's absolutely Claustrophobic
Jak L. -> Not exactly Pyrophobic since she can be around campfires or a fireplace well enough, but she will refuse to interact with it in any way that doesn't involve putting it out
🍩 -Who is your OC’s arch-nemesis or rival?
Bambi -> The Big Secret her family has been hiding from her ((she hasn't really met Him yet))
Jak L. -> Jak sees every established institution as her arch nemesis
🎓 - How long have you had the OC?
Bambi -> oh man it's been a loongg while....I think since 2017 or 2018? That makes her about 7 or 8 years old....wow...
Jak L. -> Jak is about 4 months old ‼️
🍥 - What age were you when you created the OC?
Bambi -> I was probably 16 or 17 when I first sketched her up
Jak L. -> Can confidently confirm that I was 22 when Jak popped onto my canvas
Phew! You made it to the end! Thanks!
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notmoreflippingelves · 3 months
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Rewatching "Navidad" and noticing right now that contrary to what I remembered, Esteban wasn't the only one who wanted to celebrate a traditional Nochebuena in the palace with just their family. Francisco did too! This is the very first Navidad since their reunion and Shuriki's defeat. Esteban has been waiting 41 (!) years for this day, and he probably thought it would never come. It must have hurt so much when his wish for a traditional family Navidad was immediately shut down by Elena and Luisa and (albeit a bit more conflictedly by Isabel) or that Francisco's agreement with his idea was disregarded.
It's especially intriguing to me, because ordinarily, you would expect Esteban to be all in on the exciting new Navidad celebrations. He can be stuffy and traditional, sure, but he's also extravagant and loves grand, elaborate parties. In this case, however, he vastly prefers a quieter, more intimate Navidad than something new and elaborate and exciting. He doesn't want fireworks or or parades or massive parties; all he wants is simple quality time with the family he spent four decades longing to somehow see again.
To borrow a few lyrics from "Let Love Light the Way," Esteban needs "nothing more than those [he] adore[s]" over the holiday. And it must rankle him so much to receive the seeming confirmation that this isn't enough for the others-- and I feel it could lend itself to the inevitable conclusion that he himself isn't "enough" for the others.
Personally, I feel like Francisco's desire to have their quiet, private Nochebuena celebration comes from a slightly different place than Esteban's. He's naturally a more traditional, reserved person, so he would always prefer simple quality time with his family than a grand function. Additionally, he did not perceive any time passing during the past 41 years, as Esteban did. So this particular Navidad would have less strong of a meaning to him as it did to his grandson who was all alone for four decades. I also do not think he would be fully aware of what this end of the Dark Times means to his grandson. But unlike the others, Francisco does seem to be genuinely trying to understand what Esteban is thinking and feeling.
And even knowing that Francisco can and will never fully understand, Esteban must have felt a little tiny spark of recognition and validation when Francisco too wanted to resume their regular Navidad traditions. These--and by extension, Esteban himself--may not have been "good enough" for Luisa or Elena. But for Francisco, the traditions were more than merely "good enough," they were his first choice.
#elena of avalor#esteban flores#chancellor esteban#francisco flores#i've thought a lot before about the family's microagressions toward esteban in s1#mainly focused on this ep but also the two family vacation episodes that he doesn't appear in#but this ep hit different this time since i had forgotten/hadn't noticed#that francisco actually agreed with esteban's navidad plans#someone noticed; someone cared; someone wanted the same thing as esteban#even if the combined contrary force of the flores women prevented this wish from coming to fruitation#at least francisco and esteban get their way on the next navidad#'craig gerber please consider esteban's backstory and feelings even in funky little filler episodes' challenge#(failed yet again)#eoa salt#i mean tbf elena's and luisa's desire for something new does make sense too when you think about it#it's also the first navidad without elena's parents so a traditional navidad might have been too painful for them#but ya know what they should've done? talk this through as a family#let esteban (and francisco) talk about *why* the traditional navidad is so important to them#and then have elena and luisa explain *why* they need something different this year#if this family actually communicated; they might have come to a better compromise#like accepting christina's invite (as the first one offered)#and then coming back a little early from it and spending the rest of nochebuena with just the 5 of them doing their navidad traditions#but no; elena and luisa just decided what they were gonna do without asking for real input#and when francisco tries to question it; luisa is like 'why would you even question this? this new idea is *obviously* the better option.'#and nobody even cares a little about what esteban thinks
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bilbao-song · 1 year
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(all credit for the original idea [and a significant portion of this text] goes to @quiet-beatle​!)
ho ho ho, classic rock fans! Christmas is coming and so is The Secret Rocker Santa project! if you are looking for an opportunity to make new friends who love classic rock, or just want to make someone happy, this is your chance!
❅ ❆ ❅ ❆❅ ❆ ❅ ❆❅ ❆ ❅ ❆❅ ❆ ❅ ❆❅ ❆ ❅ ❆❅ ❆ ❅ ❆
What is Secret Rocker Santa?
Secret Rocker Santa is a tumblr-wide “match-maker” in which you will anonymously send asks to (and hopefully befriend!) a tumblr user who is assigned to you. you will also be assigned to someone else, who will send anonymous asks to you. the event will run from december 1st through december 25th. while this might seem complicated, it’s actually quite simple, and you will only need to answer a minimum of two questions to sign up.
How it works:
you must read these instructions!
the deadline to sign up is november 28th. there are two ways that you can sign up: the first is to send me a submission (or an ask) with your completed questionnaire (found here). while the first two questions are required, you can otherwise provide as much or as little information as you want. the second option is to sign up via google forms.
please reblog this post! (this isn’t a strict requirement, but it would be greatly appreciated and helps to ensure that enough people will participate!)
your ask box must be open to anyone! this means that anon asks will have to be enabled. if you want, you can wait until the first day of the project (december 1st) to change this setting, but please make sure you remember!
your blog doesn’t have to be classic rock-related, you just need to be a fan. (this project will also be using a very broad definition of “classic rock,” so nearly any music from 1950s-1990s counts.)
(more info below the cut!!)
during the last days of november, i will be assigning people to their Secret Rocker Santas. you will receive a message from me telling you who you have been assigned to, either in the form of an ask or direct message.
you will start messaging the person assigned to you ANONYMOUSLY on the 1st of december and continue until Christmas (december 25th), which is when you will reveal your identity and (hopefully) have made a new friend!
you can send your partner whatever you want (as long as you do not reveal your identity). your job is to make your partner feel happier! (some ideas: lyrics, pictures, facts, play games, chat and of course do things that are not only associated with classic rock).
be careful - make sure you are messaging your assigned partner anonymously.
please tag messages that you receive from your secret santa and any other related posts as #SRS22, so your santa will be able to find your answers more easily.
REMINDERS:
some people might get more than one santa or will be assigned to more than one person, depending on how many people participate and how many suitable matches i have for certain people. if you are certain you will not be able to be a secret santa for two people, please mention this when you submit your form (you can also let me know if you would prefer to be a santa for two or more people! anyone who volunteers for this will get first pick if the need arises)
if you’re not committed to sending asks to your partner and/or responding to your santa at least a few (2-3) times a week, please do not sign up.
while the primary focus of this project is classic rock, any additional interests you list may be used as a secondary way of helping to find a good match for you. with that in mind, don't hesitate to list any interests and hobbies you might have, whether they relate to classic rock or not! this will especially come in handy if there are many applicants who like a particular band, or if i am having trouble finding a match for you based on your favorite bands.
if your santa has not contacted you in over a week, message me and i will gently remind them or find you another one.
as a general rule, be nice! anyone who is rude to the another participant will be removed from the project.
make sure to answer all of your santa’s messages! you don’t have to answer right away, but don’t ignore them.
please let me know if you experience any problems at all (for example, if i have made a mistake, or you are having problems with either your own santa or the person you are assigned to)
if you are not already following your partner’s blog, you probably shouldn’t do it right away, because they might guess that you are their santa.
it’s useful to have an easy-to-find “about me” page so that your santa will have a better chance of finding something to talk to you about!
please try to keep a note of who you’ve been assigned to! you’ll also get a personal number which you will have to remember, so please make a note of it or save the message i send you.
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thebreakfastgenie · 6 months
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Billy Joel songs as mash characters?
Darling this is not a simple question. This is a subject I have been pondering for some time.
Hawkeye - I Go to Extremes
Sometimes I'm tired, sometimes I'm shot Sometimes I don't know how much more I got Maybe I'm headed over the hill Maybe I set myself up for the kill Tell me, how much do you think you can take Until the heart in you is starting to break? Sometimes it feels like it will
This is hard because, a lot of songs fit him. I have, previously, associated Hawkeye with Tomorrow Is Today, Pressure, and Everybody Loves You Now. I also think there's something there for Code of Silence (which could also fit other characters, I considered it for Charles; it's kind of an all-purpose trauma song). I wanted to do something different, which is why I picked this one. I don't see it as being about mood swings, despite the chorus, but the verses really sound like Hawkeye to me. It's that feeling of constantly fighting something and being at a breaking point.
Tomorrow is Today Pressure Everybody Loves You Now
Trapper - Only the Good Die Young
You mighta heard I run with a dangerous crowd We ain't too pretty, we ain't too proud We might be laughing a bit too loud Aw, but that never hurt no one
Look, I know it's basic, but it fits. The melody and beat fit him too! He's might seem a little rough but he has a heart of gold and wants to have a good time! And he's a threat to good Catholic girls everywhere.
Henry - Big Man on Mulberry Street
Why can't I cool out? Why don't I button my lip? Why do I lash out? Why is it I always shoot from the hip?
It's just a vibe! I think the melody and lyrics both fit his kind of anxious everyman thing.
Radar - Get It Right the First Time
I'm not much good at conversation I was never to smooth at comin' on real strong If all it takes is inspiration Then I might have just what it takes If I don't make no bad mistakes and I get it right the first time That's the main thing
The lyrics fit Radar's interest in romance, but the melody as well as parts of the chorus also remind me of how seriously he takes his job as clerk and how busy he always is. Sexually the first time did not last for Radar, but you know.
Margaret - She's Always a Woman
Oh, she takes care of herself, she can wait if she wants She's ahead of her time Oh, and she never gives out and she never gives in She just changes her mind
Look, I know. But it's perfect. It's about a woman in a male-dominated field who was widely hated for being too assertive and generally for misogynistic reasons. She's all these things, but she's still a woman. Plus the vaguely negative vibe to it fits Margaret too.
Frank - Why Judy Why
I never thought that I would need, need a friend But I did, in the end Tell me why, Judy, why
I really puzzled over this one, but I couldn't think of any Frank songs that summed up his whole character, so I chose one that I thought fit a specific part of his story. I don't think Frank ever anticipated Margaret would actually leave him, and when it happens, he's crushed. He does need a friend and he doesn't have any. "Judy" could be Hawkeye and Trapper or BJ, or it could be his mom, depending on the episode. I chose to focus on pathetic Frank, but while he's with Margaret, Blonde Over Blue fits as well. There's also a demo called The End of the World that I like to associate with Frank's fears of Louise becoming her own person.
Klinger - You May Be Right
You may be right I may be crazy Oh, but it just may be a lunatic you're looking for It's too late to fight It's too late to change me
Choosing a song for him was so hard! I think the general vibe of this one fits with the melody and all. Obviously "I may be crazy" is very Klinger but I also think "don't try to change me" conveys his absolutely refusal to be turned into a killer. I also like She's Right On Time as a Klinger/Soon-Lee song.
Mulcahy - All About Soul
This life isn't fair It's gonna get dark, it's gonna get cold You've got to get tough, but that ain't enough It's all about soul
It's a romantic song, but you don't have to take it that way, and I think it describes Mulcahy's role in the group well. They need more than toughness and more than medical skill. They need a heart, someone who can look after their souls.
BJ - Temptation
'Cause I know what all of my friends say There's a danger in wanting too much But she's such a temptation
It's about his baby daughter. It's about overwhelming love, but it conveys a bit of a dark side, too. Being in Korea is even more painful because he loves his daughter so much, so I think that desperation and fear of how strong those feelings are suit BJ well.
Potter - Shades of Grey
Once there were trenches and walls And one point of every view Fight 'til the other man falls Kill him before he kills you These days the edges are blurred I'm old and tired of war I hear the other man's words I'm not that sure anymore
It just so perfectly encapsulates Potter's changing feelings about war as a career soldier who once believed in the romance of it. Billy Joel also has a demo called The Siegfried Line that fits Potter very well because it's about WWII.
Charles - Where's the Orchestra
After all, this is my big night on the town My introduction to the theatre crowd I assumed that the show would have a song So I was wrong
I assigned this to him once a while ago and I'm glad I remembered because it's perfect for him. The melancholy melody... the feeling of getting/having everything you want but something not being right... being out of place in the place you're supposed to fit... and the lyrics are perfect for him because of his love of music and experience with the musicians.
As a bonus, I've previously associated This Is the Time and Famous Last Words with the entire cast!
This Is the Time Famous Last Words
Goodnight Saigon reminds me of MASH a lot too, with the choppers and some of the lyrics, but it's very anchored to Vietnam. And of course I'd be remiss if I didn't mention his two songs that actually reference the Korean War directly, We Didn't Start the Fire and Leningrad.
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wolfwoodthekid · 2 years
Text
A very long post on Mafuyu and autism.
DISCLAIMER! This is quite messy, so I apologise for that. I made this a while back and I’ve been dying to share it! I hope you can enjoy its even if it is too much text. 
1. Struggling with emotions and communication.
It is very clear Mafuyu isn’t an expressive person when it comes to his emotions, he is often portrayed with the same face and seems to be distracted most of the time. This might make him seem like he is unattentive, but this is due to him not masking. Masking is when autistic people act so we can look like allistic people, mimicking their smile, tone and facial expressions, since Mafuyu is not doing that, he often has the same expression.
Another thing he says is that he can’t laugh or cry like other people, autistic people have a hard time understanding and expressing their emotions. He states that he can’t find the words to express himself and that is why he is seen to have a hard time writing the lyrics for the song.
Mafuyu doesn’t talk like the others, he is short of words and often replies with a simple yes. This is often seen as he is just not paying attention, or zoning out, but this is just another autistic trait. This can be due to two things, he is a semi verbal person or is more connected to his lack of understanding of his emotions.
First, a semi verbal person is when an autistic person tends to not talk a lot compared to allistic people. Some autistic people are non-verbal, but in the case of Mafuyu, he does talk, just not as much as others.
2. Facial expressions
Mafuyu’s facial expressions don't change as drastic as the other characters. He often has the same face and this also makes it seem like he is distracted or not interested, but that is another common autistic trait. Mafuyu is not trying to mask by imitating the others around him, which causes him to have a same face syndrome. 
3. Fixation on things.
The guitar/music! He is called a prodigy due to his fast learning, but he is just fixated to learn how to play. It is stated in the show that he doesn't sleep to learn to play.
This could be due to playing the guitar is now a hyperfixation for him, autistic people have both hyperfixation and special interests.
4. Echolalia.
Whenever Uenoyama ends his explanations, Mafuyu tends to repeat the last words he says. At first, it looks like he doesn't know what the words mean, but that isn’t the case. Echolalia is the repetition of words/phrases, it's like quoting a movie, but involuntary.
Mafuyu doesn’t understand certain concepts, but most of the time he is repeating what Uenoyama says because he is focusing/trying to understand what he is saying.
5. Sensory processing issues.
This is an anime scene only, but Uenoyama buys Mafuyu a soda, and he says he can't drink it. This may look random, but this can be seen as him not being able to eat certain food due to sensory issues. This can make certain textures feel like hell (personally, I can’t drink soda either, this is why it’s here)
Another scene is after the concert, he states that the lights from the stage burn and that seemed to take a lot of focus. It wasn't a bad thing for him. Sensory issues aren't always a bad thing, we just process things around us differently.
6. Taking things too literally.
Uenoyama tells Mafuyu not to take things too literally when he doesn’t get the eyes in his back phrases. Autistic people tend to not understand certain idioms or common phrases when they have another meaning. Like the phrase “It’s raining dogs and cats.” it isn’t raining literal animals, but phrases like that can be confusing to autistic people.
7. Saying things at the wrong time.
He tends to give direct honest and be brutally honest. Sometimes his answers might seem out of context, like when asked what would he like for the band name. Like I said before, this might look like he is just distracted, but he is just saying what’s in his mind. Autistic people tend to do that due to not reading the tone of the conversation/question.
8. Stimming.
This one is hard to catch, but the song he has stuck in his head might be a stim. Hiiragi says Mafuyu would often hum songs, and Mafuyu seems to not remember the songs. That is because it was a vocal stim! Stim is short for self-stimulation, it is something autistic people do when overwhelmed/underwhelmed. It can be voluntary or sometimes we don’t notice, like Mafuyu. Another scene where we can see him stim is when he first plays the chord to Uenoyama and he keeps playing it repeatedly, which can be interpreted as an audio stim.
9. Explosive episodes.
I do not mean this as in an explosive anger episode, that is a completely different thing. Mafuyu tends to explode after a while, this can be seen with his fight with Yuki and his talk with Hiiragi. This is linked to his struggle with emotions, since he doesn’t express how he feels, he tends to bottle up, which ends in an explosive moment where he loses control of what he says and how he says it.
11. Extras.
In the anime, Mafuyu is seen arranging his toys in a straight line. This sounds like nothing compared to the rest of the notes, but this is often associated with autism.
That is all! II have written a post about autism in anime, if you feel interested in reading more about my thoughts on this topic! 
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